#more tips for if you want to learn

[dare-to-dm]

For those who are interested in using Spreadsheets for their character sheets, but don't know how to build them, you can usually find some for free just by googling "[insert system here] excel character sheet". Especially for the popular systems, you're almost certain to find an excellent tool that's already been made.

And if you are interesting in learning how to build your own, I still recommend you do this just so you can see how someone else did it and learn from an experienced example.

You don't need to own Excel - spreadsheets also work in LibreOffice, which is free. If you use Google Drive, you can also load and make spreadsheets using Google Sheets.

Some of the already created tools out there are a lifesaver. For example, ship building in Starfinder is kind of a hassle. So I looked up to see if someone had made a ship building spreadsheet and found the excellent Nickela's Starfinder Ship Calculator. You input how many buildpoints you have and then can select different upgrades for your ship. It keeps track of how many points you've spent and how many you have left, and also generates a finished character sheet with your choices. It works very well and looks sleek as hell. Saves me a ton of time, too.

[bilaudad]

experimenting with more simplified or cartoon styles, and practicing not being afraid of color and not being so self-conscious showing the process

[marquisecubey]

I have a new dnd character and I’ve been drawing her so much for the past week uuuuuuhhhhhh anyway here’s sister Frenelle I named her after a type of light fixture

(Congratulations! You have clicked on the Read More and you have unlocked her long ass backstory. Enjoy this thing I sent to my dm, which I can only assume that she must have liked because she gave me a free legendary magic item lmfao. Don’t worry if you’re not up to snuff on Eberron specific lore, I catch you up on the important bits.)

The secret child of an elven nobleman and a human scholar, Frenelle Albright was born in the isolated island nation of Aerenal.

Aerenal was not a kind place to anyone who was not a full-blooded elf, and with very few flesh and blood friends to talk to, her mother's wide collection of books became her dearest companions. From an early age, the doctor saw great intelligence and curiosity in her daughter; the tomes she pulled from her mother’s shelves were leagues above her expected reading level, and by the age of eight, she could even hold entire conversations about complex historical topics.

Humans cannot wander freely across Aerenal with no reason, but it was a vital place when it came to Dr. Albright’s research. The goal of the books she was writing was to help the rest of the world gain a greater understanding of Aereni society, and to hopefully encourage them be less afraid of their open practice of necromancy. But sadly, while it was a fantastic place for a researcher, there were also very few opportunities for her bright young daughter to truly flourish and learn at her own pace. So one day, she had a difficult conversation with her daughter: For the next several years, she would stay on the island, while Frenelle would be moving across the sea to attend a boarding school in Fairhaven on her father’s coin.

Frenelle was terrified at first of being alone. She was already a terribly shy girl by nature, and the new city and climate were overwhelming. For the first month, she hardly spoke to anyone at all, not even to her teachers. However, over the next few months as she properly settled into Fairhaven, she was taken aback by how welcoming the new environment was, especially compared to the coldness of her hometown. People actually wanted to talk to her, and they remembered her name. She had peers that she could talk to about all of the math and magic and history that were bottled up for so long, and when she excelled at a topic, she was rewarded instead of scolded.

The most exciting thing about the academy was that she wasn't even the only half-elf there. Or rather, Khoravar as they called themselves, and as they called her too. The main group of khoravar who took her under their wing were a group of rambunctious kids from House Lyrandar, and it was here that she met her best friend, a boy named Leeko.

Leeko was outgoing, kind, and a bit of a hothead, but he was also passionate and smart in the same way she was. He loved all of the flying machines and massive airships that his family was building, and he talked intensely about how excited he was to pilot them one day, proudly showing off the Dragonmark of the Storm on his right hand. Despite them seeming like total opposites at a glance, the two couldn't have been closer. Every time they met up to try and study for classes, they'd end up talking for hours on end about everything from old magic to new technology. For the first time in her life, Frenelle wasn't alone.

Each year, she would return home to her mother for a couple of weeks, but as she continued to thrive in Fairview, she began to notice that the doctor was growing more isolated and depressed each year back on the island of the dead. Eventually, she was able to convince her mother to leave behind her studies, coming home with her daughter, never to return.

