#moral gray areas
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daisydisciple · 1 year ago
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Ok thought not fully formed yet but I think everything would make a lot more sense if we thought of "sin" as more along the lines of "something that weakens your connection with God" and less "a morally bad action in the secular philosophical sense."
In modern secular philosophy, usually we only think of an action as "bad" if it causes measurable harm to society/the environment/another person etc. No victim = no crime. This makes perfect sense when we're thinking about regulating behavior with laws, rules, and, to an extent, social norms. The goal of this kind of thinking/regulating is to create a harmonious, free, and safe society in our mortal/temporal/earthly condition.
In contrast, Sin as a religious (Christian) concept is more concerned with the state of an individual soul and that soul's relationship with God. It is possible for something to be a sin and yet be a "victimless crime." (Arguably the "victim" here is actually the "perpetrator" but you know what I mean.) The goal of this kind of thinking is to help the individual be in harmony with God.
I think the problem here is when we conflate the two uncritically. Yes, there is a lot of overlap (murder, for example, would draw you further from God and also is harmful to the murder victim/their family/society.) But the two concepts are not one and the same. Just because a behavior is sinful doesn't mean it can and should be forbidden by law, rule, or even social norm. Likewise, just because enforcing or encouraging a certain behavior is beneficial to society doesn't mean that behavior is or isn't a sin.
I think this conflation is a source of miscommunication and misunderstanding. Lots of people seem to interpret calling a behavior sinful to mean "if you do this you are an bad person who is actively harming society."
I also think that's why people get so turned off by the concept of all sin being equal in the eyes of God. That isn't the same thing as all morally bad actions having equal weight or consequences in society. The point is that all sin separates us from God, and what His plan requires for us is for there to be zero separation. (That's where Jesus comes in). The point of saying all sin is the same in the eyes of God isn't to say that murder and not praying are equivalent in secular morality. The point is that someone "guilty" of not praying needs Jesus just as much as a murderer. (Because! We all need Jesus completely and equally.)
So anyway I guess my point is that Christians need to recognize that just because something is sinful (separates a soul from God) doesn't mean that that thing should be illegal or against the rules or even socially shamed.
But! Non-Christians should also understand that the concept of sin is distinct from secular morality. If I say that something is a sin, don't take it as me saying "anyone who does this is evil and depraved and deserves to be executed by firing squad." girl I sin. we all sin.
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acemdzsfan · 10 months ago
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Aw, this is my favorite character (Shows the saddest, most traumatized person who committed many Crimes)
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jonquilspool · 1 year ago
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daemon and aegon ii have very similar attitudes and beliefs the only difference in outcome is aegon was primarily raised by an overbearing mother trapped in the feudal dystopia that is being female in westeros while daemon was primarily raised by a distant father trapped in the feudal incestual dystopia that was the targaryens under jaehaerys. in this i will--
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diamondnokouzai · 5 months ago
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utilitycaster · 1 year ago
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
#i've felt this for a while but like. fundamentally? C3 is just...uniquely not set up for terribly satisfying shipping#even the ships I do like and that get small moments are relatively background#like 80% of quote unquote ship content is like. fanon goggles overlaying either parallel play or standard battle mechanics#which is fine! I think it's a different vibe and approach than the past 2 campaigns#i think especially in character creation; self-insert or easy for new players (c1)#followed by Morally Gray Campaign; Prove We Can Replicate This Success; Serious Characters (C2); followed by Let's Get Silly With It (C3)#which is less conducive to that profound connection of c1 or c2. which is not a bad thing!#but god. if you complain about the D&D show having too much d&d plot and not enough romance...yeah pal it's d&d not a dating sim#like I enjoy when there is romance in my fantasy but it's not a requirement. there is a genre full of romance. it is called romance.#i'm also thinking about this bc I need to watch wot s2 but i've been told that the fandom has gotten weird#like wow so moiraine/siuan is not the A plot? in a high fantasy Good vs. Evil series? WHO'D HAVE THOUGHT.#getting back to this...i'm also thinking about my own life and like. i moved to where i live not long pre-lockdown#and so i'm finding myself a resident of this area for 4+ years but with weaker connections than i'd have otherwise. and that's fine!#but psychologically i feel so weird about just starting to find my place bc it's been so long even though there's a good reason#and i wonder if the cast/Hells feels the same way ie why are we only just bonding now 70 eps in and so they're hesitant#that I Waited Too Long And Now It's Awkward feeling; that I Should Be Past This By Now fallacy#which. again. i think things early on could have been done differently but that time is past you need to live in the present now.#cr tag
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i-am-trans-gwender · 4 months ago
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"The lesser of two evils is still evil."
