#most panels are from Red Hood and the Outlaws (2011)
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jason todd inspo for dpxdc
So I know not everyone is gonna read through comics so here is some dope Jason panels that I think absolutely SCREAM danny phantom xover material.
After coming back from the dead, Talia dropped Jason off with the All-Caste which is like a sect of warrior monks who do magic.
The All-Caste have a nexus chamber that can go ANYWHERE and ANYWHEN and looks absolutely insane and is filled with door ways. It absolutely screams GZ/Infinite Realms material. Jason has been in it multiple times both when learning magic bullshit as a teen and again as Red Hood when trying to track down The Untitled after they killed off all the All-Caste.
Below is a pic of Jason just after he left the All-Caste after getting kicked out and I do think his hair looks like Danny's here so I'm dropping it in for all those ppl who like writing fics where Jason is Danny's universal variant.
I have not found any panels where Jason actually has glowing green eyes but he does glow with occult symbols when meditating.
If you don't know about the All-Blades then just know are fire swords Jason can summon and use to destroy evil. Also they come with a mystic disembodied voice talking about balance and shit sometimes. They're powered by your soul so you can do some real weeb shit with that.
Bonus, sometimes Crime Alley or Gotham are referred to as Jason's Haunt and I think that's beautiful.
#dpxdc#dpxdc crossover#dp x dc#dcxdp#dc x dp#dead on main#anger management#inspo post#no prompts just stuff I think is cool for use in prompts#most panels are from Red Hood and the Outlaws (2011)#this is a mostly All-Caste flavored post#because I just love Jason with magic#and I just re-read rhato
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Hi so uhhhh, not actually making any sort of relevant point about anything but I saw you guesstimating Jason's kill count and I have to justify the fact that I went panel by panel to hand count his kills SOMEHOW so like have the data please!!
Skipping dear Filipe's moldering corpse due to uncertainty, we start with Lost Days
Human Trafficking Truck Driver Ian, Egon, Steel Beam mercenary crew estimated at least five strong, three more of his teachers, eleven nameless russian mobsters, a cousin and a running buddy of a russian mobster: 23 people
Under the Red Hood
Eight heads in a duffel bag, four thugs with Freeze (Freezy boy does not die), Two confirmed on panel delivery man kills (Five-ten more suspected but we won't count em), Ten goons in the doorway when he swings the minigun on them as he and Onyx retreat, five more goons, Rocket launcher blast kills "most" of a security team with at least three members left alive so we'll call that three kills (far more deaths are implied), shoots a guy holding a lit molotov catching him on fire, then kills Captain Nazi (yay), forces Black Mask to kill six of his men, forces Some Guy to fight Black Mask to the death for him, and finally dear old Black Mask's PA is thrown through a window (his cycling class will miss him dearly): 42 people
(So, yeah, your ballpark of about a hundred give or take sounds about right, he's only got ~65 on panel, confirmed notches on his knife by the end of UtRH, and the implications seem to imply between 20 and 75 kills off screen)
That Time He Kidnapped Mia
Short and sweet, he only ices a pack of "brain donors": 5 people
Brothers in Blood
Two human traffickers, three more drug runner goons, two more goons later on: 7 people
Red Haired Foolishness Phase part one
Starting the running with two cops, lightning bug assassin, six mobstery big wigs, a guy, Flamingo: 11 people
Red Haired Foolishness Phase part two
Littleman Beaver's brother and his brother's fourteen goons, fifteen of his fellow inmates, then the grand poisoning of eighty-two people (well he poisoned more but we only get eighty-two confirmed as dead): 112 people
This is not even slightly a complete list, so consider this final number a lowball of:
Two Hundred people even!
as Jason's body count... at least pre-new52, don't ask me what's going on over there in modern canon, idk
Hope this was entertaining/useful to you in some way!
Best wishes -redhoodinternaldialectical
This is an amazing reference, thank you so much for sharing!!
I can fill most of the later stuff, because there's tragically little of it.
Nu52's attempt at giving Jason a concrete kill count was laughably low;
Red Hood and the Outlaws (2011) #21
Rebirth was mostly non-lethal, with the notable exception of the gang Jason uses to establish his new edgy loner lifestyle after the famous rhato 25 beatdown from Bruce.
RHATOs (2016) #26
I count 11 of them, and I think it's safe to say they're all dead.
But then he teams up with Batwoman, and then Bunker, and then becomes a teacher at Lex Luthor's school for potential supervillains so it sort of tapers off again.
And then... there's the piece of shit dad he killed in Cheer in 2021.
Batman: Urban Legends (2021) #1
As far as I'm aware, that's the last time he killed in main continuity.
When will my son return from the war
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Red Hood and the Outlaws #6 (2011)
Hey, remember when I was recapping this series? Well, unfortunately for all of us, I'm gonna do it some more.
I will admit this is a pretty good cover.
This shit, however, makes me so mad. What an absolutely lazy waste of space. This comic is 20 pages long, not including the cover. That means that this two page spread is literally an entire tenth of the story, and it's used to convey...what? That Jason just fought some guys who were trying to smuggle nukes into Miami.
A two-page spread is meant to deliver impact: a crucial moment in the story, a stunning piece of art, an impressive sense of scale (Galactus looming over the Earth, whatever). This does none of that. Most of the page is just a teal gradient; Rocafort didn't even bother to draw an impressive underwater scene. (I kind of don't blame him, because it would have been a waste of his time, since this scene is NOT NARRATIVELY IMPORTANT.)
Also, the page before this is also a splash, and the one after is three panels depicting Jason caught in an explosion, and that's a generous description considering that one of the panels has nothing in it but bubbles. So now we're up to TWENTY percent of the comic, a full FIFTH of the story, and we have conveyed LITERALLY NOTHING except "Jason got caught up in an underwater explosion."
This is lazy writing and lazy art. This is charging the reader for 20 pages of story and delivering maybe seven, content-wise. It's shamelessly ripping off the audience, and they aren't even trying to pretend they aren't doing it. I don't know if Lobdell didn't have enough story in him or if he was trying to give Rocafort more time to drawn stupid little lines all over everything, New 52-style, but it pisses me off.
Anyway, Jason wakes up on an island a few days later (and a narration box on the first page established that this takes place before RHATO #1):
This page has six panels which is a very respectable amount, although I still don't think it's a great use of space. But I guess Rocafort was really busy adding wood texture to all the panel borders for no reason. Anyway the little pile of leaves Kori has graciously dropped over Jason's dick is very funny.
Jason wakes up, tries to demand his pants from Kori at gunpoint, and passes out again. He has a flashback to the world's most hideous Nightwing costume:
Awful. Also, Jason flounces off in a bratty little fit in the next couple panels, but I support him, because if you actually read what Dick's saying, it's meaningless filler.
See, now this is an appropriate use of a two-page spread for impact and scale. Much more effective. Imagine how effective it would have been if every other spread for five issues hadn't tried and failed at this!
Kori offers Jason some clothing, which turns out to be the hideous Nightwing suit, and Jason flashes back to Under the Red Hood: Shitty Version:
Who needs "Because he took me away from you" when we have whatever the fuck this is?
Jason gets all upset. Kori sniffs Dick's costume and says she can't remember his name, but she has fond memories of the guy who used to wear it. There's a flashback of her and Dick and Roy in action together. Okay, so she clearly remembers Dick and Roy at least somewhat, which is probably Lobdell starting to walk back the controversial amnesia bullshit in the first issue.
Jason tells Kori his connection to Dick and asks if she's mad, which...even setting aside Kori's memory issues and general lack of grudge holding in any continuity, why would she be mad that Jason has the same mentor as a guy she remembers fondly? Anyway, she is indeed not mad and they hug it out. If this is supposed to be depicting Jason's smug "I've been with her" in the first issue, it...really doesn't read like they boned.
Jason's narration on the last page further obscures things:
"Friendship and romance are really the same thing. Anyway LET'S TALK ABOUT ROY HARPER." Okay I know that's me reading with ship goggles but it truly is a very funny transition.
So that's how Jason met Kori! She...pulled him out of the water, and they discussed how they both knew Dick. Definitely worth spending a whole issue on that very interesting story!
