#moments like this do well in showing what kind of character they are and their true intentions

[badasscoffeemug]

okay, so, i tried to pull as many interviews as i could to see if i could parse what the original plan for bucktommy was (or if there even was any), and subsequently, if there had been a pivot of any kind. now, we are not privy to any bts talk, and storylines are never set in stone, even from when they've been teased or promoted (henchim friction? hello?) but interviews are really all we have to go off of. so, idk, i compiled some quotes, all bolded emphasis is mine.

i kinda got the impression that it really was supposed to be a 4-episode arc for tommy, after which he would gracefully bow out and leave buck a newly realized single bisexual. for some reason, that changed and they chose to keep him around and extend that storyline (gelled rather well in the story? opening the door for potential future storylines?). except then they had them break up anyway, leaving buck in much the same place he would have been had they called it quits in 7x06, only much more heartbroken (essentially wasting over half a season's worth of buck storyline, except he's sadder now, i guess). but, judge for yourself.

march 28, 2024, TM: Showrunner Tim Minear also teased future episodes for Tommy. “He’s going to be around for a little bit. He’s not going to be a member of the 118 again, but he is going to be involved in some stories.”

april 4, 2024, TM: “I was kind of bored with the hamster wheel of the relationships [Buck] had been in. His story needed a slap. It needed some something fresh. This felt like it could be important to some people, and it felt like it was right for the character.”

OS: “I’ve always had in my head that I wanted a partner for Buck to be someone where it wasn’t easy”

TM: “That’s what I like about this. He’s not siloed off into some love interest story with a character who has nothing to do with the main characters.”

Minear noted that Tommy is currently an important romantic partner for Buck, largely because “it’s sort of the entry-level relationship.” Yet at the same time, he noted that he doesn’t think “anybody’s making wedding plans.”

“It really is a first fling for Buck right now. What that might amount to, only time can tell. But what I’m interested in is not something that’s fraught. I’m interested in something that’s tender and positive”

april 4, 2024, OS: “The focus was on it being important, but also not wanting it to feel like the bravest episode in television. We just wanted to tell a lighthearted love story that happens to be a queer love story.”

april 5, 2024, TM: “[what] I don't want to do is the mistake that I think we've made with some of the other love interests, which is siloing those characters off into their love life and they have no kind of organic connection to the rest of the characters in the story. [...] Going with Tommy allowed us to start to play a story without just inventing a whole new character just for the purpose of being the bi character or the gay character or the male love interest for Buck.”

april 12, 2024, TM: “that moment at the end of the episode where he sits down with Tommy and says, “You said I wasn’t ready. I don’t know what I’m ready for, but I’m ready for something. I’m just sure what that is yet.” But he feels safe with Tommy. So even though he doesn’t know exactly what road he’s stepping onto, he’s willing to roll the dice.”

april 12, 2024, LFJ: "So, it happens in phases. My manager said 9-1-1 called, and I was like, 'Cool.' And then he is like, 'All right, well, they called for an arc.' And I'm like, 'Four episodes? Cool.'

"Given the circumstances, we just kissed. There's something there. We go on a date, and then Eddie happens to show up because there's only one restaurant, I guess, in L.A., and I would totally understand if he was nervous and whatnot." (this quote has nothing to do with my point really i just think it's so fucking funny. this entire interview is so messy.)

"I have no idea," he explained when asked what the future could hold for the duo. "If the writers do choose to extend this storyline and make it into its own thing [...] I'm just as excited as you are to find out."

april 12, 2024, OS: "I just hope he continues down that path and I think we will see him opening up more and more, and being louder and prouder about it. I want to tell real stories where not everything is going to be straightforward, but I don’t want the angst or the trauma to be in these kind of negative troupes that we’ve seen before. I want them to have real world problems that couples or people who are first dating have, but I don’t want it to be rooted in outside people being homophobic or anything like that. Those are stories we have seen and we’ve told, and sure, of course, happen in the real world, but I want to tell a happy story between these people and a real story. They have issues and they have things to deal with, but I just want them to be real world, everyday relationship issues."

april 18, 2024, OS: "we want to tell it in an honest way where not everything is going to be easy and carefree. There are going to be issues, but we also don't want it to feel like it's down or too heavy. We want to tell this queer love story in a very honest way, but also in a very loving way."

"Tarlos is a beautiful relationship," Stark says. "I'm just honored to get to tell a story that can kind of partner up with that and maybe continue with a similar thread."

"I really want to see Buck continue to explore what it is that really speaks to him, and what he's into," Stark says. "He's obviously going to continue down this path with Tommy for now. I don't know what that story is going to end up being, but I would really like for Tommy to stay a part of Buck's life, regardless. He's obviously opened this door for him, and I think it would be really nice if [Tommy] was able to continue to hold [Buck's] hand and could help guide him through this process. As somebody who's a little older and more experienced, to kind of help shepherd Buck into this new phase of understanding who he is."

april 23, 2024, OS: “I really enjoy [Lou]. I really enjoy working with him. I think he’s been a great addition to the show, and I look forward to — assuming Tommy sticks around for a while — continuing to develop that relationship with him on-screen and off-screen.”

may 2, 2024, JLH: "I’m really excited for Buck, because I think he’s a person that has never quite settled into who he is. And if this is who he is, it’s beautiful,” Hewitt said. “I was so happy Maddie felt that way, because that’s how I would feel. And I’m really happy that she’s there for him. In Season 8, the actor hopes Maddie gets to “understand what all that means, be in that with [Buck], and get to know Tommy better.”

may 3, 2024, KC: “I think it was the brilliance of [co-creator] Tim [Minear]. Even introducing the storyline of Buck and Tommy, he said, "I don't want it to be this very special episode of 9-1-1. I'm going to make this a f---ing romantic comedy, man. You won't see it coming. It'll come out of left field." And I think that's the same thing he did with the revelation. There's no sit down, there's no big discussion or talk about it. It's what it would be. This guy has found love fina…. Well, I think love finally.”

may 3, 2024, KC: "When I heard about the storyline, I was super excited. And on a selfish note, I'm really happy because they brought Lou Ferrigno Jr. back. We've become really good friends, as he was in "Hen Begins," "Bobby Begins Again," and of course "Chimney Begins," and we formed a tight personal bond. I think he's a terrific actor, and I think this new dynamic brings this newfound energy into that storyline and into the show, and I'm excited to see how it blossoms."

not dated? post-7x06, KC: “It’s one of my favorite scenes,” Choi says. “It’s a reveal for most of the characters that Buck has found a love interest he’s actually interested in. It’s adorable, it’s cute, it’s perfect, and the audience is going to love it.”

OS: Stark likens Buck’s journey to “a hamster wheel”: “He’s been taking one step forward and two steps back, as is quite typical of being in your late 20s and early 30s, trying to find yourself,” the actor explains. “As we’ve moved into this seventh season, he’s found a way to really discover who he wants to be.”

july 8, 2024: 7x09 deleted scene released

september 9, 2024, TM: “They’re still getting to know each other a little better”

september 11, 2024, TM: Minear says not much time has passed between the events of the season 7 finale and the season 8 premiere, so there haven't been many developments in Buck and Tommy's relationship. "But we see that they're more comfortable together," he explains. "We'd definitely call them a couple. Obviously they're comfortable hanging out with Eddie, but when you couple with somebody, it takes up some of your time, so that also leaves Eddie a little bit out in the cold. Well, not out in the cold, but Buck doesn't have as much free time as he did before, let's put it that way." (yeah so, this barely happened?)

september 20, 2024, OS: “We don’t really have too much of a time jump moving into this season, so the relationship with Tommy is much where it was left off,” explains Stark. “It is in its early stages. They’re still learning and figuring things out about each other and what a relationship might or could look like.”

[chevelleneech]

I love the show for the lack of plot, tbh. I think around episode four or five I felt like it was getting bland, but that’s mainly because I didn’t think they’d actually follow through with Ody3. Granted all we got was a threesome at the moment, but I’m a little more optimistic, so I can see that being a better way to have the stories of the guests continue to flow into Max, Avery, and Tristan. I also think they should continue bringing in more of the crew we currently know, because I like all the actors so far.

Aside from that, I don’t think the show needs huge plots every season like 9-1-1, which I think turned people away initially. It almost made me not bother, because the trailers made me think they were going to go for a s7 opening cruise arc sort of drawn out series, but it’s not. The s7 arc was way more serious, whereas DO is sort of weightless. It’s almost more like a soap opera than a drama, which I’m enjoying so much.

I hope they don’t kill anyone off, but I do also like the idea of the show being in Max’s head for real. Yes, that’s an unconfirmed fandom theory, but how good would it be? Max still in a coma and living a life he’s always dreamt of? Doing what he loves as a doctor, finding love at the same time with two people he also has fun with?

Idk, I feel like this show has a lot of potential so long as they keep it fun. Once they start trying to make it serious or make the medical emergencies realistic, it’ll lose its light. I’m not watching this to see how cruise line first responders deal with a crisis. What grabbed me is the cast chemistry and the characters themselves, which is just as good as a procedural drama that wants to tell a fleshed out story through its characters and setting.

Doctor Odyssey is a show that is fun and quite unrealistic, but it’s comforting because the characters are enjoyable above all else. And they also have very solid weekly stories. 1x06 was very well acted, and even though only three medical professionals exist on the ship, and the captain is almost too comically devoted to his job… it works. It’s not Law & Order, it’s not Grey’s Anatomy. It’s a show that’s kind of a tv writers dream gig. A set cast, a set location, and free rein to write whatever plot and chaos you want.

Tbh, it’s almost like the show Bones. That show had serious moments and was a bit more grounded than Doctor Odyssey, but it still had a lot of fun with itself. It had whimsical episodes and even crossed over with the show Sleepy Hollow (a fantasy about the Headless Horseman), despite being a crime/medical drama itself. DO can be that. It’s a show that can decide to port in LA and crossover with 9-1-1, with Grey’s in Seattle, and can even dabble in fantasy if it wants by simply saying the crew was drugged by someone smuggling something aboard.

