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jtargaryen18 · 3 days

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His Inheritance ~ Chapter 35

A/N: The center photo is indicative of the reader's gown only. Not her appearance which isn't defined.

Part 35: Dance with the Devil

Series Masterlist

Words: 5.2k

Pairing: Mobster Steve Rogers x Mobster daughter reader

Warnings: References to mafia, reference to violence and violent acts, intimidation, dark seduction. This is a dark fic. Please read responsibly.

Disclaimer: The author of this work claims no ownership of characters aside from the reader, and original secondary characters mentioned. This work is not intended for those under the age of 18 due to explicit sexual content and darker themes. By reading this work or any works on my blog (jtargaryen18), you agree that you are at least 18 years of age. I do not consent to have my work hosted on any third party app or site. If you are seeing this fanfiction anywhere but archiveofourown and tumblr, it has been reposted without my permission.

Summary: For @alexakeyloveloki. Your father is the head of one of the most powerful crime families in Boston but he’s protected you from that life. In your quiet home outside the city, you’ve been cared for and protected. When the desires of a more powerful man with the will to dominate bursts into your life, all your illusions are shattered as he comes to claim what is his.

"You are almost ready," Yelena said with a smile, just after the stylists left. "Now the jewelry."

You paused, looking at your reflection in the mirror. Your gown was an exclusive creation by a top designer, a beautiful sleeveless, a-line creation in layers of tulle, sequins, and matte satin. Shades of pale blue and gold transformed you, enhanced by the ornate way your hair was done, the subtelty of your carefully applied makeup. Beneath you wore the most elegant little gold heels that were surprising comfortable despite their minimal style. The stockings were sheer, hugging your upper thighs just below the skimpy ice-blue panties you wore.

The mention of jewelry brought up an unhappy memory and you knew Yelena recalled it too when your gaze met hers. How your husband's ex-mistress smuggled her necklace in for you to wear on another special occasion had never been solved.Had it been Neal? Hansen? A reminder from the not-too-distant past that your enemies could reach you at any time. A reminder to be vigilant.

"What jewelry?" you asked carefully.

Yelena smiled. "I picked it up myself," she told you, lifting a delicate strand of diamonds set in gold from a black velvet box on the bed.

When she draped it around your throat, you smiled at the way it completed your look. There were matching earrings, diamond studs each with a teardrop diamond dangling and catching the light. The set was exquisite.

"Harry Winston," your friend told you, admiring how they looked on you.

"Nice of them to loan these for the ball," you told her, grateful you got to wear them.

Yelena reached for the golden mask on the bed, holding it to you. "No loan. Steve bought them."

What?

"These must have cost a fortune," you mused. They probably cost more than everything else you owned combined. "Glad you're going with us. I'd hate to get mugged for these."

Yelena grinned. "Security is going to be tight already with so many important people there. The mayor will be there. One of the state senators."

You scoffed. "Why am I going? I'm no one special."

"But you are," Yelena told you. 'The fact that everyone wants you has been a powerful motivator in this game of chess. Your husband is completely devoted to you. Barnes would love to get his hands on you."

"Barnes would ring my neck the first chance he got," you pointed out.

Yelena's expression was difficult to read. "I'm not so sure about that."

"Hansen would for sure kill me," you said, putting your mask in place carefully. The soft mask of golden sequins fit over your eyes.

Yelena's gaze dropped at the mention of the name and you were ashamed. You needed to work harder not to bring that up to her. And you needed a subject change. Fast.

"Who's going to be here with Nat tonight?" You weren't surprised Nat didn't want to go. She'd been through so much between the horrific end of her abusive marriage and all trauma of years being left to the sadistic nature of Banner. You wanted to make sure she was well looked after while you and Steve were gone.

"Clint is staying here of course," Yelena said quietly. "Dyson will be here too. He's arranged for extra security for the house tonight."

You nodded your approval. "What about Scott?"

"He's coming with us," Yelena explained.

You smiled. Scott going had little to do with keeping you and Steve safe and everything to do with spending time with Yelena. You were pretty sure Yelena was aware of Scott's infatuation with her. Would she ever return his affections? You didn't know. Considering her tragic history, you weren't sure she could feel the same way towards him or anyone. But in the time you'd known Scott, you learned he was a good man who always had your back and never once questioned your authority. You trusted him with your life. You trusted him with Yelena too.

But would she ever give him - or anyone - a chance after all she'd been through?

You blew out an exhale, preparing yourself for the night ahead. "I guess we should let Steve know I'm ready."

"He knows," a deep voice caught you and Yelena both off guard.

Your husband strolled into the bedroom and Yelena stepped back to allow him a clear path to you. He looked breathtakingly handsome in the classic black tuxedo he wore, tailored perfectly to fit his tall, broad-shouldered physique. His tawny hair was perfectly styled, diamond cufflinks winking in the light. His tie was shades of gold and blue to match your gown, a subtle touch but one you appreciated.

Steve moved to stand behind you in the mirror of your vanity, bending to fit his handsome face in the reflection with yours.

"You look so beautiful," he said with something like reverence in his voice. "I can't wait to show you off."

"I'll be downstairs," Yelena said, making her way out to give you some privacy. "We worked very hard on her, boss. Don't mess her up."

Steve smiled at what he took as a playful warning, his large hands smoothing over your bare shoulders. Slowly, you removed the mask, placing it in your lap with your hands. His watchful gaze didn't miss the slight tremble of their movements.

"Everything is going to be fine," he explained. "I've been to this event before. All the rich, politic elite of Boston come out to dance and drink the night away and wallow in excess. It's probably Tony's favorite night of the year."

You could see it. And you were excited to go to the annual masquerade ball, as Steve's wife and not his trophy, and to enjoy a fabulous night on the town. You felt like Cinderella, going to the ball in the gown that truly looked as if magic had created it.

But you couldn't fight back an impending sense of dread. It had been so quiet in the weeks of your recovery and Steve's. Life went on. You were included in all the family's business meetings. The family business had recovered and was branching out, deals with three of the other four families made things even better.

Not that you agreed with all of it. You weren't crazy about the loan sharking or protection deals the family made. The casinos and restaurants didn't bother you as much. And at least the family wasn't making any money off drugs or trafficking. Some of the stories about the business and how other families operated you heard now were just horrific. You made up your mind early that no matter what, you'd never allow the family to make money off the misfortunes of women and children. Never.

It had been very quiet where the Barnes family was concerned. Too quiet.

"I'll be the envy of every man there tonight," he murmured, pressing a kiss into your neck. The soft brush of his beard made you shiver. A sensual smiled curved Steve's lips. "Are you ready?"

You nodded. You trusted your husband. You were going to do your best to have a wonderful night, just like he intended.

And still that little kernel of dread lingered.

