#more themes of complex betrayal >:^)

[painfully-unoriginal]

it's like burning...

[evelynpr]

The Fontaine main cast are all so thematically, emotionally, and narratively connected to each other that you can ship them in nearly every way and it somehow works.

I'm talking Furina, Neuvillette, Arlecchino, Clorinde, Navia, and Wriothesley here.

Wriolette? The upholders of the order of Fontaine. One on the surface, and one in the depths.

Clorivia? Childhood friendship, betrayal, and now healing with the truth and past resolved.

Neuvifuri? 500 years of closeness and understanding, mixed with distance and regret. Only after her sacrifice are they finally both free.

Arlefuri? Changing their fates through sheer force of will. Protecting the people who need on them, while accepting nothing in return.

Wriolinde? They were going to protect Fontaine together if its the last thing they do. Their trust is unbreakable.

Arlevia? Protecting their loved ones beyond the law. With a system and world that did not care for them, they care for their family their own way.

Knavilette? The seemingly cold and distant with bleeding hearts. They always keep their distance for fear of what would happen in a moment of weakness, especially with their overwhelming power.

Navilette? Personal regret with injustice and loss, now healing with compassion and understanding.

Furinde? The selfless princess and her loyal champion. She has always been by her side, protecting her with her blade, but only now does she get to know the real "Furina"

There are even more I haven't touched on (lemme know if you'd appreciate it ig?). These characters are just so...so interconnected through Fontaine with its themes on justice, order, love, loyalty, and more. They really knocked it out of the park with creating such a beautiful and complex cast of characters.

[moonxknightx]

♡˗ˏ✎*ೃ˚ : FORBIDDEN INTENTIONS: :;

╰┈➤ ❝ [PAIRING] ❞ Old!Stepdad!Logan Howlett x F!Reader

・❥・GENRE: i don’t even know what to call this genre tbh….

˚୨୧⋆｡˚ ⋆FANDOM: X-Men

ੈ✩‧₊˚ WARNINGS: Age Gap: Significant age difference between characters, Manipulation: Themes of manipulation and deception, Romantic Tension: Intense romantic and sexual tension, Mature Content: Contains mature themes and emotional intensity. Family Dynamics: Complex and potentially distressing family relationships.

˚₊· ͟͟͞͞➳❥SUMMARY: You thought Logan, your mother’s husband, was a blessing for her in her later years. But after her passing, you discover he married her to get close to you. Now, as Logan’s relentless pursuit of you unfolds, you’re torn between feelings of betrayal and an unexpected, unsettling attraction.

Based on this request.

YOU DIDN’T HATE LOGAN. In fact, when your mother introduced him into your life five years ago, you were almost relieved. After all, it had been just the two of you for years, and seeing her with someone in her later years seemed like a blessing. She deserved to be happy, and Logan seemed to care for her.

At least, that’s what you thought.

You were in your early thirties, and your mom—well, she was getting older. Logan was retired from whatever military past he had. You knew he was more than just a regular guy, but she never really told you much about him beyond that. Still, there was something about the way he looked at you, something… intense.

“Good to see you, kid,” he said gruffly when you visited home that weekend from university.

“I'm not a kid, Logan,” you corrected him, smiling as you placed your bags down. “Master's degree, remember? I'm practically a professor by now."

He raised an eyebrow, not bothering to hide his amusement. “Yeah, sure. But you’ll always be the kid to me.” His voice was rough, like gravel under boots, and there was always an edge to it, something that made your skin prickle whenever he was around. Still, you brushed it off as just him being… well, Logan.

~

Your mother had taken ill shortly after you started your master's program, and you made the journey back home every few weeks to check in. Logan was always there, looming. He never gave you much space, but it was the way he looked at you that had started to make you uncomfortable.

One evening, after your mother had fallen asleep early, the two of you sat in the living room. The TV was on, but the noise was nothing but background to the silence hanging between you both.

“So, you still seeing that guy from your class?” Logan asked suddenly, his eyes not leaving the TV screen, though you knew he wasn’t really paying attention to it.

You blinked, surprised at the question. "What? How do you know about that?”

He shrugged, finally glancing over at you. “Your mom mentioned it.”

“Uh, no, actually,” you said, shifting a little in your seat. “It didn’t work out. We weren’t really… compatible.”

“Hmph,” Logan grunted, his lips quirking slightly. “Good.”

“Good?” You echoed, confused. “Why is that good?”

He leaned forward, resting his elbows on his knees, his gaze suddenly piercing as he looked at you. “Guy wasn’t right for you.”

Your heart skipped a beat. There it was again, that intensity. His eyes seemed to bore into you, not in the way a father figure would watch over his stepdaughter. No, there was something else, something darker.

You swallowed hard. “Logan, what—what do you mean by that?”

“You’re smart, kid,” he said lowly, leaning back against the couch. “You can figure it out.”

“I—” The words caught in your throat, and you stood up abruptly. “I should check on Mom.”

~

Months passed, and your mother’s condition worsened. Logan had become a constant presence in your life, more than you ever wanted or expected. You started to notice how often he would drop by your apartment in the city. Always with an excuse—"Just passing through," or "Wanted to make sure you’re doing alright."

It was unnerving.

“Logan, you don’t have to come all this way just to check on me,” you told him one afternoon as you caught him lingering by your door again.

He leaned against the doorframe, that familiar smirk tugging at his lips. “Sure, I do. Can’t have you out here all alone, can I?”

“I’m an adult,” you snapped. “I can handle myself.”

He chuckled softly, his eyes trailing over you in a way that made your stomach twist. “You can try. But that doesn’t mean I’m going anywhere.”

~

Your mother passed quietly in her sleep one cold winter evening. The grief was sharp, cutting through you like a knife, and while you were thankful she no longer had to suffer, the loss left a deep void in your heart. Logan was there at the funeral, of course, standing stoically beside you.

“She loved you,” you murmured through tears, staring down at the casket. “She really loved you, Logan.”

“She did,” he agreed, his voice low and steady.

You turned to him, something breaking inside of you. “What am I supposed to do now? She was everything.”

He stepped closer, his hand resting on your shoulder. “You got me.”

The words felt wrong. He wasn’t the comfort you needed, but he was all you had left.

~

Weeks passed after your mother's death, and Logan stayed around. No matter how much you tried to distance yourself, he was there. At your apartment, waiting when you returned from class, sitting at your usual café, casually slipping into your life in ways that you could no longer ignore.

