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Arkham Knight Concept Art: Miagani Island
Standing Sentinel (Pre-evacuation) | Evacuation
GCT Building | Lone Protector
Bank of Gotham (Miagani Branch) | Bank Heist (Bank of Gotham)
Surveying His Domain (Grand Avenue) | City Living (Off Grand Avenue)
Penguin Weapons Cache (Converted Repair Shop)
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Can she keep house plants alive?
Everyday Muse Questions!
Not really! It's not that she's not good at it, more that her apartment really isn't the place to be looking after anything, much less a plant that needs warmth, nourishment and sunlight. The heating broke down before she even moved in, not that Khare minds but drafts, cracked windows and more than a little mold makes the place suitable for any plant people would like to keep. Khare does like plants and in an ideal environment would love little succulents due to their easy maintainence, maybe even Lithops because they look like colourful little butt rocks and are just cute to look at.
#ratwhsprs#memes ;; everyday muse questions#I AM SO SORRY THIS WAS SITTING IN MY DRAFTS#I could have sworn I posted it but here it is now#When Khare says she lives in the shittiest apartment in Miagani Island she means it#The place should honestly be demolished but you know greedy landlords and crime in Gotham#She does not mind the damp and cold#It's also refreshing since being experimented on#Not a big fan of the smell though#She washes her clothes at the nearby laundrette and keeps it bagged to keep things nice and fresh#Otis even you would be like damn bitch you live here if you saw the place#It's all she can afford without ID tho#🌈 || headcanons
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Someone who's actually Cree, or at least knows a bit about Cree culture please fact check me, did DC just completely make up the idea of there being "seven pillars of Cree life" call the "Midayo"?
Cause the literal only thing I've found by googling those terms is stuff about the Justice League of Canada character Equinox*.
*Miiyahbin Marten, not to be confused with Power Girl's son she had during that weird time when she was canonically the daughter of an Atlantean sorcerer.
#I regret to inform you she does have magic powers#And that they are a direct result of her being Cree#DC be normal about native people literally once#They do this shit even with people they made up#Like the Miagani or the Ogigi#dc comics#dcu#dc universe#justice league#Cree
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one thing i wasn't expecting from the arkham knight writing (aside from, you know, penguin's singular homophobic moment, which happens out of the blue and is never referenced or explained) was riddler's anti-indigenous racist moment
#4.txt#please stop bringing the miagani people up i am begging u#it's a weird plot point as it is you don't have to additionally call them idiots
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Asphalt In My Lungs (Jason Todd x F!Reader)
Summary: It's been six years since the death of the second Robin, your Robin, and you're twenty-one and barely getting by. When a certain person's phone calls stop, you're forced to drag yourself out of your head and pay a visit to a man you didn't think you'd see ever again. You can barely stand the colour red.
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There are mentions/implications of past abuse & neglect, so be wary of that if that is an issue for you. The story itself is mildly angsty, but it's not severely depressing. You don't necessarily need to read it for future stories, but it does give a lot of information about the reader and sort of 'sets the tone' of things.
For just a little context, I take different details from different mediums of the DC universe. I use aspects from the animated movies, the Christopher Nolan films, and the Arkham video games. Don't regard my stories as 100% canon compliant.
I hope you enjoy, it is a bit of a long one, but I put my heart and soul into this as it's one of my first stories that I'm publishing here.
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It’s 2005, and since you can remember, Gotham City has been made of barbed wire and blood. It crawls like something alive, writhing with sin and grime. The Wayne Enterprises tower sits in the center of Miagani Island, a pulsing beam of light that’s meant to mean something, yet those who live in the darkest slums see it only as a mocking sentinel glowing down on them.
You wonder if Bruce should have made a symbol of good out of his own name, instead of creating the masked entity: the Batman.
Maybe then, he would have done something.
You know the darkness that seeps out of Gotham intimately. Born and bred on Miagani Island—the most urban of the three islands—you grew up in a desolate street, in a desolate house. The school you went to was just as dull, with teachers that hated their jobs, and school kids that shoved each other off slides and dunked heads down toilets. You remained a hidden thing, invisible to most.
Gotham City remains a corrupted landmark on the map, often pointed at with the resolute statement, ‘That place? We can’t possibly live there. It’s filthy and the crime rate is insane.’ If anyone asked you, as a Gothamite yourself, if it was worth the ridiculously low rent prices, you’d shake them by their shoulders, shove them towards their car, and tell them to drive away as far as possible.
Yet, you can’t bring yourself to hate the city. You’ve seen its most hideous parts; the trash littered alleyways with burning barrels and tents made of scrap fabric and metal; the rat infested houses along the edge of the Narrows that are half crumbling into the murky water that surrounds the small isle; gang spots stained with blood after a deal goes wrong. Gotham City is many things to many people, but it’s different for you.
Gotham City, to you, is made of memories.
As a young child, you hadn’t been blessed with a sweet home full of warmth and love, the kind you see in the sitcoms that only aired at specific times. Not that you watched much of those, anyway. No, yours had been an empty echo of bitterness and split lips. Yours had buried a hole in your chest as something ugly and not worth thinking about, something scabbed over or fully scarred. So you only remember parts of it on the worst of days, when you’re paralysed by something you can’t name.
Shouting rings from the open window, and there’s a dull pang of surprise that there isn’t a jagged hole in the glass. By now, they start throwing mugs, or plates. Whatever is closest.
Your back digs into the screen door, and you pull your knees up to your chest as you sit and wait on the porch. They locked the door, and there’s no other way for you to slip into your room. The window out back is too high for you to reach, and your arms aren’t strong enough to push yourself up to the windowsill.
You’re not sure when the dull emptiness had begun to set in, but even at this age, you know violence and normalcy should not co-exist together. But, you’re only fourteen. There’s not much that you can do.
A glass shatters, the shrill noise making you flinch. It’s the first of many broken pieces of porcelain, so you haul yourself up onto your feet with a silent huff, feeling the burn of tears. You slip your backpack over your shoulder again, and hop down the wooden steps.
The street is mostly empty. Trash flutters out from underneath parked cars, and the smell of dust and exhaust fumes is thick and heavy. You walk with steady steps, although your gaze keeps falling to the brick-laid sidewalk. There’s a horrible pressure in your chest, like something has lodged itself into the space between your lungs. You count the crosses on your sneakers and pray that they stop shouting soon, so that you can come back home before it’s dark.
Memories are often distorted the older you get. It’s usually the cloudy, grey days that render you in bed for hours. Laying amongst rumpled bed sheets with your hair still styled from the day before, your mind casts a line back into the past, hoping to reel in some sort of closure that you’ve been chasing for years.
You’re not sure why, but during these days when you can’t get out of bed, and your eyes flicker across the gritty texture of your ceiling, you often think about the second home you were introduced to—a home that was given to you when your hand slipped into that of a billionaire celebrity’s, whose eyes held secrets.
The muted sound of gravel crunching seems louder than your heartbeat as the car pulls into a broad driveway. You lean to the side, temple pressed against the car window, and your lungs clench in awe.
Large and imposing, a stately mansion made of pale brown bricks, numerous windows, and pointed roofs, sits as a giant backdrop of wealth amongst the vibrant green lawns that stretch onward for miles. You blink rapidly, hand curling around the metal door handle as the engine becomes silent. You climb out slowly, the chill air pushing against your cheeks. Your worn shoes are thin at the bottom, and you can feel the pressure of gravel and pebbles against your heels, but you can’t seem to care as you numbly walk closer to the entrance of the mansion. The structure towers above you, and you can’t help but wonder if it’s as intimidating on the inside as it is on the outside. It reminds you of all the large estates you’d seen in the history books (ones that hadn’t been scribbled over with sharpie).
The butler, or Alfred, as you’ve come to know, strides past you with his measured steps, and opens the double doors made of wood as dark as dirt. He waits patiently inside, grey eyes cast over your awe-struck face. He nods his head, urging you to step across the threshold.
Swallowing thickly, you walk past him and feel the air in your lungs escape in a silent gasp. Thick, velvet carpet cushions your feet and stretches down a large hall, hiding away wooden floorboards that shine as if wet. Gilded paintings are hung on either walls, portraits and landscapes in oils. Vases sit neatly on tables with clusters of flowers, and a chandelier hangs above the room in glittering crystal and electric candles.
You’re sure if you could see yourself, you’d be amused at the slack-jaw expression on your face as your eyes trace across the dark, polished interior of the house, sliding along the gleaming banisters of the grand staircase that must lead to even more exuberant displays of wealth. Was the owner a king? Or perhaps a lord from the 1700s? You nearly forgot all about the man that had smiled at you a day ago, and that you’d meet him again today.
You hear Alfred clear his throat from behind you, and you swivel towards him, hands awkwardly clasped at your middle as if you’d been caught in the act of something. Your heart flutters as his eyes crease with a silent smile, and he strides past you through an arched doorway, and you follow quietly behind, unaware of just how different things will be from now on.
You wonder if there’s something you’re searching for in that memory, with how many times you come back to it, but as the days stretch in a linear line of routines and phone calls, you shove it to the far side of the shelf, where it remains stationary and covered in dust.
