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weirdowithaquill · 5 months ago

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Let's Talk About Rebecca:

Well, I said we needed to talk about Rebecca, and here we are.

To begin with, I would like to preface this with a simple disclaimer: I am in no way telling people to like or dislike the version of Rebecca found in BWBA, but instead looking into what caused such a deep disdain for this character, one that lasted long after Henry had been departed and was fuelled not by her position as a ‘replacement’, but rather by the series itself. This is not a dissertation on why Henry is a stronger character and why Rebecca should never have been introduced - that is counterproductive and, in some ways, false. This is instead something adjacent to an essay in which I will focus on how Rebecca’s flawed introduction, characterisation and tenure in the series both represents the BWBA era as a whole, but also what led to her being notably absent from All Engines Go, the reboot of Thomas and Friends. This will be followed by me attempting to redesign her characterisation and create an alternate version of Rebecca, one which in my opinion would have done far better for herself in the series.

Part 1: Who is Rebecca, and Why Her Characterisation Doesn't Work:

According to the former official Thomas and Friends website, Rebecca is: “...a very cheerful and happy engine. She is painted a sunshine yellow which reflects her positive outlook on life. Rebecca always sees the best in others and enjoys helping everyone around her feel good about themselves. Despite her warm nature, Rebecca is not afraid to stand up for herself or her friends. She is a big, strong tender engine who is not intimidated by the more experienced engines on the railway. Rebecca is the number 22 engine.”

Already, there is a major issue here: her characterisation is a strange amalgamation of others, who could probably just as easily take on her roles without really breaking any of the episodes she is in. “Cheerful and happy” are characteristics held by Ryan, Stanley, Whiff, Thomas, Percy, Edward, Mavis, Peter Sam; the list goes on. There are already far too many engines whose main qualities are cheerful and happy. She is painted yellow - like Molly and Flora were, or if we go further back, like Jock, Pip and Emma were. “Sees the best in others” was once upon a time a quality unique to Edward, as well as Salty. “Enjoys helping everyone around her feel good about themselves” sounds way too close to what Emily has become in the series, without mentioning the evolutions of Mavis’ character or Rocky’s character. If we add in her clumsiness and shyness, we get Kevin and Molly respectively - and Kevin is also yellow! She isn’t intimidated nor does she have any trouble at all with fending off engines who want to be mean to her. She isn’t unique here either: Duck did this when he first arrived, and he had a much bigger and more notable impact because of how he acted when confronted with the big engines' attitudes. What all this really means is that Rebecca has already finished a character arc at some point in the past and does not need to grow further.

And here we reach the crux of the problem with Rebecca in BWBA: she has nowhere for her character to grow into - something all the other main characters have done decades ago. This is especially problematic at this late stage in the show; Thomas & Friends has been running since 1984, and almost every character they pair Rebecca up with has had an exceptionally long time to bed themselves in and grow into the space they occupy. For Rebecca to compete, and truly qualify for her status as a main character, her character needs to make its own space - and importantly, make that space bigger than as many other characters as possible. This is a running problem in the TV series post Season 7, and something that really baked itself into the show by the time the series reached CGI: the characters do not develop. The Steam Team (bar Emily) hasn’t had any real, natural character developments since the Mitton era - not any sustained over multiple seasons, at least. If we go back to the Classic series - or further back to the Railway Series - we find that the very essence of Thomas is in its strong characters and their natural growth. Gordon grows into being more humble, Edward and Henry grow more confident in themselves, Thomas and Percy mature and (to some extent) learn their limits - the list goes on. There are characters that do not grow as much or remain the same, yes - but they still have some sort of character arc where the essence of them as a character is tested.

Rebecca does not undergo character growth in the series, and her character itself is not tested in any meaningful way. Instead, she is overused and underutilised - by which I mean, she appears constantly throughout the series but is given nothing to define her as being any different to any of the characters mentioned above. Worse yet, Rebecca’s leads are easily interchangeable with any other Steam Team member, and this further complicates her. Rebecca takes trucks perfectly - like Donald or Douglas would, or perhaps Edward? Rebecca is too fast and leaves passengers behind - like Peter Sam did to the refreshment lady. And when she causes all kinds of delay, is that not like James did way back in Series 3? And she’s tricked by Diesel… like almost every single engine in the entire series, going as far back as Gordon, Henry and James were in Series 2.

Would it have been better to divide Rebecca’s leads up and give other, more established engines more spotlight? Probably. Her personality is similar to a number of others, and her introduction is basically a mix and mash of older episodes - notably the eighth series episode, Thomas and the Tuba, the tenth series episode, Seeing the Sights, the first series episode, Thomas' Train, and the fourth series episode, Peter Sam and the Refreshment Lady. This really doesn’t help to define her, especially when all fans think about when they watch the episode is what other, older episode it is most like. Her subsequent appearances do very little to endear her either, both due to the lack of effort put in by Mattel to ground Rebecca in the series and the low impact of the episodes she does star in. Characters like Oliver or Duke have had lasting impacts on the fandom despite their short tenures because their episodes have high impact. Duck is one of the most popular characters in the fandom of this show, despite having been a secondary character ever since Series 5, and being practically absent from the series between Series 8 and Series 16.

Rebecca also takes up a difficult spot as a replacement for Henry, which complicates her relationship with a large portion of the fandom, meaning a lot of her as a character is questioned in relation to what Henry would have done. While technically, Rebecca was slated as a replacement to Edward, her arrival coincides with Henry’s departure, and thus for the purposes of this, we will consider her to have taken the position Henry had, similarly to Nia and Edward. Whether or not Henry’s departure from the main cast is a bad thing is an issue unto itself, which dives into character assassination and to what extent the Henry seen in Season 21 is the same Henry seen in Season 1. In either case, Rebecca’s roles could have quite easily been filled by Henry or another standing character, and her characterisation is too similar to other, pre-existing characters to make her stand out amongst her costars and their longer, more notable characterisations and character growths.

Much of this is compounded by how Rebecca was introduced and integrated into the main cast, which is clearly seen when compared with another notable case of an engine joining the Steam Team after it had been first codified: Emily.

Part 2: Rebecca vs Emily - How to Introduce a Main Character:

Rebecca’s introduction is extremely underwhelming, especially for a Steam Team member. Thomas and Gordon shared the very first episode, Edward established himself as a foil to Gordon in his introduction and in Henry’s first appearance, he is bricked up in a tunnel in perhaps one of the series’ most infamous and iconic episodes. James makes his grand entrance by crashing into a field, Percy nearly gets destroyed by Gordon and Toby tugs on the viewer’s heartstrings as we watch him lose his entire livelihood. Moving forward several seasons, Emily’s introduction includes her saving another engine from a terrible accident - and then lastly, Nia gets an entire movie to embed her. Rebecca just bumbles about for ten minutes and takes the final shed at Tidmouth.

To make matters worse, Henry’s departure is equally low-intensity. Edward at least got a full episode; Henry got a single line, used to further Gordon’s character as opposed to finalising Henry’s arc and introducing Rebecca’s. And while Gordon’s character here is interesting and new and possibly the first real growth we’ve seen from any of the Steam Team since Henry, Toby and Percy regressed into children before CGI even began; it does nothing to create a satisfactory conclusion to Henry’s arc or properly build up Rebecca’s arrival. This ultimately undermines Rebecca’s position as a primary character in the series, where she has joined far too late in the series to make an impact without dedicated time and effort being put into her.

We are expected to accept that Rebecca has simply arrived and is now a main character by the show without any reasoning behind this. There is no connection between the viewer and Rebecca to justify this promotion to main character status, and it is telling. The writers don’t have anything new or unique to say about Rebecca either and it reflects in her episodes, which are remixes of old episodes or bland and unoriginal. This is especially painful in an era when so much of the writing is like this, bar the few episodes that really manage to break through the white noise. Ironically, two of the episodes that do really stand out have Edward and Toby as main characters respectively.

In contrast, Emily is very well introduced to her position and has a long, notable character arc that plays out across both the Classic and HiT eras to cement her as a main character before making her a permanent member of the Steam Team - a journey that endeared her to fans and helped to build her characterisation to make her unique and interesting. Emily is first introduced in Season 7, where she has a strong introductory story played out against Thomas where she steals Annie and Clarabel and then rescues Oliver from a nasty accident. I’m not entirely certain, but this might be the first time that an engine takes Annie and Clarabel without asking - prior to this, Percy and Duck both got permission or it wasn’t mentioned. And after this episode, Emily does not immediately move into Tidmouth Sheds - she remains at Knapford, despite having further notable appearances across the rest of the season.

What is made apparent in Season 7 is her characterisation. Emily is brave and bossy, but kind-hearted. She doesn’t headline constantly either, instead playing off other characters and rolling into the background when needed. She slots naturally into a secondary role in this season and feels like an engine who belongs on the NWR. Season 7 introduces Emily to viewers and gives her characterisation to back up her unique appearance. Season 8 continued this trend, building on her more and pairing her up with different engines to settle her comfortably into being a proper presence on the island - notice how it’s an evolution over two seasons? By Calling All Engines, Emily is a main character by virtue of her cementing herself into the cast, and her berth at Tidmouth feels like a natural progression of her story, firmly planting Emily as a Steam Team member. By Season 11, she is being used as a primary character to bounce newbies like Whiff off of!

When considering Emily and Rebecca, two takeaways make themselves known: firstly, that characters need time and effort to be cemented in the story, especially when introduced long after most other central characters have had time to imbed themselves; and secondly that characters need strong, interesting differences when compared to those they share the screen with in order to fill unfilled positions. Emily is brave and bossy, giving her a unique style that makes her work great either as the protagonist or antagonist of a story. It gives her character flexibility - she can either be the engine that the protagonist is paired up with to learn something from or it can make her big-headed and in need of being taught a lesson of her own, one which she will - in her own way - try and pass on. We don’t meet someone with a truly bossy personality like Emily’s again until Bradford, and even then it isn’t the same. Bradford is used as a comedic character, whereas Emily’s bossiness was treated seriously.

In comparison, Rebecca’s characterisation causes her to fade where she needs to shine. By being given a personality that has already been used consistently in Thomas, she fails to have a lasting impact and the abruptness of her introduction and elevation to the Steam Team is jarring and gives older viewers no reason to be interested in her. When combining this with the few defining qualities she has, it is equally hard for Rebecca to intrigue new viewers, making her feel bland and unoriginal when compared to many of the characters she shares the screen with. Rebecca is asked to attempt and hold her own against characters who have been intentionally woven together by the series for decades - and as explained above, this is not an impossible feat. It is not an impossible feat in the CGI series either, as Hiro, Paxton and Marion have all managed to stand out in an era when characters very rarely got much character building beyond their introduction. Unfortunately, Rebecca is given none of the same care, and it is reflected in how little she is used. Despite appearing more often as the seasons continue, she gets fewer leads to the point where she has an equal number of leads to Toby in the final season.

Emily and Rebecca are two sides of the same coin in terms of introduction, both first appearing in an episode rather than a movie and then becoming members of the main cast - the difference is that where Rebecca was shunted in and thus the writers were unsure how to use her, Emily’s careful character-building and integration into the series ensured she would always have fans, something that is reflected in her being given a proper conclusion to her character arc in Series 24, where she is given the number twelve and thus immortalised in the same way that Thomas through to Oliver were.

Considering the above issues, it becomes quite clear that the potential best way to introduce Rebecca and have audiences become invested in her and her story is not to simply drop her into the series, but rather to build her up slowly, similarly to Emily - which was entirely possible and plausible.

Part 3: What Could Have Been:

If we assume that Mattel was fixated on Rebecca having her canon characterisation as well as the BWBA series, there is still an entirely plausible method that could naturally build her character into the main cast, though it is underpinned by the original intent of the showrunners to have her introduced in Series 21 and replace Edward:

In Series 21, Rebecca is introduced and shown to be clumsy but kind. In keeping with the original episode, she messes up the express and gets in trouble, however she then redeems herself by rescuing Gordon when he breaks down with the express. She is shown to be clumsy but kind, and gets the lead in a couple of episodes, as well as several minor roles. Preferably, she stars in at least one episode with Thomas specifically. At the same time, audiences are introduced to Henry’s dilemma surrounding whether or not he should sleep at Tidmouth - be it cause of the Kipper, arguments with Gordon, or whatever. This both places Rebecca into audiences’ minds while simultaneously opening up the question of whether or not Henry will remain at Tidmouth. Edward leaves, but the shed remains open - this is filled by Nia.

