#might post some other character designs if I feel like it!

[violetasteracademic]

Velaris Memorial Hospital

A Grey's Anatomy x TTPD inspired Three Brothers and Three Sisters Three Part Fanfiction

Hey. Life is horrible and scary. I want to share a teaser for a project I have been pouring my heart and soul into that I hope some of you might find some joy and reprieve in.

These stories are tightly woven together and designed to be read in order. Fesyand, Nessian, and Elriel's journey's will be posted individually and chronologically, and occur on an overlapping but staggered timeline. However, there are incredibly heavy themes and topics that may not be suitable for all readers. I will do my best to ensure each individual story can be enjoyed on its own if there are topics you would rather avoid. Please read the content warning for all three stories and take care of yourself first. This collection is coming soon if I can pull myself out of this black hole, but here is a synopsis of each story ahead!

Part One:

Feyre Archeron is an art therapist for the children's cancer wing at Velaris Memorial Hospital. After leaving her abusive fiancé and moving back in with her sisters, her plans to heal and move on with peace and privacy go up in flames when women begin to come forward with sexual harassment allegations against her ex, Tamlin Thornwood.

If she doesn't come forward with her own story of abuse and testify against the man who harmed her and so many other women, he stands a chance at winning his countersuit for defamation and wrongful termination. Terrified of what her patient's families will think of her if they find out the truth, struggling to forgive herself, and suprised to be falling for the absolute wrong man, Feyre has to dig deeper than she ever has before to find her strength.

Rhysand Noctis is the owner and CEO of Eventide Enterprises. After losing his mother to cancer, he has felt adrift. No amount of money and acclaim has been able to give him the sense of home and belonging he has lost.

When an old family rival, Tamlin Thornwood, is tangled up in a scandal and lawsuits, Rhysand learns that Velaris Memorial Hospital is in trouble. The only non-profit hospital in Velaris and the place that cared for his mother has lost all of their donors and board members. Rhys decides to purchase the hospital and dedicate his time to restoring its reputation and making it a safe place for women and the community of Velaris to work and receive affordable care.

A chance encounter sends Feyre and Rhys colliding towards each other before they realize how inextricably their personal and professional lives are already intertwined.

CW: Domestic violence, sexual assault, sexual harassment, child death, trauma, mental health, explicit sexual content.

*Additional note: I don't typically like to use the term "anti" in this fandom, but it is best to be exceptionally clear that this is an abundantly anti-Tamlin piece. If seeing this character portrayed as a serial abuser makes you feel upset or uncomfortable in any way, please protect yourself (and me) by skipping this one.

Part Two:

Nesta Archeron doesn't need anyone to take care of her. After losing both her parents at age eighteen and becoming legal guardian to her two younger sisters, she gave up her dreams of going to law school and worked her way up from from an assistant with nothing more than a high school diploma and unmatched grit to become the head of public relations at Velaris Memorial Hospital.

When her younger sisters ex-fiancé scandalizes the hospital and leaves them without funding or a board of directors, she has to work closely with the new ownership, Eventide Enterprises, to save the hospital and prevent it from becoming for-profit like SkyView, their rival hospital in the financial district. She has full confidence in herself and her plan. However, Eris Vanserra, the head of PR and legacy staff at SkyView, is out for blood after Nesta won over the youngest Vanserra to Velaris Memorial and got an op ed published on the negative outcomes associated with for-profit care. That, and she now has to answer to Cassian- a man she has already sworn to hate before learning who he was, and is making her job- and life- an absolute pain in the ass.

Cassian is the lead financial strategist and project manager after Eventide Enterprises purchased Velaris Memorial Hospital. After having to drop out of college before sophomore year to deal with the death of his mother, he struggles to overcome the chip on his shoulder being in an industry where name, money, and education is everything. Restoring the reputation and the financial security of Velaris Memorial Hospital is not only personal, but professionally the largest responsibility he has had in his career thus far. Everything is on the line.

Complicating matters is his reliance on Nesta Archeron, the steely and fiery PR director working side by side with him to ensure the Starfall Ball is a massive success and wins back the hospitals donors. There is no denying that the difficulty maintaining their professional lines is fueled by both hate and attraction. But as they continue to work closely together, the layers peel back and they learn that they have more in common than they thought. Family secrets, generational trauma, and their deepest shames are somehow safe in each other's hands. However, lines are crossed that might be impossible to come back from.

CW: Extortion, blackmail, discussions of suicide, trauma, mental health, explicit sexual content.

Part Three:

Elain Archeron has always strived for perfection. After competing in pageants her entire childhood and teen years, she shocked everyone by using her scholarship to relentlessly pursue a career in the medical field as a labor and delivery nurse instead of fulfilling her mothers dream to go on to compete in the Miss Universe pageant.

She spent her early twenties working instead of dating, but her plan to get married and start a family is back on track now that has the "perfect" fiancé, Graysen Nolan.

However- the grueling hours, cracks in her relationship, and anxiety over what her life will look like when she becomes a Nolan begins to sink in. It's not easy for Elain to change her plans or take a leap, but when a tragic accident sends her life into a tailspin, she is forced to pick apart the shattered pieces of her soul and learn what unrealized dreams are truly hers and what belongs to the ghosts of her past.

Azriel Singer is an award winning photojournalist who has spent his life travelling the world. He has lived for the thrill of never knowing what comes next, being on the front lines of danger and history in the making. He is used to going to sleep in one city and waking up with a contract on the other side of the world, not knowing if he'll be headed into a war zone or march for justice.

