#most useless character of the franchise

[thoughtofadumbteenprotagonist]

this is an ada Wong hate blog btw

[humanoidtyphoons]

frozen three... some part of me still wishes for hans/anna endgame despite v. clearly knowing it can’t be... i want it... i want hans to appear... but for it to also not be a movie about hans... but????

[steviebunny]

I'm so tired of watching some of that interview with the vampire discourse. They are flawed characters for a reason they literally have eternity. Obviously they're going to be immensely flawed. You can both love lestat for his good moments, his affection, his ability to see beauty everywhere, and have empathy for his childhood , what Magnus did to him all while acknowledging that he was a toxic partner to Louis and guardian to Claudia. You can feel empathy for Louis, and acknowledge his rage and quiet resentment as a flaw. You can love Claudia and criticize that she murdered her parental figure. You can feel for Armand and want to give that poor boy a hug after the 500 years of suffering he's had at the hand of everyone who was supposed to care for him while also being upset he's a manipulative gaslighting bastard.

The only two least flawed characters internal struggles we even get a look at are Daniel and Madeline. Who are both remarkably human for the majority of the show.

Not to mention for a majority of the centuries each of these vampires have been alive. Therapy has not existed! For most of these characters, the peak of their own self-reflection is Claudia's journaling or finding themselves through art, be that music, directing, or photography.

We all know people in the year of our Lord 2024 who don't go to therapy because they think it's useless or just for the "crazies" If you thought your toxic gay vampire franchise would be beyond that you're delusional.

[aroaceleovaldez]

Is it me or people haven’t really been talking about pjo7? Like there is barely posts about it

Yeah, no, a lot of people just aren't interested in/reading the CoTG trilogy. It was kind of the same with TOA and MCGA (and TKC) in just waning interest in the franchise after HoO, and particularly for TKC/MCGA/CoTG them not being main series installments. CoTG trilogy in particular is also getting a lot of general disinterest/distaste in how it's publicly acknowledged to be just advertisement for the show and the overall downward trajectory of quality in the series. Particularly a lot of people take issue with the absolutely useless plotlines of like CoTG trilogy and TSATS, the blatant glaring inconsistencies/frequent retcons, and the fact that both CotG trilogy and TSATS were post-Rick announcing that he wouldn't be making any more major Riordanverse installments (which he then almost immediately took back re: announcing TSATS as a PR move, in response to the negative reaction of how he responded to criticism about Piper and Sam and such). Also people really dislike that it's being tacked onto first series as a marketing move. Plus, the fact that because of that, it doesn't have it's own name for the trilogy, people don't really have a good means to discuss it because they don't know what to refer to it as. We're all outright refusing to call it PJatO like the RR marketing wants because it's not PJatO, but they failed to give us anything else to refer to it as because they don't want us to refer to it as anything else. So just... nobody's calling it anything, then. Nobody's discussing it at all.

In general though the lack of interest is not surprising, given most of the fandom checked out after HoO to begin with and things have been steadily dwindling since then. Also particularly that CoTG is a filler mini-series between HoO and TOA, so skipping it doesn't really mean you're missing any information. It's kind of a "this trilogy could have been a short story saga" type thing. Like, if CoTG was formatted like Demigods and Magicians, or Demigod Files/Demigod Diaries or something I think a lot more people would be interested in it! Even though not a ton of people read the companion books, they're generally more digestible for the audience than a whole new trilogy (sorry TKC and MCGA). Just think of how many people read Demigods and Magicians but not TKC. Honestly I genuinely think they would have had more success if they just did three new companion novels of short story anthologies. Like, hey, what if instead of really bad excessively long plots about Percy's quests for college, we get more short stories of Percy's little quests a la Singer of Apollo/Stolen Chariot/Sword of Hades/etc? And then to flesh out each book a little more you could do short stories for other beloved minor characters from first series to continue it being advertisement for the show and hype up other characters that will appear. Like, what about another Clarisse short story? Or a Chris short story? Or the Stolls or something? Some TA stuff? Who knows!

[femsolid]

Video games recommendation for women part 2

The same criteria as before: has to have a female lead and little to no misogyny

---

1. Shadow of the Tomb Raider

The seemingly invincible and endlessly talented Lara Croft goes on yet another adventure, this time exploring the Amazon jungle and South American ruins looking for a magical artifact hoping to prevent her enemies, an evil organisation called Trinity, from using it.

Tomb Raider is a franchise that has changed quite a bit over the years. Ever since the reboot, Lara has become a fully fledge character and she doesn't do rock climbing in a skimpy outfit anymore (which made the boys mad, boohoo).

But sadly she still suffers from her reputation of sexy girly indiana jones which I suspect is why women don't seem that interested in her. Shame!

It's not usually the type of games I like (very over the top "blockbustery") but I got hooked the minute I set foot (or rather crashed) in the Peruvian jungle. The game is visually stunning, I loved exploring all the ancient temples, the crypts, the jungle and seeing all the animals. The puzzles were challenging, the fights were fun, it was entertaining, well made, with lots of female characters and it takes place in Peru which is just the cherry on top for me.

The only thing I didn't like was Jonah but then I never liked him. He's Lara's best friend and is pretty much there to be kidnapped and rescued in every game, which is kind of a nice reversed damsel in distress trope I suppose, but still, you're useless Jonah I kept telling my screen.

2. Alien Isolation

In this game you play as Ellen Ripley's daughter who ends up trapped in a gigantic spaceship with a lethal enemy, of course, the infamous alien: the xenomorph.

This game is perfect if you are currently suffering from constipation. It doesn't rely on cheap jumpscares and gore to scare you no, it's all about the ~ambiance~. If you are found, you are dead, simple as. And you will die... A LOT. I got an achievement for dying 50 times. I was laughing hysterically whenever the alien caught me by that point and I think the alien was too.

They say "in space no one can hear you scream" but this alien can hear your footsteps so this makes for some tense gameplay, especially as the alien's AI is very good and you are extremely vulnerable. To survive you will have to be very mindful of the noises you make and the noises the alien makes. Oh yeah, you both crawl through the same ventilation system by the way. This could make for some awkward encounter... On top of having to deal with the alien you will meet androids and humans who aren't exactly friendly either. The goal is, of course, to escape from the ship alive.

I have to give the developpers props for really making us feel like we are in an Alien movie. The music, the ship's design, the alien itself, are all very faithfull to the movies and this game is rightly considered a classic.

3. Spiritfarer

In Spiritfarer you play as Stella (and her cat) who has become the captain of a boat on which she welcomes the spirits of different people who have died. She will accompany them for a while until it's time to cross the bridge and say farewell.

