#mostly money matters you know

[thatscarletflycatcher]

I know we are in the guillotine the monarchy site, but the thing is, Charles III underperforms even at the level of nobility in general. This guy's grandparents and mother stayed in London during the Blitz. At "London's worst hour" they were there. So, sure, Elizabeth II had a coronation ceremony at a time where the economy of Britain was not doing very peachy. But the royal family and even she herself had, you know, invested in danger to reap sympathy and popularity. But Charles' public image has been dominated by his selfish inability to really sacrifice ANYTHING of his personal pleasure, and that before you compare and contrast with his direct ancestors. He has one job, and I don't think someone else could do it more poorly if they were trying that way. Hard.

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[talkorsomething]

I have Got to get more transgender

[meirimerens]

"If I could grow a little mustache" has the same energy as my schoolmates asking me how I got my hair to be this long (just. Don't cut it)

in her defense a mustache Is harder for a cis woman to grow if she doesn't have the predisposition to it than the rest, if you can't naturally grow the girlstache you can't grow it that's just how it is, whereas even the palest blondest most sickly woman will naturally grow like. pit hair unless she's got hormonal problems. but the juxtaposition of "If I could grow a little mustache, if I could grow a fucking happy trail and unbutton my pants, I would." and The Smoothest Skin On A Woman Alive is. chuckle-worthy a lil to me.

[uncertainty5]

My thoughts on the Watcher drama youtube controversy

lol. lmao

[m4niackkyun]

Hi. (Announcement in the tags)

[ofmermaidstories]

you said merms bloodlust and i thought "ooh merms vampire fic? 👀"

NO BUT SERIOUSLY i hope you are feeling better and good things come your way merms lovey <3

fun fact!! i actually had a massive vampire phase a million years ago!!! like, during the Twilight/Vampire Diaries hayday, LOL. everything i wrote back then involved vampires. fanfiction, original fiction—role-play. yeah!!! your girl here used to role-play with other people online!!! i’ve written teenage-girl-stumbles-across-sexy-bad-boy-vampire-who’s-old-enough-to-be-her-great-great-great-grandfather tropes. vampire highschools, ala Vampire Knight. Vampire Secret Societies. name a trope and i probably wrote a half-assed outline for it!!! if they had sharp pointy teeth and were driven by uncontrollable bloodlust into sucking on someone they cared about’s neck then i was there!!!

i’m kinda all vamped-out these days… i much prefer my bloodlust to come in the form like, a favourite character’s head being bludgeoned-in with a rock or something, LOL. just normal, non-blood drinking violence. 🥹🪓🫀🩸 idk if i’ll ever (seriously) write a vampire!AU for BNHA—maybe more drabbles, randomly. but to me the magic of a vampire story came with like, pairing it up with teenage girlhood (including but not limited to the connotations of the whole, blood-drinking-in-the-place-of-sex thing). and idk! it’d be hard to pull that off in a x Reader without like, flattening whichever BNHA cast member we picked for the Lead. and i write (and read!) fanfic because i’m interested in them, in their complexities and lives and the things that stretch out after canon. idk!!! now that i’ve said that, watch me pull a iida/reader/tokoyami vampire!AU outta my backside. 😭

(that’s a joke; i don’t have time. 😔 but also… 🧐 you could do some pretty interesting things with a set up like that… Dark Shadow could be like, part of Tokoyami’s vampirism? And between DS and his mutation—the bird-like qualities—he has to live lowkey. 🧐 whereas Iida could be the “youngest” in a clan of regimental, powerful vampires that have successfully infiltrated the modern world with fearless business acumen… hmmm. MUCH to think about.)

[running-in-the-dark]

over the past few days I've switched from watching lots of cleaning videos (which was good because they made me want to clean - though that effect is still there for now) to sewing videos (which is very very bad because now I want to sew more and get a sewing machine that actually works right (I got mine used for like 50€ and it's very basic and a lot of things just keep breaking/not working (which is probably at least in part because I don't know enough about using it correctly)))

[seungmoes]

.

[earlyspringtranscendence]

what if u DID get the pepper and salt grinders as tattoos :3 (do it!!!)

i want toooo im just having a really hard time finding tattoo artists i like in my area :(( a friend of a friend is currently getting her tattoo license & a friend of another friend does stick & poke & some machine tattoos so i think im gonna like look into both of them further ... the girl getting her license rn makes really beautiful work but she lives in germany and the guy who does the stick and poke does pretty stuff but im slightly less into the style and he's also my friends ex so like. idk how awkward that would be

[embervoices]

A very useful thread on Bluesky:

(There is a lot more. Rather than give you all the images, I've copied the full text below.)