When his brother Rhysand hires him for a six month corporate contract as the photographer on retainer for Velaris Memorial Hospital as they rebuild their image, his path crosses with Elain Archeron. In so many ways, she is his opposite. She has always wanted to travel, but has never left Velaris. She has always wanted to start a family, a thought that has only ever given Azriel night sweats. And she is engaged.

Azriel and Elain wind up forming a deep friendship, creating bets with each other to help push them outside of their respective comfort zones. The more they get to know each other more deeply than anyone has before, the more they question who they are. No amount of planning and on-paper perfection could have prepared them for a connection that pushes them both beyond the narratives they've written for themselves before meeting someone who can challenge them in all the most terrifying and most fulfilling ways.

CW: Fertility issues, child abuse, infant death, parent death, medical trauma associated with car accidents, birth, and premature birth, explicit sexual content.

This is my first time writing modern AU and contemporary romance. Thank you so much to @nikachansstuff and @rosanna-writer for offering to beta!

I truly hope I do it justice. I also want to reiterate that these are dark and very emotionally heavy stories. The characters will be dealing with issues that are deeply personal to me. They will sometimes be hard to understand and harder to love.

While I am not a mental health professional, I am a huge mental health advocate and that will come through in a blend of my own personal experiences and research, but mental health is extremely personal and not one size fits all. Nothing should be taken as mental health advice. Please reach out for professional help if you need, and don't give up.

This is by far the most terrifying but meaningful work I have done, and I am scared shitless and deeply excited to share it with you. This will not be for everyone, but I hope it will find where it is meant to go.

[a-vampire-culturelover]

Back on my Hawkstar Au Bullshit

YIPPIE I FINALLY HAVE SOME TIME TO DIVE MORE INTO THE AU :3!

While all of the previous shit from This Post happens, Brambleclaw goes into exile, ending up in Shadowclan with his sister Tawnypelt. There he explains to her what happened and why he was exiled, and Tawnypelt feels a bit guilty thinking she could have kept this from happening if she knew sooner what Hawkfrost would try doing. They're both shocked of the news of Hawkfrost becoming leader of Riverclan, realizing his plans had worked. They both decide to try and find a way to expose him, fearing Riverclan will fall more under his manipulation, alongside genuine worry for Mothwing's sake. And with conflict between Windclan and Riverclan getting more and more frequent each and every moon, things might go from bad to worse if nothing is done..

Back in Thunderclan, after Hollykit and Lionkit mysteriously disappear, Leafpool goes into a depression, having lost two of her own kits seemingly out of nowhere. Squirrelflight comforts her throughout this duration, knowing how badly it affected her sister, and was just as wracked with grief with Jaykit being the only one of the litter left intact. They lie about Jaykit being a loner kit just like Hawkfrost, and they both take care of him, Leafpool being a sad but goofy "Aunt" and sometimes spoiling him with things like feathers and flower petals to decorate his pelt.

Squirrelflight meanwhile, is growing more and more suspicious of Ashfur. Nothing had seemed wrong back when Brambleclaw was exiled, but after Holly and Lion went missing, she had scented Thunderclan in the area. She had initially assumed it was her and Leafpool, but upon further investigation she realized the scent was vaguely similar to Ashfur. Knowing it wouldn't be wise to just call him out knowing there was a good chance something could go wrong, she keeps her mouth shut so she can focus on both finding evidence and further investigating, alongside raising Jaykit.

In Riverclan, Mothwing had not succeeded in drawing the ire of Sleekpaw to herbs, but instead Tadpolepaw. Tadpolepaw Trains under Mothwing's guidance, getting alongwell with the much older apprentice Willowpaw. She's confused often by how Mothwing acts happy and pleasant to be out of camp during trips for herb gathering and meeting with the other medicine cats, but paranoid and bitter in camp, especially towards Hawkstar. Tadpolepaw begins to learn from Mothwing about when she was a kit, when their mother Sasha left her and Hawkstar in Riverclan, how her little brother Tadpole, who she had been named after, died, but most importantly how she did not believe in Starclan. After this, she becomes very conflicted on what to do, her own mentor not believing in Starclan, what she had thought her entire kithood was the most important aspect of clan life apart from the code. Through Mothwing, she begins to learn of her father's much darker secrets, but what about her brother Sleekpaw...?

Sleekpaw is trained under Blackclaw, who overall is a good mentor, but behind the scenes Hawkstar does all the work, training him in the Dark Forest alongside Tigerstar. Sleekpaw grows used to the feeling of having his claws out, always having at least a little bit of blood spilled on his claws, and always having scars that healed far before any herbs could be used. Tigerstar and Hawkstar begin to wonder what was so strange about him, before realizing just how powerful his near invincibility in battle. Hawkstar smirked at the thought of using Sleekpaw against whatever threats came to Riverclan, and as tensions rise between Riverclan and Windclan, that time for bloodshed and claws unsheathed may come far sooner than those who don't wish for it..

Smaller less important things about the Hawkstar au: - Birchpaw gets renamed from Birchfall to Birchsmoke by Firestar during his warrior ceremony, after his mentor Ashfur's "Loyalty" from stopping Brambleclaw from murdering him. He's a little more nervous and overwhelmed in the au from Ashfur constantly promising to make him deputy when he becomes leader, making sure Birchsmoke is a cat he can trust and most importantly manipulate when the time comes to lead.

-Tawnypelt names all but Tigerkit the same as normal, renaming him to something like Adderkit, depends on whether or not I stick with that

-Jaykit actually stays a warrior apprentice, becoming Jayflight. He gets the suffix from Squirrelflight since he cares deeply for both of them, and happens to wonder what happened to his other siblings that make his mother and aunt go silent..

-Since Jaypaw never becomes a med apprentice, either Icecloud or Foxleap become one since something does happen to Leafpool at some point in the au...

