#most devastating moment of my entire life

[writing-for-life]

@embervoices , I had to put this in a reblog because it got too long for the comments (brevity is not my forte 🤣):

Yes yes yes! I’ve got several metas that riff on exactly the points you mention, also Desire not being the straightforward villain so many think they are; you’ll find them all in my meta-library:

(please don’t feel you need to read them though)

Or rather: If we look at the Endless conceptually instead of seeing them solely as, well, “not human but still people”, we get to a deeper meaning that will otherwise stay inaccessible. It starts with *when* Desire and Despair first enter the scene in the main run (right after The Sound of her Wings, when Dream… well, hears the sound of her wings 😩). The “big sister sets his head straight” is a valid surface reading of #8, but it’s also just that—a surface reading.

You can’t love and be close to Death if you don’t feel drawn to death.

Death can’t advise you without also being her function. She *is* death. The literal thing. And I’ll never tire of saying it, because every time he listens to her in the whole run, he gets closer to her in the real sense.

And another unpopular opinion: When NG coined the pithy phrase that one must change or die, and that Morpheus made his choice, he didn’t mean he just chose death (even if a felt 80% of people seem to read it like that, but that might just be what I see on my feed—other people’s mileage might vary). They were never to be read as mutually exclusive—it was always both. Because metaphorically, something needs to die to change—a viewpoint, a habit, a set of beliefs. And yet, it doesn’t entirely disappear. That’s exactly what happens—omnia mutantur, nihil interit. And Dream is the Prince of Stories—of course he relates to everything via a narrative *he* spins (he can deny it all he wants).

And yes, you can absolutely desire death—it’s so poignant that we meet Desire and Despair for the first time in #10, and also that they show as the twins on this occasion.

And then there is Brief Lives, when Desire (which is *also* a life force, and that’s important contextually in several arcs) actively pulls out of the scheming in more than one way: Dream even says, verbatim, he has no desire to “do this”, when he usually avoids even the word like the plague (and if he hadn’t done it, the ending might have been different, but that would have also been totally past the point). But the influence of his other siblings, or rather how he relates to them, is far more devastating in that moment. And while they all try as siblings, they are also their function. And in their function, they are NOT helping—again, it’s so obvious if we just look at when and how they show up for him:

Delirium made him go on the trip to find Destruction, Death told him off and made him change his mind when he had already abandoned the plan, Destiny advised him but also didn’t because he is what *must* happen either way, and Despair only showed up for him after Orpheus’ death.

Funnily enough, Desire, despite all their scheming, was always the only one who saved his ass (maybe not always for the most unselfish reasons, but they did it anyway). Not just once. Several times over. Overture is all I’ll say (during the actual events of Overture, but also in the flashback to Alianora’s story).

It’s all incredibly clever and heartbreaking at once…

”But He Loved, He Should Have Been Forgiven”

About Free Will, Responsibility and Agency: Lucifer and Dream as Foils

Did I finally jump on the Lucidream/Dreamingstar bandwagon? No, don’t panic (or be eternally disappointed 🤣), because that quote is actually from “Murder Mysteries”, a short story that also exists in comic form (drawn by P. Craig Russell). And while it isn’t officially part of the Sandman Universe (or even DC), I always saw it as somewhat of a blueprint of how NG (re)imagined Lucifer’s Fall. There is enough in Lucifer’s characterisation in the Sandman that makes it quite plausible as a sort of backstory, especially since it was written when the Sandman was still in full swing. But more about that later…

I’ve long wanted to write a meta about Lucifer and Dream as narrative foils, and since I’ve finally started clearing out my drafts, this was a good one to do right now because we are currently discussing “A Hope in Hell” in our community (join us!). Although I have to admit that this one is rather about what transpires when Lucifer decides to abandon their realm in Season of Mists...

When Lucifer learns of Dream's impending return to Hell to finally release Nada, it solidifies their own resolve to leave (I use they/them pronouns because of the show although comics!Lucifer is male presenting apart from the plumbing and also referred to as he/him). By the time Dream arrives, Hell is nearly deserted, with Lucifer basically expelling its last inhabitants. Lucifer tells Dream they rebelled long ago, and that they are not willing to “pay for that one action” anymore. And the most profound truth they share with Dream is the nature of ultimate freedom—the freedom to leave. This is also brought up many issues later, when Lucifer says to Delirium, "I told him, you know. I told him years ago… I told him that I owed him much for having given me the impetus to go. I told him there was always freedom, even the ultimate freedom. The freedom to leave. You don't have to stay anywhere forever.”

And that’s just… ouch. Not just because it so clearly shows that Morpheus also could have left had he just chosen to (then again, he wouldn’t be Morpheus if he had, and even more “then again”: he did in certain ways), but also because we generally see Lucifer as an antagonistic force. But here, they express something akin to gratefulness. And maybe even a hint of regret that Morpheus didn’t also choose the same way. They feel almost sorry for him (my guess is they actually do, and I can never forget their face at The Wake). But what do you do if even freedom feels like a cage?

All of this ties in neatly with the crucial truth about Hell Lucifer reveals: People are there because they choose to be (and that Hell doesn’t need to be a physical place: We can make our own—any place, even in our own minds).

...this is where you wanted to be.

Lucifer explains to Dream:

"Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The Devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.”

He continues, “and then they die, and they come here (having transgressed against what they believed to be right), and expect us to fulfil their desire for pain and retribution. I don't make them come here. They talk of me going around and buying souls, like a fishwife come market day, never stopping to ask themselves why. I need no souls. And how can anyone own a soul? No.

They belong to themselves… they just hate to face up to it.”

Which brings me to one of the most important messages (one of many) of the Sandman: People must take responsibility (and in this particular case not only for their lives but also for their afterlives, which is also a recurring theme). Each person's soul is their own, and no one can take that away. Paradoxically (or maybe not), as Lucifer abandons their own responsibilities, they urge people to take responsibility for themselves: You can drop said responsibilities, with all that entails, as long as you also take responsibility for the fallout.

So what about the wider question of free will then?

Let’s look at Lucifer's rebellion and fall for that, because both raise a lot of questions. Dream tells Lucifer that he remembers them as passionate, and Lucifer responds, “I cared about so many things. I suppose that was why everything began to go wrong. You know… I still wonder how much of it He planned. How much of it He knew in advance. I thought I was rebelling. I thought I was defying His rule. No… I was merely fulfilling another tiny segment of His great and powerful plan.”

And this brings me right to NG’s short story “Murder Mysteries”, which isn’t really officially part of the Sandman Universe, but also… it totally is 🤣. In it, pre-fall Lucifer witnesses the destruction of an angel who killed another angel they loved. Raguel (the angel formerly tasked with said destruction who now walks on earth, coincidentally mentioned in the panel above as one who might also have rebelled) narrates, “‘That was not right. That was not just.’ Perhaps Saraquael was the first to love, but Lucifer was the first to shed tears."

Later, it is revealed that God orchestrated this situation to push Lucifer towards rebellion. God needed an adversary to run Hell and says, “Lucifer must brood on the unfairness of Saraquael's destruction. And that—amongst other things—will precipitate him into certain actions. Poor sweet Lucifer. His way will be the hardest of all my children; for there is a part he must play in the drama that is to come, and it is a grand role.”

Lucifer was basically set up by God, and this somewhat revisionist interpretation of their rebellion and fall opens up larger questions about free will, agency and destiny.

Because although Lucifer's actions were influenced by God, they still carried them out and are therefore fully responsible for them. And by choosing to abandon Hell, Lucifer was taking responsibility for their own life. They faced a choice: remain in Hell as a shadow of their former self, or move on and make peace.

This fragile peace is illustrated at the end of "A Season of Mists," when Lucifer and an old man are conversing on a beach. The old man, despite having lost everyone he loved, remarks that any God who can create such beautiful sunsets couldn't be all bad. After the man leaves, Lucifer admits (basically to God), “He's got a point. The sunsets are bloody marvelous, you old bastard. Satisfied?”

And in a way, even Lucifer comes to terms with their past once they take responsibility for it.

In a way, this mirrors Dream’s arc to a tee. One could certainly argue that he was set on his path by forces outwith his control: Whatever had to happen in cosmic terms was always bigger than Dream. The Fates also held a grudge against him and Orpheus, for more than one reason. Orpheus did make the Furies cry, and they never forgave him for that. Crucially though, he was also responsible for his own actions and carried them out. Only that Dream’s choice was ultimately a different one—or was it truly? Because what is the exact definition of “walking away”? He certainly did not abandon his realm like Lucifer because he ensured it was taken care of. There is no devil-may-care (no pun intended) attitude, because even when choosing death, Morpheus does care about his realm and the dreamers. Deeply.

It is the sole reason why the ending we get is the ending we get, and why we have Daniel as Dream in the end. And while Lucifer takes responsibility for their own life, Morpheus takes responsibility for his own death. But both Lucifer and Morpheus faced a choice: remain on their paths as shadows of their former selves, or move on and make peace. And both chose the latter.

And one takeaway for us, as the readers, might be that if we find ourselves in an intolerable situation, we can always walk away, even if the price may be high. This brings us back to the theme of freedom:

The price of freedom is taking responsibility for our lives, even if we haven't been fully in control of them. The freedom to walk away might not be the ultimate freedom, as Lucifer suggests, but it is significant.

Free will in the Sandman is a topic of debate, and I tangentially wrote about it before:

Destiny carries a book that contains everything that will happen to us, all there was, is and will be. Most of all though, it contains what must happen. One could say that in this universe, there is a strong element of predestination involved. However, complaining about a lack of free will and just pointing towards Destiny’s book also misses the point:

In the end, our lives are always our own (which is mentioned several times, directly or in a roundabout way: in Façade, in Song of Orpheus, in Brief Lives, in The Kindly Ones, in The Wake).

Your life and your death are your own

Some of us might have more to overcome than others, but the sooner we accept our unique challenges (which is not the same as being passive), the more we will focus on what we can change—or what we can meet with forgiveness and (self-)compassion.

Destiny and freedom as opposite sides of the coin matter far less than what we do with them…

[unsexy-nun-costume]

bracelet haul :))))

[cowboyhorsegirl]

when ppl make fun of mcu fans who queerbaited themselves they’re talking abt me. I walked into the theater on endgame premier day FULLY expecting stevetony to be canonized on screen in front of god and everybody

[teencopandthesourwolf]

read on ao3 HERE

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He didn't mean to do it. He meant it, with every fucked-up fibre of his being he meant it, but he didn't mean to actually do it. 

Stiles had just—been so very fucking Stiles, in that stupid, irresponsible jump-head-first-into-the fray-on-everybody-else's-behalf kind of way that he has about him, and after the pack had neutralised the danger but everybody's veins still had more adrenaline than blood coursing though them, Derek felt—feels—so fucking livid, and so damn grateful, and so utterly, utterly muddled that he's grabbed Stiles by the shoulders and is pulling the kid's body into his own, hard, crashing their torsos together like a devastating highway collision, arms enveloping Stiles's shoulders as a crushed car bonnet wraps itself around a tree. 

Now—here, at a clearing in the trees on what has been Hale land for generations going back centuries, with Stiles in his space, and his nostrils, and in his fucking head—Derek is terrified. 

There's a fairly stilted, “Whoa, okay, alright, we're doing this, huh, big guy?” but then Stiles is relaxing into the hug. He sort of melts, actually, snaking long and wiry yet surprisingly strong arms around Derek's waist; so very warm, and alive, alive, alive.

“Stiles, you shouldn't have—why do you always have to—you could've fucking died!” he admonishes, although it doesn't come out half as harshly as he means and wants it to. 

Lost, Derek shoves his nose into Stiles's neck, and breathes.

Stiles lets him, because of course he does, cocking his head to the side to accommodate Derek's needs.

“Must be a day that ends in Y, huh, Der?” he answers, ever the class clown.

Derek quietly growls his annoyance and relief in equal measure, and even though he senses the rest of the pack has now gathered around them, and hating that he has an audience for this, he squeezes Stiles into him impossibly more.

Stiles wheezes comically, then jokes more, because humour is his default in any situation. “Why don't you ease up a bit there, buddy? Kinda need this work of art that I call a body in one piece if I'm ever gonna save your wolfy-ass again, oh alpha, my alpha.”

Derek shuts him up with a slick lick to the jugular. The kid shivers beautifully, but even Derek's tongue doesn't keep him quiet for long. Only Stiles Stilinski could ramble incessantly with a werewolf at his throat. 

“Okay, shit, that—ahhhhhhh, that tickles, Fido! Do I need to get the collar and chain on y—oh my fucking god!”

Derek clamps his jaws around the most exquisite throat he's ever seen, smelled, dreamed about, and growls out a warning sound that causes the betas to back off and Stiles to go weak at the knees.

Mine, he thinks loudly.

After a few moments of Derek gnawing on Stiles's throat, once they're alone in the preserve, other than the nocturnal animals and eery sound of the wind picking up from the west, Derek releases his jaws' hold on the sheriff's boy—the boy who runs with wolves; little red riding hoodie; the best human Derek's ever known—and soothes the purpling mark with a lingering press of his lips.

