#midnight and friends

[ontaworks]

[ Snowball ]

Part of my art trade for @doodlesbyzach since she seems to be quite adorable in my point of view.

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© 2024 Ontaworks, All Rights Reserved

[doodlesbyzach]

Bandit Pose

[dreamancer-art]

Bandit made as part of an art trade with @doodlesbyzach

[checkadii]

too lazy to grab a ref whatever girl

[cherrywhite]

every single time (template from @mhuyo)

[radioroxx]

its funny. to me. and thats what matters

[spooky-pop]

When you still see your daughter as a little baby

Mom Poppy my beloved

[evermorre]

in retrospect “I vowed not to cry anymore if we survived the great war” is kinda fucked up huh

[chronoton]

I think they'd talk about the importance of interdependence and social psychological shit like thar

[queer-reader-07]

yeah yeah heartbreak and all that but can we talk about how silly aziraphale and crowley are?

aziraphale’s all “this human police officer *WINK WINK NUDGE NUDGE*” about muriel as if he didn’t go to Edinburgh just to play the part of “newsPAPER MAN”

crowley’s all “i’m a demon” until he’s high as fuck on laudanum and he’s all “not pretend-yyy good”

crowley’s just really into ducks for no discernible reason and i’m kind of very here for it

like yes yes the heartbreak the crushing weight of existence BUT ALSO ✨silliness✨

[togament]

You’ve always known Ume’s great with kids. With the way he’s always so playful with them, so helpful with whatever they might need — it’s like they’ve got a big brother in him. And it’s true to some extent. He sees everyone in Makochi as family, after all.

So when you spot him cradling a shop owner’s newborn baby in his arms, it doesn’t surprise you. Even babies love him. No surprise there.

But when he coos at the little one so gently, gazing down at them like one of his own, letting them grab his finger with their tiny hands, you feel your heart flutter. You walk over to stand beside him, stunned with your heart absolutely melting at the sight.

He turns to meet your gaze with the brightest smile on his face as he makes the baby give you the tiniest, most precious wave. You give them both a tiny wave back. Leaning towards you to give you a kiss on the crown of your head, he whispers an “I love you” into your scalp. You could only muster a soft hum in response, leaning your cheek on his shoulder with your arm wrapped around his waist, reaching a finger out for the baby to hold too.

And he understands. Maybe someday it’ll be one of your own in his arms.

‘Our kid someday’, he thinks to himself.

Someday.

Maybe someday.

౨ৎ ˙⋆.˚ ᡣ𐭩

[moonlightcycle571]

Marvel making familiars for his loved ones

So I was thinking about Tawky Tawny (again). The thing about him is that he got so many different backstories or explanations on what he might be, but a common enough theme that we see is that he is a stuffed toy when he wants to be.

So here me out.

Tawky Tawny is Billy’s familiar and helps him adjust to his magic when he wants to use it in his small form. He was originally a toy given to Billy by his parents and later given life by The Wizard.

It came with more benefits. Tawny would eat his nightmares, be able to teleport to Billy’s location so that he could never get stolen or lost, protect Billy by going into his tiger form and all around be a constant warmth on his life.

So imagine Billy doing the same as The Wizard.

A lot of his friends aren’t magic users and don’t have the same magical protection he does, so maybe he gives them some enchanted clothing or pendants. A semi familiar (because without magic you can’t make a magical familiar pact with a living animal) where he just makes them familiars.

He would create stuffed animals, and weave in some magic to make them sentient. Maybe it would start with younger heroes, but when he realises his coworkers in the JL need the help as well, he absolutely would make some for them. They, like Tawny prefer to stay in stuffed toy mode, but will sometimes would want to stretch their paws and go into animal form once they feel like they are in a suitable environment.

Just picture it.

It all started with Raven, and the constant stress she might feel with having to constantly guard over Trigon. She can’t have a familiar because most creatures would suffer if give a link to her because her magic is not compatible like that. Captain Marvel decided to make her a companion. He makes her a little leopard wearing an elegant pink suit with a little top hat.

Raven: Is that a plush?

Cap: I heard you have trouble sleeping, so I got you a friend. I haven’t given them a name or pronouns, so that’s up to you.

Raven: … why

Cap: Trust me, they are for nightmares! Tawny *holds up his tiger plush* tells me they are fun to hunt and makes quite the sweet treat.

Raven: *holding the handmade gift* thank you 🥺

Cue shenanigans where she thinks he’s just trying to be a great den mother, and is a tad naive thinking stuffed animals actually work. Not that she isn’t holding little Ebony Darkness every night and is getting the best sleep she has in years.

Another thing to add is that insomnia and PTSD is a common sight within the caped community. And of course Billy notices that. So, after seeing more and more positive results of his plushies, he makes more and more. It becomes a trend. Younger heroes receive a small teddy of an animal and proceed to get attached to it almost immediately.

Nightwing almost cried when he got an elephant wearing a bow tie . Cap said that he seemed like the type to like them. Now Dick has given Zitka a little sibling to sleep at night with. But then that plush becomes fond of Zitka and gave the og elephant plush sentience.

Starfire absolutely adores her shrimp plush. Said something about being able to see colours together. Wally doesn’t know what to think about getting a turtle, but quickly gets attached, even putting little designs in the shell.

Jason also likes to put in patterns in his sting-ray, which Roy doesn’t get cause he thinks his jelly fish is perfect just the way she is. Lian gets a smaller jellyfish, which makes her happy because all the Outlaws get a sea animal.