It's worth mentionning, given how rare it is, that the main character is a black girl. Your job is to manage the boat (make improvements to it) and become self-sustainable: you will grow your own food, build houses for each spirit and decorate it, grow trees, collect wood, fish, feed your guests. You can make a mill, a weaving workshop, a sawmill, a kitchen, a garden, etc and arrange it as you please.

Most importantly, you will travel the sea to meet new spirits, learn about their lives and fullfill their last wishes before they are ready to leave us. And then you will cry and cry and cry as the music rises and you give them one last hug.

It's a cosy game, slow paced, lots of dialogues, cute mini-games within it, and at times really funny interactions because it all looks so cute yet the characters act and talk like normal people (they told me to fuck off quite a lot) and they will often get into unprompted anti-capitalist rants. It reminded me of Spirited Away a lot, very strange and comfy at the same time.

It's a story about death, about how each person handles it, what they look back on, and yet it's a very pleasant game.

---

As usual I will add more to the list as I reblog it and, of course, if you want to recommend a game too, you're more than welcome. I've been focusing on games with female leads lately so I'll have a lot more to add.

[trexiejan]

Why I don't like Barbara being shoehorned into the Titans.

Reasons why:

1. The main reason why she's on the team is because of Dick. Her relationship with the Titans has always been reliant on Dick. She never had any history with the Titans before retcons pushed her and dick together. She has become a character who hates being away from Dick and always wants to follow him in every mission he takes. When she's with the Titans, it only feels like it's because writers don't know what else to do with her other than making her follow Dick around like a dog.

2. It's part of the whole dickbabs agenda and dickkory erasure. Editorial loves to include dickbabs in everything and They hate the idea of Dick being paired or shipped with anyone other than Barbara. They know Starfire is Dick's other huge love interest and their relationship was a huge part of the Titans franchise. They don't like that so they want to erase that by shoehorning Barbara in the Titans and making Dick/Babs the focus on Titans stuff.

3. Barbara dumbs down the Titans so she can shine on their team.

Barbara especially as Oracle tends to be hyped up but the truth is she's not the only hacker or tech user in the entire dc universe. Titans has plenty of tech users. So in reality she's not needed by the Titans. She fills in niches that are already occupied by the Titans.

Dick - leader, martial artist, tactician, detective, tech user, hacker.

Cyborg - tech user, hacker and information broker.

Starfire - team mom

and all of the Titans are active communicators and they all know how to use a computer, and please starfire is an expert pilot, i remember she even owns a spaceship and hacked other alien ships. she knows how to operate a spaceship how much more using a computer 🙄

They don't need Barbara or Oracle's help for them to accomplish something using a computer or for them to be able to communicate to each other and reach out to other heroes.

The Titans can directly talk to each other through their communicators and earpieces and they have a huge computer at titans tower, and cyborg has all the high-tech stuff but when Barbara shows up, the Titans suddenly don't know how to call each other or use a computer, they make them rely on Oracle for communication and tech stuff.

The Titans are dumbed down to make Barbara shine as a tech user and to make her look smarter and useful to their team.

For example look at how Tom Taylor made Dick look dumb here. He had to call Barbara first and ask her to help him reach out to his own teammates when he can just call them right away on his own, it's funny because he wrote that Dick can't call his teammates directly because he lost signal yet he has the signal to call Barbara. Tom Taylor and his dumb excuses indeed 🙂

and look at Cyborg needing to be watched by Barbara as if his high-tech sensors are unable to detect the villains approaching his back, and lol Nightwing just stands there doing nothing while Barbara monitors his own teammates when that is supposed to be his job since he's their leader. He was nerfed into a lazy irresponsible leader that don't talk to his own teammates too much that he didn't even know his own teammate is in australia. He's not even allowed to use the titans computer when Barbara is around him.

and look at Kory, she never calls Barbara while on missions before and suddenly she has no clue what to do without Barbara guiding her move???

The Titans never needed Barbara to accomplish anything on their own. They've fully functioned and communicated with each other for decades without her. They never needed to be babysat by some girl from Gotham. Barbara has never even been mentioned once in the original New Teen Titans comics but they become the most dumbest useless versions of themselves when Barbara is suddenly around, she's written in a way that makes the Titans redundant, stealing their jobs and spotlight to make herself look like a badass hero. Nightwing can't act like a real leader and he can't talk to his own teammates, Cyborg can't be the tech user of the group, Raven can't be the voice of reason, Titans can't use a computer and other tech stuff etc. because she can't shine if they do that. The only way for her to stand out on a team she has nothing to do with her is by dumbing everyone around her.

Barbara should be with her own team Birds of Prey not on a team she has nothing to do with.

4. The Titans become another Batman-related group.

We all know the story of Dick when he joined the Titans. He left Gotham and quit being Batman's sidekick because he doesn't wanna be under Batman's shadow anymore. The Titans helped him be independent from the Bats.

I don't like that Barbara keeps invading his privacy and space. The Titans is supposed to be a place where Dick can be away from the Batfamily and do his own thing.

and the Titans is Dick's own team, I don't like the idea of Barbara overriding his own agency.

She needs to do something on her own without associating herself with Dick 24/7

Plus the Bats are pretty oversaturated in DC, we don't need them overtaking Titans as well.

If another Bat related character has to show up then it has to be just one of the robins since Robin is a titan character.

Batgirl or Barbara has never been a Titan. She only ever wants to show up because of her romance with Dick. I do think Dick/Babs relationship is a mistake and that It shoudn't have happened. It's not a good relationship if you have to shoehorn it in places it doesn't belong in and dumbing down other characters along the way just for it to make sense or make Barbara's presence in Dick's life stronger than it should be.

I wish editorial didn't retcon them into lovers. Their relationship did more damage to their characters and the people around them than when they were not together.

The "His older crush that he outgrew and learned to move on from" trope was already fine. I hate that they changed that story by aging down Barbara to be the same age as Dick so they can be together instead of just letting them move on from each other.

Dick wouldn't have to stay stuck with Barbara 24/7 and Barbara wouldn't have to keep following Dick around like a dog wherever he goes if they just kept it in the past.

[kingofthewilderwest]

Am I the only one who feels like HTTYD isn't as memeable as Shrek or KFP? I know we have "You're as beautiful as the day I lost you." and the famous dancing Toothless, but that one was really from a parody recap. Other than that, I really don't see a lot of memes from it.

I think that means HTTYD is successfully doing its job with the type of narration it intends.

There are comedic lines like "talking fishbone" and "thanks for nothing, you useless reptile" that fandom has parroted since the early days. There's Hiccup encouraging Toothless while the Light Fury looks aghast as a meme template. And fandom can find anything to josh with, be it Hiccup's hot froglegs in HTTYD 2, or Hiccup's love affair with scrap metal from RTTE, or throwing everyone in the dungeon who made a Stoick joke (I am DATING my time in the fandom here, y'all). There will always be moments we play with, as it were.

