Haunted car au?
I am writing this purely on mobile, so format might get weird, sorry in advance.
Danny didn't mean to get stuck, honest. But a dare is a dare, and damnit if he wasn't going to get that fifty dollars from Jason, "I stole the wheels at the age of 12" Peters. Danny would bet that same fifty that Jason was just waiting for him to come back and tell Jason he got zapped so he could laugh at him. Jerk.
But... accidentally possessing the Batmobile after the zap was completely unintentional. Wait, would this mean he gets double the money? He did get the sticker put on before he possessed the car.... He did also technically successfully hijack the car, which would totally constitute a bonus.... Would this be grand theft auto if he is the car... can a car steal itself? He was dumped out of his slightly hysterical panic by a weird feeling in his... engine? and felt himself? move in a way that he did not control. Where was he going? Why was he going? HOW FAST CAN THIS THING GO?
Needless to say, Danny's night was going poorly. Failed dare, grand theft kidnapping, unwilling participant of picking up an injured Batman, and now knowing the exact route to get to the super secret Bat Cave, that is, in fact an actual CAVE. If Jason doesn't pay him triple the amount AND cook him food for a week, he will riot.
Now.... how to....
HOOOOOONNNNNKKKK
...... oops
_____________
Next?
The prompt by @kizzer55555 is linked Here
@trappednyourheart
@candeartist422
@sebas-nights
@fandom-life-corrupted-me
537 notes
·
View notes
everytime i think about ex!bakugo, i get so emotional thinking about how he carries on with his day-to-day like the breakup didn’t happen.
he doesn’t even give himself time to mourn the relationship, to process the loss of you. he throws himself into work, practically drowning in it because he can’t bear staying idle.
you’re everywhere, still—
in the picture frames scattered around his home, in the decorative pieces that each hold their own memory. some of the clothes you returned to him smell like you.
when kirishima asks him how he is, he never answers, always redirecting the subject back to work. deku notices longer bouts of silence during joint patrols, and when he pries, bakugo’s only reply is, “s’not a concern.”
it’s unusual, because bakugo is loud and rough, he barks and barks and barks, but with this, he stays quiet.
586 notes
·
View notes
Fox tags along on a smuggling bust one (1) time and subsequently wishes he’d never been decanted.
Well, he’s arrested the perp a lot more than just one time, actually, but that very first tackle into a chokehold and electrocuffs more than sufficed to turn the fates against him - the fates, and Cody, the insufferable twat. They’re not actually even batchmates, the lot of them, and going by numbers Fox was decanted long before them (long as in seconds or minutes, no one actually knows), but Seventeen put them all in a training room together and then stupid kriffing Kote looked him up and down, nodded, and hasn’t stopped calling him vod’ika since.
“Why is one of the Republic’s most wanted criminals asking to speak to you, vod’ika?”, Cody asks, without any preamble, almost making Fox cut the holocall on principle. He would, if General Kenobi wasn’t right there next to the little shit. “And why do I not like his tone?”
Fox has to resist the urge to close his eyes and scream, making do with a deep sigh instead. Force curse the day Cody decided to adopt-nap him, and Wolffe following suit immediately. “Weequay, shifty eyes, stupid fucking pirate bandana?”
Cody’s eyes narrow suspiciously, and Kenobi’s eyebrows raise simultaneously. It’s more than a little creepy.
Fox rolls his eyes so hard he sees stars. “Tell him he can go space himself, unless he wants me to do it for him. And then tell him that if he sends me fuzzy fucking socks again I might just hunt him down and do it anyways.”
Past the slide of the door, Thorn’s unmistakable cackle reaches Fox. And Cody, going by the narrowing of his eyes. “Don’t tell him that, ori’vod, he’s probably into that”, Thorn calls out, gleefully, and Force Fox really should’ve kept this to himself in the first place.
He would’ve, actually, but the constant stream of strange presents into Guard headquarters is hard to miss. It was Alderaanian chocolates, last week, which Fox pawned off on the Shinies. A box from a store with a blacked out label before that, which he launched out the window with burning ears before Thire could get a closer look at it.
“Actually”, Thorn continues, happily, “I don’t think it matters much if you do tell him anything - it’s not like the Commander has been the most graceful courtée, and that hasn’t done anything to discourage our favorite smuggler.”