Continuing in this vein, in Series 22, Rebecca gets a couple more episodes than last season, specifically with both primary and notable secondary characters - I’m talking Duck, Oliver, Rosie, Daisy, Ryan - characters who are popular, relevant to the series and allows the series to cement her as a main addition to the cast. This is to cement her and give her plenty of characters to bounce off and develop relationships with. Meanwhile, Henry’s arc comes to a conclusion and Henry quits Tidmouth in the last episode of the season, leaving it open. This also allows the creators to build up Gordon’s reaction to Henry leaving, showing his struggle to adapt to Edward’s absence and his simmering disdain towards Nia for replacing Edward before the 23rd season.

Finally, in Series 23, Rebecca takes the empty berth at Tidmouth, replacing Henry and kickstarting an episode - or preferably two, but this is Mattel, so it is likely to be one - where Rebecca is forced to withstand the brunt of Gordon’s anger as he boils over, being compared to Henry before proving herself. This plants her firmly as a main character, while also potentially giving her a strong reason to become close friends with Nia - who also had to deal with Gordon’s stubbornness. Henry is given a proper farewell arc as well, allowing him to gracefully retire to his secondary character status.

By arranging Rebecca’s arrival over several seasons, she is given time to fall naturally into her position and role, developing slowly and making the connections with other characters needed to cement her position on the NWR before taking centre-stage. This would also help writers learn how to write her, creating a scenario where Rebecca has a real chance of taking off as a character and potentially even getting similar stories to Emily where she is the lead main character who is used to introduce new characters - like how Emily interacted with Whiff in the eleventh season. This would also help viewers to understand who Rebecca is and get comfortable with her presence in the show before being asked to accept her as a member of the Steam Team.

However, I still feel like her characterisation is weak in comparison to other Steam Team members - as mentioned previously, her clumsiness has been done by several characters including Kevin and Percy, who is a fellow Steam Team member. Her “Cheerful and Happy” characterisation has been used by far too many characters to count - including Percy, Peter Sam, Derek, Stanley and more recently Ryan - and not even her bright yellow paintwork makes her unique in terms of the series, seeing as Molly and Flora both had similarly bright shades of yellow for paintwork back in the model series. Moreover, her leads place her in relatively generic situations where other characters likely would have produced far more interesting plotlines, such as Molly easily pulling trucks despite being built for expresses or James trying to prove he can still pull the express and getting into trouble. Based on this, a complete overhaul of Rebecca’s characterisation is needed.

Part 4: How to Redevelop Rebecca as a Character:

When designing a Thomas and Friends character, one of the first things required is a real-life basis - and Rebecca was given a very interesting and unique basis that had the potential to give her very interesting stories. Rebecca is a Bulleid Light Pacific, in particular an unrebuilt West Country Class. These were strong, powerful mixed traffic Pacifics used by the Southern Railway from 1945 until 1967, giving them a lifetime of about 22 years. They were praised for their free steaming, excellent boilers, and had a number of notable innovations for British steam - including welded fireboxes and frames, as opposed to the traditional, riveted system. The class was also well-known for their availability, being able to pull trains on almost every line that the Southern Railway had.

In contrast, the class was also very famous for their flaws. Remember, Rebecca is an unrebuilt West Country Class, which had many of the same problems and flaws as their larger Merchant Navy Class relatives. These issues would plague the three Bulleid Pacific classes to such an extent that many of them were rebuilt by British Railways in the 1950s into a more conventional design which utilised the strengths of the class while altering or replacing many of the issues that Bulleid built into the engines as he used them as a testing bed for some of his more modern ideas. In particular, the major problems with the West Country Class were:

Adhesion problems: the lighter load on their driving axles meant that they were even more prone to wheelslip than the larger Merchant Navy class, requiring very careful control when starting a heavy train - there are several surviving videos of these engines struggling to start a train due to their wheelslip.

High fuel consumption - these engines were hungry, and this was in many ways highlighted during the 1948 locomotive exchanges where the West Country Class burnt 13.5 kg/km as opposed to the 9.02 kg/km of the T9 class that they replaced - for reference, the West Country Class’ coal consumption is comparable to the Gresley A1 Pacifics prior to the exchange trials of 1925 - a number which was dropped to roughly 10 kg/km after they were modified into the A3 class.

Restricted driver visibility due to the air-smoothed casing and soft steam exhaust from the multiple-jet blastpipe. The exhaust problem was never adequately resolved, and smoke continued to beat down onto the casing while moving, obscuring the driver's vision.

Maintenance problems: the chain-driven valve gear proved to be expensive to maintain and subject to rapid wear, which was particularly problematic during the Post War period, as British Rail focused on availability rather than high quality maintenance.

Leaking: leaks from the oil bath onto the wheels caused oil to splash onto the boiler lagging. Once saturated with oil, the lagging attracted coal dust and ash, which provided combustible material, and sparks from heavy braking would set the lagging on fire underneath the air-smoothed casing. The fires were also attributed to oil overflowing from axlebox lubricators onto the wheels when stationary, to be flung upwards into the boiler lagging in service. In either case, the local fire brigade would be called to put the fire out, with cold water coming into contact with the hot boiler causing stress to the casings, meaning these un-rebuilt locomotives would have warped casings, the result of a lagging fire!

All of these strengths and flaws tell a notable story about the kind of engine Rebecca may have been in real life: an engine with extremely good power and speed, but with difficulty at slow speeds and design issues that could have dangerous and rather embarrassing unintended consequences. This is a brilliant basis for a character, and it really irks me how little of all of this characterisation gold that Mattel ended up using - while it is consistent with how they treat their newer characters, it is also a real shame. Especially considering that from all of this, it is really not hard to build a genuinely interesting character that wouldn’t feel too out of place in the Railway Series or Classic series.

Firstly, based on the high coal consumption and severe maintenance and wheelslip issues, we can suggest that Rebecca is a bit clumsy and worries about how others perceive her. Her class was large enough for this to be less apparent back on the Southern, but perhaps she was one of the worst for it, so she was teased mercilessly - and so after having moved to Sodor, she fears how the other engines will treat her. To cover for these insecurities, Rebecca acts standoffish or gruff, wanting to keep the other engines at a distance so they can’t find out about her flaws and tease her for them - already very different from her original characterisation, but far more interesting as it makes her one of the few new NWR engines to actively try and push both steam and diesel engines away. Furthermore, her excellent steaming abilities and fast speeds in service could translate into Rebecca being somewhat reckless or a speed demon, wanting to use her strengths to both hide her weaknesses and as something she enjoys. Rebecca has an air-smoothed casing, and it may help her feel the wind better at speed, like Spencer with his streamlining. Quite simply, by using her basis as a starting-point for her personality, building up character-traits from strengths and flaws of the class, we can construct an interesting and different characterisation that draws people in, similarly to how the Reverend Awdry did with his eight famous engines. Better yet, it means that once the other characters crack open this more standoffish side to Rebecca, we can still see the kind and clumsy Rebecca from the TVS, but it feels more natural and rewarding to go through a journey to get there and if it’s directed only to her close friends, while also meaning that we the audience can still see her gruff side when dealing with unknowns or characters she dislikes.

There is also the fact that by considering her class basis, show writers can find interesting stories or take other issues with Rebecca’s class to incorporate into her personality. For example, the low-visibility created by the air-smoothed casing could translate into eyesight problems for Rebecca that she tries to hide because she fears engines would tease her for them, potentially culminating in Rebecca passing a red signal and getting into a crash. Maybe she doesn’t like fire or hates the works because of bad memories, meaning Rebecca hides any mechanical faults until they cause her to break down on the main line.

By building her character around her class basis, we can develop an alternative personality for Rebecca that naturally stands strongly around other engines - especially as there are very few other Southern Railway engines on Sodor who could see Rebecca’s gruff and cold attitude as the defence mechanism it is. It also gives Rebecca a strong connection to Henry, who acted practically the same when he first arrived on Sodor to hide his steaming problems, making him sympathetic to Rebecca and opening the two up to a long-term arc that ends with Henry having helped Rebecca grow into the happy, cheerful and clumsy engine from the series before leaving. Her recklessness could translate into a rivalry or competition with Gordon, who is far more responsible and meticulous with his express due to his experience and the pressure that has been put on him.

However, this is not the only way to build a better characterisation for Rebecca, the other option being to make Rebecca into a foil for other main characters.

Part 5: Rebecca as a Foil:

The other way to build Rebecca’s character into something that flows naturally with the other, previously introduced Steam Team members with making her more unique and interesting is to build it around the concept of the foil character. A foil character is a character who contrasts with another character, typically contrasting with the protagonist - a strong example of foil characters are Edward and Gordon, or Thomas and Diesel 10. Rebecca could quite easily fall into the position of being a strong foil character to the three big engines, more specifically James and Gordon, who are without a solid foil character to be contrasted against since Edward’s departure. In BWBA, when Nia arrived, she was considered to be closer to Thomas and Percy than Gordon or James, leaving them without a natural opposite. Rebecca has all of the strengths and weaknesses to fill this role.

For the first option, using the personality the series gives Rebecca, we get the following scenario: Rebecca arrives on Sodor and is both an express engine and a mixed-traffic engine. When she arrives, instead of fumbling her first Express badly, she succeeds, and James and Gordon become worried about their status and jealous of her high speeds. Remember, prior to the codification of the characters into one or two jobs by CGI, James was a common replacement for Gordon on the express, and having his role as secondary express engine threatened would be a major blow to his ego. Worse yet, Rebecca likes pulling trucks, and is thus both similar but also a complete narrative opposite to the pair. Other engines like her for her kindness and helpfulness, even if it does get her in trouble when she doesn’t get her own work done on time - which Gordon and James exploit to make rude remarks about her.

Already, Rebecca is a natural foil for Gordon and James, being similar enough for viewers to compare one to the other while also being different enough that her positive traits are highlighted against their negative ones.

Then, Gordon could discover her hidden clumsiness and wheelslip problems, exploiting them to cause her embarrassment - something that has previously happened to James and when Rebecca is reprimanded for the resulting incident, he remembers his own struggles with wheelslip. This makes him more sympathetic to both Rebecca and the audience, and places him on a path towards apologising to Rebecca for how he spoke to her - while Gordon enjoys having the express to himself again. This could follow naturally towards an endpoint where Gordon gets his comeuppance and Rebecca is accepted into the Steam Team, having been a natural foil to both and developed close character relationships based on how she is positioned in contrast to Gordon and James. The series then progresses to seeing Rebecca act in opposition to the pair, as well as trying to one-up them, being either the protagonist or antagonist depending on who the hero of the story is.

The second option is to use the character made for Rebecca in the previous part - the one built out of her basis and its issues - to turn Rebecca into a strong foil to Gordon and Henry, as well as potentially to Diesel or Thomas. This would begin with Rebecca arriving and acting recklessly with the express, being a speed demon where Gordon demands professionalism due to his experience. This startles CGI Henry, who is also not a fan of recklessness and places her at odds with them but also potentially makes her interesting to James, who is himself quite reckless. Furthermore, Rebecca’s standoffish behaviour and grandstanding alienates engines like Thomas or Percy, while being very similar to how Gordon, Henry and James acted during their younger years, forcing the three to be confronted with how they used to act, reminding them of their old selves (BWBA is so obsessed with flashbacks and dream sequences, so this would be a good opportunity for them to use classic series moments to help flesh out all three and Rebecca here).

This could build into Henry recognising the traits he used to hide his insecurities before he was rebuilt, helping to shift how the audience sees Rebecca and giving Henry an arc where he helps Rebecca learn to trust other engines and accept friendships - though notably not Gordon and James, who she sees as being the most likely to make fun of her. This helps Henry gain his classic series confidence back, giving him a boost to stand up and tell the Fat Controller that he wants to move, as well as the confidence to push back against Gordon when the big engine gets angry about the change. The series then follows Rebecca as she argues with James and Gordon, with engines taking sides depending on the episode - including Thomas potentially absolutely hating Rebecca due to his alliance and friendship with Gordon.

Finally, Rebecca’s actions and attitude could help spur Diesel into recognising some of these negative traits in himself, finally ending the character arc that was attempted with Springtime for Diesel.