You felt like you were in an old Hollywood movie to walk down the staircase on your husband's arm with the gown flowing softly with your movements. Honestly, you were grateful for Steve's help in keeping you balanced, relieved when you made it to the bottom of the stairs.

Dyson, Yelena, Scott, Clint and Nat were a small crowd, watching in admiration as you approached. Nat's smile was all you needed to feel like a princess. Her lovely green eyes lit up as her gaze swept over you.

"You look perfect," she exclaimed, carefully hugging you. "I knew that gown was the one."

Nat had been the one to find it when the two of you went out shopping for it. And you were all too happy to give her the credit. You knew very little about fashion. You would learn. Until you did, it was nice to have the advice of someone who already understood it.

As Nat stepped back, you forced yourself to smile. She still looked so small, so frail. She had yet to gain weight and regain her amazing figure. Your sister-in-law seemed fragile, even with the protection and love of the man she'd always wanted. Even with the full support and love of her brother. It worried you.

Dyson looked worried too, but as you did, he put on a quick smile. "You two had best get going. The line at dropoff takes forever."

"True enough," Steve said, nodding to Yelena and Scott.

You stopped to hug Dyson. "Keep her safe for me," you whispered.

"You know I will," he muttered.

Steve whisked you away to the sleek black limousine waiting in the driveway. Its glossy, jet-black exterior reflected the fading sunlight with a mirror-like finish. The long, streamlined body stretched gracefully, its tinted windows offering privacy and adding to its air of mystery. Scott climbed in behind the wheel and Yelena rode shotgun as Steve got you into the back seat, helping you keep your gown away from the doors. Once you were settled, you studied your husband. Something was missing.

"Did you bring a mask?" you asked him.

Steve smiled, pulling a small black mass from inside his tuxedo coat. No sequins, just a matte black mask he could wear. But he wasn't interested in the mask as he fidgeted with it. He was too busy staring at you.

"Are you excited?" he asked.

You couldn't help the smile the question brought on. "Yes."

Steve looked pleased. "As time goes on and things settle down, we'll get out more. Do more things like this. You look like a princess tonight."

Tears pricked at the backs of your eyes at his heartfelt words. He meant them. He was taking you out to a society function, dressed you up like you were going to the fucking Oscars. A night out like nothing you'd ever experienced before. You'd been excited since he told you he got the tickets a few weeks ago.

"There are going to be a lot of people there, sweetheart," Steve explained quietly. "I'm sure Belova went over everything with you. But I need you to listen. You are going to be with me at all times. If you're not with me, you'll be with Belova and Lang. No wandering off to talk to people or sightsee. Okay?"

You nodded. Yelena had covered the plans thoroughly while she helped you get ready for the evening.

"If I have to talk business for a moment, Belova will be with you. You have to go to the ladies' room, Belova will be with you," he continued. "Take it easy on the drinks. You're not used to alcohol and I need you vigilant tonight. We're going to have a wonderful time but..."

"I understand," you told him. "Besides, I don't want to miss any part of tonight because I'm drinking. It's my first masquerade ball. I'd like to enjoy every minute of it."

The smile Steve flashed you had your heart fluttering in your chest.

"There will be dancing, right?" you asked.

"Of course," he told you.

"You'll dance with me?" Would Steve dance with you to a beautiful ballad or classic song?

Reaching over, he tipped up your chin with his fingers, his touch careful. "There isn't anything I wouldn't do for you when you smile at me like that. I love you."

"I love you, too."

His lips were a teasing brush against your own but in seconds it deepened, filled with longing and need.

The sharp wrap on the dark glass that separated the two of you in the back seat of the limo from Scott and Yelena up front scared you. Then the glass slid down just a couple of inches.

"Later," Yelena admonished. "I worked too hard on her for this party, boss."

You froze thinking that was going to piss your husband off but he laughed. "Okay, sorry," he called back to her.

It made you happy. Ever since everything happened that day between your family and Barnes', your husband and your best friend got along a lot better. Steve was kinder to her, treated her with the same respect as he would any of the men in his employ. That being the case, Yelena felt comfortable enough to tease him about things like tonight. She worked hard on carefully picking her moments with him to tease. She did even better at being thoughtful when offering criticism or advice. The fact that they were getting along better just made your life easier.

"That's supposed to be privacy glass," he said, still grinning.

"Or she's just that good at her job." Honestly, she was.

"After the ball," Steve said once the privacy glass has slid back up, "I want you out of that dress. Especially if you want to keep it."

The sly warning had you grinning. "I would like to keep it. It's the most beautiful dress I've ever seen."

"Noted," your husband said. "I'll do my best to contain myself until you get the gown to safety."

The heated looks he cut you the entire way into Boston made you wonder if he'd be able to. You couldn't wait to find out.

Once you reached the venue, you saw there was indeed an endless line of limos in the que leading up to the door. It moved surprisingly fast. Within ten minutes, Scott pulled up to the door and Yelena darted out to open the door for you. Before you could reach for her hand, Steve was there, helping you out of the back of the car with ease and ushering you up the carpeted stairs with Yelena behind you. The decorations and festive lighting dazzled you as you moved along on Steve's arm. The way the soft light reflected off the gown you wore made you feel like you were in a fairytale.

Steve stopped and greeted more than a few gentlemen on the way into the venue. One man you recognized as a senator and the easy way the two men spoke had you curious. Did the senator know who Steve was? Were they old friends? For a moment, the two of them seemed to forget all going on around them. Just as quickly, the senator's gaze fell on you and the handsome older man smiled.

"Is this your new bride?" the senator asked.

"She is," Steve replied, introducing you with obvious pride. You meant to shake the man's hand. He kissed the back of yours in an old fashioned gesture. You found him completely charming.

"Have you been to the masquerade before?" the senator asked.

You shook your head. "This is my first one."

The man smiled. "I hope you enjoy tonight. If I get the chance, I'll introduce you to my wife. It's one of her favorite nights of the year."

"I'd like that," you told him. "It was nice to meet you."

Was it your imagination that Steve watched you with such wonder? Once his conversation with the senator ended, he led you further into the venue where the main ballroom was all prepared, looking like a view from a movie set.

Clusters of elegant tables arranged in a wide horseshoe shape framed the dance floor, each adorned with lavish centerpieces sparkling beneath the soft glow of the majestic chandelier overhead. The chandelier's light cascaded down like a shimmering waterfall, casting a warm, golden hue over the room, making every surface gleam. A full bar stood ready, offering the finest drinks, while an orchestra played a symphony of enchanting melodies, weaving through the air like a spell. The room was a sea of Boston's political powerhouses, movie stars, and the wealthy elite, all dressed in exquisite gowns and tailored suits, their masks concealing only their identities—not their status. As you paused to take it all in, your husband's familiar warmth pressed against your back, grounding you in the moment as the dazzling scene unfolded before your eyes.