“Oh!” is amazingly all Stiles has got—although Derek can satisfyingly smell Stiles's arousal, his wolf now howling inside of him at the delicious scent.

“Yeah, oh,” he answers, after trying his level best to calm the feral instinct he has to pull them both down into the undergrowth and mate the boy.

He finally pulls away from Stiles, but doesn't release him from his grip entirely. Fire-red irises find big, brown doe eyes, and a smirk that Derek wants to lick right off Stiles's face and replace with a look of pure ecstasy.

“Stop doing stupid things,” he demands.

Begs. 

“Yeah, no, probably never gonna—oomph!” 

Derek kisses Stiles, kisses him like it's the end of the fucking world because he's realised that every time Stiles puts his own life in danger, it feels like it might be.

Stiles doesn't hesitate this time, though. He kisses Derek right back like he gets it.

Now found, Derek takes, and he takes, and he takes.

Stiles kisses like nobody else in existence, Derek is sure of it; he is earth and wind, fire and water.

Fucking elemental. 

When he presumably needs to breathe, Stiles tears his lips away from Derek's—swollen and blood-red—and Derek can't help the whine that escapes his. Their foreheads bump as they both pant, attempting to settle as they shake with post-fight waning nerves and a feverish desire.

Stiles says, “How ‘bout if you keep doing that, I'll get myself a bigger bat?”

Derek both hates and loves the smile that spreads across his face like a rash, entirely of its own volition. 

“How about next time, you just wait for me?” 

“Deal,” Stiles grins and kisses Derek again, and Derek hopes it's the kind of deal that's forever.

.

for @greyhavenisback—love yew, love <3 (unedited, soz!)

.

now edited and on ao3 HERE

[slasherscream]

i would love to know which of the crazy ass boys gang would indulge a partner who watches reality tv? whose getting just as invested and angry and who is standing to the side saying it’s dumb and fake? (i know it’s kevin)

❥ who grins and bares it so they can bond with you ❥

Billy Loomis - This is just a bonding activity for Billy. It’s not awful. Nor is it the most fun thing in the world. It’s just one of those tiny moments that relationships are built off. The small bids for connection that build intimacy. You don’t bitch when he wants to watch Psycho for the sixth time in two months. He doesn’t bitch when you turn on trashy TV. He pulls you close, so that you’re sitting in his lap, or laid up against him, and pays enough attention to ask you the odd question or two to clarify what’s going on if he gets lost. What do you mean they switch couples?? When did they start doing that? Last week… oh I bet Luca was pissed. 

David Mccall - David is obnoxious because he pretends to be the type who is upset when you watch without him. He’ll come home, glance at the TV and gasp dramatically: Baby! Why are you watching our show without me?! How far along are you? You watched an entire episode? You know better than that, baby! You gotta rewind it, hold on, I’ll order us some pizza. Can’t believe you’d watch behind my back! This is a ridiculous pantomime that you may or may not pick up on. Mileage varies as always. David couldn’t care less about the reality TV shows you watch. But he likes the way you giggle as you rewind it for him. Or the way you light up when you’re discussing it with him. You used to spend way too much time talking with your friends about this stupid crap. Now you talk to him. Who gives a shit about whatever mindless little thing you’re watching. What David enjoys is your undivided attention. 

Jason Dean/JD - JD also sees this as a bonding activity and bid for connection… However, JD is a born hater. He bonds by talking shit. He’s not necessarily trying to be a bummer about the things you enjoy. He’s just a certified yapper when it comes to shit-talking. If he thinks something is stupid he just can’t sit in silence. This is his most underdeveloped life skill. He’s got ten minutes of quiet in him max. If he does manage to bite his tongue his face gives him away anyways. So what was the point? Will say something pretentious like: “Why are we watching people play out a badly scripted version of their lives through a screen when we could be out living ours, right now? Let’s hop on my bike and just ride, darling! Live a little!” Sir, I just worked an eight hour shift. I need to see someone who doesn’t deserve a rose get sent home in tears. Read the room. Get a grip. 

❥ who is pissed off/devastated when you watch it without them ❥

Sebastian Valmont - What can he say? Sebastian likes to watch people experience psychological torment. He’s trying to turn on the first seasons of “America’s Next Top Model" and watch a girl get sent home in tears after the judges convinced her to shave her head bald to look more fierce.This is the type of quality reality TV that makes Sebastian laugh. Watching people go through their darkest moments in front of a camera that highlights the creases in their cheap makeup is how he likes to spend the occasional date night. You had to put him onto reality tv shows, but now he’s hooked. He probably watches more reality TV than you do. If we’re being honest. You think this might be how he gets to still live out his glory days of being an unrepentant asshole. Sometimes he sighs a little too wistfully when someone is being a monster. 

Jordan Li - Jordan enjoys anything you do together. Even if they hate a particular activity, at least they’re spending time with you. Still, there are reality TV shows that Jordan really likes, such as: home improvement shows, “Say Yes to the Dress'', “Face Off”, “American Ninja Warrior”, and “RuPaul's Drag Race”. And then there are shows that Jordan puts on a brave face about. Things like “Love Island” and “Jersey Shore”. Jordan gets queasy just scrolling past them. There was a time before they became one of Brink’s favorites that their parents kept pushing them to try and be an entertainment Supe. No one is taking you that seriously, anyways! Maybe you’ll do better in the reality TV circuit. It’s unlikely Jordan will ever get stuck in projects like that now. They’ve proven they can be a heavy hitter. Proven that they’re strong enough to not need to sell themselves as cheap, easily-digestible, entertainment. Still, they don’t like thinking of the alternate world where they’re having to sit in front of a camera and do twenty retakes of “authentic” confessional room venting.

Stu Macher - He likes reality TV and doesn’t care who knows. Hooray! A shared interest… except watching these shows with him will piss you the fuck off. He has dog-shit opinions about everything. You will never be rooting for the same people. You will never agree on who handled a situation better. He’s always rooting for the asshole, it seems. You don’t even think he’s doing it to be contrary or to make you mad. He’s genuinely on their side (most of the time… he does enjoy making you mad.) Watching reality TV with Stu makes you want to kill him. It also makes you look at him funny. Why are you always siding with the bastards? You don’t think Ekin-Su needed to apologize? Stu, are you out of your fucking mind?

Josh Washington - You’re gonna try to tell me that the twins weren’t making him paint toenails while they pulled all nighters of “The Bachelor”? Sure, okay, if you’d like to believe that. And his inner circle consists of Emily and Jess? Please. He’s been watching trashy TV for years. He’s watched a little of everything. He is so well acquainted with the dark underbelly of reality TV that it would roll over for a tummy rub from him. It knows his scent. He can easily keep track of the names, faces, and plots. Who’s fucking who. Who hates who. Who’s forming secret alliances. You’ll probably be more lost than Josh ever gets. He’s a day one. He’s an OG. 

❥ who is pissed off to even be hearing about it second-hand ❥

Sparrow!Ben Hargreeves - He has better shit to do than watch reality TV show crap all day, and so do you. These are the kinds of harsh words that will be waiting for you if you try and get him to watch anything fun with you. Ask him one too many times and, like a parent who is annoyed that you are bothering him, he will begin to fill up any moment of free time the two of you have with activities. No, babe, we can’t watch “90 Day Fiance.” Why? Because we’ve got to run the marathon for kids with cancer and then we’ve got dinner with the mayor after that. You two are gonna be booked and busy. You were obviously bored. Now you won’t have time to even think!

Kevin Khatchadourian - Please don’t remind him so blatantly of his own intellectual superiority over you (he’s an asshole.) He gets the ick of the century when you try and tell him what happened during one of your little…programs. If you have the audacity to take it a step further and ask him to watch with you? He’s rendered speechless. Since when is this relationship a safe space? He doesn’t enjoy well-written, heart-stopping, incredible genre-defining movies and television. And yet, somehow, you’re so delusional you think he’s gonna sit through reality television with you? Don’t piss him off. He doesn’t even bother responding. Enjoy the view of his back as he walks away!

❥ secret fourth worse thing ❥

Nathan Prescott - Nathan is once again in a category of his own, which you might call: too nosy to not get into it, but doesn't want you to know he enjoys it. He made fun of you when you first started to watch reality TV. He can’t go back on his word now. If you were cuddling on the couch he’d have his face turned into your stomach and dramatically roll his eyes at your absentminded head rubbing. Could we focus on what’s important please? But then the plots started thickening and the heated exchanges started to pique his interest. He knew he was cooked when he started recognizing names, who was booed up with who… wait that disloyal prick hooked up with who this week?! He tells you to just replay the episode because you’re explaining it shitty and you obviously want him to watch it and talk to you about it. It isn’t for his benefit at all. Turn the subtitles on, god dammit.

A/N: this was really fun! how did you know i've been watching reality TV shows lately?? if you enjoyed these headcanons consider reblogging, leaving a reply, or an anon! a writers fuel is engagement. xoxoxo

[consoledacup]

In order to fully understand Colin's reaction to the Lady Whistledown reveal and how he processes everything moving forward, you have to think about the entire season, the entire series really, through his point of view. I have no problems with the part 1/2 split. It made the anticipation that much more intense, and it worked out perfectly with their love story. But you can't separate one part from the other when you're thinking about his character.

In Colin's mind, the end of episode 4 is his happily ever after. That's it. He did it. He took action. He was the Cupid to her Psyche and played god and rescued her from a loveless match. He made shit happen and told her how he felt and they shared that moment in the carriage, and he gleefully proposed. He saved the girl and got the girl, and what a remarkable, enchanting, beautiful girl she is.

And aside from Eloise and Cressida, everyone's obsessed with their relationship. They're the true love match with a great story, and how lucky he is to fall in love with his best friend. And she's showing hints of unease, but maybe that's just wedding jitters. Or maybe she's mourning her relationship with Eloise which is why he keeps trying to get them to make up. Or maybe she doesn't feel as secure with him as she would've with Debling, even though she'd never tell him that. He is the third son after all. And he still has no idea how in love with him she is.

So when she tells him how she's always loved him, he's warmed but also wracked with guilt. Because if he had only taken his stupid head out of his ass, he would've figured out why her letters meant so much to him or why he was eager to participate in an investment with her family or why her lack of response the past summer devastated him. He thought he was the instigator of their love. He's the one who laid himself bare and was like, is it possible you feel a fraction of what I feel for you? And to find out that she did always love him made him feel so undeserving. Because why would this exquisite siren still want anything to do with him after all that he put her through?

There is an incredible scene that I think deserves a lot more gravitas. The minute Penelope mourns Lady Whistledown and burns her issues, it cuts to Colin getting over his writer's block as he writes with great enthusiasm. It's like, he's unknowingly siphoning her power. He is Cupid and a writer and her protector and her provider and so madly in love. And he will finish his manuscript, and he will make things right with Penelope and Eloise. And he and Penelope will have the perfect life together.

And then everything he thought he knew about Penelope, about friendship, about love, is completely shattered. She rips his power from him, and he is absolutely gutted. She has been the mastermind this entire time, and he was none the wiser. And what part of their love story was even real? At which point was he manipulated into doing what she wanted him to do? And while he was helping her with her confidence, and telling her how changed of an individual he was, she not only saw through him but broadcasted his insecurities to the entire ton?

He's still so desperately in love that he remains steadfast in marrying her. But he cannot get over his fury and hurt and betrayal at that point. Which makes so much sense. It's painful to see him lash out and withdraw from her, but he's absolutely reeling.

And on top of all that, he is humiliated. He thinks about everything she said about his own writing. She told him how he made it seem effortless, which is such a great compliment. And he's like, I don't want you to edit my manuscript because I want to prove to you that I'm worthy of you. And he might be thinking, I can even give her some pointers for her own writing! What fun we'll have with more lessons. To find out that she's the talented, sharpest, most prolific writer in the ton fully emasculates him. He feels like she was patronizing him all along.

He brings that part up, and she's like, no, I meant everything I said about your writing. But he doesn't believe her and immediately switches the conversation to her dangerous predicament, so he can at least, at the very least, offer himself up as her protector. It worked before when he danced with Penelope after Cressida ruined her dress, when he rescued Marina from Rutledge, when he helped save Daphne's reputation, when he saved Penelope's family from Cousin Jack, when he helped save Will's business, when he kissed Penelope, when he saved her from the balloon, when he defended her to her mother... If he can't be the provider, he can be the protector. And she doesn't even want that from him. She's the knight in shining armor. She's Don Quixote. Not him. Never him.

So he is grappling with his role in their union. He figures it out, but it takes him a little bit to get there. And in the process, he not only remains in love with Penelope the entire time, but he also falls head over heels for Lady Whistledown.

[avithenaftali]

October 28, 2022, 7:11 P.M.

For whatever reason I enjoy thinking about Diana Wynne Jones' writing as a whole and picking out unexpected or resonant trends. For example, some things that comes up often is:

She'll fabricate a world (right down to its cosmology), fill it with memorable characters, set one or two short novels in it... and then never touch it again. On to the next one. Rinse and repeat for her entire career.