One night, after a particularly long day of classes and work, you found him waiting in your kitchen.

“How the hell did you get in here?” you demanded, your heart racing as you dropped your keys onto the counter.

He shrugged. “Door was unlocked.”

“Bullshit,” you spat. “I locked it. Logan, you can’t keep doing this.”

His expression darkened, and he stepped closer. Too close. “I’ve waited long enough, kid. Your mom’s gone. There’s nothing stopping us now.”

Your blood ran cold. “What are you talking about?”

“You know exactly what I’m talking about,” he growled, his voice low and dangerous. “You think I stuck around for her? For all those years?”

You took a step back, your mind reeling. Logan's gaze was locked onto yours, the truth crashing into you like a tidal wave. Every warning sign, every lingering look, the possessive edge in his words—everything suddenly made sense, but it was too much. Your heart raced as the room seemed to close in on you.

“You didn’t—” you stammered, your voice barely a whisper. “You didn’t stay for her?”

He didn’t flinch, didn’t bother pretending anymore. Instead, he stepped forward, his presence filling the small space between you, suffocating. "She was a means to an end. I stayed for you."

The weight of his confession hung in the air, and you felt a shiver run down your spine. You wanted to scream, to push him away, but the raw intensity in his eyes pinned you in place

“Logan, this isn’t right,” you managed, your voice trembling. “She was my mother. You were her husband.”

His lips curled into a smirk, one that made your skin crawl. “Your mom knew what she was getting. But she’s gone now. You and I… we don’t have to pretend anymore.”

You shook your head, stepping back until your back hit the counter. "No, this is insane. There’s a huge age gap, Logan. You’re—you're like sixty, and I’m—"

“Thirty-two,” he interrupted, his voice deep and rumbling. “You’re an adult. Hell, you’re smarter and more capable than most people I’ve ever met. And you think I give a damn about age? I’m older than you know, sweetheart. I’ve seen and done things you can’t imagine.”

You swallowed hard, your mind spinning. Everything about this felt wrong, but at the same time, Logan had always been a larger-than-life figure in your world. There was something magnetic about him, something that pulled you in even when you didn’t want it to.

“This is twisted,” you whispered, trying to find your footing, to regain some control over the conversation. "I... I need time."

Logan’s expression softened—just a little. He stepped back, giving you space, but his eyes never left yours. "Take your time," he said, his voice low and gravelly. "But I’m not going anywhere. Not now. Not ever."

~

In the weeks that followed, you tried to distance yourself from him, to process what had happened, but Logan was relentless. He never pushed you physically, but he was always there, lurking at the edges of your life. His presence was inescapable, a constant reminder of the tension that simmered between you both.

You thought about moving cities, quitting your master’s program, anything to put more space between you, but you knew Logan would find a way to follow. He always did.

One night, as you sat in your apartment, your mind racing with thoughts of escape, there was a knock at the door. You didn’t have to guess who it was.

When you opened the door, Logan stood there, his expression unreadable. For once, there was no smirk, no cocky attitude. He looked... tired.

“What do you want, Logan?” you asked, your voice tight with frustration.

“I came to talk,” he said simply, stepping inside without waiting for an invitation. “You’ve been avoiding me.”

“I wonder why,” you muttered, crossing your arms. “You dropped a bomb on me, and you expect everything to be fine?”

He sighed, rubbing a hand across the back of his neck. “I never expected it to be easy. I knew what I was doing wasn’t… conventional.”

“Conventional?” You let out a bitter laugh. “Logan, you married my mother just to get close to me. Do you have any idea how messed up that is?”

“I didn’t plan it that way,” he said quietly, his voice more vulnerable than you’d ever heard it. “But once I met you, I couldn’t shake it. Your mom was lonely, and I knew I could take care of her, make her last years happy. But it was always about you. From the start.”

Your breath hitched at his confession. There was a part of you that wanted to scream at him, to tell him how wrong all of this was. But another part—one you didn’t want to admit existed—was drawn to him. You hated it, but it was there.

“Logan,” you began, choosing your words carefully, “this isn’t something I can just accept. You manipulated my mother. You’ve been manipulating me. How can you expect anything between us after that?”

He took a step closer, and this time, you didn’t move away. His eyes softened as he looked down at you, the weight of years behind them. “Because we’re the same, kid. You know it as much as I do. You’re not scared of me—you’re scared of how much you feel this too.”

You felt your pulse quicken, his words cutting through every wall you’d tried to build. "Logan…"

He reached out, gently brushing a strand of hair behind your ear. "I’ve waited long enough. I’ll wait as long as you need. But don’t think I’m gonna give up on this. On us."

His touch was surprisingly tender, and for a moment, you let yourself lean into it. You hated how good it felt, how much you craved that connection, even if it came from him.

“Maybe…” you whispered, your voice barely audible, “maybe I need more time.”

He nodded, his gaze never leaving yours. “I’ll be here when you’re ready.”

With that, Logan turned and walked toward the door, leaving you standing in the middle of the room, heart racing, and mind reeling. You watched him go, knowing that this wasn’t over. Not by a long shot.

And maybe, just maybe, you didn’t want it to be.

🏷️: @twinky-wink @fidgetingbee @astarions-girl-dinner @layladestiny8 @birdy-bat-writes @h0n3y-l3m0n05 @wolviesgirl @slowlikehoneyyy @boomveronika @lanabobana @shybluebirdninja @corvusmorte @seamlessepiphany @allmyn1ghts @chronicallybubbly @lex-the-flex @evasmlp @whxtewolf

If you want to be added to the taglist, let me know!!🫶

Also do we need a part 2?

[apollohears]

DEMO. ( TBD ) ✸ ROMANCES. ✸ PLAYLISTS.

last updated: coming soon !

Step into the shadows of Day of Dusk, a mesmerizing blend of dark fantasy, horror, and romance. Drawing inspiration from the chilling folklore of the Brothers Grimm and the adrenaline-fueled film "Hansel & Gretel: Witch Hunters," this interactive novel beckons you into a world where mysteries lurk in every corner and romance dances with danger.

In Day of Dusk, the line between magic and malevolence blurs, and you, the main protagonist, hold the key to unraveling its secrets. Will you dare to navigate the twisted paths where witches, witch hunters, and supernatural entities collide?

The choice is yours, but be warned: in the shadows of dusk, nothing is as it seems.