Both of these options really focus on taking these established characters and growing them using Rebecca’s characterisation and unique position as the new big engine at Tidmouth, while also building off of Rebecca’s character strengths to make her stand out as unique too. Remember, Rebecca is the same size and strength as Gordon - the series hasn’t seen a NWR engine of comparable size to Gordon since Hiro was introduced, and he was neither an express engine nor a candidate for the Steam Team, so he was never a credible threat to Gordon. And before Hiro, the last engine of that size was Murdoch right the way back in Series 7, who never made it beyond the model series era. Rebecca has a real potential to be this threat to Gordon, being the first engine of such size introduced in almost a decade - she can pull express trains as well as Gordon while showing up James and being mixed-traffic and versatile like Henry. This is what irks me - Rebecca had everything going for her before she debuted, and got none of it.

What is even more painful is the fact that there are an infinite number of ways to further develop and build her character or other characterisations to give her that take inspiration from the source material while still being fresh and interesting - for example, what if Rebecca’s clumsiness came from her being a static exhibit, possibly one at a children’s theme park which would explain the bright colours. She could be so kind and cheerful as a way to handle the pain of watching her siblings be scrapped - something that she could bond with Oliver over. The point is that Rebecca had and still has potential but needs a lot more effort put into her than what she got in canon.

Part 6: Characters to Pair off with Rebecca:

This brings me to my final core part to this long, and slightly ridiculous dissertation: who to pair Rebecca up with to best build her character and insert her into this universe while feeling natural and potentially giving them some more screen time and character dynamics outside of their usual social circles.

For this, I decided not to look at Gordon, Henry or James, seeing as they got a lot of consideration in the previous parts, where they were core components of building up Rebecca’s character while also naturally removing Henry from the Steam Team. The following ten characters are engines who I feel would be some of the most interesting to pair up with Rebecca earlier on in the series, to help her bed into the series and give a wide range of popular or interesting characters for viewers to connect her to:

1: Rosie: Rosie is a USATC s100, a class that worked at Southampton when Rebecca would have been in service! These two potentially have history, and even if they don’t, Rosie would be one of the first engines to realise why Rebecca is acting so standoffish and breaks through to her, seeing as she would have known the class from her younger days. Maybe they become confidants once Rosie manages to break through Rebecca’s facade? Maybe Rebecca decides she prefers Vicarstown and we go back to the Classic-era ensemble cast? The opportunities here are great, and it has the potential to give Rosie some real backstory too!

2: Salty: Salty also worked at Southampton when Rebecca would have been in service, his class having been introduced in 1962, giving up to five years’ worth of potential overlap. Though it’s less likely the pair would have crossed paths, Salty would still know a lot about the West Country Class. He could potentially even float the idea of her getting rebuilt like a number of her siblings, which would add some real-life facts to the series! It would also be interesting to see Rebecca avoid Salty because she doesn’t want to be exposed by him - remember, she was in service at the end of BR, and really wouldn’t trust diesels based on what they did.

3: Thomas: Thomas’ class also worked at Southampton when Rebecca would have been in service! However, Thomas would not have personally been at Southampton which means the connection is a little looser. Instead, he could have heard about them from a sibling, or maybe Stepney? Imagine Thomas being really excited to meet this new engine who he’s heard all these positive things about and then it’s this standoffish, grumpy engine who Gordon says is dangerous at speed. It would make for such an interesting dynamic and we could see the cheeky and blunt Thomas from the early series again!

4: Oliver: These two both made it through the darkest days of BR and survived, and both are also very proud of their achievements - these being Rebecca’s speed and Oliver’s bravery - which could make a scenario where the two hype each other up, much to their own detriment. It would also be interesting to see how Toad would fit into this, seeing as Rebecca is quite reckless and Toad would be opposed to such a thing - and could create a really interesting dynamic where Oliver is forced to pick which of the two he believes during an episode. I can see Oliver being someone Rebecca trusts due to their shared experiences, and it gives Oliver some spotlight.

5: Emily: Emily was what Rebecca is - an express engine with wheelslip issues who is considered to be one of the best engines of their time. Emily is also an engine who has some issues with CGI-era characterisation and could really do with being revitalised, so why not work with it? Emily tries to be nice and kind with Rebecca, only to keep hitting brick walls and reverting to her old, bossy ways to try and force the new engine to do what Emily wants - bonus points if this is held as being the right thing to do in that situation! It could also play into her getting her number, maybe by rescuing Rebecca from an accident she got into?

6: Sir Handel: Sir Handel is another engine who desperately needs their characterisation revitalised, and Rebecca is a great chance! Sir Handel considers himself an express engine, and meeting Rebecca puffs him up as she regales him with tales of her speed. This plays into Sir Handel’s cockiness and he gets himself into trouble - and then he decides to get payback in whatever way possible, and we see the reverse of the situation where Sir Handel’s stories get Rebecca all fired up and she gets her own comeuppance. This would not only reintroduce Sir Handel, but also could set the foundations for Duke to return, with references to the MSR.

7: RWS Flying Scotsman: I specify RWS Scott because I want the kinder, more humble version we got in the RWS to the version we got in the CGI era. Seriously - this engine has just been saved from scrap and given a second chance and his first action is to antagonise his only living sibling? I want him trying to be a voice of reason to Rebecca, seeing as he is uniquely placed to know the consequences of wheelslip - something he also has; as well as recklessness - Scott was the first to officially hit 100mph, so he knows a thing or two! Even more, Rebecca might look up to Scott, based on his fame, though his stories may lead to her being more reckless!

8: BoCo: Remember I mentioned that the West Country Class caught on fire? Imagine a story with that, with BoCo (a Class 28 infamous for catching fire) as Rebecca’s foil. It could begin with BoCo backfiring and Rebecca making fun of him for it due to her disdain for the diesels who replaced her class before she suffers a similar fate when her boiler lagging catches fire and it’s BoCo who has to help her get her train home. It would be a great way for Rebecca to learn that diesels aren’t all bad, as well as giving her someone new to be friends with - and it would reintroduce BoCo! This could also help draw Rebecca down the branch to meet Bill and Ben…

9: Molly: Overtly shy Molly and secretly shy Rebecca who covers her shyness up with aggression would make for such an interesting dynamic! I can imagine Molly gathering up all of her courage to speak to Rebecca only to be shot down (unintentionally) and then never want to talk to Rebecca again, and it’s only when Rebecca realises that the bigger engine tries to hunt Molly down - possibly with hilarious consequences. This idea would really work well if you popped in Mavis, who would want to help Molly and stand up to Rebecca. It would also be interesting to reintroduce Molly, especially with Mattel wanting more gender equality.

10: Mike: This would be a case of grumpy, standoffish Mike versus standoffish-to-hide-insecurities Rebecca! These two would be about as productive as a house on fire. Literally! These two would naturally bump heads in the worst way possible, and it would create incredible comedy and infinite story potential. This would be even better if you added some inferiority complex on Mike’s side, based on the fact he’s never seen an engine this big before - seeing as Rebecca is the only engine of this size able to visit Arlesburgh. They would rile each other right the way up the wall and it would probably never get any better.

To conclude, Rebecca had real potential as a character - she had an iconic basis, good timing for her introduction and the role she was aiming to fill in many ways needed to be filled; Henry’s character assassination had made him hard to watch for a long time, and moving him out of the spotlight to give writers some time to rehabilitate him was long overdue. It’s just a real massive shame that they managed to fail so badly. By failing to properly plan and develop Rebecca, Mattel created a background character that they tried to have fill a major role that she simply was not able to fill. There were many better choices in the show to take Rebecca’s role, not least of all Molly - a yellow tender engine who was shy and a bit clumsy. By neglecting to properly integrate Rebecca into the series and then giving the show writers very little personality to work with, Mattel ensured that Rebecca would be a BWBA-exclusive character, an engine who never managed to gain half of the popularity of other characters who had comparable runtimes. Engines like Murdoch, Molly and BoCo have far better legacies than Rebecca, and it comes down to how they were treated by the series. All three were introduced with something that made them unique, be it through their interactions with other characters or through their own unique characterisation. Rebecca is a grim reminder to people developing characters for stories - especially characters being added later in the series to a cast of strong, notable and even iconic characters - that these late introductions need a lot of effort and carefully designed arcs to make them viable and allow them to become embedded into the series alongside those they share the screen with.

Rebecca is one of those characters who is enough of a blank slate that it is easy for people to project onto her. In some cases, this is useful to a character’s legacy - Fergus, Molly, and even Smudger all have been remembered far more fondly by the fanbase than their limited appearances ought to warrant, however this is mostly because they were given a strong enough personality by the show that these projections had preexisting characterisations to connect to. Rebecca was given far too little, and in redesigning her character, I feel like I’ve gained a new understanding of just how far Mattel had pushed the show prior to its cancellation. By expanding the series to include new characters from around the world while also demanding episodes with new, untested characters back on Sodor, the writing team was rushed to complete episodes with a plethora of new faces that had no substance to back them up. There was no chance for these foreign engines to become anything meaningful while Mattel demanded enough new characters to fill an entirely different series, nor was there time for many of the characters back on Sodor to develop meaningfully while the writers scrambled to try and create far too many new characters from scratch.

And it was the characterisations that suffered for it.

Once again, this was not an attempt to convince people to like or dislike the version of Rebecca found in BWBA, but instead look into why Rebecca as a character failed to stand up against the other Steam Team members or even many of the more notable secondary faces found in the TVS at this point in the series. This can be boiled down to comparisons to her predecessor, a lack of effort from Mattel to give Rebecca a chance to develop and the decision to use cliched characteristics to create a version of Rebecca that never was going to capture many viewers’ imaginations. This was also an attempt to redevelop Rebecca into someone that can be used by the fandom to rehabilitate her image, or at the least to point out what went wrong and what could have been done to fix it. Maybe someday Rebecca will get the redevelopment she deserved, or perhaps she will be left to the annals of Thomas history, becoming just another footnote in the ever-expanding list of characters who couldn’t stand the test of time.

Thank you for reading.

#weirdowithaquill #thomas the tank engine #railways #ttte #ttte rebecca #very long post #very very long post #ttte analysis #we do not like bwba in this blog #ttte emily #ttte henry #ttte gordon #ttte james #fix-it for rebecca #7600 words later...

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sugar-grigri · 1 year ago

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Yes, see Swordman announces that certainly the other "hybrids" including Reze are alive, but his presence raises more questions than it answers. Even if I'd like to see the way this chapter is cut, i.e. in three parts, already an element of answer.

The first part was a little confusing and contradictory, with the new bodyguard Fumiko, appointed by Yoshida to watch over and "protect Denji". But what really stands out for me is the line "you're the one and only Chainsaw Man!".

It's an answer that's already important, as it fits into a context in which Denji is increasingly stripped of his own identity as CSM, whether because of this impostor who represents the church, the church itself, the fans or the detractors. I had already analyzed the fact that CSM had become a collective essence rather than an individual identity. So to tell Denji YOU are Chainsaw Man is to give him back the link he has with himself.

But this line would be interesting in another context, and here we're getting into pure theory and personal speculation. To explain, let's break the chapter down into three parts. First, Denji and his relationship with Chainsaw Man, as we've just seen. Then, Asa, who is beginning to come to terms (positively) with her own popularity as the new heroine. And finally, Swordman, who appears at the end of the chapter and introduces himself as such.

My theory came from a single question: why did you present the chapter in this way? Why the ellipsis with Asa? Then continue with Swordman? I mean, Fujimoto did decide to bring these three elements together in a single chapter, so they must necessarily have some as-yet ungraspable narrative link.

I've been thinking about it, and there's a lot of mystery surrounding the "hybrids". We don't even know what they're called, since their names have been erased by Pochita, according to Makima. Which means that they represent a very special concept that Fujimoto intends to exploit. A concept surely more complicated than a human fused with a demon.

I've been thinking about this, and two main theories come to mind when I put together what little we know about them. Hybrids are immortal, or more precisely, they can be resurrected as long as they are given enough blood. There's something vampiric about that. Vampire in the sense that they're human-looking demons who need blood, literally. Another theory is more contextual, and that's the one I'm going to bring out today.

Have you noticed that all hybrid demons represent weapons, machines. Never a fear of a broad concept like the demons of the apocalypse, or of an animal like Beam, or stemming from natural reflexes like the fear of blood and the fear of falling?

My theory is that they are deeply artificial demons. This was more or less confirmed with Reze, who was a laboratory rat for the USSR, or Katanaman, who became what he is thanks to Akane Sawatari. What's more, hybrids are always more or less connected with the state, Reze with Russia, Quanxi with China, or Denji, whose public hunters are trying to get their hands on him.

I can't speculate any further, but the only thing I'm sure of is that "hybrids" have something to do with the evolution of the world. And when I mean "evolution of the world", I mean technological evolution, particularly of weapons.

