#modern world vs traditions

[adrastee-rpg]

YOUNGER THAN THE MOUNTAINS; ouverture du forum

Forum city inspiré de l'univers de Yellowstone. Il ne reprend pas les personnages ou la ligne conductrice de la série. 1 rp par mois minimum • aucun minimum de ligne • Possible de poster dans le flood dès votre inscription key words: modern world vs traditions; out of time ; cow-boy ; rodeo ; cattle ; horses ; country roads, take me home ; buffalo ; nature ; reservation ; ranch ; lasso ; casino ; wolf ; tw: Les thèmes abordés qui découleront de la culture cowboy/western dans lequel le contexte s'intègre pourront être sombres et heurter votre sensibilité. Le forum sera donc déconseillé au moins de 16 ans et réservé à un public averti.

A la croisée des mondes entre modernité et tradition, le béton des villes du Comté de Yellowstone tente de s'imposer là où, hier encore, se croisaient les rêves de grandeur. La liberté comme maître mot et la nature comme seule loi, le temps s'arrête une fois le tapage urbain abandonné derrière soi, et il est facile de se laisser charmer par les grands espaces, l'air frais ou les couleurs chaudes des plaines. Ne vous méprenez pas, le prix à payer pour vivre affranchi des chaînes de la société est onéreux, presque sacrificiel, et requiert de se battre, chaque jour, afin de conserver les miettes de son libre-arbitre. Les vallées gardent dans leurs entrailles toutes preuves de méfaits, chaque goutte de sang versé, et se font les complices silencieuses de ceux qui aspirent à les protéger. Car dans la liberté se cache un animal sauvage prêt à tout pour ne pas être pris au piège, comme une force de la nature, indomptable, vous reprenant ses droits. Choisissez votre monture et la direction à suivre : Vivre libre ou mourir enchaîné. Rester dans l’ombre ou profiter de la lumière. Et autant de routes possibles que d’yeux rivés vers les Montagnes

lien du forum : https://countryroads.forumactif.com/ lien du forum : https://countryroads.forumactif.com/ lien du forum : https://countryroads.forumactif.com/

[ryey22]

The Enigmatic Figure: Elegance in a Chaotic Digital Age"

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[astra-ravana]

Using Demonic Sigils

Demonic sigils are specific types of symbols or seals that are used in various magickal traditions to represent, summon, or communicate with demonic entities. These symbols are believed to hold the essence or the power of thr demon they represent, acting as a focal point for rituals involving these entities. The use of demonic sigils dates back to ancient times and has been incorporated into numerous magickal practices and grimoires throughout history.

Historical Origins

The practice of using symbols or seals to represent demons is ancient, with roots in cultures around the world. However, the formal use of demonic sigils is most notably documented in medieval and Renaissance grimoires. These texts, such as 'The Lesser Key Of Solomon' (also known as Ars Goetia or Lemegeton), provide a catalog of demons, each accompanied by a unique sigil.

A sigil can have immense power because it's a gateway to a certain energy. It's like having a direct line to a powerful person, except that the person is a spiritual force, not constrained by the time/space continuum. The ancients knew all too well that our world is not only physical, that there are entities among us that we can't perceive with our ordinary senses, yet they can be communicated with through symbols which activate our higher intuitive faculties and open a door for their arrival.

Purpose And Use

Demonic sigils serve several purposes in magickal practices, including:

• Summoning- Sigils are used in rituals to summon demons, providing a method for the practitioner to focus their intention and call forth the entity.

• Communication- Sigils facilitate communication with demonic entities, acting as a bridge between the practitioner and the spirit realm.

• Command- In some traditions, possessing a demon's sigil gives the practitioner a degree of control, over the entity, compelling it to perform or grant requests of the summoner. Most entities will resist this type of magick and some may turn hostile. Use sigils with respect and consideration.

A sigil of a summoned demon can be utilized in various ways after the ritual. For example, by carrying it with you, placing it in a prominent place in your home, an altar dedicated to the demon, or in some cases of baneful magick, placing it near the target, burying it, burning it, etc.

Creation And Activation

Demonic sigils found in grimoires are traditionally received through mystical revelation or compiled from older texts. Modern practitioners may use these historical sigils or create new ones through various methods of sigilization, such as the rearrangement of letters from the demon's name into a symbolic design.

Activating or charging a demonic sigil typically involves ritualistic practices. These can include specific invocations, the use of ceremonial magick tools, and the creation of a ritual space. The goal is to energize the sigil and open a channel of communication with the entity it represents.

There are also techniques that can be used to create a unique sigil that connects a person with a specific demon for the purpose of attunement. Such a sigil being charged and activated to serve a single connection rather than everyone who chances upon it, can be a more powerful conduit. It is comparable to a dedicated VS a shared network.

Authoritative Texts With Demonic Sigils

Some grimoires contain extensive lists of demonic entities, their attributes, and corresponding sigils. Here are some notable texts that include information and drawings of demonic sigils:

• The Lesser Key Of Solomon (Ars Goetia, Lemegeton, Clavicula Solomonis)- Particularly the first section, known as the Ars Goetia, which details 72 demons along with their sigils and methods of summoning them.

• The Grimoire of Honorius- Attributed to Pope Honorius III, this grimoire includes sigils and instructions for summoning spirits, including demons, and is known for blending Christian and pagan elements.

• The Book Of Abramelin- Written by Abraham von Worms, this book describes an elaborate ritual known as the Abramelin Operation, designed to obtain the knowledge and conversation of one's guardian angel but also includes information on the summoning of demons as part of its broader magickal practice.

• The Pseudomonarchia Daemonum- An appendix of Johann Weyer's 'De Praestigiis Daemonum', this text lists 69 demons along with brief descriptions and is notable for its critical perspective on the practice of demonology.

• Grimorium Verum- (Latin for True Grimoire) is an 18th century grimoire attributed to one 'Alibeck the Egyptian' of Memphis, who purportedly wrote itnin 1517. Like many grimoires, it claims a tradition originating with King Solomon.

• The Munich Manuel of Demonic Magic (Codex Latinus Monacensis 849)- A 15th century grimoire, this manuscript focuses on necromancy and demonology, including sigils for summoning demons.

• The Grand Grimoire (The Red Dragon)- Known for its powerful rituals and the summoning of demonic forces, this book also contains sigils and instructions for making pacts with demonic entities.

• The Black Pullet (La poule noire)- While primarily known gor its talismans, this grimoire also includes methods for creating sigils and rings that are used to grant the user various powers, including influence over demons.

• The Sixth And Seventh Books Of Moses- These books are a collection of magickal texts that purport to describe the magick practiced by Moses, including the use of seals and sigils associated with both angels and demons.

The sigils found in these texts are often used in their original form even today. There have also been modifications and new sigils are constantly being created, especially by chaos magicians.

[writers-potion]

Let's Talk About Magic Systems.

There are two broad ways you can establish magic in your story world - work with existing concepts, or adapting it for something new.

Pick a System

High Magic vs. Low Magic

This distinction existes mostly in the western wrld from the Middle Ages onwards. In non-western cultures, this distinct often doesn't exist.

High magic requires magicians to study from books, ingredients are expensive and instruments elaborate and hard to get. The typical practioner of High Magic is of the upper class, highly educated, and rich. They serve in King's courts and have high social standing thanks to their knowledge.

Among the lower classes and women, Low Magic is ore common. It is taught orally and doesn't require reading skills and uses everyday objects and ingredients.

Black vs. White Magic

"White" magic is often associated with good, and "Black" with the evil. However, what really matters is the magicians intension, not the magic system that they work with.

The term "black magic" is often associated with working with the dead. It can also be used by an individual/group who just wants to appear more menacing.

Ceremonial Magic

This kind of magic involves lots of ritual, recitation and prayer, often in ancient langauges such as Latin, Aramaic and Sanskrit.

Most of the time, it's High Magic and practiced by religious figures.

The typical practioner is educated, has great confidence and a good memory.

Natural Magic

It involves ingredients from nature, such as herbs and water.

It may be practiced outdoor, in a kitchen, or in a laboratory.

The rituals are simple and short, and the practioner will watch out for the turning of seasons, phases of the moon, etc.

Religious Magic

This is a diety working through a magician. The magician prays and asks her god to work the miracle.

Most religions have their own form of magic, and the kind of miracles that the magicians can bring can be limited.

Wiccan Witchcraft and Voodoo are largely religious magic.

The typical practioner would be spiritual and devout, often suspicious of other religions.

Alchemy

Alchemy is both High and Low Magic, and it can incorporate religious, spiritual, philosophical and mythological elements.

In a modern setting, alchemy can also be portrayed as "science gone too far".

The typical practioner would be patient, methodious, educated and driven. The tools includes laboratory equipment, astronomical charts, writing materials, and an unsuspecting roommate(?) for testing.

Traditional Witchcraft

Traditional Witchcraft is a form of Low Magic. In early historic periods, the witch played an important role in village life, often old women who owned apothecaries and helped out other villagers.