In the heart of a medieval fantasy realm lies "Day of Dusk," a tale woven with threads of mystery and the macabre. Journey alongside a band of young mercenaries, masters of the dark art of witch hunting, as they navigate a world teeming with secrets and shadows.

Their journey begins in the tainted township of Ruel-Mizu, where whispers of many vanished children echo through the fog-choked streets. Tasked with unraveling this enigma, your group treads a path fraught with peril and the weight of history's darkest deeds.

As you delve deeper into the town's grim past, you'll confront not only witches of formidable power but also otherworldly entities lurking in the shadows. Along the way, unexpected allies may emerge, and the bonds of friendship may blossom into something more.

Yet every choice carries weight in this twisted tale of power and love. Betrayal lurks around every corner, and the line between ally and enemy blurs in the gloom. Will you sacrifice everything for the truth, side with who you least expect it, save the town for good or succumb to the allure of forbidden romance?

In "Day of Dusk," the fate of worlds hangs in the balance, and only you hold the key to unlocking its secrets.

How far will you go to uncover the truth?

This game is a work of fiction; content warnings include, but are not limited to, graphic death, depictions of blood and gore, medieval violence, body horror, explicit language, depression, suicide, references to assault, grooming, mental and physical abuse, sexually suggestive themes, and drug and alcohol use. This story is intended for mature +17 audiences; reader discretion is advised.

STORY FEATURES :

Step into the shoes of a diverse protagonist, embracing your identity as male, female, non-binary, or anywhere along the gender spectrum. Explore the rich tapestry of human sexuality, navigating relationships and attractions as a gay, straight, bisexual, asexual, or aromantic individual. Your journey is uniquely yours, shaped by your experiences and choices as you carve out your place in the world.

Embark on a journey of discovery and connection as you navigate the complex web of relationships in a world filled with intrigue and danger. In the end, it is through these connections—friendships forged in fire, love born from adversity—that you might find the true meaning of your existence and the strength to face whatever challenges lie ahead.

Have your name written in history tales to come, become a hero beacon of hope, or become a feared figure among the community.

Confide in the unrevealed troubles that settle the mysterious past of your royal company's path to break tradition—or steal the heir's power to the throne for your own.

Learn the dark truth about the horrors that lie concealing just how far some would go to great lengths in order to create life.

Forge the future of a community and companions lives with the supporting changes and challenges schemed upon you and all of those who you know or love.

THE RO CHARACTERS :

Each love interest will have their own route which you will get to choose from at the end of the common route. The four romance options in this game depend purely on the readers preference which include: a man, a woman, one you can choose between their presenting gender and a ç̸̤̞̟̏̀̄̔̚r̷̛̟͕͙̼͚̼̓̒̑͝͠ͅy̷̛͉̭͙̿̒̆̈́́͊͗̅̈̀p̶̟͎̩̩͕̭̀̍̅́͛̚ţ̵̺̬̭̪͂̊̑̋̽̚͝͝ì̴̠̪͊͐̿͊̽̍͘͜͝͠c̴̗͉̭̖͕͕̐̔̾̂͘͝ͅ ̴͓͉͚͔̬͓̩̜͒̂͋́b̶̘̽̔̃̀͂̒̕͝e̷̡̡̫̮̹̻̰̺̖͋̿͂̀͑̈́̌̕̚͝ì̵͚̤͗ͅn̸̫̎̋́ǧ̶̡̳̥̾̚ͅ.̵̧̛̩̯̹̦̊̎̈́̕͝

Silas/Sophia Amon — the needling best friend and a member of your witch hunting team. Forge a deeper friendship and uncover the true meaning of loyalty with your brash yet devoted childhood best friend, whose charming demeanor hides on top of another layer of emotion.

"I'll be the bad guy if it means keeping us alive. Someone has to make the tough calls around here."

Pavlos Norlenbourne  — the neglected forsaken naive royal with a roaring secret. Draw close to a haunted prince, haunted by the shadows of his tragic upbringing, and unravel the mysteries that surround him as you delve into the depths of his troubled soul. 

"In a world where power is everything, I'm just a pretty pawn in their game. But I'll make my own moves, carve my own path."

Annette Meadowcroft — the obsessive poet with a firing spirit who refuses to be tamed. Uncover the hidden depths of a secret poet, whose words hold the key to unlocking the secrets of the heart. Join her on a journey of self-discovery as she seeks to break free from the constraints of society and embrace the beauty of the world around her.

"The ink flows from my pen like a river of defiance, writing my own narrative in a world that seeks to silence women like me."

Rune — the callow knight who isn't very fond of small talk with a foreboding origin. Dare to tread the path of a cryptic made being, grappling with questions of identity and purpose as they navigate a world that sees them as little more than a weapon. 

"If you have the audacity to think that I am some sorrowful god, then the pain of my fraud in human appearance will be all the more agonizing."

Depending on your play style, you have the ability to create, shape and destroy numerous familial, romantic, platonic, professional and community relationships with a full cast of characters whose genders and personalities vary. 

✸ Dedicated to all the hopeless romance and fantasy fans who are too engrossed in their books to talk and too shy to write, to my momanager Kass, who always likes to keep things real.

[imbecominggayer]

Writing Advice: Too Many Characters

A common advice when writing stories is "don't write too many characters". But, like with everything creative and good, there is no definitive answer to how many characters should be in a book!

So I will be discussing numerous variables in storytelling which impacts how many characters you should have and what makes something in a book "pointless".

Themes! Themes! Themes! (Omori Spoilers, Not Too Much)

The most important question that a writer has to ask themself is "what is this scene/book/media trying to do?". If your story is based on the relationships we have with others and the impact they can have on our psyche then having a close-knitted community of people will drive the message of intimate connection better then just having more people in there. If your story is focused primarily on introspection, looking inward, individuality, and other spiritual activities then the protagonist is more likely to spend longer durations of the media by themselves.

An example of these to forces is the popular game of Omori.

(SPOILERS ABOUT OMORI<3)

Omori is a game that focuses on acceptance first and foremost. Self-acceptance to be more specific. Due to the fact that the game is a piece of introspection both for Sunny and for the player, the most important moments in the game such as the "reveal" sequence of pictures and Black Space are ones that are done on your own.

However, the game also prioritizes the relationships Sunny has between his friends as this serves as motivation for the final duet. The final duet was an act of bonding as Mari and Sunny just wanted to spend time together, doing something they liked.

The introspection moments are pushed towards the end of the game because it's only when Sunny has that support and belief in his friends, can he rise above his doubt and shame and fear.