Frenelle quickly rose to become one of the top students in her class, graduating from her boarding school with honours and moving on to study divination magic and history at the University of Wynarn. By then, Leeko had left for the island of Stormhome to train as a pilot, but the two continued to write long, cascading letters to one another every single week.

Her unconventional background gave her a unique perspective when it came to her studies at Wynarn. This was all well and good, until it led to her constantly interrupting professors during lectures to question their biases. This was especially true when it came to the taboo field of necromancy, which she had grown up seeing as a very normal thing in her culture. Eventually, however, she quickly grew wise to the fact that if she wanted to succeed as an academic, she would need to suck up to her less worldly professors every now and again. After all, if she wanted to make her point of view known, she should attempt to hear them out as well.

While working on one of her Master's degrees, Frenelle's work ethic and passion managed to attract the attention of a temple of Aureon in Arcanix, where she was offered a position as a novice. She was hesitant to quit her studies at first, but at the urging of Leeko, who just had gotten a job as an air shuttle pilot at the floating towers, she dropped everything and accepted the massive opportunity.

In fact, the chance to see Leeko again may have been her biggest reason for moving to Arcanix, because it turns out, she had started to develop romantic feelings for him. And, as she would later come to find, he felt the exact same way. She would even learn that he had planned on marrying her, which was no small deal of course. After all, Leeko wasn’t simply just her best friend, he was an heir to House Lyrandar, the Half-Elven dynasty who controlled the rapidly growing industry of air travel across the civilized world, using the Dragonmark of the Storm that ran in their blood.

A proper, pure Dragonmark gives a person tremendous power. Most importantly to those in the twelve Dragonmarked houses, it is a predictable power. However, the same cannot be said of the unpredictable power that results when people from two different houses produce a child. Unpredictability is volatility, and volatility is danger. For the sake and the preservation of society, all marriages and sexual relations between those with different Dragonmarks are strictly prohibited.

Frenelle didn't actually notice her mark for the first few days. She had figured it was some benign skin condition, a small rash around her eye. When it didn't go away, she went to see one of the healers at the temple, who laughed when she said she had no idea what it was. When he realized she was being serious, he explained that she was a foundling, a Dragonmarked person with no previous ties to a house.

He explained that her Dragonmark of Detection was an incredible thing.

With the power of her newly manifested mark, Frenelle became an obvious standout among the rest of the clergy in ways she hadn't even thought were possible. She could look into people's thoughts, see entirely new creatures from beyond the material world. She could protect people from danger.

The royal family of Aundair was in search of a governess for their children, but not just any regular teacher would do. They needed a cleric, a person who could embody the very will of Aureon, the god of magic, knowledge, and the law itself. Their job wouldn't be just to teach, but to physically protect the future of the kingdom. And, who in the world could possibly be better for that than the gifted foundling who just landed on the steps of Arcanix?

Frenelle walked past the cockpit as she boarded the air shuttle. The pilot smiled as he called her name and waved with a childlike excitement. She lowered her head. Words that he’d never get to speak reverberated through her skull. She felt his heart sink like a rock through her own chest. He wanted to marry her.

Vows of celibacy aren't necessarily a requirement for becoming a cleric. However, many choose to take them on in an effort to avoid mortal matters clouding their judgment. It's not as though she had much of a choice in the matter. After all, when the queen who funded your schools and the god who bestowed you these powers give you a call to action, to uphold and protect the law, you listen.

So, as a cleric with a high stakes mission, Frenelle simply chose to take that mission very seriously. And you see, it's actually fine. She's fine. They're fine. It’s fine. He’s fine. They’re fine. They're all fine. She's fine. It’s fine.

[polariscroquis]

So, while I'm working on the Majesty illustration this time, I finally put together another video with a timelapse on the lineart and a voiceover from yours truly (a still blabbering mess yours truly, but here nonetheless).

I'm talking a little bit about lineart, coming up with the idea, what software I use, some studies you can do to improve your lineart (that I also did and helped me a LOT, so passing on the knowledge!) and a couple of other things along these lines.

This one though is 30 min long, 'cause the lineart took me a while :') (it's Terzo sitting on a throne, I went overboard with the details and it cost me TIME no regrets though)

Oh, I talk through 20 min, I think I should note that. And the intro is the most HORRIBLE intro you'll hear in your lifetime, I was nervous, apologies

Hope the tips actually help someone and I hope to see you guys soon with the whole illustration done, 'cause I'm actually pretty happy with this one!!

