#mean that the vast majority of people on it for years aren't on it because they HAVE to be
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screams my stepdad and my moms boss both believe people trapped in poverty choose to be poor
#I'm not saying your experience with '''welfare queens''' didn't happen but people STUCK in poverty are STUCK there for a reason#my moms boss (whit guy married to a black lady) also said some shit about how the biggest problem with th black community is lack of fathers#like no baby I think it's the racism built into the fuckin system#just look at redlining#or the crack epidemic#like. WHAT is taking the fathers away. where are they GOING. oh right. they got labeled criminals and thrown in jail#which you didn't even want to acknowledge has a structural racism problem as well#but like. just because someone you know managed the impossible feat of dragging themselves out of poverty doesn't mean that everyone can or#has the OPPORTUNITY to. he didn't even try to refute my points about disability and not being able to save he was just like 'yeah they DO#treat disabled people and vets really really poorly' like cool ignore how that relates to the greater discussion of poverty esp as it#relates to other personal situations like disability or racism. like the way poor brown men are lured into the military and thrown away. or#the way that disabled black people are way less likely to get approved for benefits#like. ignore the larger implications that I'm making in favor of like. 'well my wife is black so I clearly have more of a say here than you'#like what a shitty white move to pull 'muh muh I have a leg up in this discussion because of my black friend/wife/whatever I win!!!'#just because a tiny fraction of the population on welfare choose to stay on it and actively dissuade attempts to get them off of it doesn't#mean that the vast majority of people on it for years aren't on it because they HAVE to be
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With the confirmation of The Acolyte not getting a second season, I can't say I'm surprised, the numbers for that show were really bad given what its budgets was, like I kept an eye on The Acolyte's numbers and they were really, really down across the board (Ahsoka's numbers aren't super great either but that's getting its second season because it's Filoni's pet show, I suspect), like set aside all the other complicated stuff, whether it was good or bad, how much of the fandom's reaction was pretty heinous and racist, it just was not getting the numbers it needed and it's making me wonder about how all of these shows are not doing well. Mando is doing all right, OWK did all right, Andor's doing okay, but none of these shows are setting anything on fire anymore (ratings-wise, that is), what would it take to create something that takes off again?
I strongly suspect that The Mandalorian only took off because of Favreau, who really does know how to make something really good and fun in the beginning. Filoni gets a lot of credit for that show, but I'd be willing to put ten dollars on the table that Favreau was driving the vast majority of the success of that series. And that makes me wonder about the future of these shows, because I don't think Filoni is strong enough to really carry a show on his own, most of his best work is when he has a strong partner actively working with him or when he was working under Lucas.
And the creators they bring in to create these shows aren't setting anything on fire, either. Yeah, the sequels made a billion dollars for each movie, but I think it's pretty telling that we're not getting comics or books or games about those characters anymore, the way we did for the prequels characters for more than a decade after they came out. Yeah, Tony Gilroy and Deborah Chow had shows that did solidly well, but they're not anything that Star Wars can build future content off of, they're already backstories for other movies themselves. And I don't think Skeleton Crew is going to light anything on fire, either.
Lucasfilm just doesn't seem to know what to do with Star Wars TV and movies. They had some really good early success with their projects, but almost everything ultimately fizzled out after a few years or ended really badly, and it feels like the only thing that's really hitting with audiences are more Clone Wars-era content and The High Republic novels and maybe still The Mandalorian.
Honestly, if I were Lucasfilm, I'd cut out the live action shows and go back to animation and think long and hard about setting up a new movie series. I think, with the right creative team (and not just who they think is a big name to write/direct), they could have a great trilogy with The Old Republic era stuff, because they have got to expand beyond the PT/OT and the Skywalkers, especially since the sequels put a bad taste in a lot of people's mouths about how Luke, Leia, and Han's stories ended.
(I mean, in my ideal world, we'd get an animated series set in between TPM and AOTC or set like 30 years pre-TPM and getting to see the backstories for characters like Mace and Plo and Shaak and Luminara and Yarael, but I'm not holding my breath on that one.)
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This phenomenon of so called Leftists throwing up their hands at the tiniest pushback, or criticism, or suggestions on how to not actively be antisemitic needs to be studied. Because what do you mean instead of just accepting that an antisemitic troll claiming to be on your side said "Zionist Occupied Government" and denouncing this and moving on with your life... you double down, defend, and deflect. It's classic DARVO, but like, when people are very patiently and slowly explaining how this is a literal KKK Nazi white supremacist fascist phrase, it's not enough? You don't care?