The typical practioner would be female, uneducated, illiterate, practical, resourceful and poor. She will have a good memory and well-developed senses.

Tools used would be simple household implements - a cauldron, a broom, knife, etc. that can evade the Inquisitor's suspicions.

Wiccan Witchcraft

If you write contemporary fiction, this is the system your character is most likely to use. It's modern witchcraft, based on the religion of Wicca.

Wiccan witchcraft mostly developed in the second half of the twentieth centruy. It is a form of bothe Natural Magic and Religious Magic.

Based on nature worship and the polarity between male and female, the magician often begins a Wiccan ritual with an invocation to a God/Godess. The Lady (Godess) is depicted as having three aspects: Maiden, Mother and Brone. The Lord (God) may be depicted with horns.

The focus of Wiccan magic is often on healing, with an emphasis of ethical consequences of what is being performed.

It is often practiced outdoors, sometimes naked (which they call 'skyclad'). Wiccan witchcraft uses the phases of the moon to amplify its effects.

Wiccan like to gather in groups called 'covens' or to meet once a month or for major festivals. The coven leader may be called 'high piestess/priest'.

Typical tools include a chalice, a knife (called 'athame'), a wand, candles, herbs, crystals, and essential oils.

Necromancy

The magician summons a dead person, either ghost or spirit, sometimes bodily. The dead are enlisted to grant the magicians with favors or are questioned for information.

It may be related to Shamanism, as well as to some forms of psychic work such as channelling and Spiritualist seances.

The typical practitioner is psychally gisted, strong-willed and courageous.

Shamnism

Shamnism is a Low Magic system. The shaman intercedes between the human and spirit world by communicating with spirits, often to obtain information or provide healing.

Shamans may travel to the spirit world to seek answered, with some level of danger. They use drums, chanting, dancing and drugs to alter their consciousness and communicate with spirits.

Practicing shamans often work alone, but they choose a successor to train. The apprentice is supposed to accept the calling.

The typical shaman is musical, sensitive with a strong sense of rhythm and the psychic.

Tools include drums, bells, a costume, herbs, bones, smoke and mind-altering drugs.

Ancient Egyptian Magic

Ancient Eyptian Magic ovelaps with Religious magic, medicine and with psychic work. The deities most frequently evoked are Selket, Aset for raising the dead, and the gof Thoth for anything to do with sickness and healing.

The emphasis of Ancient Egyptian Magic is protection, often done throgugh an amulet or talisman. The circle or oval is the most important shape that has protective qualities.

The precise wording of a spell is important, as well as the colors that are involved. For magic to affect someone the magicians must know that person's true name.

The typical practitioner is male, literate, often a priest attached to a emple.

Folk Magic

This is a form of Low Magic practiced by amateurs.

This includes housekeepers who can keep the rats out, farmers who can ripen fruit before the height of the season, and scullions who can make water boil faster.

This people would only know a handful of spells, ans pass them in to memebers of their family.

Voodoo

Voodoo is religious magic and low magic.

The rituals are held in private, and may involve communication with spirits, especially the spirits of ancestors and saints.

Commonly used to cure aliments, confound enemies, and obtain desires.

Invent a System

Choosing the Right Words

If your character is clearly a witch, shaman, a necromancer, etc. with a specialty, use that term. Otherwise, the word "magician", or "mage" would be most appropriate.

The term "magus" (plural magi) refers to practitioners of the ancient Zoroastrian faith.

Strictly speaking, witches and wizards are practitioners of two very different magic systems, so your female character can be a wizard, and vice versa.

'Warlock' really means 'oath-breaker' or 'traitor' and doesn't describe a magician.

'Conjurer' is someone who can creae effects to impress an audience, not really magical in itself. The more modern temr would be 'illusionist'

A group of magicians may be called a 'coven' (though it applies mostly to Wiccan magic). A magician working alone would be a 'solitary'.

Magic vs. Magick

Normally, "magic" is the correct spelling.

However, "magick" may be used, especially by insiders, to emphasize that they refer to the real thing, not conjuring or other trick of the eye.

The magic systems are sometimes capitalized, sometimes not. When it involves a religion, nationaliy, or a particular family line, it is capitalized. Just make sure to keep it consistent throughout your book.

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[oh-no-its-bird]

Body swap through time Kakashi and Tobirama at like, ages 12/13ish

Kakashi wakes up as Senju Tobirama at the height of the Uchiha/Senju conflicts

Tobirama wakes up as Kakashi in the lead up to the Kyuubi incident

They're actually alarmingly similar in skill level and personality, so they're able to get away with the switch on a surface level, even to those who know them well. But problems very quickly arise when it comes to fighting or anything that requires knowledge of history

""Tobirama"" taking to the field with a totally different skill set and jutsus than he's ever used before (Izuna is taken so off guard, it gets bad, fast)

""Kakashi"" suddenly does not seem to respond to any ANBU signals or codes, and where as before he was a shoe in for becoming an ANBU captain he suddenly seems to be fucking up at every other opportunity. You'd think the guy WANTS to lose his job with how suddenly awful at it he is, but he's Kakashi. There is no world where that kid fucks anything up on purpose

They're both definatley in a "holy shit I can NOT tell anyone ab this" position— Kakashi would probably be fr killed as an imposter, and while Tobirama would probably be ok (especially since Minato would be in charge of his detainment n stuff) he doesn't know that?? As far as he's aware, he is in enemy territory and will act accordingly.

Kakashi doesn't know how tf to interact with Tajima or Hashirama, but especially Tajima. He probably uses the wrong forms of address for people bc Tobirama uses more old fashioned honorifics than Kakashi is used to (Anija/Chichuie vs Nii-san/Otou-san)

Kakashi refusing to kill Uchiha bc like, village loyalty fuck you. Also just in general he probably has feelings ab killing anyone with a sharingan on multiple levels. But not just not killing them but going out of his way to help— these aren't his Uchiha, yeah, but it definatley fucks him up to see ANY uchiha die when all his life Uchiha = konoha = his people

Oooo, Kakashi instinctivley channeling chakra through Tobirama's eye after a solid couple years of getting used to the sharingan, possibly accidentally doing,,, something there. Idk what tho but SOMETHING

Meanwhile Tobirama is in that stupid fucking village of his brothers (that he will not shut up about, especially at that specific age) and its???? Real??????? It worked?????????? Huh.

He's surrounded by Uchiha and can't find any Senju (Tsunade just left the village rip Tsunade) but if he investigates it looks like the Senju died out naturally? Impossible, it has to be some kind of Uchiha plot—!

Hes also struggling to come to terms with there being a STOLEN SHARINGAN IN HIS FUCKING EYE !!!!!!!! Made extra super fucked up by the difference in intense hatred and taboo of bloodline theft in modern/warring era (with it being even more taboo in the warring states, like THE ultimate evil to any shinobi)

Maybe he, as Kakashi, is supposed to go to like special Uchiha class where they teach him ab the Uchiha n stuff bc of the eye, and Tobirama is sitting there eating all this shit UP (enemy intel!!!) But also, like, lowkey brainwashed kid brought up to do nothing but kill this one specific group of people, literally being forced to at least pretend to embrace their culture. He's in such a unique position to learn from and about them, and it'll probably end with him being some kind of sympathetic.

It helps that in modern Konoha, where the Uchiha may be considered overly traditional/religious, that's actually just Tobirama's normal. So there's also this added layer of "being around the Uchiha feels the closest to home / least strange than being around literally anyone else" which just pisses him off even more tbh

I'm tempted to say that somehow Rin is still alive just so I can have that one specific Rin and Kakashi queerplatonic codependent relationship from my other post, and then Rin being the one to finally notice that Kakashi isn't Kakashi anymore

Both Tobirama and Kakashi kind of piecing together the life stories of each other, immersed in eachothers histories and paths without ever directly interacting even once. Constant wonderings ab what the other boy was like / might do here, and if they're really so similar that no one has noticed the switch and all those implications (bc on one hand, that's good!! But on the other hand uhh— has anyone at home noticed...? Bc if not, fucking ow??? But also like, probably for the best tbh.)

[buryam-soul]

THEY UNPRIVATED THANK FUCK I TOOK SCREENSHOTS JUST IN CASE (it's actually several threads under this one here)

Head in hands.. the person who made a really comprehensive thread on mualani's design privated their twt so i can't look at it anymore

[janmisali]

Number Tournament: ZERO vs THE IMAGINARY UNIT (The Championship Match)

[link to all polls]

0 (zero; naught)

seed: 4 (60 nominations)

previous opponent: negative one

class: additive identity

biography: one of the most revolutionary numbers in all of mathematics, and not just because of its rotund symbol.

the notion of "nothingness" as a number in and of itself rather than merely as a placeholder was discovered independently in many parts of the world at many different times, particularly in cultures that used forms of positional notation (ie. writing numbers in a way where every symbol has some numerical value, and its position within a number indicates that the value is multiplied by some power of a "base", often ten). due to its strange nature as a number with no value, many properties that are often taken for granted with other numbers do not apply to zero.

in the Number Tournament, zero has beaten some incredibly iconic numbers seemingly effortlessly. fifteen, thirty-six, sixty-four, the golden ratio, and negative one were all no match for naught. it is truly a force to be reckoned with.

zero is a number associated with emptiness, with the void, as well as with new beginnings. it is one of the foundations of all of mathematics, and it is certainly one of the best numbers.