If you’re being honest with yourself, the state you’re in emotionally isn’t stable. You’re very good at hiding it, though memories and heartache trail after you like rumours, wrapping around your throat some days and sending unshed tears to gather in your eyes. Despite those days, you have a life that you can’t ignore or leave behind. You have a regular job as a secretary—nothing fancy—and interestingly, you can’t bring yourself to complain about it. You assist a defense attorney in the Department of Justice, and you’ve found that law, despite what many say, is quite entertaining to someone who isn’t directly involved with the legal proceedings.
And you’ve made some friends, although you’re not sure if it’s an official thing or something you’ve decided on your own. Commissioner Gordon is kind to you, tilts his head when he sees you sitting at your desk, and gives you a mustached smile, auburn hair curling around the corners of his lips. He once brought you a coffee, tired eyes glancing your way with a softly spoken greeting. You wonder if he noticed the way you’d been able to smile after feeling like your face had gone numb. You wonder if he remembers how you looked six years ago in a purple and yellow suit.
The trek back to your apartment is notorious for bringing up unwanted snippets of a life long-gone. You see Bruce’s face in the passing men in business suits and finely tailored coats. Reflections of grey-haired gentlemen makes you think of Alfred with his creased eyes and dry, sarcastic humour. The occasional red sweater nearly sends you choking on air as flashes of a boy embellished with wonder and pride strikes your mind viciously.
Alfred leads you into a kitchen, and again, you are in awe of the gleaming tiles beneath your feet, the pristine cupboards with glass fronts that let you see the polished crockery inside. As Alfred disappears into the hall outside again with a gentle instruction for you to stay put, you stand idly at the end of a long, white-washed table that gives you the impression of a beach-house dining room. It then strikes you that there’s probably a grand dining room elsewhere in the mansion.
A rustling sound scratches at your ears and you turn just to see a second doorway at the opposite side of the room creak open—a doorway that blends seamlessly into the tan coloured wall. You’re rendered dumbly staring at a boy around your age, whose own eyes stare back at you in silent shock. In his arms, he cradles a packet of crackers and…a loaf of sliced bread.
Your gaze flicks between the contents in his arms and his widened eyes, before you clear your throat awkwardly and flick your hand in a tiny wave.
“Hi,” you say quietly, and you wonder if the words are loud enough to even reach him.
Your voice seems to snap him out of his surprise, and he blinks rapidly, straightening.
“Hello,” he says in a voice that sounds forcefully deep, as if he were trying to sound bigger, stronger than what he looks. He’s tiny. Thin and bony, short even. You wonder if he actually is near your age, or much younger.
Thick, black hair shifts atop of his head as he glances swiftly around the room, as if searching for someone else to explain your sudden appearance. Then he looks back at you with eyes that seem largely intelligent, yet skeptical, and you get the impression he’s silently sizing you up, or studying you. What he intends to find, you don’t know.
You step back as he resolutely shuffles the crackers and bread in his arms to better fit in his hold, and makes his way to you, socked feet padding across the tiles. Watching mutely, he drops the items on the table with little care, the bread falling lopsided with a squishy thud. He turns to you fully and sticks his pale hand out to you.
“I’m Jason Todd,” he says stiffly, jade-coloured eyes flickering across your profile.
You glance at his hand with bated breath, noticing the red sweater he’s wearing has sleeves that are too long and cover most of his hand other than his fingers.
Hesitantly, you curl your hand around his, palm to fabric, and shake it with little strength or enthusiasm. Like a wide-eyed deer, you feel as if you’ve met a grinning wolf with eyes that are kinder than what nature usually permits.
You smile weakly and give him your name.
That memory leaves you with something throttling your heart, until you’re sure you might just pass out on the side of the street. That’s never happened before, but there’s always the possibility.
Usually, you’re able to reign in these flashes of the past, and you’re largely successful as the days go by. Yet, when your phone lights up with a buzz, and you see the familiar name ‘Grayson’ pop up, you’re left standing in square one again with shaky fingers and burning eyes.
You’ve read countless messages from Dick, sent during the early morning hours or late in the afternoon. You figure it aligns with his schedule in Bludhaven. The young, twenty-four year old is adamant, ever since you left the manor three years ago, at eighteen, to remain in contact with you no matter what. You haven’t been able to escape his ceaseless concern over your whereabouts, the not-so-subtle questions about your well-being.
It’s funny to you, considering he hadn’t been the most emotionally stable person either, especially when, at fourteen, you and Jason became Batman’s well-known sidekicks, Batgirl and Robin. He had been eighteen, angry, and reckless, going off on his own to make a name for himself that isn’t weighted down by Bruce’s shadow. Yet now, despite owning your own place, securing a stable job, and regularly keeping up with normal adult responsibilities, the older man refuses to ease his worry over you. You know the truth.
He’s afraid of the grief you carry.
You wonder if he’s even aware of his own grief, seeing as all he does is care about yours. You don’t have the heart to tell him to let it go, to give you space—you’re sure that he needs the weekly phone calls more than you do. So, you let him text, call, facetime. Sometimes you’re in the middle of grocery shopping when your phone vibrates with his name rolling across the screen in bright letters, ‘Dick Grayson is calling…’
And sometimes he says something that has you clenching your teeth, staring off at something if only to keep the burn behind your eyes minimal. He’s a trigger for many of these memory flashes that don’t ease the thing inside your chest that’s wailing.
‘I saw this girl the other day that looked like Batgirl and I wondered if I’d been taken back in time, y’know? And—yeah, it was so strange…but then I was like, no—that makes no sense—she’s in Gotham, not here in Bludhaven, but like…she was decked out in purple and yellow, and I thought of you…’
Your ears have started ringing, drowning out the rest of Dick’s monologue; purple and yellow. Purple and yellow. That was Batgirl’s thing. That was your thing. Or, at least, it had been.
You glance down at the pair of latex gloves you clutch in your hand. The material is bright yellow, shiny in the light. Grimacing, you look at Bruce and sigh.
“B…?”
A low hum is given in response, an acknowledgement of your pending question. You’ve grown used to Bruce’s minimal communication. The husky words said in a gruff voice, the clipped instructions, the low grunts.
“Does it have to be bright purple and yellow?” Your voice is quiet, a little unsure. Years of shouting and backhanded slaps after a question still leaves you cautious. Afraid.
The dark-haired man turns in his chair, sharp eyes sliding your way. You stand awkwardly, almost timid. You see the same softening around his eyes, the same flash of gentleness you’d seen when he found you hiding behind a filthy dumpster on a cold Tuesday night.
“Yes,” he says flatly, and the single word lingers with something trailing behind it, as if there’s more that he wants to say. You wait patiently with raised brows, but he doesn’t say anything more, and turns his attention back to the glowing monitors, eyes flitting across blue-lettered reports and images.
You stand there with nothing else to say, the roof of the Batcave seemingly constrictive and as dark as a hole in the ground, the metal tiles under your feet empty and expansive.
There isn’t a sting travelling across your cheek. There’s no screamed curses and insults thrown your way, simply because you asked a question. Yet, why does it feel as if you’ve been kicked in the gut? Was his answer not enough? Surely it is—it’s better than what you used to receive from the people who were meant to love you.
You tug the gloves onto your hands, shimming your fingers into the right places, and glance down at your mustard-yellow boots. You’ll simply have to make do.
You’re snapped out of your thoughts when an elderly lady nudges your arm, murmuring a small ‘excuse me’ as she leans over to grab a container of mozzarella balls.
“Oh,” you mumble, smiling apologetically as you move out of the way. “Sorry, that’s—sorry.”
You hear Dick’s faint voice call your name, and you bring your phone back up to your ear again, answering his questions with a quiet tone, walking away from the aisle of cheese and other dairy products.
For what it’s worth…those aren’t even the worst kinds of memories you have. No, the worst are of the boy shrouded in glory, the second Robin—Jason Todd.
Jason Todd had been the first thing to make sense in your life, which was strange, considering most of your life had been an abstract mess of scraped knees, broken plates, and late nights shooting hoops in the neighbourhood basketball court. A life that Jason knew very well, too.
Perhaps it was the shared trauma of broken families that brought you closer together; sealed the both of you in a wordless acknowledgement that said, ‘I see you.’ Either way, the both of you acted as a crutch for the other, and you try to forget it as you stand in empty elevators, on the edge of the curb for a taxi cab, when you see a little boy with raven-feathered hair on the street.
Oh, Jason. You were everything, is all that you can bring yourself to think some days, when the noise of the city becomes unbearable and you simply have to shove towels inside the gaps in the windowsill—if only to muffle the noise and silence the screaming police sirens.
Those are the days when you’re tempted to leave Gotham entirely, if only to run away from whatever thing is haunting you. Sometimes, in the shadowy darkness of the night, as you lay in bed with the covers drawn to your chin, you wonder if it’s Jason you see at the end of the bed. Small as he was, quiet, and vibrating with a passion that burned bright red. Then you blink and realise you’d only been imagining the straight slope of his nose or the curve of his eyelashes.
“It’s entirely unfair,” you mumble, hands in your lap as you sit cross-legged in the centre of Jason’s room.
Surrounded by scattered CDs, you hear the floorboards creak as Jason moves around the edge of his bed, carrying a pile of books to the empty bookcase. You were helping him sort out the books and CDs he’s been collecting.