There is just so much space for this show to stretch its legs, but it has to be given the chance by the network.

people on reddit complaining about the plot (or lack thereof) in doctor odyssey… how do i break it to them that no one is watching that show for the damn plot! we’re here to see if those hot doctor and nurses get a bit challengers with it!

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[eupheme]

I wanted to stary of by saying I love your graphic blog as well, and also your writing. Top tier. I was wanting to know if you had any tips for writing smut? You do it so well, please teach me!

hi anon, you are too kind and I am so honored that you asked me! I actually have a list of resources that have helped me linked below, and then I added a couple more personal tips under the cut (and if any writer moots see this & want to add on, please do! I am always looking for tips and ideas!) 💖

— Smut Thesaurus by @/prurientpuddlejumper

A collection of words to describe body parts, sexual acts, and types of dialogue

— Writing Tips & Pointers by @/prurientpuddlejumper

Tips for choosing words and describing actions and emotions

— The Ultimate Guide to Writing Smut by QuinnAndersen

I have this bookmarked - includes an expansive list of body descriptions, actions, feelings and is so helpful!

— 6 Tips for Erotica by S.A. Crawford

Covers the basics - has some good tips about setting up scenes and descriptive writing 

— Writing a Smut Scene by @/youneedsomeprompts

Great quick reference of prompts, descriptions, and words you can use to set the scene 

— 10 Tips for Writing Good Smut by @/saltyshiro

Love the tip about reading other fic and writing empathetically! 

— Smut Words by @/hollandsmushroom

a collection of nsfw-related words

and then some of my own thoughts are below:

For smut, I love the build-up and setting the scene - establishing where they are and how they got there, the longing, and all the emotions that come with it.

And then using that to get into the characters heads. Even when it’s pure or short pwp, knowing what kind of scene it is, how they got there (are they finally giving in after weeks of flirting? or is it a lazy, early-morning indulgence?) helps establish the mood and what sort of feelings and pacing I should be thinking about.

I feel like the “show don’t tell” advice works really well here (or, a version of it). Blend their inner thoughts and how they’re feeling with what’s physically going on - lean into the five senses.

I like adding desperation, too - gruff characters letting go when they finally can lean into their desires, that “can’t get enough” is so fun to write (while keeping in mind characterization).

Writing smut can get repetitive - to switch it up I make notes of different positions I think would be fun to try (something that’s been so fun in my poly wade/reader/logan series). You also don’t have to write out every single beat of what’s happening.

Don’t be afraid to add dirty talk - mix it in, use it as a reaction to what’s going on. And don’t be afraid to get filthy if that’s what you want to write!

If you happen to feel a little embarrassed while writing, that’s totally okay and don’t let it get to you! It’s tough to put yourself out there, but just keep putting words down! We’re all out here peddling smut and it’s nothing to be embarrassed about.

Most important is to write what you enjoy!! And what you are comfortable with - never feel like you have to include a certain kink, etc, for your writing to be enjoyable. As long as you’re having a good time writing it, then that’s really all that matters.

And when I was starting (and even now) I return to fave fics and books and see how scenes are paced and how certain acts are worded, or what made me like that moment so much (and then how I can incorporate similar vibes using my own words and writing style) 💖

I hope this helped a little bit! If there’s something specific you’d like to know or if you have more questions, my inbox is always open!

[3hks]

How to Create a MEMORABLE Character

A while back, I released a post about how to write "that" character, which basically highlights a few key aspects found in some of the most popular characters to date. However, a popular character and a memorable one is actually quite different, and in this post, I'll briefly explain how to create a character that people will remember.

For starters, a memorable character doesn't actually have to be well-liked. Yes, popular characters tend to be memorable, but it's not always the same other way around. I'll simply explain how to form a character that really sticks with your audience, regardless of their actual opinion about them! And even better, these following ideas work on any type of character! So, if you're interested, let's dive right in!

~ FIRST IMPRESSIONS MATTER ~

I sometimes talk about the importance of a character's reputation because it shows how others view them and the truths and inaccuracies of their character!

But your character's image isn't bound to your cast's eyes--it actually matters a lot to your readers.

When you first introduce your character, do not immediately reveal everything about them. Instead, focus on establishing one or two core traits of your character instead. This will allow your readers to form their own opinions of your character first, and although they might be inaccurate, when the readers realize their misjudgment, the character will get stuck in their head!

For example, there's Tsukishima Kei from Haikyuu!!. Initially, the viewers may think about him negatively because of his introduction. He first appears as a blunt, mocking, and disrespectful person, but as the story continues and the audience slowly warms up to him, we start to see his real character, resulting in Tsukishima becoming one of the most beloved characters in Haikyuu!!.

Why does this matter? The thing is, when we meet new people, we all make assumptions about their personality, goodwill, and whatnot. As we get to know them further, we realize that some of our initial judgements may have been wrong; it's simply an unavoidable part of life. By incorporating that aspect into your writing, you're forcing your readers to think deeper about your characters!

~ GIVE THEM THEIR TIME ~

This will seem obvious but it's precisely because of how obvious it is that it'll often slip people's minds. Give your character the time they deserve. You can do this by exploring their backstory, defining their motivations, giving them some important action, or simply establishing some kind of critical or eye-catching moment regarding them!

If you can't afford to give them a huge role in your story, then give your readers an event focusing on your character that will come to their mind when they think of said character! Like a defining moment!

It can be dramatic, sad, short, anything works! As a matter of fact, you've probably done this unconsciously before, too!

~ MAKE THEM DIMENSIONAL ~

If you can't tell already, it's incredibly important to be aware of your characters' distinctive traits and how they shape your character. However, there are times that a character will and should break their character.

A happy person can't be happy all the time. A carefree person can't be carefree all the time. Even a cold person will have some shifts in character.

This can help will character development, especially if you're not planning to give them a lot of development, but also really humanizes your character! Everyone will eventually get bored of the same personality; people may change in different situations!

See? In the end, this is really just a simple guide--everything is perfectly achievable no matter what character you're writing! These are some good points to keep in mind if you're looking for a character that resonates with the audience!

Happy writing~

3hks ^^

[kyoteugly]

If not Buddie, why Buddie shaped? #2

Following my theory that season 7 and 8 are new seasons 1 and 2 on abc, where the writers revisits the big events from character’s pasts and retells them (you can read it here) I want to look closer at new episode 8x06 “Confessions”.

This is all fresh in my mind, I watched the episode like 4h ago, there is a chance I’ll miss something.

Like I said, I think we’re going to see at least 4 more big moments revisited (or rather the emotional state those events invoked) from previous seasons before Buddie goes canon. Kitchen scene, well, will and shooting arc. And one of those happened in this episode! But also so many other things! 

EDDIE:

Starting with Eddie in the confessional. I can’t help but see his fight club era here (call me bias, I love season 3 Eddie so much!). An attempt to find a healthy outlet to his emotions. He’s struggling and fighting with his inner demons, this time instead of rage it’s sadness and loneliness. 

And he is doing it with an outsider's help. Father Brian is like Lena Bosko. Why Lena and not Frank? I think Eddie would just shut on therapy at this point. He needs someone to talk to, someone with opinions and advice, caring enough to want to help but also not afraid to go straight to the point and call his bs - Lena and Father Brian did just that.

Ok. Time to revisit a big event from Eddie’s past - the well. ABC put the call with the little boy trapped in a pipe in episode promo as the red herring. The real purpose of this call was to remind us about the Eddie Begins episode. The important thing from Eddie Begins is that Eddie was alone in the dark pit - and in the end he saved himself. 

So the real connection between those two episodes is not in the call where 118 saves the little boy, but between Eddie coming out from underwater, drawing a deep breath and Eddie shaving a mustache, shedding his mask and dancing, breathing fully again.

sorry for the meme, I'm tired

It’s also interesting that the moment Eddie allowed himself to feel joy Buck knocked at his door.

BUCK:

This one is pretty straight forward. Like I said before, Tommy represents Abby - a transformative relationship - like Buck said himself. The fact that Tommy was engaged with Abby is a really beautiful way to further connect and close both relationships. What leads to the break up from Tommy’s side is also similar. Tommy knows he would fall deeply for Buck, and Abby didn’t come back because she knew she would lose herself in Buck. They were both protecting themselves.

And here is also a little parallel to Ali. Like her, Tommy offers Buck a proper and honest break up, showing maturity, understanding and clear reason why. And yes, Ali was also protecting herself, ending their relationship before they broke each other's hearts.

And one more thing from Buck’s side. The whole Abby thing throws him off. Maddie tells him it’s not a big thing, Josh tells him not to judge Tommy (honestly, Josh’s speech is amazing!) - this calms him down in the end, dating the same woman doesn’t feel awkward anymore. But the questions Josh is asking leave Buck confused. Taking the next step, moving in together - it’s like Buck is trying to prove he really feels those things Josh was talking about (or maybe even compensate for his “freak out”, confirm he’s fully into this relationship). And on some level Buck has those feelings, he cares about Tommy, but more than that, he simply feels he should be on the level Josh suggested and he wants this to work. It’s Buck’s impulsiveness coming to play, an action that causes reaction in a form of big gesture to confirm his feelings - a nod to his relationship with Taylor.

Fortunately Tommy explains those feelings to Buck (and to the audience) in a very kind way. 

Honestly, their relationship (the last two episodes especially) was handled beautifully, without unnecessary drama, without too much spotlight. It started with fireworks, naturally progressed and faded gently.

The cherry on top: Evan meant something more, something special for Tommy. Ending his goodbye with Buck means “we’re friends now”.

BUDDIE:

There are two things here I want to mention.

Ever since Gerrard separated Buck and Eddie this is the episode where we can see them working together as partners again. And this finally wraps up the divorce era.

