#medium work

[clockwayswrites]

now with a masterpost

Danny stopped so suddenly that Conner had to use some effort not to run into the other. The entrance to the row house was tight, crowded in by the coats and bags hanging on the wall and the small table on the other side that was littered with mail, take out menus, and a few sets of keys.

“You said you wouldn’t do this anymore.”

Danny’s whole body was a line of angry tension. Conner leaned forward enough to see over Danny’s head. He could just catch sight of a brick of a man that almost rivaled Dad and bright red hair.

“Well, Danny, honey—”

“No! Mom, we talked about this!” Danny thew his hands up into the air. His backpack slipped down his shoulders some when he dropped his arms just as suddenly. “When we moved, you both promised no more experiments out of the lab! A lab which is now at work in a whole different location. A lab which is not our home!”

“Come on, Dann-o,” the man said, “it’s just a little engineering!”

“Aren’t you supposed to be a that club of yours right now anyways?” Danny’s mom asked.

“What, because me not seeing this would make it all okay?” Danny scoffed. “Besides, that’s Thursday.”

“It is Thursday,” Danny’s dad (Conner assumed) said, then paused before continuing. “Isn’t it?”

“No, Dad, it’s Wednesday.” Danny sounded so done. All of the earlier anger was gone now and Danny just sounded done. He rubbed at his face wearily. “If it was Thursday, you’d have to already be leaving for Jazz’s debate competition.”

Danny’s mom gave a little noise that was almost a scoff. “That’s next week, Danny.”

“It’s—you know what, whatever. Just, whatever.” Danny turned his back on his parents and shoved the straps of his backpack back into place. He hooked his hand around Conner’s wrist as he passed, pulling Conner along (not that Conner couldn’t have resisted if he wanted to) and back outside.

Danny’s breath fogged up in the cold fall air, drifting up and around Danny’s face as he looked up at the sky.

“I’m sorry.”

“Dude, you don’t have to apologizes,” Conner said. He wasn’t even sure what Danny was apologizing for. His parents? Losing his temper? Conner couldn’t judge either of those things. Parents were just parents and he lost his temper more than enough.

“Still, I said we could work at my place and then I just…”

“We passed, like three coffee shops on the way here. We’ll just pick one of those, okay?”

Danny closed his eyes and let out another slow breath. “Okay.”

Since Danny still hadn’t let go of his wrist, Conner just twisted his hand in the other’s grip and twined his own warm fingers with Danny’s too cold ones. “Come on, I got us.”

He didn’t wait for Danny to respond before he started them back down the streets of Metropolis.

[dreamgirljune]

if tumblr loves anything, it's bitches who are doomed by the narrative. in this uquiz, find out what role are you in the tragic play?

[welcometogrouchland]

Extremely bad batgirls comic I made featuring Steph's sex life and Cass' ability to read everything but the room

[kellkyy]

"Ghosts" made with airbrush and paper cut-outs

[punkitt-is-here]

Your praise of Chainsaw Man actually makes it sound really interesting so would you recommend manga or anime?

Manga, but mostly because I haven't watched the anime aside from the first four episodes. I recommend reading it specifically because Fujimoto is a fucking genius when it comes to his panelling. Like, genuinely some of the best in the industry. The way he uses the medium of comics to portray intimacy or horror or comedy is like no other. I might post some examples later, but I genuinely think you're missing out if you ONLY watch the anime because Fujimoto uses the medium so goddamn well

[b4kuch1n]

podcast people in my phone

[bixels]

As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.

[sweeneydino]

Love me, love me not.

No distortion on the lake cause then you couldn't see em kissing

[emilinqa]

on an increasingly urgent mission to get everyone to read the star trek year five comics

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[saltmalkin]

tiangou

[partywithponies]

Listen to me. If you want your media literacy to improve, you have to consume a variety of media. And I don't just mean a variety of genres or a variety of writers or a variety of target demographics (though absolutely those as well), I mean a variety of mediums. Read books. Watch TV. Watch films. Listen to radio plays. Watch theatre productions. Watch documentaries. Read comics and graphic novels. Goddammit read fanfic and watch youtube videos as well, just for the love of god have variety. Learn to recognise how different mediums convey themes and information in different ways. It's like food groups, you need a little bit of all of them to be healthy.

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[squea]

some shots i took whilst i was setting up my save

[sysig]

How far did you get? (Patreon)

[anxiousapplepie]

I had the urge to draw a comic, but ISAT wasn't sparking inspiration today Original characters, my beloved, thank you for practically writing yourselves when I need The Art Stimmies and a pallet cleanser from everything haunting my brain