The concept of multiple/parallel universes appear half a dozen times in different novels/sequences, but always in completely different ways. The multiple worlds of Chrestomanci function very, very differently from the multiple worlds of The Homeward Bounders, which themselves function so different from the Ayewards/Naywards of Deep Secret, or the walls between the worlds in Dark Lord of Derkholm. More importantly, all these approaches to multiverse explicitly contradict each other. There is no larger DWJ multiverse; there is no way to coherently combine any of them, much less all of them. I love her for this. Every book is its own project. Franchising be damned.

With one exception (which is the Dalemark quartet, oddly enough), none of these worlds are sealed-off secondary worlds. Our own Earth appears in all of them, though usually from the 'wrong' end of the telescope. Meaning, it's stuff like reading Charmed Life and assuming you're reading a magical secondary world fantasy for most of the book... up until the point when Janet is pulled into the story due to Gwendolyn's spell. The reader instantly understands that Janet is from our own world, from the 1970s when the book was written. She never makes it home, either. She never sees her parents again. She's a supporting character who becomes permanently stuck in the world of Chrestomanci, as a casualty of Gwendolyn's spells.

It is interesting, though, how there are almost no sealed-off secondary worlds in DWJ's oeuvre.

There are lots of neat things to say about how DWJ did this, and why she'd do it, and the implications in the storytelling. But tonight I'm thinking mostly about how it can be a moment, narratively, that makes you halt and have to recontextualize all these things you thought you knew (or were assuming) about the nature of the story.

In Ursula Le Guin's The Dispossessed, Urras is obviously the metaphorical capitalistic stand-in planet for our own Earth... up until a moment right near the end, where we realize our own Earth exists in this novel too and is an ecological wasteland due to unchecked climate change.

Urras may be the distorted-mirror, uber-capitalist version of our own world. But it's also a planet with a functional ecosystem. It's a planet where society is careful about maintaining that ecosystem. We're not going to be Urras, says Le Guin. We'll be lucky if we become Urras. To become Urras means we wised up in time to not go extinct.

And suddenly, little subtle moments in the worldbuilding around both Anarres and Urras—their shared attention to their own ecology—come into a different light. All because our own, devastated Earth turns out to be present in the novel too.

And in Howl's Moving Castle, Howl is a magician who fits into the fairy tale landscape of Ingary as naturally as anyone else—until the chapter when he has to go home to retrieve a lost spell, and you realize home is in another world, aka home is our world, aka Howl is fucking Welsh and found his way into Ingary by pure accident. And Ben Sullivan, Ingary's missing royal magician, is no native of Ingary either.

To Sophie, it just means that both magicians travelled to Ingary from the same enigmatic foreign land, which is as strange to her as any spell.

To us readers, it means "oh my god he's Welsh too? Just how much is Wales secretly connected to Ingary? Next thing you'll tell me Ben Sullivan's a rugby player as well—"

[thatmexisaurusrex]

I think what really gets me is what the show is telling us through that breakup. That's what hurts the most.

It's that a queer person who's sad, who's alone, who's never had a stable family life; a queer person who's only gotten to a point where they're happy with who they are later in life; a queer person who yearns for a family, for love, for being someone's first choice but doesn't believe he can ever have those things; a queer person who has obviously been burned and believes that is the only outcome for him now; that no one would want him as family. That no one would love him enough to choose him first.

He walks out that door.

Alone. Scared. Spiraling. Reacting to trauma rather than Buck himself. It's seeing that and having the show tell us, yes, that's what he deserves. That's all he gets. He doesn't get a happy ending. He doesn't get good closure. He doesn't get to believe that someone wants him enough to fight for him.

Tommy was right all along.

All his fears were true and will be what he ends up with. Older queer people who want families and are scarred by their own past experiences don't get love or a family. They don't get a place to call home.

Then, you have Buck; Buck blindsided by the trauma; Buck seeing his entire six-month relationship fall apart and just letting it happen to himself again. Having yet another person in his life, in a moment of cowardice and pain, quietly and brokenly lash out that he couldn't believe Buck would actually take this seriously; that he couldn't believe that Buck would love him once the pedestal was gone and the shininess wore off. That, once again, Buck lets his relationship play out without any idea of how to be active in it. That someone Buck loves, that he thought about possibly marriage with one day, that he wants to live with, leaves him.

That Buck, once again, is abandoned.

That Buck can't know himself.

That the show wants to lean into lazy biphobic ideas and tell us, yes, that's what Buck deserves. The thriving relationship that he had crumbles within minutes because Buck doesn't get to be happy; how can he know what happiness is if he isn't playing the field? Because nothing he did before Tommy counted. Buck 1.0 didn't count. None of his previous relationships counted. Because they were all ladies, and how can you know if you've only been with one man?

Telling the audience that you can't be happy in a relationship if it's somehow a "first", despite everything pointing to the relationship being solid and good for Buck.

It is the worst possible scenario.

It is a nightmare for both Buck and Tommy.

Both messages are terrible for the audience.

There were so many ways they could have broken up and I would have been fine with it. I've talked about it before, but I was fine with Josh and Arnold breaking up in Please Like Me and I still love the show. I watched episodes with Josh and Arnold from Please Like Me as a comfort when I was reeling about this that first night! I was fine with Alexis and Ted breaking up on Schitt's Creek and I was still fine with the show. I was okay with Amelia and Kai breaking up and I'm still watching Grey's Anatomy. Because all of those breakups were understandable. They made sense. I can like couples and be okay with them not working out. And they're fictional. Fictional shit rarely hurts me, if ever. That's not my problem at all here.

It's how this happened. It's the message it signals to the audience. It's devastating. I'm still devastated by the choice. I've never felt this way about a breakup for two characters ever. The core of my grief and genuine hurt is what the show proves it believes in through this breakup. And that's what's hurt me.

[guardianlegends64]

[Closed/ Valentines RP] “More power Vs True love”

One day On a very Dark, Saddened , and Hardened night of February… One Man by the Name Reaper infinite was Being Corrupted by the power he has been using for Far too long and way too much…

….As the demon inside was at the Brink of Breaking out as it wants to use the power to gain even more power and use the power to Terrorize all life…as Reaper has a Choice… Break out the demon inside him or Fight for True Love….

Reaper has been feeling so much pain and suffering from the Corruption that feeds on The Dark Power that he has Been using Since The Time that Time itself has Started…

…This is where it all Started In the Beginning of Reaper’s Life that has been Shattered and the Point where he started using the power of Darkness…

….He was Born in a Time where Time itself has even started and He had a Normal and Grateful and even Happy Life then he met someone who he loves deeply and Heart warming until that very Moment he was Severed…Disconnected…and Devastated…that the one he loved the most has her Soul and Love Taken away by the monsters who thought that they had the Power to do what they please…

….Until Reaper uses a forbidden power that if Used will Curse and or Give a Life long Consequence as he used the power to Brutally Kill his enemies One by One Relentlessly and Mercilessly in a Whole Year….

….Then at the very end he Buried the soul who will give him the Happiness and love and Care in the entire Universe and Space Time continuum…

as Many Millennials had passed…Reaper has Changed Drastically and was Having Nightmares of his past and Nightmares about his Lover and his Mother and Father….as He wanted to End his life but he knows he cannot because of His immortality that he had when he was born…

…Then a few years has passed… Until he Was Walking and wandering around the Earth… He Never Eats…Nor Ever drinks anything…. Until he sees Someone who is In need of Some kind of Help by Men who was Acting and Touching and harassing her Inappropriately as his eyes widen a little and he was surprised to see someone so familiar that she had Many Fox Tails, Fox ears, Blue Eyes, and A Familiar Symbol on her arm…

…As Reaper intervened the Men they try to push him back but didn’t do anything as Reaper is still standing and they felt the Force that Reaper has around him as they were shocked and try to fight him but was Easily defeated as Reaper used Non combatant skills and Strength to defeat them…

…Then after the Fight the men Ran away never Coming back and Never Going near the One who they were Harassing and Acting and touching inappropriately… as Reaper was wearing a Dirty, Scruffy, Scratched, and Ripped Black Coat and he even Reveals his very own face when the hood that he was wearing from the coat was pulled down by the wind…

….His eyes were Dark Red, His hair is Messy and Black, his Skin color was American White, and Was Much Taller almost as Nearly as taller than a Tree as he pulls out his hand to help the Lady to stand….

“Take my Hand….Let Me Help you up….” He says in a Tired, Exhausted, American English and British Accent as he speaks he awaits a response from the Lady…as she then speaks…

[goodlucktai]

raised on little light (2/3)

rise of the tmnt word count: 4k pairing: mikey & oc big thank you to  @soldrawss for the art included in this chapter and to  @mykimouser for making me insane about neutral!michelangelo at all hours of the day title borrowed from northern attitude by noah kahan read on ao3

x

2031

Mikey is looking for his little brother. It seems like he spends half his life doing that these days. 

The TV is on in Splinter’s room, door ajar but equally as unapproachable as the door to Donnie’s lab, which is shut tight, as usual. Raph’s door is standing open, but his room is empty, because he leaves early for work on the weekdays. 

Mikey maneuvers past the closed doors and empty rooms like a professional. He doesn’t even have to think too hard about it anymore. 

Rounding the corner to the dining room, Mikey’s stride slows and relief punches an exhale out of him. He doesn’t realize how tense he is until he deflates like a balloon. 

Gio is asleep at the table, face half-buried in his folded arms, crossbow and maintenance supplies spread out in front of him. It’s disappointing, but not surprising. He rarely stays in his own room, as if he’s afraid of taking up space that isn’t really his. As if they’re going to change their mind and tell him they do still need it for storage, actually, and he wants to be ready when they do. Mikey’s pretty sure he never fully unpacked his bag. 

Sometimes he leaves the lair entirely, and since he’s the most unreliable texter Mikey knows, and has never met a phone call he would answer without a gun held to his head, he might as well fall completely off the grid each time he’s gone. Mikey stays up on those nights, keeping busy in the kitchen, worrying worrying worrying. 

He feels too much like Raph when he doesn’t know where the kid is. He understands intimately how overbearing big brothers could be, remembers how a tiny rift had formed between him and Raph when they were young because of it—childish and inconsequential in the grand scheme of things to come, but devastating at the time. 

So he tries to channel Leo instead, who had always trusted Mikey to know when to ask for help if he needed it. Tries to make sure Gio never feels like he can’t come home again, with a smile ready for him as soon as he slips silently back through the door. 

But last night Gio must have stayed in. There’s a blanket draped over him that Mikey didn’t put there, and Splinter almost certainly hadn’t left his room to put there, which leaves two possible culprits. Raph and Donnie don’t know how to make gestures that Gio can see for what they are, hardly know how to be in the same room as the kid without seeing a ghost superimposed where he’s standing. It leaves a lot of the emotional heavy-lifting on Mikey’s shoulders, but it’s fine. A brother could never be a burden to him. 

Mikey can’t give Gio everything he deserves to have, everything that should have been his from the very beginning, but he can give him some things. 

And we’ll start, Mikey thinks with the kind of absurd resilience that wouldn’t have been out of place at the actual end of the world, with breakfast. 

Gio wasn’t trained in ninja like the rest of them were but his senses are as sharp as any other turtle genetically modified for war. Mikey woke him up with a touch once and the fear response only lasted a handful of seconds but it was enough that Mikey made the executive decision that no one would ever do that again, or else. 

Mikey pulls a chair out beside the smaller turtle and sinks into it soundlessly. He traces the newly-familiar white spots on that smoky gray-green face with his eyes, counting and recounting them, even though he knows how many there are. Everything about Gio is at once brand-new and well-loved to him. 

After a moment, the only other sound the ancient Snoopy clock counting seconds in the kitchen, Mikey starts to hum. Three little birds sat on my window…

He can’t help remembering another morning just like this one, what feels like a lifetime ago. Mikey, all of thirteen, had insisted on being woken up to make breakfast so he could try a new crumble muffin recipe, but he’d stayed up too late the night before and sleep clung stubbornly to him despite the row of alarms he’d set. Their resident insomniac had been the only one awake, by virtue of not having gone to bed in the first place, and he’d parked himself in the beanbag under Mikey’s hammock and hummed the same song over and over until Mikey woke up. He had it stuck in his head for the rest of the day. They sang “GIRL PUT YOUR RECORDS ON” in the kitchen at the top of their lungs until Donnie sent the group chat a PDF of a noise complaint form, completely filled out. 

Mikey hadn’t realized he was taking any of it for granted back then. He would do anything— anything—to wake up that way again. Just one more time. 

Beside him, Gio stirs. Once he’s awake he’s alert fast, those big dark eyes sliding open and staying that way, head coming up off the pillow of his arms. He has that look on his face that Mikey would be tempted to call earnest on anyone else. 

“Rise and shine, Clementine,” Mikey says brightly, reaching over to rub the back of his fingers against a spotted cheek affectionately. “I was craving breakfast empanadas today and was hoping my best sous chef would be willing to help me out.” Then, deliberately light-hearted, he adds, “Little turtles who skip dinner have to eat extra breakfast, you know. That’s house rule number one.”