2. What Is The Purpose Of This Character?

All characters need to have a purpose in the narrative. Both within the context of the world and in the context of the book.

Within the context of the world, they need a goal that is going to impact the protagonist either positively or negatively.

Within the context of the book, what is this character giving to the audience that wouldn't otherwise be there?

Pro tip: All the characters you have need to have more then one purpose! Characters that give exposition can't JUST give exposition.

If you have a love interest that can be cut out without taking away a vital part of the story either from a thematic(theme) standpoint or a narrative(plot) standpoint, just replace them with an object and move it along!

If you have an ally character that only shows up twice and can be changed into "I went down to the store to buy these items", give that "ally" tag to someone more story relevant"!

3. Priorites?

Ask yourself this: "Do I have the book length to dedicate time to this person?"

If the answer is no, follow my next steps. If the answer is yes, here is how to make them better.

When I say "prioritize", I mean you need to figure out what type of character this character is. Are they a main character? A side character? Cannon fodder? A symbol? WHAT ARE THEY?

Also, can you give these character responsibilities to someone else? This simultaneously gives those characters deeper complexity and eliminates more characters

Example: Love Interest, after being trapped by the villain, uses their intelligence in order to provide information about the villain to the hero. (Love Interest + Ally + Informant)

Example: Friend is revealed to be a double agent on the side of the Villain. However, it's revealed that Friend was secretly a triple agent who is finally redeemed from their original believed betrayal. They're back to being an ally. (Friend + Betrayer + Ally + Enemy)

[theredhairedmonkey]

I feel like most people kinda get the point of the season, but it does seem that there are a handful of people that are either ideologically committed to either seeing dark magic as always evil or seeing Callum as morally corrupt or compromised in a way that Rayla and Ezran are not (not sure how the latter is even remotely possible at this point), so maybe it might be good to spell out season 7's theme for everyone's benefit:

This season's theme is first and foremost about the loss of childhood innocence, a necessary step to becoming a fully-rounded adult. When Aaravos talks about losing childhood innocence, he's referring to the moment when someone realizes the world isn't as simple as they once believed - that good and evil aren't always clear-cut, that sometimes difficult choices must be made. His perspective seems to be that losing this innocence inevitably leads to moral compromise, that understanding complexity means abandoning simple principles.

And he's...actually not wrong. Ezran wasn't pure because he was such a moral paragon, but because he was innocent. He was able to position himself around ethical lines (such as refraining from violence) because he was always protected from the consequences that moral complexity brings. But once that was taken away - Katolis destroyed, facing his father's killer, witnessing Callum's supposed betrayal - it forced Ez into a situation where he couldn't take the same morally rigid stances he once did. 

Complexity invites challenges. Challenges invites compromise. 

Much like Aaravos, Callum is a character who understands all too well what this means. He lost his innocence at a much younger age when both his biological parents had died and he was forced to grow up too fast. When Aaravos says that there is "great affinity" between them, he's right in a certain way - he's recognizing their shared ability to perceive moral complexity - to understand that situations aren't always simple black and white choices. Both characters demonstrate this understanding. Aaravos sees beyond simple good and evil, recognizing that sometimes difficult choices must be made. Similarly, Callum understands that situations can be "complicated," as he says about the Runaan situation, acknowledging that justice and mercy can conflict.

However, Aaravos is also very wrong about Callum because he fundamentally misunderstands what he does with this knowledge. 

When Aaravos talks about "compromise," he means compromising moral principles to achieve desired ends. His view is that since the world is morally complex, we're justified in doing whatever serves our purposes. This is where he's wrong about Callum.

Callum's recognition of moral complexity actually leads him to become more principled, not less. When he understands a situation is complicated, he doesn't use that as justification for moral compromise. Instead, he looks for solutions that acknowledge the complexity while maintaining clear principles about who should bear the costs of difficult choices. His final plan with Aaravos demonstrates this perfectly - he recognizes the need to use dark magic (showing he understands complexity) but ensures he bears the cost himself through sacrifice (maintaining his principles).

The situation with Runaan foreshadows how he handles Aaravos - Callum's recognition of complexity leads him to find more creative ways to do what's right, while maintaining principles about who should bear the costs. Whereas Viren/Claudia would sacrifice others (i.e. creatures, people, etc.) to achieve their ends, Callum's main sacrifice is himself - he will block Aanya's arrow with his body, or resign as High Mage the second he think it would be necessary to do the right thing.

This explains why Aaravos becomes so furious when Callum reveals his sacrifice plan. Aaravos believed their shared understanding of complexity meant Callum would eventually follow his path of moral compromise. Instead, Callum shows that understanding complexity just motivated him to find other ways to stay true to his principles, even at the cost of his own life. He proves that recognizing the world isn't black and white doesn't have to lead to corruption.

By the end, he demonstrates a simple truth that forms the core of this season - the loss of one's innocence is inevitable, but the loss of one's character is not.

[echantedtoon]

Tipping Point

(Warnings for yandere themes and pregnancy mentions.)

-It didn't happen overnight. Your husband was not someone to be feared yes but never by you. He was always so considerate and responsible. His presence always so stoic but gentle. The way he loved to hold your smaller form against his own. Listening to the soft heartbeats emitting from your form. You gave him the peace of mind he never got before.

-He's never had any say in anything before. His life, family, or what transpired between his brother. His inferiority complex and jealousy driving him to do unspeakable things. Unspeakable things you never held against him. You were perfect. Everything his past wife wasn't. He had everything he wanted. Finally surpassing his brother in life and strength (he was much stronger surely with his hundreds of years getting stronger and he was stronger than a dead man), the high ranking position he deserved, and a perfect wife.

-Just when He doesn't think he could be anymore blessed along comes with the news that you two were expecting. Two little ones. His own lineage. Muzan is pleased with the news, after all he thinks they'd be great to study and Kokushibo couldn't agree more already planning out what and how their lives should be. Everything is perfect.

-In his eyes only. You however have a very different view. Your husband was always kind and respectful in the beginning. He was everything you loved, but you started notices the shifting behaviors. Starting with the news of a person with hanafuta earrings and sun breathing was found. He started acting different. More distant, he didn't come home as often, but when he did he was dismissive...Until he wasn't. One day you're surprised by a new rule he placed on you. "You are no longer to go out anywhere by yourself. You are to stay within the house and go anywhere without me. Understood?"