The ending scene represents different scenes for each of them, ending different arcs.

For Buck the couch scene represents Abby’s comeback in season 3. He watched her ride off in the ambulance with her fiance (with Eddie solid by his side), and later he got closure from her.

For Eddie this scene represents him being embraced by the 118 after he dug himself out from the well. He’s connected again, no longer alone. 

And of course, the most obvious and sweetest thing - it’s the right couch (and they finally drink that beer).

Bonus MADNEY:

Couldn’t help but notice some revisits here.  Maddie’s postpartum depression is addressed very clearly, nothing to add here. During the pandemic Chimney stayed at Buck’s place, afraid to put pregnant Maddie in danger of catching the virus. Something happened on a call that changed his mind, made him overcome his fear and enjoy the future with his family. The same in this episode. But there is a little twist here and it involves brothers. In season 7 the new audience learned about Kevin. Guess who wasn’t yet introduced (and also took care of Maddie during the pandemic)... yes, I believe this season we will see Albert again. 

That’s it for now. Let me know if you want more posts like this. Feel free to contact me if you want some clarification or just to talk.

Tagging some people who may be interested (if you want me to remove you from this post let me know): @buddiebeginz @stagefoureddiediaz @lemotmo @inell

[theitgirlnetwork]

What Are You Willing To Do?

Ch. 2: Date 1 Pt. 1

Note: Thank you so much for the love you all have been showing this story so far! Thank you for reading, and for the kinds messages I have received thus far! I love interacting and seeing your thoughts and comments so keep 'em coming. I want to take this time to remind you that these characters will be flawed. Rafe is....Rafe, but we love him anyway. And Milan is...someone who is compatible with Rafe. They won't always be the depiction of a healthy relationship, but this is fiction and fun. This chapter isn't too bad, but those who have read the snippet know how it's gonna get. Once again, I have songs for this ship so if anyone is interested in them let me know, and feel free to share some with me if you catch a vibe. Finally, let me know if you have any questions or comments. Other than that, I hope you enjoy. This one is a lot shorter than chapter 1, but it is a 2 parter, so don't hate me. Love ya! <3333

“Wait.”

Rafe pauses, loosening his grip on Milan’s hair and pulling back slightly, irritated that she’d stopped him just as their lips brushed and she breathed the smoke he’d just poured into her mouth between them. “What? What’s up?”

“I don’t,” She sighs, her cool breath on his face, eyes still shut as if she’s forcing herself to pause this moment between them. “I don’t just hook up with guys, you know? Maybe we could…I dunno.”

Oh. Oh. Rafe understands. He’d…he’d forgotten himself for a moment. This isn’t some touron stumbling onto the couch next to him, throwing herself at him. She wasn’t one of those gold digging bitches that tries to fuck  him with faulty condoms in the bottom of her purse. She’s the kind of girl who has her own shit. She doesn’t need him for a come up. Or at least she doesn’t think she does. 

He arrogantly thinks to himself that Milan hasn’t met a man like Rafe Cameron. He’s spent most of his life preparing, becoming the type of man that can run his family, keep them safe and comfortable. The type of son fathers are proud to have and the type of man women want to give a baby. That’s the man who he’s made himself be. 

Rafe had been so focused, only allotting himself time for a little bit of fun once in a while, he’d forgotten that one day he might stumble across a girl that had the potential to be a woman. His woman. 

He nods slowly, a small smile forming on his face as he pulls back more, releasing her head completely and smoothing his hand back onto her knee. “Nah, I get it. We should get to know each other a little better. How ‘bout you spend the day with me tomorrow?”

Milan perches herself up at that, back straightening even more as her face lights up. “Really? You wanna spend the day with me?”

Rafe rests his head back on the top of the couch, sweeping his thumb on her bottom lip before biting his own and nodding. “Yeah, I wanna show you a good time. Get you a little more comfortable with me so I can kiss those pretty lips of yours.”

Both sets.

“Okay, wait, I’m excited. You’re gonna be my first friend here.”

“Friend?” Rafe scoffs. “‘M’not gonna be your friend, Princess.”

“Well,” Milan shrugs, “Like, I don’t know what I could call you, you’re not my man-”

“Yet. Not your man yet.” He and the woman next to him share twin smiles and Rafe only becomes more invigorated by Milan’s eyeroll and shy grin. “Roll your eyes if you want to, I’m a determined guy.” 

“Determined?”

“Yeah, like I know what I like, I work for what I want, so-”

“So what?” Milan giggles, “You…you want me? I should get ready or something?”

“Yeah.” Rafe says flippantly, as if he wasn’t essentially making a threat of courtship to a girl he’d just met like 12 hours before. He wasn’t quite sure what he’d fully wanted from her yet. But the need to have her was nagging at him. Maybe it was lust. She was hot, forbidden fruit for him. He could hear the curses Ward would spit at him now if he fucked around and ruined things with this girl, made an enemy of her dad. Maybe it was how sweet she seems. He’s always liked shiny, new things. When he was a kid, he had to have stuff before his friends did. Toys. Shoes. Stocks. Maybe he’s graduated to feeling that way about women. 

Something about how he doesn’t want to look away. Something about the way she was smiling at him, how he’s talked to her the most, how in a room full of guys drooling over her, those big pretty eyes were locked on him. Rafe felt like he had to look into this weird feeling she’s been stirring in his chest since he’d seen her. 

It’s what’s best for Milan anyway. None of the rest of these limp dick motherfuckers should have her. They’re not real men. Not like Rafe.

Milan hums as she removes the golden under eye patches from under her eyes, massaging in the serum they leave atop of her skin. Grimacing at a gust of damp wind from outside she pads against the marble floor of her bathroom and pushes the double doors leading to the patio attached closed. “Stupid, island humidity.” She pouts as she combs through her bob again, praying for no puffiness today.

The sky fights to brighten in the early morning. It’s 5:00 a.m. and Rafe Cameron was going to be picking her up in 30 minutes. 

After the party last night Sarah had run over to her on the front lawn, hugging her tightly before declaring she was going home with John B. and offering for Milan to come with them. When she declines with a smile, the blonde fixes her brother with a glare, to which he’d returned with a middle finger, and stumbled off in her man’s arms. 

Rafe drove Milan back to her house and parked them out front, eyes carefully rotating between staring at Milan sitting pretty in his passenger seat, and watching for a sign of her father at the door. He let her toy with his fingers as she fluttered her lashes at him and he described what he does throughout the day, Or, rather, what they’d be doing today.

When he’d mentioned picking her up after the gym Milan had jumped at the opportunity to go with him. She loved going to the gym every morning before she’d moved and she was happy to keep it going. And it wouldn’t hurt to see Rafe work out. 

It was all she could think about. It’s not just his height. Even though he’s so…so tall. At least 6’2. Rafe is big. Muscle. Strength. Yesterday he’d basically hoisted her full weight into his truck with one arm. The preppy boy polo that he’d thrown on for their families hadn’t hidden anything and his tight crew neck that he wore to the party basically outlined everything for her. 

She quite literally wanted him to throw her around like a ragdoll. Or let her climb him like a tree. Whatever, Rafe is hot. 

He has an intense vibe, seemingly takes himself very seriously. But, Milan figures she could relax him. Loosen him up a little bit. 

They were gonna have so much fun. Smiling at her own reflection in the mirror, Milan spritzes vanilla Sol de Janeiro and all but fucking skips down the steps and to the kitchen.

“Good morning, Miss Milan, you’re awake early. I just started prepping for breakfast, but I could make you a coffee while you wait.” The private chef that her parents had hired a couple years ago had made the move with them. They’d paid for her to come with them to Outer Banks and offered to increase her salary because…well…it wasn’t their nice home in Quebec that she was used to. 

“No, thank you, Miss Ally.” Milan reaches over, stealing a newly washed strawberry and biting into it. “And my parents aren’t awake, right?”

“Of course not. You know your mother won’t roll out of bed until she smells the food cooking and your dad won’t come until I’ve had to warm it up twice. Why? Are you alright, honey?”

The younger woman nods, tossing the green stem into the trash and reaching for two travel cups. “Can you keep a secret? I have, like, a date today.” 

“Like a date?”

“Yeah, with a guy. He’s really cute, and sweet. So,” Milan begins sifting matcha, smiling down at the cup and resting her cheek on her shoulder. “‘M’gonna hang out with him today.”

“Less than 48 hours and there’s a boy, huh? Atta girl.” Miss Ally passes Milan the vanilla protein powder. “You’ve been worried about the move, thinking it was a bad idea, and here you are making friends.”

“Mhm, hot ones. With blue eyes and dimples.”

“And where,” Ally nudges Milan out of the way as she pours the hot water into the travel mug, “am I supposed to tell your parents you are when you’re out with Mr. Blue Eyes and Dimples?” 

“Touring the island.” She chirps. 

“With who?”

“Just like…generally. They should be cool with it honestly, I just know they’re gonna make it weird, but like, he’s the son of Dad’s first friend here so he shouldn’t be mad. How come he gets a boyfriend and I don’t?”

“Oh, just say that to your parents, I’m sure they’ll go for it then.” Ally snorts, whisking the eggs as Milan seals the travel mugs, laughing to herself as the girl slides both of the pink cups to the end of the counter next to her gym bag.

When Rafe pulls up outside of the Cabot house, he texts Milan before hopping out of his truck and jogging up the cobblestone. He agreed not to ring the doorbell because her parents were awake but he’d be damned if he didn’t pick her up at the door. 

As he stands on at the doorstep he adjusts the hat he has rested on his head and rocks on his feet impatiently. He isn’t waiting long. The door swings open and he’s immediately hit with the sweet smell of vanilla and soon after is met with the walking wet dream carrying the scent. 

“Good morning!” Milan grins, tossing her arms around his neck, bouncing up into his arms. Rafe isn’t fucking stupid, he’s quick to catch her around the waist and squeeze, relishing in the feeling of her pressed against him. 

