#mm discussion

[emeraldotter]

doodles

[shkika]

The more I think about W1 and Gabriel the more I realize that unlike with V1 which (imo) doesn’t feel like it has much of a deep super strong opinion on Gabriel. Not resentment at least.

W1 does not like him. It in fact hates him. like a lot.

On a deep personal level it absolutely despises that angel. And it makes me think of just how cruel it would be to him in the second fight and I honestly wish I had drawn Gabriel even more injured in that one comic, than just his heart being torn out. I think W1 would want to make him into minced meat.

When you combine the most bloodthirsty over-confident hyperactive maniac with the pettiest cunt robot alive it makes for one sadistic little guy when it feels wronged.

There’s something very magical about Gabriel experiencing torture in hell and being brought down to the level of sinners that call out his name for help or for strength. In the same way he doesn’t hear them, God does not hear his calls.

In those moments he realizes this is not a fight for redemption. And that it really isn’t to be found in hell. When the entire idea behind Christianity should be to seek redemption and forgiveness, to better yourself. To know god is ever loving and forgiving, it feels like there’s no one to hear him out. Or anyone else.

And for what reason? And who does this senseless torture benefit.

And so the campfire scene in my au would probably be skipped.

[rutabga]

[oddly-casual]

I’m gonna try and keep this as non spoiler-ey as I can, but one thing about Mutant Mayhem that I appreciated was that the sewers felt lonely. Every iteration of tmnt makes the lair feel lonely and isolated at times because the turtles are literally forced into hiding (except for Rise, their lair always felt like a home).

But in MM they took extra steps to make the space feel cramped and dark, no major lighting source aside from lamps, candles, and phone lights. Warm colors are scarce in the sewer and the pipes and valves take away any space they could’ve have had, not just in their home but everywhere in the sewers. It actually makes you not want to be in the sewers, because it’s all cold. Even the bars of the sewer grate look like prison bars! Every time they close the manhole cover it sounds like a door being slammed, like they are sealing themselves away.

Obviously this changes, and MM isn’t the first to do this, but it’s the first time watching anything TMNT related that I actually felt uncomfortable in the space that was supposed to be their home.

[fabuloustrash05]

My Favorite Ship in Each Version of TMNT (so far):

TMNT 1987: Raphael x Mona Lisa

TMNT 2003: Leonardo x Usagi

TMNT 2012: Raphael x Mona Lisa

ROTTMNT: Donatello x Kendra

Mutant Mayhem: Leonardo x April

[jorenilee]

I made a mile long twt thread about okuyasu that I'll just paste here too because I have many thoughts about him <333 anyways heres my messy rambles about this specific line because AUUGH

do u ever think about this one line and how perfectly it encapsulates his entire character and how it fits into diu. Like first Okuyasu is NOT a traditionally kind person, he's no saint, he's quick to violence and anger and frustration, he's close-minded and is very clear about his lack of regard for others.

But coupling that with this line from Keicho (sometimes it's translated as "only when I hit him does he listen to me) and its like damn. Their entire lives have been shaped by violence, the only way they've made ANY progress is through death and hurt.

Keicho's power in the family comes from discipline, violence over his father and violence caused by the arrow. The one thing standing between him and a "normal" life is the literal death of his father. It doesn't matter how many lives he ruins in the process, all that matters is getting that second chance. His life has been on an uncontrollable downward spiral, but with the arrow and his own family at his heel, he has power. He can make decisions. He can unshackle himself from the past 10 years and finally start his life.

And of course Okuyasu would absorb all this, because Keicho was all he had, and his own father always responded to that violence. And if you follow the interpretation that the brothers gained their stands from the arrow, that's another instance of them gaining power through suffering. Becoming "better".

And it's so interesting that keicho treats his father and Okuyasu as deadweights "holding him back" when in reality, it was Keicho that was sinking down into tar, refusing to get out because a happier life could be just on the other side.

Okuyasu wanted to save his father the moment that possibility was established, but Keicho held onto the arrow, his sinking fate, his suffering, until the very end. He believed he crossed his moral event horizon and he was destined on this set path. No matter how much power he could scrounge for himself, death ruled his entire life, whether that of his father or the lives of the arrow's victims.

And all this makes Okuyasu's relationships with Josuke and Koichi so much better because. Okuyasu did NOT care for their safety. He was, at least on the surface, on board with Koichi or even Josuke dying. Maybe not all that passionate, but he's seen death, probably participated in it, and believes that it's the Number 1 Nijimura Way. So then Josuke healing him is completely antithetical to his entire damn life.