[Wikipedia article]

i

seed: 11 (46 nominations)

previous opponent: NaN

class: imaginary

biography: another groundbreaking number, discovered much more recently than zero. much like zero, in its earliest uses i (the imaginary unit) was considered more of placeholder than a number in its own right, as the name "imaginary number" might suggest.

the imaginary numbers (and the complex numbers they are a part of) were born as an elegant solution to a practical problem, and they've persisted as a tool for modeling things in the physical world, no less real than the "real numbers". complex numbers are useful for "translating" statements about shapes into statements about numbers, and vice versa. they are crucial to the Fourier transform, which itself is a vital part of signal processing and many areas of physics.

in the Number Tournament, i faced off against a series of increasingly tougher challengers: forty-seven, twenty-seven, e, two, and Not a Number, each race closer than the last. i fought hard to get here, and we're all very proud of it for making it this far.

i is associated with the mathematical tradition of taking "you can't do that" as a challenge, and with thinking outside of the box. it is a fundamental component of our modern understanding of the world, and it is certainly one of the best numbers.

[Wikipedia article]

[needanaccount2readarcaneposts]

every time i read a post about how, "silco kept fighting relentlessly for a free zaun because it's what fELiCiA wOuLd hAvE wAnTed," i add another name to my kill list (in minecraft).

we'll never fucking undo the damage s2 has done to his characterisation.

let people believe in things bigger than themselves without needing some secret twist reason. let people fight for something because they observed an injustice in the world and decided to fucking do something about it, without needing a personal motivation tied to a tragic dead friend/family member/lover/whatever.

it is one thing for s1 to acknowledge that, while silco was always a true believer, his trauma at vander's hands is responsible for informing his view on the need for unflinching ruthlessness; for excising weakness. but s2 is now vander-ifying silco and fandom is eating it right up; making him 'more sympathetic' by suggesting that his determination to keep fighting in the first place was in some way tied to a lost loved one. because in a liberal media framework that serves the interest of capital, it is dangerous to suggest that someone can be motivated by purely ideological reasons and still be sympathetic. can still be right to want what they want, or do what they do.

i'm gonna make Outlaw Kings & Rebellion Chic required reading for everyone, and have included more extracts under the cut, but in summary:

Violence that does not proceed from personal injury requires no such breakdown. This kind of primarily ideological violence can be directed against a perfectly functional system - functional, at least, for the perpetrator - simply because it appears the ‘just’ thing to do. No wonder, then, that in our mass media, the characters practising ideological violence are cast as morally unsound. If normality is not self-evident but a site of contention, then it problematises easy narratives of rebels vs tyrants. And if dispute over the political system is enough to justify force, then that implies violence against the modern Western state, even its violent overthrow, could be justifiable. This is understandably concerning for many writers, who tend to come from backgrounds closer to the Lannisters than the ‘smallfolk’.

If a person can commit violence simply because they believe it’s right, without any hidden ambition, then nothing stops us from acting to change the world.

Separately, there is in screenwriting a kind of uncodified rule: villains act, heroes react. The hero, according to traditional Hollywood structure, can’t fulfil their destiny until an extraordinary event drags them out of the world they know. More often than not, that event begins with the villain. Harry Potter is only the Chosen One because Lord Voldemort killed his parents. Luke Skywalker would have stayed on Tatooine dreaming of adventure, until Darth Vader’s attack on a rebel ship sends a secret message to his farm. Frodo would be safe and happy in Hobbiton if not for Sauron. Heroes rarely set out to change the world. Villains want change, and heroes run to keep up. [...] Many of these characters live with occupation, oppression, and state brutality as part of their daily lives, but they don’t turn to violent resistance until their families are directly threatened or killed. When heroes commit political violence, it must be to avenge a personal injury. This is supposed to be substantively different from political violence committed for ideological reasons, which receives a much less sympathetic treatment. [...] When we see violent characters who kill for primarily political reasons, they are often anti-heroes at best, outright villains at worst. The idea of the full circle revolution - of the secret dictator hiding in the throat of every rebel leader, waiting to leap out and betray the non-ideological hero - is utterly pervasive. It appears in videogames, where good old-fashioned all-American heroes like Jim Raynor of Starcraft or Booker DeWitt of Bioshock Infinite are betrayed by villainous revolutionaries Arcturus Mengsk and Daisy Fitzroy (and after all they’ve done for them!). It is common in films, from supervillains like Magneto and Killmonger, liberationists written as would-be conquerors, to the rebels of The Hunger Games, who vote to continue the games as soon as they’re in power, except with the children of the dethroned elite rather than the children of the poor. The same reversal is mentioned in A Song of Ice and Fire, where rebel slaves, once liberated, enslave their former masters; in the TV version, an evil fundamentalist visits the kind of cruelty on the King’s Landing nobility that they visited on others. In all these examples we see an echo of the primal fear of every oppressive class, the nightmare at the heart of modern white supremacy: what if someone did to us what we’ve done to them? Liberation is re-imagined as the world turned not so much upside-down but mirrored. [...]

Rensin attributes the hatred of the High Sparrow to his hypocrisy, but I don’t think that’s quite right. What is terrible about the High Sparrow is that he has no personal grievance. He didn’t see his father killed by the ‘good guys’, like Killmonger. His family weren’t murdered by his oppressors, like Magneto. By his own account the High Sparrow was a cobbler who became disillusioned, found religion, and now, thanks to the vagaries of a civil war among the elite, finds himself in a position to overturn the social order. The feudal system of Westeros never injured him personally. He simply came to believe it should be torn down, and acted accordingly.

We seem to find this faintly repellent. We are so used to looking for an ulterior motive that, when we can’t find one, we grow uncomfortable. If a good person can commit violence simply because they believe it’s right, without any hidden ambition, then nothing stops us from acting to change the world. [...] Violence that does not proceed from personal injury requires no such breakdown. This kind of primarily ideological violence can be directed against a perfectly functional system - functional, at least, for the perpetrator - simply because it appears the ‘just’ thing to do. No wonder, then, that in our mass media, the characters practising ideological violence are cast as morally unsound. If normality is not self-evident but a site of contention, then it problematises easy narratives of rebels vs tyrants. And if dispute over the political system is enough to justify force, then that implies violence against the modern Western state, even its violent overthrow, could be justifiable. This is understandably concerning for many writers, who tend to come from backgrounds closer to the Lannisters than the ‘smallfolk’.

[lurkinginnernarrator]

You know, genuinely, the transmigration setting of svsss fascinates me. Shen Yuan adapts remarkably quickly (makes you want to explore exactly how attached he felt to his home in the first place? An interesting thought for another time.) but I have to wonder, how does his past shape his psyche?

I'm sure most people are familiar with nature vs nurture, and that the situation you were raised in shapes you fundamentally as a person (It doesn't define you though.) . Moreso, the culture you were raised in, and participated in, contributed to and perpetuated.

I think it can be easily argued that the world of 'PIDW' moves differently to Shen Yuan's modern day China. I think there is some bleed-through or carry-over, but the cultures are different. (Perhaps with Modern Day as the 'mother culture' to PIDW, seeing as Shang Qinghua may or mayn't be the creator of said world.)

If you take the same culture at different points in time even, the cultural mindset and cultural awareness ( I like to think of it like a portfolio lol), there will be a marked difference. You just have to wonder the difference of perspectives, not even from a character point of view, but culturally.

And! You have to marvel at the fact that Shen Yuan adapted as well as he did! He was speedrunning integrating into a new culture! I mean sure, he had foreknowledge of the world, but knowledge of, say a different country is not the same as learning to truly live there.

I can have knowledge of a foreign country, know it's stories and songs, it's celebrities, traditions and way of governance: the climate, the flowers and the pathways of its waters.

Yet, that would not make integrating into the culture any less eye-opening and educational. It would not make me any less of a student to that culture I'm learning.

This isn't even bringing up that there are multiple cultures in Shen Yuan's PIDW.

I won't argue that Shen Yuan could navigate all these cultures well or easily, but that he did at all is fascinating. Shang Qinghua does have a few legs up, being the author and getting a PIDW childhood.

Shen Yuan's different cultural perspective, I would like to posit, is another reason the Cang Qiong Peak Lords got suspicious. The difference in personality could only be highlighted by Shen Yuan's different cultural foundation. He's operating from an absolutely different place than Shen Jiu!

Anyway, this contrast and concept, this facet of svsss delights me and I enjoy rotating it in my mind.

It seems that this just turned into a SY appreciation post. But what can I say? The funky dude deserves it.