“Morning, princess.” he murmurs into her hair, squeezing her again for good measure before placing her back on her feet.  “You, uh, you always go to the gym in shit like that?”

“Shit like what? Stop.” she laughs as he snaps the elastic of her leggings. 

“You just look good. That’s all I’m sayin’.” He chews the gum in his mouth and nudges her chin with his knuckle, mumbling, “Watch your mouth.”

“Yeah? Thank you.” she grins, looking away from him briefly. “I made…I made you something, like a gym drink or whatever.

“That’s cute sweetheart, what do you like me or somethin’?” Rafe snorts, choosing to ignore the fact that the travel mug she was pushing into his hands was bubble gum pink. He holds his hand out to her, not even looking back as he starts guiding her over to his truck. When he hears a little shuffle from her he looks back and glances down at her feet. “What the fuck, your shoes aren’t tied.”

“Okay, one of them untied when I was making you this delicious protein shake and I didn’t wanna make you wait-” 

“Christ.” Rafe grunts, unlocking his car and wrenching the door open, planting his hands on Milan’s waist and hoisting her into the seat easily. He tugs her foot onto his lap and begins tying the lace of her sneaker tightly. “Gonna break your fuckin’ neck.”

“I wasn’t gonna fall, Rafe-”

“You literally were letting me drag you down those steps.” When he’s done Rafe lifts her leg into the car, closing the door and walking around the driver’s side and climbing in. After he clicks his seatbelt on, he pauses and frowns when he sees Milan’s pout staring forward at the road. He puffs out a breath. “What? What’s wrong?”

“You haven’t said ‘thank you’. For your drink.” 

“Wh-are you serious?”

“Yes. You seriously haven’t said ‘thank you.’” 

“Uh…” Rafe’s brows furrow as he observes the girl. Arms crossed, dramatic frown on her pretty, glossed lips, knees pointed away from him. “Th-thank you.”

“You’re welcome!” she immediately warms up, clicking her own seatbelt on and taking a sip of her drink, moving back to the middle of her seat. As Rafe tries to sort through what quick, guerilla warfare he’d just experienced, he starts driving the car. 

So that’s her game. She’s cute and pretty and pouts like a fuckin’ brat when she doesn’t feel like she’s getting what she wants. Or someone is saying something she doesn’t wanna hear. All she’s showing me is that I’m exactly what she needs.

“M’just sayin’ like your shirt’s a little slutty. Like it’s tight, I can see your nipples and everything.”

“Don’t say shit like that, what the fuck?” 

“It’s like tight and stuff, like it’s a little bit of a hoochie shirt.” 

“Hoo-hoochie shirt. Fuckin’ brat.” Rafe shakes his head. In the time it’s taken to drive to the gym and for Rafe to put his card down to get Milan a temporary membership, she’d clearly been trying to test him. She was pushing boundaries to see what he would and wouldn’t accept. And he would try to be patient. But the jokes weren’t gonna be as funny when he was using her mouth for what he really wanted to use it for. Not now. He had to wait. To humor her. She was cute. He’d give her that. Maybe he needed to be cute back. “Don’t work out in the damn shirt anyway,” 

Milan’s eyes widen as she stares up at Rafe from where she’s stretching on the floor. She bites her lip and shifts her gaze to herself in the mirror as he easily tugs the tight shirt off of his chiseled muscles, tossing it into his gym bag next to her. 

Jesus. She bites her lip, berating herself inwardly as she glances at the tanned skin he was now baring for the world to see, six pack on display as he starts doing some standing stretches. “Here, sweetheart.” Rafe crouches next to her, pushing one of his airpods into her ear. “You, uh, didn’t have headphones, so you can just listen to my shit.”

“Can we make a spotify jam?”

“What?”

“So, I can add songs too, can we make a jam? And we’d be listening to the same thing, at the same time, you know?”

“I mean, yeah, sure why the fuck not? You’re not gonna add any corny shit are you? M’trustin’ you with my workout. Like that’s pretty fuckin’ special.”

“Oh my God, Rafe, I’m…I’m sure we have basically the same taste in music.”

Rafe and Milan are at war for essentially their whole warm up. They agree to separate for cardio and then meet back up for them both to try some of each other’s usual workouts. With the shared music blasting in their ears, they both still felt like they were hanging out for the 40 minutes that they are apart. Rafe spent half of his run on the treadmill listening to Beyoncé and Sabrina Carpenter’s discographies while Milan genuinely flinched on the stairmaster with Travis Scott and 50 Cent pounding against her ear drums. Both of them looking at each other with sick satisfaction when it was their turn to pick a song, making a game out of picking something they thought would irritate the other more. 

Rafe had finally had enough and started skipping Milan’s picks when the High School Musical Soundtrack started playing, eventually coming to pluck her off of her machine to start doing weights as Troy began singing about wanting his own dream. 

By now they’d both finished their protein shakes and felt like they had a lot of energy. Well, at least they both did. Until Rafe started making Milan do his workouts.

She was both turned on and enraged as he demonstrates different forms of weightlifting, chuckling at her deeply as she struggles to do another set. “Mmkay, okay, that’s enough, I’m done with that.”

“Nah, you didn’t even finish that one, c’mon let’s go.”

“Rafe, no” she whines getting off of the bench. Milan immediately gasps as Rafe fists the fabric at the front of her leggings, lifting her off of her feet and physically placing her back onto the equipment. 

Slapping her thigh, he offers her a no-nonsense look that lets her know that she isn’t getting up until she completes this workout to his satisfaction. “Baby, let’s go, stop fuckin’ around.”

Shit. Yes sir. “I want…breakfast food after this. Like, waffles, and butter and stuff.”

“'Let me come to the gym with you, Rafe. I wanna where my cute little outfit and not workout.'”

“Asshole.”

“Watch your mouth.”

“Wait…until we start doing my pilates workout. All those muscles will mean…nothing.”

“Yeah, you like ‘em?” He smirks, grabbing the weight to ease it down against her before helping her off. “That your excuse? Can’t focus?”

“Stop…being mean, worst date ever.” She whines, leaning her head against his chest. 

Rafe pats Milan’s ass twice before nudging her into the direction of the next machine. "Best fuckin' date of your life, brat."

“Are you gonna keep staring at my butt or are you gonna try again?” Milan calls over to Rafe. 

“My body is not built for that girly shit. You keep goin’ though.” He says. Milan rolls her eyes and continues on the machine, pausing when she sees the reflection of a camera flash in the mirror. “Damn, flash was on.”

“Rafe!”

“You look good, baby. I thought you’d like me to be all sentimental and shit, capture our first date.”

“Oh my God. You’re like, not even working out at this point.”

He shrugs, tilting his head to get a better view of her. “You’re the one who got an attitude when that girl asked me to spot her and made us change floors.

“She saw you with me.” Milan hisses through her teeth, pausing her movements. “She was trying to be funny.” 

“Think so?” Rafe scoffs, squirting water into his mouth from the bottle he’d kept in his bag. 

“Yeah, but if you liked the attention you could go back down.”

Rafe wets his bottom lip at that. Being at the gym with Milan has been fun. Turns out, he likes talking to her, which is more than what he could say for the majority of the population. She’s sexy, and doesn’t mind him being handsy. She seemed to all but expect him to pat her ass in encouragement after she finishes anything. She likes for him to teach her, guide her movements, place her on and off of machines. She likes to whine and have him sort her out. And she’s possessive. Jealous. Normally the concept of having someone police him sounds emasculating and unacceptable to Rafe. But watching her pretty little face turn into a scowl as she watched girls check him out or come up to him like they always did in the gym? It turned him on bad. 

She matched his crazy. It didn’t matter that it was their first date, the same way Rafe’s lip curled in disgust as he caught the fuckheads wandering the gym eyeing her before he stepped in their line of vision, Milan would physically place herself in front of his view, guiding his eyes to her and away from any girl delusional enough to think they were as bad as her.

But her mouth when she’s frustrated. That was something Rafe was gonna have to work on. Lucky for the both of them, a stern warning seemed to be enough for now. Rafe stalks over to where she’s sitting, stepping on the machine behind her and wrapping his hand loosely around her neck, pushing the back of her head to rest on the front of his stomach. Milan looks up at him through her lashes, as he pushes his thumb into her cheek, encouraging her to open her mouth and squirting a little water in from his water bottle. He fixes her with a disapproving look. “Chill out. I’m here, aren’t I?”

“Yeah.”

“I followed you up here, right?”

“Yeah.” she says softly, leaning into his hand.

“Alright then. Let’s not worry about the wrong things.”

After 3 hours at the gym the two of them hit the showers, separately despite both of their hesitation to separate again. They walk out of the building in different clothes and Rafe’s arm strewn over Milan’s shoulder, holding her hand where it came up to meet his own. He has to hide his smirk when he catches her making eye contact with the girl who’d asked Rafe to spot her as they walked out, a bright smile on her face. 

He was starting to like this pretty little thing more and more. Rafe lifts her back into the car, this time buckling her seatbelt for her before getting into the driver’s side. He finds that Milan can talk…a lot. She has jumped from topic to topic in the 15 minute drive more than Rafe thinks he can in 2 hours. He’s surprised to find he doesn’t find her annoying. Rafe finds his cheeks dimpling as he listens to her yap about her favorite tv shows, a movie she wants him to watch, her plans for her next nails set and thinking about getting highlights in her hair.

All the while she rubs his bicep, leaning into him as he holds her thigh in his large hand. He offers her small mumbles of acknowledgement to let her know he’s still listening. ‘Hm.’ ‘Yeah?’ ‘Sound’s good, baby.’ 

“You’re not listening to me.” she sighs, looking out the window as they pull into the restaurant. “M’talkin’ too much.”