He was ready to die, ready to "learn his lesson", ready to be discarded because he failed, just like how all those people died to the arrow because they failed to handle a stand. But Josuke's very lukewarm "i jus dont want ppl dying??" belief is so groundbreaking because death was so necessary for any and all progress.

Okuyasu's own stand is inherently destructive and erases things permanently. Maybe a deep-seated desire to actually make lasting impacts on his surroundings erupting as a power beyond death. To cause total oblivion. I know we all love to think that Keicho didn't want to force Okuyasu to kill his own father, but Keicho wanted a normal death. Because at least a normal death can happen to a normal family. And completely erasing someone's atoms isn't a mortal death.

Then here comes Josuke's healing schtick which WORKS, and Josuke is fully prepared to sacrifice an arm and leg just to save Koichi. In like 15 minutes, one guy completely overwrote the past 15 years of Okuyasus life. He helps Josuke heal koichi (extra layer of fucked because all those arrow victims never HAD to die), gets called a great guy, and starts his character arc of. Making decisions in the absence of violence. Choosing to heal and rebuild instead of destroying and moving onto the next victim. Of continuing the cycle of beating life lessons into people's heads.

And Koichi, dude he choked out with a gate, becomes his close friend too. Koichi who gets repeatedly harassed thru diu but still has it in him to forgive and befriend others. He's far from naive, gets fed up with shit, but he's another opposite to Okuyasu. His stand evolves through pain, maybe, but it's from a desire to protect himself or others. There's a chance Koichi was never supposed to survive, but he did (part 4's theme about fate is a different story oooboy) and his active ability to see the best in people compliments Josuke's more aloof demeanor and Okuyasu's short temper. Koichi is like. The embodiment of growth in that way.

and ik its eoh dialogue but this interaction was always neat to me because of how it highlighted Okuyasu's disinterest in improvement, at least when it comes to character. For him, as long as someone "gets" the lesson at a surface level or is good enough at it, there's no reason to dive deeper. To fully wrap your head around it and Feel it. Its the same utility-first philosophy Keicho held, the same idea that all that matters is the end goal, not the means or the people along the way. + how Okuyasu still bickered and talked back to Keicho, but understood well enough that Keicho was the one in control.

"bare minimum" is how okuyasu lived his entire life; his house, how keicho treated him, his response to Josuke and Koichi's kindness, his entire relationship with his father.

He desperately wants, yeah, but its for more material things. Money and power, things either robbed from him or held over his head. And YEAH he's supposed to be hypocritical here, but like. Why does he lose his morals and sense ESPECIALLY when those two things are involved. Why does he "regress" in character growth back to tunnel-visioned violence and discipline about them.

And rahhhhhh is it lackluster writing or is it interesting that Okuyasu's pretty stagnant for the entirety of diu. It's like he's passively absorbing things about befriending former enemies through kindness, inspiring loyalty through passion not pain.

He calls Mikitaka weird and dismisses him (remnants of Keicho's utility stuff?), gets ghost tricked, acts like a big brother a few times. But it's when he meets Keicho face-to-face that it all crashes down around him. The same way Nijimura father had shackled him, Keicho had also been weighing on Okuyasu.

Its like. Keichos death made Okuyasu rebound onto Josuke and get consumed by vengeance against Otoishi, and Okuyasu didn't know how to properly grieve Shigechi either. His entire life, when someone died, violence was the answer. Hide the body, kill the father, don't ever think about what you've done.

But its Keicho, the one that spearheaded the power-and-suffering-over-all thing, who steps in and requests that Okuyasu thinks it over. The Keicho that said he stopped regarding oku as his brother, was willing to kill him to prove a point, who quite possibly shot the arrow at him. Who taught him that only violence yields the answer. Self-inflicted or not.

He says to just think about it. And Okuyasu thinks long enough for Josuke and Hayato to lose their damn minds and for him to actually understand it, fully wrap his mind around it. The fact that he has a "second" life, the life Keicho pursued for so long and died for. And he has it because of the love and compassion from his friends, how they see past the failures and transgressions of others.

How they just dont want people to die. And Okuyasu doesnt have to either. He doesnt have to stay sinking for his brother, doesnt have to lose everything for a mistake, doesnt have to destroy to make a difference. and so he chooses to live. Really, fully live. For himself.

And he comes back, now able to recognize and separate himself from Keicho's teachings. THERES A REASON STRAY HAS BEEN MY PFP FOR FOREVER BECAUSE Okuyasu comes back and saves Stray. The little creature that literally EXPLODED him.

