#moroccan cinema

[gael-garcia]

Adam (2019 🇲🇦), dir. Maryam Touzani

Relax. Touch it. Gently. Feel it. Feel it as you knead it. Really feel it.

[folditdouble]

Women in Film Challenge 2025: [3/52] Animalia, dir. Sofia Alaoui (France/Morocco/Qatar, 2023)

The physical world is based on a more complex one. Like fish, who don’t see the water they’re in, we’re immersed in something we don’t see, either.

[tilbageidanmark]

MOVIES I WATCHED THIS WEEK (#192):

TRANCES (1981) is an infectious documentary about the influential Moroccan avant-pop band 'Nass El Ghiwane'. It's like 'The last Waltz' but in Casablanca. A must for fans of traditional Arabic music.

This was the first film that Martin Scorsese restored when he launched his "World Cinema Foundation" in 2007. My 4th Moroccan film. A transcendental experience [with one caveat: They gave amazing concerts to large, ecstatic crowds - and not a single woman in the audience!] This is the 9th film from the Scorsese's list that I've seen. I must remember to come back to it very soon.

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(Another concert, but of a completely different kind: Andrea Bochelli's LOVE IN PORTOFINO. This is for the folks who like to sit in the square by the water when the evening falls, dressed in white cottons, sip white wine while eating fried clams or seafood pizza, while listening to Bochelli's frothy, sentimental baritone.)

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POOL OF LONDON (1951), my 5th drama-Noir from mostly-forgotten master Basil Dearden. Sailors on leave and a jewel heist, as well as a sensitive interracial romance, the first white and Jamaican relationship in British cinema. Crisp on-location scenes and good character development.

Next: His 'The League of Gentlemen'.

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I've developed an interest in the emerging sub-genre of 'Domestic Workers’, mostly movies from South America and Southeast Asia. Many of these are fantastic; 'Àma Gloria', 'The second mother', 'Lina from Lima', 'Roma', 'The maid', 'Ilo Ilo', 'The chambermaid', Etc.

But I did not expect for the documentary YAYA (2018) to emerge as the most touching of this week's movies. A young filmmaker in Hong Kong, Justin Cheung, turned the camera on his own family, to explore their relationship with the woman who took care of him the first 22 years of his life.

Philippine Au-pairs in Hong Kong are some of the most exploited and abused workers in the world. And while his helper-maid was not mistreated, she gave up her own life to take care of somebody else's kids. Recommended! 8/10.

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FELLINI X 2:

🍿 (I have no idea why I never seen this masterpiece.) LA STRADA (1954), is the sad and poignant story of simple-minded Giulietta Masina, who was sold to 'brutish strongman' Anthony Quinn for 10,000 lire. She's a mythic, Chaplinesque 'Fool' who's being abused and mistreated as she joins him traveling round the countryside in their little freak-show. Until she dies of a heartbreak. Its tragedy is accented by Nino Rosi's sentimental score. 8/10.

🍿 THE MAGIC HOUR (2008), my second screwball comedy [After 'Welcome back, Mr. McDonald'] by Kōki Mitani, "The Best Japanese Filmmaker You've Never Heard Of". A failed bit actor gets a job to play a mysterious hit man, not realizing that the movie he's starring in is going to be 'real'. It's a lighthearted meta-film about making a movie, not unlike 'Day for night', but set in some seaport gangster-land. It's like 'Casablanca' but with a Nino Rosi like score. Includes a cameo of director Kon Ichikawa, the last before his death.

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3 MORE BY KEN LOACH:

🍿 THE OLD OAK, the latest (and probably his very last film) from the 88-year-old socialist Brit. A warm and 'humane' story full of small and heartfelt emotions, it kept me in tears from opening to the end. Ordinary people who suffer in so many ways. The inhabitants of a decaying ex-mining town can barely manage to hang on, and now they have to deal with a group of Syrian refugees - "Foreigners!" - who had lost it all in the war, and are being repatriated to their midst. Loach's films are usually about working-class Brits who's been getting the shaft for generations, and sometimes retain their humanity. And so is this one. 9/10.

🍿 “First they called you a terrorist, they they called you a hero”.

11′09″01 SEPTEMBER 11 is an anthology film from 2002. Eleven filmmakers contributed each a segment of 11 minutes and 9 seconds with different perspectives on the World Trade Center attacks. Some of the productions were better than others. Ken Loach had a Chilean exile in London write a letter to the families of the victims with the story of the Chilean September 11 attack of democracy (1973/CIA/Kissinger/Pinochet). In the Iranian segment, a teacher in a refugee camp was trying unsuccessfully to tell her young pupils about the attack. A poor boy in Burkina Faso imagined that he saw Osama bin Ladin in the market, and that he can use the $25M reward money to help his dying mom. Claude Lelouch told of a deaf French woman who sits next to the TV, but misses the news because she can't hear it. A Bosnian woman goes to the scheduled demonstration about the Srebrenica massacre. Etc. A mixed bag.