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PROPAGANDA
STARFIRE (DC COMICS) (CW: Sex Trafficking)
1.) She is frequently put down in the og 80s comics due to being more expressive and open with her emotions, and ever since the og she has frequently been painted as just eyecandy (ignoring her sexual trauma) when her character is so incredibly complex. Special mention goes to red hood and the outlaws (2011) (written by a sexual harasser) for just terrible stand out awful reasons which will be seen in the below photos and her 2015 solo for combining her vapid portrayal there with her cartoon quirkiness to culminate in a trash comic that is just her basically being the born sexy yesterday trope.
2.) 2011 reboot, in RHATO she was turned into a walking fetish by retconning most parts of her character and erasing all personality displayed in the past 30 years of comics. in that iteration she is only interested in sex and is dehumanised and ‘exotic’. she ‘forgot’ all her past relationships because she doesn’t care about them only sex. her only purpose in that book is as a powerhouse and a sex/love interest for one of the male characters who view her as a trophy because she used to date someone he dislikes (in this continuity) let’s also not forget that she was first created just to be a love interest and although she did grow into a hood character at some point, she is treated horribly time and time again by writers because of conflicting ships. she’s written as a ‘vixen’ as opposed to another ‘good girl’ female character who is shipped with the same guy in canon
3.) Her original characterization was fairly decent, however it still had her stuck in relationships with men that weren't very good for her and had overtones of racism with how she was written. Post that her characterization was slowly chipped away at, some writers with harder sledgehammers than others, culminating in current writing where she's dismissed as "just a fling" to her original counterpart (Dick Grayson) to prop up a different ship (Dick Grayson/Barbara Gordon) and frequently has been used as eye candy in other comics. Simply open the first comic of Red Hood and the Outlaws, which obliterated her personality to make her associate/be subservient to the Red Hood, and you'll find plenty of panels of her appearing simply for eye candy in the boobs and butt pose for absolutely no reason. This is not the only time she's been used to cater to the male gaze (I'd argue even in her original context that was part of her appeal) but in this comic she essentially has no personality beyond "i want sex" as her memory of all past events has been erased. She's essentially just a tool for her male counterparts in the comic to bounce off of, and eye candy to bring more male readers in. She does eventually get more storylines later on, but that doesn't excuse the bad writing she was put through. Her own solo series also cashes in on her sex appeal, by infantilizing at the same time as drawing her in skimpy outfits + more boobs and butt poses galore to go for the "born sexy yesterday" misogynistic trope.
NYA SMITHA (LEGO NINJAGO)
1.) it would take way too long to talk abt all of it but like… in the series colors are very important for characters and everyone has their own color but from episode one for the next 8 seasons her colors were specifically tied to her brother.. and then when she finally got her own ninja outfit she wasnt given her own color the colors were specifically red for her brother and blue for her boyfriend. shes constantly diminished to just the men who are closest to her. also every time she meets someone they Must become a love interest (including the man who was significantly older than her and trained her to use her powers. and also she was kidnapped and forced to marry a thousand year old djinn (when she was like SIXTEEN) because she looked a little bit like his dead wife. weird as hell.)
2.) she was given NOWHERE NEAR as much development as the guys (except for the bullshit love triangle!!!) despite being at the time leagues more competent than her brother in their debut, was damsel’d so he had to Save The Girl. again, the Bullshit Love Triangle. even after she got her own “thing” she was just boiled down to “oh look it’s the girlboss!! she’s just as good as the guys!!” while still getting sidelined. as time went on and flanderization increased she pretty much just became The Team Girl, and she was ALREADY The Team Girl!!! they left her behind with the fuckin grandpa!!!
3.) Left behind to take care of the kid simply because “she’s the girl” for the first season and a half, is fairly blatantly excluded from the team, is believed to be unable to protect herself or others by antagonists throughout the series, and repeatedly dehumanized and referred to exclusively as “girl.” When the ninja are public figures in season 6 she is shown dealing with misogyny from the press in several ways, and in her focus season (Seabound) she speaks out against how she’s been treated as an object rather than a person. All around a girlboss who deserves better
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➼ Batman hits Tim shouting "YOU DON'T KNOW A DAMN THING" in Batman (2016) issue #71 (1) (2). It is later explained that this [Batman spinning Tim's jaw] was a form of communication, a "language" which they had established between themselves beforehand. In this language, what Batman said roughly translates to "shut up". No, I'm not joking, this was later explained in issue #81.
➼ The exchange between Bruce and Damian in which Batman very much breaks character is from Batman (2016) issue #145. Spoiler alert: it's not Bruce. The whole dialogue went smthn like:
D: …is it really you? B: It is. D: prove it. B: After you moved in with me… you couldn't sleep. Nightmares. I'd sit in your room with you until you'd finally drift off. /The next day you'd always pretend like it never happened. D: Father… B: I'm back, son …and nothing can stop us.
Despite it not actually being Bruce, I included this for 2 main reasons: 1 ) because it's so obviously not Bruce and still his kids go [in the next panel] "So, the big question is… is it actually Bruce…" and 2 ) because it precedes a POV change to the actual Bruce who is trynna survive solo and is having a cute flashback in #147 (1) (2).
➼ The panel showing Bruce staying at home with a sick Jason instead of going on patrol is from Red Hood and the Outlaws (2012) issue #3. It's pretty self-explanatory, Jason was too sick to go on patrol so Bruce was gonna go alone, but then he changed his mind and cancelled patrol for the night. This is real big tho cuz he prioritised his son over his mission for once (1) (2) (3).
Context: RH and the Outlaws were in a situation where they had to leave their "most cherished memories" with this guy called S'aru as collateral and this was the memory that was taken from Jason (he doesn't want the memory back after they're done with their mission ☹). Also, the art is gorgeous.
➼ The one where B says that Tim isn't his soldier but his son is from Batman (2016) #127. It's an internal dialogue between him and Zur (the other Batman who is a bit bonkers). It's like when he's physically faced with the personification of his Batman persona and his mission, he is finally able to wrap his head around the fact that Robin or not, his kids are his kids, not his soldiers. Otherwise when it's just him, he kinda just ignores the fact and pretends that he doesn't feel/act in two completely conflicting ways when his kids are in question (1) (2) (3). He's a hypocrite and I'm still salty at the "In memory of -- Robin -- A good soldier".
Anyway, it's pretty heartwarming that this was one of the only instances in which he was able to keep the Batman of Zur-en-Arrh in check.
➼ The "I love you, dad" is from the 2016 Nightwing Comics #100 and while I have certain... qualms about Tom Taylor and his writing (don't get me wrong, he's a technically good writer and I enjoy reading what he writes. I just don't like what he's done with the bigger picture if that makes sense-- anyway), I really like this moment and B+N's relationship throughout the past few issues.
For me, Dick is a character with sooo much baggage to unpack and, honestly, I believe he's almost as emotionally closed off as Batman is, he just wears a smile while he's at it and believes the best of people where Batman assumes the worst. But when it comes to his own personal emotions, he bottles them up like he's Doraemon's pouch and has space to spare.
Here though, Bruce takes the initiative, taking off his cowl, and finally says what needed to be said long ago. With no miscommunications! In fact, Bruce delivers with eloquence! And he apologises! It only took Alfie dying...
Anyway, here're the panels: (0) (0.5) (1) (2) (3) (4)
(Added in a few extra pages because Dick was getting the recognition he deserves)
➼ Now following the comic with the heartfelt conversation and Nightwing appreciation, we have the sixth panel: Bruce knocking out Dick's tooth. Yippee. And that would be from Batman (2011) #7. Dick is angry at B cuz he swiped a tissue sample from him without telling him then B just backhands (Backfists? backpunches?) one of Dick's molars right out of his mouth (1).
The reason was that there was evidence in that very molar that Dick was selected by the court of owls when he was young to be trained as an assassin. (2) Now here's the thing, B had no evidence and instead of idk telling Dick about his thoughts (and this is all happening as Dick is going off at Bruce for keeping secrets) and taking an x-ray or smthn, he forcefully knocks it out.
And then they just move on like what just happened was okay. There's not even a hint of remorse or the like, instead, B just rebukes Dick for "underestimating" the Court of Owls. Bro, he was max 8 years old when he was still in the circus, why would he think something happened then? Anyway, Snyder has a real propensity for writing Bruce as a wacko imo.