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[bonestrouslingbones]

btw one of the things i want to do when i really rap up atbb for real is spontaneously get the energy at will to do actual updated fullbodies of the main 4 since now i actually have the ability to draw them the way they look in my head & have the skills to put some more variety in their shapes. basically i wanna

[dairyfreenugget]

Also, this blog turned from me talking about HK AUs to me rambling nonsensical shit about my ocs (I am having a blast)

[deviousdiesel]

.

[phoenixiancrystallist]

Month 6, day 26, Draw Everything June Day 18!

This was a fun pose :D They've all been fun but this one made the good brain juices go brrrrr

[bucket-of-spiders]

My stupid emo bastard son, Lucy

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw?

not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content?

nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day?

nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early?

you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site?

i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag?

#bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

⭐ 1: FAV OC

what makes them your fav?

2: NEW OC

how recently did you make them?

3: OLD OC

how long ago did you make them?

⭐ 4: UNDER-APPRECIATED OC

an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like

5: RE-DESIGNED OC

an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 2: BUILDING BACKSTORY

⭐ 6: PAST

where is your oc from? what did they look like as a child?

7: LIKES

what do they like (and why?)

8: DISLIKES

what don't they like (and why?)

⭐ 9: RELATIONSHIPS

doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)

10: PERSONALITY

what are your oc's main personality traits

11: SYMBOLISM/THEMES

what represents your oc? is there a specific colour you associate them with, or a specific animal?

12: FUTURE

what will your oc look like in the future? do they have any plans or goals?

WEEK 3: FUN + GAMES

⭐13: MEMES

do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?

14: WHO/WHAT INSPIRED YOUR OC

are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?

15: MUSIC

share a character playlist, write a songfic, post lyrics that remind you of them, etc

⭐16: EYES CLOSED or NON DOMINANT HAND

draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!

17: DnD ALIGNMENT CHART

put all your ocs into a DnD alignment chart, or any other similar chart if you prefer

i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"

⭐18: SWAP

swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?

19: PALETTE CHALLENGES

draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

hex codes for the colours:

palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3

palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4

palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8

palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

WEEK 4: COMMUNITY

20-26: A WHOLE WEEK OF SOCIAL STUFF

if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

WEEK 5: HALLOWEEN

⭐27: FEARS

is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?

28: MONSTER

what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?

29: PUMPKIN CARVING

your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!

30: GHOST

this can be literally a ghost, or a concept that haunts your oc! up to you!

⭐ 31: COSTUMES

what are your ocs wearing for halloween?

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[oveliagirlhaditright]

Also, in now being through FNAF Sister Location, I understand what people meant about the lore of this series being fucked up. Like, I had a general idea about what the lore was. But still seeing it for myself is different, of course. And there were also some things I didn't know.

[ryukatters]

swipe right — k. bakugo x fem! reader

✮ a/n: i remember seeing a post on here a long time ago about a character making a fake tinder profile for their gf and realizing how many people want her. (if someone knows the OG post please lmk so i can link it!) so now i present to you: bakugo falling to his knees in the middle of your apartment bedroom for the exact same reason.

✮ content/warnings: dubcon, quirkless/college! au, jealousy, possessiveness, breeding, creampie, unprotected sex, cum eating, cunnilingus, overstimulation, praise, biting, bkg gets a little rough with you, and bkg's also a fucking simp but when do I ever write him as being otherwise??

✮ summary: your boyfriend decides to make a fake tinder profile for you just to see how many matches you get. he comes to a realization just how many other people want what’s already his.

✮ word count: 4.2k (i'm so sick)

Bakugo can remember how this all started. In very vivid detail, actually. He remembers because Kaminari had pissed him off so much to the extent that it took him a very substantial amount of effort to refrain from bashing his friend’s face in.

It all started during the last monthly hangout amongst Bakugo and his friends— one day out of the month designated to make sure that they all had time to catch up with one another despite their busy schedules.

Everything was normal, with all of them getting more than enough of their fill of food and alcohol while idly playing video games and talking about random topics to fill in the silence in Kaminari’s living room. 

Perfectly normal, until Denki decided to open his stupid mouth, at least. 

He goes off on a tangent about a trend he saw on social media where someone makes a fake Tinder profile for their partner to see how many matches they’d get. He proceeds to tell Bakugo that he should try doing it, for “funsies,”— to which Bakugo scoffs at. 

“Aren’t you curious, Kacchan?” Kaminari smiles cheekily, wrapping an arm around his blond friend’s shoulders, seemingly oblivious to the fact that Bakugo’s becoming visibly more upset with every passing moment. 

“Your girlfriend is really pretty,” Mina chimes in, sticking her tongue out when Katsuki whips his head to glare at her. “I’m still surprised she’s with a grump like you.” 

Kaminari butts in, “I bet there’s a whole line of guys around the block just waiting for a chance to get with her. I mean, just look at her! Hell, I’d even let her peg m—”

For a moment, Bakugo swears he wants to bash Kaminari’s face into his flatscreen. And for a moment, he lets that impulsive thought win— getting up and grabbing two fistfuls of Denki’s shirt before promptly getting cut off by Kirishima.

“Alright alright,” Kirishima forcibly pries Bakugo off of the other blond, pushing him off to the side. “That’s enough, you two. Kaminari was just messing around. I’ll admit, it wasn’t a good joke, but no need to hurt the guy, okay Bakugo?” 

Kirishima knows that Kaminari wasn’t being that serious, but Kirishima can also admit that what he had to say held some ounce of truth. And Kirishima knows Bakugo well enough to see how your boyfriend tends to be rather skittish and protective with matters concerning you— which is exactly why Eijiro had to stop him before it was too late. He really didn’t feel like preparing for Denki’s funeral or helping hide Katsuki escape from a homicide charge.