🍿 TIME TO GO is his 1989 documentary, pushing for British withdrawal from Northern Ireland. I actually don't know more than the average laymen about Irish history, so I need to take a reading course about the "Troubles" and what brought it.

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Another first watch: TRAINSPOTTING (1996). There were half a dozen films which I avoided until now, because I felt, rightly or wrongly, that they are too distressing: 'Requiem for a dream', Lars von Trier's 'Melancholia' (actually, all his movies), 'Salò', 'Funny Games' (both versions), 'A Serbian film', 'Kids', Etc. But now that I crossed 'Come and see' off this list, I also took a stab at this disgusting Scottish Heroin-chic shite-storm. Now I can say that I saw it too.

Well, I like Kelly Macdonald, and didn't expect her debut in an under-aged sex scene... Another plus, an appropriate use for Lou Reed's 'A perfect day'.

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TIME PIECE, a terrific experimental 9-minute short by Jim Hanson which was nominated for an Oscar in 1965. A rhythmic masterpiece: "Help!" 8/10.

Extra: ROBOT (1963), another prophetic Hanson short, precursor to 'HAL9000'. I'm sure that both these films will be mentioned in his new bio-pic.

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2 EARLY FILMS BY LINDSAY ANDERSON:

🍿 THE WHITE BUS (1967) told of a a taciturn young woman without a name who takes a double-Decker bus tour in a city without a future to experience some bizarre scenes without any rhyme or reason. It includes some surrealistic flourishes (A sudden tableaux of 'Le Dejeuner sur l'Herbe', a fantasy about suicide, a long tour in the library where the pompous major keeps complaining about filthy books...). But what is the point of it all?

It was edited by Kevin Brownlow, and filmed by Miroslav Ondříček, But it will mostly be remembered as the film debut of one 30-year-old Anthony Hopkins, as a German Thespian reciting Brecht. 2/10.

🍿 O DREAMLAND (1953) is a macabre documentary short about a loud amusement park in Margate, Kent, and the multitudes of middle class patrons (and their many children) who visit it without much amusement in their eyes. It's melancholy and miserable and dour. 7/10. A fun Fair without the fun. (Screenshot Above).

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"This guy is a one-man crime wave!"

FOR HEAVEN’S SAKE (1926), one of Harold Lloyd's most successful films. Including some great chase and slapstick gags.

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The first time I saw DEREK DELGAUDIO's IN & OF ITSELF, I was blown away. The next 2 or 3 times I thought it was great. There's something that compelled me to return to this Magician-"Mentlist" installation piece again and again. But after 4 or 5 times, i realize what he's doing, and his shtick is not as polished as f. ex. Derren Brown's. Yes, he has a few numbers that looks fantastic (A random audience member picks a random letter from a pile, and opens it to read a personal letter from her dying father... The final sketch where he "knows" what secret cards did each and every member of the audience had picked), but for the rest, he's mostly manipulates us with shaggy anecdotes and tall tales of personal pains. And really, they are not as profound as he wants us to believe they are.

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Hiroshi Teshigahara's HOKUSAI is a 1953 documentary about the woodblock artist, but a bit too old fashioned. I recently saw his 'The face of another', and should have watched 'Woman in the dunes' instead.

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THE SUITCASE was episode 7 of 4th season of 'Mad Men', the exact middle of the series (46/92). I've seen it numerous times, and it's still one of the most emotionally gripping. Jon Hamm will never be as perfect as he was as Don Draper. And it's pretty amazing that he and Peggy Olsen never even kissed, let alone sleep together. 10/10. Re-watch ♻️. [*Female Director*]

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"If there's one thing about me, it's repetition"...

My first by British comedian Steward Lee, his latest LIVE AT THE LOWRY came recommended by Hoots maguire, so here I am. Lee is a different kind of a stand-up: Dry, self-referential, erudite, and circular. His improvisations are jazzy. Recommended.

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2 ALTERNATIVE-QUEER ANIMATIONS:

🍿 THE FINAL EXIT OF THE DISCIPLES OF ASCENSIA (2019) is a strange - and weird - story made by one young Jonni Peppers. It is done very much in the aesthetics, and spirit, of Don Hertzfeldt's 'World of Tomorrow', although it's far from being that coherent. A confused young woman joins an all-women UFO-cult, which, like the Heaven's Gate dudes, eventually "ascends". It doesn't really have a clear message, but it has quiet a few moments of beauty. Peppers is working with Victoria Vincent, whose film 'A dog that smokes weed' I've admired. The two songs she plays are very pretty. [*Female Director*]

🍿 HOW TO FIND LOVE IN AN UNBECOMING AGE, a first film by a young lesbian about hot dating today. Could become a series. 7/10. [*Female Director*]

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3 MORE SHORTS BY FEMALE DIRECTORS:

🍿 3 MINUTOS (1999), a short Brazilian masterpiece. The phone rings in a kitchen, and the answering machine picks it up. A woman's voice is telling him that she decided to leave. Recommended. 9/10.