➼ The next one really pisses me off. Bruce swiping Dick across the face and shouting, "DON'T YOU DARE BLAME ME FOR JASON'S DEATH! DON'T YOU DARE!" is from The New Titans (1988) #55. Let's put aside the fact that yes, it is his fault that a barely 15 y/o kid was trapesing the streets in glorified underwear and making enemies of psychologically challenged, overqualified, criminal masterminds and was eventually brutally beaten to death by one of said criminal masterminds in some twisted parody of a love confession.
Dick comes back from an off-world mission with the Titans 2 weeks after Jason's funeral. He ends up finding out about Jay's death from this little twat who I'm not even gonna bother naming and then after confirming the news he goes to comfort Bruce. He prioritised comforting Bruce over his own hurt at not being called or told in any way.
Bruce, in turn, takes to being an antagonistic asshole like they didn't both just lose the same person and subtly blames Dick for how things turned out. Dick goes, 'hey don't blame me' and Bruce goes 'DON'T YOU DARE BLAME ME' with a side of punch-to-the-face (1). Bruce then continues to rage at his own decision to take a sidekick (twice) but in a way that puts the blame on them (them being Dick and Jason), then he sort of disowns (?) Dick, and stomps out like the toddler that he is (2).
I could honestly never be Alfred.
➼ The page showing Bruce beating Jason is from Red Hood and The Outlaws (2016) #25. Jason shoots the Penguin (he doesn't die but neither B nor J know that) and Batman subsequently tracks him and beats him down like the loving father he is and Bizarro has to come save him (dk how much worse B could've done tbh) (1) (2).
Anyone with eyes would be able to understand why Jason finds it so hard to believe his father-figure loves him. Cuz he doesn't blood well act like it
➼ Next is Batman driving Dick Grayson to his new home or "hell" as he put it (weirdo?) after he officially made him his ward (consent wasn't included in the package). This is set in the Arkham Knight universe and is from All Star Batman & Robin, The Boy Wonder #2. I'm not gonna link any more than that because the whole run stars a messed up Bruce.
Idk in what world, the symbol of Justice of a city would think it's okay to legally kidnap a recently orphaned child, gas them in your car, and call them "dense" or "retarded" when they ask the genuine question, who tf are you? And then he slaps him for grieving his dead parents because, and I quote, "Grief is the enemy. [...] There's no room for grief. Grief turns into acceptance. Forgiveness. Grief forgives what can never be forgiven. Never."
And then he attacks Alfred for feeding him because 'woe is me, I (voluntarily) survived on rats and without any help and I decree that this young 8-year-old does the same'.
➼ And finally, the last one (Batman beating Damian and sending him flying across the floor) is from the Battle of the Super Sons Movie. To his credit, Batman's body was taken over by this starfish-looking parasite thing.
Not a fan of the movie, personally. Not much to say either, I just put it there cuz one of the key aspects of the movie was meant to be Dami and B's father-son relationship (and the gif was kinda funny).
By the time Damian came along, DC writers half-realised that blatant physical abuse towards your kids was not cool.
Anyway, this turned out wayyyyy longer than I'd originally intended. I was just gonna cite the sources at first, and then decided to give context for those weren't gonna read the comics, and then a bit of my opinion slipped in towards the end ┬┴┬┴┤(・_├┬┴┬┴ ...
Happy Father's day, ig?
#Sources and context below the bar#I swear I tried not to add too much Dick#It's not my fault B was particularly emotionally constipated when he was concerned#Bruce loves his kids and his kids love him back#He's just a terrible parent#canonically#(in some continuities he has potential to change)#I might make a fanon one too#It will be happier#No I will not-- this turned out to be way longer than I intended#Bruce Wayne#Dick Grayson#Jason Todd#Tim Drake#Damian Wayne
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assemb1e: indie comic multi muse featuring characters from dc and marvel. crossover and oc friendly. paneled by molly (25). you can also find me over at @svpe. temp rules and muse list under the cut:
muse list:
artemis of bana-mighdall / prime earth / pre n52 and red hood and the outlaws (2016) influences
emma frost / earth 616 / generation x (1994-2001), new x-men (2001), marauders (2019-2022) & wolverine and the x-men (tv show) influences
jessica cruz / prime earth / n52 and rebirth influences @greenlanthern
jennifer walters / earth 616 / slott and rowell influences
jim gordon / prime earth / batman: year one and batman: turning points influences
kyle rayner / prime earth / green lantern (1990 - 2004) influences
miles morales / earth 1048 / insomniac influences
peter parker / earth 6160 / ultimate spider man (2024) influences
stephanie brown / prime earth / batgirl (2009-2011) influences
yara flor / prime earth / wonder girl (2021-2022) influences
if you're interested in writing with any of them, please read the rules below 😌
rules:
hi,i'm molly, 25, she/her, gmt, and this is my comic multi muse. i'm very familiar with dc comics and pretty competent when it comes to marvel comics. i have also watched most live action superhero films, but will be keeping all of my muses comic based. however, i am happy to interact with live action based muses.
i am always up for plotting and starting threads, so don't be afraid to just slip into my IM's if there is a plot that you would like to try between our muses. my writing style is extremely flexible and will adapt to that of the writing partner. replies can get lengthy, especially when it comes to plotted things, but matching length is never mandatory. as long as there is something that i can reply to, i'm good.
this is not a 'shipping first blog', and most romantic ships should be natural and discussed beforehand. if nsfw appears, it will be tagged #nsft. i will obviously not write this with anyone under the age of 18 or with muses under the age of 18. if you try, you will be blocked.
if we already have a thread and you would like to start another, let's do it! there is no limit to the amount of threads i have with one partner at the same time. please note that sometimes i'm super fast when it comes to replying, and other times i an take up to a week or more. it all depends on muse and time i have to come online during a week.
my default for format is small text, normal spacing, and icons. want bigger text? want to go iconless? done. i don't mind how you format as long as it's legible. also, never be afraid to turn an ask meme into a thread!
i don't do follow for follow, so if i hit that follow button, it means that i want our characters to interact! if you follow me and i don't follow back within a week of myself being active on tumblr, it probably means that i won't follow back, sorry. ocs, multi-muse blogs and characters from other fandoms are always welcome. the only blogs i won't ever consider following are personal blogs. if you don't follow me back within a week, i will unfollow as i assume you don't want to interact (and that's perfectly okay!) when it comes to unfollowing, i may do that if you post more ooc than ic. i will definitely unfollow if you fill the dash with negativity and drama. i prefer to keep my dash a friendly and safe space. this is, after all, a hobby that we're supposed to enjoy.
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Yes but only in the recent Infinite Frontier era that DC is going through, before? Not so much. Stephanie wasn't around when Jason was first introduced and in his *actual* comeback to the land of the living in Under the Red Hood they also didn't interact. Jason's comic appearances after UtRH and 2009 were scarce and as far as I remember (I am a bit rusty on Jason lore) they didn't interact over there. From 2009 to 2011 it gets difficult because he was usually involved in all of these "Bat-Family" and universe-hopping things but it still doesn't ring a bell that they shared panels. After 2011 there was some "panel sharing" between the two, if it meant that you could put them in a room with Dick and throw a lil hate towards him. This era was full of the most boring and never-ending "Bat-Family" arcs so I would say that they did exchange some words over there. From that era I remember specifically Batman and Robin Eternal #4 in which Jason and Stephanie argue. Rebirth had some insufferable "Bat-Family" arcs that sometimes included Stephanie but I wouldn't quite say that they crossed paths in them either. Most if not all of their interactions come from the last DC Comics era and most of them were written by Matthew Rosenberg who sadly took on one of DC's classic tactics of "don't show, just randomly tell" and one day decided that Jason and Stephanie were besties (I don't quite remember but I think it was Task Force Z #9) and now in this weird Joker book.
OH, Stephanie never appeared in a Jason-solo book (Red Hood and the Outlaws) in either New 52 or Rebirth so there is also that.
have jason todd and stephanie brown ever actually had a one on one conversation in the comics
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so what color is the lazarus pit? I mean, i know that its generally accepted to be green, but in UtRH it looks yellow? it was yellow in tower of babel too, i think.
There are many Lazarus Pits of many colors! There's plenty of variation in the red/orange/yellow/green range.