“What?” He scoffs with a grin that pulls more to the right than the left. “You’re jealous of boys and their ‘long eyelashes’?”
You can’t help but smile at his mocking tone, the way he teases you as if you’ve known each other for longer than just a few months. Jade-green eyes glance at you briefly.
Rolling your eyes, you sigh defeatedly with dropped shoulders. “Yes, because you all have such long, luscious lashes. Meanwhile, mine are just average.”
Jason slides his pile of books into their designated spots, paper pressed against wood panels, and turns to you. Stepping over the littered CD cases, he crouches directly in front of you, and your breath catches.
“I’m tellin’ you right now, nothing about you is average,” he says, and you can barely breathe with how intently he’s looking at you, and suddenly, it’s like you’re staring into the heart of Gotham. Broken and marred, bloodied and bruised, and yet still so irrevocably beautiful and worth everything.
Well, you once thought that Gotham’s heart was worth everything. Now, you’re not so sure. You lost the clearest piece of love to you on the planet, a boy wrapped in barbed wire with a grin as infectious as a disease.
You wonder sometimes if you’re the only one who feels Jason’s absence as strongly. The emptiness that lingers where his laugh used to echo is so heavy, you’re sure it’s formed a presence of its own. Did his ghost haunt Dick as it did you? Did Dick check over his shoulder and blink rapidly whenever he saw a young boy wearing a red hoodie? Did he have to mutter to himself in the kitchen, pleading with himself to get over what used to be? Or were you the only one?
And what about Bruce? Does the man who once held a broken, fifteen year old boy—who believed in everything the Batman stands for—reduce himself to a mess every night?
Just the thought of Bruce sends a sick sense of bitterness churning in your gut, which you feel entirely guilty for. You know what happened wasn’t Bruce’s fault. You know that he did everything he could. Yet, when you think too hard about what it was like on the day he came back with nothing but red eyes, a clipped utterance, and no Jason…you have to run to the bathroom to empty out the contents of your stomach in the toilet. It’s embarrassing and leaves your cheeks burning with shame.
You should be over this by now. It’s been six years.
Memory is a fickle thing, regardless of time. It chooses when to be heard and when to remain dormant. You’re stuck in an endless cycle of paralyzing remembrance and constant avoidance. Weeks go by without incident, only for a month to trap you inside your head with memories of a broken past. Then the cycle repeats.
Despite this, you’ve learnt to cope with the past like a sailor does with the roughened sea. Although, you’re sure you’re more akin to a sailor stranded in a raging tempest. You ride each wave of nausea-inducing memory, all whilst clinging to the barest strip of wood—Dick Grayson and his ever-present concern, Alfred’s occasional query of your wellbeing, Bruce’s own sanity, the job you have, and the sickening feeling that you can’t let Jason see you like this, despite him not being here in the first place.
You’re drowning in grief, and you know it.
And so you’re not sure what exactly happened between April and June of 2005, but you know Dick’s phone calls stopped almost entirely for three whole months. You only called once, in carefully concealed panic, when you realised he hadn’t called you in two weeks.
“Hi, sorry. I know I don’t usually call, but you haven’t—”
“No, no, don’t—uh—don’t apologise. I’m—yeah. I'm sorry, that’s my bad. Should’ve let you know. Things have just been busy, honey.”
“...That’s all it is? Just been busy?”
“Yeah, I promise. Everything’s okay.”
“Okay…well, I’m glad you’re okay then…”
The phone call had been short and it had put you on edge. Dick doesn’t let phone calls end abruptly—instead, he takes his time to explain things or rambles about topics you’re not very interested in. But you don’t push or prod, mostly because you have the suspicion it has to do with his life of vigilantism—the one you left behind five years ago.
Leaving that life behind had been easy. Jason’s death meant the death of Robin. It meant the death of Batgirl, too. Although, your death had been inward and known by very few people.
July comes by, only a week passes where Dick calls you consistently, and then it’s back to radio silence. The importance of his phone calls is viciously realised, but you don’t have the heart to admit it. Dick Grayson has been your crutch for the last three years, and you’re inexplicably starving for the care he manages to give you through his calls.
Taking it upon yourself to find out what’s going on, you decide to drive to the Manor. You crank up the radio as loud as you can, the car rattling with noise as you cruise across the bridge that leads to the mainland. If you’re alone with nothing but silence and your thoughts, you’ll probably turn back the other way. It had been hard enough to convince yourself to grab your keys off the kitchen counter.
The Manor is just as grand as you remember it, if not a little weathered by time—brown against the blue sky, like a giant boulder sitting in the center of a vibrant green landscape that stretches flatly like a canvas before reaching a thin treeline of woods. Gravel crunches under tires, and the car’s engine rumbles before fading into silence. Blinking, you’re fourteen again as your hand wraps around the door handle, and you step out into the frigid air.
Tugging your coat closer to your frame, you take measured steps up the driveway, glancing at the neatly pruned hedges that cluster beneath some of the large, lower windows, and the copper-leaved tree that’s remained the same for the last decade—sitting resolutely to the left of the estate and hiding away pale-brown bricks and frosted glass panes.
The double doors, the colour of dirt, are the only thing between you and something that leaves behind a bitter taste in your mouth. Gripping the heavy, bronze door knocker, you thud it against the door three times, before stepping back as if burned by the metal.
You’ve forgotten Alfred’s punctuality, because it’s only seconds before the doors silently groan open in the way that only heavy things do, and you’re met with grey, creased eyes that glue to you with reserved surprise.
Lips twitching into a weak smile, you say quietly, “Hi, Alfred.”
The stoic butler ushers you in quickly, a welcoming and familiar hand pressed lightly against your back to lead you across the threshold. He gestures to your coat, but you look at his wrinkled face and shake your head, something inside you breaking in half, but you don’t know what it is.
“That’s okay, Alfred,” you say gently, “I just—I’m here to talk…to Bruce. Is he down in the cave?”
Alfred nods his head, walking past you towards the parlour room. You follow behind quietly.
“He is, indeed. Might I ask why you’ve come?”
You glance his way to see him already looking at you, eyes the colour of iron flickering across your face as you both step into the parlour. It’s cold you notice, and the room is dim.
“I, um…” you’re not sure how to word this—how could you possibly say, ‘I’m getting separation anxiety because Dick isn’t calling me and I want to know why’?
“Just want to ask him if there’s something important going on…Dick’s been busier than usual,” is what you settle with, and Alfred accepts it with nothing but a simple nod, and no further questions. You appreciate Alfred’s uncanny ability to brush off any form of curiosity.
The parlour room remains the same, with only a few, small changes. You’re sure that the two leather couches have been reupholstered; shinier and a richer shade of brown. Vases full of flowers are placed neatly beneath the colonial windows which are framed by thick curtains the colour of moss. Usually the bouquets consisted of lilies, but now they’re tulips. The persian carpet stretches across the polished floorboards, softening the sound of your shoes, and the mounted electrical lights are unlit, surrounded by clusters of gilded paintings.
Passing under an arched entranceway, you walk into a familiar, adjacent room, where bookcases line the walls with glass doors, and an old grand piano sits as the centerpiece of it all. Sleek, black, and with keys open to the cool air that drifts in through an open window.
Alfred looks your way with a careful glance, and says in a mild tone that’s not meant to be accusing.
“Do you still remember?”
You wish you could tell him that you remember everything. Would it be ill of you to break down and spill your guts out to the man who’d patched you up more times than you can count? Who stitched torn skin back together again while you bit down on a piece of leather? Not that you needed it, anyway.
No, you think to yourself. Alfred does not need to see me that way, either.
You smile softly and bob your head. “Yes, I remember.”
His thin lips quirk ever-so slightly, and he nods curtly. With his hands clasped neatly behind his back, he turns and leaves the room without another word, leaving you behind with your heartbeat pounding inside your ribcage like a panicked bird.
Glancing down at the gleaming keys, you lift your hand to hover above them with the intent to replicate a familiar tune. Your fingers are shaking violently, and for a moment, all you can hear is the blood rushing inside your ears, before you swallow thickly, and press your fingertips down on the cool ivory-coated wood.
The melody is quiet, the pressure of your fingers not great enough to make it echo. Instead, it reminds you of the faint call of birds outside, the ones you’d see flying down from the trees to the lawn, picking at the grass.
A low creak deep inside the house reverberates through the room, and the centre bookcase dislodges from the wall with a scrape. You stagger back a step as the bookcase swings outward like a door—the books and the nick-nacks remaining stationary inside the shelves, a feat you had never decided to investigate.
Your pulse flutters in your neck, and you unclench your jaw. Teeth aching, you look down the shadowed staircase that the bookcase had revealed. Entering the Batcave had been so normal to you, three years ago, and now, your stomach churns as if the bats that hang from the cave’s ceiling are living inside your gut.
With a deep sigh and a shift of your feet, you take the steps down. The air is noticeably cooler, but damp, as if leftover mist was hanging in the air and brushing against your cheeks. You had realised, at fourteen, that it’s because there is mist in the air, courtesy of the waterfalls that rush from the ceiling like jets of water from a spout. You clench your fists by your sides to stop your hands from shaking.