I'm a sucker for details, it's been a while I don't do something like this :')

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[icewindandboringhorror]

I find it kind of silly that so many of those "time based life rule" sayings are like ~deep serious guidelines~ of some sort, but then there's that one other Well Known Rule that's just like "hrmm can I eat something off of the ground or not"

[pastafossa]

how long did it take for your fanfiction to start getting some recognition? did you "advertise" it or "promote" it in any way?

i know that people say this doesn't matter, but i feel like even if you love writing the feeling that you're just talking to yourself gets pretty exhausting at some point. so i'm not talking about having thousands of readers but rather like. what's your advice to have readers at least?

- someone who hasn't even started writing their ideas yet...

LONG POST INCOMING.

First I want you (and everyone else reading who may be struggling with this) to know I'm absolutely with you and generally think 'it doesn't matter' is a horseshit answer. It's this weird thing we do in fanfic that we generally don't apply to other artforms that I've seen. If you're a painter, a playwriter, a novel writer, and you say, 'I want at least a few people to love my paintings, I want some people to come see my play, I want my novel to be published and do at least ok' we all support them, we nod, we agree, we talk about how they can do that successfully. It's considered normal to want some amount of success. But hold up fanfic instead and it becomes, 'how dare you want that praise, you're being egotistical, you should be writing only for yourself'. I'm not saying you can't do that - there are some who do - but it's definitely this bizarre switchup to say there's this single artform in which we can't want attention on our work and that there's something wrong with us if we do. That can be an absolute creativity killer depending on what kind of writer you are (hi, extrovert writer here who only gets writy writy juice from social interaction - aka comments and discussion. So I totally get it being exhausting just doing this on your own).

So let me say this categorically: you're allowed to want things. You're allowed to want kudos, comments, and hits. You're allowed to want messages and asks. You're allowed to want some readers you can talk with about your story.

You. Are. Allowed.

Ok, now that that's out of the way.

Edit: more below the cut cause I didn't realize the length of this on mobile

TRT definitely didn't get popular overnight. The first four chapters were sporadic, and then I took a hiatus due to life things for a couple years. During that time, it kept slowly ticking up bit by bit on AO3, with occasional comments. Iirc it was hovering somewhere around 700 kudos by the time I came back in Jan 2021 - and that's a awesome! It's big! But it's also a number that was gained over a few years, to put it in perspective. It absolutely took off after I came back though, and over the past 2 years both TRT's popularity and the stats of my one-shots in the fandom have grown. Part of that's just the time frame (TRT's been up about 6 years), but it's also due to a couple things that I think built up TRT's popularity.

Building a tumblr presence was huge. Ironically I didn't really intend to do it for advertising; I just wanted a place readers could ask questions or we could all freak out about Matt or I could post some drabbles or updates on the fic. But considering the fact that AO3 and tumblr are the top fic sites online, I wound up promoting my fics unintentionally just by being a friendly, happy tumblr user and fandom goer. All I did was follow the courtesy rules I knew - post stuff regularly, reblog, comment, make friends with other writers, just be friendly in your neighborhood because you love the lady with the gif flower shop on the corner or the wise old pizza maker who serves hot fandom takes all day long. I built familiarity with my writing and name by posting short fics, and by taking part in challenges and prompt lists and short requests for drabbles if I saw them, though that's something that's hard to do if you don't have time (I've got less time now, but I started this blog in the early pandemic so I had aaaaall the time in the world to write and was using it to stay sane). I tagged religiously because I LOVE tags, but that helped, too. Tumblr's search system is half broken but the half that works means people CAN find your writing even if they aren't following. Doing all this over here got me a huge boost over on AO3.

I will say that if you can have a fandom tiktok presence, there's a lot of fic reviewers, edits, and good stuff that can get your fic some readers (I've had some people do this on tiktok for TRT and it sent a surge over). I personally haven't done anything there yet, in part because while I'm on tiktok I try to keep my actual, real person accounts separate from my fic/fandom accounts and i haven't bothered to make a second account solely dedicated to the Pasta name yet.