"What do you think?" Steve's whisper at your ear made you shiver.

"I love this," you told him with enthusiasm. "Thank you for bringing me tonight."

"You don't have to thank me." Your husband took your hand, looking like a tawny-haired prince in his tuxedo and black mask, and led you to the dance floor. Your surprise must have shown on your face because he laughed as he swept you into his arms at the edge of the dancing crowd and led you in an easy waltz.

Steve was a wonderful dancer much to your surprise. He led you with an easy grace that you delighted in and found easy to keep up with given your own love of dance. You knew you had to be staring at him but he kept you close, enjoying your surprise.

"When did you learn to dance like this?" you had to ask after he twirled you around gracefully.

"It's not so hard," he said, his attention solely on you. "Not nearly as hard as your type of dancing."

Ballet was discipline but dancing a perfect waltz wasn't easy either. You were impressed.

"Is this why you got us all dressed up?" you teased. "So you could show off your dancing skills?"

Steve chuckled. "Is there something wrong with wanting to have a magical night with your wife?"

You were delighted. But you knew it wasn't the only reason Steve brought you here. And now that you were involved in the family business, you weren't offended by the other reason the two of you were there.

Not long before he married you, Steve had acquired a prized property on the outskirts of Boston. He'd been so involved with marrying you and taking over the families he'd neglected it for a time. Now his attention was back on it, plans were being made to develop it. Together, you'd decided on an exclusive resort with fine dining, glitzy nightclubs, and a casino for the wealthy. It was a massive investment and to make it work, certain permits would need to be acquired. The senator and a few key businessmen there tonight could make or break the project that would expand your family's wealth.

It was a very important night for Steve.

He'd be spending some time talking to these gentlemen tonight which is why Yelena and Scott were there, to keep you safe. You really didn't mind. You felt like Cinderella at the ball in the beautiful gown that flowed and captured the light with your movements as you danced with your husband among the wealthy citizens of the city. As the two of you moved through the dance, you caught a glimpse of Yelena, dressed in her dark suit and standing next to Scott, blending into the background. Your best friend's gaze never left you. Scott's never left her. You smiled, enjoying the beauty of the moment, dancing with your husband at your very first masquerade ball.

When the dance came to an end, it took you a moment to realize it. One of the musicians announced the band would take a short break and be back in just a few minutes. Steve's hand at your lower back urged you to turn. The senator making his way towards you with a lovely older lady at his side.

The senator's wife was polished from head to toe. Her gown was bright pink layers of satin that matched her lipstick. Otherwise her white hair and face gave her a cold countenance, like she was an ice queen dressed for her best guess at spring. Her eyes were dark, small and mean as her gaze swept over you. The senator assured you that you and his wife would have plenty to talk about. As the woman stood there studying you with pursed lips, you decided talking to her probably wasn't the best idea.

Steve's gaze met yours and he nodded as he let the senator lead him away, leaving you with the judgy woman before you.

"This must be a special night for you," she said tartly.

Straightening your spine, you smiled. "Why is that?"

The woman's white brows rose slightly but a smile played about her lips. "You don't belong here."

"Excuse me?" You kept your smile in place.

"My father was a direct descendent from The Mayflower," she informed you. "We're practically royalty here. We built our fortune through hard work and our good name. You, on the other hand, come from poverty and crime. You father crawled out the shadows and robbed good people blind. That's why you have the money to play dress up and act like you belong here. We all know your husband fancies himself some sort of underworld prince. But he doesn't belong here either."

Oh, no, she didn't just put you and your husband down. Lifting your chin, you looked her in the eye.

"Your ancestors came over on a ship over four hundred years ago and nobody cares anymore," you told her. "You can pretend to be royalty, and tell yourself you made your money working hard and protecting your good name. But the sad truth is, your family made your money the same way mine did. In fact, your family probably paid mine to keep from getting your hands dirty or to protect your interests. And my husband is the king of Boston's underworld and so was my father before him. You may be someone in society right now, but your husband is currently anelected official. If you were smart, you'd spending a little more time being respectful."

Gracefully as you could manage, you turned your back to the rude woman and marched off. Yeah, maybe you hurt your husband's chances of getting the permits you needed for the project development once she talked to her husband. But you weren't about to put up with someone like that.

You looked all around for Yelena. You were dying to tell her about the conversation you'd just had. But you weren't watching where you were going and you collided with someone hard.

And whoever he was, he caught you in his arms, sweeping you out onto the dance floor as another waltz began. He was as tall as your husband and the scent of his expensive cologne was familiar. You realized who held you a beat before he spoke, a low purr by your ear.

"Did you miss me, beautiful?"

Barnes.

Easing back, you glanced up at your uninvited dancing partner, wearing an aura of allure and danger with ease. Barnes' chiseled jawline was partially obscured by the intricately designed black mask he wore, adorned with silver accents catching the light. Those steely-blue eyes were shadowed but still piercing, glinting with a cold intensity as his gaze met yours.

His tuxedo was entirely black and tailored to perfection, hugging his muscular frame effortlessly. His attire seemed to absorb the light, creating a sense that he came from the shadows. Even his shirt was dark onyx, subtle embroidery only revealing itself when he moved. And he felt strong as he held you, solid and healed.

Stop staring at the man and answer.

"I haven't thought about you at all," you told him, trying to sound nonchalant but not quite hitting that note.

As much as you hated to admit it, Barnes was undeniably handsome. From the way his hair was slicked back with precision to the confident smirk curling his lips, the man was... magnetic. But there was a sinister edge beneath the polished surface. There always had been. Barnes' posture was too poised, his movements too calculated. Every inch of him whispered danger, a wolf in the presence of unsuspecting lambs.

Pulling you close to him, Barnes chuckled. "I don't believe that. I think you I live rent free in that beautiful head of yours."

"Maybe," you said, feeling his smile widen. "I do think about how I wished we'd used more poison."

Now he laughed, a deep rich sound. "I don't doubt that."

"What do you want?" You looked anywhere but at him. Still, you were so focused on the predator that held you, you weren't really seeing your surroundings. The music, the lights, everything else seemed to fade into the background.

"What do you think I want?" Barnes asked.

As Barnes swept you around the floor, your mind scrambled for a comeback. "Your hands around my throat," you said, going with honesty. "And me dead?"

Leaning in, he ran his nose gently up the column of your neck, making you shiver. "Oh, I did. I really did. And I could have made that happen."

You were dangerously close to having him think he had the upper hand here. "No, you couldn't."

Again, he chuckled. "You've got it all figured out, don't you?" Releasing you only long enough to spin you in the dance, he pulled you back into him tightly. "You made peace with your husband. You're now involved in the family business. I would call Steve a pussy for even thinking about that if it were any other woman. But you're not just any woman. But you're special."