“Nah, I like that shit. I’d let you know if I’d had enough.” Rafe places his hand on the back of her headrest as he backs into the spot. “But, uh, my head’s always movin’ right? I’m thinkin’ while I listen.”

Milan watches as he shifts gears and places his truck in the middle of two spots, declaring under his breath he doesn’t want anyone ‘fuckin’ up his truck’ to justify taking up two spots. “So…okay. What’re you, like, thinking about? While you’re listening to me.”

“Uh, honestly?” He asks. Intense blue eyes rest on soft brown ones. Milan just nods, turning more toward him. “How fuckin’ hot you are. Pretty fuckin’ distracting.”

“Oh.” She says.

“Yeah. Oh. Does that throw you off or something, like, oh is a weird response-”

“No, I was just saying oh, like-”

“Okay, because, I’m being pretty fuckin’ clear and you’re-”

Milan unclips her seatbelt quickly. Before Rafe can blink her soft lips are pressed against his and before he can kiss her back she’s back in her seat, pulling down the mirror and fumbling in her purse for her lipgloss. “I wasn’t supposed to kiss you until our first date was over. I can’t believe I did that. Oh my God.” Rafe chuckles lowly as she fumbles in her purse, dropping it and spilling its contents all over her lap and the floor of the car. “Oh my God.”

“Did you, uh,” He pauses, trying not to openly bark out a laugh at her, scratching his head. “Did you only bring lip gloss and perfume? Like, no wallet. At all.”

“Okay…” Milan starts slowly, “I understand that looks bad, and like, people believe in that 50-50 stuff now, and so I shouldn’t-”

“Baby, the fuck do I look like? I wouldn’t be taking you out if I couldn’t afford to, I’m not a fuckin’ pogue.”

“A what?”

“Don’t worry about it. And don’t worry about that fuckin’ peck, that wasn’t a real kiss.” It shocks her how easy it is for Rafe to scoot his chair back and pull her into his lap. “This is the shit you should worry about.”

Rafe Cameron pulls Milan Cabot into the nastiest kiss that either of them had ever fantasized about, let alone experienced. He holds her jaw, working his own open as he pushes his tongue into her mouth, swallowing her whimpers and humming against her. He separates their mouths briefly to kiss down her neck only to drag back up to her lips, chuckling darkly when she sucks his bottom lip into her mouth, gripping her thigh with his free hand as he drools into her open mouth. 

When he pulls away for the final time he rests his head back on the headrest, pushing his thumb into her mouth and releasing a breath as he watches her obediently suck on it. 

By the time they step out of the car to head into the nice breakfast restaurant he’d brought her to, Rafe had willed his…friend to go down, and they had undone the damage he’d done to Milan’s makeup and hair. As he guided her in by the waist, tugging down the hem of her pretty little dress to cover the ass he’d just been gripping he felt a feeling of superiority. The woman next to him was relying on him and him alone to lead her around. All the loser fuckers they passed on the way to their table could stare all they wanted. They could take a mental picture and store it away in their sick little spank banks for later until they came to the realization they’d never get a girl like Milan and finally blew their fucking brains out. But she was here with Rafe. And that’s how he expected it to be from here on out.

He’d decided. She was gonna be his.

[meeludrawz]

New Rehab Program - Pt 4

A/N: Hey if you wanna get tagged, just tell me! Cuz life makes me update slow, rip

Warnings: Mention of blood, mention of you being badly injured, mention of death, also you hate the Twilight saga

During the next couple of days, Shigaraki was oddly 'clingy'. Not physically, but he was always following you around like a dog or cat.

You were watching tv? He was there, sitting on the lazyboy, playing on his phone while sometimes, looking at what you're watching too.

In the kitchen? He was there, sitting on the kitchen island, still doing his own thing though.

The only times he wouldn't follow was when you were in the bathroom, or your bedroom. During those moments, he'd stay in his room. WITH HIS DOOR OPENED. He never closed it now!!

You didn't really understand that sudden switch in him until you decided to examine his behaviour.

From what you had observed, he was clearly grateful to be freed from this collar. That was an easy guess though because the day when you removed it, you put it on the counter. Guess what? Next day there was only a pile of dust left there.

It made you smile, because in all honesty, you would never put it back around his neck. He wasn't a wild animal or caveman with rabies.

You quickly realized that, him following you around, was his own way of saying that he appreciated your presence. Though, knowing his personality, you knew he'd tell you the opposite.

He was still quite silent but at least he didn't ignore you when you asked or talked to him.

You were more than glad to see all this progress when all you did was being kind and patient to him. Even if there was still lots of work to do.

"She should dust them both" Shigaraki hissed at the tv.

You had been bored and had decided to rewatch Twilight. Tomura was still on his phone but he was clearly more focused on the movie. You didn't like this saga but you watched it to see his reaction, to see if he disliked the franchise like you. Was it some kind of therapy? Not really, it was more like bonding time. So far, his reactions were hilarious but you kept your laughs inside.

"Why does Jacob has screen time? He should be a background character only" The white haired man hissed again.

At this point, your show wasn't Twilight anymore but Tomura.

"Why does Jasper keeps staring like a fucking moron? I want to kill him." He went silent for a few seconds. "Is Bella a fucking zombie? She has no emotions" He growled before adding. "If she's a zombie, that would fucking explain why she smells weird to them"

Your laughs escaped your mouth without your consent but you couldn't stop them.

Shigaraki snapped his head in your direction and raised a brow. "Why are you laughing?"

"Sorry it's you- You're just funny, 'cause I agree with you" You wiped your eyes, sighing with a smile.

"Was this a therapy?" He growled in a very low and menacing voice.

"No, I was bored and thought it could be fun" You chuckled and shrugged. "I like judging that saga with my friends"

"I'm not your friend" Tomura frowned.

"Maybe, but it's still fun, right?" You smiled.

Tomura narrowed his eyes as he stared at you, probably trying to decipher how the gears in your brain worked.

After that, he stayed silent for the rest of the movie. Even if his mouth was shut, you could read his body language. He hated that movie and that was an amusing sight.

During the week, All Might, Eraser Head, Tsukauchi and some of your bosses showed up.

You were all sitting at the dining table. Shigaraki and All Might sitting at both ends, right in front of each other. As if they were kings of some kind. Well, Tomura was trying to look intimidating but All Might? He probably just took the first chair he spotted.

As a normal civil, you'd think that everyone was pissed at each other but as a therapist or as someone very observing, you knew how to decipher people. All Might was nervous, Eraser Head was on his guard, even if he hid it quite well, your superiors were angry, Tsukauchi was calm but intrigued while Shigaraki was fuming. He hated those people.

What about you? You were nervous, sitting there in the middle of this silent war. And also because you removed Tomura's collar without anyone's permission, oops. Oh and with the help of All Might on top of that….

Tsukauchi spoke first. "I will ask some questions to begin"

You nodded and dared a look in Shigaraki's direction, he was glaring at Tsukauchi. He knew he couldn't lie, because he knew the cop's quirk and that must be pissing him off.

"Have you two been manipulated to remove his collar?" The officer clicked his pen, turning to you and All Might.

"No" You and All Might shook your heads and Tsukauchi wrote something down before turning to the 'ex-criminal'.

"Have you manipulated them?"

It took a few seconds before Tomura only shook his head, clearly pouting at the officer's quirk. Tsukauchi could detect lies.

"Were you trying to hurt your therapist before your collar reacted?"

"Yes" The white haired man narrowed his crimson eyes.

Tsukauchi didn't seem surprised. "Why?"

"Because they were pissing me off"

Ha, yes, Tomura's famous excuse over anything really.

The inspector noted something before turning back to you. "Has he tried again?"

You shook your head.

Tsukauchi nodded before looking at your superiors, telling them that his part was done.

One of your employers sat down in front of you with a menacing frown. "Now, why did you remove his collar? Do you know the risks?"

Ah, there it was. The one million dollar question. You gulped as you felt everyone's eyes on you but not Tomura's. He was glaring at your superior. But why? Wasn't he interested into what you were about to say?

"Because it's inhuman, because he is NOT a wild animal with rabies. He is NOT a do who has to be put on a leash. He is HUMAN. No one should treat a human like this, it's unfair and cruel. Sure he probably did-"

"Nah, I never put a fucking collar on anyone. I just used handcuffs on that young brat and even removed it from him before he fucking decided to attack me."

"We're not talking to you, Shigaraki" Eraser Head frowned at the man.

Shigaraki only raised both his hands in a 'defensive' way and scoffed.

You decided to continue.

"Yes I know the risks. He can be dangerous, he has free will, like any of us. But I strongly believe that for example, forcing someone to eat when they don't want to is a very bad idea. Just like how you guys forced him into this therapy and forced him to wear the collar."

Everyone stayed silent as they registered what you said.

Oh fuck-

Maybe you spoke too much?

But before you could worry, a huge hand was softly put on your shoulder, All Might was smiling at you with pride and comfort in his eyes.

He was probably thinking that you were the perfect therapist for Tomura. That choosing you was the right choice.

You had only under 5 years of experience and yet, people liked you because you made the therapies different. And for some reason that you ignored, people had started talking about you and it had eventually landed in All Might's ears.

So when he showed up at your workplace, you were speechless. He had asked you, THE symbol of peace, had asked you to help him.

That day, you led him to your office, thinking that he needed therapy. He wasn't there for himself, but for Tomura Shigaraki.

At first, you honestly couldn't understand why he wanted to save the 'apprentice' of his now deceased, arch nemesis. Well no, All Might was known to help countless of people no matter who they were. But then he had revealed you something intriguing. Nana Shimura. Tomura's biological grandmother. Who was no other than All Might's mentor.

Again, you were speechless so you had let him continue. The way he spoke about her, she was a mother figure to him. It clicked in your mind. He wanted to save Tomura because he was family to him, because he felt a mountain of guilt on his shoulders for not being able to be there for the ex-villain.