-When you politely ask what brought this about, he only says that it's for your own safety. You can tell he's lying there's something intense about the way he's looking at you but giving him the benefit of the doubt you agree assuming he was just worried. However it was more than just overprotectiveness. His entire perfect world shattered the moment Muzan announced the existence of his brother's successor. Every buried memory, every locked up emotion, it all resurfaced.

AND HE WOULD NOT HAVE HIS ACCOMPLISHMENTS IN VAIN.

-It started with just the one rule. It was pretty overbearing but not impossible. You barely went anywhere anyways as your home had everything you need but slowly more and more overbearing. "You are to not leave this home at daylight." "You are to stay inside at all times. Yes. Even if I am not present. Misbehaving will be punished by the loss of luxuries." "Your skills are starting to lack. ..No. You cannot go to town. I will get what you need."

-It felt like the walls were slowly pushing inwards and inwards and constricting you. Every time you tried to bring up the same dismissive behaviors would play out. He wasn't going to risk outside sources convincing you to leave him. Not like last time. Yoriichi would not convince you to not leave him again. However he didn't see his possessive behavior was driving you away from him.

-Learning you both were going to be parents was the final straw. It's like something in him snapped. He seemed so pleased with learning about it only to sour the news by discussing the plans he had for perfect heirs. To train them and mold them into the perfect heirs.

-You nearly fainted from fear right then and there from what your husband became. So you fled. Fleeing during the day and never looked back.

-The rage and completely disarray of emotions pumping through his body was enough to boil Muzan's blood and send a shockwave to the lower ranks. The betrayal enough to shatter his sanity and send what little control he had left in him diving off the cliff of his tipping point.

-The monster underneath is clawing out. And it won't rest until it finds what it seeks.

[elysiansparadise]

i luv ur work.💌

can u pls do neptune in the 8th ?

Thanks for loving my work, love! 💗

Neptune in the 8th house

I consider it crucial to start mentioning how skilled these individuals are in sensing, intuiting or detecting when something is off. They have a highly developed intuition as well as a natural ability to decipher any type of thing that seems uncertain or unclear. You can never lie to them, because they possess the mixture of impeccable intuition and sharp observation. They are emotionally deep people, very sensitive to the environments and people they interact with. They are very compassionate and empathetic people, capable of feeling the pain of others very closely. Many times they fear their own emotional intensity, because they know themselves very well in that aspect, which makes them very cautious when it comes to opening up because they fear that people will take advantage of their emotional vulnerability, their devotion and heart. It is very likely that throughout their lives they have experienced betrayals, ones that led them to close down emotionally and not be so patient and soft with the wrong people. It should be added that there is the possibility of going through intense emotional and spiritual transformations, which, although challenging, could also be deeply healing and revealing.

What seems misunderstood, taboo or complex usually catches their attention. They enjoy getting to the bottom of things and it is common for these natives to question themselves existentially and spiritually. They may have an attraction toward esoteric themes, such as tarot or similar. Many of them can find healing through spiritual or unconventional methods for the worldly person. Likewise, when they begin their path through spirituality it is due to difficult or painful experiences, and they can find relief in this field. Many of these natives have the ability to heal and transform not only other’s moods, but also something deeper like their lives. It is very likely that they may have strong spiritual beliefs about life after death and may be interested in exploring, investigating and learning more about these ideas. There is a complex relationship with their dreams, as these natives can obtain clear or meaningful messages with them. In addition to this, they can be people very in touch with their subconscious, even being able to develop [or simply be born] with some spiritual gift.

There is something enigmatic about them, something that simply makes you not stop seeing them, the mixture of mystery, sensuality and that sensitivity that, although they do not show it, can be observed in their mannerisms and once you get to know them better. They look for deep emotional connections, superficial things not only scare them, but bore them. They seek to love someone completely, to give themselves and for the other person to give themselves too. Being one with your partner is crucial, precisely the reason why intimate encounters are a visit to paradise, a bit of heaven to which you can become addicted. They not only make you feel desired or like the most attractive being in the world, they make you feel heard, understood, seen. They seek to know those sides of you that you are ashamed of, not to judge you, rather to be able to love you completely. Internally, they look for that same devotion from their partners, someone who loves them with the same intensity with which they are capable of loving. 

-> Go back to the masterlist

[chosok-amo]

CURSEBOUND HEART : RYOMEN SUKUNA

In the chaotic world of Jujutsu Kaisen, where sorcerers and curses clash, an unexpected revelation shakes the very foundation of Tokyo Jujutsu High. Satoru Gojo's enigmatic younger sister, Satomi Gojo, harbors a dark secret: she is the reincarnated wife of Ryomen Sukuna, the King of Curses. When she encounters Sukuna, now residing in the body of Yuji Itadori, memories of a past life surge to the surface, intertwining their fates once more. As old bonds resurface and ancient curses threaten to tear their world apart, Satomi Gojo must navigate a perilous path, balancing her duty as a sorcerer with the haunting echoes of a cursed love. Can she overcome the shadows of her past, or will Sukuna's dark influence consume them all?

CONTENT WARNING!

this fanfiction contains graphic violence, emotional trauma, dark themes, psychological manipulation, strong language, and complex romantic dynamics. Reader discretion is advised.

Including these warnings will help readers understand the nature of the story and decide if it's right for them.

Violence and Gore : The story contains scenes of intense violence and graphic descriptions of battles and injuries.

Emotional Trauma : Characters experience significant emotional distress, including grief, betrayal, and internal conflict.

Dark Themes : The plot involves dark and mature themes, including curses, death, and manipulation.

Psychological Manipulation : Sukuna's influence involves psychological manipulation and mind games.

Mature Language : Strong language and mature dialogue are present throughout the story.

Romantic Tension : The story explores complex and potentially uncomfortable romantic dynamics due to Sukuna's reincarnation.

Flashbacks : Frequent use of flashbacks to a darker past, which may include distressing memories.

CHAPTER TITLES :

0. INTRODUCTION

1. THE HIDDEN CURSE

Introduction of Satomi and the first encounter with Sukuna in Yuji’s body.

2. ECHOES OF THE PAST

Flashbacks to Sukuna’s previous life and his relationship with Satomi, interwoven with present-day events.

3. UNVEILED SECRET

Satomi reveals her past to Satoru and the rest of the team, creating new dynamics and tension.

4. FATEFUL REUNION

Satomi and Sukuna/Yuji confront each other again, leading to a deeper exploration of their connection.