Reaching the bottom, you walk slowly across the metal floor of the first and main platform. Glancing to your left, monitors that curve at the sides glow brightly around sleek desks; news channels play from the ones mounted higher above, police scanners from different units below, and open windows of various different tabs on the ones below that. To your right, you spare a very brief look at the cylinder cases that display various suits. One scorched and shredded suit in particular sends bile rising up your throat, and you instantly tear your gaze away.
Hopping down a small set of steps to the second platform, your footsteps echo as you pass the several medical cots neatly placed in rows, the smell of antiseptic light in the air from countless injuries tended to on the white cotton mattresses. It lingers, and your throat tightens at the memory of sitting on the edge of one of the cots, legs dangling, and wincing whenever Alfred passed a needle through your skin. Blinking and burying the memory down, you quickly shuffle past and stop at the top of another flight of stairs.
This one leads to the third and last level of the Batcave that acts as two main things: Bruce’s main monitor that only he can use, and the Batmobile’s, quote on quote, ‘garage’. Looking down at the platform below, you hesitate. Currently, the Batmobile isn’t in sight, instead hidden beneath the platform to make room for two large monitor screens mounted to a desk, where a broad shouldered man sits.
Any courage that you might have had before is shattered in an instant. How do you possibly speak into the empty, moist air of the cave without your voice cracking like a pubescent teen’s? How can you possibly ask Bruce Wayne anything when you haven’t spoken to him in over a year?
And then you remember the cost of the gasoline you pumped into your car, and the fear that’s lodged itself inside your ribcage because Dick hasn’t been calling you as often as he did. Are you afraid for Dick, or are you afraid of a change in routine?
You inhale sharply through your nose, the air chilling the inside of your lungs. Petrichor hangs in the air, and although the scent is usually soothing, nothing seems to quieten the thundering beat of your heart.
“You know I’m here,” you say from atop the stairs, and your voice echoes like a ripple in still water.
Bruce barely shifts in his chair, rectangular glasses sitting on the high ridge of his nose. That’s new.
“Why?” Comes his gruff response…that's not new.
You inhale deeply, steeling your nerves as you descend the staircase. You know this man, he’s not a stranger. Oh, what a lie that is.
“Dick’s been busy,” you say, hating how your voice sounds so loud in the emptiness of the cave.
Bruce doesn’t look at you, but instead his eyes flick over the text on the monitor screens, and you can feel yourself shrivelling inside, and you’re no longer twenty-one, but fifteen and choking on grief.
“Bruce, what’s been going on?”
The tone of your voice is only slightly firmer, because you really can’t stand being here for much longer.
A rough exhalation of air meets you, wide shoulders rolling stiffly before he finally turns to you, the chair squeaking quietly. For the first time in over a year, you meet familiar eyes the colour of gunmetal-blue, and feel something crash down on you heavily.
“Nothing,” he says lowly, and the gravel of his voice echoes out clearly through the cave. The rush of the waterfalls is nowhere near as loud as the thin humming of blood in your ears.
“Things have been the same as always—”
“That’s not true,” you interject, surprising yourself even with the severity you push out.
His sharp brows knit together, and he goes to say your name in what you’re sure would have been a stern tone, but you don’t let him utter even the first syllable out.
“Dick calls me all the time,” you say, raising a loose hand, “and now he’s barely been able to call me twice. It’s not normal, and I want to know why he’s so busy. Last time we spoke, he said he’s been helping you.”
Shockingly, you watch as Bruce takes his glasses off and rubs a harsh hand over his face. You notice now that his jaw is covered in dark stubble, instead of being clean shaven. Now that you see him fully, you notice just how tired he seems, and something other than the panicked bird in your chest comes to life.
Something’s wrong.
Watching the creases in his forehead deepen, as if he’s thinking about something severely upsetting, you wait with your feet glued to the floor. Not even seconds ago, you felt the urgent need to flee, as if your skeleton could not remain still for another second, but now, it’s as if gravity has latched an even tighter hand around your ankles, keeping you firmly in place.
If Bruce is…ruffled by whatever thing is going on, you need to know. You have to know, even if it has nothing to do with you. The thought confuses you; caring about Bruce’s issues hasn’t been at the top of your agenda for three years.
“Someone new has come to Gotham,” Bruce finally says, and his voice is quieter than before.
Immediately, you frown. “Who?”
Bruce stands with a near silent huff, as if his muscles are aching and it’s getting the best of him, and he starts ascending the stairs up to the first platform. You’ve known since you were fourteen that he wants you to follow him.
“He showed up three months ago.” Well, that checks out with the cessation of Dick’s phone calls.
Walking up the three flights of stairs, you trail behind Bruce as he makes his way up to the curved monitors, falling heavily into one of the rolling chairs. You eye him curiously, your pulse fluttering with anxiety as the keyboard clicks and clacks beneath his swift fingers.
An image pops up on the screen, and you squint at a blurred image of a man seated on a motorcycle. You can just make out the train tracks that run through the ground and the station's arched ceiling made of steel beams and glass.
Your frown deepens. “What is….?”
Bruce doesn’t pay you any mind, instead typing quickly again. The image’s resolution refreshes, and you can see much clearer. Your head tilts with further intrigue as you notice the red helmet the biker wears, but it looks nothing like a motorcycle helmet—no, it’s smooth and sleek, with gleaming white eyes instead of a visor.
“Well…” you say slowly, “what’s so special about him that it’s got you and Dick working so hard?”
Bruce clicks another key, and you realise that it’s not an image, but a video. You hear the masked man call out, voice deep and heavy.
“You haven’t lost your touch!”
The man’s voice is nearly drowned out entirely at the end by a train as it roars past, hiding the biker from view completely. Bruce pauses the video.
Your confusion only heightens, and a dull burn of frustration settles in your chest because why can’t Bruce just tell you instead of forcing you to figure it out on your own?
“I don’t understand,” you sigh, glancing at Bruce’s profile. Gosh, he looks terrible.
Bruce remains quiet, a deep exhale passing through his nose as he types again, the sound echoing in your ears louder than it should. The video replays, this time without the overlaying noise of the train.
You haven’t lost your touch, Bruce!”
A pang of shock shoots through you, brows raising. You look to Bruce, searching for an answer in his silence. This unknown man, wearing a strange helmet, knows who the Batman is? That’s…disastrous.
You’re not prepared for Bruce to stand, nor for him to walk past you to the other side of the platform where the cylinder glass cases are. You swallow thickly, eyes flickering between the wide line of his shoulders and the case he approaches. Remaining in place, you don’t dare say anything, instead waiting for him to speak.
Bruce says your name, and you feel your heart drop to your stomach with a heavy thud.
He’s standing in front of the torn and shredded suit you’d barely been able to look at for more than a second when you came down here in the first place.
He’s looking at Jason’s suit.
Your voice trembles. “B?”
“It’s him.”
You’re shaking your head before he even finishes his sentence. No, no, no.
“Bruce, stop—”
“He’s trained,” Bruce continues, paying your increasing panic no mind. He only stares at his reflection in the glass, as if he could find something that would solve all of this. As if there’s an answer to the guilt you can see so plainly in front of you.
“He knows things that only a Robin would know.”
You can feel the inside of your elbows burning, your fingers violently shaking at your sides. You can’t bring yourself to say anything, but you’re desperate to scream.
You’re insane. You’ve gone insane!
“Things…only Jason would know.”
You break. “Stop, Bruce. He’s dead. He’s dead.”
Bruce turns, eyes snapping to you with intensity. You can’t pin-point the emotion in his face—you almost never could before—and your hand presses to your chest where your heart thunders against muscle and bone.
This had been a terrible mistake. You should never have come back here.
“If this…if this is what you’re saying to help you sleep at night…” you warn, but the strength of your voice is barely there, wobbling like laminated paper. “Then that’s fine, but don’t…don’t you dare bring me into it.”
Bruce regards you with a calculating look, as if mentally pinpointing all the parts of you that are breaking. How dare he say such a ridiculous, cruel thing? After six years? Six years of pretending that everything’s okay?
You hear him say your name lowly again, and you shake your head, pointing a trembling finger at him.
“It’s been six years, Bruce. You held him. This—this man,” you glance briefly behind you at the monitor, lifting a weak hand, “he’s probably just some—some guy that’s smarter than everyone else.”
Even you know how unlikely that is, but you can’t hear anything over your pulse and the overwhelming panic that’s clawing at the lining of your stomach.
Bruce sighs deeply, the rough sound grating at your ears. You should have just waited for things to blow over. Dick would have started calling you again, and you’d never have asked what was happening—never would have stepped back into this second home of yours that’s far too empty.
“I wouldn’t have told you if I wasn’t sure,” Bruce says, and his voice comes out quietly, as if he’s finally realising the damage he’s causing you in this moment.
“He’s dead,” you hiss, your voice catching. Your cheeks are wet, and you don’t remember when you started crying—you shouldn’t be. Not in front of Bruce.
“There’s a way to bring people back…”
You’re shaking your head again, trying to suck air back into your chest, if only for your heart to stop thudding against your ribcage like it’s trapped.
But he won’t stop talking. “It’s called the Lazar—”
“Stop,” you gasp, hands clamping over your ears.
As if you’d inhaled concrete into your lungs, you can barely breathe, and you can almost imagine the taste of asphalt on your tongue—no, that’s the blood from your bitten tongue.