You missed a step in your alarm. How the hell did Barnes know you were in the all the family business meetings now? And that you and Steve had made peace? The questions triggered your anxiety, reminding you of the days early in your marriage when Neal had been Barnes' rat and you were always looking over your shoulder. Was someone else talking to Barnes?

"A long time ago, your mother seduced my father," Barnes whispered. "She tore my family apart. And when you came along and you weren't the poor disfigured little girl we were told you were, I assumed you were a little whore like your mother. You look almost exactly like her. Has anyone told you that?"

You didn't answer, trying hard to put a little space between the two of you. Where was Steve? It wouldn't be too conspicuous if he broke in on the dance. If Yelena or Scott came to save you, it could create a scene and unwanted attention.

"I even thought maybe, horrible thought I know," Barnes went on, "that you might be my half-sister. But it didn't take me long to realize that wasn't true either. Besides, that devious little mind in there, hidden behind all that beauty? You didn't get that from your mother. Or my father."

"What's it to you?" you snapped at him, trying to pull off pissed even though you held anger and fear in equal measure. "I'm Steve's wife. He's your boss. You'd do well to remember that."

Barnes was unfazed. "You're Steve's wife. For now. But he can't handle you." Barnes leaned closer, his gaze locking with yours. "You should belong to someone stronger."

Now you really were getting pissed. "I don't need you or any man, including my husband, to tell me who I am and what I should be doing," you said.

"You may be right," he purred. "But it's that attitude, that fire. It got me thinking... I had the wrong idea about you from the beginning. Yeah, all the bitterness from the past clouded my judgment for a while. I wanted you dead and buried next to your loser husband." When you tried to pull free of him, he tightened his grip. His grin widened. "Now I realize you're exactly what I need."

"For what?" You didn't know how much of your glare he got from behind your mask.

"To finally take my rightful place," he said as if it were gospel. "The position occupied by your current husband."

Current husband? Who the fuck did he think he was?

"Our children will be kings and queens," Barnes went on. "That dynasty would rule Boston for decades."

"My children with Steve will rule Boston," you told him angrily. "And when we're done with you, no one will even remember the Barnes family."

"One day," he said with meaning, leaning closer, "you'll be mine."

Despite yourself, you shivered. Barnes caught it.

"You want me too," he whispered. "I'll make you admit it."

As the song neared its end, you were prepared to do whatever you had to do to get away from the bastard, the man who'd done so much damage to your family. As the last strains of the symphony ended, Barnes released you to bow. You did curtsy to him, then you straightened.

"I will never be yours." You meant it with every fibre of your being. "Now, if you'll excuse me, I'm going to find my husband."

Barnes' grin didn't fade. "Better find a way to keep him safe."

You spun on your heel, marching off the dance floor. You needed air, and a moment to calm down. You were blinking back tears, you were that angry. You felt someone on your heels as you made you way out of the main event room out ornate glass doors left open. It was chilly out there but you welcomed it, fighting back anger.

"Are you okay?" Yelena asked, her hand at your back as you gripped the railing and hung on.

"No, I'm not... o-fucking-kay," you said, trying to regain your composure. "He came out of nowhere."

"He did," Yelena said. "He got to you so quickly after you talked to the senator's wife."

"Where's Steve?" you asked.

"Talking very intently to the senator," she replied. "It appears to be going well."

You had to wonder if that would still be true once the senator's wife caught a moment to tell her husband and your little "talk."

But you had bigger problems right now. Barnes.

"Barnes is all healed up," you told her. Looking beyond her, you saw Scott by the entranceway back into the ball. "And he's got big plans."

"He wants you," Yelena said it. "That much was obvious. It gives me some idea of his plans."

You nodded. "Don't say anything to Steve or Scott right now. I just want to find a glass of champagne to take the edge off and get through the rest of the ball."

With any luck, you could maybe enjoy one more magical dance with Steve before the evening ended.

You couldn't, however, complain. You wanted to be in on the family business and this was part of it. Barnes, unfortunately, was also part of it. And he'd just announced his intentions to you and you realized now it was the pit that had been in your stomach the entire evening.

Barnes would keep tearing your life apart until he was stopped. Somehow between his drastic plans and the animosity between you and your husband, you'd found your way to a happy marriage. A path to be queen in this world. And you'd be damned if you let Barnes threaten that future.

"You're going to tell Steve, right?"

"I am." You didn't miss the concern in Yelena's voice. "I'm telling all of you. But not here."

Nodding her agreement, Yelena watched as you straightened, steeled yourself to return to the event.

"Let's find you a glass of champagne, boss," she said with a wink.

Boss? Now that put the smile back on your face.

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#his inheritance #steve rogers #chris evans #bucky barnes #MCU AU #Mafia AU #Mafia!Steve Rogers #Mafia!Bucky Barnes #Mafia!daughter #Steve Rogers x reader #Steve Rogers x you #Yelena Belova #Scott Lang

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salmalin · 3 days

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My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

#thank you for coming to my TED talk #ffvii #ff7 #final fantasy vii #final fantasy 7 #ffvii crisis core #ff7 crisis core #zack fair #genesis rhapsodos #sephiroth #angeal hewley #crisis core

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simstationdance · 3 days

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HAPPY BIRTHIVERSARY part 2 - Crop Tops & Punk Skirts

FUN FACT: The Sims 2 (2004) was released 3 days before the date upon which I was released from my mother's womb, therefore making me younger than The Sims 2 by 3 days as of September 14th 2024, but objectively older by 6 years as of September 17th 2024. As of this post, it is now my birthday. I can feel the hands of time slowly pulling me into the earth. Let's celebrate!

Today's Very Special Birthiversary post includes a set of stylish, vaguely Scene-inspired clothes for ladies: 24 recolors of the Urban Primitive skirt, separated from the Maxis outfit by Skell, and 5 Goth themed patterned recolors and 5 bright solid recolors of the 4t2 Bow Crop Top by MDPthatsme, with black tank top undershirts attached using textures by DeeDee. The clothes are for AF and TF, with Standalone and Repositoried options for TF, and they come with all morphs.

All meshes are included and special characters that would make the game load slower (specifically hyphens) have been removed from the filenames. Since the skirt is from the ever popular Maxis Match Repository Project, you probably have the mesh for the skirt lying around in your Downloads somewhere, so make sure you don't have duplicates.

For the skirts, there are two versions with tights - one of which is a mashup of fishnets by Io (colored red and black) and the Maxis black and white stockings, and the other is the Maxis shorts+fishnets texture because I liked it - and one version with bare legs, which can be used with @themeasureofasim's stockings accessory boxes. (actually only a handful work, see under the cut)

The crop tops and the skirts are 'meant' to be paired together but, being separates, you can mix and match with any other top or bottom you want.