So green isn’t a totally invalid color, but it's just blatantly false to claim all Pits are always green. Indeed, most are orange/gold.
Considering that many different Lazarus Pits have appeared in canon, multiple colors aren’t a contradiction. And I'm not sure how often we've seen the same pit colored multiple ways, but I wouldn't even consider that to be a contradiction since...it's magic goo. It can change colors if it wants.
The first ever appearance of a Lazarus Pit (located in Switzerland) is in Batman #243, from 1972. It’s sort of a dark teal with green smoke?
1981's Batman #335, shows a different pit on Infinity Island that is orange.
1986's Batman #400, we find yet another pit in Gotham that's bright yellow.
The three issues above are from an era with a more limited color palette available to comics. For more modern references:
The pit in 2000′s Tower of Babel (this page from JLA #46) is red-orange.
2001′s Birds of Prey #34 sees Dinah Lance healed in a yellow-orange pit. In 2006, Cassandra Cain is resurrected in Batgirl #73 in an orange pit that might also be on fire?
Jason Todd was resurrected in a gold/orange pit. Top three panels are from Batman Annual #25 in 2006, part of the Under the Hood arc. Bottom panel is from Red Hood: Lost Days #1 in 2011, and totally matches.
Batman: the Resurrection of Ra’s al Ghul in 2008 shows the only lime green pit I can think of off-hand. This panel is from Nightwing #139.
And in 2010, Kate Kane is resurrected in another orange/gold pit in Batman and Robin #9.
No pics, but in the New 52, Red Hood and the Outlaws #0 shows Jason being resurrected in a green pit in the new continuity so...I guess the entire source of this is people only reading the worst comics. (brb back on my ‘jason fans please read a decent comic’ hill.) And then a number of animated adaptations ran with the Pit being green, and now fans everywhere are convinced that’s universal.
#*dc#dc#dc comics#dc ref#jason todd#cassandra cain#kate kane#dinah lance#ra's al ghul#ask#anon#i've been meaning to make a post like this so thanks for the push anon!#*
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hi blink!!! how about top 5 comic recs and/or top 5 ballads?
oh god okay gonna start by saying as much as i love comics i’ve read very few of them okay let’s go
x-men: exiles. if you’ve ever wondered “hey, where did the name ‘blink’ come from, and also, how did you and jaz get to talking” the answer to both is in fact x-men, and exiles is my favorite. i haven’t read the shorter 2018 run (yet), but the earlier run is one of the first comics i ever read and clarice ferguson my darling is front and center so obviously it bangs.
x-men: x-factor. okay this one is great it’s a detective/noir setup with a bunch of great people including terry cassidy, my literal wife, and rictor and shatterstar - who are definitively the gay romance of all time. it gets uhhh less enjoyable as it goes in my opinion? but the first half fucking WHIPS and you just don’t get team-ups like this anymore.
hawkeye. yknow the matt fraction run. so like i’m a fake fan or whatever but i didn’t read this run until very recently and in fact i’m still working through it but i adore both the way clint is written and the way kate is written which is stellar because everything i’ve read with kate in the past has just been kind of. fine? she’s not the most compelling to me usually. but I love her in this one. she’s so so good. man.
red hood and the outlaws (2011). don’t read this one. don’t. it’s not good. for every one (1) panel showing the platonic ideal of a bi4bi4bi ot3 there are 70 panels of nonsense and bullshit (derogatory). instead, find a local bisexual who has read it and ask them to explain the best takeaways and plot points to you, so that you can ignore all the bad writing and poorly done plots. the version that exists in someone’s head is better than what exists on the page. even so, i am the local bisexual who goes feral over it. so like, it got me and it goes on the list.
birds of prey - once again. do not read this one. or at least don’t read the 1990s run because the politics are just. they’re so. questionable and in fact bad. and esp in the later issues the characterizations are very off. but what you CAN do is accept that dinah and babs were in love even before dinah knew babs’ name, and then go read the later runs by gail simone because that little factoid is all you need from any of the hundred or so issues written before ms. simone came along.
ohoho BALLADS. what if i just listed ballads (poems from Romantic authors) instead of songs. i’m not going to but i did consider it. i struggled with this one actually because like, technically ballads have specific meanings and i spent a while trying to find the narrative, abcb rhyming, folk songs. but that’s hard lmao so here have five slow love (?) songs regardless of genre.
“all the pretty girls” by kaleo. this is one of my top songs of all time actually which is why it’s on here, regardless of question specifications. OR. fuck. listen to “my fair lady” off their next album too. godddd god i lose my mind.
“weights and measures” by dry the river. everyone who knows me long enough has to eventually listen to me wax poetic about the album shallow bed (acoustic) at some point, i’m not going to get into it here again, but like. albums i can recite front to back and WILL at the slightest provocation. god this song. GOD this song!!! see also: bible belt and new ceremony. the fact that i use lyrics from any other artists for fic titles is a miracle.
“boy crazy” by dessa. okay listen, this is nothing like the first two songs and may not technically count as a ballad, i know. but, like. lie down in the grass and stare at the sky and listen to the live version from her performance with the minnesota orchestra. unlocks new emotions every time.
“nothing at all” by the crane wives. i wasn’t going to include it because it’s not quite right per the parameters set above but i keep circling back to it and going goddamn that’s a good one though,,,
andkfkgmhm i’m so. me. every time. okay go listen to “into your arms” by the maine. i’m sorry. the warped tour kid in me refuses to let this one go. music videos i watched on REPEAT in high school.
honorary mention to hozier, i told myself i couldn’t list him because everyone already knows all his slow love songs and that’s fine, but it’s weird not to put him on lists of favorites because. well. he is one.
#stara i am so sorry sjdkfkgmhmh#i’m sure you had something in mind when you asked for ballads. I am equally sure I did not fulfill that.#this is fine i’m sure but i do feel the need to say it sjdkfkgkgmgng#i don’t know. Music. generally speaking.#but that’s fine! we got there. sort of. in the end.#ANYWAY THANK YOU THIS SENT ME ON SUCH A JOURNEY#tam.ask#long post //#ask meme#me looking at this like oh no people think I know things. i do not know things.#thehallstara
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i would love to see someone explore jason both as an adult who makes concious decisions about murder, who creates his own moral codex, and who doesn't hesitate to spill blood if he thinks it's right, and as someone who has ptsd from traumatic life in poverty, seeing his own parents die/rot away, and from being murdered slowly and painfully at the age of 15 and then coming back and mentally comprehending that still in his teens, and all the rage he feels, like angry and murderous jason in control vs angry and murderous jason out of control (also the fact that he came back as 18/19 year old and never had proper stationary/human support in his life afterwards, and how much also that fucked him up...)
ok im finally starting to go back and answer some old asks BUT YEAH!!! YAH YEAH YEAH!!!
Jason has some of the most interesting potential as a character, there are so many complexities and layers to his actions and why he does things the way he does, but I just feel like DC has dropped the ball on him so bad because Jason basically exists as a challenge to Batman and even though everything Jason does isn’t right he does make points! And DC never wants Batman to look bad or wrong for more than maybe part of a story at a time, but it won’t be part of their status quo. So he gets watered down and shipped off to go do Outlaws stuff (2011 putting him on a team with two heroes who don’t really kill, and 2016 setting him in Gotham adopting a no-kill rule to fit in with the fam) or he’s there for all the big batfam group stuff but again not... doing the main thing he was reinvented as the Red Hood to do: Challenge the bats.
Like, man, I absolutely understand a desire for the bats to be a big happy family but making Jason be part of that just with ‘oh ya know Jason our little black sheep’ rather than actually looking at the huge difference in morals he has from the rest of them... it just cheapens his character. Like for fan content go wild and do what makes you happy that’s what fan content is for, but in terms of the actual official comics Jason should not be included in group things nearly as often as he is. (Like, Joker War makes total sense for him to be part of because of his Joker trauma but like, man, even though I thought he was handled pretty well when there in the Batwoman Trial thing in Detective Comics 2016 him being included in a round table about the morality of another person in the batfam killing someone at all just feels so wrong to me. That’s just a completely different Jason than the guy I became interested in from before the reboot, ya know?)