[raven-at-the-writing-desk]

This may be a bad faith take, but my worst fear - as someone who has only watched through parts of Book Seven and not played through the whole thing - is that the plot only halfway explores the themes of the fae’s prejudice against humans.

I know it does the first part by showing us why fae have such a vehement hatred against humans in the first place, but does it go the full way and show them as being in the wrong for directing their hatred at humans in general and not just the Land of Dawning specifically?

Because the war wasn’t just humans vs fae, it was specifically a specific kingdom from the Land of Dawning vs Briar Land. It’s not like humans from every corner of the world ganged up on them.

Them having an ugly, fat, cowardly, and cartoonishly evil king as the leader of the human army isn’t raising my hopes, I’ll tell you that.

But on a smaller level, I’m worried about Sebek specifically. I know that Baur gives Sebek a hard time, shows us where Sebek got his bad attitude from, but then eventually Baur gives Sebek a pair of the armor he wears and acknowledges him as a fae.

You’ve analyzed Sebek’s internalized hatred before and in that analysis you accurately theorized that Sebek’s behavior is a coping mechanism, by rejecting his human side he can present himself as the best fae he can be. What I’m worried about is that his development with Baur serves to justify this coping mechanism instead of break it down.

You’ve likely played through this part of book seven already, are my fears justified or will I be happily proved wrong? You can go ahead and spoil me, I’n already spoiled.

From what I can recall, the Silver Owls don’t belong to a single country; they are described as an alliance of mercenaries from various human nations and the group happens to be led by Heinrick (perhaps because he is of royal descent). They banded together in order to take Briarland’s resources for themselves. If you look at modern day Briarland on the Twisted Wonderland world map, you’ll even see that the country is divided into several sections, implying that the human nations that were victorious split it amongst themselves.

While the human-fae war in book 7 does center on Briarland and its fae population, I don’t think it necessarily has to explain the human aversion for all fae, especially not to the same amount of detail as what we get for Briarland. Fae in general are a race known to be isolated and exclusionary but not necessarily hateful; we see as much in events like Fairy Gala. They are more comfortable around their own kind and their traditions. It’s easy to guess as to why this may be: they are much longer lived, have a deeper respect for nature than humans do, and, more crucially, they are a magically inclined race. We are told that mages in the past were referred to as witches and wizards. They were discriminated against and loathed—and if a particular race is more inclined to magic, then it’s easy to connect the dots and see where fear of “the other” may have formed and snowballed into fae in general not wanting to engage with humans. You see examples of how humans hate fae during Lilia’s travels; he has things thrown at him and is chased out of human communities. A war doesn’t need to be involved to justify why fae everywhere seem to either dislike humans or want to keep to themselves. The reasoning doesn’t need to be deep. People hate other people irl for things as mundane as a fear of the unknown or looking for an easy scapegoat. There does not need to be a large-scale physical conflict in order to breed resentment. The conflict vanishes be and is implied, which I think is a much richer way of delivering world-building rather than outright stating why all fae have beef with humans.

I think Twst does attempt to show us nuance in the human-fae conflict through other characters whose lives were touched by the war. Sure, Henrick is cartoonishly evil and purposefully designed to be terrible and grotesque--but there are "good people" on both sides. The Dawn Knight clearly had reservations about fighting with the Silver Owls. He had guardian fairies who believed in his goodness and wanted to protect the Dawn Knight's child after his passing. Maleanor and her husband were lost in the fight, robbing Malleus of his family. Lilia lost his best friends and many brothers in arms. Silver has to live and cope with the guilt of being the son of the guy who killed Maleanor and brought Lilia so much anguish. Sebek carries on the legacy of hatred and has to actively learn to overcome the prejudices he learned from his grandfather and countrymen. Baur himself is still trying to overcome his own learned prejudices. How successful the depiction of this nuance is, well… that’s up to you to determine.

In regards to Sebek, thankfully his character development in book 7 doesn't just stop at Lilia's dream with Baur knighting him. As I explain in this post, he has meaningful interactions with the first years, whether it's in their dreams or through the experience of going around and waking other students up. His character arc is continuing by having the first years make good on the vow they made to Lilia at his farewell party--that they'll help Sebek on his way if he stumbles.

[insipid-drivel]

Warhorses: Which horses are actually good candidates, anyway?

This post is in honor of @warrioreowynofrohan, who asked the question in the comments under my guide, "Horses: Since There Seems To Be A Knowledge Gap". Their question, "Given what you said about too much weight breaking a horse’s spine, how did that work with knights in plate armour?" is one I'm going to try to answer here, since the answer can be very nuanced depending on where and when you're talking about.

Also, while I was a stable hand for years as well as a rider, I never had the opportunity to directly learn more ancient styles of tacking, horse training, and combat, so I don't have any direct experience to draw from with regard to horses used for military purposes. I'm still gonna do my best here with what I know, and research what I don't.

As I've covered in the past, large horses (draft horses) make less-than-ideal warhorses, and so do carriage horses like the elegant and dramatic Friesians.

Let's begin by addressing this from the perspective of creative writing. For you writers and content creators out there, an essential part to the continuity of any historically-themed work you do involving horses will be depicting breeds of horses that didn't exist before a certain time in history. I'm going to approach this question from the stance of, "Medieval-type era warhorses". Horses were used in warfare as late was World War II, but actual horses you ride into battle with knights and archers and bannermen? We actually have to drop the subject of specific modern breeds altogether aside from using them for comparisons.

When discussing warhorses, various cultures have approached them differently. Some cultures will value a specific type of horse above all others, such as the Mongolian Steppe Horse or the American Mustang. Other cultures, which may be from biomes and territories where multiple types of horses are needed for different forms of warfare and tactics, value whichever horses can get their jobs done without their riders getting killed.

Carrying vs. Pulling:

Horses have been used in warfare since as far back as 4000 BC, but their first applications were more as chariot horses. Humans have been riding and working with horses since before we even had stirrups to more easily ride them with! As archaeologists and anthropologists make more discoveries, the more we learn that we humans have been working closely with horses since before we had specialized tools to ride them with. The very first warhorses pulled chariots or carts, which is much easier for a horse's anatomy to handle compared to carrying a heavy weight like an armored rider on their backs, which puts stress directly on their spines where they have very little supporting muscle for supporting a lot of heavy downward weight.

Warhorse Size Categories:

Really, any breed of horse can apply to a niche in warfare if it's needed enough. Even very small, delicate horses have had their place in the history of human combat! Before I continue, it's important to know that there's a unique unit of measuring a horse's height. Rather than measuring a horse's height in centimeters or inches, they're measured in units called "hands". A single "hand" = ~4 inches/10.16cm, and a horse's height is measured based upon the distance between the bottom of their hoof to the tallest part of their shoulders, just at the base of the back of their necks. We don't actually include neck length/head height in a horse's measurements with traditional measuring.

Another rule of thumb: The average horse cannot safely carry anything heavier than about 30% of their total body weight. This is a serious factor to take into mind when deciding on a type of or breed of horse for a mounted warrior of any kind: You need to factor in the OC's starting body weight, and then add on the weight of armor, weapons, and any armor the horse itself may wear along with the weight of its tack.

Light-Weight Horses:

A few examples of lightweight horse breeds whose ancestors have historically been used in combat are Arabians, Barber Horses, and the magnificent Akhal-Teke. Lightweight and delicately-boned horses like those are best applied for military maneuvers that require precision, speed, and endurance, and the rider themselves should specialize in some form of combat or reconnaissance that doesn't require them to wear heavy metal or laminated armors. Archers are good candidates for riding smaller horses, or lightly-armored swordsmen like an Ottoman Janissary.

Central-Asian and North African horses also benefit from having a higher tolerance for hot climates. They can absolutely suffer from heatstroke and cardiac arrest from being forced to run and work in extreme temperatures and should always be provided with the same protective measures in a heatwave as any other horse, but they have a little bit of an edge over horses descended from freezing and temperate climates.

Medium-Weight Horses:

Medium-weight horses started showing up in the archaeological record around about the Iron Age, where chariot warfare was becoming an increasingly utilized form of mobile combat, and people needed bigger, stronger horses capable of pulling heavier loads - such as a chariot with two passengers rather than just one. As cultures began to develop heavier-duty armors made of metals and laminated materials, it also became important to breed horses that were tall and stocky (muscular and with relatively short spines compared to their height), and therefore more capable of carrying riders in increasingly heavy armor. Medium-weight horses were also essential at the dawn of the gunpowder age when the cannon came into use in siege warfare for pulling the heavy, iron cannons into position.

Medium-weight horses are really where we see the beginnings of knights and other warrior classes on horseback come into the forefront of warfare. When you have a horse that's big and strong enough to carry heavier armor and heavier weapons along with a rider wielding them, you have a much deadlier force at your disposal. Strikes from a sword or spear from the back of a galloping horse basically results in a sword capable of cutting through enemy soldiers like a hot knife through butter.