Gio blinks at him, his face giving nothing away to the casual observer. 

“I thought house rule number one was ‘always get it in writing’.” 

Mikey’s smile widens, surprised and pleased every time he plays along. 

“That’s number three, actually. Right behind ‘don’t do anything you wouldn’t want recorded and replayed at family functions.’ If you want, I can tell you exactly why that one’s a rule, and why it’s entirely Donnie’s fault.”

Gio does that thing where he assesses Mikey’s expression and tone as though he’s looking for the trap. Mikey weathers it, makes sure his smile doesn’t slip an inch. 

Donatello is more of an urban legend to Gio than his actual living brother. After a few hesitant attempts to approach the older turtle that had been shut down completely each time, Gio made the informed decision that that road was closed permanently. 

Sometimes Mikey will tell a story, or April, on one of her increasingly sporadic visits to the lair, will lean over and show him a video on her phone, and Gio will listen or watch like he has no idea who the guy they’re talking about could possibly be. 

They do their best, but there’s no way to really introduce the Donnie that they know to Gio, because that Donnie only still exists in their stories and videos. The Donatello who was silly, who loved music and theater, who burst into the living room with some new invention or gadget to boast about, had been replaced by one who rarely spoke, who didn’t even have Spotify on his phone anymore since it took up too much space, who kept the lair running only because it was where his family lived but not because he had any lasting attachment to the place, and he certainly didn’t make any unnecessary tech just for fun. 

I know you’re still in there, Mikey thinks sometimes. 

He’ll bring Donnie lunch and leave it on the table in the lab, and then hold out his arms. Sometimes, Donnie won’t look at him. Sometimes, Donnie will put his tools down and let his little brother crowd in for a hug. He’ll tuck Mikey under his chin and hold him tight, like they were children again and nothing was wrong that couldn’t be made right. 

Thank you for staying, Mikey will think, clinging for every second he’s allowed to. I know it’s hard. It’s the hardest thing you’ve ever had to do. 

The grief is always encroaching, like floodwaters. Rising slow and steady, swallowing up cars and street signs and single level houses, changing the landscape of his hometown until it’s an unfamiliar place. No end in sight. No sign of land. 

Someone send us a boat, Mikey wants to cry hysterically. But he knows how stupid that is.

He is the boat. 

—

When he met Giorgio for the first time, Mikey was twenty-five and Leo had been dead for ten years.

“Sorry,” Mikey said. His fingers felt numb around the phone. “Could you say that again?”

“A turtle,” Hueso had replied shortly. “I would not have called, but he has familiar eyes. He is not aware of any family in the area. Would you like me to ask him to wait for you?”

Mikey hadn’t tried his portals again since the last disastrous time—since Raph had made him promise to stop—so he knew it couldn’t be Leo. He knew it. Hueso would be able to pick his sobrino out of a million turtles and would have led the call with that. And Leo wouldn’t have stopped for pizza before running back to them, he wouldn’t have stopped for anything. Leo would have been the one to let them know Leo was home. 

Still, there was a tiny warbling hope in the bottom of his heart that wailed “maybe, maybe, maybe.” Still, it hurt to feel that hope shrivel up and die when Mikey slammed into the private dining room and found Hueso talking to an unfamiliar mutant with white spots and a black shell and—it was undeniable—Hamato Yoshi’s eyes. 

The turtle was small, dressed in dark grays and greens, a strap across his chest that made it clear he was armed by something resting out of sight on his back. He stood with his arms crossed, in a manner that was probably supposed to read as stubborn or defiant, but Mikey clocked instantly as nervous. 

This kid didn’t know what he was doing here or who the hell Mikey was and he looked about as comfortable with all the attention as Donnie would have been at that age. 

Mikey felt himself soften, some distant part of his heart sitting in disuse and disrepair lurching to life again. Ancestral magic that he had largely turned his back on suddenly stirred, ninpo reaching out fragile feelers toward the person in the room that it recognized as immediately as if it was looking at its own self in a mirror. 

“This is one of my creations,” Draxum announced, confirming what Mikey���s heart had already decided. “It must have survived after all.”

“Elaborate,” Mikey said, in a tone that didn’t match the gentle smile he had for the spotted turtle. 

“How old are you?” the alchemist had asked instead, which seemed an odd first question to have and didn’t explain literally anything. 

“Eighteen,” the spotted turtle replied. Mikey’s brow made a bid for his hairline. He would have been less surprised if the kid had said fifteen. Was he that scrawny as an eighteen year old?

“You hatched at about the same time as the red one,” Draxum said dispassionately, “so you should have been about his age, and he is twenty-seven. And how did you come to be here?”

Gio’s eyes slid away from him, over to Mikey. Mikey didn’t know what his face was doing. He hoped it was encouraging. 

“I went through a yellow door,” Gio said. “And I ended up here.” 

“By yellow door, I’m assuming you mean a rift in space-time,” Draxum said. “What possessed you to walk into it?”

“Felt safe,” Gio said, and that was the last thing he said about it, expression closing up in a way Mikey was intimately familiar with as I’m done talking and liable to bite if provoked. But Draxum was a lot of things, genius among them, and seemed to already have an idea of what had happened. 

Portals could be capricious. The night of Splinter’s mutation and escape from the Hidden City, a machine in Draxum’s original lab had gone haywire as the structure collapsed. Draxum watched as it snatched up various tools and equipment and finally one of the experiment enclosures that Splinter had not been able to reach in time to save its occupant with the four he already carried. 

With the machine destroyed, it was impossible to even begin tracking the experiment down to wherever it had ended up. And there were unfortunately small odds that the creature would have survived long on its own wherever the portal deposited it. Draxum had written it off as dead. 

But there he was. Ten years displaced, but living and healthy and whole. Apparently he’d been in another dimension all this time, and only came back again because a portal he encountered had looked inviting. 

—

And now he’s in Mikey’s kitchen, listening studiously to his brother’s chatter and following instructions with exacting precision, still wearing the ridiculously oversized red sweater Mikey bundled him into the day before. It made Raph’s face do something funny when he saw Gio in it at lunch, but he hadn’t said anything when he saw Mikey hauling it out of the dryer earlier that morning, and he didn’t say anything at the table either.  

Over the years and countless wash cycles it’s been worn to unbelievable softness. It used to be that Raph couldn’t keep it in his closet if he tried, caught as it was in a constant rotation between little siblings who loved to wear it, floppy sleeves and sagging hem and all. It’s almost strange to see it again, here under the kitchen lights in this new country they all live in. 

Stealing clothes was a baby brother right of passage. And it was just collecting dust in storage anyway. 

Gio sees Mikey looking and glances down self-consciously. Then he jolts, and drops the ball of dough in his hands, lifting and twisting his left arm to put it more in the light. Near the elbow of the sleeve is a smudge of flour. 

He thumbs at the spot, preoccupied by it. His body language is shrinking because he always makes himself a smaller target when he starts to get anxious. 

One day, Mikey is going to find whoever taught him to do that and have words. For now, he rounds the island to Gio’s side and leans against it so he can duck down and peer into that little spotted face. He makes sure to plant his own elbow in the flour dusted across the butcher block counter, sending up a little poof of it as he does. 

“Hey, sweet kid, don’t worry about this old thing. It’s already been through everything you can possibly think of,” Mikey reassures, tweaking the hood playfully. “It survived the Paintball War of 2017, it’ll hold up to a little baking accident.”

Gio’s dark eyes lift to meet his, attentive and absorbing everything he sees and so, so careful. 

“Raphael won’t get mad?” 

Mikey keeps smiling, even though he’d like to start crying. 

Of course he won’t, he wants to say. He’s your big brother and he loves you. He’d move heaven and earth for you. He doesn’t know how to say it these days—he doesn’t trust himself to hold people the way he used to, doesn’t know who he is anymore since the shield he used to be was broken—but he’s still Raph. Our Raphie. I promise, it’s still him. 

Gio had never been lifted up into strong arms and tossed in the air until he laughed, caught safely and held tight like those arms would never get tired of holding him. He had never crawled under the blankets in a room humming and blinking with electronics after a nightmare, resting his head on a broad shoulder and falling asleep to a low voice rattling off his favorite explanation of gravity—a force that held everything down, pulled everything together, that could always be counted upon to keep you. He had never snuck out for brunch, just him and someone who saw him more clearly than he could ever see himself, who knew when a stack of French toast and a string of Snapchat selfies and a little mischief was exactly what he needed. 

Gio had never had any of that. He had been alone since he was freshly mutated and abandoned by pure chance, and now he was barely nineteen and he didn’t know how else to be. He didn’t have the first clue, but he was so willing to learn. He soaked up attention like a plant starved for sunlight, petals reaching endlessly for an end to the dark.  

I wish you had been there, Mikey thinks sometimes when he looks at him, heart breaking with the truth of it. We would have held you. You wouldn’t even know how to be alone. You wouldn’t be worried about a stain on a sweater. 

“He won’t get mad,” Mikey says instead. He channels his most charming brother, the one who could sell water to a fish, who could talk his way out of anything, who convinced his family to keep hoping even when all hope seemed lost. “And hey, if he brings it up, we’ll just blame the cat.” 

The corner of Gio’s mouth twitches, and then he smiles despite himself, as buoyed along as Mikey always was when Leo was silly with him, and says, “We don’t have a cat.” 

“Maybe I’ve just been waiting for an excuse to get one!” 

At that point, a burst of white noise from the living room cuts over whatever Gio might have been about to say. It sounds like the roar of wind from an open window of a car going seventy down the highway. It cuts off, and then something clatters noisily, and Gio’s reluctantly amused expression vanishes into alarm. 

They don’t exactly get a lot of surprise visitors down here. He wouldn’t recognize the familiar sound of transportation-by-time-scepter, followed by the even more familiar sound of its clumsy wielder tripping and knocking something over immediately upon arrival. 

“Oops—helloooo?” 

“In here, Renet,” Mikey calls back, nudging his shoulder into Gio’s so he knows not to worry. 

The timestress bumbles in, scepter tucked into the crook of her arm so she has both hands free to fix her braids. She’s smiling all big and crooked and sweet, mouth open to greet Mikey the same enthusiastic way she always greets him, but she stops dead in the doorway when she catches sight of the second turtle in the room. 

Renet takes one look at Gio and says, “Oh! Well, you don’t belong here at all, do you?”

It’s been a long time since Mikey has felt like screaming at her, but the way his little brother absorbs that blow without flinching is enough to get him on his feet. 

“Hey, Nettie, can we talk in the hall?” he says with a brightness he doesn’t feel. “Georgie, I’ll be right back, okay?”

Gio dips his head in a nod, slowly rolling dough in his hands again, and Renet follows Mikey out of the room like someone who knows they’re about to face the firing squad. 

“I did not mean it like that,” is the first thing she says when it’s just the two of them. “You know that’s not what I meant.”

Mikey does know that somewhere in the back of his mind. Renet is his friend and she’s never been anything but kind to him. If they had met when they were children, they probably would have gotten along like a house on fire. 

There was a time when he only saw the best in people, but the idealism had been carved out of Mikey when his portal to the prison dimension failed to open.

Some days, Mikey looks at Renet and can only see the person with time itself at her disposal, the past and future spread out like a choose-your-own-adventure book—the person with the power to help, to change things, who took Mikey’s countless, desperate pleas to be allowed to save his brother and held them tenderly like they were important to her and still told him no. 

Some days, that “no” is the most significant thing she ever said to him. 

“He’s my brother,” Mikey says. “He belongs wherever we are.” 

“Of course he does,” Renet says, brown eyes soft. “Mike, of course he does. That’s not what I meant.”

When they move back into the kitchen, introductions are made properly, and Renet makes it a point to clarify that she’s glad to finally meet him. 

Giorgio is watching them with those eyes that take in everything. Deep and trusting when he looks at Mikey, sharpening into something calculative when he shifts his gaze toward Renet. 

Looking back, Mikey will recognize it as the moment he lost him. 

“Smells pretty good in here, boys!” Renet says, swanning over to the stovetop. “Oh, is that chorizo? Mike, tell me you’re not making empanadas! I already ate on my way over!” 

“Then you won’t need to stay for breakfast,” Mikey sing-songs, feathers still ruffled. Then, because he feels bad for the way she deflates at the blatant dismissal, adds, “If you want to stick around, you can take some back with you to Null Time. Just don’t let that jerk Savanti have any, I don’t like his vibe.” “I swear,” Renet says, hand to her heart. 

“You talk about time travel like it’s something you can do,” Gio says suddenly. “Is it?”

The air in the room suddenly feels much thinner than before. Renet looks at Mikey quickly before answering.

“Sure, Gio. I’m a timestress—or, you know, I’m a student now. Basically an unpaid intern. But one of these days I’ll be the real deal.” She winks at him, and Gio gazes back at her placidly. 

“So you could send someone back in time? To stop something bad from happening?”

Oh, no, Mikey thinks. 