Which brings me to my theory about chapter 138. There was always something I found unexploited about Chainsaw Man. Exploiting the relationship between mankind and demons, but in a different era, in the past.

When we return to the chapter, Denji and Chainsaw Man represent the heroes of the present, who threaten to be eclipsed by a new heroine, Asa, associated with the demon of war. Yoru would represent the future, which is why for me she refers so much to nuclear weapons, which remain the most advanced and dangerous weapon at the moment (along with hydrogen bombs, but you get the idea). Swordman, on the other hand, may represent the past, a hero from the past. I mean, people in the past weren't afraid of chainsaws or bombs, they were afraid of swords and crossbows.

Imagine how old immortal beings could be, representing traditional, ancient weapons? I think it's Quanxi aka the first devil hunter, or Swordman.

With this context, what Swordman says resonates even more, doesn't it? Who knows better the feeling of being forgotten than a hero of the past like Swordman? Hybrids are doomed to feel this sense of obsolescence.

Don't get me wrong, I don't think Swordman knows anything about this. He may have a few points from his past still fresh in his mind, but having been brainwashed by Makima, his memories are surely muddled. The fact remains that this link with the past and technological evolutions: hybrid demons are still those who have a direct relationship with the state and governments.

An important point, given that the Japanese government is the main antagonist in this story.

#chainsaw man #csm part 2 #csm spoilers #csm 138 #denji #quanxi #asa #asa mitaka #swordman #katanaman #makima #my thoughts

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vivemonroi · 2 months ago

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Can we talk about Hallelujah and how it represents Solavellan? We've long considered Hallelujah as the hymn for Solavellan, but I never fully realized how deeply it might reflect their love.

I combined lyrics from Leonard Cohen’s version and Rufus Wainwright’s rendition to get a "full picture."

Content spoilers!

I imagine that it’s Lavellan singing to Solas, sharing how she sees him and his story.

Now I′ve heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah

The "baffled king" could represent Solas and his god-like status during the Evanuris era. Even with his power and knowledge, Solas could be seen as someone vulnerable, struggling with the burdens of his choices. This reflects his grandeur and his inner conflict, showing that despite his god-like status, he was still susceptible to doubt, regret, and even love.

Your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew you

Now that we know more about Solas and Mythal’s relationship, I think that the "her" mentioned is actually Mythal, and Solas was willing to do anything for her. This includes obtaining a physical body and standing by her side no matter what.

She tied you to a kitchen chair She broke your throne, and she cut your hair And from your lips she drew the Hallelujah

But eventually, Mythal leaves Solas, who remains attached to her. She "broke his throne," meaning she pushed him to rebel; she made him cut his hair… and now the guy is bald. Clearly, this represents his betrayal.

The Hallelujah signifies the deepest, most sacred love — he still loved her, even then. But their relationship was ultimately toxic for both of them.

Maybe I've been here before I know this room, I've walked this floor I used to live alone before I knew you I've seen your flag on the marble arch Love is not a victory march It's a cold and it's a broken Hallelujah

Now Lavellan is singing about herself and her life before Solas. She was alone, especially after the Conclave and becoming the Herald of Andraste. The Dalish rejected her, and humans weren’t her people — much like Solas himself, upon awakening to a world that was no longer his.

With him, she discovers a love deeper than any she has known, she realizes that loving someone is not a "victory march." Her love for him is filled with pain and bittersweetness. It's hard to love him, yet she love him still.

There was a time you'd let me know What's real and going on below But now you never show it to me do you?

This is about the time they shared during the events of the Inquisition. He taught her about the Fade and the ancient gods, but after Trespasser, he vanished, concealing his true self beneath the mask of Fen’Harel.

And then there’s the line, “you’d let me know what’s real.” Remember what Solas said after they defeated Corypheus, just before he walked away forever?

“I want you to know that what we had was real.”

And remember when I moved in you? The holy dark was moving too And every breath we drew was Hallelujah

Both could represent the time they shared or her attempts to reach him after Trespasser. The "holy dark"— maybe the Blight?

You say I took the name in vain I don′t even know the name But if I did, well, really, what's it to you?

She didn’t know his true title, the Dread Wolf, a part of his very nature and ancient past. Yet she wonders: if she had known, would it have changed anything?

Now there's a different versions for Lavellan who want to save Solas and Lavellan who want to stop him.

The redeemed and happy version.

There's a blaze of light in every word It doesn′t matter which you heard The holy or the broken Hallelujah

At first glance, it may seem like the holy love, the holy Hallelujah, represents his love for Mythal, and the broken one for Lavellan. But I think it's the opposite: Mythal is a god, yet their love is broken; Lavellan is mortal, but her love for him is divine. Both of them have the power to redeem him, in different ways — one through letting go, and the other through allowing him to be loved.

I did my best, it wasn′t much I couldn't feel, so I tried to touch I′ve told the truth, I didn't come to fool you

The words point directly to Solas, she tries to convince him, that their love can find a way to endure. She isn't like Mythal, she accepts him, his nature. But he's afraid, he's not allowing himself to move forward.

And even though it all went wrong I′ll stand before the Lord of Song With nothing on my tongue but Hallelujah

Even in the end, Lavellan still holds onto her love for Solas, with nothing on her tongue but their sacred love.

She is his future.

Now to the grim and sad version

Maybe there's a God above And all I ever learned from love Was how to shoot at someone who outdrew you

He deceives her, and all that love has taught her is sorrow. Mythal' and Solas' history confirms that.

She remains steadfast, standing in his path, even if it means his end, because her love and his history taught her "to shoot at someone who outdrew you."

And it′s not a cry you can hear at night It's not somebody who′s seen the light It's a cold and it′s a broken Hallelujah

In this version, their love is doomed to be cold and broken. There is no light. She has given up on him, yet the suffering remains, deep and unrelenting. Still, it is a Hallelujah.

He is all alone, facing his most terrible fear. Yet he believes he deserves it and it's the only thing that can redeem him.

Thank you for reading this! I know I’m being delusional, but it helps me sleep at night.

#solavellan #solas dragon age #dragon age the veilguard #solas x female lavellan #veilguard spoilers #solas #dragon age spoilers #dragon age #solasmance #dragon age inquisition #lavellan #solas x inquisitor

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theabstruseone · 2 years ago

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'TIL a papyrus scroll indicates that, during the building of the tomb of Pharaoh Ramses III, the workers were upset about their treatment and, rather than discussing it with them, management served them a large meal.

'The workers didn't think that was enough so occupied the Valley of the Kings refusing entry to anyone until they were given a raise and "cosmetics" (research shows it was a form of sunscreen).

'So not only does workers organizing a strike and forming a picket line for better wages and workplace safety conditions date back TO THE FRIGGIN' BRONZE AGE, but also management has been trying to placate discontented workers with a pizza party.'

And then that went viral on Twitter and I got hammered with people trying to "Well ackshually" about my three-tweet-long thread on a thing I'd learned just that morning I turned into a joke about corporate pizza parties. So I decided to research and here's the entire story.

TL;DR: I was pretty much right except it'd be closer to say "donuts/cupcakes in the breakroom" rather than "pizza party".

The events took place sometime around 1157 BCE (specifically the 29th year of Ramses III’s reign) in the village of Deir el-Medina, a worker village for the people who worked on the built the tombs in the Valley of the Kings.

BTW, the site itself is fascinating as it was first excavated in 1922 and ended up being one of the most thoroughly documented accounts of community life in the ancient world and proved the builders of the Pyramids were middle-class skilled artisans and craftspeople, not slaves.

You also have to know that this era of history is around the start of what’s known as the Bronze Age Collapse. Some sort of environmental catastrophe happened that caused widespread crop failures across the ancient world.

Now what precisely happened is strongly debated, but generally several groups from elsewhere in Europe and Africa known as the “Sea People” attacked the ancient civilizations of the Mediterranean, which caused most of those cultures to collapse.

Also, commerce was a bit different as they were (oversimplified explanation) on the bread standard. Salaries were measured in values of beer and bread as the recipes for those were standardized and made up the basics of the diet.

So while common laborers would be paid in literal beer and bread, more highly-valued workers would be paid in an equivalent of a larger allotment of beer and bread. So they’d get paid “100 loaves a day” worth of oil or metal or coin representing the value.

Now, for our tale. This comes from the contemporary account of the scribe Amennakhte. If anyone wants to read along, a photo of the scroll along with a translation is available to read for free at https://libcom.org/article/records-strike-egypt-under-ramses-iii-c1157bce

On Year 29, Second Month of Winter, Day 10, a group of workers walked past the guards and sat at the Temple of Menkheperre stating it had been 18 days since they’d last been paid, staying the night in the tomb saying “We have matters of Pharaoh”.

The following day, a scribe brought the workers 55 “s'b-cakes”. So yes, a “pizza party”. I can’t find any reference to what this is precisely other than “fine bread” that was worth more than a large loaf of standard bread.

Seriously, I wasted an hour of my life trying to figure out what “s'b-cakes” are exactly so if anyone knows please tell me.

Anyway, it didn’t work and there was “quarrelling” at the temple of Ramses II. The translations says “chief of police” which doesn’t seem quite right but I’ll go with it, but anyway he said he’d fetch the mayor of Thebes.

The mayor claimed they didn’t have enough to pay. The workers responded by saying “The prospect of hunger and thirst has driven us to this. There is no clothing, there is no ointment*, there is no fish, there are no vegetables.”

They then said to go tell it to the Pharoah directly. On Day 12 (the day following the “quarrelling”), they were given their ration they were due during the previous month (basically, they got their back pay). It was 21 days late.

Side note: I got some pushback by an “Egyptologist” for calling the “ointment” a type of sunscreen and…yes, it was. Some translations mark this as “cosmetics” but it was a medicinal balm used to prevent and treat sunburn. What the hell else would you call it?

So Day 13 (the fourth day of the strikes) and Mentmose, the “chief of police”, apparently took a side. He told the workers to lock down the work site and continue their protests, and that he’d lead them to the temple to continue the sit in.

His words (recorded by Amennakhte): “I’ll tell you my opinion. Go up, gather your tools, close your doors, fetch your families, and I’ll lead you to the temple of Seti I and let you settle down there.”

At this point, the tax master Ptahemheb came out to talk to them making a list of all the things they demanded. On Day 15 (sixth day of the strike), they tried another “pizza party” with half a sack of barley and a jar of beer for each worker.

Amennakhte doesn’t say what their response was exactly, but does say that the workers brought torches so they could continue the protest in the dark. So I take it the response wasn’t good.

Day 17 (eighth day of the strike), the head of the temple came out and asked what demands to bring to the Pharoah for them. And they gave a detailed list of what precise wages they wanted for each of the workers.

On that day, they were given what they asked for in rations for the second month of winter. They may have also been paid early as they should have been paid on the 21st or 28th day depending on the source.

So we’re now in the third month of winter (no exact date written) and they’re still striking. Worker Mose said basically “As Amun as my witness if you drag me away I will come back and start robbing the tombs.” I couldn’t fit the whole thing in one tweet.

Reshpetref, the proctor, said “We will not come back, you can tell your superiors that. For sure, it is not because of hunger that we strike, but we have a serious charge to make. Something bad has been done in this place of the Pharoah”.

We’re on the fourth month of winter now, Day 28 (so over three months of striking now) before the Vizier shows up. This is the government official that handles day-to-day business and is second only to the Pharoah.

He says he just got promoted so isn’t authorized to give them their wages (at least partially true, he’d just been promoted five days prior) and even if he could, there was nothing in the granaries to pay them with.

The granaries may have been empty because of the other issues going on with the Bronze Age Collapse or it may have just been the rampant corruption speculated of the government of the era, or he may have been lying.

On the first month of summer Day 2, the crew got two sacks of grain as their ration (they’d demanded 5 ½ sacks each). The foreman Khonsu told them accept it, then go down to the market and tell the Vizier’s children about it.

Amennakhte (who again, is writing this scroll) stopped them and said NOT to go to the market since they’d been paid and if they did, he’d have to have them arrested. He doesn’t mention they were only paid a third of what they were owed.

First month of summer, Day 13, passes the guard post saying “We are hungry” and continued their sit in. They shouted at the mayor of Thebes as he passed, who then got them 50 sacks of grain to tide them over until Pharoah paid them.

That’s the end of this particular scroll, but there’s evidence that strikes continued throughout the reign of Ramses III as there are records of more workers being hired to transport food and supplies to the workers.

