#mishs animations

[m3llowm1sh]

happy (late) narumitsu day 👍 i bring a quick silly video for the occasion

[swordy-da-goat]

A winter creature and a ptarmigan harpy friendship

Winter creature

[mishada]

🐋

[mishyells]

Requested by @lizzozzil ! Click to read along on twitter

[the-jennisms]

The final mish mash art thing I’ve done (for now) This one made from some of my favorite women in anime.

[grison-in-space]

wondering about whether you could rec some "romance is a social construct" texts? ofc it is, but i like having books and articles to reference/learn specifics from/see how these ideas have developed.

Sure! Here's a quick reading list. Bear in mind that I am not a professional historian and my reading on this subject is a little diffuse. I'm not tackling the behavioral ecology stuff right now because a) I don't have a more direct book rec off the top of my head than Evolution's Rainbow, which is not technically focused on social monogamy, and also b) I approach that whole field with my eyes wide open for people letting their own perspectives and cultural views get in the way of their observations of animals, and I do not have the energy to go deal with it right now.

If you're going to read two books, read these two:

Stephanie Coontz, Marriage, A History: how love conquered marriage. 2006. All of Coontz' work, having to do with the social construction of the family, is relevant reading to this question (and I'd also recommend The Nostalgia Trap, because the historical context of how we conceptualize families is a major part of the construction of romantic love), but this one is most focused on the social construction of romantic love specifically and what it has replaced. Coontz is, I will disclose cheerfully, a major formative influence on my thinking.

Moira Wegel, Labor of Love: The Invention of Dating. 2016. Exactly what it says on the tin; focuses more closely on the modern invention of dating and romance.

Other useful readings to help inform your understanding of different ways that various people have conceptualized sex, sexuality, society and long-term connection include:

George Chauncey, Why Marriage? 2015. Chauncey is best known for Gay New York, which also offers a useful history of the way that relationship models and social constructs for understanding homosexuality changed among men having sex with men c. 1900 to 1950. This book, published just before Obergefell v. Hodges, is a discussion of why contemporary queer rights organizations focused on same-sex marriage as an activism plank in the wake of AIDS organizing. I find it really useful to read queer history when I'm thinking about how we understand and construct the concept of romantic relationships, because queers complicate the mainstream, heteronormative concepts of what marriage and romantic relationships actually are. More importantly, queer activist organizing around marriage has played a major role in shaping our collective understanding of romance and marriage in the past twenty years.

Elizabeth Abbott, A History of Celibacy, 2000. In order to understand how various cultures construct understandings of marriage and spousal relationships, it can be illustrative to consider what the people who are explicitly not participating in the institution are doing and why not. I found this an interesting pass over historical and social institutions that forbid (or forbade) marriage with a discussion about general trends driving these institutions, individuals, and movements towards celibacy.

Eleanor Janega, The Once and Future Sex, 2023. This is a very pointed historical look at gender roles, concepts of beauty, and concepts of sex, attraction, and marriage among medieval Europeans with an extended meditation on what ideas have and have not changed between that time and today. I include this work because I think a deep dive into medieval notions of courtly romance is useful, partly because it is an important origin of our modern notion of romantic love and partly because it is so usefully and starkly different from that modern notion! Sometimes the best way to understand the cultural construction of ideas in your own society is to go look at someone else's and see where things are the same versus different.

It's a mish-mash of recommendations, and I'm reaching more for books that have stuck with me over the years than a clean scholarly approach to the subject. I hope other folks will chime in for you with their own recommendations!

[prying-pandora666]

The Cast and Crew Don’t Deserve Your Hate

I know many of us feel hurt and betrayed by NATLA. I know this. I feel the same.

Please stop cursing Albert Kim and the production crew. The fact is, he inherited a huge mess that was already behind schedule. Studios nowadays want the fastest turn around possible and are willing to pour money into projects.

But not time.

I’ve said it before, but LOTR is the absolute gold standard for production. They took years of pre-production time to hand craft their costumes and props and wigs. They hired artisans to hand make tunics and chainmail by hand. They sourced and layered real human hair for their hair pieces. It was incredible.