“I could,” Renet says. To her credit, she doesn’t sound as bone-tired of this conversation as she must be. “But I can’t. There are so many rules, and for good reason! One little slip-up could be an absolute disaster. It won’t do you any good trying to change the past if you end up destroying the present and the future while you’re at it, right? I’m barely allowed to look at this thing, much less use it,” Renet goes on, wagging the priceless time scepter around like it’s a rubber spatula. 

“But you could,” Gio says. “If we followed all the rules. If we figured out a way—”

“Georgie,” Mikey interjects. 

“I’ll tell you what I told Mike, baby,” Renet says gently. “It can’t be done. He belongs here.” 

Gio says, “But I don’t. You said that.”

“Stop,” Mikey says, not recognizing his own voice. 

But it’s too late. It was too late when he tried to open a door inside the prison dimension, because Leo was already dead inside. 

He was already dead inside, Draxum had said, clinical in a way that helped to distance himself from the hurt, but also distanced himself from the ones hurting, clinical in a way that made Mikey bare his teeth and say things he couldn’t take back. That’s why you couldn’t reach him. It wasn’t your fault. There wasn’t a point for you to anchor off of, there was no other end for your line to reach. He was already dead inside. He was already gone. 

Mikey stares at Gio, the tuck of his chin as he looks back down at the dough on the counter. He’s unwilling to argue with Mikey, but that stubbornness is an innate family trait. There’s no way he’ll give it up now that he’s got his teeth sunk into the idea. Mikey knows what it looks like when a brother is about to leave. Mikey knows what it feels like when they’re already gone.   

When he was younger, he was so angry. He was bursting with potential, with possibilities, his magic a wounded, snarling creature in his heart. It’s not fair that he failed. It’s not fair that he didn’t save his brother, that his love wasn’t enough to punch through the prison dimension and wrap Leo in warmth and light and bring him home. It’s not fair that no one was willing to help him. 

Fine, he had thought, fine! I’ll do it myself! 

Renet had explained to him over and over that his power had more to do with space than time. Casey Jr. said that he’d been sent back in time by his Uncle Michelangelo, but that wasn’t necessarily true. Casey’s arrival in the past had created another universe, parallel to the former. That was Mikey’s power—he could affect and even create other timelines, which was powerful and amazing, but not true time travel. Nothing he did could change his own reality, the one he was living in, because he had already lived it. He couldn’t get back what he had lost. 

Mikey plunged ahead anyway, desperate. He could make it work. He could make a change. Even if it didn’t change anything here, he could find another world and save its Leo and—and maybe that could be a start. Maybe he would finally get his head up above water, and stop drowning for just one second of the day, maybe he’d be able to take a full breath for the first time since his brother disappeared on the other side of a closed door.  

He didn’t wait for permission or approval. He slunk off into a tunnel a mile away from home and drew the circles himself. Lifted his hands and filled them with power, until it felt like he was holding the sun. And it hurt, of course it did. It burned all the way through. But he was hurting anyway. 

A portal opened, a pale yellow window. Mikey looked through it, and saw himself on Staten Island, ripping open a hole in the universe and saving his brother. 

What?

He looked again, over and over, at least half a dozen times—and every time, he looked into a universe where Leo didn’t die. Where Mikey saved him, or Raph scooped him up before he went diving off the Technodrome to catch Mikey and Donnie, or Donnie flew back up to Leo with a rocket and yanked him back through the door before Casey managed to close it. Over and over and over, Leo didn’t die. 

So it’s just me, Mikey realized. I’m the one who got it wrong. 

Raph followed the detonation of ninpo and hysterical screaming through the maze-like tunnels and found him suspended in midair. Rock and rebar were flying around Mikey, everything not nailed to the earth turned dangerous projectiles, his arms burning and flaking away into pieces that disintegrated when they met open air. 

His big brother’s expression had been terrified as he pulled Mikey down into his arms and held him through the shrieking storm he’d made. One hand on the back of his head to keep his face tucked safely into Raph’s scarred shoulder, the other arm cradling him like he was half his age, like he was still someone’s baby. 

“Angie, it’s okay,” Raph had said, low and aching. His voice was a rumble beneath Mikey’s ear, barely audible but just loud enough. “It’s okay. You can scream, you can bring the whole damn city down if you want. But you gotta let go, sunshine. Let go, Mikey.” 

I don’t want to I don’t want to I don’t want to I don’t want to! Mikey wailed, clutching at Raph’s jacket with hands that felt like two white-hot points of pure agony, clinging, holding on. If he let go, Leo stayed gone. If he let go, he really didn’t love Leo enough to save him. 

But Raph pressed his cheek to the top of Mikey’s head, and his next breath shuddered in his chest, and he whispered, “I know you don’t want to, I know. But this isn’t gonna save him. You’re just hurting yourself and L—Leo would hate that. He’d tell you to stop.” One hand crept over to cover both of Mikey’s, squeezing them tight. “Come on, big man. It’s okay. Let go.” 

He let go. The magic faded, dropping everything it had picked up back to the tunnel floor with dull thuds. His hands spasmed wildly, grip nonexistent, and Raph just kept holding them as he carried Mikey home. 

Mikey sobbed for the rest of the night, what felt like hours and hours. Raph reverted to turtle sounds when nothing he said seemed to get through, and Donnie crept under the blanket and plastered himself to Mikey’s carapace so that they had “A little citrus sandwich!” Leo would cheer, the silliest and sweetest turtle in the world until Mikey finally cracked a smile. 

His family made him promise not to try again. It’s not worth it, they said, a unified front—and as much as the words hurt Mikey to hear, it must have hurt his siblings and father just as much to say them. We can’t lose anyone else, they were ready to beg, because they didn’t know it was his fault Leo was gone. They didn’t understand how badly he’d failed them all. If they did, they wouldn’t have been so grimly determined to protect Mikey’s life from his own hands. 

It felt like a betrayal at the time, but he understands now. 

It’s not worth it, he thinks, staring at Gio. I can’t lose anyone else, he’s ready to beg. 

But Mikey knows what it looks like when a brother is about to leave. Mikey knows what it feels like when they’re already gone. 

What he doesn’t know is how to love someone well enough to keep them. 

[angelicsjn]

how would yanderes react if reader broke up with them? Like completely moved their stuff out and blocked them etc

YOUR SEVEN YANDERES.

A N: Hey, hey. I'm going through all my old requests first, so newer ones will be posted last. I want to hopefully get rid of all the old requests!

A B O U T: You leave the boys.

W A R N I N G S: Angst, the boys being their usual stalkerish and obsessive selves, Jae being Jae... the usual.

— ROMAN BEAUREGARD.

For a second, Roman feels at a loss. His entire life is perfect. Why would you ruin it? Your whole life was made just by being on his arm. Why sacrifice a life of comfort?

He expects you to come back for the first few days, keeping his usual tabs on you, and when he realises that you're happier without him; he's distraught.

How can you live as if you never met? Free and smiling? Why don't you feel how he does?

He keeps his cool. Of course, he does. He doesn't mind going back to square one. He's perfected the definition of patience, and he has it. He will use it.

He will leave you alone, create a false sense of freedom, and slowly come back into your life acting as if nothing ever happened, and since time has passed, you think, "maybe things can be different this time?" Because he seems different.

He's just a good actor. You should have remembered that.

— LATEN REED.

Laten is genuinely devastated. He doesn't understand why. Did you find his little box of memories? No way. He hid it too well.

Was he too much? Too touchy? Too talkative? Did his friends annoy you?

He questions everything in his head until it goes numb.

When he sees you on campus smiling and hanging out with your friends, like you didn't up and leave him, he feels like he's going to go insane.

"Why did you do it?" He asks you, his voice dead against the night sky as you hurry your way back to your place.

Honestly, it's kind of scary. Just you two, in the dark, his huge body and glittering eyes as he pins you down with just his words.

He won't let you leave until you speak. Actually, no. He won't let you leave at all.

— JAE 'NIKO' LEE.

"The fucking audacity." Is all he says before quite literally trashing the place.

He's pissed off, beyond pissed off. In that moment, he doesn't give a fuck about his idol image.

He will post indirects. Mask himself up and stalk the streets to find you.

He sees you at a club, reconnecting with your friends after months of nothing — thanks to him.

As your friends slink away to get more drinks, he slides into the booth, "what the fuck are you doing?"

You can run, but you can't hide. You can't tell anyone, even if you do, nobody will believe you.

He's NIKO. He can do no wrong.

— KAIDAN WOLFE.

Kaidan will wait for you until it the fans notice your absence. When he reads the comments of a potential breakup, it sinks in.

He messages your friends and family, they love him. He's the sweetest guy ever. They feel bad for him.

You're in the wrong. How dare you just... leave? He did everything for you. You were everywhere to him. You ARE everything to him.

He and your family pretty much guilt trip you into going back to him...

"Awh, y/n, I'm so glad you're with him, still. He's perfect for you." They don't even see the obsession behind his pretty eyes.

— HAYDEN WEST.

There's actually no logical reason to leave someone like Hayden. But he believes otherwise.

There's better looking, funnier, smarter, taller, and generally just better guys.

Of course you'd leave. He expected it at some point, no matter how hard he'd try. Fuck, he'd even start going to the gym for you.

This man doesn't eat. He doesn't sleep. Nothing. He's genuinely heartbroken.

Out of all of the yanderes, he's the most realistic and upset. He doesn't even want to see how you're doing without him.

Honestly, you'd go back to him on your own accord because you actually miss being around him.

— JOSHUA WHITE.

Joshua believes that God will reward him with your presence again — in fact, the man prays on it.

Maybe you need a break. A place to breathe. He understands. Life is hard and confusing.

He watches over you at all times, it's okay. He knows you'll come back.

He will leave 'signs' around for you, just little things to slightly drive you insane.

At first, it's, 'Oh. That's Joshua's favourite drink.' To, 'Okay. This is weird.'

When he sees your eyes lock onto his, he knows that his prayers have been answered.

He's calm in this situation. He knows that you are for him. Only him.

— BLAKE CROSS.

"What the.." He mumbles, looking around the villa. You're gone. Like. Gone.

And fuck, is this man angry.

"They took everything, dad! Fucking everything!" He shouts down the phone, his dad on the other end. "Tell Lawson to find their last whereabouts, send it right over."

This man will follow you to the ends of the literal earth, literally. He will not give up. He's relentless.

But he's so sweet with it. He's so convincing. A sweet smile with his dimples, his eyes big and adoring, "Come on. One chance. Let's go to Monaco, just us. You know how much I love you."

You ended up having the best weekend of your life. He made sure of it. You're never leaving him. <3

[sissyisawitch]

Actions Speak Louder Than Words

Relationship: Ominis Gaunt x You

Summary: Even though the two of you are not on good terms after a certain event, you and Ominis decide to go and explore Salazar Slytherin's Scriptorium in order to help Sebastian. But you know what they say, danger helps to reconcile… but also to bring out the truth. Alternative : My take on the Scriptorium incident.

Word Count: ~5.5k

Author's Note: Hi! It's been a while... I haven't had much time for myself lately, so I've put writing aside. But summer's here, so I took the opportunity to finish this draft that I've had for far too long. And what better way to come back than with some Ominis fluff? Enjoy!🌞

Warnings: Major spoilers for the "In the Shadow of the Study" quest

“I know no ways to mince it in love, but directly to say ‘I love you.’”

You felt a wrench in your heart as you read those few words written by Shakespeare. It was astonishing how a few drops of ink on the page of a book, a simple garland of lines and curls drawn in different directions, could trigger disproportionate reactions. Did everyone else feel the same way, or was it just that you were too sensitive?

Or perhaps it was simply that these damn love stories reminded you that you had not had the right to your own, that the boy to whom you had offered your heart had given it back to you completely mutilated?

Another wrench in your heart.

‘It’s simple and concise for a declaration of love… but at least she had the right to one, and one that had the merit of being clear and direct to boot’, you could not help thinking as you reread your book.

Time had passed, but you still felt it all. The disappointment, the humiliation, the resentment that came with the sensation of having had your feelings played with, the hatred you felt towards yourself for having let yourself be fooled, not to mention the torrents of tears you had shed. But the most devastating feeling was undoubtedly the despair you felt when you remembered that you had absolutely ruined everything with one of the most important people in your life.

Ominis… Sweet, caring, beautiful Ominis… Your best and closest friend. And to think that three little words of love spoken a couple of weeks ago – the same ones you had just read – had been enough to destroy the strong bond between you two.

Once again, it was astonishing how a series of letters, a succession of various sounds, could trigger such a disproportionate reaction and write over months of shared moments of laughter, of little attentions to one another.

“So!”

You abruptly lifted your head from your book – which you were only skimming through – after Sebastian abruptly dropped down next to you on the sofa in the common room.

“Still moping around?”

“Nah, I’m in tip-top form, can’t you see?” You deadpanned, your voice brimming with irony.

“My, my. No need for the attitude.” Sebastian smirked at your feisty character.