You stagger back a step, feeling as if everything around you is spinning. Gunmetal-blue eyes stare at you with concealed concern, flickering across your face. Your gaze falls on the case behind him, the shredded red and yellow fabric that taunts you, and all you can remember is the heat of the explosion.
Your legs give out. Your head hits the floor before Bruce can get to you.
Your name is whispered urgently, and your consciousness returns to you in slow blinks as you wake up. Someone’s shaking your shoulder, fingers gripping the edge of your sleeve.
Pale moonlight illuminates the jade-green eyes that blink down at you, and you groan, pushing your palm against Jason’s cheek and away from you. It’s the middle of the night and you were sleeping so well.
“What?” You grumble as you throw your arm across your face, and you hear his quiet breath.
“You gotta see something.”
Dropping your arm, your bleary eyes glare at him tiredly. It’s the first night you’ve had in ages that doesn’t involve swinging from one rooftop to the next, and he wants you to get up and see something? Is he serious?
Jason tilts his head, his lopsided smile curling his lips.
“C’mon,” he murmurs, nudging his head to the side. A small gesture for you to get up and follow him. Indulge him in whatever nighttime adventure he has planned.
Glancing between him, the digital clock on your nightstand that winks 1.34 AM at you, and your open door…you huff and fling your duvet off of you.
“If this is something stupid…”
“It’s not,” Jason assures you with a sigh, socked feet silent along the hardwood floor.
Trailing behind Jason and yawning into your elbow, the two of you silently make your way up marble staircases and down empty hallways. The third level of the manor is mostly bare, sparse pieces of furniture hidden behind white sheets like dormant ghosts, and as well trained as you both are to remain silent, your footsteps echo in the emptiness.
“Jason, what exactly—”
He cuts off your whisper with a shush, a single finger pressed to his lips. He places a hand on your shoulder, the weight heavy and warm, and nudges you into the largest hall on the level. It’s noticeably brighter, the windows devoid of curtains and letting the moonlight spill against the floor in giant rectangles.
Typically, this room is used for wrestling, floor mats splayed across the hardwood floor that isn’t as shiny as the lower floors. You follow Jason as he crosses the room, his raven-feathered hair ruffled.
Crouching beside him at one of the windows, you notice the glass pane has been pushed open, and the telescope Bruce bought for Jason’s birthday is propped against the windowsill. Usually, Alfred insists that the windows are kept closed during the night, as the last time one was left open, a bat had come into the manor and had remained chained to the ceiling for the better part of a week.
You frown with intrigue as Jason peers into the telescope. He glances at you, bobbing his head for you to do the same. Jason watches you carefully as you lean forward, fingers pressing lightly against the scope as you look through the glass.
As bright as an orb of lightning, the moon greets you in a stunning vision of magnified quality. Your breath leaves you in a quiet gasp, and you trace the grey lines that make up the craters that crack through the moon’s surface. It’s as if the moon were made of glowing glass, and the craters were the product of golf balls smashing into it.
You pull away, and find that Jason is already looking at you. A wide grin creeps across your face.
“It’s amazing,” you murmur quietly, and your initial grogginess has already begun to dissipate.
Jason’s dark lashes flicker, and he smiles. The right side of his mouth is always higher than the left, and you've always loved the deep commas around the corners of his lips.
“Thought you might like it,” he says, keeping his voice low.
For a moment, you’re suspended in his gaze, watching the minuscule movement of his eyes as they trace your features and the smile that remains on your face. He's calm, in this moment. The opposite of what he has been for the last few weeks, and you relish in it.
“Thank you for showing me.”
Jason’s lips curve upward farther, the creases around his eyes deepening like he's proud.
“...Even though you woke me up at an ungodly time.”
Your shoulder is pushed back lightly by his hand, and you laugh with a quiet breath, hearing his own chuckles reverberate next to you.
“Yeah, whatever,” he mumbles, his voice carrying his smile audibly.
You lean forward again, quinting through the eyepiece. You’ve never been able to see the moon this close, and you never even dreamed that you would. The only thing that ever came close to this was the printed images in the library books at the school you once went to.
“It’s so—” your words die when you lean back again, finding the space beside you empty. The warmth of his body absent, as if he had never been there in the first place.
Blinking, your head swivels around, and confusion settles in your chest. Where’d he go?
“Jason?”
Standing to your feet, your fingers idly rub at your arm as you look around the large hall. You look in the shadows, but you find nothing there. There’s only you and the sound of your breathing, the floormats suddenly uncomfortably soft beneath your feet, as if you might just fall through them.
He couldn’t have left the room so quickly, could he?
The light in the room dims, and you glance behind you through the window. Dark clouds slither across the moon, and something cold wraps around your lungs.
You spin, gaze frantically searching.
“Jason?” You call out, not bothering to hide the volume of your voice in the quiet manor. “Jason!?”
There’s nothing but noise in your ears, muffled and warped. The darkness of your closed eyelids is the only thing that greets you, and a pounding in the back of your skull and a singular sentence.
Where’s Jason? Where’s Jason? Where’s Jason?
Your eyes fling open and you shoot upright, gasping.
Jason’s here.
Thank you for reading! God bless! :]
#jason todd x reader#jason todd x you#jason todd/reader#jason todd/you#red hood x reader#red hood/reader#red hood#jason todd#arkham universe#batman: under the red hood#dcu#dc comics#dc universe#jason todd fanfiction#jason todd imagine
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I talked about the first issue of Robin Lives! and my high hopes for it, but when #2 & 3 came around, I didn't have the time to post about them.
But this final issue… uh… Let's get into it. ("It" including gun violence and suicidal ideations.)
So as a brief recap: at the end of #3, Jason found Joker's hideout but froze when confronting him, and Joker decided to solve his Robin problem by mind-manipulating him to be a sidekick of his own: Jokey the Boy Lackey.
In #4, Joker takes his new pal to go after Dr. Stoner.
In #2, Joker pretended to be reformed but Stoner didn't buy it, expressing disappointment, which only set Joker off. And that anger reappears here, less about the offense of some nobody little man pitying him and more about insisting that nobody could actually care about the criminally insane. Of course, this scene comes off more like Joker punishing Stoner for caring— or rather, getting Jason to.
But whatever control Joker had over Jason doesn't hold.
Interesting that Joker leaves Jason alive, and Stoner too. Also, Jason is still awake in this scene, so Joker is truly not worried about him.
Compare this interaction to the opening of #3, in which Joker imagines he's watching films of old comedians with Batman, who is having a great time, and that fantasy is interrupted by an imaginary Robin, who makes fun of Joker's sense of humor. Did Joker decide that since trying to kill Robin had too many downstream effects, he should try to bring him into the joke instead? And then confronted with the real Robin's disdain for him, Joker lashes out to make him feel small? In any case, Robin has proven himself a poor fit for Joker's plans, unlike Batman.
Joker returns to his hideout to get his supplies, and he leaves a note for Batman not only with a clue to his whereabouts, but explicitly letting him know that he let Robin go!
Again with the signals that Joker regrets almost changing the game. (Though he still has, considering what happened to Barbara, which is never mentioned in this miniseries, which is disappointing. In all the brooding in #2 & 3, it's not like there wasn't room for it.)
Anyway, Bruce pulls that move where he works with a sidekick just fine until it gets too dangerous.
While Bruce goes to meet Joker, we learn that Jason has been stewing in humiliation and has had enough.
And the narration gives the first signal of how the storytelling in the last quarter of this issue is gonna go. lol
Oh, so you couldn't think of anything plausible? Anything at all? Not even, I dunno, Joker boasting to Jokey about his plan, or Jason catching sight of a map when he was in the hideout? Alright.
Anyway, Bruce finds Joker in the Miagani caves, home to the particular bat left with the note. Joker has figured out a frequency that allows him to control the bats, and he's also infected them with a psychoactive agent that he wants to unleash on Gotham.
UNLESS….
A proposal?! 😍
So it's either a swarm of infected bats or one infected Bat. Batman should forget about the dang kid, who just doesn't get the joke like they do, and join Joker!
Jason disagrees with this, which he demonstrates by popping up and shooting Joker in the chest. But we've known since #1 this doesn't end in a chest shot.
Farewell, sad clown. :(
So like Joker not planning to kill Jason, his expressions say that not only did he not expect Jason to follow through, but he was relieved when the kid did. Compare this scene to #1 when Bruce almost let him drown. Joker looked only distressed then; with Batman, he needs the game to go on. But Jason finally brings the compulsion to a stop, forever.
Bruce, of course, is upset, and he was not planning to drink Joker's toxin.
That face kills me
"WHATCHA GONNA DO OLD MAN"
When Bruce gets up to the ledge, Jason is gone. And while Arkhamverse Bruce nicely carried Joker's body out of Monarch Theater, here he seems to simply panic, per the first panel below. Which is quickly followed by a lot of shit that sure seems too easy??
Alert, alert! 🚨 WFA has breached containment again!🚨
There are versions of this that I could buy. None of those versions have Bruce simply hugging out Joker's murder within hours of him dying.
The next three pages are an unbelievable speedrun of the aftermath. Let's go one by one.