That's just stating the obvious and acting like it's genius. It's like saying "A lighter shade of blue is still blue."
Also if I had to pick between a guy who will kick me in the crotch or a guy who will tear me limb my limb i'm going with the former.
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turnaboutstar · 1 month ago
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trucy!! but not in a necklace :D
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soullessjack · 11 months ago
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tumblr is a cesspool of bad fandom opinions but spn tiktok is another ring of hell entirely because like. what do you mean “lucifer would’ve been a better father to jack than dean.” what do you mean “mary was just as bad if not worse than john.” why are you calling people pedophiles for wanting a grown man just because you think he’s mentally stunted because he wears Velcro shoes. do you understand what you are saying. are your brain cells active and functioning properly
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suffarustuffaru · 1 year ago
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why otto is so pissed off at subaru (arc 8 ch 24)
hello im otto posting Again but im writing this in an attempt to understand this subject myself (and totally not as a reference for later…) and also bc some people in the fandom seemed to be confused on Why ottos so angry at the moment. but i really think the key reason why hes so mad at subaru right now comes from this: otto treasures the people he cares about far above anyone else—to the point where if he needs to make sacrifices, he absolutely will because the people he cares about (his friends in emilia camp) go First before everyone else in his mind.
like. thats ottos key reason for everything hes been doing in arc 8. all his other reasoning branches off from that—like him wanting to leave vollachia for dead and only take the people his camp cares about. otto sees the path that will keep his camp safest—ie just going into vollachia to rescue rem and subaru and then immediately getting out—and he chooses that rather than subaru and emilias more noble approach of refusing to leave vollachia and its population of 50 million people to die. otto himself is aware that his own strategy is Callous, especially after roswaal told him in chapter 24 that he agrees with ottos proposed strategy of just leaving vollachia. but otto thinks that its 1. entirely necessary and 2. he Knows that thats the optimal way to keep the emilia camp safe.
he knows that staying in vollachia and helping vincent is a massive risk to his whole camp. otto being a merchant values equivalent exchange and Hates too much cost, which is On Top of otto knowing that going out of their way to help vollachia is risking the entire emilia camp’s lives. but otto Knows subaru and emilia. and he knows that subaru and emilia are idealists at heart that will do everything they can to save Everyone, which is why despite being Extremely Unhappy about all of this, otto plays hard to get so vincent is the one who asks for their help. that way, at least the decision to help vollachia looks more like accepting the request of vollachias emperor and adding more accomplishments under their belt and Less Like just going out of their way to vollachia for no benefit at all.
otto valuing his camp above everything else is also why he creates distance between himself and julius and anastasia and emphasizes that theyre enemies. for otto, its Absolutely the emilia camp above everyone else.
then theres the whole louis situation. otto, of course, knows that subaru cares about louis Despite everything shes done.
so. essentially. i think ottos extremely pissed about subaru always going out of his way to try and be a hero because otto knows this comes at a Detriment to subaru (bc otto CARES about subaru!!! he knows subaru is WAY too selfless and forgiving and he cant agree with that!!!) and otto worries for the cost of subarus decisions, especially with the current conflict regarding louis. otto has accepted that, unlike the majority of his camp, that he has to be the Bad Guy. because in ottos mind, no one else in his camp is going to be bold enough to be the ruthless morally questionable one. he thinks its 100% necessary to play this role to minimize the costs and threats to his camp.
which is why he hasnt told anyone, despite knowing this from his dp, that louis/spica is innocent.
hes fully aware that—even though hes manipulating his own camp—louis will be more likely to be eliminated if he keeps quiet about the fact that she has Zero malice. louis being eliminated means one less threat to his camp. and otto KNOWS that subaru cares about louis and is upset at the idea of her dying (which is at least partly why otto snapped at julius in chapter 23!!), but ottos decided that killing louis comes at a far less cost than keeping her alive. because keeping her alive means dealing with the consequences of the emilia camp calling her an ally and rem and subaru recognizing her as their daughter when louis has affected So Many people. otto knows this and wants to prevent it at all costs.