[This is actually the second film by Ana Luíza Azevedo I've seen. She co-directed 'Barbosa' with Jorge Furtado.]

🍿 LIKE TWENTY IMPOSSIBLES, my first by Palestinian Annemarie Jacir. A small Palestinian film crew is trying to cross a border checkpoint, and is subject to humiliating abuse by the Israeli soldiers. There were other films about the exact topic, the grinding brutality, the hopeless struggle just to stay human - "The cruelty is the point". And this was made in 2003, before the whole occupied territories turned into the big concentration camp it is today.

I promised myself that I will stop watching these traumatic films, and I will. But surprise! When the credits rolled, it appeared that this horrible true-to-life documentary was actually "Fiction"! The ugly film was so realistic, that it was a huge relief to discover it was "Only Art". 8/10.

🍿 THE INCREDIBLE THEFT OF CELINE'S BELOVED (2020), a cute French love letter to Wes Anderson. A 14 year old girl receives a surprise package in the mail. It's as if girl herself directed this story. 6/10. [*3 Female Directors*]

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2 EARLY SHORTS BY RIAN JOHNSON:

🍿 I started watching his heist story 'The Brothers Bloom', but couldn't finish it. Maybe I'll do it next week. Meanwhile I tried -

In BEN BOYER AND THE PHENOMENOLOGY OF AUTOMOBILE MARKETING, the voice of Carl Jung approaches a guy taking a shit with an archetypal explanation through the air-filter vent. The topic? The subconscious meaning of car brand logos. Made for $99 in 2001. With Pink Floyd 'Atom Heart Mother' score.

🍿 In THE PSYCHOLOGY OF DREAM ANALYSIS (2003) a young woman dreams somebody else's dreams. A student film that feels like one. 2/10.

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(ALL MY FILM REVIEWS - HERE).

[milfjagger]

Omg happy birthday ezra!!!!! I hope u have a lovely lovely day 🧡🧡🧡

thank you em 🫂🫂🫂 i am going out for a moroccan meal and then going to the cinema to see a rerelease of excalibur (1981)

[nakibistan]

Salim Halali – Algerian Jewish Gay who survived holocaust and stood against Zionism

Salim Halali was an Algerian Jewish singer who performed Algerian music and Arabic Andalusian classical music. He was a pop singer, considered an iconic figure of among Jewish and Muslim Arab/North African communities. Halali’s experiences as a gay Jewish man in Paris in the 1930s were as eventful as one might imagine. His music career was not only well-known but also well-remembered, earning him the title of the “King of Shaabi” at the height of his popularity.

Born in 1920 in Annaba, Algeria, Halali had no formal vocal training. Nevertheless, he began pursuing music professionally at the age of seventeen, stowing away on a boat bound for Marseille and eventually arriving in Paris in 1937. He performed in Flamenco clubs, singing songs written by Algerian artist Mohamed el Kamel. Halali soon rose to fame as a celebrated Arabic singer in North Africa and gained recognition in Paris.

It is partly due to this fame that Halali became associated with one of the most remarkable stories of his life. Shortly after Halali arrived in Paris, Nazi Germany invaded France, and authorities began harassing him for being both gay and Jewish. At that period, Si Kaddour Benghabrit, the founder of the Great Mosque of Paris, had encountered Halali before and admired his music. Witnessing the persecution of Halali and many other Jewish people in Paris, Benghabrit took action. He procured fake papers and hid Jewish people in the Mosque when necessary. However, because Halali was so well-known, Imam Benghabrit devised a different plan: he placed a fake grave for Halali's grandfather in the Mosque's cemetery to “prove” Halali was Muslim, thus protecting him from the homophobic and anti-semitic authorities.

Imam Benghabrit went on to assist many other Jewish people in Paris. Historians estimate that around 100 individuals were helped, although some early reports claimed that the Masjid/Mosque assisted thousands throughout the war. Due to Benghabrit’s efforts, Halali survived the war and continued his music career.

Halali established the Middle Eastern Parisian cabaret Folies Ismailia and later The Serail. However, the end of the war did not mark the end of the antisemitism he and other Jewish people faced. In 1949, Halali left Paris for Morocco, where he transformed an old café into the cabaret Le Coq d'Or. The club was a success, attracting wealthy Moroccans and dignitaries, including King Farouk of Egypt. Tragically, it was burned down, though it had been a vibrant hub before its destruction.