Sebastian had got used pretty quickly to this new dynamic. He would have breakfast with you because you were both late risers. During the day, he would sit next to either you or Ominis depending on the class, making sure to maintain an equity. For example, he would sit with you in Defence Against the Dark Arts because he loved duelling you, and he would sit with Ominis in Potions so that he could help him. As for the evening, he would have dinner with Ominis, and then come back to see you once the blond had gone to bed.

In fact, without even exchanging a single word, you and Ominis had concocted a shared custody schedule of your best friend.

Sebastian continued, entirely oblivious to your reveries, “Anyway, I’ve got something to take your mind off things!”

You could not hold back the sigh that left your lips, “Another brilliant idea of yours, I presume?”

“And your presumptions couldn’t be more right.”

Sebastian proudly explained his latest discovery, that Salazar Slytherin had a secret Scriptorium here at Hogwarts. He was evidently determined to explore it, insisting that it might hold answers as to how to heal Anne.

So far, it seemed to be just another of Sebastian’s plans…

“…The only problem is that only a Gaunt knows where the entrance is… So we have to ask Ominis.”

You raised a dubious eyebrow at him, “This… is your brilliant idea to take my mind off things?”

“Oh, come on! It’s important to me! And if you don’t want to do it for me, then do it for Anne! You can tolerate his presence for a few minutes, can’t you?”

As you looked down and pinched the bridge of your nose, another sigh escaped you. It was becoming an unfortunate habit when you were around Sebastian.

You sighed once more, this time in capitulation, “Okay… I’m in.”

When a beaming smile started to tug at the corners of his lips, you immediately interrupted him with a menacing finger pointed at his chest.

“But! You do the talking. The less I talk to him, the better I feel.”

“Deal.” He replied with a mysterious glint in his gaze. “Come on, let’s get this over with. I’ll lead you to him.”

“What? Now?” You exclaimed with wide eyes. It had to be said that you had no desire to go, and that postponing the fateful moment until as late as possible sounded fabulous at the moment.

“Of course, now! Do you really want to do this in broad daylight and get busted by the teachers?”

“When you put it like that… Let’s go.” Without wasting another second, you got up from the sofa with a newfound determination that you had not suspected, but which Sebastian always knew how to awaken using the right words.

After climbing the spiral staircase leading out of the common room, Sebastian led you – if not dragged you – through various corridors of the castle which you were not used to venturing into, and which were very rarely frequented.

If you were reluctantly following, the boy accompanying you was as cheerful as could be. You could tell by the way he moved with haste, his steps almost bouncing. He looked like a young child who had just had one of his whims indulged (and, in a way, he had).

Sebastian suddenly stopped in his tracks and nodded his head towards Ominis who was standing on the other end of the corridor, “Go on, go convince him.”

You turned sharply towards him, giving him a disapproving look, “You said you’d do the talking!”

“Exactly, the talking, which I already did, and it didn’t work. So now, you go do the convincing.”

“Sneaky bastard.” You muttered under your breath, sending him one last murderous glare.

As you approached the mysterious blond, you could not help but analyse him from head to toe. His silky hair was as well-brushed as ever, giving him his typical elegance. He was leaning against a wall, the features of his face impassive, making you wonder what could be going on in that impenetrable, but undoubtedly fascinating, mind of his. Merlin, everything about him was so adorable…

Fuck. You could not go on thinking like that. You had to move on from him, even if it was going to take a colossal effort.

But… that did not mean you had to stop watching him categorically. No, you could continue to observe banal things about him, like the way he suddenly took a deep breath before his shoulders relaxed, while you were only a few steps away from him.

Before you could announce your presence, Ominis called your name.

“U-Um yes, hi… How… How did you know it was me?” You stammered awkwardly, still mentally unprepared to start a conversation with Ominis.

“Your perfume. I’ve got used to it. I could recognise it in a million.” He declared easily, as if it were the most banal thing to say to someone you had recently rejected.

“Oh…”

Upon hearing your long and awkward silence, his serene and composed appearance was quickly overwritten with his own discomfort, “Listen, about last time… I wanted you to know that I sincerely apologise. I should not have avoided you for so long and–”

“Let’s not talk about this, alright?” You cut him short, physically pained just by the memory of your last conversation. “I just want to forget this ever happened… Besides, that’s not what I came to talk to you about.”

“I’m listening.”

It did not take long to convince him to reveal the location of Salazar Slytherin’s secret room, just a few minutes at the most. After all, you knew Ominis like the back of your hand, so it was child’s play to find the words he needed to hear.

But that didn’t mean you kept talking to him afterwards.

Once you entered the Scriptorium, you did not utter a single word. Your demeanour, which had been warm and understanding a few minutes earlier, was now nowhere to be seen. Seeing you acting so silent, cold and detached, Ominis must certainly have thought you were unrecognisable. If that was the case, he did not show it. On the contrary, he was always trying to get as close to you as possible, all the while scratching the back of his neck, or running a hand through his hair nervously, as if he wanted to start a conversation but did not dare. For some reason that eluded you, he also insisted that you stay behind him whenever you entered a new room.

The only thing you knew for sure was that he was desperate to reweave the invisible string between the two of you that had been the source of your formerly close friendship. But there was a problem… it was still too early and too painful for you to mend it on your end.

So you simply solved the various challenges you came across, and eventually silently handed the letters you found from Noctua to Ominis, so that he could read them for himself with his wand (admittedly, you wanted to avoid him, but you still had enough compassion left to give him what was left of his late aunt). Meanwhile, you let Sebastian do the talking to lighten the mood (he had kept his promise after all). Everything was going well so far.

That is… until you entered a new room, and the stone door slammed shut behind you three, producing a loud crash that bounced off the walls.

“Merlin!” You cried out in fear.

“Yeah, I think we’re locked in.” Sebastian agreed nonchalantly.

“No! Merlin!” You repeated in panic but, this time, pointing at something on the ground with a trembling finger.

Sebastian looked down, and quietly gasped before holding his breath. Never in a million years would you have imagined that you would stumble across bones, and therefore be confronted with the fact that someone had died right in this very spot.

It was only then that you realised that the three of you were potentially next in line, that there was a possibility you might never get out of this room. At this morbid realisation, you froze entirely. You were unable to move, to think, to speak. It was impossible for you to react. It was as if, in a panic, your body had already accepted its fate and was getting used to the fact that, soon, it would no longer respond to anything.

The silence in the room lasted a second too long, and Ominis too began to panic, “Well, what is it?”

“…A skeleton.” Sebastian said coldly, although the grimace on his face betrayed him and showed that he too was in turmoil. “And Noctua’s last journal entry. She mentions being trapped here – blocked by an Unforgivable Curse.”

Because of the shock, you had not even registered that you had the remains of Ominis’s aunt in front of you.

For fear that your words would be clumsy and worsen the despair Ominis must be feeling, you decided it was better to remain silent and act instead.

Slowly but surely, you approached him. While he had his back turned to you, you wrapped your arms around his slim figure and hugged him from behind. It was not a gesture you would normally have made towards Ominis after what had happened between you two. But in view of the gloomy circumstances in which you found yourselves, you had found the strength to put your resentment aside.

And it had to be said that, underneath your unaffected exterior, you still had a huge soft spot for this boy. Letting him go through this ordeal on his own would simply have broken your own heart, as well as his.

“Ominis…” His name rolled off your tongue by itself.

You felt him stiffen at your touch, and you took in a sharp breath. In your eyes, it was just another rejection. He obviously did not want you by his side, both literally and figuratively. So, in an attempt to protect your fragile little heart, which had mistakenly let its guard down, you decided to let Ominis go.

But he stopped you.

“No. Stay.” He said firmly, though his voice sounded obviously shaken.

He held you back against him by grabbing your hand. He squeezed it, then pressed it against his chest with his own, just above his heart. His heartbeat echoed in your palm. You could feel it speeding up, matching the rhythm of yours, as if they were connected.

In response, you surrendered to the embrace by resting your head between his shoulder blades. However, once again, your touch had the effect of a painful electric shock on him, and he abruptly pulled away from you. This was just another example of how exhausting Ominis could be. He had always acted like this with you: one moment he was giving you hope that he was returning your feelings, and the next he was pushing you away.

Ominis moved away from you to get closer to Sebastian, shouting in a distraught manner, “This – is where she died. This is where we’ll die. I shouldn’t have listened to either of you!”

“Ominis, I’m truly sorry about your aunt. But I know what to do. It’s going to be difficult.” Sebastian replied in a calm, composed voice that contrasted radically with that of his friend.

Sebastian subsequently proceeded to explain his plan, that the Cruciatus Curse – the incantation for which was written on the floor – was to be used to open the next room. Knowing that Ominis categorically refused to be associated with the Dark Arts, and that you were unwilling to learn any of the Unforgivable curses, Sebastian’s last remaining option was to cast Crucio on you.

Ominis stared at him, speechless and dumbfounded, as if he had just uttered the most grotesque of abominations, “Are you out of your mind? Do you even realise what you’re saying? You want to torture your friend? Our friend!”

Sebastian raised his voice to match Ominis’s, “And you, can you think for two seconds? It’s either I hurt her temporarily, or I let her die in that shithole! And us with her! There’s no need to think about it, it’s a no-brainer!”

“And I’m telling you it’s out of the question! I won’t let you hurt her!”

“So what, then? We wait for you to come up with some wonderful solution where no Unforgivable Curse is involved? You know very well there’s no such thing! It’s Salazar Slytherin we’re talking about, you should have expected it.”

Sebastian paused, making the atmosphere even heavier. His tone had subsided, but you knew all too well that it did not mean that his anger had subsided along with it. Quite the contrary.

“You know something? For a guy who likes to control everything to the point of dictating other people’s choices, I think you’re being awfully passive right now.”

Though unseeing, Ominis’s eyes glared at Sebastian, looking daggers at him, “What exactly are you insinuating?”

“That you’re a control freak who’s got no balls.”

“Boys, stop it.” You tried to calm things down as you heard their voices escalate and their words sharpen.

But Ominis ignored you blatantly, to the point where you wondered if he had even heard you, “Oh, really? Do you want me to tell you what I think of you?”

‘‘Just you try!”

“You’ve become a complete nutter ever since Anne has been–”

“ENOUGH!”

Your outburst seemed to be just what was needed to put an end to the two boys’ cockfight. They both turned brusquely towards you, their eyes wide open. It had to be said that seeing you angry was already a rare event, so to see you furious with them was even more staggering.

“Enough.” You repeated firmly, sweeping your eyes over the two boys to make sure you had fully regained control of the situation. “Sebastian, shut up. You’ve gone too far. And you, Ominis, I don’t need you making decisions for me. It’s not your job to defend me.”

You gave Ominis a black look. It was foolish because he could not see it, but something told you that, somehow, he could still feel it. Especially with the double entendre in your words, which implicitly referred to how Ominis had rejected you, as well as all the bitterness you retained from it. It was petty, but you could not help yourself.

You then turned to the other boy, looking determined, “Do it, Sebastian. I’m ready.”

The brown-haired boy nodded and positioned himself in front of you. He raised his wand in your direction and concentrated.

“Crucio!”

A bolt of red light came out from the tip of Sebastian’s wand, and hit you square in the chest, right in the heart.

“NO!” You heard Ominis’s voice protest.

Was it really Ominis though? Maybe you had just dreamt it. You could not be sure, for every single one of your senses was overstimulated by an electric shock running through your body, and causing you to collapse to the ground on all fours. It was brutal but manageable, you thought.

Little did you know, that was only the preamble. The worst was yet to come.

Rapidly, every muscle in your body contracted, including those in your chest and throat, preventing you from breathing. The spell slowly left you suffocating, while the pain took care of absorbing what little energy remained in your body. It was as if a billion needles were sticking into every inch of your skin, sinking deeper and deeper with the aim of piercing your soul and finishing you off.

It seemed to you like this hell lasted for an entire hour, even though you were confident Sebastian would never let you endure this kind of torture for more than a couple of seconds.

And then it stopped. Though the remnants of the curse remained.

You had suspected that such a cruel curse was not going to leave you alone so easily. Still, you were not prepared for how agonising it felt.

Your ears ringing. Your vision fogged with black spots. Your anarchic breathing. Your body crumpling to the ground, inert. And all of this because of the lack of oxygen. All your senses were rendered nonfunctional, leading you to believe that you would remain in this state for the rest of your life.

“Are you alright?” Sebastian asked you with genuine concern in his voice, to which you nodded silently, your strength gradually returning.

Of course, Ominis was unable to see you, and began to get upset, thinking that you were still unresponding, “Of course not, Sebastian! Do you really think anyone can be alright after receiving the Cruciatus Curse?”

You wanted more than ever to say something to shut Ominis up. Or was it to reassure him? Probably a combination of both. Either way, the reality remained the same: you were still too weak to utter a single word. Your vocal cords were still paralysed from the agonised screams you had let out.

Thankfully, the door opening put an early stop to the boys’ bickering.

“It worked!” Sebastian exclaimed and immediately entered the room to explore it, leaving you alone with Ominis.

Ominis had no idea what to say to ease your pain. Unfortunately, he had already endured the Cruciatus Curse himself – and at the hands of his family to boot – so he knew how you might feel. However, no one had ever comforted him, so he had no idea what words would be likely to soothe you.