I really enjoyed the first part of Zdarsky’s new Jason story though in Urban Legends, and based on the new preview panels for the next part (which includes Jason talking about the difference between killing nameless faceless guys who were attacking him vs him impulsively killing someone, and how much the second thing was fucking him up, I think that’s definitely an interesting take that feels in line with Jason. Because when Jason knows someone is evil and bad and trying to hurt innocent people he will take them down, that’s what he does, but when it’s a heat of the moment thing and he knows the little kid who he’s gonna have to break the news to that his dad is dead, that’s so much harder) I think he’s taking a really cool route with him as a character.
But yeah in general I just... want nuanced Jason takes, from fandom and official content. Not just ‘oh hes crazy from the pit sometimes but otherwise hes fine’ or chalking it up to just angst or whatever. I just... care the him, and am so glad Lobdell is hopefully never gonna touch him again 😌
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The Wayne family
Sometimes, when I read Batman fanfiction, I wonder whether the writer has been reading the same comic books as I have. Because they paint a picture of a big, happy Wayne family where the kids are very close and sometimes the whole bunch even live together.
Now, I do know the difference between canon and fanfic. And I get that wishful thinking and selective reading plays a big part. But still, I'm curious where these conceptions come from.
Just to be clear. I do think of Bruces adopted/foster children as a family because they have a common father(figure). But they have not grown up together. It depends on what DC continuity you're playing with, of course, but most of them are in their teens when Bruce Wayne comes into their lives and they can’t have lived more than a few years with him. Several of them have not lived together. So even if I let my imagination run amok, I can't see them living at the Manor together as a tight-knit family, and I don't think all of them know each other very well.
Batman and Robin vol 2 # 10. By Peter Tomasi, art Patrick Gleason and Mick Gray.
Dick Grayson had moved out (or been kicked out, depending on what version you go with) when Jason Todd came along (and Bruce suffered from empty nest syndrome). Jason was dead when Tim Drake came into the picture, and Tim lived with his parents or boarding school in the beginning. Even if Dick kept in pretty close contact with Tim, he had a permanent home elsewhere.
Batman: Gotham Knights # 45. By Scott Beatty, art Roger Robinson and John Floyd.
I admit I haven't read a lot with Cassandra Cain. As far as I understand, after Flashpoint she has never lived in the Manor. Before Flashpoint, she was adopted, but I don’t believe she lived long in the Manor, and the only other Wayne adoptee she can have shared the home with is Tim.
Edit: At least, Bruce probably did have time to adopt Cass, even though he promised to do it in Batman: Redemption Road (2008), just before the story arc Batman RIP where he, presumedly, died. They certainly did not live together as a family for long.
Batgirl: Redemption Road # 6. By Adam Beechen, art Jim Calafiore and Jack Purcell.
I’m sure there are cute panels of Tim and Cass out there, but I’m picking some from comics I know of.
Batgirl # 50. By Dylan Horrocks, art Rick Leonardi and Jesse Delperdang.
Batman: Family # 7. By John Francis Moore, art Steve Lieber and Stefano Gaudiano.
Tim was an older teenager when Damian al Ghul/Wayne dropped into the house and immediately tried to get rid of Tim the hard way, and I don’t think they spent a long time under the same roof until Bruce "died", and soon after Tim left (at least partially).
Batman # 657. By Grant Morrison, art Andy Kubert and Jesse Delperdang.
Dick moved in with Damian and raised him (for about a year). When Bruce first came back he travelled with Batman Inc, and Dick and Damian continued to live together. There were times when you could find Bruce, Dick, Tim, Damian and Alfred in the Manor at the same time, but not living permanently together.
Batman & Robin vol 1 # 20. By Peter J. Tomasi, art Patrick Gleason and Mick Gray.
Now, Flashpoint, New 52 and Rebirth makes it even more impossible to puzzle together a credible timeline for everything Bruce Wayne is supposed to have done and everyone's relationship with each other. We’ll end up with Jason being Robin for about a month... But, anyway...
At the start of New 52, Dick has gone back to Nightwing and moved into his own flat in Gotham. He’ll continue to move around in different cities so he’s clearly not living with any other Wayne. By then, Cassandra is retconned out of the family and I haven’t seen any sign that Jason lives at the Manor with Bruce and Damian (and I don’t know about Tim either).
Fast forward into Rebirth, and Duke Thomas stayed and trained with Bruce for a while. If any of the other kids lived there at the same time is anybody's guess, but you can see the whole Bat-family (including, for instance, Stephanie Brown and Luke Fox) share a happy meal in the Manor, so at least they socialize from time to time. I’ve read somewhere that Duke since has moved in with relatives.
In canon right now, as far as I can make out, the only one who (at least sometimes and varying between the books) lives with Bruce and Alfred in the Manor is Damian.
Another fanon exaggeration on the opposite part of the scale, in my opinion, is the penchant for portraying Dick and Jason's relationship as extremely bad from the start.
There are three different versions of how they met before Flashpoint. The first time, when Jason was a circus-boy Dick clone, Dick originally wanted to take him in, but Bruce stepped in instead (DC needed a new Robin for Batman, after all). The second time, Bruce had fired Dick from Robin because he was shot by the Joker and then promptly picked up Jason, after Dick had left. The third time (Nightwing Year One), Bruce fired Dick and kicked him out (I tend to ignore this version mostly, to be honest, because Bruce is ridiculously much of an ass here) and then, as you know, took in Jason.
And it's not that Dick loves Jason straight away, or the fact Bruce took in a new Robin by the blink of an eye, in the two later versions. But he still gives Jason his old Robin suit and his phone number in version two and in version three, they part on decent terms, and Dick tells Bruce (by recording) that he could have done worse.
After that, they hardly meet before Jason is killed because Dick is working with the Titans and doesn't live in Gotham. Pre-Crisis on Infinite Earths Jason helped the New Teen Titans a few issues (Dick was busy getting in the hands of Brother Blood and being brainwashed, at the time) in New Teen Titans vol 2 # 20–31. And there is a snapshot of Dick and Jason hanging out as civilians in Nightwing vol 2 issue 63. That's about it.
Nightwing vol 2 # 63. By Chuck Dixon, art Trevor McCarthy and Karl Kesel.
Then, of course, Jason came back from the dead slightly unhinged (2005). I don't know the whole picture of meetings or confrontations between the Bat-kids between Jason's comeback and Flashpoint (2011). I do know he dressed up as Nightwing and killed people in Nightwing vol 2 # 118–122. When Jason was abducted, Dick struggled a bit with the question "Is it ethical for me to save someone who's a danger to society?" before he went to save Jason. In the end, Jason sends a telegram where he says "Thanks for coming for me, brother. I know we don't agree on much. I just wanted to believe we could be family again." Tim and Dick also had a confrontation with Jason in Teen Titans (2003) # 47, and Dick and Jason had a not very amicable meeting in the Outsiders v 3 # 44.
Nightwing vol 2 # 118 –122. By Bruce Jones, art Joe Dodd, Paco Diaz, BIT and Nathan Massengill.
And then we have Battle for the Cowl, where Jason shot Damian, left Tim for dead and tried to kill Dick after he had refused to become Robin to Jason's Batman. (I guess there are Jason fans out there who think that Dick was not justified to put Jason in jail after that. Obviously, I'm not one of them, but if anyone dislikes these years in canon and decides to ignore it to the best if their ability, who am I to judge?)
So, the Wayne boys definitely had a partly antagonistic, partly close, partly distant relationship. After Flashpoint, I think it has in been portrayed as better. At least, I haven't seen them try to kill each other... Tim calls Damian "gremlin", Jason is Damian's secret mentor (or so I've seen somewhere), they sometimes meet on the rooftops and work together. On the other hand, the previously close relationship between Dick and Tim seems pretty much forgotten. (Let's hope they start remembering that soon again.)
Detective Comics # 975. By James Tynion IV, art Raul Fernandez and Alvaro Martinez.