But HTTYD, while funny, is built on heart. Shrek and KFP have heart, too (especially KFP), but they're built around different vibes (especially Shrek). Shrek was an intentional, abrupt, genuinely shocking aberration from animated fairy tale movies. For people who weren't around when it happened, there's a REASON it was a HUGE, rocking sensation and has become part of permanent culture. Meanwhile, KFP is a comedy action. HTTYD, at its core, is the story of a boy and his dragon, and a boy and his dad. I wouldn't expect fan response or general societal response to respond to these different frameworks the same way.

When audiences think about the impact of HTTYD, they aren't thinking about the pleasurable absurdisms that lead to "You're tearing me APART, Lisa!" or "I don't like sand" (which actually, for the record, I think is an unironically good character scene, sue me).

You ever watch a movie where they try soooo hard to be meme-able? Or they're throwing in jokes at places they shouldn't? I'm not not not saying it happened here, but one of the things I think THW could've improved was by reducing the number of gags it tried to run - while competing for time to emotionally conclude a sweeping trilogy. Sometimes it's not the place for a movie to have the content that'd make it meme-able. HTTYD's always been funny, yeah, and that's part of the franchise's charm. But different types of funny bring different audience results, and you ain't gonna beat Shrek when it comes for appropriate humor vibes for memes.

I could be forgetting a ton in my sleep-deprived state. But I'd agree it's not as meme-able as Shrek, one of the most meme-worthy pieces of media to exist. It means both have their place in the ecosystem of movies, and it makes both of them fantastic for what they are.

[aleppothemushroom]

Inside Out 2 review

It's a rare thing to have a Pixar sequel that's as good as the original. Now, would I say Inside Out 2 is better than the original? Uuuhhh...no. Not really. Do I still think that it's an incredible film that does right by its predecessor? Absolutely.

For one thing, it doesn't conveniently forget the main character's arc from the first movie. Joy no longer passive-aggressively dismisses Sadness for being "useless." She treats the latter like an equal now, even letting her go on an important assignment.

The movie's message is also unique in how it's not "every emotion is important" and more about self-love. And what I really appreciate is that they don't tell you to practice self-love. They show you how to self-love. They find a way to perfectly visualize how being too hard on yourself is bad for you and how to treat yourself nicer. True, it's probably the only movie that can visualize that, but still it's so refreshing. Really hit home for me (I cried a little but not a lot because I'm a man [totally]).

Speaking of emotions, they're all just as entertaining and fun as they were before. There's a scene with Joy and Anger that particularly stands out. I love the new emotions too. Well...most of them, but we'll to that in a bit. Ennui and Embarrassment are both huge moods. Anxiety steals the show by a landside. She's funny, she's relatable, and she makes a great antagonist without being a "bad guy." She has her place in Riley's mind, she just doesn't exactly know what it is yet and is trying to do what she thinks is best.

Cool transition alert, Riley feels more like a...character in this? In the first movie she felt more like a vessel for the emotions, while here she feels way more independent and her own person rather than just an extension of the emotions (which is actually a major theme in the story).

The movie is also very funny. I'd even say it's more funny than the first. (Riley's hidden secrets are a huge highlight).

Now, what's holding Inside Out 2 from being better than the first movie to me? Well, let's get the minor nitpick out the way, I don't like Fear's new voice. Tony Hale's doing a fine job, but it does not sound like Fear. Which is weird because Disgust's new voice sound fine. Could they have not found someone else who sounded a bit more like Bill Hader? Like, there's gotta be a voice double you have on speed dial somewhere.

Now for actual criticisms, Envy. I like the concept behind the character. I like the design of the character. I do not like how they use this character. She doesn't really feel like "Envy" to me. The movie mostly just treats her as second-in-command to Anxiety. There's a few moments where she acts more envious, but it feels more like the movie is trying to remind us who she is rather than having her be consistent throughout. By the way, I'm gonna get into some spoilers, just to let you know.

SPOILER WARNING! ABANDON YEE WHO BE WITHOUT KNOWLEDGE!

That scene where Joy breaks down and Anger helps reinvigorate her spirits comes way too early. Which makes the scene where Joy is at her lowest moment and doesn't know what to do get resolved way too quickly.

Joy's arc in this one seems a bit undercooked. Like, I can see an inkling of her starting to believe that she's useless in Riley's growing mind, but it's only an inkling that gets resolves anyway.

Another arc, a story one, of the emotions learning to let Riley grow and develop on her own is also not fully developed. The movie tells us that's what the characters learn but like...did they? I like the idea, I like the resolution, I just didn't see the build-up. And if it was there, it was not that noticeable.

But while I had some complaints, I think the positives outweigh the negatives. This is an excellent Pixar sequel and I would not mind (HA!) if this became their new big franchise. I just hope that Disney doesn't learn the wrong lesson from this film's destined success and starts pumping out sequels like crazy.

[queen-morgana91]

I hate this boring fandom narrative that the Avatar's past lives are useless

Roku was Aang's guide in his journey as a Avatar, he saved him from the fire nation in season 1. Without Roku we’d never know about Sozins comet, or finding out that getting killed in the Avatar State ends the Avatar line. He helped him with the Koh spirit. The Avatar and the Firelord episode was one of the most insightful and character building episodes in the entire franchise. The few times Aang did hear from his past lives were hyper important for him, the world building and moving the plot along (comics included, i love Aang's scenes with Yangchen)

Aang helped Korra during one of the worst moments of her life in tlok

Also... the past lives lore is just cool asf bruh

[canonmisogynyvictimstournament]

PROPAGANDA

PADMÉ AMIDALA (STAR WARS) (CW: Pregnancy)

1.) From the beginning, she only existed to be Anakin's love interest and Luke and Leia's mother. Although she's an important political figure in all three prequels, her characterization in being Anakin's crush/maternal figure in Phantom Menace, Anakin's love interest in Attack of the Clones, and Anakin's wife and baby mama in Revenge of the Sith. She literally dies of a broken heart when Anakin turns to the dark side in RotS, right after giving birth to the twins, because her whole purpose in that movie was to motivate Anakin's fall and be the twins' incubator. What's more, she didn't even know she was carrying twins until after Luke was born because George Lucas apparently gave no thought to what prenatal care would have been like in a universe with futuristic technology despite the whole main plot revolving around Anakin thinking Padme was going to die in childbirth. There was also a subplot cut from RotS where Padme helped found the rebellion with Bail and Mon and then goes to Mustafar to kill Anakin after he falls, but it was apparently deemed not important enough to keep.