And that was that…up until a few minutes ago.

Katsuki’s tried to forget that conversation. But try as he might, his mind betrays him and can’t help but wander back to what Denki said that night.

He trusts you of course, and has complete faith in your relationship. However, he’s curious to a fault, just about perhaps too curious for his own good. 

How badly could this end?

As it turns out, this whole scheme seems to be playing out very poorly. 

Dozens of photos of you— screenshotted from your social media accounts— fill Katsuki’s screen. He had to choose photos you uploaded yourself, because most of his photos of you were either too…suggestive or too domestic (and he wants to be the only one to see you in those moments).

He swipes through “your” profile one last time before clicking “done” to officially put you on the market. And just like that, Bakugo’s met with the faces of men who are nowhere near your level. He goes through the batch of profiles, scrutinizing each one he comes across. He’s (un)surprisingly selective with the ones he chooses to swipe right on— making sure that they’re at least somewhat conventionally attractive. To his surprise (or dread, rather), his phone pings right away with a notification from someone who swiped back. Another ping. A message. 

You free tonight? 

Bakugo scoffs. He looks through the guy’s profile— a picture of him at a party with his arms around some girls, another with him doing a victory pose presumably after hiking, and one with him holding a fish. He feels his mouth curl in disgust, about to give into the urge to reply and give this guy a piece of his mind, before he realizes he’s pretending to be you. He takes a deep breath, closes out of the app, and puts down his phone. 

He’s starting to regret this.

Bakugo’s phone has gone off 15 times in the last hour. Bakugo has also felt the need to strangle some stranger through the phone 15 times in the last hour. Your (read: his) profile has existed for less than 60 minutes, and you already have a whole address book of nobodies trying to link with you and get a quick fuck. 

He feels the familiar beginnings of a headache creeping up the back of his skull. He thinks he might need a drink. Why did he decide to do this again?

In hindsight, he probably should have known this is exactly how it was going to go down. 

What was that saying? Curiosity killed the cat?

Yeah.

He was never great at self-preservation in the first place. So this, the feeling of overwhelming jealousy, frustration, possessiveness brewing up a storm threatening to pour out of every single fiber of Bakugo’s being— was no surprise.

He watches as the numbers at the bottom of his screen increase steadily, before tapping on the star icon. 

‘99+ likes!’ it reads. Over 99 people who saw your profile and thought you were beautiful. Bakugo pales, and he can feel the cold sweat building on the nape of his neck. He grips his phone, knuckles turning white. Is he shaking from anger or nervousness?

Anger because all these guys think they even have the slightest chance with someone as amazing as you. Nervousness because what if you decide that they do? You wouldn’t actually leave him for one of these guys, right? Right?

None of these men would walk through hell and back for you. They don’t know how you like your coffee, the details of your skin care routine, how you like to binge watch shows and talk Katsuki’s ear off about them (not that he ever minded, of course). They don’t know you, not like he does. Katsuki looks at you like you hung the moon. In fact, he’s pretty convinced that you did. Everything good in his life— the warmth, the color, the joy,— is encompassed by you. He’d be damned if he lets some greasy little nobody take that from him. Because the moment Bakugo fell in love with you, you became a part of him— inextricably and indefinitely. Loving you has become so intrinsic to him, that even the mere thought of another person loving you or looking at you the same way he does has him going insane. Not that anyone could love you like he did, though. That thought brings him some comfort, but not for long. 

One last notification he sees sends him spiraling. Bakugo swears that he can see red. That’s when he deletes the app, and throws his poor phone in some random corner of the living room, which is markedly one of the smarter choices he’s made as of late. He marches to your bedroom with a fire burning in his chest. 

He stops short of the door and finds you sitting at the edge of your shared bed, fresh out of the shower. You’re applying lotion, and he watches the cream absorb into your skin wordlessly, in awe at how overwhelmingly beautiful you manage to look in the most prosaic of tasks. For a second, he almost forgets the reason he was upset in the first place.  

Your hair is still damp, water droplets accumulating at the tips, and Katsuki feels his mouth run dry the minute he watches a stray bead fall and make its way down your neck and stop perfectly in the dip of your collarbone. Your very existence is forever etched into his heart, every inch of you carved into his memory, but even still he can never get tired of looking at you. At every angle, in every lighting, he needs to see you in it. You could call him obsessed, but he’d simply laugh and agree, because what’s so wrong with that? Especially if it’s you. 

You’re one to be studied— to be adored, Katsuki thinks, to the greatest capacity. It’s what you deserve. And what better person for that task to fall upon than him?

He finds himself naturally gravitating towards you, his finger tracing the same exact path the water had carved just moments before, wordlessly. You try to pay no mind, but it’s difficult as you realize just how close Bakugo was and how your towel barely manages to cover up your most intimate parts. One wrong move and you’d be exposed. With how things were playing out, and the predatory glint in the blond’s eyes, you don’t think your boyfriend would be too perturbed with your current predicament. 

Katsuki presses a delicate kiss to your forehead before he crouches down. Suddenly, you’re at eye level with one another, his hot breath tickling your lips. You think for a moment he’s going to kiss you so you lean forward, lips waiting. But he merely grazes them before he sucks a deep bruise into the juncture of your neck, biting slightly. 

You’re barely given any time to react before he’s grabbing the hand that’s securing your towel and ripping it away, the offending garment falling off your body. Your flesh prickles with goosebumps as its exposed to the sudden chill.  It’s quickly replaced by the heat of Bakugo’s body as he pushes you lightly, your back hitting the mattress. He crawls on top of you, muscular thighs on either side of your hips, your head placed conveniently between his forearms. He’s trapped you, a nonverbal challenge for you to try and escape. 

