#medici Masters of Florence

[narrateur]

[perioddramasource]

CONTESSINA DE MEDICI MEDICI (2016 — 2019)

[angie-arch2003]

Ensayo de Medecis Masters of Florence

La serie Medici Masters of Florence nos sumerge en el corazón del renacimiento italiano, transportándonos a una Florencia vibrante y llena de intrigas políticas, mecenazgo artístico y avances intelectuales.

Florencia, en el siglo XV, era una ciudad-estado italiana que se encontraba en el epicentro de importantes cambios políticos, económicos y culturales. La familia Medici, originaria de una modesta familia de banqueros, logró consolidar su poder a través de una astuta combinación de alianzas estratégicas, préstamos a gobernantes y una profunda comprensión de las dinámicas políticas.

La economía florentina se basaba en el comercio y la banca, y los Medici se convirtieron en los banqueros mas poderosos de Europa. Su riqueza permitió financiar proyectos artísticos y arquitectónicos ambiciosos, convirtiéndose en los mecenas más importantes de su tiempo.

La relación entre Brunelleschi y los Medici fue una alianza fructífera que permitió la realización de una de las obras más impresionantes de la historia. La relación de los mismos fue más allá que una simple colaboración cliente-artista, ya que ambos compartían una visión en común para transformar a Florencia en una ciudad del renacimiento.

Clase 3 18/10/2024

[arcanespillo]

“Legami”

Medici: Masters of Florence S2E05

[simply-ellas-stuff]

I haven't watched Medici in a hot second but I swear there was a scene of Francesco de' Pazzi stripping, either his shirt of his jacket or something, and yet I see no gifs of it (which is wierd bc i know almost everyone is a simp for this man) so i feel like I made that up and now I need confirmation if I'm Mandela effecting myself or this is real thing that happened in the show

[cannibalavanti]

WHY WHY WHY DID MEDICI LEAVE NETFLIX

[hebeandersen]

i am a rai fiction and actually i feel no shame saying this

[rphelperblog]

Medici: Masters of Florence Quotes Rp Meme

inspired by @multistoty​ @all-is-fair-in-love-and-war​

The whole tree does not die because one branch falls.”

For new leaders to rise, the old ust fall.”

An innocent man fears nothing.”

There are more ways for a woman to be indispensable than in just bearing children.“

A man always has a choice, if he is willing to lose.“

A foolish man lives for himself. A wise man lives with a purpose.“

Sometimes it’s not about backing the man most likely to win. It’s about backing the right man making sure he does win.“

Perception is power. And we must appear powerful, now more than ever.”

Opportunities may arise in the most unlikely of circumstances.“

It is sometimes necessary to do some bad in order to achieve a much greater good.“

Men are God’s creation. Whatever we achieve is God’s glory.“

Parents expect everything from their children. And then they die and what they expect ceases to matter.“

All men are capable of murder! Given the right circumstances.“

A man must live his own life.”

A man who could be turned once, can be turned again.”

Now and then, the truth needs a little help to be told.“

If we are to shape history we must live beyond our lifetimes.”

A man determined to die should be allowed to run headlong into his own sword.“

[love-for-tv]

[namque-veritas-et-iustitia]

[silentangell95]

Филми и сериали: Октомври

[domitiaa]

Was Simonetta Vespucci really Botticelli's muse?

I know my answer will shock millions of people, but I absolutely have to disagree.

Unfortunately we have no source that certifies that Simonetta Vespucci was portrayed by Sandro Botticelli. In the fifteenth century each artist had his own repertoire of female and male figures, for this reason Botticelli's women are ALL THE SAME and this tells us that they are absolutely not portraits.

The fact is that it is a rather old idea, largely outdated in critical literature for over a century, but with an origin, it is painful to say, noble. This is the doctoral thesis of one of the greatest art historians: Aby Warburg. Warburg was a true pioneer, almost single-handedly creating an entire new field of study. We owe to him, among other things, the first serious consideration of Neoplatonism for the understanding of the Florentine Renaissance: without Warburg no Panofsky, Gombrich etc. Now, dealing with the topic he obviously studied the literature of the time regarding Simonetta, presented as an ideal of perfect Beauty and embodiment of a Platonic ideal. And this is absolutely true. What he added, and we cannot blame him in an era of pioneering studies (we are in 1892!), was that that ideal Beauty could be found in the works of Botticelli and that therefore Primavera and Venus had to depict Simonetta. Warburg had no source to support it, but it seemed to complement his vision so well that he supported it anyway. Even then it was immediately criticized, because it was not methodologically sustainable, and it was precisely its best followers who excluded it in the studies of the following decades. Among art historians the idea has effectively been abandoned, at least due to lack of evidence, for decades and decades. But it survives by repetition in texts of another nature and above all in popular imagination (with the addition of other completely invented details, such as Botticelli in love wanting to be buried at Simonetta's feet etc.)

To conclude, the historicity of Simonetta's character is undoubted. Although sources about her are scarce, we know that she was celebrated by poets such as Angelo Poliziano and the Medici brothers themselves. But her true face remains a mystery!

[diana9241livejournalcom]

Chapters: 1/1 Fandom: I Medici | Medici: Masters of Florence (TV) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Lorenzo "Il Magnifico" de' Medici/Francesco de' Pazzi, Novella Foscari/Francesco de' Pazzi Characters: Lorenzo "Il Magnifico" de' Medici, Francesco de' Pazzi, Original Child Character(s) Additional Tags: Season/Series 02, Secret Relationship, Missing Scene, Historical References, Past Relationship(s) Summary:

Sapeva cosa doveva fare, o almeno sapeva che doveva farlo.

For  @historical-epic

[the-breath-in-air]

Listen, I'm only on season 3, episode 2 - but so far the Netflix Medici series has been bizarrely heterosexual. Like, only the first episode of the first season had any explicitly queer characters. And they didn't show up at all after that first episode. (Though we do see Donatello's David throughout the series).

Like, there are queer vibes around the edges of different bits, but nothing explicit. It's really weird.

[simply-ellas-stuff]

Why in the absolute and total fuck did they get rid of Medici season 1 on netflix??

[recycledmoviecostumes]

This colorful silk coat appeared in the episode of The Borgias entitled The Moor, where Elyes Gabel wore it as Prince Djem. It was later seen in the first season of Medici: Masters of Florence in the episode Temptation, where Alessandro Sperduti wore it as Piero de’ Medici. The coat had been modified, with additional golden fabric on the sleeves. While the actual scene is quite dark, we can see the details very well in a promotional still.

Where did this costume originate? Click the source link below to find out!

Costume Credit: Lucia

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