Although Halali’s career continued to flourish, he eventually chose to retire to Cannes. His extravagant lifestyle persisted, with grand parties and elaborate décor taking the place of his cabarets. In 1993, he sold his villa and moved into a retirement home, where he lived a quiet, relatively anonymous life until his death in 2005.

It is worth noting his time in Israel—an experience that was brief, as Halali was a staunch anti-Zionist. During a performance in Jerusalem in the 1960s, he shouted in Arabic, “Long live the Arab nation.” (an expression to show solidarity with indigenous Arabs/Palestinian community). The Israeli crowd reacted angrily, throwing objects at him.

Tom Cohen said about Halali:

“The man was an enigma. A homosexual surrounded by women, an outright anti-Zionist who came to appear in Israel. Musically, he was diverse as well and was blessed with lots of color and richness. On the one hand, his singing was essentially Arab. On the other hand, he corresponded with styles that also spoke to Western ears. At heart, he was a pop singer, the sort who performed in coffee shops and at weddings.”

References:

Aderet, Ofer. (2012, March 23). The Great Mosque of Paris That Saved Jews During the Holocaust. Retrieved from https://www.haaretz.com/1.5207782

Ameskane, M. (2010). Casablanca, les années music-hall. VH Magazine.

Barlet, Olivier. (2016) Contemporary African Cinema. East Lansing, MI: MSU Press.

Cahill, Susan. (2017, May 31). Benghabrit: The Muslim Rector who saved Jews from the Gestapo. Retrieved from http://www.thehistoryreader.com/contemporary-history/benghabrit/

European Institute of Jewish Music. Halali, Salim (1920-2005). Retrieved from https://www.iemj.org/en/onlinecontent/biographies/halali-salim-1920-2005.html

[Disclaimer: some of the sources may contain triggering material]

[paramedicabroad]

Casablanca, a twentieth-century city, crossroads of influences

Casablanca. The name alone carries an air of cinematic romance, evoking black-and-white images of Humphrey Bogart, jazz-filled cafés, and whispered secrets over coffee. But beyond the Hollywood myth, Casablanca is a city of movement, of contrast, of stories etched in concrete and stone. It may not yet hold a UNESCO World Heritage title, but its history, architecture, and dynamic spirit have placed it firmly on the tentative list—a recognition of its cultural significance and evolving identity.

Unlike the medieval charm of Fez or Marrakech, Casablanca is unapologetically modern. The city pulses with an energy unlike anywhere else in Morocco. Its wide boulevards, bustling markets, and Art Deco facades tell the story of a city shaped by colonial ambition, global trade, and an ever-growing skyline. Now the economic heart of Morocco, Casablanca balances its past and future with effortless grace.

At the city’s core stands the Hassan II Mosque, a structure that defies the limits of architecture. Hovering over the Atlantic Ocean, its minaret—one of the tallest in the world—reaches for the sky. The intricate zellij tiles, delicate stucco work, and vast prayer hall showcase Morocco’s mastery of Islamic artistry. Yet, with laser-guided technology and a retractable roof, it is also a symbol of Morocco’s forward-looking vision.

But Casablanca’s soul isn’t found only in its grand monuments. Its Art Deco and Mauresque architecture, remnants of the French Protectorate era, make walking through the city feel like stepping into a forgotten era of elegance. Along Boulevard Mohammed V, you’ll find faded facades of once-glorious cinemas, cafés with wrought-iron balconies, and hotels that once welcomed travelers from across the world. This unique blend of Moroccan craftsmanship and European modernism is what earned Casablanca a place on UNESCO’s tentative list—a city where East meets West in concrete and mosaic.

And then, there’s the Corniche. The Atlantic waves crash against the shore as locals sip mint tea in beachfront cafés, joggers trace the promenade, and young Moroccans gather in trendy lounges. It’s a reminder that Casablanca is a city that never stops moving—a place that embraces both tradition and change.

Casablanca may not fit the romanticized image of Morocco that travelers often seek, but that’s precisely what makes it so compelling. It’s a city of ambition, a place where history and modernity intertwine, where old medinas exist beside soaring skyscrapers. Whether you come for the architecture, the ocean breeze, or just to feel the hum of urban Morocco, Casablanca is a place that stays with you long after you leave.

[angelo-tiger-woods]

Read this: The Dialogue Between Angelo (POW) and Pedro Pascal (@pascalispunk):

Pedro Pascal (@pascalispunk) Joins the Conversation

Pedro Pascal (@pascalispunk): "I couldn’t help but overhear your discussion with Adam Sandler. I’m intrigued—tell me more about this remake of the French film Carbone (2017)."

Angelo (POW): "Ah, Carbone is one of the most compelling crime thrillers I’ve ever encountered in French cinema. When I first watched it, I was completely enthralled by its intricate storytelling and sharp writing. I truly believe that with Adam Sandler at the helm, a well-crafted American adaptation could bring this masterpiece to a much wider audience."