Frankly, you weren't supposed to let your feelings decide as a therapist but this case touched your heart. You wanted to help. But also, if a criminal as bad as Shigaraki was open to get into therapy, wouldn't that mean he wasn't as bad as we think? Plus, that meant you could help fixing society, right?

You sighed with a smile and glanced at the white haired man.

The villain was staring at you as if you had just confessed that you were an alien sent on Earth.

You chuckled. How great would that be? No more crimes. Just peace and happiness. Sure it probably sounded like an impossible dream but hey, if you could save THE Tomura Shigaraki, you would be saving thousands of people, right?

Your superiors and the Pro Heroes discussed together about this whole 'collar removed' situation.

They weren't really happy with this but the heroes (mostly All Might), had taken your side. You were quite surprised that Eraser Head and Tsukauchi seemed to believe in you too. Again, hella surprising, but much appreciated.

You watched them leave with their cars as you stood in the doorway. Once they were away, you walked back inside and closed the door.

Tomura was still sitting at the table, staring at nothing.

"Are-" You remembered that he disliked being asked if he was okay. "Tomura? You're staring into the void"

He didn't react.

Hm, what could you do?

Ah right! He was obsessed with video games, from what you observed. Hell, you didn't even need to be a therapist to find that out. You decided to speak his 'language'.

"If you keep doing this, you'll start glitching and crash the game"

Tomura finally glanced at you with a scoff. You smiled, happy to see that it worked.

"Never been this close to Eraser Head.." He mumbled.

"Are you a fan?" You genuinely asked.

Shigaraki's face scrunched up as he frowned. "No"

You nodded, you weren't going to ask more so you only headed to the living room.

And just like the past few days, he followed a few seconds later. He plopped on the couch and grabbed his phone while you turned your favorite console on. You picked a new game.

After an hour, you weren't far into it but it had piqued Tomura's curiosity as he often looked up at the TV screen. You were struggling with a boss.

"Don't"

You didn't listen, you were stubborn when you had an idea.

"Dodge! Just- Damn it! What the hell are you doing??"

"I AM dodging!" You replied back.

"No you're not, hand me that!" He leaned towards you and reached for the controller. But you stubbornly refused and stretched both arms away from him, while still holding it.

Did you forget that he was also stubborn? Yes, yes you did. He almost climbed on top of you to snatch the god damn controller.

"Tomura! I can do it on my own! Go away!" You tried pushing him back to his place with your foot but as you both stretched further to keep, (or grab) the controller, you dropped it on the floor.

"HA! Dibs!" The white haired man jumped off the couch to snatch it.

"No!" You quickly grabbed his shirt and he fell on you.

It hurt, you both groaned then immediately froze when you realized, with wide eyes, how close your faces were from each other. You both stared at the other for what seemed like an eternity. He leaned his face closer and closer until your lips were just an inch away. You were short circuiting and shut your eyes hard, panicking a little.

Suddenly his weight was gone.

You opened your eyes, letting out a breath that you'd been holding. Your heart was also pounding, ready to break your ribcage while Tomura was sitting on the floor, in front of the tv, like nothing happened. He didn't seem to give a shit either because he had snatched the controller when you closed your eyes.

But- What happened?

Your cheeks were red and you felt like the room had suddenly become warmer.

Seriously- What the fuck just happened??

Blood

Everywhere

All around you

Shigaraki was holding you tightly against him, screaming in rage and agony. But why?

It was your blood

Your stomach had been shot and you were unconscious… Or dead? In his arms.

He was in pain too, but not physically. He only had small scratches. But his heart? It felt like someone had stabbed it

The young man closed his eyes as he cried. But why was he crying?

And when he reopened his eyes to look at you, the first thing he saw was his pillow that he was clutching against him. It quickly vanished into dust so the villain sat up, confusedly looking around. He was in his bed, right next to his gaming desk. He was back home, but how? Oh right, a dream. The white haired man glanced at the dust on his bed. He didn't care about his pillow right now.

He stood up, Tomura couldn't understand that weird dream. Why was his heart pounding in his chest? Why was his eyes felt itchy? He didn't like you. Did he? No, no he didn't. It was just a stupid dream. Maybe it was that weird werewolf vampire saga that messed up his brain, nothing else.

And yet, even if it was 2 am, he instinctively walked to your doorway. It was never closed for some reason, so he looked at your silhouette sleeping softly.

The bloodied scene came back to his mind and his heart restarted to ache. He couldn't understand, you were there, safe and sound. Sleeping peacefully. Nothing bad happened to you.

He decided to go back to sleep, but first, he needed to clean his bed.

Why did he needed to check up on you? It was only a dream so of course you were fine. His feelings were dumb, he frowned.

What the fuck did you do to him?

A/N: OOOOOOOH THE FEELINGS HAVE STARTED TO SHOW HEHEHE >:3

Pt 3

[geekgirl101]

More 8x06 thoughts. Still processing

I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.

The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.

It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.

I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.

It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.

The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.

8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.

I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)

What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.

And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.

I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.

And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.

[shirefantasies]

hi, feeling nervous to ask so I’m sending this anon

If you haven’t already, could you do a hurt/comfort imagine? Like YN is hurt, either from a fight, ptsd, poor health etc, and imagine the types of comfort?

thank youu 💜

Sure! Since no character was mentioned I chose one and went a mental health route, hope that's ok! A comfort character fr though 🥺

Safe Right Here- Faramir x F!Reader (Drabble)

Warnings: angst (with comfort), past emotional abuse, mentions of self-destructive thoughts

One word. One word was all it took sometimes. A single phrase could push one off the precipice of memory. A chasm dark and inescapable, deep as life and death and everything in between. Such was it that when you fell, you wondered why you had ever been alive in the first place. Why one who failed to earn love was cruelly thrust into a world she was so unfit for. Why being called a maker of twisted, idiotic mistakes felt so akin to being dubbed the mistake itself.

So many things seemed to come naturally for all but you. Behaviors and unspoken rules. You needed them spoken, and when they were it was often done mockingly or in annoyance. Perhaps they were right- you simply were a burden.

"What is wrong?"

"N-nothing," you stammered, realizing how foolish you must have looked with tears pouring down your reddened face, "Nothing that matters."

"It matters," Faramir replied, kneeling at your side, "If it is bothering you. It matters to you. And it matters to me.”

Something about his emphasis, the way Faramir could speak so firmly in confidence and yet so softly, broke you. Was it foolish to hear love in his words? Perhaps, and yet there you were collapsing into his arms.

“Why? Why am I so wrong?” You sobbed.

“Wrong?” Faramir tilted his head, stubble shifting along the top of your head with a light scratch. “Wrong about what?”

“About nothing. I am just wrong,” you breathed, chest heaving with each attempt to speak, “I have nothing to show for myself. No family, no work to take pride in. Nothing complete to my name and no understanding of it all. Everything is so difficult for me. Why was I even born?”

Warmth fell upon you. New warmth beyond the tight hold of Faramir’s arms, the smells of woods and smoke clinging to the fabric and leather that embraced you. Moisture. Tears tumbled from Faramir’s blue eyes, ephemeral diamonds adorning the crown of your head. Diamonds of pure sorrow. A fitting crown indeed.

“My heart shatters to even hear you speak these words, but I confess I have spoken them too. Whispered them into the darkness in many a solitary moment,” Faramir admitted, arms winding even tighter, “But to hear them like this, coming from the lips of one so sweet? I may not be able to convince you, but they are lies. Poisonous lies.”

“They feel so real.”

“Right up until they destroy you,” Faramir agreed, his head resting over yours, “I almost threw my life away because of them but I know it would be true forfeit to see you do the same. My brother would not have wished this life for me. For you. Those who love you would feel the pain of that loss every day of their remaining lives.”

“Who-”

“I love you,” he cut you off, offering a knowing smile as compensation.

“And I you,” you replied softly, nuzzling closer until his words sunk fully in, giving you pause, “Wait, you almost…?”

“Yes. For Gondor. And perhaps a bit for myself, too.”

“Anything to give them what they want and see if the tang of blood takes the poison from their mouths. But you are kind, you are wise. You are enough.”

Faramir nodded, lightly scratching your head again. Your heart warmed, spreading through your body even against the cold stone floor on which you sat.

“And here I thought I was comforting you,” Faramir chuckled, a deep sound reverberating against your joined chests.

“See how well you’ve done?” You half-chuckled, half-sobbed, giving your first tentative smile. “It is easier when you are here. The rest fades.”

Kissing the top of your head lightly, Faramir circled a hand over your back, faint pressure bringing tingles down your spine. Sensation that drowned out the buzzing cries of your head.

“You are safe with me. Safe right here,” he affirmed.

Exhaling more tension, you tightened your grip, fingers flexing against his doublet.

“Together we can find the power to make the world of our dreams one day at a time,” Faramir told you, “One day after another I will remind you you have a safe home in my arms. Let me be your shield.”

“And let me be your armor,” you murmured, finally relaxing fully into his embrace.

“Armor,” Faramir echoed with a smile, “Forged perfectly for each other. I like that. Perfect for one at least, for you suit me just as you are.”

This time he tilted your chin, lifting your teary gaze to meet his and your head to nod before he pulled you in for a gentle kiss upon your lips.

“Nothing more,” he whispered, “Nothing less.”

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[mytearsbuckochet]

What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.

Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??

In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.

Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.

[lemotmo]

Genuinely feel like the interviews did exactly what they were supposed too - created doubt. Without those no one would be worried at all and they make it more of a will they/won’t they.

Can’t say there haven’t been moments since I’ve read them that hasn’t worried me but everything in the show is pointing somewhere else and I’d rather believe that because the people reading the interviews are in the fandom so mostly Buddies.

I never thought they’d make Buddie actually canon as in together (first kiss/realisation/telling the other ect) earlier than the end of the series anyway. Can’t really predict where or when they’re taking Eddie/sexuality/Chris coming home anymore but I honestly can’t think of a character on TV saying they were straight and continuing to be that 100%. Especially not in that context when they know the popular opinion.