2.) Her characterization was drastically forgotten about in the prequel films in favor of her husband's (despite her being one of three main characters in the prequel franchise). She went from queen of an entire planet to a senator of a galaxy-wide political body to dying of a broken heart. She does not question the actions of those close to her despite them contradicting her character morals (which her character was built on!!). Plus, she is rarely mentioned outside of the animated series. The show, Kenobi, doesn't even mention her name, only that she was essentially kind and brave. Also, she was not approached for a cameo in any of the largest related media while the men have.

3.) oh boy. she basically dies because apparently George Lucas doesn’t realize that women’s healthcare exists??? like you could argue that she wouldn’t have died if she just had an OBGYN. in 2/3 of the movies she’s basically just used as a tool for the main male character’s development. then there’s this whole plotline in The Clone Wars (aka TCW) series where there’s all this gross stuff with her ex who literally tries to kiss her when she’s actively saying no, then her husband proceeds to lowkey victim blame her??? it’s just so unnecessary. I could go on

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond 'good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a 'good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

[boabel]

autism and neurodivergence in panem - an analysis

as an autistic person, i've always been intrigued by the experiences of people who are autistic or neurodivergent in other universes. after all, most "good" autistic representation in media comes from worlds that aren't our own (think the doctor from doctor who or luna lovegood from the harry potter franchise, although they aren't written as autistic, alot of autistic people see themselves in the characters through their traits and therefore take that as representation.)

in particular, the world of panem interests me because of its strict measures on people in the districts compared to the seemingly lavish lifestyle for those in the capitol. *by this im referring to katniss' time, not the ballad of songbirds and snakes, though that will be mentioned below.

in the entirety of the hunger games franchise, there is never a direct mention of autism or any other neurodivergences. this would be expected, since the world of panem is set three-hundred years into the future. there aren't any states anymore, just districts and the capitol. most if not all modern cultures have been eradicated. the conditions in the districts have worsened and with that, went decent healthcare.

we can assume from this that there is no knowledge of autism as a genuine disability and no proper means to diagnose it in the districts.

whereas, in the capitol, the healthcare is much better. in the ballad of songbirds and snakes, it's mentioned in passing that the academy has a school councillor, hippocrata lunt. so, no matter how small the hint is, it's implied that not only does the capitol have better physical healthcare than the districts, but mental healthcare too. it isn't a stretch to say it could be possible for autistic/neurodivergent people in the capitol to get a formal diagnosis.

so, how are autistic people treated in the districts? how does that compare to the capitol?

well, although there isn't an explicit reference to neurodivergence in thg, there is an implied one.

in the first hunger games book, when rue and katniss are talking about the night vision glasses, and how they're given to the children at night whilst they're working in district eleven, the topic of a boy called martin comes up.

"one time, this boy martin, he tried to keep his pair. hid it in his pants. they killed him on the spot."

"they killed a boy for taking these?" i say.

"yes, and everyone knew he was no danger. martin wasn't right in the head. i mean, he still acted like a three-year-old. he just wanted the glasses to play with," says rue.

although it's not explicitly stated, martin is clearly a neurodivergent child. with the "not right in the head" remark being used alot to refer to nd people in a derogatory manner, autistic people especially. it seems in the districts they know what autism presents as, and that people have it. they just don't really know what it actually is or how to diagnose/help accomodate it. on the next page, katniss also refers to a child who can be seen as neurodivergent.

-but i can't imagine peacekeepers murdering a simpleminded child. there's this girl, one of greasy sae's grandkids, who wanders around the hob. she's not quite right, but she's treated as a sort of pet. people toss her scraps and things.

again, the language used is indicative that the girl is perceived to be neurodivergent. the district people most likely pity neurodivergent children by calling them "simpleminded" or "not alright in the head", but simultaneously view them as waste because, in the districts mind, they become useless to their industry as they grow up. they could also be more susceptible to rigged reapings than their neurotypical/allistic counterparts, because the districts don't need extra mouths to feed that are "inefficient" in the working industry.

whereas peacekeepers would take the perceived inability in the work industry (which the district doesn't have the money to accommodate) as an excuse to give out more unnecessary beatings and/or killings like what they did with martin.

so what about the capitol?

assuming that there is an option for diagnosis, would there be any changes at all?

well, personally, i think there would be. the reason i believe this has to do with the way the capitol views the districts, particularly in the ballad of songbirds and snakes relating to reaper from district eleven.

reaper is described to be mentally unstable many times within the duration of the games. he is perceived to be childish and has a difficult time processing death (tbosas, 280) which are both indications that reaper could be autistic.

the capitol looks down on reaper for his mentality and paints him as mad, violent and dangerous, though he is evidently nothing of the sort. these are harmful stereotypes that can be projected onto disabled/neurodivergent people today, which have clearly been carried onto the capitol.

so, people in the capitol who are autistic could be looked down upon, like how poor people are, too. although they are capitol, they have an element of "otherness" which is associated with the districts (i.e neurodivergence which the capitol paints as madness) so they could be outcasted.

the capitol seems the type to pretend to care about the way their children feel, but don't. like coriolanus said, people's love of children is fickle (tbosas, 40). if a child in the capitol turned out to be autistic/neurodivergent, that inherent support could fizzle out, because of stereotypes and ingrained systemic hatred toward nd people, which is irrevocably linked to the hate of the districts.

tl;dr: the capitol views themselves as perfect, and any "imperfections" (ie a brain that doesn't function within the realms of societal expectations) are seen as lesser. this is associated with the districts because they are also seen as lesser, and any neurodivergent children in the districts are viewed as mad or violent by the capitol, whilst they are pitied and silently hated in the districts for not being able to contribute to the industry, as there aren't any accommodations to help them cope with the conditions (many elements of district industries would cause meltdowns/sensory overload).

obviously not every neurodivergent person is the same, so some would be able to cope with the working conditions, but live their whole life without knowing that they are autistic, which can lead to isolation and depression.

god this was a long post, please don't hesitate to give me ur opinions on this if you have any!!

[giveamadeuschohisownmovie]

Just to emphasize how much of a left turn “Saw X” is for the franchise, you need to consider what “Saw” is to most people. Aside from the first movie which has been mostly re-evaluated as a decent thriller that was more focused on story than gore, the series has been criticized for being an excuse to show off people being mutilated in the worst ways possible. The series has been credited as a “pioneer” in the torture porn label, which you can’t really argue due to it being mostly true for the sequels. The series has also never been a critical darling (all the movies before X have all had negative Rotten Tomatoes scores), which I think contributed to the series’ image as low-grade torture porn.

As the story got more convoluted and frustrating, the more the series seemed to focus on killing people. For me, I started noticing this when the 4th movie featured a trap that didn’t really have a purpose in the story (the mausoleum trap with Art Blank). That trap felt more like the makers wanted to do a really brutal scene and didn’t care if it made sense.