The Three Jokers-esque rundown of why Jason couldn't be held accountable for Joker's death is all fair enough. And it is in character for Bruce to take the blame for Joker's death, and boy howdy does it make the batjokes feels dance when Joker's death prompts the death of the Batman persona.
But Bruce putting all his bad bat-decisions into the dead persona doesn't really reckon with him having made all those decisions. In an earlier issue, Sara notes that Batman was a fantasy Bruce used to run away from facing his pain, and him now running into his parents' roles just feels like the same thing.
Also being told that Jason was "nearly catatonic" and not showing it is just odd.
Next page!
This page is also weird. I suppose if the logic is that Bruce's sin was bringing a child into the vigilante life and he needed to give up the cowl to atone… No, it's still weird, because Dick was also a child brought into that fight. Just writing him off as already damaged goods so Batman can stay around feels like it undermines the meaning of Bruce retiring.
I'm setting aside whether or not Dick would really want to be Batman, because I don't have a dog in that fight. But making him a Bruce clone does not feel right.
Maybe that's the point, though?? That the cycle is just starting all over again, inescapable? Is this just TKJ? 🤔
Before we follow that line of thinking, next page!
Ohhhhhhh, poor Sara. I thought you could still get out of this as a confidante. But no, you're the narrator and you're so familiar with Bruce and his family because you're ✨in love✨ now. We didn't have to do this. There's literally no point to making her a romantic interest. Sure, I can see going with her instead of an established one because they're all in the crime game and Bruce is escaping that here, but still. And don't tell me "it took years" in an attempt to gloss over how we don't even know this lady. WE DON'T KNOW THIS LADY. This development feels tacked on. I hate it.
Though I mean, Bruce only falls in love after Joker is dead. That's something. 😂
And then we have Jason getting multiple degrees related to mental health care and eventually becoming a higher up at Arkham Asylum. Way different than the Jason Todd of today, but hey, this is an alternate universe and—
what
WHAT?
Uh… 🎵 Cue game show music! 🎶 Congrats to the jaydick fans out there! You are the next batjokes!
I have no idea what to think here. You could theorize that Joker's brainwashing lingered, I guess, and influenced Jason to take his place later. Or perhaps that Jason studying mental health made him ponder the Joker too much and he "infected" himself with his late tormenter? Or are Batman and Joker truly inevitable in any universe and Jason is just helplessly compelled to take on the role?
I don't know! This all was going so well and then it just ends with a bunch of stuff that happens!
I wonder if it was always supposed to end this way? I reread all the issues today, and some of the narration is strange if #4 is indicating that the Sara telling this story exists at a point where she knows that Jason is now Joker. Like some of it you read and think, "Ohhh, the inevitability here isn't about Jason shooting Joker; it's about Jason becoming Joker." But then other parts conflict with that, like in #3 when Sara talks about Jason feeling like it's impossible to victimize others, as if it's a present fact. Clearly he does not feel that way!
Also, at the end of #3 when we saw Jokey, I was excited at the prospect of Joker seeing himself in Jason, and perhaps vice versa, and the emotional struggle that direct compare/contrast could bring. And the first couple pages get at that a little, I guess? But certainly not enough that the final two pages aren't completely out of the blue.
You could say that since Jason takes on Joker's old identity as Red Hood, he's just doing the same again here, but there's still no lead-up to it!
In the end, I guess this is just a sad story about how even when Bruce breaks away from his violent coping mechanism to really promote healing, he still fucked over his kids and it's just too late? I mean, fair enough, but still. Could've used one of those big exposition pages to at least drive more at that. 🤷♀️
The next mini-series I'm pinning my hopes on is the Two-Face one in December. Christian Ward stuck the landing in City of Madness, so let's see if he can do it again!
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Pt 4: If only you knew
Old Friends and Tears
word count: 2k
warnings: major violence, adult language, and angst
previous part series masterlist
It feels like you can’t stop driving away from the tunnel. Like you can’t put enough distance between it.
You keep thinking about Arkham Knight following you, which spurs you to drive faster and further. After making a loop around Miagani and ensuring that no one has followed you, you swiftly turn into an alley.
Switching off the bike, you take a few heavy breaths, calming your thumping heart. Your mind is still whirling from the fight.
You nearly jump out of your skin when a voice calls down to you.
“Almost didn’t recognize it was you.” Nightwing flips down into the alley. Stepping off your bike, you walk towards him, meeting him halfway. Dick opens his arms, and you lean in to hug him. He tightens his arms and slightly rocks you back and forth.
One of Dick’s many underappreciated talents is giving amazing hugs.
“Look at your fancy new suit. You’ve finally made it big.” He grabs your shoulders before pretending to wipe away a tear.
You playfully roll your eyes, “Always so dramatic. What are you doing here?”
He gasps and tosses a hand over his heart. “What? Not happy to see me?”
Giving him a deadpan look that he only laughs at, he finally tells you. “Bruce is looking into North Refrigeration, which is a job I’ve been working for months,” you interrupt in shock. “So he called you?”
“....Not directly. Alfred asked what I knew about North Refrigeration. He said Bruce was about to look into them. Figured he wouldn’t mind the extra hand.”
“Oh, so you invited yourself over, got it.”
Dick shakes his head before he gets serious.
“I heard about Barb. How are you holding up?”
“I’m just ready to have her back, even if I have to kick Scarecrow’s ass myself. What about you?”
“She can take care of herself. I’m surprised Scarecrow hasn’t thrown her back at us.” You both chuckle. You look at his eyes, which show unspoken fear. He’s worried about her, not like he’d ever say. The ever-persistent Nightwing, always the big brother, always calm.
“I know. I find it strange that Arkham Knight knew she was Oracle and, more importantly, where she was.” You sigh before continuing. “It makes me wonder if he’s been lurking and watching before all this.”
“You never know. It’s made it very clear that no matter how careful you are, there’s always a risk.”
Before you can respond, he presses his fingers on his earpiece. After a beat of silence, he speaks, “I gotta run. Bruce is waiting for me, but I’ll see you before I return to Bludhaven. I promise.”
“Call me if you need me!” You shout as he scales up the side of the building. Once he’s back on the rooftop, he waves goodbye before dashing away.
You roll the bike to the back of the alley and throw a black tarp over it, hoping it’ll blend in with the shadows. You decide to go back to the rooftops for a while. It’s easier to keep watch when no one hears you coming.
Getting up to the roof the same way Dick did, you walk to the opposite side and look out over the roads. You watch as groups of men run around beating each other, tipping over trash cans, and occasionally almost getting hit by cars.
Nearby, a piercing screech echoes out, making you wince. Startled by the unexpected sound, you quickly turn your head, scanning the area for any signs of movement. Your eyes land on a bird flying in the distance. You watch in sheer horror as the “bird” approaches. As it comes into focus, you realize it’s an enormous bat-like creature, and it is now barreling directly towards you.
“What the fuck!” You exclaim out loud, running towards the edge of the roof.
It gets to you before you can jump onto the street below. You crouch down, hands covering your head. It swoops overhead, and a piercing shriek fills the air, chilling you to the bone while the colossal wings whip chilled wind around you. The large beast lands on the street below, and men yell in panic, filling the air with their screams.
You stand there blinking momentarily, watching it move in a circle, screeching out what sounds like mournful cries. You take in the pale clammy skin, the white hollowed-out eyes, and the sharp teeth protruding from its mouth. As you think about your next move, it’s too late. The creature takes off into the sky again. The massive wings bring it toward your rooftop and you crouch low, bracing for its talons to cut you. Once again, you’re spared as it veers left at the last second. You begin running after it but aren’t fast enough to catch up. It rockets up into the sky and you lose sight as it flies behind the skyline.
“What the fuck?” You whispered.
On the other side of Gotham, the Arkham Knight enters a room where Oracle is being held. He leans against the doorway and watches her silently. Barbra glares back.
The silence is broken. “What the hell do you want?”
A robotic chuckle is let out. “Oh, Barbra, Barbra, Barbra. When did you become so rude?”
“Probably when someone manhandled me out of my home, got me thrown from a car, and locked me up in this room.”
“Hmm, yes, that was a bit rougher than I had intended. But honestly, you have Batman and that other birdy to thank for that.”
He stalks over to her and circles around the chair. She stays steady, showing no fear in the face of danger. A skill most will credit to Batman, but it’s a trait directly from her father.
She slightly jumps as his hand clamps down on her shoulder, and his helmet lets out an echoing hiss as he opens it. He tosses it on her lap. She glances down, wondering what he was doing.
“Don’t worry Babs. You’re just a pawn in this game, so as of right now, you’re safe.” Why did he sound so familiar? Why did she know that voice? Barbra racked her brain trying to figure out who that voice belonged to.
He walks around and her eyes land on his face, a gasp leaves her mouth. Her eyes must be playing a trick on her. Scarecrow must have injected her with fear toxin or gassed the room and she just didn’t realize it. That would be the only logical explanation as to why Jason is standing in front of her dressed as the man who has been terrorizing Gotham.
“Jason? H-How?” Her voice, barely above a whisper, is breathy with surprise.
“I know. Long time no see Babs.” He’s fully facing her now and she can see how the years have affected him.