Meredith Rose‬ ‪@mrose.ink‬ November 8, 2024

This is not going to be a repeat of 2016-2020. It will be better, it will be worse, but most of all it will be different. Here are things I want every single person to keep in mind as we head into round 2 of a Trump admin.

My credentials: I’m a queer female public interest attorney working on tech policy in DC. I’ve been doing this for a decade--longer than some, not as long as others. I had to navigate three different administrations, as well as Congress, regulatory agencies, courts, and the advocacy world.

FIRST: don’t let despair override your media literacy.

The left has grifters, just like every other movement. If you’re able and compelled to donate, give to orgs with established track records. Avoid giving to individuals, especially anyone who emerges overnight with a one-weird-trick “plan.”

The left is not immune to misinformation, and everyone—EVERYONE—falls for it sometimes, present company included. There is no shame in it. When (not if) it happens to you, you should acknowledge it; delete or retract the post to reduce the spread; and move on.

If a source consistently shares half-truths or outright misinformation, it is not trustworthy, no matter how much “their heart is in the right place.” Unfollow and move on.

Prediction, analysis, and reporting are three fundamentally different things. Learn to identify them for what they are. Reject attempts by amateur “analysts” to predict the future. They know as much as you do.

Real subject matter experts know and acknowledge their limits. They’re also (usually) hesitant to try and predict the future. The best frame their predictions in terms of a range of possible outcomes. Subject matter experts may also disagree with one another! It happens!

SECOND: What we know for sure about how the Trump, how he operates, and how that will impact the next four years.

Trump is a narcissist who avoids reading and doesn’t care about details. He cannot be persuaded by argument or logic; he’s moved mostly by flattery, and will agree with the last person who flattered him. He can and will upend his own administration’s work without warning, often by tweet.

As a result, most policy experts—even those "on his side"—dread him taking an interest in their field. Ask any Republican staffer who worked in Congress during the last administration, and most of them will confirm that their greatest fear was Trump tweeting about anything related to their work.

As such, people who are serious about their work will do everything to make it as invisible and boring-seeming as possible. This is the policy equivalent of defensive camouflage. Lots of “normie” work will continue in silence. (The lion’s share of tech policy ends up in this bucket.)

If you have a niche issue that you care about, now is a great time to donate to orgs that work on it. Lots of money will be funneled to big legacy orgs working on headline issues: ACLU, climate change orgs, etc. Consider sending your donations where they matter most: local, niche, established.

Trump runs his cabinet like the Apprentice. He thrives on chaos and making people compete for his approval. Not only does he not reward collaboration between his subordinates, he actively undermines it.

Moreover, everyone who works with him knows that they’re vulnerable to being thrown under the bus at a moment’s notice, for any reason (or for no reason at all). His cabinet is going to be scorpions in a bottle. They will not be able to coordinate, for good or ill.

One scorpion can still do a lot of horrific damage. But large scale inter-agency coordination is unlikely, particularly after the first few months, by which point he will likely (prediction warning!) have gone through a handful of cabinet secretaries already.

FINALLY: The view from inside civil society heading into 2025.

In 2016, Trump was a largely unknown quantity. The left and establishment right alike wasted a lot of time trying to read tea leaves and make sense of this guy, because he was completely outside the realm of what anyone had dealt with. That’s not happening now.

He did us a favor by broadcasting his plans in advance (aka Project 2025). Civil society has spent the last 2.5 years strategizing around it. We’re not starting off flat-footed.

The Biden admin did a good amount to future-proof its own achievements. Folks can speak to their own areas of expertise, but clean energy and CHIPS and Science Act (investing in domestic semiconductor production) have benefitted from huge sunk investments. That money’s not getting clawed back.

OVERALL TAKE-AWAYS:

It's going to suck. But civil society and the political left have some advantages we didn't have last time. We know him, we know his angles, and we know who he's bringing in--none of which we had in 2016.

We'll get through this. It will be grim, but we'll get through it.