CROP TOPS SWATCH | PUNK SKIRTS SWATCH

See under the cut for more (not very important) information.

DOWNLOAD (sfs)

Mesh credits: @mdpthatsme, Yuichen, @deedee-sims, Skell Texture and alpha credits: DeeDee, Ghanima Atreides, Creesims, Io, and Maxis Pattern credits: andrea_lauren, nerd-and-vine, ophelia_payne (@ Spoonflower), Blue Moth Fabrics, and VictoriaBat.

I have done my best to credit everyone who's resources I used. If I have misattributed or missed anybody, or if I have broken a rule in someone's TOU somewhere, please let me know.

Secondly, this is my first time 'retexturing' clothing instead of just recoloring it, as well as the first time I've done anything clothes-related in a very long time, so please be gentle to me with your criticisms and let me know if anything needs fixing <3

I wanted to recreate this outfit using only textures, because I know nothing about meshing and Milkshape scares me. As you can probably tell, I got a little carried away from the original goal.

I mashed a bunch of patterns, textures, and colors together on top of the crop top and skirt in an effort to learn 'advanced' recoloring of clothes in GIMP, as the most I've ever done before was just recoloring using pre-made PSDs. it was a bit of a disorganized disaster and there was quite a bit of blood, sweat, and tears. But the end results look... mostly nice, I think.

The arm warmers and fishnet gloves shown in the preview are a pair of accessories created by katsurinssims that I used to try to 'complete' the look, and are not included in this download.

Edit: im very sorry, I only tested a handful of the accessory stockings on the bare legs skirts, because I was very tired and there are A Lot of them, and assumed they would all work. But after a bit more testing, some of them have small gaps or poke through the boots, and the ones that are supposed to go over the crotch area end up looking like over the knee socks. Other than that, most of the knee high socks and tights work, but only on AF. I don't consider this a huge problem though, because a good amount of the tights work and the ones with gaps are barely noticeable.

There's a shoe swap that makes all of the boxes work with these skirts and I'll make another versIon of them with that mesh later.

#ts2 #the sims 2 #ts2cc #s2cc #sims 2 cc #sims 2 download #sims 2 #happybirthiversary2024 #the sims 2 anniversary #ssd cc #dl clothes #dl afclothes #dl tfclothes #i worked so fucking hard on this you don't even know

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dakotadraws06 · 2 days

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Ep 1 of over analyzing Mordecai’s character/Talking about things I missed in my original read through of the comic.

I wanna talk about Mordecai desperation in the Gracie interrogation because I noticed a small detail about the speech bubbles that no one else (that I’ve seen) has said before.

Look at the way Mordecai’s second bubble is written. The way the letters seem more spaced out and the text is slightly off. I’m not sure if it’s a completely different font or it’s the same font, just changed.

“That’s how you live through tonight.” You can almost hear (and visually see) the grit in his teeth as he stares down at Gracie. His desperation. His NEED for answers being in his grasp and if he doesn’t get them now, he may never again. It happens again in another panel.

“A Name, Please.” Gracie isn’t reading the room correctly, Mordecai knows if the twins catch him, they will most likely both be dead (or at least Gracie will be). He NEEDS a name, same grit and desperation. The way Gracie spits out Drago’s name quickly because he realizes how serious this is just by Mordecai’s tone. Mordecai wants a name so in the worst case scenario Gracie is killed, he has the information he needs. But also, he’s desperate for answers to Atlas’s death. At the point of these scenes, it’s been a year and some time since Atlas died. I can imagine Mordecai is running out of steam, loose end after loose end, road block after road block, it’s exhausting both mentally and physically. He is RISKING HIS LIFE for this information, Gracie says so in this conversation. But we get to see that exhausted side of him too.

LOOK AT THOSE EYES. His posture, the hand his hand rests in his fur, his eyebrows furrowed. He. is. tired. It’s no wonder why he is asking help from Gracie cause he’s been doing this alone for the better part of a year and some change.

I’m so confident that he is thinking about all the possible outcomes and consequences that will come from even getting a PINCH of trust out to Gracie, which is why he doesn’t go along with his plan. But Mordecai sort of switches up on him.

“Gimme a name, anything you want, I’ll let my informant know I KNOW it was Marigold who killed Atlas May, then I’ll disappear like the dead.” (Not the exact words, a vague memory of it)

“Give me the name of your lawyer and I’ll make sure you stay alive tonight.”

Gracie is putting his life in Mordecai’s hands because I’m sure Gracie can see he’s desperate and knows if he gives him a bullshit answer, Gracie would most likely die by Mordecai’s hands.

Mordecai is exhausted. Mordecai is desperate for a good lead and some answers. And Tracy has done a FANTASTIC job at showing it through this entire interrogation.

#tracy j butler #lackadaisy mordecai #mordecai heller #lackadaisy #lackadaisycats #he’s so desperate my god #and very very tired #my poor boy

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cadaveerie · 1 day

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DRAGON AGE info spreadsheet

i've made THIS SPREADSHEET that has different information about Dragon Age media, such as:

· the canon ages of DA important characters · known info about the DATV companions · where you can find the DATV devs on social media · a tab with relevant links to archived lost media, interesting dragon age posts, official content, and other useful things like this sheet

everything with sources :)

(these images are previews. i strongly advice you to check the sheet itself and not these images for updated info in case there were mistakes, i added new stuff, for links and for better quality.)

some of the things i'll be adding to the sheet next are (probably):

· a sheet with all dragon age media in chronological order (+ relevant links) · visual references (official clear images of the companions mostly, + other things) · more characters in the "character ages" sheet (if there's an interest, let me know if that's the case) · and characters' nationalities (in-game and irl approximations)

keep in mind that there are spoilers all over it, for all games (even datv, who hasn't yet come out at the time of posting this) and for other dragon age media (books, comics, etc.) i did my best to add warnings though!

reach out to me (mostly here or twitter) if there are any mistakes, or if you have any sort of feedback regarding the contents, formatting or accessibility! i'd appreciate it a lot! and talk to me to if you'd be willing to collaborate with me for the upcoming information! i could use the help.

and if the link is broken:

if got it from a reblog, look at the original post and check if it works there (in case i changed it for whatever reason)

if not, just reach out to me (op)

there's more information on the sheet itself. make sure to scroll all the way down and to the right to see all of the sheet :]

i hope this is useful for someone. i did this because most people don't take the time to source their information, and i also find it more comfortable to have most stuff in one place. it took (and continues to take) a loooong time to do this lol it was exhausting. thanks for your attention!

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barrenclan · 2 days

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Wait a minute...

More seriously though, the issues keep getting better and better and this has been one of my favorite ones to date; thank you Raz! It paid off as well on its own to get an explanation for one of the most heavily foreshadowed phenomena in the comic, but especially for me, reading as someone who thinks too much about how my dreams might reveal information that I'm not meant to know yet, canon Warriors StarClan ambiguity-style.