Main characters would only last one movie. It was pretty much useless getting attached to any protagonist since they usually got axed off by the end of the movie. Because protagonists kept getting killed off, further sequels tended to focus on characters who played more minor roles. Rigg is probably the best example of this since I’m pretty sure no one was expecting this character to be a protagonist. Point I’m making here is that character development was essentially useless since protagonists were just glorified cannon fodder.

Then there’s the unfortunate existence of “Saw 3D”, which made the series look like it was just trend-chasing.

The series died for a few years. It then tried to come back with “Jigsaw” and “Spiral”, which the makers claimed to be a reinvention of the series that would renew interest in the franchise. Instead, they were both just sorta lackluster and didn’t really convince people that Saw was worth revisiting.

So, “Saw X” clearly had an uphill battle. But lo and behold, the movie gets released and ends up being:

1) A surprisingly good character piece centered around Jigsaw and Amanda. Yes, there are still death traps and gore, but the focus on story and character development is definitely felt more in this installment.

2) The only “Saw” movie with a positive Rotten Tomatoes score. In general, seeing positive critical reception about a “Saw” movie is crazy to me.

3) An actual, successful reinvention of the franchise since it’s centered around Jigsaw instead of having him be the mastermind in the background. Just by being a straightforward thriller instead of a convoluted horror-mystery is enough to distinguish this from the other 9 movies.

Kudos to “Saw”. This is why in one of my posts last night, I called it one of the greatest redemption arcs I’ve seen in horror. It’s the TENTH installment in a series that’s been critically savaged its entire lifetime, it shouldn’t have succeeded. But here we are.

[mythalism]

ok im going to try and parse through my feelings on the entire game in the hopes that expelling these thoughts from my brain will allow me to actually sleep because i am running on about 3 hours right now

i will start positive with the things i absolutely loved:

solas. whos suprised

just kidding i will elaborate further of course. genuinely, from a (mostly) objective writing perspective, he is the best part of this game. like hands down. his writing is bonkers insane. he has the best lines and the most complexity out of any character in the game (besides mythal perhaps). i was so so so afraid they were going to completely woobify him into someone who was right all along and never did anything wrong in his life blah blah to make him sympathetic to a new audience. they did not give a fuck however and i could not be more glad. he is exactly the dread wolf and bringer of nightmares of legend. he is so wonderfully in character, even if that character is not someone we saw in inquisition (we saw solas, not the dread wolf!). there are moments that solas shines through, like in his mentions of varric in the very beginning, when he mentions his love for the inquisitor, his convo with a rook he respects (which i do believe was genuine, even if he betrays them anyway. we know that he regularly betrays people that he likes and respects lol), the way he helps the shadow dragons and saves the dalish, and of course in his final scene with the inquisitor. he manages to retain that perfect back and forth, mask on and mask off, solas vs. fen'harel dichotomy with a different balance than the one we saw in inquisition. in inquisition, we saw solas with hints of the dread wolf peeking through. in veilguard, we see the dread wolf with hints of solas peeking through. ok i need to move on or i will talk about him forever. but they nailed the moral ambiguity with him. they nailed the theme of forgiveness being hard. i loved when harding said something along the lines of "there is no one who doesnt deserve forgiveness" this is one of the few consistent themes that this game was successful in exploring. ok ok moving on now i promise

i also loved mythal (fragment mythal, not morrigan mythal who was a flop). admittedly i am a mythal stan, but her integration into this story was a highlight for me. she haunted the narrative in such a great way. it added so much complexity to solas. hearing him GROWL at elgar'nan in rage "you have lost the right to say her name" made me scream in glee. i loved talking to her and having to prove my worth to her. i love that it was hard and she would kill you without hesitation if she found you unworthy. i love that if she does find you worthy she is instrumental in changing solas's mind. i loved her dragon appearance even if she was useless in the damn fight lol. morrigan mythal sucked tho but thats for later

similar vein but the main quests were fantastic, with a few caveats. but overall every main quest had me hooked, having so much fun, at the edge of my seat and screaming and flailing in my chair. weisshaupt was incredible, BLOOD OF ARLATHAN WAS INSANE (the solas elgarnan bitch fight will go down in history as a moment of all time for me) and of course the finale was some of the best writing ive seen from bioware. the way suspense was built was well done, the stakes felt high, and the twists were interesting.

choice and consequence was absolutely banger. i gasped when i went back to dock town after leaving minrathous to fend for itself and saw a gallows with bodies hanging from nooses and piles of bodies in the streets. i gasped when harding died. i gasped when bellara got blighted. definitely the best choice and consequence in the entire franchise and it was very satisfying. i feel motivated to play again to see different options play out.

the environments are fucking insane. genuinely insane giga brained genius. i have never been so gagged by a video game like this. not only were they beautiful but they were well-designed, interesting and diverse. i rarely got bored anywhere (except treviso lol) and i was regularly picking my jaw up off the floor. some highlights for me were the anderfels area where you first meet davrin with that amazing vista, kal sharok, the docktown catacombs, pretty much anything in arlathan, the deep roads, and honestly so much. absolutely beautiful.

this game felt incredibly cinematic and the direction was fantastic. the cutscenes were so well done and they transitioned so smoothly into gameplay. the animation was fantastic, and everything was so engaging to watch. my favorite cutscene has to be when solas is about to switch places with rook and you see him in the background out of the corner of your eye twice, though rook doesnt know. i was literally screaming it was so fucking cool. it genuinely felt like watching a movie a lot of the time

i genuinely enjoyed the gameplay loop of exploration. i had a lot of fun just exploring around docktown and arlathan, there was always something new to find, i loved the puzzles, and i loved finding codex entries. this is a crazy thing to say but it actually reminded me a lot of genshin impact LMFAO. which i know a lot of people would probably consider to be a negative but i thought it was engaging and fun.

combat fucks. it got a little repetitive by the end, mostly because i think i just wanted to find out the end of the story and fucking darkspawn were in my way, but it was a huge step up from previous games and i think action combat was a good choice.

this game has an incredible amount of genuine heart and soul put into it and you can feel it in every facet of the game. i can tell that the devs were passionate and their creativity was genuine. i could feel their love for the characters and the world. this game is unflinchingly sincere and not afraid of being cringe (though it definitely is cringe at times, i respect the commitment to it so i dont mind it). it genuinely does not feel like an EA cash grab, which is a huge win considering how likely it was for years that a cash grab was exactly what we were going to get.

i enjoyed the varric ghost twist. i knew something was up with him but i didnt fully call him being dead until right before the reveal. i get why people are going to be upset about it, its a pretty fucking crazy decision, but i think what saves it is the quote he gives rook in the fade about his choices being his own and still encouraging rook to try to get through to solas despite being KILLED BY HIM.... fucking crazy. it ties in enough to the overall theme of regret and forgiveness that i think it works.