You’re a work of art, he thinks, but much more valuable than any pièce de résistance framed in any museum. 

Beautiful, yes, but far too blank for his liking. He wants to ruin you, make you his own personal magnum opus. And so he does. 

He presses a clothed knee against your bare cunt, pressing firmly. His lips continue their assault on your neck, leaving angry purpling bruises in their wake. Rough hands find your breast, and you moan in surprise when he gives both of them a harsh squeeze as he shoves his tongue into your mouth. Katsuki kisses you like a man dying of thirst, hungry for everything you can offer him and more. It’s all too much already, the way he’s kissing you has your mind reeling, and you have to turn your head away for a moment to catch your breath. Katsuki thinks it’s a moment too long without you, so he coaxes you into locking lips with him once more. A wave of mischievousness washes over you, prompting you to take your boyfriend’s lower lip in between your teeth, biting down lightly. 

You feel his breath hitch, before he lets out a low groan as he grinds his clothed dick against your bare wetness. He returns the favor, sucking on your bottom lip before letting it go with a wet pop. He pulls back with a lazy smirk, his lips pursing together to scatter messy kisses down the base of your throat and down your chest, alternating between sucking and biting at the flesh. 

He gives you a good once-over, scanning every surface, committing them to memory. You feel the need to curl into yourself with how intensely those vermillion eyes are piercing into you, memorizing every single curve, scar, freckle like he’s done time and time again. 

He drops down to his knees, broad shoulders bullying their way in between your legs, forcibly prying them open. He grips your hips, fingertips digging into the soft flesh, and drags you down the mattress until your legs are dangling off the bed.

“Jesus, Kats, be more gentle.”

“Shhh. I know you like it when I’m not gentle,” he chuckles. As if to prove a point, he pulls you down even further, giving a harsh bite to your inner thigh. He smiles deviously when you yelp. You try to pull at his hair but his reflexes are too quick, pinning both of your wrists down on either side of you easily. “Besides, this is the perfect height for me to eat you out, dontcha think baby?” 

You want to chastise him for being so crass, so Katsuki, but the words die on the tip of your tongue the minute he gives a sweet, loving kiss to your clit, sucking lightly. 

“You’re mine. I don’t want anyone else seeing you like this except for me.” 

You’re not entirely sure what brought this on, but you find it hard to complain when Bakugo drags his tongue from your throbbing clit to inside your pussy, drinking everything you have to offer. 

Your hands automatically try to find purchase in his blond locks, struggling against the vice grip Katsuki has on your wrists. He decides to take pity on you, loosening his hold so you can slip your hands into his hair, moaning appreciatively when he feels you tug. He rewards you by flicking his tongue on your clit over and over again, just the way you like it. He does it until your moans begin to pitch higher and higher, the same way that they do when you’re close. He doesn’t stop his ministrations even after you cum, riding out your orgasm until your thighs are shaking from overstimulation. He pulls away from you with a loud pop, taking in the sight before him. 

He runs a hand up and down your thigh soothingly. “So fucked out already and we’re barely getting started, baby.”

Your mind is barely processing his words before you feel Katsuki’s erection brush against your stomach, his clothing haphazardly discarded on the floor. He taps the head of his dick against your clit to tease you, a feeling of satisfaction swelling when you cry out from under him.  

He watches in fascination as strings of your arousal cling to him. He positions his length at your entrance, locking eyes with you as you hold your breath in anticipation. Katsuki likes you like this. Needy for him. 

 “You’re the most beautiful girl in the world, you know that?” He slips into you with a stuttered groan. 

Katsuki’s always been big. You never get used to the initial stretch, no matter how many times you two fuck. Still, that doesn’t stop him from sliding in with ease from the slick of your last orgasm. It easily coats his cock as he gives a few experimental thrusts. He groans in rapture. How do you manage to feel so good every time? It’s enough to drive him insane. Perhaps he already is. 

“So fucking perfect, no wonder why all those losers want you.” He mutters out the last part, and you’re not sure if you caught that right. 

“What?” He chooses not to respond, and you aren’t given the opportunity to think any further before your legs are thrown over his shoulders, Katsuki’s weight effectively pinning you in place. The stretch knocks all the wind out of your lungs, and all you can do is cling to Katsuki, nails leaving red, angry lines on his well-defined back.

He wastes no time before he starts drilling into you, hips slotting in between your legs perfectly. The position has him pressed against your clit, and your entire body feels like it’s been set ablaze, with Katsuki holding both the power to have it burn even brighter and the ability to extinguish it. And you’re almost there, you can feel your soul slowly ascending, your room filled with hymns of pleasure, the coil in your stomach winding tighter and tighter, threatening to unravel along with your sanity. Katsuki can feel it too— the way you’re squeezing him tighter, how your gasps and moans have climbed just a note higher, how absolutely ruined you look, how he’s responsible for your current state. Which is exactly why he wants to push it even further, he wants to see how much you’ll break for him— and only him. 

Katsuki cuts you off right before you can reach your peak, pulling out but making sure just his tip is inserted. You come to and take a look at your lover and marvel at the sight. He has a crazed look in his eyes. The way he smirks is absolutely wicked. 

You feel distraught— having been so close but having it ripped away from you. You give your boyfriend a petulant pout.

“Katsuki,” you whine, slapping a hand against his sweaty chest, “Why’d you stop? I was so close!”

“Because I didn’t want you to cum yet,” he says simply. “You’ll be good for me, yeah? I’ll give my baby what she deserves, as long as she’s good.” 