5. WHISPER OF DARKNESS

Sukuna manipulates events to draw out his wife’s cursed energy, revealing more about his sinister plans.

6. BOUND TO FATE

The team faces a powerful curse connected to Sukuna’s past, forcing Satomi to confront her own fears and memories.

7. THE KING'S RETURN

Sukuna’s influence over Yuji grows stronger, leading to a dramatic confrontation with Satomi.

8. SHADOW OF THE HEARTS

Emotional turmoil ensues as Satomi struggles with her feelings for Sukuna and her duty as a sorcerer.

9. THE BROKEN SEAL

A major event causes Sukuna to regain more of his power, putting everyone at risk and testing the bonds between the characters.

10. LEGACY OF CURSES

Satomi makes a critical decision about her role in the battle against Sukuna, setting the stage for the climax.

11. THREADS OF DESTINY

The final confrontation between Sukuna, Yuji, Satomi, and the Jujutsu sorcerers, culminating in a decisive battle.

12. ETERNAL SHADOWS

The aftermath of the battle, exploring the consequences for Satomi, Yuji, and the others, and hinting at future challenges.

This structure provides a solid framework for the story, blending action, emotional depth, and the rich lore of the Jujutsu Kaisen universe.

TAGGING : @bahng @ryumurin @utarts @axeofwars @sparklyhologramstarfish @shuujin @qashmer @dookiemeshibear @cockonoi @tired-writter-club @junslxt @bubacakes @ejwrblog @glads-stuff @ourpastsilences-blog @crayolalili @caulfield-ley @levislui @fenix-why @wifeofnanamikento @diabetic-ace @miniaturechildmusic @diorlov3er @blueeyesboba @kaitrash @manyaya88 @genshinfinatic @rivq @btsblogsthings @mrsgaunt-sallow @space-doie @moonvyx @yeeter-skeeter-b @reiyastrauss @lunarracoon22 @toobytub @molliejames

[michele-apricity]

𝓭𝓪𝓻𝓴 𝓪𝓬𝓪𝓭𝓮𝓶𝓲𝓪 ˙⟡🪶─

𝒎𝒐𝒗𝒊𝒆 𝒂𝒏𝒅 𝒕𝒗 𝒔𝒉𝒐𝒘 𝒓𝒆𝒄𝒐𝒎𝒎𝒆𝒏𝒅𝒂𝒕𝒊𝒐𝒏𝒔

Some of my favourite movies and tv shows that I keep rewatching literally all the time, also fit the dark academia aesthetic...

𝒎𝒐𝒗𝒊𝒆𝒔

Dead Poets Society (1989)

A timeless film about the power of literature and the consequences of challenging societal norms in a boarding school.

The Talented Mr. Ripley (1999)

A psychological thriller drenched in luxury, deception, and the pursuit of identity.

Kill Your Darlings (2013)

Follows young Allen Ginsberg and his entanglement in a murder during his time at Columbia University.

Atonement (2007)

A visually stunning film about love, betrayal, and regret, with an air of intellectual melancholy.

The Imitation Game (2014)

A story of genius and tragedy, focusing on Alan Turing’s work during WWII.

The Riot Club (2014)

A dark examination of privilege and elitism among Oxford students in a secret society.

Harry Potter Series (2001-2011)

Especially The Prisoner of Azkaban, which captures the darker, atmospheric tones of the series.

Crimson Peak (2015)

A Gothic romance with haunting visuals and themes of mystery and intellect.

The Oxford Murders (2008)

A mystery set at Oxford University, blending logic, philosophy, and crime-solving.

The Theory of EVerything (2014)

A poignant biopic about Stephen Hawking’s life, featuring beautiful academic settings.

𝒕𝒗 𝒔𝒆𝒓𝒊𝒆𝒔

The Umbrella Academy (2019-2024)

While more fantastical, its themes of family, ambition, and intellectualism align with dark academia. (we're going to act as if the 4th season never happened)

Sherlock (2010-2017)

A modern take on Arthur Conan Doyle’s detective stories, with a focus on intellect and mystery.

The Queen’s Gambit (2020)

A visually stunning series about genius, competition, and the pressures of academia-like environments.

Penny Dreadful (2014-2016)

A Gothic series weaving together classic literary characters with dark, intellectual themes.

How to Get Away with Murder (2014-2020)

A thrilling blend of academia and crime, revolving around law students entangled in murder mysteries.

Derry Girls (2018-2022)

Though comedic, the show captures an academic setting with themes of friendship and youthful rebellion.

The Magicians (2015-2020)

A fantasy series with a dark academia feel, featuring a secret university for magic and complex moral questions.

His Dark Materials (2019-2022)

A richly intellectual fantasy series set in an alternate, academic-focused world.

Gilmore Girls (2000-2007)

While lighter, it captures the love of books, academia, and witty intellectual banter.

Shadow and Bone (2021-)

A mix of dark fantasy and the kind of rich world-building that appeals to dark academia enthusiasts.

Let me know your favourite movies and/or tv shows that I should watch.

-michala���

[felassan]

GamesRadar: "It felt like we needed to do something": How Varric Tethras went from nearly being left out of Dragon Age: The Veilguard to becoming a foundational character

Interview | Exploring the role of Varric Tethras in Dragon Age: The Veilguard with BioWare's creative director, John Epler

Excerpts under cut due to spoilers.

John Epler: "Varric is such a fan favorite, and has been part of Dragon Age since Dragon Age 2 – it felt like we needed to do something. At the end of the game, it's very clear that a chapter of Dragon Age is being closed, even as a new one is being started, and having Varric involved in the ending and that final beat in the way that he was felt right to us."

""While it may have "felt right" for Varric to be in Dragon Age: The Veilguard and factor into its ending in this way, says Epler, it took some time for the team to come to that conclusion. With such a long development cycle, the loveable dwarf wasn't even part of the story at one stage. "It's interesting, because in some of our earliest versions of what we wanted to do for Dragon Age 4, Varric was not actually involved. Varric was doing his own thing as the Viscount of Kirkwall," Epler says. "But I think especially as we got to the version of Dragon Age: The Veilguard that shipped, it felt very strange to have a story about Solas not also include Varric. For us, having them [Solas and Varric] exist in contrast throughout the story - obviously, with Varric being something existing entirely in Rook's mind - provides different ways of looking at the core theme, which is regret." As Epler explains, Varric is "not someone who does a good job of confronting his regret", whether that be in Inquisition when it comes to his love interest and crossbow namesake, Bianca, or with his brother in DA2. Rook, on the other hand, is forced to confront them, while Solas's regrets "drive everything he does." He's a character that "refuses to be happy, refuses to feel joy, because he feels it'd be a betrayal of his people, of what he's done". But as Epler adds, having Varric "be the kind of linchpin" around which all the regrets hinge "felt powerful". Varric may not be good at confronting his own regrets, but his death and role eventually pushes Rook to face theirs, and in turn, you can try to help Solas get past his own if you so choose.""