ok time for the negatives

its hard to pick my biggest issue but i definitely have a top 3: the lore flopped majorly, much of the writing felt juvenile, and there was an overall lack of nuance to everything about the game except for solas's storyline that did feel very not-dragon age to me

i actually dont give a fuck about lore retcons, especially if they are explained well. i think they are often necessary and can be pulled off. but this game literally just pretended to answer decades long questions about the lore and then does not. which would be fine if we didnt have someone who knows all the answers to those questions hanging out in our brains and willing to answer them. we did not learn what exactly a titan was. we did not learn what they were like when they were alive and before they were blighted. mythal called them monsters. harding suggests they might have been violent like the elves. we literally dont know anything about them except for what solas and mythal did to them. i dont think anyone even actually gave a clear answer on what the blight is. ok it was the titan's severed dreams but what the fuck does that mean? it was their rage and pain? then why does harding say the red lyrium manifested by her rage and pain was not blighted, just red? if blight equals titan nightmares then that lyrium should have been blighted? so what the fuck is the blight that ghilan'nain cooked with? red lyrium? how did the original darkspawn get made? did she start injecting people with red lyrium? but we know what that does to people because we saw it in inquisition. it makes them red lyrium freaks but it doesnt make them darskpawn. WHAT ARE DARKSPAWN? WHAT IS THE BLIGHT? did i miss this in a codex entry or something guys im so serious. how did we play this whole game and not actually learn what the blight is. we also learned almost nothing about the forgotten ones, which is fine except we literally met one and all they really had to say about it was "evil spirit" ? ok. also um. where are the rest of the evanuris. ok they are gone but where did they go. we know where their archdemons went, but where did they go? ghilan'nain exists separate from her archdemon so its not like killing an archdemon kills the evanuris, it just makes them vulnerable. should they not all be still alive in that prison together, just mortal and archdemon-less? they literally just say "they're gone" and expect us to be like ok! WHAT THE FUCK??? WHERE ARE THEY?? WHERE ARE THEIR BODIES??? WHAT??????? also the explanation for archdemons was boring. it felt like the team literally did not know the answers themselves (and didnt feel like calling up david gaider) so they just gave us vague non-answers hoping we wouldnt notice. I NOTICED.

similar vein; we learned nearly nothing about elgar'nan and ghilan'nain, and they overall felt cartoonishly evil and one-dimensional. and this is a greater problem that ill talk about next, but they were afforded none of the nuance that solas and mythal were given, and it feels glaring in comparison. why was elgarn'nan evil? was he just born fucking evil? we know thats not true. he originated as a spirit, what kind of spirit? what was his relationship with mythal like? what was his relationship to the other evanuris like? he calls ghilan'nain "sister", were they always close? did they become close in their prison? what are his goals beyond tyranny? or do you actually want me to believe he is just full stop evil? if he was one of the original spirit born elvhen what virtue did he embody and what polluted him into something so terrible? why does ghilan'nain love the blight? why is she obsessed with creation? we only get a single codex about she and andruil (that i found). what was her and solas's relationship like before she ascended to godhood? he calls her "the best of them" but we never see anything about their relationship. neither of them has any nuance. they are just pure evil, corrupted by ???? something ??? power??? i guess. and we are supposed to just be fine with it lol. what are even their motivations? why do they want to cover the world in blight? what is their emotional connection to this pursuit??????? we get such an exploration of this for solas and just NOTHING for them. they feel so one-dimensional in comparison, literal comic book cartoon character villains.

similarly, this game lacks nuance overall. bioware is known for its exploration of grey morality on both personal and sociopolitical levels. this game has that only for solas and literally no one else. qunari antaam? evil (super fucking racist depiction as well). venatori? evil minions. elven gods? evil. forgotten ones? evil. meanwhile, crows? suddenly good. its okay. just forget the MURDER, child slavery and abuse. seriously its fine. caterina dellamorte is a sweet old lady :) dont worry about it :). every faction is good and every antagonist is bad. its genuinely insane coming from the studio who gave us dragon age 2 to now give us something so fucking boring and black and white. they got SO CLOSE with the wardens and isseya and in the end davrin still kills her. why does solas get a chance at redemption and no one else does? here we are with an entire story centered around this morally grey character, interrogating whether or not his actions are justified, whether his intentions matter, whether his abuse informed his atrocities, asking ourselves if he deserves forgiveness asking if he deserves to be saved, where do we draw the line? what is the point of no return? why do people do the things they do? its fantastic. and then you go and do a faction or companion quest and its just like, these are the good guys and these are the bad guys. dont ask questions. have fun! WHAT???? FROM BIOWARE??????????

this issue bleeds over into the companions as well. i genuinely liked all of them. they are likable. but holy shit they have no flaws. all of them are genuinely good people and their problems center around others rather than themselves. there is little to no complexity, to the point where honestly they did not feel like real people to me. harding is sweet and perfect and her worst trait is being *checks notes* TOO AGREEABLE? davrin's worst flaw is raising his voice at his pet too much. emmrich's only flaw is FEARING DEATH LIKE A NORMAL HUMAN BEING? neve is kind of cold. thats it. bellara never does anything wrong. lucanis doesnt sleep enough? taash is the closes they come to any sort of complexity and i did genuinely enjoy their identity struggle and i loved seeing their complex relationship with their mother. but none of those are flaws. like these characters are cookie-cutter perfect. we used to have companions who committed acts of terror and blood mages and mean jealous little brothers and did horrible things and said horrible things to each other and struggled with things like internalized racism and complacency in violent corrupt institutions and addiction and facing your fucking war crimes and they are some of the most beloved of the franchise because they feel SO REAL. like genuinely going from characters like anders and blackwall to these companions was so jarring and disappointng. i LIKE them all, dont get me wrong. but they do not act like real, complex fully fleshed out people, and the writing overall suffers greatly for it.

again connected, the writing in terms of literal dialogue but also what i mentioned above comes together to feel incredibly juvenile. i know some big reviewers beforehand said that the game feels like a pixar movie at times, and unfortunately i dont think thats inaccurate. a little harsh maybe, but there are moments that are truly written in such a way that it feels like the audience is children. and that doesnt mean its bad, because i am a lover of childrens media and most of my favorite media of all time is actually for kids (avatar the last airbender, fullmetal alchemist, etc), but this game oscillates back and forth so violently it will give you literal whiplash. it reminded me a lot of the way young adult fiction is written. GOOD young adult fiction, where its well-done, but its deliberately written to be simpler in both diction and theme and focuses on concepts that young people can identify with. this is how i felt during much of the companion quests during this game. again, it was GOOD young adult fiction, but it had the narrative styling and lack of nuance and complexity that is characteristic of such things, and that is just literally not what the game is supposed to be like. and there are great writing moments that do feel appropriately mature and complex, but they are mostly in the main quest and their presence makes the lack of maturity in the rest of the writing feel even more jarring. i have no idea why they wrote it this way.