The scroll also leaves out some of what happened in between dates. For example, it wasn’t one single long strike, but a series of them. After they were paid their wages the first time, the workers went back to work.

However, they were told that was their pay for the third month of winter and not the second so they wouldn’t be getting paid again, sparking the second strike that lasted into summer.

There’s also a big deal in Egyptian culture at the time called “Ma’at” or basically “The Order of Things”. Nobody had any idea what to do with the striking workers because workers weren’t supposed to strike. They were supposed to work.

Sure, they were treated well and the village of Deir el-Medina lived at what could be called middle-class standards for the time period, but they weren’t supposed to rebel against their betters in this way. It was unthinkable.

There was also a big festival coming up to celebrate the 30th year of the reign of Ramses III and a lot of the government officials were focused on that, more concerned with maintaining order than actually managing the country.

I should also note I paint Amennakhte as on the side of the government rather than the workers when the opposite was likely the case. The strike wasn’t recorded in the official government records as Egypt tended to cover up their losses.

That said, we do have some records like those of Amennakhte showing that, once the workers realized they had the power to organize, they used it all the way through the New Kingdom.

The last entry on the scroll doesn’t directly involve the strike, but is related. On the first month of summer, Day 16, one of the workmen provided evidence that government officials were stealing from the tombs.

One of them, Weserhat, was one of the ministers who shorted the workers payment previously. The other, Pentaweret, may be the son of Ramses III at the center of the “Harem Conspiracy”, an assassination plot that took place between 1 to 3 years later.

In summary, the workers were unpaid due to corruption and management enriching themselves, they went on strike, management threw them a pizza party, that didn’t work, and they eventually got their demands.

Though I guess if you want to be completely accurate, it was more “donuts/cupcakes in the breakroom”…

#egypt #ramses iii #ramesses iii #labor rights #strike #pizza party #donuts in the breakroom #union #union strong #Also before anyone says this is Ramses III not the Pharaoh of Exodus #That was Ramses II almost a century earlier and a completely different dynasty #Not going to open the can of worms that is archeological evidence (or lack thereof) supporting biblical accounts of history #But either way the events are unrelated as they were 70-100 years after Exodus would have been #ancient egypt #ancient history

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tokiwarcube · 6 months ago

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I always wondered what the boys would think if their s/o was in a band (the genre is up to you) and they have the same position in the band as the boys. This has been a thought that won’t leave me alone, help me!!

P.s I love your writings for these 5 silly men !! :)

Aww, thank you so much!! I absolutely fell in love with this prompt -- and I had an absolute blast writing it! Now I will Also be thinking about this forever, haha. Enjoy! <3

(Implied NS/FW warning for Pickles' section!)

Nathan Explosion

My simple, multi-platinum krillionaire rockstar — for as much as he daydreams about what life would have been like if he got to live like a regular jack-off, it’s just not the path for him. So dating another famous lead vocalist? Right up his alley.

He actually likes it more than he thought — it’s nice to bounce lyrics off of you, and vice versa. Toying with pitch, cadence, and intonation, all the different vocal techniques without judgement of sounding silly… Your halls are always alive with the sound of music… even if the subject is about death and murder, it’s its own form of magic.

But singing at home and singing in concert are two very, very different beasts. He wasn’t prepared for how intense you could be on stage, with the band to back you up. Your confidence as you stride, growling so mean he can feel it in his blood before perking back up to bounce away? All of your little stunts? Half of him is taking notes for their next show, and half of him is utterly starstruck. Your eyes dart over to him every now and again, smiling when you notice his wide eyes. His breath hitches when you throw a little wave to him in response, and he can’t help the breathless “holy shit” that falls from his lips.

You’re not as popular as Dethklok, but you couldn’t tell that from inside the venue walls — with how easily you command the crowd, he’s certain you were a siren in a past life. Or now. You could tell everyone in this room to jump off a bridge, and they would, he’s certain of it.

That would make a good song, actually…

Pickles the Drummer

Pickles has a pretty sizable repertoire of instrument proficiency — bass, guitar, keys… a brief stint with an alto sax, as a bit… and currently, drums. He’s got a soft spot in his heart for all of it, each instrument representing a specific era of his life, but he’s found himself enjoying the drums the most. It’s strong, supportive — every song needs a beat! It takes a specific personality to play drums well, and it’s one that he both embodies within himself, and covets when in others.

This is all to say — he finds it very hot that you play drums.

And as a man who appreciates a nice set of legs, he very much likes the effects drumming has on your calves. Your calves might be sore after a long practice session, but that’s nothing compared to the bites he’ll leave later in the night.

He also loves to watch you play — sweat rolling down the column of your throat as you raise your hands above your head for another well-timed strike, lost in the rhythm… Woof.

You’ve kind of gotta beat him back with a stick while on tour if you ever want to go out for drinks after a show — if he had it his way, he’d be spending the post-concert glow in the hotel, letting you know just how much he liked your performance.

Skwisgaar Skwigelf

Anyone looking in would assume this would be a point of competition, but he actually really loves having someone he can talk technical with! Despite being in Dethklok, he doesn’t really get to talk guitar often — Toki, Murderface, and Pickles can play, sure, but the former two don’t give a fuck about technique, and Pickles just doesn’t care about it enough to chat about it outside of the studio.

He loves hearing about all of the little musical decisions you’ve contributed to in each song — don’t think he didn’t catch the time signature change there. Just a single bar, why? Or this section here, that was a reprise of the first song in the album — how are they connected? He catches all the little details, and he wants to know all about them. In this same vein, he’s also great to bounce ideas off of when you’re in a rut… but be careful! His ideas are damn-good, and at this rate, he might just need a spot in the writer’s credits.

It’s very fun to just sit down and jam with him, passing the melody back and forth as your improvised tune grows. He calls it practice — and in a sense, it is — but really, he just likes playing with you.

He pushes to have your tours alternate with Dethklok’s so he can be at all of your shows, and vice versa — you have his full attention during your solos, and he’s not above slapping the boys to get them to shuts up so he can hear you in all of your glory.

He’s pretty stationary on stage — such is the downside of working with a bunch of uncoordinated dumbasses. (He is not exempt from this.) But if you have the agility and focus to bounce around on stage while playing? Oh, he didn’t think he could fall in love any further. He didn’t think he was capable of being starstruck, but you’ve proven him wrong tenfold. He’ll happily brave a couple thousand rabid fans for the pit experience — sorry to all the people stuck behind his towering self, but being backstage is nothing compared to barrier. The flashing lights, choking fog and towering flames only make you look more beautiful than ever, and he can’t help but reach out to you when you waggle your fingers at the crowd.

Personally offended if you don’t throw him at least one pick on tour. He does not care that he is 1.) Dating you, and 2.) Has limitless access to your stash. It’s the principle.

You wear each other’s picks on necklaces <3

Toki Wartooth

You play rhythm too? Wowee! You’re so good, though — how are you not playing solos?

He is completely gobsmacked by the fact that not only are you not the lead guitarist, but that you don’t care to be, either. I mean, he has Skwisgaar to compete against — and as loathe as he is to say it, it’s a pretty fucking high bar to surpass. But you? You could easily play lead! You just don’t want to? What?

He doesn’t really get it, but he writes it off as just you being humble. Beyond that, your similarity doesn’t really play too big of a role in your shared lives! But when concert season rolls around, he’s insistent about hanging out at barrier, just so he can see what it’s like to be at one of your shows. And then, then, that’s when he gets it.

You never seem to stand still, bouncing this way and that, playing in ways he never even thought possible. You don’t need to play solos to wow the crowd — hell, he’s been practically raised by the most popular band in the world, but with you in front of him now, he feels like just another one of your adoring fans itching at the chance to even be seen. Nobody cheers louder than Toki, and he’s insistent on going to each and every one of your shows.

After show from here on out he’ll interlock hands with you, congratulating you on yet another show well-done. He traces the callouses on your fingertips, heart swelling with giddiness at dating such a badass guitarist.

William Murderface

Finally, someone else who appreciates a good bass line. A band is nothing without the bass, especially metal, and it’s nice to talk to someone else who understands that. Especially after being AJFA’d out off all their most recent albums.

Playing bass is a very thankless job — you have to support the entire band, giving them structure and direction without any of the thanks that the rhythm guitar or the drums get. The most, and I mean the most that he gets, is a solo at the end of the show. Which is fun, but you know… it’s very much a job that you take because you love the big picture, not the details.

That’s his point of view, anyways. Because the second he sees you in-show, his whole world gets flipped on his head.

You have a very confident poise on stage — unshakeable, much like the deep notes that you pluck from the instrument. And yet, you command attention from the crowd effortlessly. It’s like you were made for this — all long strides and sneaky smiles as you move around on stage. And despite the eccentricity of your fellow bandmates — a very energetic show, he’s noticed — you still draw a sizable amount of attention from the packed arena, and man does he wish he was in the pit right now so he could get that sly little smile head-on. And huh, maybe bass can be fun, after all.

He loves to brag about you, and will do so at any opportunity.

After seeing your prowess on stage, he starts practicing a bit outside of concert season… and then more, and more, until he finally feels ready enough to fight to get the bass turned up in the next Dethalbum. Thanksch, babe.

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eebibly · 2 months ago

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I don’t reaaaally like the stardresses

But not for the same reason I’ve seen others dislike them? The biggest argument I see against Lucy’s stardresses is that it’s too much like Erza’s requip. I don’t disagree with that specifically. The thing is, in a roundabout way, I would argue that the issue with Lucy’s dresses is actually more of a reflection of the issue with Erza’s power (which I may or may not make a post about). What I mean is, if Erza’s magic was better developed, Lucy’s magic would seem more original.

Much like almost every other magic in this lazy-ass written universe, I don’t like the ‘rules’ (or lack thereof) for summoning them. The power scaling in FT is infamously terrible, so I’m basically preaching to the choir, but brain rot takes over my typey fingees sometimes.

So I’ve been reading the manga because the anime recently upset me, therefore I’d now rather quickly read through FT: 100YQ than invest a lot of emotional energy in an adaptation that really slows the pacing of its printed counterpart. That being said:

Part 1: Aquarius

First of all, I don’t agree with the fact that Lucy can still use Aquarius’s stardress. I understand that it was gifted to her by the Celestial King during Tartaros, but that only should have lasted as long as that war. I think it undermines Aquarius’s sacrifice and I also believe it would have benefited Lucy and her goals as a character for 100YQ. Giving Lucy Aquarius’s stardress could have represented the end of an era but the start of a new one. And it does, ostensibly. Aquarius is basically Lucy’s first spirit, someone who has both a strong connection with Lucy and with her mother. It’s a difficult bond to break, but a testament to Lucy letting go of a piece of her past to protect her present bonds. As a reward for such a sacrifice, the Celestial King gives her one last chance to fight for her future with an old friend’s power. It’s a beautiful moment that acts as closure for Aquarius’s “loss”, but also a hint at the new possibilities for Lucy’s new abilities. And that’s all it needed to be.

However, despite the fact that her contract with Aquarius is, for that time being, null and void, Lucy now overuses ‘Aqua Metria’ at every turn instead of bothering to actually summon the spirits with whom she currently has contracts (and seriously, is there no reason she can’t use Regulus Impact? I feel like it accomplishes the same… impact). This paragraph is just me venting, I find it quite annoying… Not to mention that not having the dress until she gets the key back could be something else to look forward to! Also Aquarius’s dress is probably my least favourite… so boring and just another excuse for Mashima to draw as little clothes on Lucy as often as possible.

Part 2: Borrowed power

Or at least, I feel that her stardresses should be considered borrowing a part of her spirits’ powers. Celestial magic is unique in that the wizard doesn’t just need to understand the mechanics of it, or how the magic flows within oneself. It also requires an extra level of bond and trust for it to function at its fullest. It’s actually a really beautiful power, one that I really admire. Which is why I’m so sad that it’s so misrepresented by its own creator. This is my opinion, but considering that summoning spirits is the main facet of her magic, I strongly feel that summoning a stardress should cost more power than opening a gate as well as be less powerful than the spirit whose dress it belongs to. That way, it’s still more worth it to summon the spirit, but is also a testament to the wizard’s magic power and their bond with their spirit since they are willing to expend even more power just to be able to fight alongside them. Not only that, but it feels to me like the dresses should be the spirits sharing their power with Lucy. However, it feels more like Lucy is summoning an entirely different entity that scales purely on her own magic power. Doesn’t that make her spirits obsolete? She barely ever summons them anymore because it seems that choosing to summon a stardress and skipping the spirit is not only more cost effective, but also makes her combat more efficient. If she fights better by herself than with her spirits, why even have spirits?