"Without a mark on your hand like the Inquisitor in Dragon Age: Inquisition, or an army you can bring together like the Grey Warden in Dragon Age: Origins, Rook is "just a person with a team", as Epler puts it, so you have to make sure that they're as ready as possible to face what's to come. [...] Epler says Varric felt like a natural character to juxtapose Solas. Acting kind of like "the angel and the devil on your shoulder", Solas - while not actually a devil - is the one who's more focused on the mission and goal of stopping the gods, while Varric constantly reminds you that your team matters and you need to take care of them first and foremost. The decision to kill Varric early on was partly fueled by a worry that people would find Solas "a little too sympathetic in his goals". From past experience, Epler says the team saw a lot of that with The Trespasser DLC, where many really wanted to help Solas and believed he was right. But he is going to end the world, after all, and once you realize the twist about Tethras' true fate, Varric serves to demonstrate that "Solas will sacrifice almost anyone or anything in pursuit of what he sees as the greater good." But even if he is willing to go to extreme lengths, Solas does still regret what happens to his old friend. In fact, Epler explains that he even finds it comforting to think that Varric is still out there in some form. "Varric's a complex character," says Epler. "He runs away from his problems, he likes to shade the truth, even to the people that he's working with. The Varric that you see, the Varric that Rook experiences, [are] the best parts of Varric that Rook remembers. It's just this mentor figure that's always there for them. And I think even Solas finds some comfort in knowing that there's still a piece of him out there, even though he knows that it's manipulation, it's not the real Varric."

""DA2 starts with a character death about 45 minutes in, when your siblings dies. And the feedback we got, which was very fair feedback is, 'okay, but I don't care, because I've known this person for like, 45 minutes'. So having Varric die at the beginning, originally that was it. He was going to die, and it was going to be this big, shocking moment," Epler says. "But part of the problem with making a game 10 years after the last one, and needing to make it so existing players – but also new players – can get in and feel a lot of the same things, is you can't bank on two games worth of built up memories, built up attachment, to make the death land. For a lot of players it would have been like, 'okay, but I've only known this guy for 45 minutes. So why do we care?'" In order to still have the death at the beginning of the game, the team eventually landed on the idea of his not-so-real presence in the Lighthouse in order to give players more time with Varric. "And that's the beauty of game development," Epler adds, "something that you start off with as a way to solve a problem actually becomes so core to the identity game.""

"Varric Tethras was originally brought to life by Mary Kirby, a veteran developer who has worked on the Dragon Age series for many years at BioWare. Sadly, she was part of the layoffs last year, but as Epler fondly highlights, Kirby wrote the vast majority of the conversations you have with Varric. "She was one of the first people we told 'Hey, so we're talking about killing Varric, you're okay with this, right?' Because at that time, she wasn't even on the project," Epler says. "But Mary was fantastic to work with, she and I worked [together in the past]. I was Varric's cinematic designer for Inquisition and for DA2. There are a couple of things that came up towards the end of the project that I had an opportunity to write. And it was lovely to remind myself how Mary had always written Varric, and how that character came together.""

[source]

[bobabisch]

I often hear the argument that Luffy is dumb, and I can't help but be ticked off every time I hear someone say it, because Luffy isn't dumb, he's simply carefree. And I mean that in the literal sense of the word. Luffy truly does not have a care in the world. Luffy chooses not to complicate things. He does things for the simple fact of wanting to and he purposely refuses to learn about people, situations, and the nuances involved with both because the nuance just pollutes the true nature of the subjects. Luffy doesn't choose to do these things out of ignorance or selfishness, but because in the grand scheme of things, all the information that he chooses to ignore is wholly unimportant both by Luffy's own standards and to the development of the story as well. What Luffy deems unimportant does not matter at all to how things play out in the anime.

Luffy, at his core, is an incredible judge of character. Luffy's relationship with Tama is a perfect example of this. By all accounts Luffy's first impression of Tama should have been negative. She came off as a little bit mean and stand-offish. However, Luffy in his natural Luffy-fashion is unbothered. He didn't need Tama to tell him or show him explicitly the kind of person she was to understand her as a person. Despite the fact that she was a little girl, Luffy treated her with basic respect right off the bat. Luffy didn't see her as child, but rather as the self-sufficient human she was. Of course his fondness for her was only furthered by the food that Tama gave him. Luffy didn't need to know anything more about Tama after he heard that she had given him her last shares of food. He didn't need to hear Tama's sad story to understand her. She treated him with kindness, like she would a friend, even though they had just met. Luffy would go to the ends of the earth for her over that simple fact. He had no desire to learn of Wano's history to better understand how Tama got to this point in her life. All he needed to do and all thay he wanted to do was return a kindness. And that he did.

The same can be said for the part Luffy plays in Nami's story. When Nami 'betrayed' Luffy, he'd simply brushed it off. Once again, Luffy knew who Nami was without having to ask and without her having to show him explicitly. Luffy saw her 'betrayal' yet did not take it at face value. Luffy refuses to leave her behind because everything Nami had said/done in that situation muddled Luffy's inherent and instinctive understanding of her character. This next bit is ironic to say because Luffy often makes decisions with his stomach rather than his head, but its clear that Luffy would rather trust his gut feeling than try to understand Nami's actions which appeared entirely contradictory to Luffy's perception of her personality/character.

This theme rings true throughout the whole anime. This happens when Luffy chooses to trust Law on Punk Hazard over Law's rather dubious choices without needing or wanting an explanation from him. This happens when he rescues Zoro at the very beginning of the anime and he simply trusts this well-known pirate hunter not to cut him down right of the post. I beg of you all, please do not dilute Luffy's complex character design down to something so trivial as him simply "being stupid".

Sorry for the tangent, I have just always felt people who say this about Luffy sell him and his whole character design short. There is so much more that I could say about this too. I could go into detail about the ways in which Luffy is as smart as the rest of the crew (in different ways than them obviously), but that would call for several more paragraphs, so I'll just cut it here I think.