You roll your eyes, huffing. That won’t do for him.

As much as he loves seeing you indulge, he feels a need to punish you— at least a little bit to even begin to atone for being the wicked temptress you are. 

“Don’t be a fuckin’ brat,” Bakugo growls, gripping your face with one hand, squishing your cheeks, causing your lips to purse slightly. “I said be good, okay? Wanna take my time with you.” 

There’s a moment of respite, until you sigh in defeat, knowing better than to argue with him lest you wanted to dig your own grave. “‘Kay, ‘ki.”

He flashes you a smile. Obedient, just how he likes you. “Good girl.”

Katsuki draws his hips back, thrusting just enough to fuck his tip into you. He’s teasing. The amount of willpower on his end it takes not to cum is nauseating. 

“You’re so pretty, aren’t you?” he rasps, one hand finding their way around your neck, squeezing just enough to make your head spin. Your hands reflexively grab his wrist. 

All you can manage is a fucked out moan. Katsuki has to resist the urge to coo, about how he’s managed to turn you into a cockdrunk mess in such a short matter of time. The wave of possessiveness that’s been gnawing at the depths of his soul begins to seep out, and he’s reminded of the reason why the two of you are in this position in the first place. 

He gives your throat another squeeze and a rough slap to your clit. “C’mon princess, answer me. Say it.” He slowly adds more and more pressure until your ears grow hot and air feels like a precious commodity. 

“I-i’m pretty,” you manage to gasp out, tears spilling from your lash line as you begin to lose yourself between the space of pleasure and pain. 

Good. Always so pliant for him.

“That’s right, baby,” he concedes. “So fuckin’ beautiful.” He punctuates the last word with a deep thrust, right against that spongy spot that feels so good. You’re so sensitive that it’s enough to send you spiraling into your second orgasm, walls spasming around him uncontrollably. 

Katsuki stills, staving off his own release with all the restraint he can summon. He silently thanks whatever divine forces are out there that he didn’t cum the minute he felt the first clench of your orgasm. 

He grits his teeth as he wills himself to move, trying not to get lost in the wetness that envelops him. You’re babbling now, senseless moans filling Katsuki’s ears like a sweet melody. 

“Kats, please, I’m too sensitive—” You’re shaking now, muscles trembling with every thrust. 

“But I’m not done with you yet,” he says simply, drawing his hips back with a particularly rough thrust. You choke back whatever you were going to say with a loud cry. “What’s your color, baby?”

You take a moment to answer, brain trying to comprehend the words just uttered to you. You look at Katsuki firmly, “Green.”

“Atta girl,” he praises, the drive of his hips beginning to shallow. He’s close, and he doesn’t know how much longer he can hold out. But for you, he tries. “You’re mine, right?”

“Yes,” you breathe out, shivering as goosebumps dance across your skin. 

“Say it,” Katsuki pleads, thrusts growing sloppy by the second. “Say you’re mine.”

“I’m all yours, ‘ki.” 

With that, Katsuki’s fate is sealed. He’s left groaning as a flash of pleasure shakes his very soul, filling you up with so much cum that it dribbles onto the mattress even while he’s still inside you. You follow suit, an embarrassingly obscene rhythm of squelching noises fill the silence as you spasm around his dick. He collapses on top of you, but he’s still coherent enough to not dump all his weight on you. 

Your labored breaths fill the room as the two of you come to. Katsuki pulls out of you with a wince, still a bit sensitive. He gives you a peck on the lips before he drags himself down, settling in between your legs much like he was earlier. 

You tense up, “Kats, wait—”

Any and all protests cease the moment Bakugo works his tongue inside of you, slurping lewdly as he drags out the mixture of your cum and his, swallowing. He tries not to stimulate your puffy clit in an attempt to be merciful, but you still feel yourself steadily climbing to what would be your fourth orgasm this session. While the past three have been intense and drowning, this one comes to you in waves, dull pleasure invading your senses as Katsuki continues to eat you out to clean you up. 

He pulls away when you finish, your slick and his saliva coating his chin before he wipes it off on the back of his hand. You stare at his half-hard erection with a half concerned, half quizzical look. “Do you…” you lick your lips, “need help with that? I’m a little sensitive down there  but I could use my mout—”

“Nah, I’m good babe,” he says earnestly, flashing you a smile that he only ever shows around you. “I’ll be back.” With that, your boyfriend leaves the room only to come back with a bottle of water. 

“Drink.” You comply, finishing half the bottle graciously before handing it to him. He downs the rest before he settles next to you on the bed, laying on his side. You mirror him, shifting your body so that you’re both facing each other. 

Katsuki reaches out, finger idly tracing random shapes and lines onto the bare skin on your hip. He has a pensive look on his face, one that he usually doesn’t hold after stolen moments like this; it’s an expression he wears when he’s in deep thought. 

“Baby,” you call out. His eyes snap to yours, eyebrows raised.

“Yeah?”

“Whatcha thinking about?” You watch as a hesitant look flashes across your boyfriend’s face before he shakes his head.

“S’nothin’. Just thinkin’ about us two.” He speaks lightly. It’s always been difficult for him to voice his inner thoughts and feelings, so he tends to beat around the bush. You’ve learned that if you ever want something out of him, you’d have to pry a little. Katsuki always indulges you though. 

“What about us?”

“Do you- do you think you’ll ever get tired of this?” He repeats himself, clearing his throat. The question is followed by a weaker, “...of me?”

You think it’s the most ridiculous question he’s ever asked, because the answer should be obvious. “I’d never get tired of you, Katsuki. I love you so much.”