Important Note: Traditionally, cavalrymen wield blunt swords when attacking from a charging horse's back. When a horse is charging at full speed, the sharpness of a blade becomes less important than the blade's ability to stay in one piece when it impacts hard armor and bone. A blunted edge basically turns a cavalryman's sword into a thin club that's better at holding up against smashing through multiple layers of armor and bone compared to a thinner, more delicate sharpened edge that can shatter from a high-speed impact.

Heavy-Weight Horses:

The direct ancestors of modern draft horses, such as the Shire Horse, only began to appear around about the beginning of the European Medieval Era, and were far and away not even close to the enormous sizes of the draft horses we have today. Any horse counts as a "Heavy-weight" classed horse if its weight exceeds 1500lbs/680kgs.

Heavy-weight horses were really more bred for pulling enormous weights rather than carrying knights. While yeah, there is some evidence that suggests that heavy-weight horses were used by heavily-armored knights, historians argue a lot about whether it was a rule or an exception (such as with Henry VIII, who continued to ride well after he had begun to weigh more than 350lbs/158kgs, and even went to war in France in his final years on horseback). Generally speaking, medium-weight horses tend to be the right balance of agile and strong for carrying someone that's going to actively be fighting. Heavy-weight horses were bred to be a lot more tolerant to the chaos and frightening stimulation of the sounds of battle, but medium-weighted horses generally tended to be more suited to moving efficiently through dense packs of soldiers and weaving around other horses.

Ponies:

While actually being the smallest class of warhorse, ponies were essential when it came to carrying cargo and working as pack-horses. In certain forms of terrain, such as mountains, large horses pulling big carts full of supplies or soldiers could often be extremely impractical. In situations where an army needed to move on foot and form a narrow line in order to travel, ponies were able to traverse much narrower and rougher terrain while carrying smaller loads to their destination, when heavier horses would struggle more under their own weight and dexterity.

Europe-Specific Terminologies:

If you're a writer reading this and writing a piece set in the European Medieval age, there are specific terms used for the different classes I listed of warhorses above that I'm gonna list:

Destriers: The Destrier was a universal term for the iconic knight-carrying, jousting horse. They were also sometimes referred to as "Great Horses" due to their reputations in combat settings. Destriers could have just about any appearance, but were rarely taller than 15.2 hands, or 62inches/157cm. They were capable of carrying heavily-armored knights (although knights in full plate mail rarely rode into battle and stayed on the horse the entire time - they tended to specialize at grouping up and killing a lot of footsoldiers swarming them at once and preventing breaks in defenses from being overwhelmed by an oncoming army; in the case of Edward the Black Prince, we have substantial evidence in the form of his surviving brigandine that a mounted soldier or knight was more likely to wear chainmail and brigandine with a tabard on their body with their arms, feet, and heads the most heavily armored in plate when they intended to fight on horseback, making them a little lighter and more maneuverable, but I may be waaay off base there because I'm thinking of more of Italian soldiers who used full plate and how they applied it in battle more than any other example) and wearing armor themselves.

Interestingly, the sex of a destrier was often chosen strategically. Stallions (horses that haven't been neutered) are more aggressive, and could both act as combatants on their own if their knight was dismounted or killed, but could give away an army's location if they were attempting to move stealthily. Stallions whinny and shriek a lot when they're horny or arguing with each other, which is most of the time.

Mares were often chosen by Muslim armies for being much less vocal, and therefore much more capable of stealth. Geldings (neutered males) were the preferred mounts of the Teutonic Knights, a Catholic military group, since they couldn't be stolen and used to breed more horses for the enemy army.

Coursers:

Coursers were the most common Medieval European warhorse. It's important to remember that in Medieval Europe, most armies were almost entirely comprised of common men - serfs subject to the will of their landlords, not far removed from slaves in many ways - who couldn't afford the highly-prized and expensive Destriers. Coursers were usually a bit lighter than Destriers, but were still strong enough to carry someone wearing armor. Coursers were also a little more utilitarian, because they were also sometimes used in hunting as well as warfare, so they had a valuable use outside of warfare that the owner could benefit from.

Rouncey:

A rouncey was an all-purpose horse that could be used for leisure and travel-riding as well as be trained for war. They were a lot more likely to be found on the farm of a serf or independent farmer of some kind, as they could fill a lot of different roles depending on what they were needed for. Their sizes weren't really important as much as their ability to get the job done.

It's also critical to remember that, when talking about warhorses, we're usually talking about eras long past. In general, thanks to resource availability and incredible advances in medicine, modern humans are significantly taller, and therefore heavier, than people from the European Medieval era and prior. While fatness was valued in many cultures for its suggestion of wealth, most working-class and serf-class people worked intensely physically-demanding daily lives just to maintain their own homes. They were a few inches shorter on average than we are today, had greater fluctuations in body fat distribution depending on how harsh or bountiful the harvest season had been and the season in which a war was taking place (the average person's weight would swing by 30lbs or more on average every year prior to the industrial era), and cavalry were usually chosen based upon skill in the saddle as well as physical size when considering the application of medium or heavy armor being placed on the horse's back and body.

[punkpandapatrixk]

Full Wolf Moon in Cancer ♦︎ Moon Magick Pick A Card

The first FM of 2025, although aenergetically still a full moon of the previous year, the Full Wolf Moon was in Cancer on 14th January. Food is scarce during winter and the wolves howl more because of that🐺My gosh, aren’t we hungry for more sustenance?🍕Amazingly, the Cancer aenergy is all about food and nutrition!🥗Starting this FM, you may feel the urge to develop a healthier relationship with food and sustenance~♦︎

The world is healing and so many people are elevating spiritually, and with that, our awareness of the relationship between what we consume and how that affects the mind and body grows correspondingly. The true revolution of humanity is Environmentalism!🫒This is also a time the Full Moon invites us to reconsider what we individually deem as ‘healthy work-life balance’. It’s a good idea to move the body more and/or create things with our very own hands; reminds modern people what it means to be…Human. To be actively human🤸‍♀️

If you’ve ever sustained some kind of trauma related to ‘hard work’ in which you felt underappreciated⚰️or that your efforts gave you no gain whatsoever in return💰and all that you got was heartache…💔this FM in Cancer is inviting you to reframe that trauma🧬Starting this year, if and when it suits you, try to 'get back to nature' by refamiliarizing yourself with touching real materials or making real things that stimulate the creativity through motion~♪

You are Human—you're supposed to emote a lot🏄‍♀️And most of all, whilst learning to ‘live again’, so to speak, remember that your T.I.M.E is essentially unlimited as you live fully in the present moment~♡

move: Ballerina CORE & POSTURE Workout by Everyday Ballet

make: Those Famous Blue Chinese Bowls Come From This Town by Goldthread

deck-bottom: 9 of Swords, Gold Magus (Johannes Faustus), Priestess of Happiness

[Moon PAC Masterlist] [Patreon] [Paid Readings] [buymeaboba]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – The Reclamation of Individual Thought!

pizzaaa: New York Pizza Vs. Italian Pizza by Joshua Weissman

mind – 7 of Cups

You are such a gentle Soul—and most likely identify as an altruist?🕊There’s a chance you have significant Mercury/Virgo/6H or Venus/Libra/7H placements. You’re the type of person who genuinely values every person’s individual thought, input and opinions on a matter. Actually, you’re a natural-born peacemaker and this penchant for listening and appreciating people’s individual preferences is in essence a display of your deep empathy and incredible intelligence🦌

Buutt…a little downside to this is that you sometimes put yourself last. You don’t think you’re important enough or you simply get confused. Thing is, if you never took the chance to prioritise your own ideas, perceptions and opinions on a matter, you’d never matter either🦑And that wouldn’t be fun at all, because deep down, you yearn to be recognised as someone unique who has a plethora of interesting perspectives!⚖️

The Full Wolf Moon in Cancer has sent an invitation for you to gradually develop a sense for individual thinking🍳Check out the strengths and uniqueness of your Mercury sign and placement (as well as what it’s aspected with) and find your validation for a very unique way you can communicate/express all of the wonderful ideas that are stored inside of YOU~🥘

body – 2 of Cups

Still within the realm of talking/eating here, oohh…someone needs to fix their relationship with food and learn balanced eating here🌞The Cancer/4H and Capricorn/10H axis is all about tradition and responsibility. Some of you tuning into this as your main pile may have dealt with varying levels of imbalance in the way you eat or how much you eat🥡This has everything to do with a forced sense of ‘control’ and ‘discipline’. In astrology, Cancer is mother and Capricorn is father—now go figure how this applies to your situation😉

This FM you’re being invited to reframe the ‘trauma’ that’s the root cause of this imbalanced eating, so to speak. It’s all emotional, honey. Eating disorders of any kind is rooted in the emotions—I’d suggest looking on YouTube some videos by Teal Swan on this topic; very enlightening🍵Anyway, you can also look up ways and methods to balance and strengthen your Sacral and Throat chakras. Eating and talking are all within the realms of those two chakra points🥭