otto wants her dead for these reasons. otto figures that he has to be the one walking in darkness bc he not only wants to help emilia and subaru and preserve their idealism (bc he Knows that its important to them!! its who they are at heart and he cares about them in turn bc of their kindness and goodness!!!), but otto also wants to help by being the necessary evil. because someone has to.
that, of course, wont stop otto from being pissed at subarus decisions. this also, of course, wont stop subaru from being pissed if he ever finds out otto withheld the fact that he knows louis is 100% innocent just so he can make sure that 1. the rest of emilia camp stays suspicious of louis and 2. louis gets killed. i really do think ottos questionable decisions will eventually catch up to him—because he stands in direct opposition to everything subaru stands for.
subaru wants to save everyone. he wants to have it all, even if it costs him. otto, meanwhile, chooses only who he cares about because hes not idealistic enough to believe he can have everything, and he believes that sacrifices have to be made even if its cruel. and he knows that subaru cant do that, but it still angers him because hes trying to keep subaru safe while subaru insists on trying to accomplish everything without sacrificing anyone. otto doesnt think its possible at all. but otto knows its not in subarus nature to be pragmatic.
which is why otto takes A Lot of the things subaru has been doing in arc 8 Extremely Personally. because its Very personal for otto.
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seokwoosmole · 6 months ago
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Never has my opinion about a non-antagonist character changed so drastically than it has about Shigure ok there might have been some before but right now I can’t think of any.
I went from “Oh he’s just a silly lil guy” to “*sobs* silly *sobs again* DAD” to “ohhhh….silly….pervy😳lil guy” to “ohhhh….silly mysterious guy???” to “oh- oh….😬”
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wandercr · 5 months ago
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lil plot wishlist:
parental relationship(s) / someone taking eliana under their wing, preferably in a (mostly) positive way
vault 101 threads, especially characters engaging with eliana as chaplain of the vault (let her be your awful confessional/therapist)
au where she grows up in vault 33
eliana as the courier, sole survivor or lucy's companion, going through canon plotlines. there might be room for her to be a companion to the ghoul, as well, if she knows he's looking for his family
eliana having a hefty bounty placed on her head. knowing previous mercenaries haven't been able to leave a scratch, the ghoul is hired for the job (anywhere in the fallout timeline)
eliana meeting max and learning about his version of the brotherhood of steel - bonus if she immediately adopts him like she does in her heart w/lucy
sibling au with other lone wanderers! let eliana be your muse's overbearing big sister
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Unstoppable force (knowing Susie is a complex character with nuance who is done DIRTY by the fandom and genuinely deserves not to be just a villain with no redeeming qualities and instead have her other traits explored) meets immovable object (I REALLY love villains with no redeeming qualities I LOVE when characters can just be evil PLEASE let them twirl their mustaches and vivisect the hero it’s the best thing it’s enrichment. Evil is the highest compliment I can give a character I love you villains)
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cannibal-nightmares · 7 months ago
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today has entirely disintegrated my spirit into nothing.
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pathetichimbos · 1 year ago
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I completely understand why it's inappropriate and wrong to police peoples internet experience and how they view their favorite characters and what not but it's also extremely important to understand that if someone throws away a character's personality and important traits away to shove their own ideologies and beliefs into them to 'mold' them into a 'perfected' version of themselves then it's often a tell tall sign of how they treat their personal relationships.
The internet has become a fictitious reality with virtually no consequences and a lot of people can no longer dictate fiction from reality.
Obviously this does not apply to everyone, just because someone molds and changes a character in fiction does not guarantee they will do it in real life, but also be aware that reality dictates fiction, and if they're willing to do it (to the extreme) in fiction, some part of them would be willing to try it in real life.
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nathsolkyoako · 2 months ago
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Yk what I’m actually really happy that I made jrpwi alphonze bigender and frequently uses feminine titles and pronouns despite keeping her generally masculine
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oleskellybones · 4 months ago
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i wish there was a tumblr setting that would lock me out of my dashboard and only let me look at individual blogs and my own likes
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