Pedro Pascal (@pascalispunk): "Fascinating. Would there be a role for me in this adaptation? Perhaps a villainous character?"

Angelo (POW): "Absolutely. You would be perfect for the role of Kamel Dafri, originally played by the French actor Moussa Maaskri. Dafri is a ruthless loan shark who lends money to the protagonist, Antoine Roca, and enforces exorbitant interest rates, making him an intimidating and menacing force in the story."

Pedro Pascal (@pascalispunk): "That sounds incredible. I already love the complexity of this villain. I’ll reach out to Moussa Maaskri to discuss his portrayal of Kamel Dafri in Carbone—it would be insightful to understand his approach to the role. From what I gather, this remake has the potential to be both critically and commercially successful."

Angelo (POW): "Without a doubt. If executed masterfully, particularly with the Safdie brothers involved in the screenplay and direction, this film could not only perform well at the box office but also garner serious award consideration—perhaps even Golden Globe or Oscar nominations."

Pedro Pascal (@pascalispunk): "That’s promising. Do you think we should consider adapting the character names for an American audience? ‘Antoine Roca’ is distinctly French, and ‘Kamel Dafri’ has a French-Moroccan connotation. It might be worth modifying them to resonate better with an American demographic. I’ll discuss this with Adam Sandler."

Angelo (POW): "That would make sense. Adjusting the names to more American-sounding ones could enhance the film’s accessibility and appeal to mainstream audiences."

A New Creative Collaboration

Pedro Pascal (@pascalispunk): "By the way, have you seen my latest film, Freaky Tales?"

Angelo (POW): "Not yet, Pedro! It hasn’t hit theaters. Why do you ask?"

Pedro Pascal (@pascalispunk): "I’m considering reaching out to the screenwriters of Freaky Tales, Anna Boden and Ryan Fleck, to collaborate with the Safdie brothers on the Carbone remake. I believe their expertise could bring an intense, action-packed energy to the script. What do you think?"

Angelo (POW): "That’s an excellent idea. Combining Boden and Fleck’s storytelling style with the Safdie brothers’ signature grit would elevate this project to new heights. If all four screenwriters agree to collaborate, we could be looking at an absolutely electrifying crime thriller."

Pedro Pascal (@pascalispunk): "Say no more—I’ll make sure they come on board. With four exceptionally talented writers crafting the screenplay, this remake is bound to be an unforgettable experience. Thanks for the insight, Angelo. This is going to be a thrilling journey. Take care!"

Angelo (POW): "You’re welcome, Pedro! I can’t wait to see this project come to life. It’s going to be an epic crime thriller. See you soon on our screens!"

P.S.:

The French film Carbone (2017), directed by Olivier Marchal.

[Here are the relevant Wikipedia links:]

Olivier Marchal - (click on the blue link)

Carbone (2017 film) - (click on the blue link)

Here is the French trailer: CARBONE Bande Annonce Officielle (2017) Michaël Youn

[trekingmoroc]

Chefchaouen: The Blue City of Morocco

One of Morocco's most beautiful and peaceful towns, Chefchaouen is located in the Rif Mountains Cobblestone pathways and blue houses entices visitors from all around to this little village. visiting the Chefchaouen Blue City history, culture, and landscape. Chefchaouen offers lovely streets, small stores, and hiking in the forests.  For authentic Moroccan experience, it's essential.

Why is the blue city in Morocco blue?

Chefchaouen's blue hue has several explanations. Some people think blue prevents mosquitoes from entering their houses, while others say it represents paradise. Another theory is that Jewish immigrants fleeing the Spanish Inquisition visiting the Chefchaouen Blue City in 1495 and introduced the blue hue. They brought blue to symbolize the sky. Due to its distinctive blue tint, Chefchaouen is one of Morocco's most exceptional destinations.

Day excursion to Chefchaouen from Marrakech

Marrakech to Chefchaouen takes nine to ten hours by car. A train to Souk Larbaa and a taxi via the Rif Mountains to Chefchaouen is easy. A personalized Marrakech day Trip for exploring to Chefchaouen, the Sahara dunes, Marrakech Medina, and Fes is superior. This way, you may visit several of the nation's best sites in one trip.

Things to Do

This city is famous for its blue walls, but this charming village offers much more. Beautiful vistas, cultural activities, and a calm mood make it ideal for a day of exploration.

1. Kasbah

The oldest structure is the Kasbah, built in 1472. Due to its preservation, this medieval stronghold provides a fascinating view of the town's past. Beautiful grounds, a small museum, and calm spaces await visitors. The registration price is low, and history buffs will like it.