And it means so much that it wasn't a "this creature is good and I will rescue it" moment, because Okuyasu was never a saviour hero-type. He didn't even mean to "save" the cat. He just removed Stray from Kira's grasp, and THEN realized oh I think it's just a little guy. Alright cool I guess the fucker stays with me.

He's growing his own way, beginning his new life by first and foremost helping others. He brings stray home BEFORE it takes a liking to his father. It's just. The first independent, weighted decision he makes is giving a stressed, unfortunate cat a second chance at life. It was struck by an arrow, revived due to forces outside it's comprehension, and was fuelled by instincts to lash out and attack. And because it was destructive and able to follow orders, it was weaponized. Before finally being removed from the situation and calmed down. Sound familiar?

And now Okuyasu has a semblance of a domestic family. The Nijimura family is all about growth from death and it's so interesting. Nijimura father becoming cruelest after his wife's death, him mutating after DIO's death, Keicho believing his life begins after his father's death, Okuyasu's life actually beginning after Keicho's demise, Stray being reborn as a plant (symbol of growth), and Okuyasu reviving too (also due to Keicho's death).

+ shit about nijimura father unable to die and Okuyasu constantly being pulled from death by Josuke ADDING MORE FUNNY LAYERS TO LOOK AT + the name nijimura literally meaning rainbow village. Both the physical irl place and the idea that rainbows = rebirth and hope and new beginnings + stray being reincarnated under one + Okuyasu reviving after the rain passed. Death doesn't rule them, but is also inescapable??? Idk anyways

ALL THIS IS WHAT I MEAN BY okuyasu is a flawed character surrounded by violence and bad decisions, he's not a pure soul and does fucked shit and is NOT a 2014 tumblr era cinnamon roll PLEASE. He can be an ass and it makes the hopeful buds of his new life that more beautiful cuz like. Morioh is the best place for him to settle and grow, reteach himself everything because it's a community of equally if not more dubious weirdos.

Oku's far far from perfect, he's still got a lot of anger and shortsightedness but he's with people that love him, willing to help him when he makes mistakes, doesn't hold him back. His relationships with Josuke and Koichi and others aren't like. Super poetic or cosmic or "I will find you in every universe"esque and it suits him. He's just a teen guy who went thru everything and missed out on everything. He's suffered, caused suffering, but he's leaving that cycle.

Judging by the book (semi-canon), it's going as messy as expected, but he loves his friends so so much. He's still putting himself in harm's way and being reckless and an asshole, but he has something more to fight for. And he cares a lot. Is willing to go beyond for it, maybe even improve. And that's enough for him (in the best way).

Idk how to end the thread anyways he's my son my baby perfect angel also he sucks bad BUT HE'S PERFECT ‼️‼️ this is how I feel about him every given day it just depends on the celestial alignment of the planets and stars

[qweerhet]

i think people heavily involved with leftist ~discourse~ could stand to take a step back from questions of morality and recognize:

when you brutally torture people for their entire lives, they will eventually react with extreme and brutal violence.

it's not a question of whether that reaction is moral or not. it's certainly not a question of if they will react like this; the only question is when.

it's pointless to try to ascribe moral value to the actions of torture victims while they are being tortured. if someone is starved, beaten, denied medical care, denied humanity their entire lives... they will (at the very least try to) lash out with brutal and horrific violence at some point. this is how our bodyminds respond to torture. this is how the endless trauma of being subjected to such conditions manifests itself. morality doesn't factor in.

[thornwashere]

catradora, catra, and azula is there too

this is sort of a multifandom post (bc both of these shows have a death grip on my brain juices) but it’s something ive been thinking about

awhile ago i saw this video about why catradora is abusive, and i realized it had some good points. catradora is objectively, even just disregarding the romance factor, an abusive relationship. (STAY WITH ME NOW FOLKS, i love catradora give me a second)

it’s not fair, however, to say catra and her relationship with adora are plainly horrible things. in fact, given the (criminally short) time the two characters are seen romantically involved on screen, i think the situation was handled quite well.

one character i never see catra compared to is azula, but i genuinely think it is an incredibly accurate comparison.

both were raised in non ideal circumstances, and both were incredibly skilled and of course have similar personalities. instead of breaking off and healing like the person in their similar circumstance does (zuko and adora respectively), they stay because they both want to prove themselves.

azula, by the end, isn’t there for the power trip. she wants to prove herself to her father.

and catra at first wants to prove herself to shadowweaver. then hordak. then horde prime. and then at the end? she wants to prove herself to adora.