John Cutting‬ ‪@johncutting.bsky.social‬

Thanks Meredith. I really valued your analysis over the past few years, and I think this is a reasonable, actionable framework to think about the upcoming storm

Meredith Rose‬ ‪@mrose.ink‬

I really cannot overstate how much time was (necessarily) wasted in 2017 trying to figure out this guy and his influences. The fact that he's not only a known quantity, but ran the most over-studied administration in this nation's recent history, makes this a very different game.

John Cutting‬ ‪@johncutting.bsky.social‬

I bet we can weaponize his narcissism. Let's say some ghoul starts making progress with a mass deportation effort, if we start calling that ghoul that "shadow president" en masse, Trump would fire him in right away and appoint Hulk Hogan or something

‪Meredith Rose‬ ‪@mrose.ink‬

This is exactly why I don't think Musk will last very long. Trump is very clear that he's the only one in the room allowed to have an ego or any kind of brand name.

[chevaliermalfets]

yes vote blue no matter who lile 95% of the time because it's usually the better candidate but also please research the choices, especially down-ballot (where your vote has a bigger impact) and think critically about who you're voting for

[talkorsomething]

genuinely tried to Be Asleep for like two hours this time and just couldn't. I think i'm cursed [unwell]

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[rafey-baby]

What would sensitive!reader do without older!rafe protecting her from the invisible monsters in their home?

18+ mdni!

c/w: mostly fluff, her being scared & rafe comforting her while also being a menace, teeny tiny bit of angst regarding their age-gap, use of daddy (once)

wc: 1.7k

unfortunately won't be watching a single scary movie this halloween cause she's literally me but happy kinktober & spooky season xx

- - - - - - - - - - - - - - - - - - - - - - - - - -

She’s not exactly sure why she agreed to watch the new horror film Rafe’s friends wanted to see at a Halloween themed gathering he’d dragged her into. She wasn’t even the biggest fan of his friends, which is why she didn’t want to go in the first place.

However, when he’d mumbled a honeyed “It’s no fun without you and don’t wanna leave my girl alone on Halloween” into her hair, she’d reluctantly agreed; not one to refuse him of anything when he looked at her with that specific softened blue coloring his eyes.

And there was also the prospect of making him happy that finally made her melt into his wishes.

And she wanted to like his friends, she really did. But it wasn’t exactly easy when they kept bragging about their accomplishments and how much money they had every opportunity they found in such an arrogant tone, it made her roll her eyes when they weren’t looking.  

Luckily, she could at least converse with their partners who were always fun company to sip wine with and giggle about anything and everything. And along with the warmth of Rafe’s gaze flickering over to her every once in a while, as he talked with his friends and coworkers, she was actually beginning to enjoy herself. 

Up until the point when someone suggested they watch a movie. 

“You sure you wanna watch this? S’okay if you wanna go home, could come up with something else to keep us entertained…” Rafe had murmured into her ear with his arms around her on the couch the whole group had settled down on.

He knew how paranoid she could get; how easily she’d turn into a scaredy cat who once couldn’t sleep alone for a month after sitting through an entire scary movie in the cinema.  

And she truly doesn’t know why she didn’t just tell him she wanted to leave when the film started playing on the big screen of Topper’s television. She was going to, but when her eyes flitted over to him bringing a glass of whiskey to his lips in a carefree manner; she didn’t have the heart to ruin his fun because he seemed to be enjoying himself. After all, it wasn’t often he let himself relax due to his hectic work schedule packed with tedious meetings and whatnot.  

And on top of that, she’s already self-conscious over the age-gap between her and Rafe; sometimes gets a headache over the notion of him meeting someone more mature one dreadful day and deciding he doesn’t want to play house with her any longer.

After all, his friends were all getting engaged left and right, while she still holds the title of being his girlfriend. And even if she isn’t sure she’d be ready for marriage quite yet, she’s still slightly upset that he’s never even so much as mentioned the matter. 

And she's not sure if it's because she's younger than him and he assumes she doesn't want a ring on her finger too soon or if he simply just doesn't want to make things too definitive with her.

Nonetheless, it's something she's been thoroughly overthinking and mulling over recently, even if she knows it doesn't benefit her in any shape or form. Apparently, her mind just likes to always have some topic to ruminate over and obsessively worry about, or else it'll have too much free time.

Therefore, she can admit that she didn’t want to appear as a big baby who couldn’t stomach anything even remotely scary (she really couldn’t). And was it such a crime to not want to make a scene in front of all his friends? 

That’s why she ends up meekly nodding her head and assuring him she was fine — which he didn’t entirely believe — but smiled nonetheless at the fact that she was willing to get out of her comfort zone for his sake, before pulling her closer to his side.  