Longfics on AO3 have the advantage in fic stats in the sense that every time you add a chapter, it gets bumped to the top of the front page and you get seen again. Eventually a lot of people will click out of curiosity. They may not, however, give you a lot of user subs or add to your other fic stats at first, whereas if you do a bunch of oneshots you're more likely to get user subs but less hits on each fic. This is a decision you'll have to make, and I know folks in both camps who built their followings using different methods on each. Either way, it helps if you're posting regularly, either in a long fic or one-shots. I call this the Stephen King method, who said he just writes a ton and throws it all at the wall, and eventually you get enough good despite the bad that you start building a following.

Learn learn learn. This is standard fic advice I always give, but it's still relevant. I think one of the reasons imo TRT has done so well is that I've spent a lot of time over the years learning how to write and edit - I read a ton of books (sometimes just to figure out HOW good authors structure their stories), I took a lot of English classes, I've taken some creative writing courses in my spare time. That two year hiatus was heavily spent doing a lot of research and practice around an original novel I want published one day. And I used ALL of that in TRT, just to see what it was like to put it all together. Be hungry for knowledge, be hungry to learn. The more you learn, the better your fic will be, and the more people that will click.

That learning also includes a looooong string of fanfics that started at a very novice level (hello 12 year old me), to fics that were ok and did moderately well but weren't anything huge. Hell, I had a tumblr account for my previous fandoms before I wandered over to Pastafossa, and while those fics did decently, I never had the huge reaction I've gotten here. But I used each and every one of those fics to learn and grow and adapt. Treat your own fics the same way. If it doesn't get hits, try to learn from it before moving on to the next idea a little wiser and a slightly better writer than before. There will always be people who start to follow you along the way.

A small one, but important: I swear to god, do not shit-talk yourself. Not in the summary, not in the tags, not in the A/Ns. I'm not talking, 'this is my first fic!' That's fine. I mean trashing your own work. Shit like, 'ha ha this sucks, it's terrible but oh well' will absolutely lower your stats, because people will believe you and will ditch your fic. On top of that, it's just mean to yourself, and as I said above, you want to be a good person in the fandom neighborhood. That means not breaking the windows of your own house.

People generally think of summaries as a side note, but a shitty summary can absolutely tank your stats. Treat it like the rest of your fic - this is the trailer before the movie, and it's a huge element of what gets people interested in the first place.

Lastly, like I said at the top, the biggest factor is time. There are people who post one fic and explode in popularity, absolutely. But far, far more little followings are built on the bones of time, of abandoned fics, of muttering and highlighting phrases in books in the middle of the night, of trying and trying and trying until we have at last have a breakthrough and then drag that breakthrough forward with us to the next fic. TRT is absolutely one part lightning in a bottle - the biggest success I've ever had anywhere with my writing, a confluence of fandom factors and world events that gave people (and me!) time to write and read. But it's also standing on the back of whole lot of fics I wrote that look like everyone else's: ones with no comments, low interaction, insults; ones where I had precisely zero idea of what I was doing, but wanted to try anyway. And the way I got through that, as a writer who needs interaction in order to create, was by building friendships in fandom so that even when a fic didn't do all that well, I still had friends I could talk to about the characters, the world, the fandom itself. I asked friends to look them over and give advice. I had friends being my cheerleaders. And if you're an extrovert like me, or just a writer who needs that to create, then those connections are vital as you build up a following.

That's a lot of what I've done. I know there are other ways to build a following, but this is generally what I've done, what I've learned to do, and it seems to have worked. Just remember that there are no bad fics - just learning opportunities. Learn something, and that fic's a success, and work as hard as you can to make those fandom connections to carry you through the process.

I absolutely hope to see your work around one day, so that I can be on of those followers!

[lupins-hehim-pussy]

I think I accidentally made Wriothesley AuDHD. fuck

[vellichorom]

What age did you start drawing? And what did you do to help you improve?