The show would be genuinely crazy to do what they’ve done so far and not go down queer Eddie/Buddie.

Yeah exactly.

I have a feeling that they are really taking the Eddie arc seriously. We always knew that Buck coming out would be easier, because he is just the kind of guy to just go with the flow and figure things out at the go.

Eddie is so different. He is deeply repressed and feels like everything is his responsibility. He is crippled under the guilt he drags along.

It will take time to get him to a place where he can accept he is queer. It will take time to get him to a place where he can accept that he likes Buck as something more than a friend.

So they'll take his story slower than Buck's. Just like I've already said before, we will probably see small things here and there in 7a, but the main bulk of the Eddie story will probably be for 8b.

I do think we might be getting a Buddie cliffhanger of some sort in 8x08. We'll have to see if I'm right about that one.

Oliver said in his interview that he likes the 'will they, won't they' in a TV relationship and that it's important to keep the audience guessing while the characters are unsure as well.

This is exactly what they are doing here. They are telling the audience where the characters are 'right now' just to keep us all guessing.

I love the suspense of it all! 😂

[guiltycorp]

Okay finished the Haruspex route of Pathologic Classic! I need to play Clara's route to see the whole picture but I'm already fascinated by the differences between P1 and P2 in terms of characterization. I think I like Pathologic 2 even more now considering how they improved on Artemy's route, I am sorry to say I didn't like it at all in classic... This is all just my personal impression after first playthrough ofc. Ramblings about both Artemy and Daniil ↓ I think what bothered me about Haruspex was mostly just his attitude and his messiah plot. Once the first day is out of the way it's all smooth sailing for him, a bit too much so?? The only personal conflict he has is figuring out his father's exact wishes for him and choosing a sacrifice. Killing anyone is treated as fair or something that needed to happen and the Haruspex is always shrugging it off... And either option, Aglaya & the Town or Polyhedron... It just doesn't seem like he is that attached to either? So it doesn't feel like he is sacrificing much personally? Like sure he wants to save the Town because of his messianic qualities, but that's again more about fulfilling his 'role' rather than genuinely wanting to save lives, or at least it read that way to me. I'm sure it's meant to be both and P2 makes this far more apparent, but in P1 it elicited a rather squinty reaction from me. Plus well yeah, getting rid of Polyhedron is pretty much just ¯\_(ツ)_/¯, like yep he sure didn't care about that thing lmao so getting rid of it isn't such a difficult choice at all. The suggestion that the Polyhedron could be his Udurgh is kind of useless because the Town and Earth are far better candidates and fit with Kin beliefs better, which in this game Artemy pretty much doesn't doubt at all.  Maybe this is why the Bachelor is so present in his route? Daniil did say he'd commit suicide if he lost, maybe we'd want to think twice about pushing him towards it... But again! Does it seem like this guy cares ahhh haha... The dialogue option that is actually engaging with what Daniil said is pretty much there to make it clear to the player what the Utopian ending is and what it would be like.

Ngl at first I thought he was meant to be the 'sacrifice' until they said it's a woman. Every time Artemy learned something about the Bachelor's motivations he'd write down in his diary like '...if it matters' since the player can always choose what ending to go with I guess. I also find it curious that he can say that they are friends but still always writing only 'the Bachelor' in his diaries while Daniil switched to 'Artemy' and 'Burakh' during the final stretch. The one-sided yaoi................ 🤔 At least Artemy doesn't get mad at him for ordering to set the mythic bull on fire, I guess their friendship did mean something to him after all at that point. Also when Capella tells him that he should ask the Bachelor for help with getting into the Polyhedron since the Bachelor 'fawns upon you a lot anyway' the Haruspex just goes 'oh yeah! ok' fjdghdjg... Now that I think about it I DID like the Haruspex route for what it did with the Bachelor hahah, his dialogues and letters are just so good sometimes. Like wow, I felt this.

Very cool, if i was Artemy I'd totally abandon my weird murderous calling for this. Tangentially related... P2 had one moment that I remember from my last replay when Rubin, if kept alive, falls into a deep deserved sleep in his home, and Artemy just starts emotionally monologuing at him.

Like, P1 Artemy would never, but also it goes to show that he's still very much a repressed man here too, buying into toxic masculinity ideals who can't just talk to his friends about his feelings directly... The same character, but more complex. I want to make it clear that I DO like him and his motivations in P2 actually, and his personal conflict being more about the future of the Kin makes that game much more powerful to me than what his classic route was. I heard that initially he was planned to be far more violent and dark, so maybe he could have been sort of a villain protagonist and this was changed later and this is why it feels a bit bland? Hmm... Idk this is fun to me because meanwhile the Bachelor didn't feel that different to me in both games lmao. A highly stressed educated guy who is just trying to prevent the spread of epidemic the 'right' way and then clinging to the only chance he has left to preserve both his ideals and his life. He is a bit less polite in P2 at first (while still very much helping by warding off Rubin) but then rather quickly becomes more cordial to Artemy and vice versa (and wow it sure is nice when Artemy can actually be polite and friendly..). And the moment when he explains some of his personal deal to Artemy feels rather similar in both iterations mood-wise.

I liked his route in P1 a lot, surprisingly so, and I now understand why so many people liked him before P2 came out and afterwards too... There's just something very real about how he is the intelligent Capital doctor but with an extraordinary dream to combat death itself, possibly given to him by the Powers That Be due to these children trying to cope with people dying around them. And instead of favoring him for it they hate him! They leave him with nothing but this final chance to fix things, even if that means destroying everything and rebuilding anew. Daniil's desperation feels very real and thus more compelling, plus like... I mean it's pretty much confirmed that it's not just the Polyhedron and that the soil itself is 'rotten' (literally in the meta real world and through blood beneath the earth in the Town itself) and the decease could return again, sooo his ending doesn't look that bad comparatively. I also appreciated how Maria (or uhh was it Nina talking through her here as well?) explained how their Utopia doesn't actually mean a 'perfect' place, more so just an impossible dream.

The Bachelor doesn't mind this at all, a detail I loved.

...Hmm that said maybe P1 makes it a little too easy for him to kinda ignore the Kin issue, he is only mad about their circumstances when it comes to Vlad choosing to doom thousands of the Kin workers inside the Termitary (which is just his doctor ethics). I mean it is realistic for him to ignore the implications of representing the imperialist side, he does mention his father was a military man too at some point I think... Still, he is very quick to accept the Kin's unique beliefs as something that has obvious merit, trusting the Haruspex with that side of things in both of their routes, and he doesn't make much of a distinction between them and regular Town people when it comes to patient treatment. If anything it's probably a sign of how the writers weren't thinking that hard about this worldbuilding aspect at the time... even if I appreciated them showing the downsides of the Kin's society, I think those were done better than in P2 purely because it was a bit more realistic (I am talking about sexism mostly, such as selling their own daughters and not respecting their autonomy, plus the mention of Kin politics and different ruling clans rather than the hive mind situation implied in P2). Like, it is more obvious in P1 that wholeheartedly embracing the Kin's return to tradition isn't such a good solution for them either, but one that will likely happen anyway with Artemy and Taya as their new leaders. And it could get trickier in Pathologic 3 I think, especially since most of us really appreciated the portrayal of colonization in P2 and would expect it getting addressed again in future games of other character routes, but we'll see I guess! Either way I look forward to that game a lot now.

[batmanisagatewaydrug]

Hi! I'd like to hear more of your thoughts on Rebecca and Eric from "Luster" by Raven Leilani. I just reread it recently and yeah, it is incredible (saying this as an almost 23-year-old Black woman that sort of identifies with Edie).

I really enjoy both Rebecca and Eric as characters - and within their separate relationships to Edie. However, it's really hard for me to understand which scenes/instances - besides the obvious humiliation they both participate in in regards to Edie - that show explicitly Rebecca's issues with rage and Eric's more absolute loserish tendencies.

I mean, I'm not completely unaware of the unsavory ways in which they act; not going to list them all out. But some of the reviews - including yours - and even interviews with Raven Leilani that talk more about the characters, don't go as in-depth as I'm looking for. I feel like the ogre reading Joyce :(

[The lines from the book I've been thinking of most often - though not my favorites are Eric saying "I don't think of you as a person at all" and (I'm gonna get the wording kind of wrong, but) "I cry everywhere and often" near the beginning of the book]

I hope this is asking too much. I really enjoyed your review and I'm already kind of looking forward to reading it again because of it <3

hi anon,

well Rebecca, to me, is impossible to read as anything BUT a white woman hitting middle age and realizing that she made all the "right" choices - she has a job that pays well and she married a stable man and together they adopted a child and got a good house in a good (read: white) neighborhood - and still isn't actually happy with her life.