Somewhere in Batman and Robin Eternal, Jason says that Tim is the only of the other Robins that he likes. (I honestly don't know where that came from, I never noticed them seeing eye to eye before. Still, it's not like I've read every Bat comic ever printed. But then, I rather believe the same goes for a number of DC writers... Edit: I’ve been informed that it’s probably from a flashback in an issue of Red Hood and the Outlaws.) In RH and the outlaws annual 1 (I think that’s the only issue of that series I’ve read, to be honest), Jason narrates that there was a time when he would have killed Dick on sight. "Not my proudest moment. We've made up since then." They have a complicated relationship, but they are still somehow clearly brothers, and Jason thinks back to when he saw the Flying Graysons perform and how Dick was a hero to him then (another retcon after Flashpoint). As far as I know, it's the only post-Flashpoint retelling of how Jason and Dick met, and the story is that Alfred puts Jason in Dick's room so he wouldn't have to clean a new one. Dick is not happy to find someone in his bed when he comes home to visit. They fight. Honestly, I can't imagine Alfred doing that, so that's one version of the canon I’m happy to overlook...
On the other hand, we have Jason and Dick hanging out on the rooftops in Blüdhaven in Nightwing vol 4 # 15, and Dick, Jason and Damian certainly bicker like siblings (together with Duke) in Batman vol 3 # 16 and # 33.
Nightwing vol 4 # 15. By Tim Seeley, art Minkyu Jung.
Batman vol 3 # 16. By Tom King, art David Finch.
On the whole, I think the only thing you can be sure of about the relationships between the Wayne family members these days is that it varies quite a bit between titles and writers and has had its ups and downs over the years. But that they have never lived together as one big, happy family.
Of course, all this is based on the comic books I’ve read, and there might very well be stories out there that paint a different picture. But on the whole, I’m pretty confident that this panel is about as close to a happy family gathering we’ve seen. And then it’s not only the Waynes but the Bat family.
Batman and the Signal. By Scott Snyder and Tony Patrick, art Cully Hamner.
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I'm new to the Batman comics and was wondering if you could answer a question? I saw another blog talking about Batman adopting kids and how it helped him recover which I follow for the most part. But then they said he relapsed after Jason. What happened to Jason? I don't mind spoilers, it helps me get through the darker parts.
… oh gosh you poor soul.
Okay so um.
Well first of all let me start off with saying that if you can find it, you should track down the animated movie Under the Red Hood. It’s a very solid, if streamlined, adaptation of everything I’m about to tell you, and it probably will do a better job than I ever could.
Let’s continue this under the cut, because this got long, and I have pictures, some of which will be… unpleasant, as will be the topics discussed. Warnings for violence, death, and references to sexual assault below!
Now, since you’re new to comics, I’ll give you a quick rundown.
(Batman (1940-2011) #368)
Jason Todd was the second Robin, and he had the misfortune of being the first attempt to make the role a legacy.
He was a very controversial figure. Dick Grayson was widely beloved, and while Jason had his fans, he also was present in a time in comics when many people, both among the readers and the writers for DC, believed that kid sidekicks weren’t dark enough, and fans of Dick often found Jason to be unlikable and too edgy. Jason smoked, he was lower-class and drew attention to a lot of the less palatable parts of Gotham, his mother died of a drug overdose, and he became Robin by stealing the tires off the Batmobile.
(Batman (1940-2011) #408)
And infamously, towards the end of his run as Robin, he might have possibly killed a rapist who would have gotten off otherwise because of diplomatic immunity.
Batman (1940-2011) #424
… yeah. That was a thing.
A lot of Jason’s “bad Robin” stuff which he has become slightly infamous for was in fact retconned in after… everything else, but, as seen in this story above, Jason was a character who was pushing a lot of traditional boundaries in Batman comics, and the violence and temper were there from the beginning, but it was presented as something that Jason was relatively in control of, and that Bruce was helping him with.
(Batman (1940-2011) #411 - for context, Two Face killed Jason’s father)
But Jason had some bright spots; he joined the Teen Titans briefly, he was Robin present for For the Man Who Has Everything, one of the most famous comic stories during that time, and had a pretty decent relationship with Dick Grayson (which… they retconned later.)
(Batman (1940-2011) #416)
And then, in 1988, one bright DC executive decided to try a gimmick to drum up publicity for the upcoming storyline Batman: A Death in the Family. (Because those always work out well.) It was decided that in the upcoming story, they would have a phone poll, to see if Robin lived or died.
The vote was taken, and the people spoke. Jason was to die.
(I’ll note here that there’s a LOT of controversy about the vote; apparently there was a robo-calling scam, people were charged per-call so younger readers couldn’t vote, people weren’t sure if the question pertained to Dick or Jason, and some people voted just to see if DC would actually do that.)
So Jason undertook a rather fascinating story where he discovered that the woman who had raised him wasn’t his birth mother, and began to track down his birth mother. After a few false leads, including Lady Shiva, he eventually tracked down his birth mother, Sheila Haywood, who was a volunteer doctor in Ethiopia. Jason and her had a relatively cute reunion, before it was revealed that Sheila was involved with the Joker, who was blackmailing her.
Batman (1940-2011) #427
Jason, against Bruce’s advice, revealed his identity as Robin to Sheila and offered to help. She then lured him into a trap, where the Joker beat Jason to near-death with a crowbar.
(Batman (1940-2011) #427)
While she smoked a cigarette.
Batman (1940-2011) #427
The Joker double-crossed Sheila, because he’s the Joker, and left her and Jason both to die in the warehouse with a bomb. Despite his injuries, Jason tried to rescue Sheila and get them both to safety, but he wasn’t fast enough.
(For the record, anyone who blames Jason for his death here can fight me. He was trying to help his mother, and it bothers me a lot that most interpretations cut out this angle.)
(Batman (1940-2011) #427)
Sheila, possibly having some regrets, managed to tell Bruce that Jason had tried to save her before she died. Jason had no such opportunity to exchange last-words with Bruce.
(Batman (1940-2011) #427)
Bruce had arrived at the warehouse just in time to see it blow up, which shook him to his core, and for which he blamed himself.
I can’t emphasize enough how huge this was to comics at the time; the death of Robin was a major shakeup to the status quo, and for years Jason Todd was defined as one of the three perma-dead characters in comics. (The others being Bucky Barnes and Uncle Ben.)
The Joker then… went off and had a wacky sideplot about getting diplomatic immunity by becoming the ambassador for Iran, and then he tried to blow up the United Nations. It was… weird.
But back to Jason, his death severely shook up Bruce for years.
Batman: Gotham Knights (2000-2006) #45
His costume literally haunted Bruce in the Batcave in the form of the memorial case, and Jason’s death affected Bruce’s relationships with the next three members of the Bat Family; Tim Drake, Stephanie Brown, and Cassandra Cain, while the Joker became cemented in his place as The Man Who Killed Robin.
Batman: Gotham Knights (2000-2006) #44
Batman (1940-2011) #629
Brucefrequently hallucinated Jason, and his fears of losing anotherRobin/Batgirl/protege (compounded by the fact that The Killing Joke happenedjust beforehand) lead to extremely over-protectiveness towards Tim, and shaped hisentire relationship with Stephanie Brown prior to her run as Batgirl. Butthat’s a post in and of itself.
Jason came back from the dead in Under the Red Hood. (The movie version of which kind of… simplified Jason’s death by cutting out the bit about his birth mom. But the details vis-à-vis the Joker and the crowbar remained the same.) In the comic, we don’t see how Jason got resurrected, but it was revealed in a later comic that, in a major event called Crisis on Infinite Earths, a character named Superboy Prime punched the walls of reality and resurrected Jason Todd.
Batman (1940-2011) Annual #25
Yes. Really.
Anyways, Jason then had to dig his way out of his own coffin in one of the most horrifying sequences ever.
Batman (1940-2011) Annual #25
Jason then wandered Gotham in a catatonic state, living on the streets and scavenging for food, until he and his still-retained fighting skills were recognized by someone, who called Talia al Ghul. Talia tried to help Jason recover on his own, before realizing that wasn’t going to work, so she shoved him in the Lazarus Pit (against her dad’s wishes), which solved the catatonia, and, depending on your interpretation, possibly made Jason violent and angry.
Most more recent adaptations/continuity reboots chose to place Jason’s resurrection solely as a Lazarus Pit endeavor, which I’m iffy on, simply because Jason digging out of his own grave was an image that really stuck with me when I first read the comics.
After escaping from Ra’s, Jason started to figure out his new place in the world. Jason discovered that the Joker was still alive, and that there was a new Robin.