“I love you too,” he replies automatically, “but if I ever do anything that upsets you, or if I get too much for you, or if I—” he’s rambling now. Yes, it’s difficult for Katsuki to talk about his feelings, but once you manage to get him to open up, all the walls of his self-made fortress come crashing down and it’s up to you to pick up the pieces. 

“Baby,” you giggle, pressing a kiss to his lips, cupping his sharp jaw with one hand. “Look at me.” And he does— ruby eyes meeting yours. “I love you because you’re you. And I choose to be with you everyday. It’s not always gonna be perfect, no relationship is. But I know that I will always wake up and choose you.” 

You can see the anxiety melt away from Katsuki’s body, shoulders slumping as he lets out a breath he didn’t know he was holding. 

“Love you too, sap,” is all he says before he’s pulling you against his chest, squeezing you into a bearhug. You two stay that way until both of you are lulled to sleep. 

You’re laying in bed with Katsuki, both of you dozing off when you hear a slight buzz from your phone on the nightstand. You squint as you try to read the notification, and make out that it’s from your friend.

Denki Kaminari: So did it work?

You bite the inside of your cheek to stop yourself from laughing, giving a quick glance over your shoulder to check on your boyfriend— fast asleep. You turn back to your phone, your thumbs making quick work at your keyboard. 

You: Just like I said it would. Thanks Denki :)

Writing belongs to @ryukatters. Please do not share my work on Tiktok.

[pomefioredove]

hi!! could you pls do headcanons for the housewardens (+jamil) with a reader that stims? like if they get nervous or excited they do flappy hands! Gn reader, and the characters are crushing on reader but they’re not dating yet please! Thank you :>

:) of course! I stim so I get it LOL

summary: reader who stims! type of post: headcanons characters: riddle, leona, azul, jamil, kalim, vil, idia, malleus additional info: romantic or platonic for most, reader is gender neutral, reader is not specified to be yuu

Riddle already has a high "nonsense tolerance" when it comes to you

if you were anyone else, he would get overstimulated so fast

but, it's you

and he likes you

and he puts a lot more effort into making you comfortable around him than he would ever admit

so, by all means! fidget, stim, hum, he likes all of you

and if anyone else has a problem with it, they can go through him, first

*ੈ✩‧₊˚

if you can live with a little teasing, Leona can live with your stims

kidding

...kind of

he would never admit it to himself, but the way you get excited is kinda endearing to him

(major cuteness aggression)

so he just can't help teasing you a tiny bit for it

lovingly, of course

*ੈ✩‧₊˚

Azul has an eye for detail and a love of figuring people out

and admiring observing you is one of his favorite pastimes!

he might need the information later

for... reasons.

he finds your mannerisms... interesting. your nervous ticks are so different from the other student's

then Floyd suggests you're obviously stimming; it just looks different "'cause you're on land and stuff,"

it makes sense (though he doesn't have to be so smug about it)

mystery solved

but Azul keeps staring at you, anyway. for... reasons.

*ੈ✩‧₊˚

unsurprisingly, Kalim loves it

if he doesn't stim already, he might just start

it's a good way to let off some energy when he's overexcited, or calm him when he's nervous

(which happens more often than you'd think)

he would be baffled by the idea that people find it annoying

or weird, or childish

if he felt like someone was staring, or about to say something to you, he'd start stimming with you

power in numbers, right?

*ੈ✩‧₊˚

surprisingly (or unsurprisingly?) Jamil doesn't really... care

at this point, he's dealt with everything

a nuclear bomb could go off and he probably wouldn't even react

that's a slow tuesday for him

it's only during the metaphorical nuclear fallout

(when he has that migraine he always gets)

that he'll ask you for quiet and space

and that's the very most he'll say about it

*ੈ✩‧₊˚

Vil isn't ignorant

he's not going to punish you for something that you find helpful

...and Rook has his little quirks, too

besides, there's nothing you could do that he wouldn't find endearing

what he will do, however, is help you manage

to your comfort, of course

there's a drawer full of stim toys in the Pomefiore lounge probably

and if not, Rook probably has a doohickey or two that can keep your hands occupied during quiet/important/etc occasions

otherwise, you're free to do whatever

I'm gonna be so real tbh I see Pomefiore as a very disability-friendly dorm and I'll die on that hill

*ੈ✩‧₊˚

Idia! the freak himself

(affectionate)

nah, he doesn't care

he probably has a ton of his own stims he's already super embarrassed about

so he's definitely not going to say anything to you

if anything, it makes him feel better about himself

it's cute when you do it

he starts 3D printing you toys he think you'll like, most that he designed himself

so, he does care, but... in a good way!

*ੈ✩‧₊˚

LMAO okay. wait

between Lilia, Silver, and Sebek, there's no way Malleus would see stimming as anything but normal

Lilia probably starts crawling on the walls like a spider when he's excited

so hand-flapping is like aw... cute! :) to Malleus

he would, will, and has stared down anyone who makes a face or a nasty comment about it

so you can be sure that no one will ever say anything mean to you about it!

like, ever again

[meo-eiru]

begging u to introduce some of those fine gentlemen fr

especially if they’re doms bc. im a whore

Ok so for the ones who have lore

This one is Ro. He's basically this all powerful dragon who travels from kingdom to kingdom and spends a few weeks at a castle there to his liking. He's technically not allowed to do that but the nobles can't say anything to him since he could just wipe their country off the map if he feels like it. He finds the mc on the street as a homeless orphan and thinks she has potential as a mage so he decides to spend a few more years in that country and raise her to his liking.