morrigan's mythal flopped and was out of character. i missed flemeth's crazy ass. they literally nerfed her. i think this is connected to everyone being nice and good and perfect (no abusive mothers allowed!) which is crazy because the other mythal fragment got to be a crazy bitch. so what the hell

the lack of world states is still a major L. it felt like things were missing that should have been present and had no reason not to be other than just no worldstates. well of sorrows needed to be there ESPECIALLY considering the solas/mythal/lavellan dynamic.

this one is self-indulgence but solavellan could have benefited from better pacing. packing so much into act 3 made it feel rushed. i loved the scenes themselves, but there could have easily been more build-up with a few codex entries.

no fenris. i will never forgive

ok im running out of steam and actually feeling more able to sleep now (thank god). i know i said a lot of negatives but i actually believe this game is very, very good, especially within the context of its development. i think a lot of the issues likely do stem from their fraught development cycle, and overall they did a great job of identifying their priorities and pursuing them to the fullest. i dont necessarily agree with what they prioritized or what their vision was at all points, but i respect the clear direction that this game had. i do not believe it will stick with me the way the previous games did, and while playing i often found myself just missing the characters from 2 and inquisition that i love, and the writing that so often had me screaming crying throwing up and/or giggling and twirling my hair. however, this game gave me the #1 thing i wanted which was a satisfying solavellan conclusion, and though yes it could have been done a bit more... artfully, i think its incredible considering where we were just a few years ago with this game. i will play it again a few times, and the fact that it has sold well enough to guarantee bioware gets to stick around and make new games is a major win. 7.5/10 thank u for listening

[dr-spectre]

team bread ?!?

side-eyeing aside, how do you feel about this upcoming splatfest ?

Upcoming Splatfest? You mean the Grand Fest right?

I'm gonna assume that is what you're talking about and you know what? I'M SO DAMN HYPED FOR IT!

WE'RE GETTING A BRAND NEW HUB FOR THIS SPLATFEST!!! AND ITS A FUCKING CONCERT WITH GOD DAMN ELECTRONIC RAVE REMIXES OF THE IDOLS SONGS! AND THERE'S INK EVERYWHERE AND UGHHH!!! I LOVE IT!!! ITS GONNA BE SO INSANE IM GONNA CRY I SWEAR TO GODDDDDD!!!!

If I hear Calamari Inkantation remixed by all three of the groups, I will not shut up about it for the next 4 years until we get Splatoon 4. I'm gonna be so fucking annoying and I won't apologise for it.

I mean sure the theme is kind of predictable but hey, it presents some interesting philosophical questions just like how Chaos vs. Order did, and i find those kinds of Splatfests to be the best ones. It's less about an Idol war or some useless shit, but it actually brings about genuine philosophical discussions and I love that!

I know that a lot of people are freaking out about the consequences about this Splatfest, myself included. If Team Past wins, will we go back to the past and never see Callie, Marie, Pearl, Marina, etc, for the next 5 to 7 years? If Team Future wins, will Callie and Marie be old women, and will the other characters we've grown to love.... pass away?

After thinking about it and seeing tweets from people on Twitter discuss it, nah, i don't think either of those outcomes will happen. Remember when people were making a fuss about if Chaos wins that Inkopolis would be covered in flames and be destroyed? Looked at what happened in Splatoon 3. Chaos was just an aesthetic for the new location Splatsville, the Idols, music, etc, and the Inkopolis we know ended up being okay!

If Team Future wins we might get a cool futuristic aesthetic for Splatoon 4 but it'll still be in the same timespan as Splatoon 3! Same with Team Past! Team Present will be the same sort of aesthetic we have currently duh. Obviously it'll be a few years after Splatoon 3 but I'm sure the characters we know we'll be okay!.... right?.... right nintendo?

I think the reason why people say that is because Nintendo has gone on record and said that Splatoon 3 is the "finale of the Splatoon saga" but they only mean the story mode of that game as ROTM tied up everything together theme wise in a neat trilogy. Callie, Marie, and everyone you like will come back because it would be a terrible financial and story decision to get rid of them. How will Nintendo sell new amiibo and merchandise? Off the Hook is so god damn popular and they would obviously come back in new outfits to sell new amiibo. Come on guys. Think like a business person for a second here.

I genuinely don't understand why some fans are so fucking adamant on wanting a clean reboot and to never see these characters again. Why do you want that SOOOO badly? I see that shit a lot on the Splatoon reddit man.

You don't wanna see these two again? Some of the best written characters in the series? You never wanna see these gay cephalopods ever again?!

YOU NEVER WANNA SEE THESE THREE GOOFBALLS THAT WE ALL LOVE AGAIN?!?! THEY HAVE SO MUCH STORY POTENTIAL AND YOU WANT THAT TO BE WASTED?!? FOR WHAT?!?!

And.... you don't wanna see the OGs again? You never wanna see Callie and Marie EVER AGAIN? The most iconic characters in the franchise, up there with the Inklings themselves!!! They have gone through so much and it's clear that Nintendo wants to keep them around, Marie has said in the Splatune 3 interview that she feels like she has an important role in creating the next generation of Idols. And yet... after what the shit they have gone through... you want them gone?

I truly don't believe you want that. Unless you don't really care about them...

Anyways, I am very much excited for the Grand Fest, so much so that thinking about it is giving me weird feelings in my chest. All of the screenshots I'm gonna take... eeeeee.... God help me.

[r4inyclouds]

You can take Steve Rogers out of the fight, but you can't take the fight out of Steve Rogers.

I heavily recommend putting ya glasses on for this ride of a rant. A... practically an essay on how Steve was out of character in Endgame:

Look, I still wholeheartedly believe that Sam deserves the title of Captain America, but even before that Steve dropped that shield, that title in the Civil War movie, for Bucky, in respect for Tony. Captain America wasn't even his label for years after that. Surprising how many didn't realise Steve in the endgame movie was Nomad, not Captain America.

But, he still fought, didn't he?

So people who say "Steve will always be THE Captain America!!" can go cry about it for all I care. Sam is the hero that he deserves to be. Yet, I suppose we're all entitled to our own opinions.

I don't even think the producers at the time even read the comics they were basing their large franchise on. That Steve in Infinity War wasn't Steve.