2. Outta El Hamam Square.

Outta El Hamam Square, the Medina's heart is active. It is a popular neighborhood featuring stores, cafés, and restaurants. In the plaza, which blends local culture and environment, you may enjoy mint tea or handicrafts.

3. The Spanish Mosque

The Spanish Mosque offers a wonderful perspective of Chefchaouen. The hilltop location is ideal for watching the sunset over the blue metropolis, and the mountains in the backdrop make this image stunning.

Other Important Moroccan Destinations

Essaouira

Essaouira, on the Atlantic coast, is calmer than other cities. Its beautiful beaches, ancient old town, and active harbor make it famous. Come kite surf, ride camels, and explore its rich history. The city was formerly a major commerce center and a UNESCO World Heritage site.

Traditional Moroccan mudbrick town Ait Benhaddou. It has hosted several films and TV series due to its stunning architecture.

Red Mudbrick

The red mudbrick village of this UNESCO World Heritage site is robust. The High Atlas Mountains' Ait Benhaddou has hosted Game of Thrones and Lawrence of Arabia. History, architecture, and cinema buffs will love it.

Taroudant

Calmer than Marrakech, Taroudant is sometimes referred to as "Little Marrakech." It is well-known for its historic town and packed markets highlighting traditional crafts and heritage. Taroudant lies in the lush Souss Valley, ideal for trekking and touring.

Tafraoute

A hidden treasure in the Anti-Atlas Mountains is Tafraoute. Beautiful scenery, spring almond blooms, and climbing paths with magnificent views make the town famous. It's ideal for nature lovers and Moroccan rural enthusiasts.

Summary

This place's blue-painted streets and colorful culture make it a must-see in Morocco. Its charm and Essaouira and Ait Benhaddou make it excellent for tourists interested in Morocco's history and nature. Morocco's hidden gems in the blue metropolis or the highlands will leave you with memories. If you want to explore Morocco choose Trek in Morocco guiding adventures company.

[mogwai-movie-house]

Morocco (1930)

Richly exotic and evocative early-talkie, the second of the seven classic Dietrich/Sternberg films made in the nineteen-thirties. This one stars a gruffly-handsome young Gary Cooper as a soldier in the Foreign Legion, besotted with Dietrich's newly-arrived cabaret singer. This is the one in which she wears the famous tuxedo and gives the girl in the crowd the still-startling lesbian kiss. Classic Pre-Code stuff.

There are some stunning shots in this film, both of the environment the story is taking place in and of the people, one in particular: Marlene Dietrich aged terribly, and very quickly, but in those seven Sternberg films, for a very short time she really was the most luminous goddess the silver screen ever created, and I doubt there is better black & white portrait photography in all the rest of cinema.

The story itself is really about the changing fortunes and balance of power in love, and of an aloof, cynical and haughtily-independent woman slowly becoming its slave. It has a palpably erotic charge in the smallest of things: a tossed flower, a held glance, the knowing delivery of lines in a song. But there's a weight and meaning to all of them; a deeper understanding of what they will take from all involved; the murders, death, debasement and desolation that accompany need and adulterous lust, and this helps the film transcend some occasionally stilted dialogue. The painstakingly-placed details that work create an overall feeling much greater than the flaws that don't.

Beyond the shots of Dietrich, the key repeated image is of the Moroccan women following the soldiers they have fallen for into the desert when they leave, perhaps to their death. It's a powerful symbol for the hold and consequences of love that feels mythical, timeless and unforgettable, much like the film itself.

8.4/10

[lboogie1906]

Louis Brody (February 15, 1892 - February 11, 1952) was a prominent German actor and musician. He was born M’bebe Mpessa in Douala, Cameroon. He attended the German colonial school in Douala where he learned to speak German.

He worked at several menial jobs before landing an acting role. He starred in Das Gesetz der Mine (“The Rule of the Mine”). He appeared in supporting roles, most notably in Der müde Tod (“The Weary Death”). He played the villainous “Moor” in Ich hatt’ einen Kameraden (“I Had a Comrade”). He became the most visible and highest-paid actor of African descent working in German cinema, having made at least 32 film appearances. The rise of Nazism curtailed his career. He acted in only 20 productions.

He was fortunate to survive during the occupation of the Nazi regime and precarious daily life in Germany. He avoided deportation, sterilization, mob lynching, and the concentration camp. During WWII, he starred in 14 films including two which advanced Nazi propaganda and were inherently anti-Semitic. When the Nazi government denationalized him through the 1935 Reichsbürgergesetz, a law that stripped Jews of citizenship rights which expanded to Romani and Blacks, he dodged persecution by acquiring French citizenship. His critics have pointed out the limited range of character roles he was allowed to play which, by and large, reinforced racial stereotypes; namely, servant, jungle primitive, sailor, porter, barkeeper, cook, chauffeur, and athlete. He demonstrated versatility in impersonating Arabs, Malays, Indians, Moroccans, and Chinese despite his dark skin.