On a matter of scariness I'd say he's actually more scary than Micah. Not only is he more powerful, he's also easier to anger, and you don't know what he might do when he's angry. Also unlike Micah who was aware of his affection for you right from the get go, Ro thinks of you more as a rare gem he owns and by the time he realizes his true feelings it's too late.

This is one of the stories I'd like to turn into a full webcomic one day.

------------------------------------------------------------------------------

Next we have these 3, well there's a 4th one but I couldn't find a drawing of him. Basically a reverse harem story about 4 ancient mages and a girl who seems to weirdly attract them. I'd say the blue haired one is definitely the poster boy but the drawing is quite old and I actually changed his design a bit, I think it was too busy.

I'm gonna be honest, this is a fanservice story. You know how there are always shows with female characters wearing impossibly revealing stuff to literal fights? I thought, hey how about I do the same but with men.

We have 4 mages, the mage of light, the mage of dark, the mage of mind and the mage of emotions.

Again a story I want to turn into a webcomic one day

------------------------------------------------------------------------------

This guy is the literal personification of Love. He was made out of love, he lives through love and IS Love.

He is the beautiful type of love, he is the innocent type of love, he is the dark type of love. The love that will suffocate you, the love that will make you wish you never experienced it, the love that'll bring you to tears from it's kindness.

He knows you yearn for love, a love you can be sure could never die off, a love that will follow you even if you no longer want it.

Even if you can't love him anymore he will continue suffocating you until you become completely his.

This is a story I want to turn into a visual novel in the future.

The other characters have lore too but I don't want this post to get too long, I think it should be enough to talk about these for now

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

[kozachenko]

Finally decided to play around with my old lineless style again! Also figured out a way to draw Reimu that I actually really like!

Artist's Notes;

I've mentioned in a few earlier posts that I've been wanting to draw in my lineless style again for a while as a way to test what I've learnt from my previous style in regards to lighting. I did the face first and then for a while was thinking about doing a full body illustration of Reimu just to draw her outfit again. I'll talk about the face first since that's the first drawing I did in this batch.

For the longest time I really couldn't find a way to translate Reimu's face into my style. I was able to make her clothes work out well, just not really her face. I did like elements of how I drew her face a few other times, namely the tiny eyebrows and her pupils, but they didn't really feel like Reimu to me, or at least how I imagined her in my head. I then realized that it was less of a problem with the entire face and moreso the eyes, and it took me quite a bit of trial and error to make something that I was happy with. Also, as much as I thought the tiny eyebrows were cute, it didn't really make sense with her character. Like, from what I know about Japanese history, plucking your eyebrows was something that nobles (rich people) would do, and since Reimu is...neither of those things, I decided to just give her some thicker eyebrows instead (I will be saving the plucked eyebrows for another character though, so they will return). After I got to a face I was happy with, my next challenge was the hair. I did the front part first and liked that enough to continue, and then after more trial and error I realized that deep down I was a short-hair-Reimu-is-best-Reimu-truther this whole time because once I gave up on the long hair and gave her shorter hair something just clicked in my brain. And so, after drawing her outfit in again (this time without the yellow tie which is kinda sad but I'll find a way to incorperate it into future designs because it just was not making sense to me in context with the rest of the outfit) and finnicking around with the bow, I came to a version of Reimu's face that I actually liked. I thought that it made more sense for her character to have her cut it short, mainly because she's doing a bunch of Youkai extermination and she has to keep her hair out of her face somehow. I still wanted to make it kinda messy though, as Reimu is probably too lazy to clean it up herself. I think another reason I like it so much is because in Forbidden Scrollery, Moe Harukawa gave Reimu short hair and that really suited her, so I guess that was just a subconcious reason as to why I liked it so much. I also think that the shorter hair helps to separate her a lot from Marisa, as I think Marisa looks really good with longer hair. Speaking of, now I wanna do a drawing of her and Reimu together to really solidify how I draw them (unlike the previous version where it was just them standing). As much as I do like the face, I am concerned if she looks too much like how I drew Keiki now, but that might just be a product of the stylistic choices I made with her eyes and I might just be overthinking it. I am hyperaware of same face syndrome so that's probably the reason I'm so concerned about it lol.

Now for the fully body drawing. I was struggling to think of a good pose for her, so I just took a picture of myself and used that as a reference while still making slight adjustments for readability's sake. This is another case of, "I've looked at this too long and can spot every single issue with it" but this time I'm still happy with the final product mainly because this was a test drive for how I want to develop my lineless style in the future and for what it is I am more than pleased with the result. The main reason I deviated away from my lineless style was mainly because I was having a hard time with the lighting and making it interesting, and I am so glad that I've finally found a way to make it work! I'm especially happy with the clothes, as I think clothing folds are really fun to draw. I was somewhat inspired by the works of J.C. Lyendecker and the way he draws clothes, though admittedly it is not a one to one, since I mainly wanted to try implying the shading of the clothing folds with shapes (I do really want to do a study of his style one day as his art is incredible). So for the sleeves, I drew in a bunch of triangles where I wanted there to be a strong highlight, roughly coloured in the inside, and then blended them all so it looks like a more subtle. On both of these drawings, I also added in a noise filter to give it some texture (as that's what I used to often do with my drawings) and while I do like it, I might want to experiment with making it more subtle in the future, as it's pretty noticeable in both these drawings. Overall, I'm really happy with the lighting and colours of this drawing, and while I could nitpick several aspects of it (her hand holding the gohei looks too tense, I tried making her look like she was standing on the balls of her feet but the positioning of her Gohei's trail of papers ends up making it look weird, and I could've put more effort into the hair and bow and so many more things), this is more of a piece for me to experiment with my style again, and I'm excited for when I get a new idea for a piece, as I really wanna try some more stuff out with this style!