Batman (1940-2011) Annual #25
Red Hood: The Lost Days (2010-2011) #4
This enraged Jason, who set about on a multi-year journey to learn the “skills that Batman never taught him”, before making his return in Under the Red Hood. (Which, I should note, occurred almost directly after the infamous War Games saga, where another Robin, Stephanie Brown, was killed. This isn’t actually addressed in the story itself, but on a meta narrative level, it’s interesting to note.)
Batman (1940-2011) #635
Jason became a Crime Lord known as only The Red Hood, which was the Joker’s original nome-de-guerre. He played a series of mindgames and plots, before finally revealing his identity to Bruce. His endgame eventually lead to him kidnapping the Joker, beating him with a crowbar, giving Bruce a gun, and telling Bruce that he’d either have to shoot the Joker, let Jason kill the Joker, or shoot Jason. Bruce found a way around that, because he’s Bruce, but Jason vanished afterwards, leaving Bruce dealing with the fact that his greatest failure, to save Jason, had literally come back to haunt him.
Jason went on to be a villain/anti-villain of various flavors, featuring in Battle for the Cowl, and the preboot’s Batman and Robin by Grant Morrison, before getting an image shift in the Nu52, primarily in Red Hood and the Outlaws, which shifted him into anti-hero territory.
But that’s another story entirely.
Hopefully this has answered your questions! Panel credits all go to @renaroo, who’s always the best to call up for screenshots.
#Jason Todd#Steph Reads Comics#Bat Family#Bruce Wayne#DC#Steph Replies#Steph Speaks#Anonymous#anon#asks#Steph vs The Bat Fam
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Yes, motor!
I love this!
jason todd inspo for dpxdc
So I know not everyone is gonna read through comics so here is some dope Jason panels that I think absolutely SCREAM danny phantom xover material.
After coming back from the dead, Talia dropped Jason off with the All-Caste which is like a sect of warrior monks who do magic.
The All-Caste have a nexus chamber that can go ANYWHERE and ANYWHEN and looks absolutely insane and is filled with door ways. It absolutely screams GZ/Infinite Realms material. Jason has been in it multiple times both when learning magic bullshit as a teen and again as Red Hood when trying to track down The Untitled after they killed off all the All-Caste.
Below is a pic of Jason just after he left the All-Caste after getting kicked out and I do think his hair looks like Danny's here so I'm dropping it in for all those ppl who like writing fics where Jason is Danny's universal variant.
I have not found any panels where Jason actually has glowing green eyes but he does glow with occult symbols when meditating.
If you don't know about the All-Blades then just know are fire swords Jason can summon and use to destroy evil. Also they come with a mystic disembodied voice talking about balance and shit sometimes. They're powered by your soul so you can do some real weeb shit with that.
Bonus, sometimes Crime Alley or Gotham are referred to as Jason's Haunt and I think that's beautiful.
#dpxdc#dpxdc crossover#dp x dc#dcxdp#dc x dp#dead on main#anger management#inspo post#no prompts just stuff I think is cool for use in prompts#most panels are from Red Hood and the Outlaws (2011)#this is a mostly All-Caste flavored post#because I just love Jason with magic#and I just re-read rhato#all-blades
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PROPAGANDA
STARFIRE (DC COMICS) (CW: Sex Trafficking)
1.) She is frequently put down in the og 80s comics due to being more expressive and open with her emotions, and ever since the og she has frequently been painted as just eyecandy (ignoring her sexual trauma) when her character is so incredibly complex. Special mention goes to red hood and the outlaws (2011) (written by a sexual harasser) for just terrible stand out awful reasons which will be seen in the below photos and her 2015 solo for combining her vapid portrayal there with her cartoon quirkiness to culminate in a trash comic that is just her basically being the born sexy yesterday trope.
2.) 2011 reboot, in RHATO she was turned into a walking fetish by retconning most parts of her character and erasing all personality displayed in the past 30 years of comics. in that iteration she is only interested in sex and is dehumanised and ‘exotic’. she ‘forgot’ all her past relationships because she doesn’t care about them only sex. her only purpose in that book is as a powerhouse and a sex/love interest for one of the male characters who view her as a trophy because she used to date someone he dislikes (in this continuity) let’s also not forget that she was first created just to be a love interest and although she did grow into a hood character at some point, she is treated horribly time and time again by writers because of conflicting ships. she’s written as a ‘vixen’ as opposed to another ‘good girl’ female character who is shipped with the same guy in canon
3.) Her original characterization was fairly decent, however it still had her stuck in relationships with men that weren’t very good for her and had overtones of racism with how she was written. Post that her characterization was slowly chipped away at, some writers with harder sledgehammers than others, culminating in current writing where she’s dismissed as “just a fling” to her original counterpart (Dick Grayson) to prop up a different ship (Dick Grayson/Barbara Gordon) and frequently has been used as eye candy in other comics. Simply open the first comic of Red Hood and the Outlaws, which obliterated her personality to make her associate/be subservient to the Red Hood, and you’ll find plenty of panels of her appearing simply for eye candy in the boobs and butt pose for absolutely no reason. This is not the only time she’s been used to cater to the male gaze (I’d argue even in her original context that was part of her appeal) but in this comic she essentially has no personality beyond “i want sex” as her memory of all past events has been erased. She’s essentially just a tool for her male counterparts in the comic to bounce off of, and eye candy to bring more male readers in. She does eventually get more storylines later on, but that doesn’t excuse the bad writing she was put through. Her own solo series also cashes in on her sex appeal, by infantilizing at the same time as drawing her in skimpy outfits + more boobs and butt poses galore to go for the “born sexy yesterday” misogynistic trope.
BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)
1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.
2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks
3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.
Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control
I.E.
Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there
When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)
Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.
They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying
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Red Hood and the Outlaws #1 (2011)
It's been a while since I've read RHATO, so I figured I'd reread it - and if I'm doing that, why not make you all suffer with me? I will probably get tired of this before I finish all the various series, but let's see how far we get.
Roy, that would probably work better if your bow had a string.
The issue begins with Roy in a prison in Qurac for trying to overthrow a dictator. He's rescued by Jason, in disguise as a pastor in a fat suit (sigh). There's so much wrong with these opening pages: the fat suit, the writing off an entire Middle Eastern nation as evil and corrupt, the fact that there's no way even a collapsed bow would fit inside a hollowed-out bible, the lazy way the panel layouts waste space...and yet. And yet.
These pages. THESE FUCKING PAGES. "His name is Roy Harper. He's an idiot. Nice guy, but an idiot." "His name is Jason Todd. A lot of people say he's crazy...Let's just say the Red Hood is my kind of crazy!"
This kind of parallel narration always makes me think of the 2003 Superman/Batman comic, which used it extensively, to extremely (and likely unintentionally?) homoerotic effect. After I read this issue, I told a friend that I got it now: Red Hood and the Outlaws was Superman/Batman for edgelords.
Which is to say, I'm pretty sure I started shipping these assholes just from these first terrible pages.
(But seriously, there are three pages up there and only five panels. Five panels! Plus some pointless maroon boxes that don't do anything! I want my money back.)
This panel is super misleading, because it implies that Roy and Jason know each other well enough for Jason to tease Roy about being a chatterbox, but later issues will show that barely know each other at this point. But then, trying to keep the backstories straight in this or any Lobdell book is like watching sand run out between your fingers.
And again here, it implies that they were already friends, a team, partners...something. But later we'll learn that they only met once, and it was years ago, when they were kids, so...what gives?
(This page is actually interesting, because Jason is constantly saying playfully mean things to Roy and Roy never seems to mind, but here he clearly hurts Roy, and he knows it.)
Siiiiigh.
To add insult to injury, Jason immediately announces that he's fucked Kori. You'll notice I aggressively ignore this in every fic I've ever written. Part of that is because I love Secret Virgin Jason, but also it just doesn't mesh with his and Kori's relationship throughout the rest of the series or his hilarious lack of game in general, and it's also so inextricably part of Amnesiac Sex Doll Kori that I just want nothing to do with it.
HATE. HAAAAAATE. The devious smile on Jason's face in the bottom row and Roy's calculating expression are so deeply disgusting to me. "This woman can't meaningly consent! She's like a cave fish with a vagina! Sweet!" Scott Lobdell is a vile human being and so is everyone who signed off on this piece of shit. (Fun fact: this was a HUGE controversy when the New 52 launched and the outcry was so loud they walked it back in a later issue when Kori tells Roy she...just lied about all of that for no reason? Okay.)