However, when the white letters of the end credits finally rolled after a few gruesome and eerie hours later, she was anything but fine. 

Her weakened frame is trembling and she’s entirely too jumpy even after they’ve said their goodbyes and stepped past the threshold into the safe haven of their home.  

“Told you we should’ve just left,” he tuts at her when she flinches at the October wind rustling the autumnal foliage outside the window.  

“Rafe, what was that?” She squeaks out when she hears another sound coming from outside — presumably their neighbor — however, there’s always the possibility of it being a serial killer simply waiting for the right moment to pounce.  

“What was what?” He huffs out a chuckle in amusement, causing her to pout.  

“This isn’t funny. I’m scared,” she whines, heart beating faster than ever along with her breathing unsteady.

“I know you are. Shit, forgot why I don’t let you watch scary movies,” he shakes his head, padding over to the kitchen to fill up a glass of water; her feet immediately running after him.  

“Hey, hey. I’m right here, yeah?” He laughs tenderly when she practically glues herself to his big and comforting arm with how tightly she’s hugging it against her chest.  

“Promise you’re not gonna leave me alone?” She blinks up at him with her pupils dilated, nervous. 

“It’s past midnight. Of course, I’m not leaving, I’m exhausted. Let’s get ready for bed, yeah?” He suggests calmly, managing to placate her some with his appeasing presence. Although the spine-chilling scenes still play behind her eyelids with every blink. 

She follows him to the bathroom and he tries not to laugh when she insists on staying there even while he’s peeing.  

“Want me to check under the bed for monsters?” His sickly-sweet tone is a stark contrast to the annoying smirk plastered on his face when they pad over to their bedroom after brushing their teeth. 

“Ray…I’m being serious,” she scowls. 

“So am I?” He feigns confusion with a furrow of his brows. 

Before she has the chance to complain about him being mean, he’s already crouching down on the floor and poking his head under the bed into the darkness he’s braved himself to submerge into. And she’s far too curious not to peer down as well, however, she can’t really see a thing from behind his broad shoulders.  

Suddenly, he lets out a loud gasp — making her jump back and nearly trip on her feet — before his breathy giggle follows soon after. 

“That’s not funny,” she grumbles as exasperation drags her lips downwards. 

“I’m sorry, baby. You jus’ make it so easy,” he approaches her with an apologetic expression that doesn’t come off as all that empathetic when he’s fighting off an amused grin the entire time.  

“C’mere, yeah?” He coaxes her before tugging her into his strong arms; not letting go even when she tries to pull away since she’s still mad at him.  

“This one really got to you, huh?” He murmurs into her hair before beginning to soothingly rock back and forth when she finally halts her pursuits of escape.  

A faint hum is the only response she grants him.  

“Don’t remember you being this scared since we went to that haunted house with your friends last year, remember?” His warm chest rumbles in a pacifying manner in tandem with his words.  

“How could I forget,” she huffs out.  

“Why didn’t you tell me you didn’t wanna watch it? You know I wouldn’t have minded leaving,” he speaks softly.  

“I don’t know…just didn’t wanna seem like a baby in front of your friends,” she sniffles.  

“Since when do you care what they think? You hate them,” he argues with a lopsided smile when he releases his hold on her in order to unzip his jeans and change into something more comfortable for the night.  

“Hate is a strong word,” she defends herself as she pulls one of Rafe’s old t-shirts over her head and tries to focus on his familiar scent still lingering on the worn-out fabric instead of the imaginary monsters lurking behind the windows.  

“Is it?” He graces her with a lighthearted narrow of his eyes.  

“Fine. I don’t like them but they’re your friends, which means that I want them to like me,” she mumbles out.  

“Don’t really give a shit if they like you or not, which they obviously do. Think a little too much since you can’t help but be the sweetest angel even to the people you hate,” he grumbles out as he walks over to close the bedroom door.  

“And honestly, would much rather just stay with you than those pretentious idiots. Next time you wanna go home, just tell me. Don’t want you lying to me, okay?” He says with something sincere sparkling in the lagoons of his eyes.  

“Okay,” she promises when suddenly, he switches the lights off with a click, causing her muscles to tense.  

“Ray, why would you do that?” She sounds alarmed; inhales and exhales growing labored because the bedroom is now pitch black and there could be anything hiding in the murky corners of the room since she can’t even see herself.  

