Your praise of Chainsaw Man actually makes it sound really interesting so would you recommend manga or anime?
Manga, but mostly because I haven't watched the anime aside from the first four episodes. I recommend reading it specifically because Fujimoto is a fucking genius when it comes to his panelling. Like, genuinely some of the best in the industry. The way he uses the medium of comics to portray intimacy or horror or comedy is like no other. I might post some examples later, but I genuinely think you're missing out if you ONLY watch the anime because Fujimoto uses the medium so goddamn well
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Listen to me. If you want your media literacy to improve, you have to consume a variety of media. And I don't just mean a variety of genres or a variety of writers or a variety of target demographics (though absolutely those as well), I mean a variety of mediums. Read books. Watch TV. Watch films. Listen to radio plays. Watch theatre productions. Watch documentaries. Read comics and graphic novels. Goddammit read fanfic and watch youtube videos as well, just for the love of god have variety. Learn to recognise how different mediums convey themes and information in different ways. It's like food groups, you need a little bit of all of them to be healthy.
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I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?
Hi there!
I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.
Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.
When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.
There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:
Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:
And here's the same comic, years later:
And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:
Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:
Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!
And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.
She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.
So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.
Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!
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ARE YOU GONNA SELL THE HORSESHOE CRAB URSES???? Plzzz
Hahaha I did a breakdown the other day of what a realistic price for something like this would be. All told, time + material cost would put the horseshoe crab somewhere around $700. Since it's all done by hand, the amount of time this one took would not be conducive to selling them in any significant number. (Also, it would kill my hands to try to do these en masse– punching and stitching leather is haaaard.) I would consider doing a commission or two if anyone genuinely wanted to pay that much.
That said, I am absolutely thinking about cleaning up the pattern I drafted and offering that (at a much lower price, obviously!) for anyone who wanted to make their own. I bet it could also work in a stiff canvas, or interfaced fabrics.
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tbh i dont think the finale was as complicated as everyone makes it out to be. sutekh is a viewer, just like us. hes obsessed with the "mystery". ruby's mum isn't the reason it snows, or the reason that christmas eve 2004 is "raw and open" and keeps changing. its sutekhs obsession. he gave that night its importance by building it up and obsessing over the answer to the one question he couldnt find, in the same way that we did. we gave rubys abandonment its huge significance with all our theories and our desperate need to understand. in a way, we are sutekh. voyeurs of a deeply personal moment that we never had any right to. building ruby into a mystery when shes really just a person. shes special because we believe she is. time is memory.
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Free G3 Monster High Episodes (to be continued)
SEASON 1
1. The Monstering or option 2 (for those who may not have access to the Nick website)
2. Food Fight or option 2 (for those who may not have access to the YouTube channel)
3. Unfinished Brain-ness or option 2 (for those who may not have access to the YouTube channel)
4. Case of the Moondays or option 2
5. Portrait of a Monster or option 2
6. Witch Hitch
7. Part of the Pack
8. That Thing You Deuce or option 2 (preferred option, as it’s through an official medium)
9. Werewolf Weekend or option 2 (same information as #8)
10. Paw-zzle Pieces or option 2 (same information as #8)
11. Nightmare Nightmore or option 2 (same information as #8)
12. Out of Step or option 2 (same information as #8)
13. Pyramid Scheme or option 2 (same information as #8)
14. What’s Up, Watzie?
15. So Familiar
16. Crushed
17. Over Bro-tective
18. Horoscare
19. Flaunt Your Skeleton
20. Creepover Party
21. Creature Clash
22. Monster Movie
23. Earworm
24. Spell the Beans
25. Growing Ghoulia
26. Casketball Jinx (same link as above)
27. Cleo in the Kitchen
28. Case of the Missing Squeak (same link as above)
29. Pet Problems
30. License to Rock (same link as above)
31. Power Heist
32. Monster Midterms
33. Fur-mergency
34. Boogey Nightmare (same link as above)
35. Best Fiends
36: Scareer Day (same link as above)
37. Stone Alone
38. Horsin’ Around (same link as above)
39. Moonlit Fieldtrip
40. A Little Boost (same link as above)
41. Fresh Waters Run Deep
42. Sew Fierce
43. Witchful Thinking
44. Monster Match
45. The Monster Way
SEASON 2
1. Rule School
2. New Witch in Town
3. Play It Again, Clawd (same link as above)
4. Mummy in the Mirror (part of the beginning is missing; the first few minutes can be found in this video)
5. How to Scare a Banshee (same link as above)
6. So Chill
7. Mixed Up Meowlody
8. The Haunted Sand Castle Caper
9. Fangs for the Memories
10. Two-Riffic
11. Monster High-Jinks
12. Vamps Just Wanna Have Fun (same link as above)
13. The Babysitter’s Crypt
14. Humans in Highschool (same link as above)
15. Dawn of the Dread
16. Frankie Patrol (same link as above)
17. The Deuce Date
18. Big Paw, Little Paw (same link as above)
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what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.
batman (1940) #456
Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.
and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.
and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.
teen titans (2011) #18
to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.
i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.
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