Also, "ask her about the gang you used to hang with." Uh...what gang is that, Jason? Because Donna didn't exist at this point, Wally was 12, Garth was a literal baby, Vic joined the League immediately upon getting his powers, and Gar was a child being tortured in a lab somewhere. So was it just Roy, Dick, and Raven? And they certainly weren't the Titans, because Tim's team was the founders in this continuity...which Lobdell should have known, since he was also writing that book.
The person asking to speak to Jason is Essence, his ex, who tells him something cryptic about murder victims with missing organs.
YOU DON'T KNOW MOST OF THOSE PEOPLE EITHER, ROY!!! "Remember Garth? The baby?" (Literally, he is a baby who shows up for one panel. In Atlantis.) And who the fuck is Dustin?
Anyway, Kori propositions Roy and he's like "Sure, why not." Did the target audience actually think this was hot? It's so depressing.
Essence tells Jason that something called the Untitled has attacked something called the All Caste, and Jason makes a surprised Pikachu face.
Elsewhere, a guy in a basement looks at a picture of Kori online.
I will admit to liking two things about this page: the fact that Jason's helmet is in the nightstand implies that Roy and Kori fucked in Jason's bed, which is either hilariously rude or an invitation that sailed right over Jason's head, and the red hand print on Roy's chest. It's the first glimpse of a recognizable Roy in this book; he did always like getting manhandled by scarily powerful women, pre-Flashpoint.
Jason goes...somewhere, to a temple of sorts with a lot of vague cultural appropriation going on, and kneels over the corpse of an old lady. "I'm sorry I wasn't here for you, Ducra," he says, before a bunch of people attack him. END OF ISSUE!
And that's Red Hood and the Outlaws #1! It's confusing, misogynistic, lazily drawn, and not very funny, and there's no reason to be invested in whatever the fuck happened at the end because I know nothing about Ducra, Essence, the All Caste, or frankly, this version of Jason. And yet I am absolutely going to read nine more years' worth of this shit. See you in issue #2!
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PROPAGANDA
STARFIRE (DC COMICS) (CW: Sex Trafficking)
1.) She is frequently put down in the og 80s comics due to being more expressive and open with her emotions, and ever since the og she has frequently been painted as just eyecandy (ignoring her sexual trauma) when her character is so incredibly complex. Special mention goes to red hood and the outlaws (2011) (written by a sexual harasser) for just terrible stand out awful reasons which will be seen in the below photos and her 2015 solo for combining her vapid portrayal there with her cartoon quirkiness to culminate in a trash comic that is just her basically being the born sexy yesterday trope.
2.) 2011 reboot, in RHATO she was turned into a walking fetish by retconning most parts of her character and erasing all personality displayed in the past 30 years of comics. in that iteration she is only interested in sex and is dehumanised and ‘exotic’. she ‘forgot’ all her past relationships because she doesn’t care about them only sex. her only purpose in that book is as a powerhouse and a sex/love interest for one of the male characters who view her as a trophy because she used to date someone he dislikes (in this continuity) let’s also not forget that she was first created just to be a love interest and although she did grow into a hood character at some point, she is treated horribly time and time again by writers because of conflicting ships. she’s written as a ‘vixen’ as opposed to another ‘good girl’ female character who is shipped with the same guy in canon
3.) Her original characterization was fairly decent, however it still had her stuck in relationships with men that weren’t very good for her and had overtones of racism with how she was written. Post that her characterization was slowly chipped away at, some writers with harder sledgehammers than others, culminating in current writing where she’s dismissed as “just a fling” to her original counterpart (Dick Grayson) to prop up a different ship (Dick Grayson/Barbara Gordon) and frequently has been used as eye candy in other comics. Simply open the first comic of Red Hood and the Outlaws, which obliterated her personality to make her associate/be subservient to the Red Hood, and you’ll find plenty of panels of her appearing simply for eye candy in the boobs and butt pose for absolutely no reason. This is not the only time she’s been used to cater to the male gaze (I’d argue even in her original context that was part of her appeal) but in this comic she essentially has no personality beyond “i want sex” as her memory of all past events has been erased. She’s essentially just a tool for her male counterparts in the comic to bounce off of, and eye candy to bring more male readers in. She does eventually get more storylines later on, but that doesn’t excuse the bad writing she was put through. Her own solo series also cashes in on her sex appeal, by infantilizing at the same time as drawing her in skimpy outfits + more boobs and butt poses galore to go for the “born sexy yesterday” misogynistic trope.
MARWA (WHAT WE DO IN THE SHADOWS (TV SERIES)) (CW: Mind Control, Domestic Abuse)
1.) okok so a major character (nandor) uses a genie wish to bring back the 37 wives he had when he was human (he’s a vampire who was turned in the 1400s but is alive in the modern day) to pick his favorite to live with and settles on marwa. she’s established as someone who’s passionate about science and mathematics, but nandor uses his genie wishes to essentially mold her into his perfect woman like a doll, from changing her hair color to making her not want to go to the night market with him to making her like all the things he likes. this culminates in him LITERALLY TRANSFORMING HER INTO A BRITISH MAN NAMED FREDDIE and that is her send off from the show. the treatment of her is disgusting i’m sorry for ranting i love wwdits but honestly the whole thing left a bad taste in my mouth
2.) WHERE TO START my god. Marwa is introduced into the story as one of a crowd of women who are interchangeable to the man summoning them, WHO IS HER CANONICAL HUSBAND but he gives less than half a fuck about her, which is played for laughs. The writers made it completely unclear whether she is a real person or basically a magical simulation with no inner life and did not bother to clarify that at any point. Her plotline consists of her husband using magical wishes to modify various aspects of her body and mind and the writers never explore whether she is aware this is happening or not, much less how she might be experiencing it. It is a terrifying psychological horror story from her perspective but we are not given any insight into her perspective so who cares I guess!! For example, he wishes for her to have a rounder ass and then wishes that all of her preferences align perfectly with his own, so that she’ll stop nagging him about wanting different colored flowers at their wedding than him. There are SEVERAL more examples. Her experience of having all of her desires replaced with her husband’s desires shows up only for jokes, plus one moment that is used to confirm that her husband’s real love interest is one of the other male leads in the show. (I ship the two male characters, I’m not complaining about that, but like COME ON SHE WAS A HUMAN PERSON ONCE AND SHE IS LIVING IN A HORROR MOVIE AND THIS IS WHAT YOU’RE DOING WITH THAT???) THE WORST PART is that when it’s time for her to exit the story because her body and personality have already been essentially replaced by magic and she is now a boring toy, she is LITERALLY PHYSICALLY AND MENTALLY transformed into a random British man so that her husband can have that guy as a love interest instead of her. She (he? It? Again it is never NEVER explored whether Marwa is like, alive inside this British man’s mind somehow? Or if she was ever really alive in her body?) moves to England to be in love with the original British man she was based off of, so basically her twin. This is also played for laughs. Her entire personality and body are not even killed off with like a death scene but literally ERASED FROM REALITY AND REPLACED WITH A COPY OF THIS SHITTY WHITE DUDE.
3.) (Context: Nandor is a vampire who has been alive for a while. When he was human he had 37 wives. (Btw some of the wives were men but that’s besides the point.))
She was brought back to life (along with a couple others) via Djinn wish just because Nandor wanted to have a ‘wife’ (some of the ‘wives’ are men). After being deemed the ‘best wife’ by Nandor she is the only one left alive. It is clear the entire fourth season that Nandor doesn’t care for her much and she is only there because Nandor wants to be married to someone. He ignores her wants and interests the whole season. Via another Djinn wish Nandor makes Marwa like everything he likes so she is more agreeable with him. Later on, he meets another character’s boyfriend named Freddie. Nandor basically falls for Freddie immediately and via Djinn wish, wishes Marwa to be exactly Freddie. :| With that wish, Marwa is effectively gone. She now looks and acts like Freddie. The two Freddies meet and after freaking out a little (and some magic) they get along because they like the same exact things. By the end of the season both Freddies are sent off to never be seen again. Also, Nandor has some extra Djinn wishes so he could’ve turned Marwa back but he didn’t.
Additional links: Article about the Freddie thing:
She likes what he likes:
Also This:
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