GOT also attempted something similar though not nearly at the same scale.

That’s why both of these productions have such fantastic and realistic feeling costumes, wigs, and props.

Modern studios just want fast turn around. They’ll pour in money but they want it fast. That’s why the modern takes on LOTR and GOT (ROP and HOTD) look like mediocre cosplay by comparison. The stylists are doing their best, but there’s only so much you can do with so little time.

That’s exactly what’s happened here. You can tell in how awful all the wigs and beards look, even compared to the Shyamalan film of all things! It’s why you can see machine stitching and the fabrics aren’t thick enough to pass for animal pelts. It’s why Iroh’s beard looks like it’s going to fall off, and Yue’s hair looks like a Lego piece, and Azula’s bangs are visibly attached extensions of a completely different sort from the rest of the synthetic wig. It’s why Zuko’s scar looks like a birthmark and not a burn.

It’s why the bending, despite having impressive animation, doesn’t line up well with the actors’ movements and feels pasted on. Almost as if the artists and fight choreographers didn’t get to communicate and plan together.

It’s why the scripts are a poorly juggled mish mash of plots, with threads left to hang in the wind while others are so oversimplified that it feels like a playschool version of ATLA rather then the “adult” version it’s supposed to be.

And it’s why the the Chinese writing is grammatically a mess like they just ran it through Google translate.

I have nothing but respect for Albert Kim and the cast and crew that worked tirelessly to bring this disaster to life under these conditions.

I worry about the poor crew being put through some awful crunch time for this show…

Yes it’s bad. But it’s not only bad as a piece of media. It’s bad as an indicator of what studios prioritize now, and it’s neither audiences nor their own staff.

[snapdragonessart]

Part 2 of my dragon dentition series 😊 ancients coming next! Teef info under the cut

Obelisks take inspiration from Chinese guardian lion statues, with their voluminous manes, big paws and fierce face. As such, their teeth would be similar to a lion’s dentition, with massive canines and carnassials. Although lions mainly eat land-based animals, they are also opportunistic and will sometimes eat fish and even insects. This doesn’t make up for any large part of their diet, however, and in this way they differ from Obelisks which only eat seafood and bugs. Jaguars make a better match for Obelisks in regards to food, as they eat aquatic prey more often than lions do, with one remote population of jaguars in Brazil primarily feeding on aquatic reptiles and fish.

Pearlcatchers were pretty tricky to pin down. Their body and face look almost horse or deer-shaped. Their diet is insects and plants. The only creature that came to mind for Pearlcatchers were qilins; one-horned legendary beasts from Chinese mythology. They’re fully scaled, with dragon-like faces and a body shaped like a horse, deer or goat. This seems to fit Pearlcatcher’s the most, but figuring out their dentition is another matter. There’s not really a 1-to-1 comparative animal I can base their teeth on, so I think they’d be a mish-mash of different tooth structures. They’d have larger canines, maybe like a musk deer, but the rest of their teeth would follow a more herbivorous design. They’d have large, flat molars and premolars for grinding up plants, probably similar to a horse or goat. 

Ridgebacks are basically land-sharks, no question. Their diet and face says it all. Although their snouts look more like goblin sharks to me, I don’t think they’d have those creepy mouths. Their dentition would be more like a great white; they’d have a mouth full of serrated, razor sharp teeth. Like actual sharks, Ridgeback’s would have a reserve of extra teeth in their jaws. 

Skydancer dragons present another tricky situation. They’re bird dragons, and eat plants and insects like Pearlcatchers. Although some official art shows them with teeth, I don’t think they’d actually have them. The closest structure to teeth that's found in birds is the tomia, which is the cutting edge of the upper and lower beak. Tomia is not made of enamel, but of cartilage. Seed-eating birds use this to slice through seed hulls, and birds of prey like falcons have a single sharp projection to rip meat and insects apart. Geese have tomia on their tongues, which pushes the food back towards their throat as they eat. Skydancers probably have a gizzard as well, as the tomia is not enough on its own to grind food down completely. It was hard to figure out what the Skydancer’s beak would be most similar to; out of all the more hook beaked birds, it reminded me most of vultures or eagles, although in diet they do not match them at all. Skydancer beaks are a mish-mash of different bird characteristics that I thought would fit them the most, rather than based on a single bird in particular.