All the members of YJ, even the retired ones, get a reindeer. They suspect he knows.

It gets back to the JL that Caps giving stuffed toys to their protoges.

Flash: Hey, Cap, how come we don’t get any stuffed animals?

Captain, exited his work is wanted: You want one!!!

Flash, can’t say no to that face: … yes I do

He gets all exited and makes plushies for all of his coworkers, that he pours a bit of extra magic in his work.

CM, fidgeting infringe if the door:

Batman: what is it Captain

CM: I made you something but then I realised that you wouldn’t really want it but then it could be cool if you did and I didn’t want to overthink-

Batman, stopping Billy’s rant: go ahead

CM, hands him a plush snake wearing spectacles: I thought you would like them. I haven’t named them so that’s up to you

Batman, not knowing where to go from here: … is the name important

CM, offended: It’s the MOST important

Batman sighs and keeps the snake. Naturally he does a billion different tests but finds it’s a snake plush. One that’s handmade. That must have taken a lot of time and effort. Batman keeps George Snaking. No he will not admit that having the snake wrapped around his shoulders is soothing.

And it just spirals from there. Hal gets a Sparrow in a poncho, Plastic man gets a kangaroo wearing the nicest boots, Wonder Woman gets a duck in a fancy dress, Aquaman gets a penguin in swim shorts, J’onn gets a lion in a toga … Guy gets a clown fish.

It has no rhyme or reason. The only common thread is that it’s an animal with some sort of clothing. Cap just says that of course they have clothing, they are distinguished and perfectly civilised individuals.

It all come to a head when the League faces some threat, and they are weakened, only for their plushies to fucking teleport and turn into massive version of their respective animals and saves the day.

Hawkwoman, starring at her bear: I- Mrs Snuggles?

Mrs Snuggles: *shrugs*

Shayera: … I could have been getting bear hugs this whole time

Guy: *looks down* Flippers?

Flippers: *flops on the floor*

Guy: ….

Guy: how come the others get bigger version of their animals

The League of Superpets aren’t that worried about competition. They tried to recruit the plush’s, but turns out they are just lazy. Like, they will beat a butch if necessary, but won’t actively go looking for crime to solve. They act more of a home défense.

The only ones who knew about the sentient plushies where Ma and Pa Kent (their Octopus is extent helpful around the farm), Alfred Pennyworth (he’s the one who actually requested hamsters to help keep the manor clean and keep an eye on his family) and Damian who’s instinct immediacy told him his fennec fox is alive.

Oracle got a capybara. The Capybara is the most powerful one Billy has made, second to Tawny. I don’t make the rules.

Constantine is the only one who never got one. Billy is still salty about him trying to steal his powers. Plus he would prolly sell it.

[doodlesbyzach]

Mall Shopping

Snowball has to have someone carry the stuff she buys

[yourlocalbadgerscales]

I don’t dress for women, I undress for them or whatever the fuck it was Taylor Swift said.

[burnt-milque-and-toast]

best fren :>

[trashprinxe]

Let’s have a talk about malleability and TTRPGs

I come from a theatrical background. Did theatre for most of my life, majored in stage management, the works. Plays and the way they function are deeply embedded in my psyche.

So when I design and play games, I come from that theatrical framework.

Now — on the one hand, you have Shakespeare. Fairly universal stories, yeah? You can cut it up, switch things around, put it into a multitude of settings. And it still works! King Lear in space. Romeo & Juliet as pirates. The Scottish Play (old habits die hard) done avant-garde. It’s malleable!

On the other end, you have hyper-specific plays about hyper-specific themes. Angels in America. The Laramie Project. Venus in Furs. Etcetera. You can’t remove the core themes, change the setting, switch scenes around: without erasing the core intent of the work and the story it’s trying to tell.

And in the middle, you have plays that are somewhat malleable. Almost, Maine, for instance. It’s made up of vignettes; you can do only some of them, if you so choose. It’ll still have the same impact.

I believe TTRPGs exist on a similar spectrum.

You have systems that can accommodate many different genres or play styles. People play dnd this way. Pathfinder comes with pre built settings that run the gamut

PbtA games are hyperspecific. Monster of the Week is about, well, monsters of the week. Remove that, and you’re playing a different game.

Call of Cthulhu can be set in any time period, but you still have to be up against Eldritch horrors. If you’re able to fight the monster, that’s a different intent than the game was built for.

Lyric games are akin to 4.48 Psychosis (everyone should read that, by the way, it’s a master work of avant-garde theatre).

And so on and so on.

Nothing is better or worse than any other. It just exists, on a spectrum, in the same vein as playstyle or crunch do. Everyone has their preference.

But with any game, there comes a point where you’re no longer playing that game.

10 Things I Hate About You is not The Taming of the Shrew, though it were based on it. There’s a limit to even the most forgiving game to where you’re no longer playing that game, but something you and your table have created for yourselves.

You can’t take the queerness or religion out of Angels in America. That’s a different play altogether.

It’s a spectrum.

I choose to design in the specific. That’s what resonates with my brain. You may want to play something that’s capable of handling more universal narratives. That’s fine too!

But we can’t ignore the bones of the system, and it’s incorrect to say we’re putting on Hamlet, when we’re actually performing The Lion King.

So: the Theory of Malleability (working title).

I don’t have a great end to this. Just musings. But I hope it makes sense to you too.