Love the expressions (and the cameos! I want to know how Dodol or a lookalike ended up in Barrenclan or if that's just his design being recycled) in this one as well. Double instances of Pinepaw smiling again is a treat, maybe signifying the beginning of the healing process for him. I'm happy Nightberry advises him that it's going to take time.

Seeing an older Pinepaw with green grass and a blue border in a shade that I'm pretty sure has never come up in the comic yet also gives me hope for the future, but who knows what it holds!

Thank you! I'm so glad you enjoyed the issue.

This universe's Dodol is separate from the original one, in a sort of AU. Although, out of all my cat characters, he's the only one for whom it's perfectly reasonable that he would just wander into a random Nebraskan Clan and sit himself down.

It was very nice and satisfying to bring some resolution to Nightberry and Pinepaw's fracturous relationship. They have much more in common than not.

#ask #dodol #nightberry #pinepaw

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creatingblackcharacters · 24 hours

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on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

#creatingblackcharacters #thatsjusttips

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usagifuyusummer · 16 hours

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I LOVE your picture of Timmy in a victorian era dress! He looked so pretty!

This isn't his default design for this AU tho. (There's a lot that's still in development on this concept/aspect of his character honestly.)

Nonetheless, I will attempt to draw his default outfit in the next concept piece. There's a lot that I have to handle in real life currently, so it'll probably be in progress for a long while. (Like, I have to prepare for a family outing this weekend, plus next semester uni preparation stuff for this October.)

Still, I took the time to draw this short (stupid) comic lol because I felt appreciated by this comment! I actually took a lot of time studying and finding inspiration from childrens clothing of that era when designing this alt outfit of Timmy. Like, you can Google the outfits online, and you'll notice which garments I took lol. Except, for the bonnet part. You have the OG show to thank for that. (I've decided to include the bonnet too, because it is an existing wear during those times, plus Timmy's outfits most of the time will include a type of hat, so that cemented my decision on utilising the bonnet with this alt wear.)

I am actually quite unsure if Timmy has ever been complimented as "pretty" or good-looking in the OG show before? Like, most of the time, I remember a lot of insults about his little pink hat or his large rabbit teeth, but why can't I remember anyone complimenting him? Hm, maybe it's because of the dark comedy and mean-spirited vibes the show has that I can't recall much on this?

Initially, I had a hard time coming up with how he should respond to such a positive comment because I didn't remember instances of that happening too frequently in the show. So, in the end, I've decided to just make his response be neutral-ish (with hints of his low-self esteem) and also attempt to include Cosmo and Wanda's fae mishevious behaviour or goofing off attitude in this short comic.

I do notice from the show that Timmy is actually quite shy, but I'm not sure if he responds shyly to positive comments about himself. This means that I have to hit the books more, study the characters (by watching the show) and the related concepts when in the middle of thinking and formulating about this AU.

So yeah, this is a baby's early attempt at trying to write and understand how the characters work and bounce off each other lol. I think my writing still looks stilted and off, but I'll try to learn from the mistakes I've made as I progress on my creative works. And as this AU is still in development, a lot of things might change. (This short comic is considered a practice round.)

Credits: This AU (Victorian Era FOP) and Cosmo and Wanda redesigns are originally by @keyintheeye-blog.

Overall, thank you for the kind comment anonymous person! It made me feel appreciated about the efforts I took on that piece. I hope you like this silly attempt at a short comic I made to express my gratitude to your comment. Have a nice day anonymous! 💐

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downbaddetective · 3 days

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I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

#color symbolism #color analysis #that shit slaps #i'm an artist i think i'm obligated to be obsessed with colors #somebody watch jenny please #i'm a little worried about her if we see her again #i'm sorry this took a month #i am an unwell person unfortunately #edwin payne #dead boy detectives #dead boy detective agency #dbda #save dead boy detectives #renew dead boy detectives #renew dbda #revive dead boy detectives #rewatch dead boy detectives

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yeetmeoutthewindowdaddy · 2 days

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A deep dive into Zevlor's devotion (Part 3) Zevlor's actions during Act 1, an analysis of a man who is barely holding on:

THIS POST CONTAINS SPOILERS FOR BG3.

These series of posts were originally one loooooong post— but apparently Tumblr has a character limit, and I found it; so now it's been split into several parts/posts.

(Part 1) Everybody hates tieflings, and how discrimination impacted a young Zevlor.

(Part 2) Elturel's history and culture, the Hellriders, and Zevlor's paladin oath. (Part 2.5)

((Part 3, this post, is where the meat a good chunk of my Zevlor analysis is.))

(Part 4) Zevlor's actions during Act 2, an analysis of a broken man.

(Part 5) Zevlor's actions during Act 3, an analysis of a man with his faith restored.

(Part 6) Zevlor's actions during/ after the epilogue, not all endings are happily ever after— especially not for a tiefling.

(Part 7) Zevlor in a romantic relationship.

I don't think many bg3 players understand just how dedicated and loyal of a person Zevlor is. This ADHD hyper-fixation fueled multipart-thesis is meant to show how Zevlor's past is as tragic as any of the origin characters'/ Durge's. It's meant to show how horrifically broken Zevlor was when he "betrayed" the other tieflings. It's also meant to show that our beloved blorbo would probably be fervently obsessive if he was in a romantic relationship.

Most importantly: It demonstrates how our favorite man Zevlor was most likely a fanatical religious zealot my dudes. He was (probably) a part of the Faerûn equivalent of the Spanish Inquisition lite.

I have kept this as factual as I am able to. Please keep in mind that Baldur's Gate 3 plays it fast and loose with the DND/ Forgotten Realms canon and lore, on top of DND/ the Forgotten Realms itself regularly disregarding and changing it's own lore and canon. DND lore and canon as a whole is a mess. It has multiple universes that sometimes interact and are maybe separate from each other. Full disclosure; I've mixed 1e-5e lore together FUCK 5.5e, because parsing through what is currently considered canon is a nightmare. As far as I'm concerned, as long as a piece of lore was canon at some point in the past 50 years— it's fair game. @y-rhywbeth2 in this post has a more in depth disclaimer. Also please check out their headcanons and lore breakdowns, they're so good.

THIS PROJECT TOOK ME OVER A MONTH TO WRITE. I've tried to find all grammatical and spelling errors. I've tried to ensure that I've cited the correct sources in the correct places.

Before reading this way to long post please look at itsclydebitches analysis on Zevlor. [Alt] Which provided me with so much insight to his character and kickstarted my obsession with him. Also, @itsclydebitches puts ideas into words better than I do.

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● (Part 1) Zevlor before the events of BG3:

Here is what we know, for sure, about Zevlor:

Zevlor is a tiefling.