Snappers are tortoise dragons, and like tortoises they’d have ridges in their beaks to help chew food. The official lore states that their beaks are “lined with molars that begin halfway down the jaw and continue all the way to the back”. Real-life tortoises don’t have teeth, so I’d imagine these structures would be like the tomia of birds. Their diet would be a mix of what tortoises and turtles eat, as Snappers eat both plants and seafood.

Spirals really remind me of ferrets, with their noodley bodies and energetic, chaotic nature. Like ferrets, they’d have sharp little canines, incisors and carnassials for shredding meat. Ferrets mainly eat meat, but will also eat bugs too, which matches up with the Spirals diet.

Tundra dragons are currently the only purely herbivorous dragon. The lore states that they have “impressive canine teeth used for combat. The majority of their jaw is set with flat, wide molars, perfect for grinding up scrub.” They’d be most similar to musk deers in dentition, with both male and female Tundras having the enlarged canines characteristic of male musk deer. The canines wouldn’t be as thin or long as a musk deer; they would be thick, robust, and fit more snugly inside the mouth. 

Last for the modern breeds, we have the Wildclaws. They’re raptor dragons, based on the Dromaeosaurids - raptor dinosaurs (velociraptors, utahraptors, etc). Like raptors, Wildclaws would have widely spaced and serrated teeth. They’d be fairly equal in shape, and would curve backwards.  Raptors were carnivorous, which fits with the Wildclaw’s meat diet.

[shy-raccoon]

Worldbuilding Tip

If you have a fantasy race with animal traits look at that animals social structure when desiging their culture.

A kingdom of lion people could have 2 types of towns, one with mostly women and one man as mayor and another made up of men banished from the first town when they hit puberity. With duals to decide the mayor of the first town.

Fauns and satyrs could banish all men from town except for during mating season with only women running socity or have seperate towns for each gender like actual deer herds.

Most cultures in fantasy are real world cultures with the serial numbers shaved off or a mish mash of real world cultures. So this is a great way to make more interesting cultures in your setting.

[m3llowm1sh]

minerscales confession gone wrong 😱😱

[2sgf]

Solstice ☀️ Sol ☀️ Sunny

he/him ⭐ they/them ⭐ she/her

28 years old ; tme two-spirit first nations wo/man

@mermen is my moonlight 🌙

★ minors do not follow or interact thank you

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★ disabled, neurodivergent polyfrag system

☆ remade on july 18th 2024

art blog: @solsunbeam

more about under the cut! ^^ not necessary to read

☀ my socio-political beliefs: land back, pro palestine, anti-colonization, harm reductionist, anti-canada and anti-usa, anti capitalism, defund & dismantle the police, prison abolitionist, anti child family services, pro family reunification, better funding for social services, pro universal healthcare (including mental health resources, optometry, AND dentistry), antipsychiatry, pro universal basic income, decriminalize drugs, sex bioessentialism is rooted in white supremacy, and may all the catholic churches burn down thank you

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☼ alters may or might not tag their posts as [alter name].txt feel free to refer to them as their name! but we all respond to the collective name as well <3

☀ my final message...... peas and lov on planet erth....... goodnight

[mishada]

"I'll shoot Rudy!" | South Park meme | [OC]

[multi-fandomdisaster]

Wilbur

Do Wilbur

Please

Gimme Wilbur Cross hcs

YOU, MY FRIEND, HAVE OPENED THE FLOODGATES. I LOVE WILEY SO MUCH.