Other than that, whether or not you have problems with eating enjoyably and sanely, this FM is also inviting you to rethink what tradition or custom means to you on a personal and spiritual level🍱

spirit – 10 of Pentacles Rx

All of this rumination that you’re being invited to partake in, ultimately will lead to developing a stronger sense for individual thinking🐉See? It’s all leading back to that. People naturally should be responsible for their own thoughts and decision making, irrespective of what kind of tradition or community they were born into. Freedom in thinking is man’s greatest treasure that should be cherished. This FM is simply inviting you to rediscover your sense of unique identity whilst being part of a community or any other kind of a collective🌕

The truth of the matter is—especially if this has been your main pile—you’re part of a group of Souls (ironic🤣) that are meant to break some rules in this Hyper Game. Now, if you’re going to break rules and customs, you need to know how they were built in the first place, then can you intelligently decide the values that are inconvertibly good and then discard or improve upon whatever no longer serves the Highest Good of the community🍊

You’re a System Buster. I know you know that deep within your Soul. As much as you care about people, also understand that YOU~ ain’t responsible for saving nobody. People don’t need saving as much as they need a reminding. If tomorrow extraterrestrials came down from the heavens, even they wouldn’t save nobody from the misery of their own creation—aliens most likely are just going to remind Humans that the only thing capable of saving them is just them quitting being so negative, conflicty and shitty in the first place🐀

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Silver Historian (Polydore Vergil) & Priestess of Inspiration

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Pile 2 – Flirting with Life Because You Have a Lot to Offer~★

pizzaaa: Midnight Margherita Pizza in Naples by Jamie Oliver & Gennaro Contaldo

mind – King of Wands

‘Life is colourful!’🎨I feel like that’s the numero uno vibe that you’ve been enveloped in lately (or soon to experience) due to your own elevation in vibration. Other than elevation, you may have done something to further shield or protect yourself from all of the world’s low-vibrational thought and emotional patterns. In essence, if this is your main pile, you’ve done a massive spiritual purge—which seems to be a message that has been coming up a lot in the collective lately—and all of that shadow work, so to speak, is bearing fruits~🫐🍓🥝

With all of the limiting beliefs from which you’ve managed to set yourself free, you’ve come to a much, much deeper understanding of how your states of mind, moods, and sense of inspiration all hold the magical codes for co-Creation with the ever-benevolent Universe💫Essentially, what comes after that is either complete faith in the trajectory of your Destiny, or you’ve simply given up on feeling anxious about where you’re being led to, or both🦉Oh! Isn’t that so liberating~?🐣

Babe, people call something magic when they don’t understand its logic, but to those who do truly understand magic, quite everything about it is scientific🎼This year is all about you awakening more fully to the magic deep within, and seeing and experiencing for yourself how your physical Reality gradually aligns with your personal values and desires~🐾

body – 6 of Pentacles

Those of you who’ve been struggling financially, this FM was a gateway towards your physical abundance, for real. Basically, whether or not you were struggling financially, there was a sense of lack or limitation that was always making you feel unstable or insecure. You couldn’t always do or get what you needed when you needed it. Starting this FM—and yes, this is your theme throughout 2025—you’ll be seeing for real how your sense of ‘security’ or ‘abundance’ gets rectified by the Universe~⚖️

For some people, yes, it is about money or a job opportunity; for some others, this could revolve around time spent with loved ones, or even a greater sense of ease in pursuing your creative hobbies/interests. Bottom line is, trust that this FM in Cancer is opening up the floodgates of GOOD VIBES and confidence what will make your entire year so much easier to navigate. I sense that this in itself is just preparation for you to manifest something MUCH, MUCH, MUCH MORE VALUABLE than this peace of mind🚁

I’m hearing: before the summer, use this time to take very good care of your physical avatar. Eat whatever you like as much or as little as you want, and see for yourself what kind of eating habits suit you~🌭

spirit – 4 of Cups Rx

If this is your main pile, you surely have worked tirelessly at something that actually took away a great amount of JOY from your everyday Reality. I’m being told—and I’m being told that you need to really, really believe this—that all of the good times you’ve missed during survival or trauma healing or shadow work are going to be fully compensated by the abundant Universe🛍🎡🥂

Lately I’ve been seeing these vids on YouTube that have titles like: ‘God can make up for your lost time’ or something along those lines~🥞Maybe such ‘prophetic words’ could heal some of the emotional pain you’ve sustained during spiritual purging🍋It may seem endless at times, but if you’ve resonated with this pile so far, your Spirit Guides are insisting that your GOOD TIMES are chasing you hard this year🌊🌊🌊

With that said, keep the faith, act like it’s already yours—because it really already is; and most of all, know that you deserve all of this goodness because the ‘you’ now also have so much good to share with the world!🌟🌟🌟

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Silver Alchemist (Ramon Llull) & Priestess of Healing

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Pile 3 – Figuring Out More Deeply How the Matrix Works!

pizzaaa: How to Make Perfect Pizza by Gennaro Contaldo

mind – XIX The Sun

Wow! Two major arcana for you, boo~🍻But listen, Pile 3 aenergy is somewhat heavy in the sense that you do have a huge responsibility in this incarnation—and I’ve a feeling this is a pile not that many people are gonna choose or resonate with🦞

It’s very likely that this year you’re going to begin reuniting with your—let’s say… Soul Comrades? lol🦁These are the Souls that share multitudes of mission with you and of course many of them could be true Soul Fam, but there are just as many that aren’t necessarily family with you on a Soul level. This is big, ma man—if this is your main pile, you’re obviously an important, high-ranking Celestial who has infused your consciousness deep into the Earth-Matrix Experience (Human ver.) programme🐦‍🔥🐲

Did you know that you came here to hijack the Game—the System?👾Your entire Life you were learning to redirect aenergy and thought, as part of the liberation of Mankind’s collective consciousness. You’ve the ability/access to hijack back the matrices of evil and suffering by entering and rearranging codes in the Records!🕹

body – 9 of Pentacles

Now this FM being in the Cancer-Capricorn axis—the axis of traditional values—you may have felt a deep desire to ‘touch grass’ more lol🍃The last time Pluto was in Capricorn, or when Capricorn Pluto generation (equivalent of today’s Gen Alpha) were young adults, Humanity was in the Romantic Era. This era came right after the Industrial Revolution whereby intellectual young adults rebelled against rapid ‘modernisation’ by deliberately returning to what was beautiful and poetic albeit impractical—but that is exactly the point, right?🌷

If you’ve chosen this as your main pile, chances are, you’re someone who inherently appreciates the beauty of the natural world🪺You could still be into technology and are appreciative of the ease of modern amenities, but deep down, you know that ‘modernity’ shouldn’t have to equal drabness or ugly buildings—or ugly everything on that matter🦚

What you’re being led to, aenergetically speaking, is an awareness of this mechanism of how ‘evil powers’ that are holding this Matrix hostage are deliberately making everything uglier so as to kill the Human Spirit🥀And thus, by realising this trick and noticing the patterns, you’re meant to rebel against the equilibrium of boredom by being weirder and more colourful still~🌈

spirit – VIII Strength Rx

What Humanity is going through right now, I’m sure you of all people understand that we’re watching the crumbling of the establishment that was founded on deceit and funded by lies, in real-time🍭That’s why economies are weakening and so many are struggling for food and other forms of basic necessities. But for you, Pile 3, it could be that you’ve been swimming in that exact frequency for a while…🧆

But starting this FM—and for the rest of the year if not the rest of your Life—you’re going to be so abundant now that you’ve finished gathering data for why the Human Matrix is filled with a ‘lack consciousness’—not just mindset but ‘consciousness’ altogether🍬Right now, there’s a sense of needing to rest… No, actually, from now on, you’ll always have the freedom to manipulate Reality—aenergy and timeline and such—in accordance to what you like, when you like it🍽

You aren’t doing this all by yourself, you know. Your Spirit Guides and Cosmic Ancestors are all in this with you. Anyway, learn to embrace this feeling of peace because you seem like you’ve forgotten🎂You have the power to choose to be so deeply grounded in your Divine Consciousness that nothing outside of that calm can shake your foundation~🥘

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Red Astronomer (Johannes Kepler) & Priestess of Luxury

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[themuseumofwitchcraftandpaganism]

Did Christianity Steal From Paganism? Yes... No... It's Complicated. Part 2: Vikings

Tis the season so I figured I'd talk about the topic that's been the subject of debate for a long time, most recently with the 2024 Olympics. I will be discussing the visual aspect of these religions, not the theological aspects.

Short answer: Yes

Long answer: No

Let's get into it: The Viking era is from 800-1050 AD and can be divided into seven parts based off the style of visual art that was popular. The first style is called the Oseberg style (775-800 AD) and would be the basis of all the Viking styles of art after it. It was made of three forms that were derived from Pagan pre-Viking art: ribbon animals, gripping beasts, and ambiguous forms. You can see it on the bow of the ship below; the ship dates to the 9th century and was found in a burial mound in Tønsberg, Norway. Remember these forms because they're going to be important later.