His blue eyes, were bloodshot and sunken, with dark purple circles underneath. On his left cheek, a scarred letter J grabs her attention. And her eyes linger on it. She notices a recent scratch on his throat before he turns away from her.
“Jason! Why? Why are you doing this? How could you do this?” Her pain laces her voice. Tears glisten in her eyes, and confusion wrinkles her face.
“Like I said, you can thank Batman. Everything that has happened and that will happen is all because of him.” He walks towards the door.
“He mourned for you! We all did Jason.”
“Bullshit! It took all of about three months before I was replaced. Three months before I was forgotten! I was still alive while you guys were moving on!”
“We didn’t know, Jason. Please understand.”
Jason’s out the door before Barbra can say anything else. Once the door closes, she lets the tears fall out of her eyes.
Jason clicks his helmet back in place before entering the surveillance room. The monitors light up showing him the streets of Gotham. The Batmobile speeding after the tanks and the APC’s. A screen to the left side of the display catches his attention.
It’s Vulture. The one that escaped him. He watches as she take on a checkpoint with eight of his men inside it. His eyes tracked her every move, learning her fight patterns.
As Vulture knocked down a medic, one soldier holding two stun batons crept behind her, pressing the sparking stun batons against her back. Jason leans in as he watches her collapse to the floor. The three militiamen circle over her as she lies on the ground.
One bends down and once he’s close, she wraps her legs around his shoulders and springs her body upwards. They crash to the floor and Jason watches as the head of the militia bounces against the ground.
She stands, her hand reaching down to her waist, and pulls a small blade from her belt. It’s then hurled at the soldier with the batons, causing the baton in his right hand to slip out, dropping to the ground. With a leg sweep, Vulture disarms him, snatching the baton in a single fluid motion.
She swiftly turns to the other soldier and uses the baton to jab at his crotch, forcing him to drop to his knees. As he’s on his knees, she quickly flips to the other side of him, gaining some distance from the last soldier. She brings the baton down on the kneeling soldier’s neck, sending him sprawling face-first onto the ground.
Now she’s facing the last soldier. The soldier runs and grabs a wooden crate off the ground. He launches the crate towards Vulture, but she pulls the crate out of the air and to her chest. Using the wall for leverage, she launches herself into the air, smashing the box directly onto his head. He stumbles back, and her roundhouse kick connects with his chest, sending him sprawling onto the ground.
She stalks over to the unconscious head commander and smashes the communicator, making the checkpoint walls collapse.
Jason presses the comm in his ear.
Having let go of the communicator, you allow it to crash on the ground. A crackling noise comes from the commander’s earpiece, followed by the Knight’s voice.
“Don’t get too happy, birdy. I’m still seeing and hearing everything all over Gotham. Maybe I should be the new Oracle.”
Your blood runs cold.
You snatch the earpiece out of the commander’s ear and the Knight laughs on the other end. Pushing the button down on the comm, you respond.
“Maybe you should stop being such a coward and show your face. Or do you hide behind that mask because your face is too mangled?”
The laughter from the Knight is unlike the previous ones. It is not mocking you or sarcastic. It’s dark, and you can feel the hatred behind it. It sends a shiver down your spine.
“Just wait, this mangled mess will be the last thing you see with your dying breath.”
You waste no time leaving the scene.
The projectors around Gotham whirl to life. It’s a holding cell, and the camera zooms in on the person inside. It’s Barbra, slumped over in her wheelchair. Scarecrow’s scratchy voice comes through the speakers.
“How does it feel to see your city on the brink of ruin, your friends in the clutches of death?”
The screen distorts and then it’s Scarecrow’s face on the screen.
“You stretched yourself too far this time, Batman, and now your failure is all but complete. As that final, dying breath escapes her body, she will know you are the one who failed her.” The audio screeches out as the screen turns black.
You press down on your comm.
“Alfred, where is she being held?”
“Master Bruce said a safe house in Chinatown. He’s on his way now.”
Shit. You’re nowhere near Chinatown.
“Thanks, Alfred.”
You begin driving your bike as fast as you can, zipping around corners, and taking shortcuts through the infrastructure of Gotham.
As you get to the middle of Chinatown, you stop the bike and grapple to the nearest building. Listening closely for anything that will point you in the right direction.
Closing your eyes, you try as hard as you can. A minute of stillness passes, and then, like a whisper on the wind, you hear it. The distant, muffled thuds of gunshots punctuated Scarecrow’s voice, raspy and echoing. Your legs start running before you even realize it, your heart pounding in your chest as fear takes over. With a rush of wind in your ears, you leap from the rooftop to the next, landing softly in front of a heavy wooden door.
You’re about to open it when Bruce comes out. Without Barbra.
“Where is she? Was it a trap? Is she somewhere else?”
His blue eyes lock on yours. You can see the pain in them. His jaw tightens.
“No, no, no, Bruce.” You’re pacing back and forth.
“I was too late. Scarecrow he….was punishing me. He killed her.” Voice heavy with guilt.
“You’re lying! She’s in there.” You need to get into the building. You need to see that she’s fine and that she’s not really in there. Heading for the door, Batman blocks you.
“No, I’m not letting you in there.”
“You don’t give me orders! I-I need to see Barbra.”
He speaks your name softly. “She’s gone.”
You turn your back on him, taking a few steps away. Bruce does the same.
You dodge Bruce with a quick movement, adrenaline surging through you, your eyes fixed on the door as you sprint towards it. His arms reach out and grab you, pulling you into his chest and lifting you off the ground, like a child throwing a tantrum. You thrash in his arms, your movements frantic, as you try to break free from his hold. His grip on you becomes a vise-like clamp, his muscles tightening as he pulls away from the door.
“Stop it, Bruce! Let me go! It’s Barbra, Bruce, it’s Barbra, please!”
“You don’t need to see. It won’t change anything.” He holds you until you’ve calmed down.
Bruce, let’s go, setting you on your feet. Your shoulders sag and you look at the ground.
“I’m headed to GCPD to talk to Ivy. She was immune to the fear toxin.”
“You’re hoping she’ll help against the Cloudburst?” Your voice sounds small, even to your ears.
“She doesn’t have a choice.”
taglist: @thegirlwiththeyarn @geminizmoonz @emilia527 @anime5005 @babypaperwitch @skypperlegacy @rwylm-things @mayo-0-o @ex-cla-ma-tion @pheonixfucu @not-herexo @g0atmansbridge182 @theg0ddesshera @redhoodedangel @just-lost-inbetween-worlds @marigiano @lilocapoca @misaki-kira8 @blackcanary130 @ykyouluvme @kiwi03 @xbonniepricexx @definitelynotanalien @ghostlyleech @pinkmaggit666 @0littlestwolf0 @stupid-ninja @reanie-xoxo @kittykatchicha @bunz-lover @justalittleb1tcrazy @gghoulpool @snackeyalleyjuice @comealivedaya @thefandomdiaries07 @peter-parker-tony-stank-trash @awstrck @gemini-bichxx-blog @jennifermoyas @xdrin @harleycao @screamingsilence3 @ex-pinguina @ppiglovestravel-blog @catsinhatswithbats @jazminjacuinde @honeywolflower8364 @lillianmorningstar
#jason todd x reader#jason todd x fem!reader#arkham knight x reader#red hood x reader#jason todd#arkham knight#red hood#batman arkham knight#if only you knew#dc comics#iyok
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I think I remember you had a post where you thought Jason had been living in tunnels. Is this where you were talking about?
(The tunnel network under Miagani Island) (Also if you have the link to that post handy I'd love to read it again!)
Success! And yep, that's it; a random area away from goons but awfully close to the Militia Tunnels.
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(Delete if weird or not allowed)
I pictured AK!Jason in a date with his s/o at nights, specifically when he doesn't risks his ass off to fight some thugs or keep Gotham's little order, I would picture him in one of those fancy (or not so) restaurants where you can listen to live jazz music and the kind of restaurant with the small scented candles on the middle of the table with some glasses of wine.
By this, what kind of dates would AK!Jason enjoy when going out with his s/o?
Your restaurant description reminds me of a place I found while replaying: Riverside Lounge in Grand Avenue Station on Miagani Island. It caught my eye because it looks like a great date spot 😉
While AK Jay is uncomfortable showing his branded face in public, he also likes to show you off while showing you a good time, so getting to enjoy good food, wine, and music at a laid-back joint with muted lighting, a casual dress code, and live performers who can take the crowd's attention off of his beloathed J is an acceptable date in his book. (Bonus points if the restaurant's a hidden gem in his old neighborhood.)
If he's gotta go out for the date, he also enjoys taking you to the community theater for a live performance (again, Park Row spots are preferred.)
Eventually he realizes that when you're at his side, he doesn't have to worry about stares because all eyes are on you. So you get to show him off on your arm at glamorous spots with formal dress codes where you get to dress up like a celeb at film premiere and he's forced to wear a tailored suit 😍 He's still gonna slouch, but at least his beautiful face isn't hidden beneath a hat and a hoodie.
#sands replies#my arkhamverse#my headcanons#jason todd#arkham knight#arkhamverse#jason todd headcanon#jason todd x reader#arkham knight x reader#jason todd x oc#arkham knight x oc#my screenshots
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random shit i've learned researching gotham city and the wayne family
bruce is a descendant of a native american tribe called the miagani that lived on the land that would become gotham
the city is literally cursed, an evil warlock was buried alive and his evilness seeped into the surrounding land, corrupting it
the miagani sealed a shaman in a cave (probably the bat cave) but when colonists arrived they freed him and he killed them all
there's an old family called the orghams...