Before the portal, this man could really only be described as “delightfully insufferable.” He was, to put it simply, a general sunshine character, and you either loved his energy or you hated it. He was also very touchy, too, showing casual affection via excessive amounts of touch (lots of arm and shoulder and back touches, taps, and pats)

Also before the portal, his favorite apple was sweet tango

Bisexual pre-portal, aroace post-portal

This man is so f**ked, inside and out, mentally and physically. He’s not even a man anymore. If you were to open this guy up, you’d find a disgusting mish-mash of horrors and teeth and eyes and writhing tentacles and definitely NOT human organs.

His skin is cold to the touch and a bit clammy

Writes the number zero with a slash through it

Animals go absolutely nuts whenever he walks by because they can just TELL that something isn’t right with him

Will casually throw sniggle words/slang into his regular speech without thinking, which tends to trip people up

Physically cannot think deeply about much of anything anymore, because if he starts thinking about things, he’ll start thinking about the Black and White, and then his brain will start trying to make sense of it all over again, and that never ends up good. Wiggly eventually got tired of him going effectively catatonic whenever he’d start thinking about anything, so he just straight up removed his ability to have deep thought. It works out pretty for Wiggly, making Wiley a LOT more willing to follow orders without question

Contrary to popular belief, Wilbur didn't immediately crumble when he went through the portal. He actually had one hell of a strong will, but it clearly wasn't enough to save him from eventually breaking down under the pressure and influence of the Black and White. He was really only gone for about an hour, but to him, it felt like a little over year, if not more.....a whole year surrounded by madness and nothing and eldritch entities that were forever burned into his brain and the growing doubt that he'd been abandoned and left to die. The Wiley that stepped out of the portal that day and the Wiley we know now are very different, too. Back then, he was a lot more jittery and fragile because he hadn't yet learned how to cope with everything he'd seen and experienced, his only lifeline being these colorful gods who promised to take the pain away so long as he devoted himself to them.

[candyistoosweet]

OMG I'M SO EXCITED RN

I made Sally animation hoorayyAnirfhjfehudejn

Character: Sally Williams - La Mishi Mish

[cautious-callum]

What the fuck is a mekruh anyways?

In-depth explanation

-

I'll be sure to add lots of pictures :>

This is a mekruh

A small (ish) qudraped/biped bird like animal that is primarily an opportunistic carnivore and scavenger. They supplement their diet with vegetables, insects, and some fruits. Basically whatever they can digest to some degree.

They also only have their crest at the end of their muzzle through spring/summer. It falls off in the fall like antlers do. Mekruh as a species don't seem to have a typical gender humans describe and may be one sex that determines position and or role by play and relationship. All mekruh can lay eggs but choosing who does it is tedious carefully planned task.

They can be very dramatic and flamboyant birds doing mating dances and displaying constantly during mating season. This behavior still occurs to a lesser degree during fall and winter to strengthen bonds and show affection.

Speaking of bonds and mates mekruh often bond strongly to other mekruh but also have a tendancy to create mish mash packs of various different species. It isn't uncommon for mekruh to bond with their rider, a farm dog, or a wild wolf. If given enough time they can typically lay fertilized eggs even if their mate is a different species.

Mekruh are work animals and domesticated by humans. They struggle to survive in the wild on their own and need either a herd or a mate to feel secure enough to do so.

Mekruh typically are used as pack animals that hold luggage or goods for merchants. They can also be ridden very well and can glide making them faster at times than say a horse. They are very dexterous being able to climb cliff walls and glide over canyons.

They can be protective of their nest and often become aggravated by intruders. Nesting lasts for roughly 3 months in the winter and chicks are raised through spring. Nest making happens in fall.

Mekruh can adapt to a range of climates. My subspecies is focused in prairie and dry bush.

The species itself reminds me of prairie chickens to some degree as well as seikrets from monster hunter wilds. They have a tendency to be hard working and brave.

On all fours they stand at about 3-4 ft tall while on two legs about 6ft. They arent heavy. Maybe 130 pounds. But can carry up to double their weight comfortably. They make loud squawks and coos that seem to echo as well as higher pitched sounds that ring.

They can have a calm temperament and typically dont cause a fuss

Thanks for reading :3