He fought to improve the social conditions in Germany. He co-founded, along with other African immigrants, the Afrikanischer Hilfsversein in Hamburg. He became the spokesman for the group, deploring racial discrimination and violence directed at those of African descent.

He married Erika Diek (1938) they had a daughter. He appeared in five movies and organized a revue of Black entertainers in Germany. He earned income as a singer, circus artist, and jazz band drummer. #africanhistory365 #africanexcellence

[eurotriptour]

Martigues Commune Tour Guide, Distance, Attractions & Weather France Destination

About Martigues Commune destination: Martigues town or Commune town is located in southern of the France country. Martigues town is exact 39 KM distance from Marseille port city. The town is a good destination to do many types of the water sports activities where has many beaches to enjoy swimming, fishing, boating, water scooter riding, kayaking, para sailing and other activities.

Martigues town is a well place to more know about local people social, culture, daily life and festival celebration activities. Near of the town / city also has some modern places to enjoy time which includes city parks, water parks, theme parks, amusement parks, animals parks, shopping market places etc. New Zealand tour travel booking, Japan tour travel and Switzerland tour travel booking.

How can come to Martigues Commune: Martigues town is located in southern of the France country. Its nearest port city is Marseille where people can come from France regional places via air, train, water and road transport.

People can come to Marseille city from other countries via air and water transport where also has international seaport and international airport to foreign countries transport.

Air Transport: Marseille Provence International airport is a nearest airport where passengers can get air flights to France regional places and overseas countries.

Train Transport: Marseille Saint-Charles Travel Terminals is a nearest railway station where passengers can get train transport services to France regional places.

Water Transport: Port Autonome De Marseille is a nearest seaport where passengers can get water transport services to other countries and France regional places.

Road Transport: Martigues town is very well connected to other France regional places via modern road transport network.

Distance from Martigues Commune:  Martigues town is very good connected to France regional places via road, train, road and water transport.

Martigues town / Commune is exact 39.3 KM distance from Marseille city

Martigues town / Commune is exact 54.0 KM distance from Arles cty

Martigues town / Commune is exact 81.8 KM distance from Nimes cty

Martigues town / Commune is exact 131.1 KM distance from Montpellier cty  

Martigues town / Commune is exact 787.6 KM distance from Paris city

Martigues town / Commune is exact 42.4 KM distance from Marseille Saint-Charles Travel Terminals

Martigues town / Commune is exact 40.9 KM distance from Port Autonome De Marseille

Martigues town / Commune is exact 35.6 KM distance from Marseille Provence International airport

Martigues Commune tourists attractions: Near of the Martigues town has many historical places and modern places to visit which some are Lighthouse Cap Crown - Historical landmark, Camping L'Arquet- Cote bleue - 4-star camp, Port de Carro - Marina, plage de St croix - Beach, Calanque des Tamaris - Public beach, Stade de la Couronne - Soccer field, Plagette Du Four A Chaux - Public beach, Plage du Petit Nid - Public beach, Stade Michel Hidalgo - Stadium, Un bout de Terre pour tout le monde - Garden, Viaduc ferroviaire, Croix de la colline de Sausset - Scenic spot, Promenade du bord de mer - Promenade, Plage du Cap Rousset - Public beach, Calanques des eaux salees - Scenic spot, Madrague De Gignac - Public beach, Tour des Chaines de L'Estaque, Cinema Multiplexe Le Palace - Movie theater, La Romaniquette - Beach pavillion etc.

Martigues Commune famous Restaurants & accommodations: Martigues town has many luxury and budget types hotels to stay near of the town. Martigues coastal town has many modern restaurants to eat different types of the foods which some are Lenouvel - Lodging, Hotel Le Castellan - 2-star tourist hotel, La Table Marocaine - Moroccan restaurant, Le Dome - Restaurant Pizzeria a Istres - Pizza restaurant, Boulangerie Patisserie Freres Pohl - Bakery and Cake Shop, La Table Marocaine - Moroccan restaurant, Workshop Cake In The City - Wedding bakery, Casa sorin - Hotel, La suite 55 Chambres d’hotes de charme & balneo hotel, Chez Paul Istres - Lodge, Hotel Ariane - 3-star tourist hotel, Restaurant Kaiju - Japanese restaurant, KFC Istres - Restaurant, McDonald's - Hamburger restaurant, Mas du bras d'or - Cottage, Top Motel - 2-star tourist hotel, Studio Provence hotel, Appart'hotel Residence de Tourisme La Provence - 3-star tourist residence etc.