1st january 1800 two guys fought over a piece of magic amber in the batcave
the classic architecture of gotham was designed by one guy and was then copied all over the city
bruce wayne is related to morgana le fae: his ancestor is a guy called sir geVain who is king arthurs nephew and morgana is arthurs half-sister
a witch cursed the waynes just before she was hung by nathaniel wayne, which is so fucking funny bc she'd just been in love with a time-travelling bruce
people keep dying on the land that is the wayne estate
thomas wayne (bruces dad) escaped the caribbean when cuban forces tried to unite the region under communism
so many waynes grew up without both parents (either 1 or 0)
#what the hell is this city#so many people died here#gotham city#batman#bruce wayne#wayne family history#gotham city history#sadies gotham city#sadies wayne family
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Me watching AK riddler humiliate me on the screens in front of everyone in Miagani while doing one of his puzzles.
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Solomon Grundy. His living body was known as Cyrus Gold, head of the infamous Gold family, known for both their criminal enterprises and purported involvement with witchcraft and black magic. After most of the family was massacred by a group of vengeful Miagani locals--known at the time as "Bat-People"--Cyrus was resurrected by the sole survivor, his daughter Gilda.
Unlike typical Grundymen found in Undertown and similar subterranean communities, Solomon's resurrection isn't a one time thing or something that requires external mystical maintenance, but an inherent attribute of Gold's new body. Gilda, through some unknown ritual, directly tapped into the Black Flame of Nekron and embedded it in her father's body. No matter how damaged Solomon's physical becomes, it will always rebuild itself using extant necrotic matter manipulated by the Black Flame. The only known comparable feat accomplished by a Homo Magi was the resurrection of Joseph Zarrick by his father, the dimension-hopping W.I. Zard.
Grundy would go on to fight Alan Scott and Aloysius Fox throughout the Golden Age, becoming a recurring foe of the Justice Society and eventual founding member of the Injustice Society of the World. Unkillable as ever, he continued to live into the modern day, but it was only the return of Nekron that would reveal Grundy's destiny beyond the invisible black stars of distant space.
Gilda had an extraordinary life of her own, and always made sure to see her father on Holidays...
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i've been thinking a lot about the racial politics in RDR2 lately, as the racial politics of that time in america have always compelled me (and were directly relevant to my family) and i like RDR2 and i've been toying with the idea of a larger essay on it but i'm worried that i'll never finish it. so if i don't i'm making this post just so i can get my basic thoughts on the wapiti tribe down on paper.
the wapiti tribe is uniquely frustrating to me as it's clear that RDR2 was trying to make up for their godawful treatment of natives in RDR1 and be at least somewhat conscious of the state of things for natives at the time, but it's just.. so... lukewarm.
i'm always going to have issues with the usage of fictionalized tribes. i have issues with the miagani in batman. i have issues with the red star tribe of red dead revolver, the precursor to the red dead redemption games we have now. and i have issues with the wapiti of rdr2. the wapiti are a fictional tribe, yes, but they pull heavily from the real-world lakota people. they speak lakȟótiyapi (despite 'wapiti' being a shawnee word???? i suppose it could be an exonym, but i digress). their existence is based around the lakota people, but the lakota themselves are absent from the game. why? why make a fictionalized tribe and then pull from a real one? so you don't have to worry about getting sued? that's cheap. that's lazy. work with the tribe. it can be done. native people are not ephemeral or uncontactable.
when i think about the wapiti tribe i can't help but contemplate the fictional native (or, more accurately, the fictional native tribe as opposed to the individual), and the comfort it brings to the colonizers. the fictional native and the dead native go hand in hand. the dead, extinct native is suffering in perpetuity, immortalized in time as a martyr to the indigenous cause. being killed by the white man forever.
the fictional native, too, often falls into this trap, particularly in games like RDR2. people love to cry over the dead native (and the fictional native) and mourn "what could have been". this is in part because the dead native (and the fictional native) require no more work on the part of the colonizer. the dead native (and the fictional native) do not call for land back. they do not call for reparations. they do not live among you as people, and so you are not required to see them as such. they allow you to confront your history, but gently. they give you the opportunity to turn away when you are uncomfortable. the dead native (and the fictional native) does not intrude on the workings of everyday life for the colonizer. the alive native (the real-life native), on the other hand, inconveniences the colonizer with demands of monetary assistance, land back, and forces the colonizer to continually acknowledge and live with the fact that they are living the way they are in no small part due to the suffering of the native.
i think often of kim tallbear, a professor of native studies at the university of alberta and author of native american DNA: tribal belonging and the false promise of genetic science's quote: “i think what people are scrambling for is this ancient noble savage or noble indian in their bloodline. they’re not very interested in contemporary indigenous people who are alive, who are living in a still very colonial society at a severe income and class disadvantage, people living with multiple generations of trauma from residential schools, from other forms of discrimination and systematic exclusion” (emphasis mine).
this isn't to say that depictions of the real life suffering that people went through should be ignored or written out of the narrative. i'm grateful that RDR2 acknowledged (in their own lukewarm way) the suffering of the time. but with the rest of the racial politics of RDR2 (see: arthur saying he understands the wapiti because hes an outlaw?????? see: arthur's general unawareness of racism as a structure of society) it feels often to me while playing that the devs, while making a historical game, are uncomfortable with actually engaging with history in any meaningful way.
in any case, i'm one person and i'm by no means an expert on the native experience (being racially white and raised away from the culture and only beginning to try to reconnect some 7 or 8 years ago) and i would genuinely like to hear other people's thoughts on this, particularly lakota people.
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How about some headcanons of Arkham Riddler, with reader getting jealous? Just something about seeing him interacting with Ivy, or how Catwoman always calls him Eddie in her sensual tone, it just drives reader crazy with jealousy, thinking that Edward may leave them for someone better or prettier.
Is this just gonna be y’all giving me the best prompts possible? Because I’m in to it! (This one is long but only because I got so much inspo from this so thank you anon!)
Arkham riddler seeing his s/o be jealous
For a flirtatious as ivy can get let’s be honest Selina is gonna be seen as the REAL threat here
It doesn’t help you found out Eddie left out trophies for HER! A whole 35 of them!
A few flirtatious winks and words do nothing good for anyone with their own self doubts.
And yet here you are.
Edward nigma without a doubt is the most powerful man in Gotham despite what people will try to dispute. Brains,money and power. All of it.
Yet he chooses you.
It doesn’t make any sense!
Selina has worked on and off for Eddie for years so they clearly have a mutual understanding.
However that can only go so far especially when you can’t help but clearly give a look of agitation when she stops by to hand deliver Edward his packages.
Your pretty sure she can tell it bothers you but she certainly doesn’t make a fuss about it.
But let’s not act like doesn’t Edward start to notice eventually either.
He’ll be right in the middle of talking with Selina when he starts to notice you basically death glaring her into her soul.
Leads him to some pondering afterwords. Were you really jealous of Kyle? Really? Nonsense! Unless….?
It was a hypothesis.
Something to be tested and he was a man of testing nonconformity
It was a simple “my dear” towards Selina that clearly set you off.
When you rushed out of the room into his office slamming the door behind you apart he couldn’t stop smirking. Selina however was a bit concerned.
“Are they gonna be okay?”
“Nothing I’m not prepared to deal with,now go run along and retrieve that energy cell. I have to go quell my Aphrodite.”
He finds you grumbling at his desk. Green light illuminating your skin
“My my what a fitting color.”
“What?” You sneered out. Dangerously. He was treading a fine line clearly.
“Green. Dear. Your green with all the envy in the world.”
“Over her? Please!”
He’s positively glowing with pride as he sits himself on his desk and lifts your chin up with a finger.
“Oh really? A couple of words of affection had you storming out of the room! What’s wrong my sweet? Not wanting to share Gotham’s smartest?”
Now you were basically forced to admit it.
“Fine! I’m jealous! But she knows what she does……….”
“My ruler of riddles you need to understand your in competition with no one.”
“Prove it.”
In that moment he went to the place he always went i times of vulnerability. His riddles.
“I can break, I can be clogged, I can be attacked, I can be given, I can be kept, I can be crushed, yet I can be whole at the same time. What am I?”
The answer came to you simply but you had to stop yourself for a second.
Oh
“ the heart”
“And my dear you won the fight for mine a while ago. You’re intellect may not be on my level yet but you certainly beat the likes of cat woman by the whole length of miagani ”
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What part of Gotham would you say Mama Mia’s is in?🤔 I like to wander around the map trying to find a spot for it haha
I don't know if I've mentioned this somewhere, but probably either in Miagani Island or Founder's. Miagani Island because its former owner (Lou's mother) is business-savvy enough that she'd put it up in a place with many potential customers. Or Founder's Island, where the land was likely inherited from an older generation, and she just decided to make do.
#ask#anon#the pizza delivery gir's survival guide to gotham city#i like to think that both lydia and lou stem from a long line of gothamites and their ancestors used to be the ones who worshipped bats HA
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