But if there was one thing his beloved Aunt Noctua used to tell him, it was that words come from the mind, and gestures from the heart. And it was always better to speak from the heart.

So Ominis let his heart guide him.

He knelt down beside you, and helped you to lie on your back, so that you would be more comfortable. But to your surprise, he did not stop there. He made you rest your head on his thighs, then stroked your hair with a hesitant hand. It was only after a moment that he spoke again.

“Can I be of any help?” He whispered, as if afraid of disturbing your repose while you were recuperating.

“H-Help–” Your weak voice got caught. You had to cough a couple of times before you could start again. “Help me stand up, will you?”

“You should take your time and lie down for a while. You just went through a lot–”

“I’ll survive.” You cut Ominis off abruptly, in a clearer but above all more irritated voice. You had had more than enough of his constant mood swings towards you, where one moment he could not be more doting on you, and the next he was acting as if he had never met you.

Ominis remained silent. You did not get the impression that he was hesitating over his next words, but rather that he was taking the time to digest how you had harshly refused his advice.

“…If you say so.”

“You know, I’m tougher than you think.” You kept the same cold, distant tone.

While he kept the same nonchalant and stoic tone, “I know.”

“Good.”

An awkward silence settled in, where you could do nothing but contemplate the ruins of your friendship. Where once stood a fortress of shared complicity and happiness, now remained only the vestiges of two acquaintances who were unwilling to rebuild what they had once known in the past.

To put an end to this heart-wrenching moment, you headed for the next room, without adding a word. Ominis followed suit, guided by his wand which pulsed red light at its tip.

“Guys? Care to lend me a hand, or do I have to explore this room all alone?” Sebastian called out without ceasing to rummage through Salazar Slytherin’s belongings.

You were about to answer when you suddenly saw Ominis stride resolutely in front of you. The frown on his face was unmistakable, as were his tense features.

“You’ve got a lot of nerve asking us for help! Not only did you just cast the Cruciatus Curse on your friend, but you didn’t even have the presence of mind to ask me if I was all right after finding my aunt’s bones!”

Ominis’s anger only seemed to have the effect of amusing Sebastian, “I thought it was stupid to ask someone if they were okay when it’s obvious they’re not.”

“It’s a question of common sense, Sebastian! If you had any, you would have realised that it would be best for you to lie low for a while and fend for yourself.”

“Excuse me for not being perfect. Not everyone can be a saint like you.”

“Don’t be ridiculous, Sebastian.” Ominis visibly cringed upon hearing his friend’s words.

But it only made Sebastian’s smirk grow wider, “For once, you’re right. I’m being ridiculous. You’re far from being a saint, because if we’d listened to you, we’d be rotting in the previous room, and we’d be letting Anne die too, since you’ve also given up on the idea of curing her, just like everybody else.”

“Don’t start that again. You know perfectly well I haven’t given up on her, or else I wouldn’t be here having this nonsensical conversation with you.”

Sebastian’s arrogant smile fell, “Oh, stop it, Ominis! We both know you’re not here for Anne, but you’re too shitscared to admit it to yourself. Which goes to show, even when you’re already blind, you can still be blinded by fear.”

“SHUT UP!” Ominis roared in a deeply enraged way that you had never heard before, to the point where it made you recoil. “You’ve gone too far this time, Sebastian!”

Still frightened by the turn this argument was taking, you decided to intervene, “Guys, please don’t start fighting again. We’re all on edge and–”

“Come. We’re leaving.” Ominis announced sternly, holding out his hand for you to take.

“W-What?” You stammered, bewildered.

“You heard me. Are you coming, or not?”

You had never heard Ominis give you or anyone else an order in this way. Confused as to where this excess of chauvinism was coming from, your instinct advised you to go with the flow. You took his hand – not without shooting Sebastian an apologetic glance – and let the blond boy guide you out of the Scriptorium.

Except that once outside, he continued to drag you through the corridors, towards what you recognised as the direction of the common room. Holding your hand so tightly to the point where it was almost painful, he walked ahead of you at a run.

“Ominis, not so fast.” You requested, but your plea fell on deaf ears.

“How dare he speak to me like that, and insinuate things he has no knowledge of? After everything I’ve done for him! He truly deserves to be left alone; it would surely teach him a valuable lesson. Although… if he was left unsupervised, I’m afraid he’d do even more stupid things. I don’t know what more I can do to get him to listen to reason– What am I saying? It’s not my duty to keep an eye on him. He should just fend for himself for a change!” The blond Slytherin kept rambling, spiralling out of control.

At this stage, nothing and nobody could stop him from getting worked up over Sebastian. He was so consumed with his anger that he was completely oblivious to your distress at walking, your legs still suffering from the aftermath of the Cruciatus Curse. You found it hard to keep up with his rapid pace without tripping over your own feet.

“Ominis–”

What was bound to happen did happen. Your legs gave out, and you found yourself on the cold, hard stone floor, which was undoubtedly going to leave several bruises on your skin. A blush of embarrassment crept up on your cheeks. The only good thing was that the sound of your fall had startled Ominis, who stopped and turned towards you.

He came dangerously close to you, “Pardon me if this is improper, but I can’t let you go on like this.”

Next thing you knew, you were off the ground, lifted by Ominis’s strong and protective arms. He held you securely against his chest, and with a newfound reflex, you wrapped your arms around his neck.

Your blush intensified, but this time it was because of your racing heart. You were speechless, taken aback, and mind going blank at the realisation that one of your dreams – to be in Ominis’s arms – was coming true, but not in the right circumstances.

“I’m sorry. I was too worked up to notice you were having trouble walking. I should have paid more attention to you.” He apologised as he resumed his walk.

Once in the common room, you thought he was going to put you down at the bottom of the stairs leading to the girls’ dormitories, so that you could go and rest, but instead he went and settled himself on one of the leather sofas opposite the fireplace, the exact same one where you had been sulking a couple of hours earlier. He sat down, cradling you in his lap, while his arms tightened around you a little more, as if he feared you might suddenly decide to break free of his embrace.

Assuming you were going to stay in that position for a while, you rested your head on his chest. You could hear his heartbeat pounding in his ribcage. Your best guess was that he was still on edge after what had happened with Sebastian.

Trying to soothe him, you murmured, “Don’t be too hard on Sebastian… He’s only ready to do anything to help his sister.”

Ominis let out a long, fed-up sigh, before replying, “And can’t you see that this is precisely the problem? He’ll do anything – even hurt you – and I can’t let him.”

“He hasn’t hurt me, Ominis.”

A frown was beginning to form between his brows again, “Oh really? Because receiving Crucio was a pleasure cruise for you?”

“He had no choice.”

“We always have a choice. This time it was Crucio, but what will it be next time? How do I know he won’t cross the point of no return?” Ominis raised his voice. He got so carried away with his anger that he failed to notice that he had started stroking your thigh with his thumb.

“He told me he would never hurt me.” You answered in an unwaveringly serene tone.

“And yet he already did. He’s a hypocrite.” He snarled. “Actions speak louder than words.”

You quirked an eyebrow, “Does this apply to you as well?”

“What do you mean?”

“Here you are, caressing my thighs after carrying me in your arms, and yet you still claim to see me as nothing more than a friend.”

Caught in the act, Ominis’s hand froze, as did the rest of his body; he even seemed to be holding his breath. He pressed his lips into a thin line, as if trying to seal them shut, for fear they would say something that would put his life on the line.

“Come on, Ominis. Now’s the time to tell me what you really think, don’t you think?” You said, giving him the last little push he needed to confess everything.

“…All right. I lied. Of course I have feelings for you… How could I not? You’re so considerate and graceful… But those feelings come with fear. Fear that you’ll be disappointed in me, that you’ll realise I’m nowhere near good enough for you, that you could find a thousand men better than me. But what I’m most afraid of is being with you. Because believe me, darling, if one day I have the honour of tasting your lips and your caresses, I know that I’ll never be able to live without you ever again.”

For the umpteenth time that evening, Ominis blew your mind in ways you had never imagined. And the worst part – or rather the best part, given the circumstances – was that he had no intention of stopping there. He had so many feelings in his heart that begged to be verbalised and brought to light.

“You made me want to get up in the morning again, if only to hear your voice for a split second. Before I realised it, you hadn’t just become more than a friend, you’d become my reason to live.”

With infinite delicacy, Ominis took your dainty hand in his, feeling the warmth of your skin against his. Slowly, as if to prolong this magical moment, he brought your hand to his lips and placed a light kiss on it, full of tenderness and respect.

“You are both my greatest desire and my greatest fear. Don’t you see how illogical this is? You’ve made me lose control, and I happily let you. I hope this is proof enough of how enamoured I am of you.”

Although you had regained your composure and your vocabulary, you still kept quiet, but this time it was on purpose. You had a very specific idea in the back of your mind.

“I’m begging you, love, say something.” Ominis’s trembling voice implored.

You replied, without the slightest hint of what you were thinking in your tone, “Actions speak louder than words, Ominis. Your words, not mine.”

Ominis did not need to be told twice, although he did take his time to make sure he did things the right way. His hand, which was still resting on your thigh, was trembling from the torrent of emotions running through him. With his fingertips, that same hand skimmed the contours of your body, and moved up to cup your cheek, sending shivers down your spine at the same time. You closed your eyes to savour the contact and understand a little better what the boy in front of you was feeling.

With his thumb, he sought out your lips, before tracing them to fully appreciate their voluptuousness. He felt the smile that had just appeared on your lips. Encouraged by this sign, Ominis leant towards you, his heart beating wildly. As he drew closer, your breaths mingled.

At last, your lips met, timidly at first, then with a passion that had been held back for far too long. This kiss was a moment suspended in time. The world seemed to stop around you, giving way to the magic of that perfect moment.

And suddenly, all the Shakespearean love stories you had ever read seemed derisory. Mere words of love were not enough, were no longer enough, now that you had tasted the unctuous proof of love from the handsome, touching blond boy who electrified your skin with the slightest touch.

Who needed a trite, dull ‘I love you’, when you had the loving touch of Ominis?

[flowerandblood]

The First Impression (Drabble)

[ coffee maker • Aemond x student • female ]

[ warnings: angst, him being a mean bitch ]

[ description: He hates his job and she makes him hate it even more. Or maybe not entirely? A very old request from the anon. ]

* English is not my first language. Please, do not repost. Enjoy! *

Word count: 700

My other works chapters: Masterlist

_____

He hated his job. He couldn't think of anything worse and more boring than pouring coffee, cutting fucking cheesecakes and signing cups for little hipster girls who then took pictures of themselves with them, grinning like idiots.

However, nothing annoyed him more than those momentary, watchful glances as if someone was under the impression that he was just imagining things, looking at him more closely to make sure that in fact one of his eyes was prosthetic.

He felt like pouring hot coffee in their faces then and asking: anything else?

Of course, he couldn't do that, and that vision remained only in the realm of his dreams. He wanted to support his mother and pay his own rent while studying at the University, and few employers were willing to go along with him when it came to working hours.

He had no choice but to endure it somehow.

He was devastated when it turned out that, according to the fashion, they were supposed to learn how to make different patterns on coffee so that they resembled different shapes or characters. He felt like an idiot when, for the tenth time, he had to repeat the movements that would allow him to create a heart shape out of the liquid, and then he had to do the same thing, only that for the female customers.

For them it was romantic, for him it was pathetic.

One day he saw a girl bending over a cup he handed her – she was sitting at a table taking a picture of the design she had ordered, which was a flower.

He thought she was probably some kind of influencer and rolled his eyes, thinking that at a time when someone had to work hard like he did, others were simply putting their pictures on social media, making a product of their lives.

She surprised him when she approached him, undeterred by his stony face expressing boredom and disapproval.

"Could I ask for that most complicated pattern, with the dragon's head?" She said, and he closed his eyes thinking that this was the worst day of his life.

Why, why did it have to be him?

"You don't like doing this." She muttered finally, trying to make out his answer from his face. He turned involuntarily over his shoulder, not wanting his manager to hear him.

"Not really." He admitted reluctantly, thinking after a moment that he was a moron, that she would write about him on her blog and he would lose his job because of her.

"We study at the same university, so I have to warn you." She finally confessed.

"Your boss hired me as a secret client. This is my last day of work. He wants to know how you talk to your clients. But I won't tell him about it. Just be careful because he might do it again. I wouldn't want you to lose your job over such stupidity." She said quietly, leaning towards him, and he froze, feeling the cold sweat on his back.

"– fuck – I –"

"Don't say anything or he'll see it on the cameras later. Just make me that coffee. By the way, you're very good at it. I even sent a picture of your creation to my mum." She said with amusement and he swallowed hard, tense and nodded, taking a clean mug from the counter.

"Right."

He figured he'd put his whole heart of stone into the design on her coffee as a thank you for warning him, and made out his boss's face with his big glasses and moustache. When he placed her cup in front of her she burst into loud, warm laughter.