“Marshall Commander”, Fox hisses, because he’s a pissy bitch, and then, because all professionalism has gone out the window anyways, “This is why Stone is my favourite.”
Thorn’s wounded gasp is lost over Kenobi’s thoughtful hum, and Cody’s patented I’m-going-to-do-something-incredibly-stupid-and-you-can’t-stop-me glare. “That would explain why we have Hondo Ohnaka accosting our troopers about your flavour preferences concerning fruit candies. But the one asking to speak to you is Cad Bane, Marshall Commander.”
The string of curses Fox lets out at that is loud enough to have Mauler stick his head in the com room to ask if everything is alright, and Thorn roll on the floor with howling laughter.
Force curse the day he ever slapped electrocuffs on Hondo Ohnaka, and double-curse the one he threw Cad Bane to the floor with a scissor leg takedown.
149 notes
·
View notes
I keep starting and abandoning posts that go into my drafts, as I try to stay tasteful about how fucking revolted this part makes me. Like, I'm legitimately unsure if the very relevant trauma I have is making me see things that aren't here
But first we see that Star Flower is trying to ingratiate herself to the group, just after she reappears from chapter 5. Chapter 5 is about how Clear Sky is still abusive towards his son, and she comes in after stroking his ego, stressing how alone she is, and appealing to how she'll be loyal unlike his child. (She glances over at Thunder, directly implying this.)
Now in Chapter 9, she's babysitting and trying to care for Milkweed's kits (in spite of discomfort from Milkweed), taking a wet sleeping space away from the others, and pulling more than her own weight "without complaint." Putting herself through harsh sitations to prove her worth.
All while trying to appear extra attractive to Thunder, and later Clear Sky. Basically every man in power who can "protect her"
Like, am I going fucking crazy? With how we later find out that Star Flower was "promised as a mate" to One Eye's subordinate Slash, is... is that hypersexualization? One of the extremely stigmatized symptoms of sexual abuse?
She goes to find Clear Sky alone to throw herself at his paws, and he's very quickly attracted to how she promises to perfectly obey him, have no needs of her own, and finally be the perfect servant that he desires
"I don't deserve your trust because I am dirt. I understand you because I also regret something. I'd die for you. I'll never betray you unlike those who have."
This isn't manipulation. She means this. The story is playing their romance sincerely. She's comparing "betraying" Thunder by telling her own father about an assassination ambush to Clear Sky's history of child abuse, physical assault, and murder
She believes she's on the same level as this; a monster who murdered a childhood friend in a fit of entitled rage. She was a victim of One Eye who really believes that the way her father used her means she "understands" this monster, deserves this treatment.
And Clear Sky LIKES that.
He likes that she will have COMPLETE FAITH in him. That she will follow him WITHOUT QUESTION. That she will OBEY his orders. That's fucking verbatim, that's THE TEXT!!!
WHILE HE'S STILL CRYING ABOUT "ive tried to atone every day" FOLLOWING THE LAST TWO BOOKS WHERE THE ONLY SHITTY THING HE DOESN'T DO IS MURDER INNOCENT WOMEN
Am I insane?? Am I wrong??? Am I missing something here???? Why the fuck is the fandom takeaway "haha sexy girl steals his dad." Did I read the same book
77 notes
·
View notes
Now and Then Day
This sideblog began after watching Get Back nagged and nagged at me until finally I started to look closer at context relative to the Beatles discography and suddenly started experiencing these WAIT WHAT moments every day as what I thought I knew got turned inside out. The appeal was in looking at something you knew like the back of your hand from another direction and seeing/hearing something new you hadn’t seen/heard before. But I had no idea we’d get another song to add to the mix in 2023.
I knew Now and Then day would be an experience. I thought I’d have to wait the whole day before listening. But I got lucky and found a few minutes to listen to Now and Then when it was first released this morning. And inexplicably clicked to hear the remastered Love Me Do instead. I cannot explain my brain.
I then tried to start Now and Then and noped out before 15 seconds in. Too overwhelming. Not the right time. I was too rushed and needed more space to mentally prepare for it.
I caught NPR covering the Now and Then release today on my drive home. They had a Lennon biographer (I didn’t catch the name) reviewing the song. He said the song recalls John’s more delicate tunes like Beautiful Boys (sic) and mentioned John started the song in 1970.
