#medium work
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dreamgirljune · 2 years ago
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if tumblr loves anything, it's bitches who are doomed by the narrative. in this uquiz, find out what role are you in the tragic play?
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welcometogrouchland · 4 months ago
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Extremely bad batgirls comic I made featuring Steph's sex life and Cass' ability to read everything but the room
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kellkyy · 2 months ago
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"Ghosts" made with airbrush and paper cut-outs
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sasswonfp · 2 years ago
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This joke came to me in a fit of laughter (ALT description provided :3!)
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punkitt-is-here · 6 months ago
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Your praise of Chainsaw Man actually makes it sound really interesting so would you recommend manga or anime?
Manga, but mostly because I haven't watched the anime aside from the first four episodes. I recommend reading it specifically because Fujimoto is a fucking genius when it comes to his panelling. Like, genuinely some of the best in the industry. The way he uses the medium of comics to portray intimacy or horror or comedy is like no other. I might post some examples later, but I genuinely think you're missing out if you ONLY watch the anime because Fujimoto uses the medium so goddamn well
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b4kuch1n · 8 months ago
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podcast people in my phone
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emilinqa · 3 months ago
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on an increasingly urgent mission to get everyone to read the star trek year five comics
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saltmalkin · 1 year ago
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tiangou
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partywithponies · 1 year ago
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Listen to me. If you want your media literacy to improve, you have to consume a variety of media. And I don't just mean a variety of genres or a variety of writers or a variety of target demographics (though absolutely those as well), I mean a variety of mediums. Read books. Watch TV. Watch films. Listen to radio plays. Watch theatre productions. Watch documentaries. Read comics and graphic novels. Goddammit read fanfic and watch youtube videos as well, just for the love of god have variety. Learn to recognise how different mediums convey themes and information in different ways. It's like food groups, you need a little bit of all of them to be healthy.
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abby-howard · 4 months ago
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I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?
Hi there!
I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.
Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.
When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.
There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:
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Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:
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And here's the same comic, years later:
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And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:
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Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:
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Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!
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And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.
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She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.
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So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.
Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!
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sysig · 10 months ago
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How far did you get? (Patreon)
#My art#Handplates#UT#Gaster#Frisk#A DBZA incorrect quote technically - it's just such a raw line#Even what it's in reply to kinda works in this context! ''What exactly changed between you in the future and now?'' Time travel nonsense#It feels real weird to have a piece fully finished in black and white and have that be Correct lol#I am So pleased with the composition of this ♥#Gaster vertical and the human horizonal! Gaster confined and the human-#Hint: He's not looking at Frisk#Gaster being able to see Zarfox consistently is very interesting to me#Or rather - that bit makes sense lol he got as far as he could within the confines of his world and understanding#It's still cool how much he can actually see tho - understand? Interpret? Hard to pin down and define haha#What Sans is able to see doubly interests me - he got some but just glimpses! Different from - I assume - Gaster's consistent sight#Poor Papyrus being left out haha#It's been a while since I've drawn a Vessel - weird to think about Frisk in that context haha#It's accurate! Just weird ♪#I am so in love with Gaster's post-Void design <3 The fact that his lineart is ''canon'' - however you want to phrase it just ughgjkdslafd#Any instance of The Medium being drawn attention to down to its format and details gives me the zoomies lol#Visual representation of the unfathomable! It's so cool!!#And the fact that at the Very least Gaster suspects just how limited his viewpoint is - is phased in and out of it - what he assumes is real#He knows that even with everything that makes him up now - the threads of the multiverse! - it's still so much bigger than he can understand#''More than I thought'' - and then actually getting to talk with some/thing/one(s) that make up at least a sliver of that Bigger#''Less than you'd think'' - like moving a grain of sand that contains a universe on the beach of infinity#Hghhh it's cool <3
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otemilk · 2 months ago
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MANNY JACINTO as ELLIOT BALESTRA (2024)
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sunlit-mess · 2 months ago
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Hey! I’m a super big fan of all your work. All your art is super expressive and real - I get so excited when I’ve seen you posted. So, I’ve been wondering, what initially got you into drawing? It looks like you’ve been doing it a super long time.
Sorry, I’m realizing this looks like a bot posted it lmao, but I do love your work & it’s so awesome you got into Hazbin because seeing how you interpret the characters is so fun.
Cheers from Ireland!!!
I hardly remember jackshit about my younger years but all I can say is- It's five nights at Freddy's for sure. 😭😭😭😭
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drawing had been my coping mechanism and outlet ever since, so behind any work are vent arts lol
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kaiserouo · 1 month ago
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should've done this since day 1
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very significant fuck
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honeybeeofficial · 3 months ago
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ARE YOU GONNA SELL THE HORSESHOE CRAB URSES???? Plzzz
Hahaha I did a breakdown the other day of what a realistic price for something like this would be. All told, time + material cost would put the horseshoe crab somewhere around $700. Since it's all done by hand, the amount of time this one took would not be conducive to selling them in any significant number. (Also, it would kill my hands to try to do these en masse– punching and stitching leather is haaaard.) I would consider doing a commission or two if anyone genuinely wanted to pay that much.
That said, I am absolutely thinking about cleaning up the pattern I drafted and offering that (at a much lower price, obviously!) for anyone who wanted to make their own. I bet it could also work in a stiff canvas, or interfaced fabrics.
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kamabokobun · 3 months ago
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A sculpture I made of my slug fakemon starter :]
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