I mean, what does Rebecca actually have going on? she's exercising furious control over her body via furious physical activity because it's one of the only things she can feel in charge of. she pushes the same on her daughter, making a child count calories in a way that's absolutely going to give her a complex. she didn't want the child in the first place; she tells Edie verbatim that she never wanted to be a mother and while I do think she cares about Akila's well-being I think she also knows that she's wildly ill-equipped trying to parent a traumatized Black girl. she's in an "open" marriage that reeks of "we either had to open the marriage or get divorced" that she micromanages from afar so that Eric gets as little freedom as possible with Edie in the early stage of their relationship; Rebecca doesn't actually want Eric to fuck someone else, she wants him to get tired of trying and come back to her.

after the initial humiliation of trapping Edie at their anniversary party Rebecca remains emotionally distant towards her; even after she invites Edie to stay in her house she stays mercurial and her mood is subject to switch on a dime, always falling back into little power plays to remind Edie she's in charge, because Edie is a safer and easier target for Rebecca's pent up frustrations than her husband or daughter. she's exactly warm enough to Edie to make it hurt more when she's callous and mean, which I don't think is strictly intentional (I don't think Rebecca consciously knows what the hell she's trying to get out of their dynamic, either) but is still an extremely shitty way to treat a vulnerable young woman who's currently completely dependent on her for shelter.

arguably the most relaxed we ever see her is when she takes Edie to a mosh pit, because that's one of the only moments of unrestrained emotional authenticity that Rebecca gets to have - and it's wildly outside the norm of her day to day life, something that she's supposed to have left behind when she started dating Eric. Rebecca is so furiously dissatisfied with everything about her life and I frankly think she'd be happier if she disappeared in the night to go be a bartender or a roadie and never saw her husband or daughter again, but she'll never do that because you Can't do that, not if you're a respectable woman trying to cling to the signifiers of success that you worked so hard for.

re: Eric being a loser I really don't know what I need to cite other than him having a wife and a girlfriend and not treating either of them well tbh

[ryuichirou]

Do you have any headcanons for your genderswapped twst ships?? Doesn't really matter which ones

I do, Anon! And you’re cruel, because I want to talk about everyone, and I am very bad at picking one option… So I ended up writing one hc for a bunch of ships. I don’t think I skipped any of our absolute favourite ones, but I definitely didn’t cover all the ships we love :( Sigh!

If you want to hear more about any of them, let me know! But also, feel free to read previous hcs posts about the girlies: 1, 2, 3.

Also! Some are horny, some of them are not, keep that in mind please.

Alright, so…

Azul/Idia – while Azul complains about Idia always wearing baggy “boy-ish” clothes, she actually enjoys it on some level; sometimes she expects Idia to open doors for her, sometimes she hugs her arm when they walk together, it’s like she automatically figures that she herself is “the lady” in their relationship with Idia. Which is a concept that only exists in Azul’s head: Idia knows that Azul isn’t a lady at all. All of the “girly” things she does are very performative, and in actuality, Azul is very dominant, bossy and not gentle at all! She is an aggressive beast that loves to fuck tomboys…

Jade/Idia – during their housewarden+vice-housewarden meetings, Idia sometimes watches Jade as she writes down things and gives Azul documents and forms and stuff. Is it because Jade is just that beautiful? Yeah, but not necessarily in a good way – to Idia, Jade feels otherworldly, but also kind of terrifying. Like a beauty from a horror movie. Since Idia watches everyone through her tablet, she feels safe when staring at Jade (she would’ve been scared to look at her irl), but one time Jade looked straight into the camera, and Idia got startled and fell from her chair. For some reason she felt the good kind of goosebumps at the same time…

Floyd/Idia – one time Idia was careless enough to mumble something about Jade being perfect for a cosplay of a certain character. She thought she said it very quietly, but Floyd did hear her, and immediately asked about what kind of character would be perfect for her, instantly adding that Idia can’t pick the same one she chose for Jade. Idia panicked and said that she needed some time to think about it… hoping that Floyd would just forget about it, but she kept appearing out of nowhere and asking this question for a couple of weeks. Sometimes she would show up with her buttons undone and without a bra or panties, as if that would inspire Idia to give her an answer. Idia never felt so intimidated before..!

Floyd/Riddle – one time they had a physical fight that turned too horny. Of course, Floyd wasn’t giving it her all because in terms of physical strengths she could easily snap Riddle in half, for the most part she was just having fun. But the way Riddle squeezed her thigh with her own thighs and aggressively rubbed against it, the way she grabbed her shirt and ripped it open, the way she bit her neck and viciously sucked on it (to make it hurt more, clearly) made it pretty obvious that poor Riddle doesn’t quite understand what she wants from Floyd. Of course, she punched and slapped her face a couple of times too, but that doesn’t make the situation any less horny! Well, Floyd did bite her ass (literally) as a revenge, but the moment she grabbed her between the legs, Riddle squealed, kicked her off (with a heel!) and ran away. What the hell was that? Mixed messages…

Trey/Riddle – Riddle is one of the few people in their dorm that isn’t aware (and doesn’t suspect) that Trey is into girls. To the majority of people it’s pretty obvious, but Riddle has absolutely no idea. It’s not like Riddle would react in a bad way, but whenever she casually says shit like “it is too early for us to worry about husbands anyway”, Trey’s brain melt a little bit. She only sees her future with Riddle…

Ace/Deuce – they are “those two girls”, the ones that are always fighting, but also so close that it’s almost like they’re… you know. They are more likely than their boy versions to push that semi-playful flirty thing, and it’s always Ace who initiates it. She pokes Deuce’s boob with a pen, lifts her skirt, “accidentally” ends up in suggestive poses with her, makes jokes that take a couple of moment for Deuce to get (then she gets red and mad), and all of that is just them messing around of course. Nothing serious, for sure…

Jack/Deuce – when they kissed for the first time, Jack grabbed Deuce’s waist and lifted her up so their faces would be on the same level. Deuce got so surprised by that (her feet were barely touching the floor!), she whimpered in the kiss, and Jack got immediately embarrassed and put her back down. Both liked it a lot and felt hot because of that, but were too awkward to do it again…

Kalim/Jamil – Kalim is so innocent it’s very difficult for Jamil to think about the fact that one day she’ll start having sex and even worse, producing babies. The second part is so terrifying that Jamil prefer not to think about it at all, but even just the first part makes her very frustrated somehow. Is she angry about it? Somehow, imagining Kalim with someone like that feels very wrong, and Jamil’s frustrated mind makes her dream about Kalim doing things to her body instead. Jamil woke up all sweaty and with a blanket squeezed tightly between her thighs. 

Azul/Jamil – despite her busy schedule, there are moments when Azul has some free time and goes to see Jamil play basketball. She is always very clearly rooting for Jamil and Jamil only, as if she is the only one playing, and Jamil finds it annoying… Oh, is she distracting you, Jamil-san? By being a cute little cheerleader? Also, did I mention that Azul likes tomboys already?

Rook/Vil – when Vil gets mad, sometimes squeezing Rook’s boobs a couple of times makes her feel better. But when Vil gets very mad, the only thing that could help is for Rook to pull Vil’s underwear down and dive with her face between her legs. Then she eats Vil until she is so tired that all agitation has left her body, and her anger is gone… Technically, if Rook isn’t around, Vil could just breathe in and out until she is calm, but for some mysterious reason Rook is always around whenever Vil starts feeling angry. Is it a coincidence?

Floyd/Epel – while the bra that Vil makes Epel wear isn’t uncomfortable and is actually quite nice, she still doesn’t like the fact that she is supposed to wear it, so whenever she sees Floyd going around clearly bra-less, she gets so fascinated and excited. One time when they were hanging out together, being all rebellious and stuff, Epel took her bra out and looked at Floyd very proudly and smugly. And Floyd pointed out how pointy and erect Epel’s nipples are and giggled at her… and then quietly stole her bra while Epel was busy covering them and feeling unexpectedly embarrassed. They were hard the entire evening, which Floyd found very cute and couldn’t stop commenting on.

Ortho/Idia – when they were kids, Idia tried to make Ortho to be “the princess” in whatever story they were playing because Ortho is younger, and Idia wanted her to feel cherished and a centre of attention. But Ortho threw a tantrum about it because she wanted Idia to be the princess instead. They weren’t really into playing with dolls or all this princess stuff, so it was just a very rare and kind of wholesome memory that Idia completely forgot about… until Ortho called her a pillow princess and said “see, I was right” with a smug face all those years later. What do you mean you were right…! Is this really a good moment to bring that up?? While pressing a pulsating finger against your sister’s you-know-what??

Lilia/Idia – one time Idia actually went to listen to Lilia’s bass guitar performance in an empty clubroom because she wouldn’t go out of her room otherwise. And Lilia teased her a lot that day, acted very smugly, called Idia her groupie and even suggested to give her an autograph by signing her titties. Idia was embarrassed and terrified, but Lilia did end up lifting her shirt and doing that…

Lilia/Silver – when Lilia is feeling down for some reason, sometimes she makes Silver sit on her lap. Silver is too heavy for that at this age, and she usually says that it will make mother’s blood circulation worse, but Lilia always says that it’s okay and pushes her down. Then she hugs Silver tightly, presses her cheek against Silver’s chest, sits like that for a couple of minutes and playfully slaps Silver’s thigh, telling her to stand up and saying that she is a good girl and made her feel all better. Whenever Lilia stands up though, her legs shake because of bad blood circulation… Silver told you!

Sebek/Silver – whenever Silver falls asleep and Sebek doesn’t wake her up right away for some reason, she always makes sure she looks appropriate: closes her legs, fixes her shirt, even puts her hair back from her face. Although every now and then she does end up staring at her sleeping face and body for some time before doing that… you know, if no one is around…

Lilia/Malleus – as Malleus’ breasts were growing, she was in pain pretty often because of the drastic and quick growth. Lilia used to soothe her pain while massaging her chest with her small but knowledgeable hands, and it helped a lot… but also backfired, because now Malleus’ breasts are very tender; but also sometimes when she gets angry she really wants to have them squeezed and groped, as it pacifies her.

Sebek/Malleus – Sebek loves repeating that she’ll never get married because she already decided that she will live only to serve Malleus. One times Malleus heard about it and said that it really is a shame, because someone would be lucky to have Sebek as a wife. She didn’t really mean anything by it, but Sebek was so shocked to hear that that she still can’t process that conversation…

Crewel/Deuce – while Deuce wasn’t super sexually experienced before their affair with Crewel started, she was pretty experienced in terms of masturbation, and thought that she knew her body quite well. She was wrong because Crewel made her feel the way she didn’t know she could before… She used to be a very horny young teen, but now is the first time when she stands up and can feel wetness between her legs dripping down her thighs (without even being touched!). She also squirted for the first time with Crewel… and was pretty shocked by that, instantly getting embarrassed that she just peed herself. This woman melts her brain…

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.