He was born a stubborn fighter, he was meant to end as that stubborn fighter we knew from 'The First Avenger'. It's in his nature how he was meant to be articulated as a person. It's in the comics, that hell- I haven't even exactly read most nor possess many of them! It's a joke, a jest; it's funny but not funny 'haha hilarious', but funny, odd, peculiar and perplexing. But from what I've seen from the fans on this side of the debate who have read the comics thoroughly, they all explicitly state that Steve would never do this or abandon anyone. I could, respectively, not care that the MCU was never, and never will be, canon to the comics, but they couldn't even keep one thing, an aspect that's similar or alike in any particular way to the comics, and that's the whole nature and personality of one of their most main focused characters, diverging from the whole point, centre, heart of Steve.

Steve never needed a label that told him he was a hero even when he was some twink before the serum, his whole arch, his whole goal was to become someone who helped, it wasn't from the start to settle down with a woman he was at a high school situation ship with, maybe, just maybe it could've worked if they attempted to even build and develop their relationship for it to make that little sense. Steven Grant Rogers admitted to being that stubborn little thing, and in a sense, he was like that, someone who determined to not be a coward and went against his non-spoken word.

And no, this has nothing to do with the fact I'm a HUGE Stucky shipper, I exclusively tried to avoid talking about Bucky in this half of the rant for a reason. I love Peggy, she's in my top 5, and I love domestic Steggy. It's just it was never right for Steve.

Steve will never, ever be able to run away from what he is. He is THE fight, with or without a useless hero label.

Now since I'm a bucky glazer, and he's my favourite character (I'm putting him in a jar once I get my first-ever Funko pop) I will go on to talk about Steve and Bucky, now, I'd understand if someone would not want to read this part because I'm 'just a wild Stucky shipper!' Who's own priority is trying to keep the ship afloat (I'm also occasionally a Sam x Steve x Bucky shipper but that's besides the point) But in this segment, I will be talking about them in an otherwise platonic sense; it doesn't even need to be romantic for me to say this. And, honestly, if the character of Bucky never existed in this universe, I would've still had this rant on my Tumblr about why Steve leaving is just... odd.

Okay, Steve spent THREE, THREE, I REPEAT THREE, HIS WHOLE DAMN TRILOGY, having at least one huge plot point just purely based on Bucky in each of his movies.

1. He went against whole military orders to get Bucky back, had a whole depression episode thinking he was dead, and then had another depression episode when he died, and then kind of just offed himself after that (Now, am I saying he offed himself for no reason for other than his friend?... yeah, so, there's a deleted scene where Rhodey asks Steve about how he practically died, and why he didn't just jump out into the water before he crashed, I'm tellin' you if you search it up it's there, now, people suspected that the reason it's a deleted scene is that it, well, opens a plot hole, and it just kind of seems like... he killed himself because bucky's dead? Like, ya know, there's no other reason to why he did this. But I might just be reaching there) God. So that point just says a lot about how the producers didn't even think for one second about him going back in time.

2. Nearly got killed by him, but when he figured out it was Bucky he went a berserk kind of insanity and risked his life as he put his trust in a man who was about to knock the shit out of him. Then, like- went for months on end to get Bucky back just because he left him on the side of the beach to not let him drown. Yeah, okay, sir. Also, does everyone just... Like, all silently agree not to talk about how they casually just drop platonic wedding vows to each other in every movie? Like, what do you exactly mean by "I'm with you 'till the end of the line", every time I hear that quote I go "WRITE THIS DOWN, WRITE THIS DOWN!" (not like I'll be getting married though)

3. How am I meant to summarise this with detail without just saying the few words in my mind that would just tell you the whole plot? [Squints eyes, checks notes]... Guess I gotta. 'Bro split Avenger for bro, Avenger no longer, Captain America? No longer for bro, bro picks bro up, bro says wedding vow, bro sad Wakanda.'

Then, now, I apologise sincerely for using this analogy, but he kinda, just, ya know, abruptly left to get the milk. He dropped everything once he got the chance to go back and left poor Bucky wide-eyed like some traumatised puppy with attachment issues they newly developed after shown that much devotion and affection from an owner who'd treat them right, and then was suddenly dropped into a random field of an environment, unfamiliar, they don't recognise it, as they then watch the rustic car they were once rescued from becoming a blur, speeding off into a distance he couldn't possibly ever trace back to. What in the holy fuck was that waste of three movies then.

(DEEP FUCKING BREATHS, RAIN, HOLY SHIT DEEP FUCKING BREATHS)

I hope people can't tell I'm a fanfic writer; this is the shittiest thing I've ever written, I swear my fanfics are more descriptive and crap, but I'm foaming from the mouth right now; I think I permanently disrupted my breathing pattern, well done me.

Sigh, okay, well.

He's a defender for his friends; his bonds double-tied with the strength that could be held within the core of the earth, yet that somehow immediately loosened, cracking the surface, crevice by crevice of that earth with one scene, one moment. His mantle of the goal, his word that he once held dear to his child heart, became not even an earth-shattering break.

Now, here we are.

So, I shall, if you don't mind, end this with my small conclusion of how it's was out of character for Steve to leave.

You can take Steve Rogers out of the fight, but you can't take the fight out of Steve Rogers.

[gossssamer]

LONG RANT!!!

I'm getting tired of people the stigma against Shadouge bro. Everytime I try to look into fanarts I instantly get hit with ridiculous comments about them almost everytime.

"X ship is better than this" its funny how anyone who uses this will immediately hit you with "that's just your opinion" when they're literally doing the same thing

"erm Rouge is already with Knuckles" okay??? This is fanfiction, it doesn't affect canon, stop acting like it does. its so weird how fans are surprised when a fanmade thing is actually made by fans (Also if im not mistaken, SEGA has some mandates for certain characters' relationships, and they do not allow romantic ones anymore. So Knuxouge isn't even canon either)

"They're siblings in canon/they canonically have a sibling dynamic" In no where has Sega even acknowledged that Shadow and Rouge have a *CANON* sibling relationship. Hell, there have even been writers in the past who have joked about Shadow touching Rouge's tits, to say that a family dynamic was intentional would be contradictory. The whole sibling thing is a massive headcanon within the fandom that got loose and people just assumed it was a real thing. (EDIT: Just wanted to add that official writer/artist Evan Stanley even ships Shadouge.)

"It erases Friendship representation!" The most stupidest arguement you'll ever hear. "you're shipping friends together, it's weird" "they're just friends and theyre better off like that, they shouldn't be shipped." Stop acting like it's erasing somebody's sexuality or shipping real people together or shipping incest because it's not. Friendship to lovers trope literally exists and it also doesn't erase canon.

The problem here are people taking ships and shipping WAY too seriously, especially since the sth franchise isn't even focused on romance. You'll get bombarded with obsessive fans and their ships talking to you about how "x is already with x" or "this ship is better than this ship" Honestly feel hypocritical and useless to rant about this considering there's nothing you can do about it and sonic fans will always be weirdos and ship discourses will always be in fandoms.