"Beautiful. This is better than the previous one. He's even similar. So sad to drink." She sneered, pulling her wallet out of her bag, taking out her credit card.

"Thank you. You know." He said, tapping the amount she should pay into the terminal, handing it to her so she could put her card close to it.

"It's okay. I'm just glad I had the chance to meet you and talk to you for at least a moment. See you at the University?" She asked lightly and he nodded, embarrassed.

"See you."

[senualothbrok]

Love and beauty

Summary: A few days after Astarion has taken you to his grave, you are lying in bed together. You decide it's time to make a confession.

Musings on beauty, love and death.

Word count: 1.3k

Non-18+. Astarion x female Tav. Non-ascended Astarion. References to bereavement.

AO3 link

------------------------------------------------------------------------------

You are lying on your side, looking at Astarion.  Here at the Elfsong Tavern, morning is rousing from its slumber. You are cocooned in the bed you have shared with him since the night he took you to his grave. The sheets are warm and soft beneath you, and in their burgundy shadows, his skin glows like porcelain. He lies on his back, his silver eyelashes fanning out below his closed eyes like silk. His crown is a white maze of waves. Just recently you have noticed the faint threads which form around his mouth and eyes when he laughs, slight indents where his eyebrows meet his nose when he is focused. And sometimes, barely perceptible dimples dance on his cheeks.

You never tire of looking at him. There is always something new to see, and you never know how long you have left to see it.

“I can feel you staring at me.” A lazy eye opens and fixes on you. “Has no one ever told you that it’s rude to stare?”

There is mischief in his smile, and you return it. You run your fingers over his collarbone. He shifts his chin closer to your hand.

“I can’t help it.”

He stretches, long and languid, a fang peeking out on his lower lip.

“I know, darling.” He turns onto his side to face you. “It’s why you’re here. You can’t get enough of my devastating beauty.”

The words carry no edge. He is still himself, not the masked imitation. He twirls his fingers around a strand of your hair as it caresses your shoulder.

“You are devastatingly beautiful, it’s true.” You play with a curl at his temple, tracing the edge of his ear. You consider for a moment. “But you know, all of that… it only goes so far.”

“Oh?” He regards you quizzically.

“Well…” You turn the thoughts over in your mind. “I’m human, Astarion. Even humans blessed with devasting, soul-crushing beauty, like yours – most of us don’t live that long. We get old and grey. We get wrinkles.”

He scrunches his nose. You laugh.

“I know, disgusting, those wrinkles. But when you have to contend with ageing, and with death… it’s different.”

You are not sure he understands what you are saying. You yourself are not entirely sure.

You nuzzle your nose into his. He slides his arm under your head, circling it around your shoulder. You curl into his chest. There is a silence, but it is so light, like being bathed in morning sun.

Maybe it is because every day draws you closer to the Netherbrain. Or maybe it is because he has shown you where he died, and has shared with you his rebirth. Now, you feel the last bastion inside you can come down. This last pearl you have hidden from him, you can now give, trusting he will not cast it away.

“I had a husband once,” you say.

You have not spoken about him for a long time. It surprises you that it does not hurt anymore to mention him. To remember.

“It was a lifetime ago now. He was beautiful too, when we met. Though nowhere near as beautiful as you.” You brush your lips across Astarion’s skin. “He was smart. He had a way with words. And he was kind.”

You are relieved that Astarion does not say anything. He does not tense in shock or anger. There is no judgment. He only listens, holding you.

“He actually looked a lot like Gale. Sometimes when he speaks, Gale even sounds like him.”

Astarion bristles at this. “So you’re telling me that one of our travelling companions, one of our closest allies and friends, is the spitting image of the love of your life? And you’re telling me this, why?”

You are not entirely surprised by his reaction. And maybe you find it endearing that Astarion could feel even a prickling of jealousy about a man you loved and lost so long ago. You chuckle, reaching up to kiss him lightly on the curve of his jaw. He eases with a huff.

“This isn’t the point of my story.”

“Well, you best get to it soon,” he shoots back, but he does not pull back his embrace.

There is a softness, a playfulness, to his irritation. You nibble his ear lobe gently and he sighs. He waits. You go on.

“He was a lot older than me. When he got sick, I took care of him. He died in his sleep. I laid him to rest. By that point, he was an old man. And he’d lived a good life.”

You remember your husband’s face through a haze. His papery skin, so thin you could tear it by mere touch. Frosted hazel eyes, and snaking veins on hands that you clasped so tightly against your wet face after he had breathed his last. The years of love that had filled the hole he left, buoying you through the grief.

“There’s something about that kind of love. Through age, and sickness, and everything in between. The long and boring days. The petty arguments. The stupid things we joked about. Everything we shared together.”

You heart fills as you speak of him. There is no more sorrow when you think of him now, only gratitude.

“I loved him till the end. That kind of love - it went well beyond his beauty.”

Astarion is quiet and still for a long time. When he moves back to look at you, you cannot read his gaze.

“But I won’t age,” he says. “I won’t die.”

You nod.

“I’ll be like this forever.”

“Forever beautiful, forever young.” You glance at the scars and ripples of your flesh, and you cannot help but feel a pang of envy.

He frowns. In the pause that follows, you wonder where he has gone. You wish he could take you with him.

“How will I know, then?” he asks suddenly.

“Know what?”

“How will I know…” He struggles, as though each word is a heavy load. He clears his throat. “How will I know what kind of love it is?”

There is an emptiness in his eyes now, like a kind of sadness. A loss. You reach out and press your palm to his heart.

“Are you asking me whether I would still love you-“

“If I wasn’t beautiful.” He grimaces. “If I was old and grey, or sick, or…” He trails off briefly. “If I had wrinkles. Like Gale.”

You laugh, and you see that it gives him comfort. Because Astarion still cannot help but mask a plea with a jibe.

“What do you think?” you ask.

He hesitates. His eyes caress your face, drinking in every detail, every line and curve, every shadow and blemish. A balm spreads through you as he sees you, just as you see him, since the very first time you promised to be his mirror. You know he can see your answer.

But he is uncertain, and he is still afraid.

“Without a doubt, Astarion,” you breathe.

He turns away. You wait. It no longer weighs on you when he withdraws. You know now that he will always return. You will give him time, now. You will give him space. He will come back when he is ready.

But then, so abruptly, he clasps you against him. You are enveloped in the coolness of his skin, the warm wetness of his mouth, the blanket of his body around you. The moment is a world in itself, swirling and gathering and expanding, holding you fast.

It ends as it began. You lie there, tracing circles in each other’s souls. Morning has broken, and muffled voices are bustling through the bedroom walls. Slowly, you edge to the side of the bed, and he rises to join you.

“I don’t think he was the love of my life, by the way.” You say it like an afterthought, but it is not.

“I damn well hope not,” he counters, sharp and fast.

But the gentleness in his gaze tells you all you need to know.

---

Liked this fic? You can find more of my work here.

[queen-of-hawkins-why-ler]

I just finished my s3 rewatch yesterday and I need to talk about how heartbreaking Mike's sequence is in the final scenes. You can literally see his reaction to figuring out that he's gay evolve from initial confusion, to shock, to devastation and distress as well as immense fear about what comes next.

When El kisses him, he realizes right off the bat that something about the kiss is "off," though not necessarily bad. He's kind of left wondering, "Huh? What the hell was that about?" asking himself why the kiss didn't mean more to him and why he couldn't bring more passion to the kiss, especially in light of the fact that he's not going to see El for a very long time. It's not the reaction of someone who just realized something about themselves, but the reaction of someone who realizes that something is just not quite right. Mike does not immediately realize he's gay, he's just like, "I wonder why I feel this way."

It's not until the kids are outside watching the Byers family leave that Mike is starting to put the pieces together. He's just had his final interaction with both Will and El for the time being. He's just said his goodbyes, and as he's watching the moving van drive away, he's realizing that his feelings about Will and El leaving are not what he expected them to be. "Will can come, too," is what he told El when El was talking about coming to visit over the holidays, but he's realizing that he didn't just invite Will to tag along as a third wheel to what would essentially be a romantic reunion between El and himself. He's realizing that Will is not secondary to his relationship with El and never has been. Will is the one he finds himself thinking about and pining for as he watches Will and El slip out of his life. Mike is the last party member to leave the Byers' residence, and we see him glancing back at the house, the place where he's shared so many memories with Will, and as he starts biking back to his own house, he realizes that he has a lot to contemplate and come to terms with on his ride there.

I believe he has the ACTUAL realization that he's gay on his bike ride home, once everything starts falling into place for him: El kissed him and he felt nothing. Will was the one he was thinking about as he watched the Byers family leave Hawkins; not El. He took one last good look at Will's house and realized that the most important and tender connection he has in his life is the relationship he has with Will: not the one he has with El.

And then, by the time he gets home, he's successfully figured out what it all means and he's in shock. Not only is he in shock, but he feels trapped now. Horrified of the implications of what this means for him, what it means for his relationship what his family, and what it means for his relationships with both Will and El, neither of which he will very easily be able to nurture or work on now that Will and El will be across the country from him. He's just discovered the most shocking, life-changing fact about himself--something that will change the trajectory of his life and will be a great source of suffering and oppression for him--and he's going to have to navigate it and figure it out all by himself, without any help, understanding, love or support from his own family, the Byers family, or his friends.

He hugs his mom and feels the weight of it all hitting him at once. He's thinking about how his mom may love him and want to be there for him now, in this moment, but there may come a time when she will no longer be there for him. He's realizing what this means for his relationships with El and Will. No doubt he feels a huge amount of responsibility to love and be there for El. El loves him and depends on him, and the fact that he's been there for her this entire time, he's already set the precedent for El herself, Hopper, and his own friends that he's going to be that for her: someone who loves and defends her. He feels the crushing guilt of knowing that he's going to let every single one of those people down by being gay. Of knowing that El loves and depends on him and that he can't love her back.

And then there's his relationship with Will, which he no doubt believes will be negatively affected by these newfound feelings. In his mind, Will is his best friend but also someone who is "normal" like the rest of the boys. Will may be a bit of a late bloomer, but he's going to grow up, start talking to girls, and have a girlfriend of his own soon enough. And Mike probably believes that from this point onward, his relationship with Will is going to be awkward, distant, and emotionally stunted by the fact that he's secretly in love with Will.

My poor BABY. I just can't even imagine the weight he must have felt once he realized he was gay and all of these crashing, painful realizations just slammed him all at once. In a matter of minutes, he realized he was going to be ostracized, alone, and a huge letdown to everyone in his life and that he'd have to face this all by himself.

[pedrithink]

my home ✩ jude bellingham

summary: jude and his low profile girlfriend.

faceclaim: paola locatelli

ynusername

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ynusername lovely days

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judebellingham you’re so pretty GOOOOD

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karim_adeyemi have a nice trip, miss u!

judebellingham @karim_adeyemi miss u too baby

ynusername @karim_adeyemi @judebellingham ?

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december 15th, 2022

ynusername

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ynusername nights in london hit different :)

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judebellingham love you

ynusername @judebellingham love youuu :)

jobebellingham see you tomorrow

ynusername @jobebellingham seeeeee you!! missing u 24/7, bestie.

denbello 😍😘

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judebellingham @gioareyna nah, baby. you are the most beautiful person in the world. 😓

ynusername @gioreyna @judebellingham hate u both btw

trentarnold66 ❤️

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march 16th, 2023

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ynusername my new baby!!!!!!!!!

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judebellingham two pretty kitties

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gioareyna so cute 💗

trentarnold66 ❤️

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april 1st, 2023

ynusername has added to their story

judebellingham has added to their story

judebellingham

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judebellingham I've taken some time to reflect on the events of the final day and the entire season. I still can't believe it went the way it did and we couldn't get ourselves over the line. The boys that played gave everything and their efforts cannot be questioned, unfortunately we weren't decisive enough in the fine margin moments that occur in high pressure games.

Personally, it was devastating to have to watch my teammates suffer while I couldn't impact the outcome. I have never experienced an atmosphere like the one on Saturday created by you fans, I had goosebumps for the whole 90 minutes whilst only watching from the bench. Many times this season you have been the difference maker for us and in the end we've let you down by not being able to deliver the championship whilst it was in our hands.

Hopefully this adversity will trigger a new era for the club where it can compete closely for trophies every year. This is what the city and its fans deserve.

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ynusername so proud of you 🤍🫶🏻 thank you for everything, the best is yet to come!!

judebellingham @ynusername ❤️

user1 sad that you’re leaving us, but it was a pleasure to have you man - just the best! ❤️‍🔥

user2 never give up!!

user3 see you in madrid

user4 keep your head up, life goes on!!

user5 well spoken jude

user6 the best youngster itw rn

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ynusername you did your best, everyone is proud of you. ❤️‍🩹

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judebellingham i love you

judebellingham ❤️❤️❤️❤️

jobebellingham idol

trentarnold66 big player 🔥

masonmount ⭐️🔥

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judebellingham ain’t no place like home. my club. 💙

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user7 ur so fine

user8 ain’t no place like home and then he puts a picture of y/n

user9 u both are so fine

user10 cuties