[imdbma]

IMDB.MA

IMDB.ma is a valuable resource for Moroccan cinema enthusiasts and anyone interested in the Moroccan film industry. By offering detailed information about local movies, actors, directors, and film events, it serves as a comprehensive database that supports the growth and recognition of Moroccan cinema on a global stage. The site enhances accessibility to film-related content, promotes local talent, and helps foster a vibrant film community within Morocco. Overall, https://imdb.ma stands out as a key player in celebrating and advancing Moroccan film culture.

[marrakeshminibus]

Cultural Immersion: Festivals and Events You Can't-Miss in Marrakesh

Marrakesh, the vibrant heart of Morocco, is a city where the old and new coexist harmoniously. Its bustling souks, majestic palaces, and serene gardens are just the beginning of its charm. To truly understand Marrakesh, one must dive deep into its rich cultural tapestry, especially through its festivals and events. These celebrations offer a unique glimpse into the traditions, values, and spirit of the Moroccan people. Here are some of the must-experience festivals and events in Marrakesh that promise an unforgettable cultural immersion.

1. Marrakech Popular Arts Festival (Festival National des Arts Populaire’s)

One of the oldest festivals in Morocco, the Marrakech Popular Arts Festival is a vibrant celebration of traditional Moroccan music, dance, and folklore. Held annually in July, this festival brings together performers from all over the country to showcase their unique cultural expressions. The festival is a sensory delight with performances taking place in historic venues like the El Badi Palace and the Menara Gardens. Visitors can witness everything from Berber dances to Gnawa music, offering a deep dive into Morocco's diverse cultural heritage.

2. Marrakech International Film Festival

For film enthusiasts, the Marrakech International Film Festival is a highlight of the city's cultural calendar. Held every December, this festival attracts filmmakers, actors, and cinema lovers from around the world. With a focus on promoting Moroccan and African cinema, the festival features a diverse range of films, from indie productions to big-budget blockbusters. The red-carpet events, open-air screenings in Jemaa el-Fnaa, and panel discussions with industry experts make this a must-attend event for anyone interested in the art of filmmaking.

3. Imilchil Marriage Festival

Although not held in Marrakesh itself, the Imilchil Marriage Festival is a unique event that offers an unforgettable cultural experience. Taking place in the nearby Atlas Mountains, this festival is a mass wedding ceremony for the Berber tribes of the region. Legend has it that the festival originated from a tragic love story, and today it serves as a time for eligible men and women to find their partners. Visitors can witness traditional Berber music, dances, and rituals, providing a fascinating insight into the customs and traditions of the local people.

4. Ramadan and Eid Celebrations

Experiencing Ramadan in Marrakesh is a profound cultural immersion. During this holy month, the city's rhythm changes dramatically. The days are quiet and reflective, while the nights come alive with communal meals and gatherings. The breaking of the fast, known as Iftar, is a communal affair, often shared with friends and neighbors. Eid al-Fitr, the festival marking the end of Ramadan, is a joyous occasion with feasts, family gatherings, and special prayers. Participating in these celebrations offers a unique perspective on the religious and cultural fabric of Moroccan society.

5. Marrakech Biennale

The Marrakech Biennale is a contemporary art festival that has gained international acclaim. Held every two years, the event features a diverse array of visual arts, literature, film, and performance art from both Moroccan and international artists. The biennale transforms the city into a living canvas, with exhibitions and installations taking place in historic sites, public spaces, and galleries. This festival is a testament to Marrakesh's growing reputation as a hub for contemporary art and culture.

6. Yves Saint Laurent Museum and Jardin Majorelle Events

The Yves Saint Laurent Museum and the adjacent Jardin Majorelle are iconic cultural landmarks in Marrakesh. Throughout the year, these venues host a variety of events, including fashion shows, art exhibitions, and cultural workshops. The museum, dedicated to the life and work of the legendary fashion designer, offers a fascinating glimpse into the world of haute couture. The beautifully restored gardens provide a serene backdrop for many cultural activities, making them a must-visit for anyone interested in art and fashion.

Conclusion

Marrakesh is a city that thrives on its cultural diversity and rich traditions. Its festivals and events offer travelers a unique opportunity to immerse themselves in the local culture, providing experiences that go beyond the usual tourist attractions. Whether you're swaying to traditional Berber music, marveling at contemporary art, or celebrating with the locals during Ramadan, Marrakesh's cultural calendar promises an unforgettable journey of discovery.

To make the most of your cultural exploration in Marrakesh, consider using Marrakesh Minibus for your travel needs. Their reliable and comfortable service ensures that you can navigate the city with ease, allowing you to focus on soaking in the vibrant cultural experiences that Marrakesh has to offer. So pack your bags, open your heart, and get ready to experience the magic of Marrakesh through its festivals and events.

Happy travels!

Credit:

Marrakesh Minibus

[gael-garcia]

Animalia (2023, 🇲🇦)

directed by Sofia Alaoui cinematography by Noé Bach