You're a big inspiration to me btw!! ^>^

oh god, I was drawing out the WOMB !!!!!!!!! i've been doing it since day one !!!!!! ( the earliest i can feasibly recall drawing is 4-5? ) from the most incomprehensible stick figures to ponies to WHATEVER THE HELL comes out of me now ~ !!! so i imagine the pipeline goes for most artists?

to improve? besides having drawn SINCE the womb? ....practice & study.

i KNOW " just practice " is a tired suggestion when it comes to these questions but i PROMISE, study & continued practice is the ONLY way you're going to get better, so you just have to buckle down & do it & realize changes are not going to happen overnight but it's STILL WORTH IT.

look at professional tutorials, look at non-professional tutorials, look at artstyles you like & analyze what makes you like them / what makes that artstyle trademark, & INTERNALIZE IT. use ALL the elements you like in your art until you equally enjoy what YOU put out & improvement will naturally churn from that, i promise.

also take random popular youtuber art tutorials that are like " NEVER do this NEVER do that " with a hefty grain of salt unless there's a specific style you're going for because holy SHIT art is subjective & there's not really a right or wrong way to go about doing it.

except sometimes there's idiots that tell you the lining tools in your respective art programs are " cheating " or color theft & artstyle theft is real or " don't draw ugly people draw beautiful people when you're starting out because their proportions are symmetrical & anatomically accurate " & i don't think i need to tell you why those are the dumbest things to ever say ever, but don't listen to that.

be SO kind to yourself, be open to criticism if you want help & are able to take it, study references & even trace on occasion ( just don't trace over someone's art & present it as your own work / give credits to the original work ), & try EVERYTHING. & have fun with it; enjoying what you make is so much more important than improving by the end of the day, honestly.

both are obviously important of course but you Need to like what you make first lest you be miserable with yourself.

also bear in mind i'm not a professional, i've never attended an art school, this is all mostly self-taught; this isn't a flex, i'm Telling you that i'm some random unqualified stranger giving you personal tips so please don't hail me as an art messiah with all the knowledge;

BUT THANK YOU SO MUCH FOR ENJOYING WHAT I DO, I HOPE I'VE BEEN ABLE TO HELP OR SATISFY THEE IN SOME WAY OR ANOTHER !!!!!!!

[morallygay]

Hey let’s share our little personal cooking quirks/tricks! :D

Next time you make rice, try pouring an egg yolk on top of it before eating, add butter, and ground sumac if you have some :) (you can and in fact should go nuts on the butter and sumac. the yolk too in theory but one doesn’t always have too many eggs to spare)

Also I always mix my chocolate spread (like nutella etc) with almond spread, on toast/bread!

I add jam/syrup and pieces of banana in (bircher)muesli (my go-to is carrot jam. you should check it out too if you’ve never heard of it!)

[fettiowi]

Hello! I've seen your art a lot, and would love some drawing tips! Have any?

get extremely and utterly obsessed with something until its all you can think you and proceed to draw it one bajillion times. You have no idea how far obsession can take you and have no shame!!! cringe is dead and you are free

[catwouthats]

WIP/rough draft of the first page of The Extraordinarily Ordinary Adventures of Preston Lindsey fan comic

I’m practicing using my feather quill bc that shit makes such nice lines etc so this probably isn’t the final version.

Feather quill >>>> any other pen/inking tool imo

[spacephrasing]

hello sorry if this is really long and tmi but besties i need some advice

[aroace-cat-lady]

I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want to donate it I won't cut my hair short cuz I want yo donate it I won't cut my hair short cuz I want to donate it—

[gayhotpriests]

I thought it was a bad thing to use Spanish in fic. I always heard that was racist, especially if the author is white. Is that not true?

not necessarily, i don't think. what is disrespectful is to use it as a way to fetishize the character, or if you just don't care enough to get it right, like if u use google translate for it.

we've seen in movies and tv shows (and specifically 911 canon) that foreigners and immigrants and such speak spanish regardless of the 'official' language of the movie, because that's just how life is. why would we not want that for our reading? in a way, it makes me (a latine) feel connected to the characters and their stories. i LOVE when eddie diaz speaks spanish, and in my mind chimney speaks korean more than he's ever done in canon (they've shown his father speaking korean though!).

but just like on tv- make an effort to do it right!

you don't see script writters using google translate, why would you? i love to see proper spanish in fic! i grew up reading kpop fanfic where it's very common for authors to sprinkle a bit of korean here and there. i don't find it racist- unless the author (white or not) treats it in that way. so, if the author is not willing to put in the effort, if they're going to disregard the importance of doing it right, if they're doing it for fetish reasons, then it's racist. if not, bring it on! the more people learn other languages the better!!

you don't need to be fluent to use that language in your fic. if you dont speak it, then ask someone who does, it's simple as that.

[uygfiug]

ughhhh