Zevlor achieved the rank of commander in the Hellriders.

He survived the city's fall into the Hells.

He was a paladin.

He does not have Darkvision.

Finally, here are the headcanons I have cobbled together based on the available albeit often times conflicting information I have gathered: (Hard facts are in green, everything else is speculation on my part.)

The youngest I would put Zevlor at is his mid 50's. The oldest I would put him at is his late 60's.

So this means that he was approximately 5-15 years old during the vampire crisis. Mentally, these are very formative years for a person. It really isn't a stretch of the imagination to assume that this, along with the miraculous appearance of the companion, set young Zevlor on the path to becoming a paladin and a Hellrider.

There aren't many elderly Hellriders around because most die in the line of duty. To have survived into his old age is a testament to Zevlor's skill, dedication, and luck divine favor.

(AN: In Zevlor's Sleep Stories, "a non-profit project created for and run by fans of Baldur's Gate 3 and its characters.", in episode # 8 - Oathsworn Glenn McCready, the official VA of Zevlor, (I only point out that the stories are narrated by the official VA because I think it's really cool that he and the fans have collaborated on the project. It is not meant to imply that him narrating the project means he has any opinions on how Zevlor is depicted in them, nor is it meant to lend any weight to the Sleep Stories being regarded as canon. Please check it out, it's an amazing project.) narrated a story in which Zevlor was stated to be 10 years old when the Companion first appeared— making Zevlor ~60 during the events of BG3. Zevlor's Sleep Stories is NOT canon, but I'm going to view this one story as canon in my heart; unless/ until Larian releases content/ info that contradicts it.)

This post [alt] by @nightmarist and @space-blue with contributions from @haru-sen is a wonderful source for some history of Elturel, how the Hellriders and Zariel are connected, how paladin's and their oaths work, and an analysis of how being exiled from Elturel changed/ impacted Zevlor's oath.

Zevlor would have had to devote himself 3x more than a non-tiefling Hellrider would've:

Hellriders were held to a high moral standard in a city that already had strict moral codes of conduct.

The Order of the Companion members took the Hellriders dedication a step further by swearing an oath to the city on a god.

Zevlor would have been under intense scrutiny for the crime of being a tiefling. For him to have made the rank of Commander despite this means that he proved, beyond a shadow of a shadow of a doubt, that he was devoted to protecting Elturel.

For added angst I like to headcanon that he had only achieved the rank of Commander a few tendays before Elturel fell into the Hells. And that it took so long for Zevlor to achieve the rank of Commander because he was rejected for promotions in favor of someone who wasn't a tiefling, even if they were less suited for the job than Zevlor was. And that if he wasn't a tiefling then he would've become a commander many years earlier.

Which means that for the entirety of his adult life Zevlor wholly devoted himself to being a Hellrider. He had to forsake everything else, being a Hellrider was his life's purpose.

That level of dedication cannot be faked or forced. He truly believed in being a Hellrider and what the Hellriders stood for/ represented.

And he was thanked for his years of unyielding service by being

● (Part 2) Banished from Elturel:

Zevlor's years of service, his countless sacrifices, and unwavering dedication to the protection of the city and its inhabitants meant nothing to the people of Elturel after the city was returned from the hells. Tieflings looked like the devils that had tormented them in hell (nevermind that the tieflings were also subject to the abuse from devils) and as such they were blamed for the city's Decent into Avernus.

"Many if not all the city's tieflings were exiled from the city, thanks to a new wave of misplaced fear and newly-formed prejudice."

This hatred from the people he loved so dearly didn't lead to Zevlor breaking his oath, it shattered Zevlor's very faith itself. (FFS, I can't find a clip of the Narrator describing Zevlor's time in/ just after Avernus when you click on him when he's in the mindflayer pod in Act 2. Please just trust me on this one.)

Zevlor didn't break his oath, it was broken for him. Hellriders swear to "Serve the realm of Elturgard, and defend the city of Elturel body and soul.", and he was forced to abandon the city.

Earlier in this series I had mentioned how exiled Hellriders were stripped of their gear before being cast out of the city. Zevlor, and the other tiefling Hellriders at the end of the game, still have some of their Hellrider gear. [alt] This makes me think that the other Hellriders refused to completely strip their tiefling family members of their gear because they did not agree with the city's bigoted decision. Letting them keep their gear would have been a subtle hint (and resistance to the city's authority) that the other Hellriders still considered their tiefling comrades as fellow Hellriders.

Whether the exiled tiefling Hellriders were still considered members of the Hellriders by the remaining Hellriders or not, Zevlor was now a

● (Part 3) Refugee:

But Zevlor still had a purpose, he and his fellow banished tiefling Hellriders swore to defend the civilian refugees on their journey to Baldur's Gate.

Tilses, and I assume the other Hellriders, still referred to Zevlor as Commander, and still considered him a Hellrider. She believed that no one could revoke their membership to the Hellriders, but Zevlor did. "They can [take away our Hellrider membership], and did. Avernus changed things — best we get used to that." - Zevlor

They were attacked multiple times on the road, and they had many casualties, and so Zevlor carried on as he always had— as a paladin sworn to protect his people. The refugees and the other, younger, Hellriders needed him to be a strong leader with unwavering faith, so that's what he was— but it was all an act. An act that got harder and harder to keep up as the days wore on and the rations, and survivors, dwindled.

But then they stumbled upon a possible salvation,

● (Part 4) The Emerald Grove:

They were welcomed in with open arms by the Archdruid Halsin. For the first time in who knows how long the refugees could rest. Sure, most of the other druids seem to barely tolerate the tieflings— but the Archdruid had made his position on their continued sanctuary within the grove clear.

And then the Archdruid Halsin went off with a set of very inexperienced and racist adventures, leaving a woman who could barely hide her contempt for the refugees as temporary Archdruid. Which should have only been for a few days at most, Zevlor knew he could play nice long enough to placate Kagha until Halsin returned, it was fine.

But Halsin didn't return, because he'd been kidnapped. And worse, Zevlor find this out because those inept adventures brought a pack of goblins right to the gate of the Grove.

I think the goblin attack was when Zevlor truly began to crumble. He would've been overwrought with guilt and self-doubt. Had he not spent ~20 seconds berating and interrogating Aradin over leading goblins straight to the Grove, and instead used that time to open the gate, then Kanon's death could've been avoided.

Worse still is that he ordered a man who wasn't wearing any armor to open the gate. Zevlor blames himself for Kanon's death, and he would mentally self-flagellate himself over his own cowardice: How he, a Commander in the Hellriders, took cover while Kanon, a tailor by trade, bravely continued opening the gate while the goblins were firing arrows at him.