Considering how poorly written the spirits are, I’d almost argue that the stardresses, and only the stardresses, should’ve been Lucy’s power from the start. If you can’t do it right, then don’t do it at all.

On that topic:

Part 3: Is he bored of them?

I’m genuinely wondering if Mashima grew tired of his own concept. And by that I mean, the spirits specifically. Because he clearly loves the moral behind them. You love and respect them even if they’re not human. A moral developed really well, at least as far as I’ve seen in the anime, in Edens Zero. I won’t spoil it because this is a post about Fairy Tail, but I really like how that moral is done in that story. But he made 2 major mistakes in Fairy Tail. 1) Celestial wizards are rare. How can you fight for a cause if there is no cause to fight for? He tries to make up for this by Lucy starting to connect with other characters in the way the other protagonists just can’t, like Eclair from Phoenix Priestess and Athena from 100YQ. Great, point for Lucy’s character, really well done. Why can’t she extend that to her spirits on-screen? 2) he seems to have decided that because the spirits aren’t human, they must be one-note?? And only one spirit can have depth at a time. When he needed Aquarius to matter, Loke devolved into the thats-my-wife-guy. Meanwhile Aquarius evolved from raging PMS b*tch to ‘well maybe I do love Lucy after all -3-’.

He has written so so so many characters into his canon, but the celestial spirits, nooo that’s too much to keep track of. Despite how much he hammers home that they matter as much as everybody else. Worst of all, most of the time that they’re summoned, Lucy just seems annoyed or disturbed. So which is it???

Part 4: Help

I wish I could let go, someone help.

If you got this far, thanks for reading ✌️

#celestial spirits #fairy tail 100 years quest #fairy tail #lucy heartfilia #aquarius fairy tail #loke fairy tail #stardress #why can’t I stop thinking about this frickin story there are so many better ones I also enjoy why am I obsessed with this one #lazy writing

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stripedwolf88 · 8 months ago

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The Eras Tour: Paris Night 1 (My Thoughts)

ALLLLLLLLRIGHT. So because @bettysgarden12 wanted to know my reactions and thoughts on everything that happened today, I thought I would share with the rest of yous. It's probably not going to be very in depth or analytical so fair warning on that hehe. Also this probably isn't in order of the show because my memory is trash haha.

1.First things first. The lover bodysuit. WHaT iN ThE FRiLly HeLl?!?!? I literally still don't know whether or not I dreamt of seeing that new bodysuit. Definitely, lesbian colors represented there and it was confirmed with the orange blazer she wore for The Man. It was not an accident I'm sure to have the inside be pink too.

(Side note: we all knew that The Archer was going to get cut. It actually makes a lot of sense too. I think we are past Taylor asking us to stay, not that she doesn't still hope us too. It's more like she is fine with blowing everything up now instead of focusing on the worry of messing everything up. At least I hope that is the case. We're here for ya Taylor. You got this.)

2. Second, the Fearless dress. I LOVE IT SO MUCH. I also saw that it looks really reminiscent of the original dress she wore for her Fearless tour. It's almost like she is going back to what once was.

3. Third, transitioning right into Red was something. The new Red shirt says "This is not Taylor's Version" when Red is in fact Taylor's again. Some of my moots pointed out that it could be referencing the whole Real Taylor vs Taylor The Brand theory that we as a community have been developing for quite some time. With this thinking, it would mean that the Taylor we are seeing is not someone Taylor claims as her own or something like that. It's not truly her which we all knew already.

4. Fourth, we saw a new intro for Speak Now (now officially just Enchanted since Long Live has been axed.) I don't have much to say on that other than I wasn't surprised that Long Live got cut. This cut also makes sense if we are thinking that Taylor is gonna burn it down. No more reminding about the good times or the "needing" fans to stand by her forever.

5. Fifth, combining folklore and evermore was unexpected but also not? Idk it made sense and to me it just seems like it was easier to combine them since room had to be made for TTPD.

6. Sixth, Rep was Rep. Nothing really changed from what I could tell or remember other than THE FREAKING GLASS CASES SHATTERING!!! YOU BREAK THAT GLASS CLOSET TAYLOR! WHOOP WHOOP!

7. Seventh, 1989 outfit was...something. It's just not my cup of tea visually. I DID NOT notice the lion or tiger(???) charm she had on until someone else pointed it out. Very interesting either way.

8. Eighth, putting TTPD before Midnights was an interesting choice. The whole theory that we still have to meet her at Midnight (credit to my moots for pointing this out again) is supported by this I think.

9. Ninth, the dress for TTPD is amazing!! And so are the other two outfits. The marching band uniform and it's possible reference back to ME! music video? It has me in shambles.

10. Tenth, the performance for Who Afraid of Little Old Me was visually amazing and she sang it beautifully (no surprise there) with such emotion that it was impossible for me to look away. Her levitating across the stage was also freaking awesome!

11. Next the empty cages imagery?? The nurses pulling her away from her lover??? The image of her crouching in the middle of this weird ass place??? That one really kind of freaked me out. It was eerie and heartbreaking in a way I'm not quite able to explain at this moment.

12. I was conflicted about I Can Do It With A Broken Heart both before, during, and after the performance. I had a feeling she was going to perform it and I kind of wanted her to just to hear her sing it live but then not because I knew how the fans were going to react. I really did face-palm when everyone yelled "More!" on the livestream but we all knew they were going to. The transition into ICDIWABH made me want to throw something at the TV but I also did snort on the petulance on Taylor's face for the little act. I really liked the old Hollywood theme for the visuals and the dance. It was pleasing to watch. BY THE WAY....HAVING THE OUTFIT FOR ICDIWABH ECHO HER OUTFITS ON REP IS REALLY SOMETHING. She bamboozled me again.

13. Midniiiiiiights. THE BODYSUIT IS MY FAVORITE ONE OUT OF THE ONES WE HAVE SEEN SO FAR. I'm glad that Mastermind was kept. I didn't think that she would have taken away anything from the Midnights era but if there was I had this weird concern that it would be Mastermind. Thank god my anxiety was unnecessary.

14. The surprise soooooongs~ Paris is a favorite of mine so I'm happy she played it but also of course she did. That was another predictable thing that happened. Her performance of loml was again heartfelt. She seems really happy to sing these new songs and it shows.

15. I am pretty freaking sure that the Bejeweled lights were a LOT more colorful and rainbowy than usual. Was that just me? Please tell me it wasn't just me!

Overall, it is safe to say that I was not prepared for the absolute chaos that today brought.

Taylor, it seems like you're really doing this (I reeeeeally hope that is the case) and I'm so happy for you if that is what is happening. You do you and you show us what's up. I'm looking forward to it. <3

#kaylor #gaylor #gaylor swift #ttpd #the tortured poets department #the eras tour #paris n1

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katyspersonal · 6 months ago

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How many frenzied flame lords do you think existed before the Main game and DLC, and would you become one if you had the chance?

( @izunias-meme-hole )

Okay first of all, do not even bother asking me the latter question, at this point it is rhetorical 😔😔😔 *gets bonked by Melina* OW!!!

As for the former,

fdsjhfdsgh sorry for obscure Kirbу meme, I needed to use it somewhere No, but literally:

This description perplexes me a LOT because it might, after all, mean that Nanaya's Torch is not that of their son after all, but something they've found in their search, as the idea of Lord of Frenzied Flame once was their hope to overcome the cruelty and injustice.. until it wasn't, lol. "Distant land, age long past" could mean that their land, now Abyssal Forest, is distant and forgotten in the context of the game's world, or it could refer to areas like Ancient Ruins of Rauh! ....in fact, regardless of what you think her torch is, Rauh civilisation could have came in contact with something similar!

The Fingers predate basically everything, it seems.. Elden Ring originally belonged to the Ancient Dragons and dated back to the original big tree prior to Erdtree! (from Remembrance of the Dragonlord, "The Dragonlord whose seat lies at the heart of the storm beyond time is said to have been Elden Lord in the age before the Erdtree. Once his god was fled, the lord continued to await its return.", sorry I often forget to copy screenshots fhdhsf) Elden Ring itself was a shooting star, so a thing that appeared after Metyr, so, after Fingers! And before Fallingstar Beasts, and before the stars that started research of Astrologers, all that!

It is hard to compile a normal reference sorry but what I am trying to say is, the Lands Between have the same ruins as Rauh all over them, and moreover, it is possible that Rauh civilisation were the ones who built the Divine Towers! @val-of-the-north also pointed out that the Divine Tower of Stormveil predated Stormveil, although it is hard to see since in the game the exact same angle as on the painting can't be accessed:

(Also no Erdtree in the painting!!!) So, rather that the new Erdtree's Gods family building them, either 1) they simply made sure to build residences of the Demigods to be connected with them because lesser Two Fingers were already living in them or 2) same thing, but the towers were good spots for lesser Two Fingers to settle and reside in! This is also important because Rauh civilisation is so ancient that even civilisations in the setting call it ancient fsjhdfhs

I am not sure whether Three Fingers are some sort of mutant/rebel child of Metyr or, if Frenzied Flame is an 'antagonist' of the Greater Will, they were at least created at the same time as Metyr's fingers! It would be paradoxial if life could be brought by Frenzied Flame, so I am leaning more towards the former! Metyr and her spawn received the signals from the Greater Will until they didn't, and so, Three Fingers received the signal from Frenzied Flame. "Punk child that listened to the uncle no one likes", yeah.

Maybe it happened because the signals from GW stopped, since on larger scale, FF represents the wish to merge back into One Great! Would not it make sense if at least one child felt like being thrown into existence to figure it out yourself was too complicated, hard, unfair and over all not worth it? All Two Fingers want is strong guidance in place of GW that abandoned them, if not Marika then Demigods, if not Demigods then Tarnisheds! Three Fingers want endless existential loneliness, reliance on the "gods" who are no better than men (thanks Godmask lol), births and eras changing in vicious cycles to stop.

The first Lord of Frenzied Flame, successful or failed, also should be a later event than existence of the Three Fingers, since we can conclude that one only becomes such by being directly grasped by them:

I still don't know why they've ended up not using this item, cowards

Likes I said, I think that Three Fingers became a thing after Greater Will abandoned Metyr and her brethen! There are two massive Finger Ruins in the Land of Shadow, incomparable with the place where Metyr resides, and in both we find the tailsmans alluding to the birth of the Erdtree:

My super ultra huge brain extra interesting giga hot take is that the massive two Ruins were the grasp of the OG Two Fingers, much bigger than all 'descendants', preparing the Earth for the Erdtree! After GW abandoned them, Metyr kept waiting for the signals in desperation, and Two Fingers said "well fuck you anyway, I'll make my own God then with gold and tits!" and turned to Marika for it! Three Fingers, however, received a different signal, or summoned it in their despair!

As for human(oids), Frenzied Flame alludes to a couple of things. There is "Lord of Frenzied Flame will take their torment, despair. Their affliction. Every sin, every curse. And melt it all away." like said in Hyetta's dialogue and Midra's Flame of Frenzy, and there is "Destroy all that divides and distinguishes" like said by Shabriri, a ghost that yearned for Lord of Frenzied Flame after Vyke failed to become one and Merchant Kale in the unfinished questline! I think the former is the original brand of despair, more universal, whereas the latter is something that developed under Marika's reign! Not to mention that Shabriri, the guy who ensured people can get sick with FF even without Three Fingers if they lose all hope, was a rando noble at Leyendell.. Makes me wonder whether the Curse of Despair V 2.0 is his words, and not Three Fingers' 🤔 You know, how in every other religion, the initial message gets paraphrased or adapted to fit the current events more?