“Shh, calm down. I’ll protect you, yeah?” He croons, before he’s guiding her under the covers with a big hand on the small of her back; following shortly behind her and tugging her flush against his steady chest. 

“You’re safe with me. Daddy’s not gonna let anything happen to you, alright?” His saccharine murmurs reach her racing mind and offer it momentary rest on the soft petals of his tranquil voice.  

She hums against the skin of his neck as her eyes begin to slowly adjust to the darkness surrounding them; the dingy shadows crawling along the walls appearing less and less threatening by the second when she’s in the warmth of his protective embrace.  

“Want your stuffie?” He asks, knowing her all too well.  

“Mhm,” she nods against him before he’s reaching a hand behind the pillows because somehow her stuffed animal always manages to end up in the most peculiar of places. At this point though, he already knows where to look since he’s usually the one who has to locate it for her.

Nowadays, she doesn’t need it too often since she has Rafe volunteering to be her own personal teddy bear, but whenever he’s working past midnight, she likes to hold onto something that brings her comfort because she isn’t particularly fond of the idea of sleeping alone. 

He soon offers her the plushy lamb and she gives him a grateful smooch against his cheek along with a muffled ‘I love you’.  

And that night, he lulls her into dreamland with a warm palm resting on her tummy and his mellow breathing placating her distraught mind.

[niteshade925]

Saw these tags in a reblog of my Chinese museum posts, and thought I have to make a response just so everyone is clear on how archaeological studies are carried out in China:

^Well, the Shaanxi Archaeology Museum is a Chinese museum displaying artifacts found in China, it's not the British Museum lol.

But anyway just so everyone knows, modern Chinese archaeology has a rule, which is that unless it's absolutely necessary, an ancient tomb/mausoleum should not be disturbed. This means that many of these artifacts in the museums are found in a few main ways:

Tombs that absolutely had to be excavated because there were clear signs of grave robbing present, for example when tunnels left by grave robbers were found near a known tomb. This is called "excavating to rescue" (抢救性发掘), it's done by teams of archaeologists, the artifacts found will then be studied and eventually find a home in museums in China. In comparison, actual grave robbers would steal artifacts and sell them for money; many stolen artifacts would end up in auctions, mostly outside of mainland China. This is why there is no "general positive sense" in the phrase "grave robbing with grant money" when it comes to archaeology in China. Modern Chinese archaeology and grave robbing are simply not comparable in any way whatsoever.

Tombs that absolutely had to be excavated because new infrastructure will be built in that location. Such exacavations are also included in excavating to rescue. Examples include tombs in Xi'an city that had to be excavated because a metro was being built. Since Chinese people and Chinese culture are native to China, there are no ethical problems whatsoever, this simply a question of what matters more, the welfare of living Chinese people or the abstract afterlives of ancient Chinese people. Obviously, the welfare of living Chinese people is a more important matter. As for the argument of "but this goes against traditional culture", first, a culture is only alive if the people of that culture is alive and doing well, otherwise that culture is as good as dead; second, a major part of traditional Chinese culture IS focused on the welfare of descendants (ex: the belief that the spirits of ancestors will protect their descendants), so I'm sure our ancestors would be proud to see us doing well.

Tombs that were excavated because archaeologists were absolutely sure that artifacts discovered within would make major contributions to the study of Chinese history. This is pretty much the only exception to the rule of "excavating to rescue", and it is very rarely allowed. An example is the Xia-Shang-Zhou Chronology Project (夏商周断代工程), where the main focus is to gain a clearer picture of the timeline of ancient Chinese history, when dynasties began/ended, when major events may have happened, etc.

Artifacts that were found when arresting grave robbers. These are called "recovered artifacts" (追回文物).

Artifacts that returned to China from foreign countries, these are called "returned artifacts" (回归文物). A big portion of these artifacts ended up in foreign countries precisely because of grave robbers, and another big portion were and are still lost for the same reason as why the British Museum has so many artifacts from around the world.

Artifacts that were discovered scattered throughout China. There are three facts to consider here: 1) China has a long history and as a result, there are vast amounts of existing artifacts; 2) tombs are material things and thus are subject to the elements; 3) not everyone is an archaeologist. Combine these, and you have situations were valuable artifacts were found in places like the chicken coop of a farmer (this is how the eagle-shaped pottery ding was found).

Donations. Some artifacts were family heirlooms that were donated to museums.