Anyways tell me what y'all think, I'm curious.

[starburstminibot]

Hey, anon who asked bout the "how things were before Breakcheck was born"

First of all: I read the tags, don't ever apologise for info dumping, I love the dump and will eat it all. I am thoroughly enjoying this au and would love to read/see more of it

Secondly: It's quite alright for not doing art, as much as I do enjoy your art very much and love to see how you draw these characters, I also very much enjoy reading about it

Thridly: You are so right, the writers dont know shit and you get it alot mlre, and i LOVE how you are writing the issues between the 'Cons and 'Bots. Like there is sooo much they just, didn't explain. Megs being the one to become good and the other cons are left to be the bad guys??? PUH-LEASE

And even if they were to no longer be the bad guys, there is SO MUCH to their relationship that is skimmed over, like, c'mon

Anyhow, eating up your au OP. Breakcheck is best boy and I love seeing this goober and his story on my feed, writen or drawn out

Do not give me permission to yap bc i will not stop and you will regret it I promise /lh

IM SO FERAL??!>{£|! OUGHH IM SO GLAD YOU LIKE IT SO MUCJ BC IM GOING INSANE THINKING ABOUT IT

Also… I’m going to give possibly a hot take and it’s that Earthspark genuinely pisses me off sometimes. Because how dare they introduce such an interesting concept of a post-war setting with a redeemed Megatron and complex Decepticon/Autobot relationships and expect me to care about the Terrans.

I still like the Terrans, i think they are so silly goofy, and I like the idea of new characters to explore. But THE BACKGROUND PLOT IS SO MUCH MORE INTERESTING TO ME. The human alliance that turned out to be anti-cybertron??? Mandroid literally killing bots and experimenting on them?? grimlock getting mind controlled and having ptsd??? The rest of the Decepticons fighting for power and seething in rage of their leader’s betrayal??? Megatron trying to navigate his new life while being repentful of his past actions while also not crumbling under the guilt of his mistakes??? The fact that they are stranded on an alien planet and can’t go home?????? STARCREAM’S ABUSE GETTING RECOGNIZED????

they keep introducing these really interesting plots and then abandoning them for the sake of the Terrans getting more screentime.

I think these things would be easier to juggle if there weren’t so many of them tbh. I would rather just have Twitch and Thrash be these new Cybertronians that can guide the viewer through these complex plots because like us, they weren’t around for the war. They have a fresh untainted perspective on life.

(Dont get me wrong, I love Hashtag, JB, and Nightshade, but sometimes it feels like there isn’t enough screentime to flesh them all out and they end up getting characterized to one singular trait) (if all of them are around, I would rather them have their own focus show without the background plots of Optimus, Megatron, Bumblebee, ect.)

Also they are REALLY trying to hit the family theme over our heads. They keep saying “family this family that” but deadass they talk about being a healthy family more than they actually act like it. Show me how much they love each other instead of putting it in every other line of dialogue.

Ok that is all, I didn’t mean to go on such a rant LMAO. I still like Earthspark, just sometimes it feels like they are trying to be two different shows and they are stuffing more into the plot than they have time to flesh out. (Breakdown, Starscream, and pretty much all the Decepticons deserved better)

[damnfandomproblems]

Fandom Problem #5327:

When people complain about "entry level feminism" in shows for kids. Like, of course it's "entry level" it's for kids, what other level should they be on? If you want something more advanced have you thought of maybe watching something for adults?

Yes yes, kids shows could have complex themes that could be enjoyed by adults too, yada yada. But it's always the people who are like PROUD of the fact they hate adult media and only like kids' media 'cause it feels more "safe", that then want to complain about it not being complex enough for them. Have you considered maybe it's possible that it's time to graduate to the grown up table?

Like, why was I so bored by The Owl House when I adored Gravity Falls? Is Owl House BAD? No, it's just that I was a kid when Gravity Falls was airing and I was an adult by the time Owl House started.

I think a lot of us were teenagers who felt like we had to defend the fact that we still liked media with a target audience younger than us, by arguing it to be "actually much more mature than you might think!" and now as adults a lot of us are starting to grow out of things we used to like, but it admitting it to ourselves feels like a betrayal to our past selves.

[manikas-whims]

Xavier follows Xianxia trope where the person has same soul. He does not love different versions of her. It's her in every life because it's the same soul. These are cultural things in CN that don't translate as well to global where these aren't commonly used romance tropes. It's not different versions of MC. They all love the same MC for her soul is the same. They are "you in every lifetime."

Yes dearest anon.

I didn't know about this Xianxia trope either but..

the minute I finished Xavier’s lightseeker myth, it was very obvious that it's the same person he (+other LIs) are in love with.

I'm just saying that whatever the antis are trying to use to push him into a negative light (no pun intended), is not gonna work for me and many others. Because themes like betrayal (if it happens) will only add to more angst and drama and complex relationships, and I'm here for that 😆

And thanks for explaining this trope, I'll go read about this to learn more (though we in India do have a similar concept about same souls & rebirth 🤔)

[articwolfclawartist]

Analysis of Wakfu and Yugo’s character:

Honestly, had it been given a more cohesive platform, Wakfu could’ve fucking slapped

Due to the whole story needing to be consumed via show, comics, webtoons, games and OVAs, a lot of it gets jumbled or rushed, making the story inconsistent with its quality and themes and leaving a lot of consumers in the dark due to not knowing critical context. But the actual concept? Absolutely amazing

A boy who’s sent on a journey of finding his real family, discovering he comes from dragons and gods. And not just any dragons or gods: the creators of the goddamn UNIVERSE. (A fact I consider to be incredibly underutilized honestly)

And as he comes into his powers the challenges and the trials become more and more dangerous and more and more and complex, he follows his moral code, despite the nuance of the situation. He’s incapable of changing who he is and what he must do. And it leads to him playing god, an act with consequences that are repeatedly foretold to destroy the world. But it didn’t matter how many times people warned him, he NEEDED to save his friend from Ogrest, he NEEDED to keep the Dofus, he NEEDED to stay to fight the Necromes, he NEEDED to share the Mechasm heart’s power. All these actions may have consequences that are devastating but not to take said actions would have been a betrayal of his character, a fundamental change in who he is. He can’t see the bigger picture like Echo, he can’t fully grasp the consequences like Toross, he can’t detach himself like Adamaï. He can only act in the moment to do what he thinks is right, and now the world is going to flood and thousands will die.

Absolutely incredible