they are parallels, both treated horribly by their mother figures, longing for companionship and attachment, but being far too brash and trained for violence to be able to function healthily anywhere. catra sees adora. azula sees her mom.

one thing i think we always forget is that both of these characters are CHILDREN. minors. young people. easily influenced KIDS who want to prove themselves. who were, quite frankly, raised in a purely abusive environment. but because they both show the hard, not sunshine and rainbows pretty side of trauma, they are therefore evil people.

what both of these characters do to people is abuse. i wont disregard that at all. but abuse most often comes from a place of trauma, violence, and rage.

when catra came over to good, things are still not easy for her.

remember when zuko got sick after helping aang and appa in s2? (a far too underspoken of an arc i must add) catra is ALSO sick after having such a drastic mental switch, but she shows it with her intense amount of mental problems. this wont be cured by falling in love with adora. this wont be cured by being with adora. she will still lash out and hurt people and be sick.

people don’t seem to recognize there is a gray area between “uncaring hatred and abuse” and “love cured me.” it’s not fair to say catra is evil. that’s disregarding what catra went through. but it’s also not fair to say catra is a fully good, amazing person. that’s disregarding everything she has done.

my favorite character IS catra because of how complex and imperfect and FULLY flawed she is. her trauma isn’t coded with sugared words and cured by romance. it’s raw, powerful, sad and angry. and it is also scary. that’s how trauma is.

mentally ill people are redeemable. azula is redeemable. catra isn’t exempt from this.

none of this is to say catra and adora shouldnt date (bc they should bc they are cutie patooties [and mentally ill people can be in perfectly healthy relationships]) but just that BOTH OF THEM need to heal before their relationship can be considered healthy. they need to take time and heal.

overall the point of this post was to show there is a gray area between irredeemable villainous acts and an entirely innocent person :)

i’ve discovered i love tumblr bc i can just yap and yap and people will see it?? and like?? acknowledge what im saying?? crazy fr

[metanarrates]

watched a majora's mask analysis earlier today with my fiancee. my verdict is that I actually really enjoyed the op's interpretations, but that I wished that they talked more about mm's literal level and what one can get from it, rather than talking about those events as if they are strictly metaphor. yes, of course the metaphorical layer of the game is rich to dig into, but it's also such an open-ended and surreal game that it's difficult to nail down every single distinct metaphor that can be derived from its events. which is why I consider it necessary to discuss the way the literal layer presents itself and what sort of motifs and ideas exist there as a baseline before you begin looking at it as metaphor

[adlamu]

fletch being depechay mode's number one fan, as often as it's stated, is not respected anywhere near enough imo. like, he wasn't just 'happy to be a member of the band'... he actually liked the music, he knew every lyric, he had favourite songs on each album, and he enjoyed being part of every little insignificant process that related to and represented dm. my mans would have had (very loud + proud) opinions on memento mori, he would have loved the response to it (+ the tour), he would have relished, basked, even, in the glory of NLMDA becoming a popular song online for that short period of time, and would've absolutely laughed his arse off at the use of jcge in cocaine bear. that man is, was, and always will be dm's number one fan and no one can ever take that title from him.

[foxsartdump]

the moment i type tottmnt instead or rottmnt is gonna be my downfall (gay and too lazy to correct)

(mini-rant in tags if youre curious </3)

[kasumingo]

it's so funny when you see tmnt 2012 fans talking about their show being "unfairly cut short because of rottmnt" and then you go to wikipedia and learn it ran for 5 seasons and had 124 episodes in overall

[demonstars]

someone needs to start a dnf secret wedding conspiracy

Please. Like surely someoen can use the dnf timeline to post an insane thread saying that dnf got married like last november or something with fake data

[aq2003]

[pulls up a chair w the director of 2015 rsc LLL] wait okay so what do YOU think love's labour's lost is about if you're, like, taking away the play's commentary on race and beauty standards and how that interacts with the wider "frivolity of romance" theme

[eruden-writes]

Being in romance lover groups and writer groups on Facebook, and doing research (ie: reading romance novels,) I find it interesting that Tumblr seems unique in having a preference for 2nd person.

I'm not sure if Wattpad prefers 2nd POV, but I know I see a lot on there, too. So I'd wager they do.

I vaguely wonder if it has to do with the boom in popularity that D&D has encountered, since the 2nd POV method is ingrained with that. Maybe even the growing popularity of otome games, too. Since many are in 2nd POV, as well.

Regardless, in many of the traditionally published romance books I've encountered, it's either 1st POV or 3rd POV.

What are your thoughts on this?

[imitor]

houyi ..... i think i love all my bsd ocs on a degree that has me frightened