The Vikings started coming into contact with Christian Anglo Saxon (modern day English) missionaries in the 700-800s, but they had little effect. The missionaries were well received by the kings but when their Pagan chieftains threatened to rescind their support, the missionaries were sent away. Another example of that is in 878 AD, the Christian king of the Anglo Saxons, Alfred the Great of Wessex, and the Pagan king of the Vikings, Guthrum the Old, were at war. King Alfred ended up winning and as part of the peace treaty, Guthrum had to get baptized into Christianity. He did so but maintained his Pagan worship and did not implement Christianity.

Besides the kings, common people had also started to slowly assimilate to Christianity. Christians had a rule that they couldn't trade with Pagans so Pagan Vikings began primsigning. Primsigning is an old Norse word meaning "to make the sign of the cross," the way to show you followed Christian beliefs before converting all the way through baptism. Even though they weren't being baptized and were still practicing Paganism, primsigning was enough for Christians to feel comfortable trading with them and brought the Vikings more into the world of Christianity.

An interesting example of this is in Kopparsvik, Sweden, where a large number of Viking individuals were buried in a prone position from 900-1050 AD. This is completely different from traditional Pagan Viking burials: there were no grave goods, no animal sacrifices, no mighty ships. Typically, a prone position is a sign of showing humility towards God and all the figures had notches carved into their teeth (below). Historians theorize that they used the notches to secretly signal to Christian merchants that they were also Christian to get discounts while not being alienated from their Pagan communities.

The coin below is from ~921 AD. It's a Viking coin from York, England and wonderfully shows the mixing of Pagan and Christian iconography. Coins like this typically had the name of the Viking king engraved on them but this one has "St. Peter." However, it also depicts the hammer of Thor on both the head (left) and reverse (right). It really demonstrates the visual mixing of religions.

Sometime between 940-1000 AD, the cross below was made. It was found in St Andrew's Church, Andreas, Isle of Man (between England and Ireland), and is another great example of the combination of Pagan and Christian art. On one side (left) it depicts Odin with one of his ravens fighting the wolf Fenrir at Ragnarök. The other side (right) depicts Christ triumphing over Satan. Both of these are stories of good vs evil and depict a god triumphing at the end of days. It would have drawn attention to the theological similarities between Christianity and Norse Paganism, making it easier for people to conflate the differing theologies.

Remember the Oseberg style from before? We're going to revisit it. By the 900s, Viking art was being done in the Mamman style; the ribbon animals and gripping beasts had combined into an icon called the Great Beast. The Great Beast was a symbol of power and strength, frequently put on longships and other Pagan items. In 986 AD, Viking King Bluetooth, a recent convert to Christianity, had the jelling stone below erected in honor of his deceased parents. On one side, he included a Great Beast; this was to show the strength and nobility of his parents and the nation they ruled. On the other side, he put an image of Christ Triumphant. This makes sense for a cenotaph as the promise of a resurrection is a comfort in the face of death. But the combination of a Pagan symbol of strength and an image of Christ is very interesting; it's doing more than pointing out the similarities between the two religions, it's uniting both Pagan and Christian subjects under his rule and proudly displaying the two different sources of the Viking's strength.

I can't end this without also talking about architecture. The last Viking art style is called the Urnes style and it's primarily because of the church below. It was built in 1132 AD in Urnes, Norway and is a stave church, meaning the whole thing was built without any nails!! The entire thing is self-supporting wood made using the post and lintel system. It's a Chrisitan church but has Pagan iconography on the sides: the last version of the Great Beast (right) and Pagan runes. It's fascinating how a Christian place of worship is decorated and protected by Pagan icons, once again showing the combination of visual cultures and methods of thought.

So, the answer everyone is looking for is NO.

The Christians didn't steal anything from the Pagans, they made an association. They produced art in the style that was popular and followed the artistic trends of the time. Christian and Pagan imagery was produced in the same medium and combined until Paganism was phased out over hundreds of years. They saw similar gods and iconography and combined them to make a message that was understandable to all audiences.

Happy Yule! Happy Winter Solstice!

Further reading:

Smarthistory – Art of the Viking Age

BBC - History - Ancient History in depth: Viking Religion

The Vikings and Christianity | History of Christian Vikings – Sons of Vikings

Treaty of Wedmore - Wikipedia

Manx runestones - Wikipedia

Prone Burials and Modified Teeth at the Viking Age Cemetery of Kopparsvik - Historische Beratung Dr. Matthias Toplak

Ancient Viking Art - Medievalists.net

Gamla Uppsala - Wikipedia

[celestialtarot11]

How to reach your higher self according to Esoteric Astrology 💻💗

Hi friends! Welcome back to another post 🧿🪬 Today we’re looking at your Sun sign to see how you can reach your higher self. Enjoy! Please like comment and reblog to spread the love 🎉

First of all, why the Sun? Contrary to what modern astrology may present, in Esoteric Astrology the sun is meant to be tamed, not necessarily boosted. The sun represents the personality, the 3D self conditioned by opinions, narratives, and constructs created by other people.

Check your sun sign below ⬇️

Aries sun 🍵- Since Aries in esoteric astrology is seen as the rule setter, the creator of conditions, and also breaking that, in order to reach your highest potential you have to transcend the past versions of yourself. Transcending the versions of you that were created out of fear and survival is the utmost important. Aries also represents duality by the horns, the depiction of Aries is a bull or ram. This duality of Aries is spirit and physical matter. Aries can easily find themselves frustrated with the spiritual world and physical world, navigating and struggling to balance the two can cause a separation from the higher self. For example, following what others think vs. the intuition. Doing something different than what the norm thinks. Aries is also a sign of death, even if it’s exalted in traditional astrology. It’s important for Aries to allow themselves to experience ego deaths. The reason being is this: Aries is also described as experiencing a purification process through fire, their personalty (ego) burning to the ashes to see the way ahead of them. The purification signifies the end of narratives, false perceptions, and constraints created by society.

Leo ☕️- The representation and experience of us in a non physical form. To get closer to your higher self, let go of the physical world and the burdens attached to your energy. Experience yourself as greater than your physical form, and capable of more than just physicality. The sun plays three roles. Corona (what we see of the sun physically in the world) the heart of the sun (develops heart and soul) and lastly the Core which sustains our higher development. When Leos look away from inner work is when they can struggle to get closer to their higher selves. It’s important they continue shadow work to actually shine, as no light can exist without shadow. Leos have a vast life experience as well, and their heart and soul are meant to transcend in this lifetime. They are much more than their fears and anxieties, and past. Shadow work is Leos key to their higher self. As deeply as Leos can get attached to their ego, they can go very deep into connecting with consciousness. Leos have to maintain their individuality aside the masses. Its important to their connection with their higher selves, maintaining boundaries, self worth & value. Leos are represented by the Lion-essentially an Empress. Lastly, Leo reached The Child state. The free, individualistic, and pure soul. Pure regardless of others, regardless of their past, regardless of their fears. They remain true to themselves everytime.

Sagittarius ⌛️- What is important to Sagittarius is connecting with their intuition. A lot of us know the bow and arrow is famous for representing this sign, but sometimes there is a Doe at the side of the warrior. That Doe represents the seed of intuition, the subconscious, and the receiver. To get closer to your higher self get comfortable with receiving messages from your intuition, trusting your inner compass, and the path even if there are unknowns. Sagittarius can block out intuition to remain focused on the physical realm, and this leads to a blockage within themselves. So it’s important in this lifetime they allow themselves to feel safe enough to listen to themselves. Sagittarius benefits from having clear goals on what they want to focus on spiritually to grow, for example, meditation to help access their inner child once a week. Once they have their eyes set on what they need to heal, Sagittarius opens the doorway for greater awareness. Its also important they keep seeing opportunities for healing within the dark. Circumstances or situations may not be what they expected, but there is a lesson gained, a milestone gained, awareness gained, or self love gained. There is always abundance no matter what. A chance to grow again.

Libra 🌹- Balance. Inner harmony and ease. Shadow work to reach the light, and experiencing the light. Balance with spirituality and practicality. Seeing the facts and embracing intuition. Libra is represented by a flower, when the flower is shut it can’t receive, light and proper nutrients. When the flower opens and eases, Libra can receive intuitive downloads and embrace the spotlight. Contemplation is also another way to connect with your higher self. Avoidance of sitting down with yourself can cause separation with the higher self. The mind shouldn’t be neglected here entirely, rather, working with the mind in balance can help the journey. Overthinking suggests intuition needs to be present. Release the need to dominate, win, compete, and have a sense of control. To get to your higher self is to realize there is no competition required to meet yourself. Your mind can take you back to the familiar old ways, but the intuition will hold you and guide you. There is a need to follow a slow evolution and to slowly reach a point of equilibrium. Libras growth is not meant to be a fast paced, fiery journey. Rather a slow and steady process.