Say what?!
Here I was late last night trying to nail down a better date for John’s demo than “late 70s”. Meanwhile, biographers are just here on national public radio pushing lies. Did he have ChatGPT write his comments?
Oh yeah, they also said it was created with AI no qualifier.🤦♀️
They played a few snippets of the song including one new piece not in the doc but refrained from playing it in full. It was mostly wrong Beatles facts all segment.
Trying the song a second time hours later, I got through it in one piece but was feeling abit 🥴 about it as a song itself. Having just listened to the original demo was probably a mistake, and I could hear all the seams and feeling the Frankenstein song effect.
Third attempt sounded more together, with the seams not quite as noticeable. I was prepared for the changes, the layering bits from other songs, and noted highlights of the instrumentals: the strings, George’s guitar bits, and Ringo’s flourishes. I love Paul coming through on the future tense certainty of “I will love you” (is that I Will?). Ringo’s shimmering effect choice (is it tams?) is such an entrancing closer. Giles’ score and Beatles recycled bits do mend the seams well once I stop thinking about them too much.
On fourth listen, my biggest notes are questioning why Paul’s harmony with John isn’t more distinct. He shows a lot of restraint here but maybe too much? Did Get Back get to him in other ways than the most obvious? Is he just self-conscious about his own voice? Or is it the limitation of the tech when it comes to harmony mixing?
The strings were what I was most worried about, but their entrance at the 1:15 mark really kicks it up a notch to transition into the singalong. Other standouts are 1:40 with George’s flourish and 2:29 peak with the guitar solo.
Lyrically, it’s the conditional and if I make it through it’s all because of you that haunts in layers of meaning both grim and cathartic that reverberate through time and space.
If John makes it through emotionally to 1980 and has a comeback? Congrats, bud you did it. But he’s stopped physically through no fault of his own. There’s the obvious mourning of that lost potential even 40 years later.
If this song this voice this message of John’s makes it through to 2023 and reaches the public? Well, success there, Paul’s tenacity saw it through with help from many friends. John’s voice and song lives on through Paul’s wish to conjure him by his side. On the Day of the Dead no less. I was reminded of the concept of tulpas today and was knocked back on my heels by the thought.
If John as an artist and Beatles as a band make it through so fans are still listening in 2023? This doubles as a bit of a fan love letter, and thank you for 60 years. Released on the day Beatlemania first appeared in black and white.
But then there’s also a reflector on this. Some original Beatles fans have aged with Paul and Ringo and others have not and aren’t here to share this like John and George. There’s grief and mourning from those still here about those lost, and the song acts as a catharsis. A kind of thank you to the band for being there for fans in good times and bad. The symbiosis of fame between a band and its fans across the decades.
It’s a lot.
I spent some time looking at the youtube comments on the song. Some original fans but many second and even third generation fans. And quite a few stories about a loved one who loved the band and recently passed away like this one:
And this:
But also in there are stories of catharsis and healing.
And many memories of the joy that Beatles music has brought to people’s lives. We all have these stories of how their songs weave into our own life. But it’s the joy that I keep coming back to as the secret sauce to the band’s earliest days. I often think of those early songs more in terms of feeling then anything, and it starts with the first single.
I love the Love Me Do remastering. That harmonica sounds so crisp. The bluegrassy harmonies have never sounded better. The ones on ple-ee-ee-ease still give me chills. Ringo’s drums moved forward in the mix to appreciate that driving beat just a bit more. I can hear the bass too. I can’t wait to hear what the other early Red album tracks sound like.
But next to Now and Then, I’m also looking at the lyrics like I never did before. Why give it another glance? Written by a 16 year old kid, it always sounded a bit juvenile and simple. But suddenly next to Now and Then, there’s a weight to it I never heard before.
Love, love me do
You know I love you
I’ll always be true
So please, love me do
It sounds like a promise. Now and Then is fulfillment of that always. It’s no longer just the whim of a kid. But rather the beginning of 7 decade devotional: To John, to the band, to fans, and reflected back again. The love is reciprocal from all sides.
How’s that for a WAIT WHAT moment? Paul turning the least likely song inside out and backwards. And he didn’t even add a lyrical middle eight.
28 notes
·
View notes