After a hard-fought battle, the goblins are defeated. Then Aradin swaggers in acting as though he didn't just do a profoundly stupid thing by leading the goblins straight to defenseless citizens. Not only that, the uppity shithead Aradin blames Halsin for getting himself kidnapped. And then Aradin strikes a nerve, calling Zevlor a coward (and a slur). I think that Zevlor is already contending with his own guilt from thinking that he himself acted cowardly. For Aradin to call him a coward, on top of all the other stupid shit he's been spouting off, is too much to bear, and Zevlor's rage/ self-loathing is about to erupt into violence.

Luckily, the group of actually competent adventures who arrived and saved the day also managed to diffuse the tension between Zevlor and Aradin.

Or not. Leading to Zevlor punching the overtly racist idiot.

Punching Aradin (acting on his inherent desire for violence*, specifically) is something that I believe is wildly out of character for Zevlor. Aradin isn't the first mouthy prick he's come across, and if Zevlor had responded with violence to all of them then he wouldn't have been able to become a Commander. The stress Zevlor's been under has finally boiled over, and now that he no longer considers himself a Hellrider (and is constantly in survival mode trying to keep himself and the other tieflings alive), keeping a tight lid on his anger isn't something he really cares about anymore.

*"Tieflings also had access to an ability known as infernal wrath, which channeled their innate rage and potential for evil into their attacks for added effectiveness."

I cannot emphasize enough how much self discipline and restraint Zevlor has. His infernal heritage in combination with the overt discrimination he has undoubtedly faced his entire life, plus a healthy dose of pride, are a vicious cocktail of honestly justified anger issues. (AN: Based on him having more physical infernal features than the other tieflings do [alt] I headcanon that he possesses a temper closer resembling a devil's than the less infernal-looking tieflings do.)

Zevlor has been unchained. When it becomes clear that diplomacy won't work Zevlor tells the player that Kagha is their main obstacle, and that without her influence the other druids may see sense. The way he phrases this sentence allows Tav to "read between the lines" and see that Zevlor is open to killing Kagha, while also giving himself plausible deniability. Zevlor didn't suggest murdering Kagha, Tav did. Zevlor is "still hoping that Kagha can be swayed from this madness.", but if not... well, surely Tav understands how "Leaders need to make tough decisions. We do what we must."

Notice how slyly he phrased that— "we", subtly putting himself and Tav in the same category/ on the same team. But most importantly he never outright says to Tav "I want you to kill Kagha", it's implied. His 17 charisma and years of politicking around racism and red tape really shows here; because if shit goes south and Tav fails in their assassination attempt then, even if he has ingested a truth serum, Zevlor can honestly tell the druids that he never asked Tav to kill Kagha. If Tav doesn't suggest killing Kagha then Zevlor doesn't bring it up, and instead asks Tav to take out the goblin camp leaders.

(I am only citing this one dialogue tree option. There are more dialogue tree options, but I can't find videos of them and I am currently unable to play BG3 to explore the different options myself.)

Zevlor is proficient in using manipulation tactics and his knowledge of psychology to garner his preferred outcome. To be clear— I don't think he would have acted in such an underhanded way before being exiled, but desperate times call for desperate measures. I do think that pre-descent Zevlor was no stranger to using manipulation/ his psychological insight to achieve his goals, he would've had to because of the prejudice he faced, but it would've been used for more benign reasons (such as being treated with basic respect instead of open contempt).

(AN: Manipulation in and of itself isn't inherently bad, we all use manipulation to some extent in our day to day lives. So long as they are not abused little white lies and benign manipulations, along with having/ using tact, allow society to smoothly function. Like how saying "Please get me a glass of water." is perceived more favorably, and is more likely to convince a person to get you a glass of water, than "Get me a glass of water." Saying please is considered polite, and people are much more likely to acquiesce to a request if someone is polite. 'You catch more flies with honey than with vinegar.' Or how you might wait until after someone has eaten to ask them for something, because they're more likely to agree to your request when they're not hangry.)

Zevlor was once a very proud man, and he had every right to be— becoming a Commander in the Hellriders is a remarkable achievement. Becoming a Commander in the Hellriders in the face of profound discrimination? Nothing short of a triumph. The Zevlor we meet at the Grove is a shadow of the man he used to be. The fall into Avernus and everything that happened after it has sucked most of the life out of him.

We still catch glimpses of the proud Hellrider Commander with the power of god and anime on his side that Zevlor once was. This post [alt] by @dimmadoome demonstrates not only Zevlor's pride, but his infernal temper and possessiveness (which I will cover in a different post). Listen to his speech here. This is a man who has lead his fellow warriors into battle. A man who fought for what he believed in and refused to give up even in the face of insurmountable danger. You can see the hell fire in his eyes blazing bright with righteous fury.

And then there's the speech he gives after defeating Minthara. Note his emphasis on the tieflings being not just survivors, but family. When he says 'family' he has a proud, gentle smile. (His high charisma and experience with giving rousing speeches may be the only reason why his mien changes during this part of his speech, but I think he's being sincere.) If you start that video from the beginning you can see him take a moment to collect himself because he's exhausted, but he knows his people need him to be a strong unflappable leader.

(Did you catch how he quickly pivots from hauteur "Tymora smile on me." to deference "We did it. You did it."? Manipulate, mansplain, malewife the hell out of them Zevlor.)

This portion of the video highlights Zevlor's loyalty to his comrades in arms. He calls Tav family— remember, Hellriders are extremely loyal to one another (and tieflings are very loyal to those who prove themselves trustworthy), this is how he behaved towards all his fellow Hellriders before he has cast out of Elturel. His faith is still broken, but Tav/Durge/Origin has reignited a glimmer of hope in him.

I think this is the only time I've ever seen this poor man actually relax and smile. But then he immediately goes back to looking pensive and walled off. I may be delulu and reading too far into things, but I don't think this is merely his character model returning to its default— I think it demonstrates exactly how Zevlor has been living for years: Silently admonishing himself for letting his guard down and his control slip. Desperately wanting to let go and forget himself and his propriety for a while but being unwilling, possibly unable, to do so.

That being said he does somewhat relax at

● (Part 5) The Tiefling Party:

There isn't a lot to say here. Zevlor isn't imbibing (much) to ensure that he keeps his wits about him— both so that he can supervise the people who are partying, and keep watch for potential threats. Even though he's not partying, Zevlor is elated to see the tiefling refugees smiling and relaxing. He knows that the journey ahead of them is fraught with danger/ trials and tribulations. He even looks the other way when his people spike the punch to make purple drank.

In Early Access to thank Tav for saving them Zevlor made a (bugged) light show where every light in it represented a life that Tav and Co. had saved. The party is the last time Zevlor is happy and hopeful before everything falls apart, as we will see in the next installation of this series: (Part 4) Zevlor's actions during Act 2, an analysis of a broken man.

Here's a link to the master list for this series.

Thanks for reading!

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