Aquarius 🌺- As seen, Aquarius is the water bearer usually balancing water and a cup. This represents constant duality and the transmutation of the subconscious. To get closer to your higher self, transmute and alchemize your wounds, fears into self love and acceptance. Work with the ego and soul to create mutual tolerance to benefit from healing. Allowing yourself to find your community is important to connect to your higher self. Recognize what you want to see around you, internally and externally, and what isn’t creating that currently. Remove what isn’t changing for the better. Jupiter is the esoteric ruler of Aquarius, so expanding awareness of oneself is important to Aquarius’s journey. Selfless and unconditional acceptance is important to creating and sustaining a connection with one’s higher self. Jupiter in Aquarius even in traditional astrology can represent this. It can also signify spiritual development and intuitive downloads, so letting oneself experience this can help the native feel guided and inspired. In esoteric astrology, the moon is also seen as the hierarchical ruler of Aquarius. The subconscious, the wounding, and the things that keep us safe. When those sides of us control us and want our attention, and we are incapable of meeting it, it can be detrimental. Look to the subconscious parts to see what is still controlling you or taking the drivers seat in your life.

Gemini 🌟- It is important to actually allow your higher self to speak to you and make itself known. Listening to its divine knowledge over constructive narratives that have kept others safe is important. It’s important to surround yourself with those who are in touch with their spirituality and live in their truth. Allowing yourself to speak your truth and divinely be guided in that is going to help your connection to your higher self. In greek mythology, Paracelsus says, “making commitment with determined resolution is difficult.” For Air signs what will help is consistency in truth, practicing truth and staying disciplined can help a lot. This helps the acceleration of getting closer to one’s soul, and therefore creating a connection with their higher self. Releasing resistance towards internal truth will help the native move forward in their life and connection with the higher self. Once we are open to the truth and practice what we preach, we fully let go of our own judgement and resistance. Letting go of fears related to your higher self is also important. Your higher self will not abandon nor create abandonment. Whatever falls apart is a natural consequence of inner healing.

Taurus 🌴- Attachment to desires can cause a separation with the higher self. It’s easy to think physical factors can fix whats going on internally, but the higher self encourages that we need only our soul. Taureans need to build stability and strength within themselves. They may look externally for relationships, friendships, community which is absolutely a necessity. But when they rely on it is where Taurus limits themselves. Their best relationships is with themselves. Take the time to pursue yourself and focus on a healthy relationship internally, especially with your higher self. In esoteric astrology, when Taurus does the inner work and transmutes their ego, they activate Vulcan as a planet. Vulcan helps illuminate shadows, brings healing and clarity. In fact, Taureans have immense will power and strength and they tap into that when they work on themselves. To get closer to your higher self, remember only you can set yourself free and limit yourself.

Capricorn 🌹- This sign is symbolized by a half goat/fish. This sign is not completely earthy, its watery intuition helps bring balance to its strict, structured and disciplined nature. Building trust and inner respect for your intuition will help you foster a better connection to your higher self. Part of the connection with your higher self isn’t fully meant to be logically understood. It’s an intuitive feeling your body produces that brings a level of balance. In esoteric astrology, the sign of Capricorn represents the full balance of heart and head, although the two may disagree, part of reaching your higher self is to balance these qualities. Accept the unknowns your mind may create, and your higher self will still guide you regardless of those unknowns. Build inner structure within yourself. It’s important to release the confines of your own mind and dive into the spiritual unknown, and practice an open mind. There is no structure when it comes to intuition, and no limit. It has no physicality, but it does communicate through your body and senses.

Virgo 💗- Release the idea of self perfection and mastery. In order to get closer to your higher self, it’s important to accept that this is not necessarily a destination but a journey, and there are no means to an end. You cannot master something that is still unfolding continuously. Release the grip of the physical, although it presents facts in front of you, its not all there is. To get closer to your higher self, its important to recognize that both shadow and light play a role in your healing. Virgo in esoteric astrology is all about blending duality, oneness, and creation. Creating light from understanding the shadow. Virgo in esoteric astrology is associated with motherly love and care, it’s important to heal mother wounds and allow yourself to receive guidance from the spirit realms, even if we don’t understand it fully. Know it is there for you and still accepts you. Work on the wounds relating to the mother, and nurture your inner child. The time needed to heal your relationship with yourself, and to create a relationship with your higher self will take the time it needs. Allow it to bloom. Make room for your soul to be born. Virgo is also represented as knowledge being put into synthesis or action, spreading and sharing. Share to yourself this vast spiritual healing and you’ll reap the benefits. Let healing be your mission, liberation your reward.

Scorpio 🌟- The relationship you have to your higher self is almost always near, throughout your trails and tribulations in life. Accepting the reorientation of your soul (lessons, truths, healing wounds and releasing the ego) can help you foster a better relationship with your higher self. In esoteric astrology scorpio is the sign of initiation, the souls opening, the beginning and ending. Work on opening to your higher self, and allowing your higher self to reveal to you all that has been hidden through pain and suffering. Working with your higher self can actually being harmony through conflict, as in esoteric astrology Scorpio’s 4th ray passes through harmony. This allows for consciousness, awareness and mindfulness in newer relationships. Even in oneself. Once you tap into the devotion you have for yourself, being with your higher self will begin to make a lot of sense as your higher self has the same for you. It wants simply the best and better for you all of the time. See the passion in standing up for the past parts of you, see the passion in choosing you over and over. Go back to your higher self for guidance on how to give yourself a better experience by being a better you.

Pisces ✨- Rejuvenation and rest is the way to meet your higher self. Find a way to tune out all the noise (ego, distraction, constructs made by others) and listen to yourself. Get to know yourself behind the filter and projections placed by others. Hold yourself in the most rawest and vulnerable states. As depicted by the two fish, one is life, the other is death. Subconscious and conscious. Forever the two dance together, so its important to realize having your higher self is the balance to your life. You spend so much time in the subconscious of others, absorbing wounds. Your higher self is the consciousness waiting to bring balance. Pisces in esoteric astrology is about letting the ego go, all of its attachments, personas, facades, dependencies. Finding true and real meaning in yourself. Fall back and trust your higher self (your other half) to guide you. The ego cannot survive in the healing of the soul. Know this and continue the journey. By finding the balance internally, your external will shift gradually. Give back to yourself.

Cancer 💫- Your higher self holds a ton of old age knowledge, so it’s important to be open minded to this information. Tradition may be important to you, it isn’t for no reason. In a way, when you pay homage to those traditions/knowledge, you give to your higher self. To your ancestors essentially. Cancers ray in esoteric astrology passes through intelligence. With your emotional and spiritual intelligence, your higher self is channeled through you. Let yourself learn about the deep nature of your feelings, the expression of it all. Turn it into psychological knowledge for yourself and others. Your higher self is apart of your family, it is part of your foundation and self support. Receive its guidance. The more you heal and discover yourself, your planetary ruler in esoteric astrology Neptune will heighten your consciousness. Your depth, awareness and magnitude makes you resilient and intelligent. Neptune also dissolves issues in the solar plexus the more you heal. You self confidence and trust within yourself heightens when you follow your gut, and build a healthy relationship with your higher self. Meditation, journaling, mindfulness, will help a lot in connecting to your higher self.

Thank ya’ll for reading! Its very much appreciated. Please comment, like and reblog for support 🌹✨ your feedback is appreciated!

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[niyasruledbyvenus]

Magha & Nodal influences in Black Panther

This is my continuation of my last post about Magha. I wanted to touch on Black Panther because it is a great example of Magha/ ketu themes in film/media.

Black Panther in general is very Magha/ Ketuvian coded with its deep connection to ancestors and heritage. The whole movie was about tradition vs modern (killmonger). Chadwick Baseman has Magha Asc & Saturn + Mula Mercury.

The movie was very much Nodal as many of the actors/actresses had either ketu nakshatras, usually, playing the more traditional/ cultural characters or Rahu nakshatras, technological advanced and futuristic.

Michael b Jordan (killmonger) has both rahu & ketu influence. Magha asc but Ardra moon, causing internal conflict between the past and future. This explains why his character killmonger had such and internal battle, acknowledginghis origins, ancestors, and title but also wanting to change tradition and rewrite it as his own. Also, whole reason why killmonger wanted to be king was to take back what he thought was his, exacting revenge on his father for abandoned him, separating from his true roots and family. Magha/ ketu is associated with karma especially from ancestors & lineage.

Unsurprisingly, the director of black panther has swati asc. We can see this at how futuristic and ahead of time Wakanda was from the rest of the world.

Letitia Wright (Shuri) has Swati Sun she was the sibling with knowledge of all the technology in Wakanda and the inventor. Chadwick (black panther) followed the tradition going through the trials to secure the throne his place as the king. The second movie is more Rahuvian. With Shuri being the lead, there is a pull between Wakanda sharing their knowledge & technology or keeping it hidden in fear of it being used for evil.

The diety of Magha is Pitris, the ansestoral spirits that guide and protect the descendants. Need I say more?

That’s is for now, thank you 💜