There is a very long chain of events after or shortly prior to the Erdtree, going through War with the Fire Giants, Erdtree era deifying Crucibles and their knights (!), War with the Ancient Dragons, the "betrayal" of Marika and the Erdtree mentioned by Hornsent Grandam and the guy we interact with (!!!). So, I think it was been enough time prior to the Crusade for not only Midra, but 'many before him' to keep falling into this pit! They were not targeting the Erdtree as the reason of their woes, what I believe 'destroy all that divides' patch entails, but they had their own woes. Midra and his servants descended into this path because the Hornsent Inquisitors kept hunting him and his servants like heretics, for example:

There were other conflicts, other reasons for revenge and despair, other unfairness between other people too I imagine. Just... variety of things that made Three Fingers approach to help with the revenge! Marika, who had her own impulse for revenge, again, was approached by Two Fingers with the intent to give it to her so new Order is built and new leader is found in GW's place. She was not an option, but she was exceptional! Every other person possessed with the despair, revenge and other forms of strong pain, was approached by Three Fingers instead with the hope to also give them the """justice""" and peace they desired. Only, this time, the "peace" meant killing oneself and everyone else XD

So, again, that were "many of them". How many people were driven to despair in the span of centuries? I think most of them failed, because none was driven to the point of ignoring what Frenzied Flame really was! They'd understand the horror of this power being after all of the existence, even spirits, and chicken out. Like, the "not even my enemies deserve this" level. That leaves a number of people who'd agree to potentially throw the world into a fire deep down, YOU be the judge how many people realistically would be either tortured or insane enough for that x) + Midra in the moment he breaks also becomes the Lord of Frenzied Flame, albeit just for one cool boss battle!

And then those who became Lords failed in another way, because either their bodies would expire their use after they've reached their goal of revenge/justice/liberation, or they were caught and stopped before they could burn the world! I love the former idea better because it has the connotation with the concept of giving your soul to the Satan in order to accomplish your goal. Alas, no one can accomplish Satan's goal in this case, so it is trying and trying, with them small-thinking humans, who can't carry on the purpose of burning everything and their fire fades when what driven them to despair to begin with is accomplished.... Lord of Frenzied Flame is a very assimilative thing, yet something still lives in the 'body' part that carries its blazing microcosm head, and THAT is the one last issue with the concept (for everyone's luck)...

This is why setting the "goal" of "deal" with the Three Fingers to burn the Erdtree was SO effective, since it came to represent all life in the Lands Between! Shabriri struck a really good (?) cord here. And of course Marika ensured that Thee Fingers were sealed under Leyendell, so it would be much easier to guard them from intruders!

________________________

So, to conclude; it is impossible to give you the exact number of Lords of Frenzied Flame! Simply imagine the concept of desperate and mad seeking to deal with the devil and place it from the time GW abandoned Metyr and her spawn to the moment Marika sealed the Three Fingers away. And then after some time skip, there were Vyke (failed) and Tarnished (successful), so 'undefined but probably big number + 2'! ....and this ended up a way more elaborate topic than I expected, I think I've just learned a few things myself

#elden ring #three fingers #lord of frenzied flame #elden ring theory #elden ring headcanons #elden ring reference #screenshots #ask replies #I connected the dots. I connected them

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philosophicalparadox · 2 months ago

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The term “Modern AU” for Naruto fandom needs to die. (Jk, sort of). It needs a new name, for ontologies sake.

Like. There is no consistency to the technological advancement in Naruto at all, but nonetheless, it is a demonstrable product of its initial years of development, which is the 90’s.

Throughout pt1 and Shippuden, we get a weird and nonsensical mix of Showa era (all of it, from 1886-1949) postwar period (1947-1980 thereabouts, though Wikipedia will disagree with me on that) and mid-late 90’s tech boom.

Now you could solidly argue for a “modern” interpretation of the Showa-era systems and customs, although that very much interferes with 1. the Uchiha as a clan, because they are 100% late Showa / WW2 period culturally. Hyuuga are more representative of the earlier Showa era, like 1920’s or so. SO yes you could do away with that, but frankly those clans are not themselves outside of that satirical context. (And I do actually think Kishimoto meant it to be satire, or at least his editor, who came up with most of the Uchiha premise, did). And

2. The whole Shinobi premise, which had still-living threads during that time period despite Shinobi as a profession supposedly dying in the 1850’s. (Pfffffft, Like mercenaries went anywhere during the European renaissance; they simply went from mercs to commissioned officers. Title change but not role change. Same idea.)

Furthering this, if you take them out of the dirt, so to speak, then they cease to have the in-universe function that they do. They don’t have to — you can still absolutely mock up a Mercenary-Paramilitary-Mage Caste for the “modern” world, by which is typically meant: In Japan/Our World, not the NarutoVerse.

Yes I know I’m being pedantic, but to say “modern” implies “past” and while there’s lots of that in Naruto, there’s also:

90’s Telephones (why doesn’t the Hokage have one in their office??? Landline is pretty darn secure.)

90’s Electricity

Computers (90’s era, but clunky things with limited functionality but can store data)

Floppy Disks to go with the above

Security cameras

Polaroids (again, 90’s era)

The cutting-edge-of-its-time (90’s again) radio collars

Industrial production of steel (how? We don’t know. But they can build 80’s-90’s skyscrapers, somehow.)

Steam engine (not that impressive or modern, but like, Where Are The Trains. We got 90’s steam boats in Kiri, but no locomotives? How? Why?)

Medical devices. Oh the list I could make about that. All like mid- late 90’s, at least in Konoha/Orochimaru and Co. The iron lung does not exist, replaced by stately 1999-2002 ventilators. (Kimmimaro) The concept of IV nutrition exists and is applicable, even if Kishi did an absolutely abysmal job of demonstrating that. (On Kakashi) (the reality: So. Many. Ports.) That little innovation didn’t exist until 1982, and didn’t actually work until 1996. (Because figuring out how to synthesize metabolic fats and proteins was really hard); you’ve got Ostomy tubes and bags that belong in 1995, (Kimmimaro again) and don’t even get me started on Lab equipment. Do you know how long it took to produce incubators that didn’t take up a quarter of a room? Do you have any idea what the world of cloning looked like in the 90’s? (Actually, it was a lot more advanced at that point than it is in Naruto, which is stuck in like, 1980’s with that notion).

And I could go on!

And there is just as many examples of the inverse, too, where there’s things juxtaposed to the past level. Example:

Psychiatric care. Granted we don’t see a lot of that outside of Kakashi’s little stint, but it is very 1940’s-1950’s type BS.

Similar to that, most the stuff in the Interrogation Unit. From attitudes to technology, but mostly in just the very weird, 1930-1950’s way the whole thing operates. Kishimoto did not do his research there, very obviously (Torture does not work like that), but nonetheless they give me Nazi vibes. (Well, Inaba and Ibiki do, respectively). That part might be intentional, but it still doesn’t really make sense in the bigger scope. (Why doesn’t the village know things when they are a SHINOBI VILLAGE. A postwar village no less! Make it make sense Kishi!)

Some elements of medicine. There’s a very weird divide there, between synthesized chemicals that are complex poisons, which SHOULD mean complex medicines exist, (because the only difference between medicine and poison is the dose and many toxins have medical value) and the demonstration of this, which relies upon herbalism. I suppose both those would exist in a Shinobi’s world, but there’s a bizarre element of “only the bad guys actually have good medicine” going on, which again is a very 1940-1950’s thing.

Idk, I feel like “modern” sort of fits? But not entirely. Because fundamentally the NarutoVerse is a completely separate dimension, a twisted alternate reality that is very removed from our own yet also very like it.

Gahhhhh the world building in this series is hot, messy garbage 🤣

I would love to see an AU where it’s more homogeneous, like smack-dab postwar all over the board. Or even just bring her up to the 90’s. That would be actual modern-NarutoVerse.

But using Modern to mean “Our World” has always just been a small thing to bugger me. Use what you want, because I don’t think the term is going anywhere, but if I can’t share this anywhere else I can share it here.

#naruto #naruto shippuden #Naruto fan theory #naruto meta #writing #timelines #modern au

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raphaellight · 8 months ago

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One scene to break us all

I grew up on Star Wars. I'm more of a new era fan, with prequels being always a part of it. Also, as a kid I was watching Clone Wars series on television. It definitelly made both my idea of the world and humor more dark than psychologist would consider healthy, although I have my own opinion on refusal to expose children to tough themes in media, but thats not what I want to write about. I want to write about a scene that I can't really recall having much interested in when I watched it as a kid yet now, I can watch it over and over with tears crumbling every time I see it.

Why didn't it affect me? Affect us? Why was it that in the past it felt like an exposition? We can account it to my small brain not really comprehending what's going on, waiting for a cool duel between Anaking and Obi-Wan among the fires of hellish landscapes. But I think there can be a deeper cause. One that was explained in quote accounted to Joseph Stalin. "One death is tragedy, thousand is a statistic"

Execution of Order 66, without any Star Wars uniwerse background, is about the scale of events that happens in the movie. I heard that scenes used in that sequence were primarly planned to be at the begining of the movie to showcase scale of Clone Wars, notify a viewer about how all of galaxy is raging in fights between clones and droids. They scrapped that idea and used it to showcase the scale of Palpatine's victory over Jedi: all around the galaxy, with one sentence, Sith Lord wiped out hole Jedi Order we came to know thruout the prequel trilogy. That's what I mean by exposition. It's shocking and terrifing on it's own, but ultimatly, those were just the events. Emotional weight was put in the Jedi temple.

So what changed? Why is it now that I watch order 66 I can't help but shed at least one tear?

As I said, I was watching Clone Wars on television. But it was occasional, when I have the time and hit the right channel at the right time type of watching back then. Then I watched it preety much from beggining to an end when I was a bit older, but it still didn't feel that close to home, as it was way back when it was still ending on Yoda and his little journey. Even then tho it already altered my perception of the movies.

Then came the time, the year 2020, everyone will remember as the year pandemic hit. But fans will know it was also a year of the finale release, Clone Wars season 7, featuring phew side plot-lines, Echo, Bad Batch, martez sisters and Darth Maul. But most importantly, it finally got to that point. It finally allowed us to hear "Execute order 66" in the show. And as it did, it did justice to what Order 66 represents. The end of an Era.

By connecting the Clone Wars show, by putting it right into the events of ROTS, it symbolically made all of that happen thru out the show part of the Prequel Trilogy for good.

Now we don't see sexy, blue alien chick getting blasted in the back. We see Ayla Secura, kind yet tough master that helped carrying Anakin after he took explosion onto his chest, getting shot multiple times by Commander Bly.

We don't see weird looking brown Jedi getting shot down by clone pilots on some airy planet, we see Master Plo Koon, the one that brought Ahsoka to Jedi Temple, dying before he could blink.

We don't see a long headed man, concerned about wookies in previous scene, confused at clones. We see Ki Adi Mundi, man that almost died in the second invasion on Geonosis and bickered around with Anakin and Ahsoka, terrified of the sight and feeling that his clones are out here to kill him.

Thousand deaths is a statistic. It's the exposition of scale. It's how the history is written in the book. The war took thousand of innocent lives. That is important on it's own. But you won't cry over it. You will cry over a death of the ones you cared about. Over the ones you got to know.

At the beggining, when I said about watching Order 66 scene, I lied a bit. I ment watching the extended edit, fan made, connecting all the scenes happening in the universe that were ever made for screen. I'm still waiting for any cinema to release the Revenge of the Sith movie that starts from that episode in season 7 Clone Wars, then follows both story lines of Anakin and Ahsoka together and when it gets to Order 66, it puts all the scenes possible, even cut scenes from Jedi Fallen Order, as it too crushed my heart, when I realised what's going on when Kal high fived a clone on his way.

Order 66 started as a statistic about thousand deaths. Years have passed however, allowing us to witness characters truly involved in it to the point where the scene, being not far from two decades old now, is more heartbreaking than ever before.

Follow for more star wars content and may the force be with you

#star wars #star wars prequels #clone wars #the clone wars #the clone boys #jedi #jedi survivor #jedi fallen order #the force #ahsoka tano #order 66 #tcw #swtcw #commander cody #tragedy #grief #plo koon #ayla secura #anakin skywalker

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lisxdumbr · 1 year ago

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Hi I'm insane and I think I talked about this once in the past but today I'm going insane once again

The relationship of 2wink with math

Now, for this explanation I'll take notes from 3-4 main things. I'm sure there are many more references but this is what I could quickly grab from the top of my head.

Yes, 2wink is constantly being related to math, starting with their unit name, it's the only unit that has a number in it, even looking at their brand, we see constant triangle shapes that help support this idea.

Now, I believe the reason is clear looking at it in a geometrical (?) way. even in a trigonometrical way if you want to get fancy. 2wink's concept revolves around the fact that they're twins, they're two people who mirror each other. They're symmetrical.

The first clue that we get comes from a very old song actually. Heart Prism Symmetry, just look at the lyrics for a second

It's a song that clearly talks about them mirroring each other, since as we know, an important part of their lore has to do with how they're so identical not even their father can distinguish them.

Speaking of, we hear Hinata's demons in a part of the song (cough, go read setsubun)

Now, is their symmetry something natural? How is it represented, what is this telling us? I think Heart Prism Symmetry is a song in which they're loving and honoring their pasts being a two in one package for such a long time. This doesn't mean they're trying to be symmetrical on purpose though, they know already that the symmetry will break one day.

(again I'm sure these are Hina's demons, someone give him a hug)

Now this also has to do with the triangle part that I mentioned before, there are many different symmetrical shapes but the fact that they chose triangles is fascinating to me. Triangles are the most basic shape, since you need at least 3 sides to create a shape (less than that is just a line). But triangles are so interesting because of that flex (?), they present themselves in many ways and even inside other shapes. You can fit a triangle in any shape, even a circle can fit triangles since at the end of the day, a circle is just a 360° rotation.

They chose the most powerful shape and I'm obsessed with that concept.

But now, In which other ways is math involved? This is where I enter !! era, which is the point of the story in which 2wink are trying to discover more about themselves and we reach Twin Peaks.

Twin Peaks is Hinata's first focus event and it's full of math, starting from the title of the chapters

Factorization and division by zero.

Now, if you actually want to relate those concepts to Hinata as a person, it gets a little bit depressing because, well, division by zero,,, no matter how big your numbers are, (CORRECTION) you'll end up in an undefined result.

But this has symbolism once again ! I don't remember the story exactly but there's a story where Yuta is referring as them as math concepts and he refers to Hinata as a symbol. Now the thing is both Hinata and Yuta have opposite beliefs of themselves, so both of them say the other is a positive or a negative while they're a negative or a positive.

I've always thought about how Yuta may feel that Hinata is stealing a bit from him and perhaps that's why he thinks Hinata substracts, but at the same time, Hinata has done so much for both of them so of course he adds too.

Now since this can be a little confusing, let's stick with the factorization and division by zero concept, since that's how Hinata perceives himself I believe? I think factorization is a clear concept for how Hinata kinda gatekeeps himself and his brother and. everything. in general? And oh well, we know the guy is depressed as hell.

Now this makes me move to the important part of the story which is the second event. Yes. What we all waited for and screamed our lungs out when we saw: Yuta growing his hair and separating himself from Hinata.

If an equilateral triangle is symmetrical, what happens when one side is larger that the other? Is it equilateral still? No. But is it still a triangle? Yes

In the swee2wink album, we got a song called Polyphonic World in the B side, and the lyrics are fascinating let me tell you

1 + 2 = 3, which can be a triangle or as they say, a volume too (³), so the world is created with 3.

But I want to point out this part because I find it EXTREMELY important for the lore:

"our hearts want to create new shapes" "make new shapes that will change our hearts". HELLO. They used to be symmetrical prisms but as soon as Yuta changed his appearance, they decide to create a new shape that looks more similar to their hearts. They are the shapes. 2wink refer to themselves as shapes, they are the triangle

This is where the third side starts making sense too. 2 + 1 = Yuta and Hinata + a third member, "you" (me, they're talking about me, cough)

So knowing this makes much more sense in the way they refer to themselves and helps us understand them better.

Now my point, the new song is called Love×me⇄monsteR and according to my investigation, the ⇄ symbol is used for a lot of things but one of the meanings is exchange. Let's remember that an important part of the lore has to do with them being feared and seen as monsters, so Yuta is swapping that idea. He's swapping the negativity of the monster concept for love.

We're returning to what Twin Peaks tried to tell us. Hinata is (was, remember, development) seen as a division by zero and now Yuta is a multiplication of love times himself, he's GROWING. damn I love acceptance arcs.

Anyway, I wholeheartedly believe they're becoming something more positive given that the new logo is literally 2×2. Happiness for them.

Now as a little note to close the speech, Polyphonic World also talks about colors:

"we can make a new color that will change our hearts" and remember, they're changing their signature colors in this event as a new beginning!

So that's everything! I hope you find this interesting ! It's a little thing that I've been noticing for the longest time and I thought today was the perfect day to get it out.

#me using the new colors for the title #I'm ok #enstars #ensemble stars #yuta aoi #yuuta aoi #hinata aoi #2wink #❝ ritz.rambles !!

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reading-stains · 8 months ago

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hello!!do you have skk fic recs?

Introduction

Yes, I do. I’m sorry it took so long to give you a reply, but I wanted to give you a comprehensive list and was busy preparing for my last day in high school, and then I got a job 12 hours later, and then I traveled to New York for a couple Broadway workshops. But now that today’s been dealt with, I have my wonderful notes.

So here’s the gist of it. I have three focused reviews on some of my favorite Soukoku fanfics ever, but I felt like copy pasting it would kill you a little, so I’m going to use a simplified format that echoes what I once did for two other ships years ago.

Canon Space

Here I compiled four fanfics that take place in main canon spaces (so not BEAST). While I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers. Furthermore, the styles these characters are written in, and the way they are portrayed, vary from writer to writer. Some are more “canon” based than others, but they all carry the essence of this ship. And if they don’t in your eyes, then you’re just reading a great novel with Japanese names.

i'll bleed out for you by StarshipDancer

Synopsis: After getting impaled together, basically dying in each others arms in a joint mission with the Port Mafia and the ADA, and getting brought back by Yosano, this shattered Soukoku is asked to go into hiding. In this time, things seem to start healing. But the impending call asking them to return to their positions in their groups haunts them, and when it arrives, things fall apart all over again.

Tags: Caretaking, PTSD, A Singularly Important Rat Is Present, Canon-Divergence, Post-Port Mafia Days, Love Confession, Pet Co-Parenting, Angst

Word Count: 71,848

Notes: Rattata is the best character. I remember reading this fanfic between the airport and my flight, and when chapter four ended, I had to board the plane, with my shaking hands and quiet sniffles. Please read this one.

If you kiss me (I might let it happen) by encsiimomo

Synopsis: Chuuya’s done watching this. Dazai’s literally dating a new girl every week. He dates based on who asks him first that Monday, he breaks up with them that Sunday, and it goes on again. And again. And again. It’s driving him insane. So he does the only thing he can think of to earn himself a break – He asks to date him for that week’s cycle. Dazai’s surprised. Chuuya’s exhausted. But once the sparks fly, they’re unable to be put out.

Tags: Canon Divergent & Kind of Canon Compliant, Dark Era, Smut, Mutual Pining, Light Angst, Silly

Word Count: 52,127

Notes: I loved this fic because it encapsulates a pretty carefree tone that isn’t associated with Dark Era. It’s pretty smutty, but it’s really lovely to read them. It’s not a reflection of what these characters canonically represent. And while it definitely stays as a loose interpretation of these characters, it keeps the essence that makes this ship so sharp and wonderful. I loved Oda’s appearances too, they made me laugh.

A Doll's House by Abyss_In_WonderLand_likes_sexy_cannibals

Summary: After coming to contact with an ability-powered artifact, Dazai and Chuuya are forced to work together to overcome the ability’s trials, and face the bubbling sentiments they keep trying so hard to ignore.

Tags: Teamwork, Ability Loss, Poisoning, Denial of Feelings, Confessions, Light Angst

Word Count: 45,288

Notes: While definitely not a character study, this fic goes and shows how wonderfully warm a Double Black fanfic can be. You’ll giggle in some moments, be entranced in others, and it’s just fun. This is for those that aren’t scouring for the angst. This was the first fic that sunk me into a skk fanfiction hunt all throughout the winter holidays.

On Deathless Feet by AbsoluteNegation

Synopsis: Chuuya always knows the monster can get out of control, but it doesn’t get any less surprising when Arahabaki powers through him. For a while though, it’d been comforting to know Dazai could always reign it in, make it go quiet. Because he did when they recently met, when they rose through the ranks, and at the brink of their end. But after years of disconnection, and the consistent waves of betrayal, is Chuuya capable of trusting him? And is Dazai capable of letting him?

Tags: Caretaking, Controlling Arahabaki, Port Mafia, Post-Port Mafia, Mistrust, Non-Linear Storytelling

Word Count: 71,848

Notes: This story is just breathtaking. The writing style is incredibly vast and detailed, which may seem scary when described, but it flows so easily when you read it. You cannot negate AbsoluteNegation’s incredible skill. The story takes place in an event where Chuuya loses control of Arahabaki in a Post-Port Mafia Soukoku time. But because of its non-linear style, one gets to understand their past experiences with each other in a manner that contextualizes and weighs in the events of their reunion.

Fanon Spaces

Before I begin, I’d like to note that there are so many AUs in this fandom, that I had to really search for the canon ones in my list. So understand that if you want more of these, I DEFINITELY have more of these. Also, again, while I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers.

I’ll crown your inner child with laurel by acuteguwu

Synopsis: Chuuya has worked in a Michelin Star restaurant. So he really has no place in losing this cooking competition. But a sudden newcomer, who seemingly has no previous experience in the field, seems to want to tell him his bechamel sauce isn’t ready. And really, who does he think he is?

Tags: Chef Competition AU, Character Study, Slow Burn, Chuuya Is A Blunt Perfectionist, Dazai Is A Culinary Genius

Words: 197,090

Notes: I read this in two days, and I finished by waking up at four in the morning to finish up before going to a drag queen brunch. So really, my experience was incredible. You get to really know these characters, who are very themselves, and it’s lovely. Please read, it’s so worth it.

music for our funeral by itotypes

Synopsis: Dazai has always been lost on what exactly he wants to be. Chuuya knows exactly what he wants. Working with such incredible differences proves to be a difficult challenge, ending in at least a little bit of violence multiple times, but they make it work. Because their music sounds beautiful. Because they’re better geniuses beside the other. And maybe because once it started, they can’t seem to process this journey can ever end.

Tags: No Smut, Angst, 70s, Musicians!AU, Drug Abuse, References to Child Neglect, Lowkey Pretty Violent, Emotional Cheating (w/ Main Ship)

Word Count: 67,723

Notes: Look, there’s a whole genre of Soukoku music AUs. And I could tell you to read the famous “still, still, still” by icedlightroast, or the even more famous “I Was Screaming Your Name Through The Radio” by ElectricSplatter. Which really, they’re both INCREDIBLE fics that I think you should read (IWSYNTTR literally inspired me to try and write music, which led me to do an album for a school project, so I’m not kidding when I say they’re life changing), but I also know that these are famous fanfics that you can find in almost any big skk reader thread. So disregarding the following recommendation, I try to give you fanfics I found through a long scrolling process.

Everything or Nothing by Wellthathappened (Cataclysmic_Calamity)

Synopsis: Chuuya has never been able to experience much. So when he meets Dazai on the night of orientation, he lets himself explore. So as lips sink into his, and as he lets himself be free, Dazai lets him know how unimportant he is by walking away when kids walk in on them. Cut to a month later, they’re paired as roommates, Chuuya’s gotten what Dazai insists is a douchey boyfriend, and Dazai Osamu has to recognize it wasn’t true. It wasn’t a night’s fluke. He really, definitely isn’t straight.

Tags: College AU, Pinning, Chronic Illness, Creation & References Of Illegal Panini Rings, Confessions, Miscommunication, Past Sexual Abuse, Bad Parenting, Cute Dates, Dazai’s Really Rich

Word Count: 264,937

Notes: I recognize I just put in my notes that there’s no major point in recommending these big fanfics, but I just read this because the person that introduced me into the fandom in the first place really loves this one. And it’s incredible. Worth every moment. I laughed a lot, and cried a lot. It’s those pieces of work that resound with you that keep you engaged. This one builds off of that.

Inseparable by milwritescausewhynot

Synopsis: Dazai and Chuuya have been joined to the hip since day one. But they’re not best friends. Or enemies. Or, worst of all, lovers. They are, however, great at pranking each other. Until one goes close to dangerous, and things begin getting complicated afterwards.

Tags: High School AU, Pranks, Light Angst, Denial, Pining, Confessions, Implied/Referenced Self-Harm, Crazy Kouyou, Childhood Friends, No Smut

Word Count: 107,804

Notes: I hadn’t saved this one in my compilation, but I couldn’t not find it. This fic is so charming, and I most enjoy how the characters move through the story. You can feel the way they're in-tuned from the get go. Definitely recommend.

In Conclusion

Again, I’m sorry for such a late response. I’m literally falling asleep right now but I felt too guilty leaving this for tomorrow morning. If you have any questions, notes, or looking for something specific for your reading, we can talk about it.

Anyways, thanks for asking! Hope you love them, and sorry for any mistakes

#soukoku fanfiction #skk #dazai osamu #nakahara chuuya #soukoku #bsd #bungou stray dogs #fanfic recommendations #skk fanfiction #double black #bsd chuuya #bsd dazai

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