It's clear that the "pro Palestinian" left have been fully infiltrated by fascists, both Western fascists who have always been nakedly antisemitic and are finding the perfect avenue to mainstream their Jew hatred... and Islamist fascists who simply never cared that Jews are a global minority group that has faced oppression and violence in multiple different continents, they don't care about social justice or fundamental human rights. It's not part of their intellectual tradition.
The "pro" Palestine movement has been captured by people who have decided that a) Palestine is emblematic of all of the problems of the world, and that b) every Jew is worth sacrificing to correct these problems, because c) if Palestine is emblematic, aren't Zionists responsible for everything then?
Now the prevailing thought is that someone should be able to call for violence against Jews, someone should be able to harass or even assault Jewish Americans, because bringing it up, complaining, taking a stand, that's the equivalent of telling them you like children blowing up, you like hundreds of thousands of people being homeless and food insecure, you like prisoners being detained in Guantanamo conditions without due process, where anyone can torture them as revenge even if there's no proof they're an actual Hamas member.
Is there a reason they argue like Republican Fox News addicts? I guess that kind of explains how easily the "movement" is falling apart to literal fascists.
They say "nobody cares about your hurt feelings ZIONIST!" if you mention literal stabbings and firebombs. They say "but we should talk about how pervasively synagogues indoctrinate the vast majority of Jewish people with Zionist ideology." They roll their eyes because "don't you know Palestinians are suffering 200x what these cushy American Jews could even imagine?" Facts don't care about your feelings uwu~
But at the end of the day, they care a lot about their own feelings, much more so than the facts. They feel entitled to hate all Jews all over the planet, to secretly revel in antisemitic rhetoric and acts, to want to take out their impotent frustration and despair on any and all Jews they'd like. This is very much about their feelings and not any Jewish people's feelings.
They've been waiting for this, or many of them never cared at all. Now it's finally Leftist to quote Nazis and openly make fun of Jews who are getting stabbed. Now it's finally Leftist to call for incinerating all of Israel and maybe we should consider a lot of Diaspora Jews too, you know they can't be trusted! Oh but don't forget to honor the victims of Hiroshima and Nagasaki, innocent civilians should never have been targeted by America's vicious imperial violence!
The fact that it took this substantial contingent of watermelon twitter less than a year to go full mask off like this... is that revealing or troubling?
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hi!! if you would like to join me in being angry, please consider this new gem of journalism bestowed upon us peasants today:
(Article link is here)
In case you doubt it, yes, that is correct. Major studios will now assemble panels of racists, homophobes, transphobes, and misogynists to dictate how much us squirming pathetic little brown queers get to be represented on screen.
They were already doing this, but now they're comfortable saying it outright. As I have said before, THIS SHOULD ALARM YOU.
This post is long so the rest is below, backed up with data:
Disney is tacitly admitting that they canceled The Acolyte because they would rather alienate their marginalized fanbase than their rabid, genocidal straight white male one. And you can be damn sure this is also why the likes of Netflix and HBO Max are so comfortable discarding highly acclaimed queer shows like Warrior Nun, Our Flag Means Death, the Owl House, and Dead Boy Detectives.
The only shows about marginalized people allowed to go on are the ones that, against all odds, become hit successes (eg Heartstopper), at which point their earning potential outweighs their sin of being brown or gay. I want to emphasize that these shows must be breakout hits - shows that perform on par with straighter, whiter releases aren't given this grace.
These companies are going to obscure the reality of their actions by talking about profits and public image, but rest assured they would find a way to justify this even if the vast majority of viewers were brown and queer. Because it's about maintaining power. It's part of a nationwide surge against inclusion.
Do you remember the IGN article that just came out that revealed Disney's insistence that Riley be made to look "less gay" in Inside Out 2?
Do you remember the Autostraddle article which crunched the numbers to show that queer shows are cancelled more often and earlier than others?
How about GLAAD's breakdown of queer shows cancelled last year? Here's a snippet of the data:
❗️Both Autostraddle and GLAAD have found that 1 in 4 queer shows are axed. This is DOUBLE the rate for streaming shows overall, which is just at 12%.
Variety has a data breakdown here. What's interesting is that Netflix is actually pretty moderate with its cancellations, yet the majority of cancelled queer shows belong to Netflix.
I had a harder time finding data for shows featuring leads of color. If anyone has links, I'll add them here.
In conclusion:
They are banning our books. They are cancelling our shows. They are silencing our stories. You know why.
You can help in a few ways. One is to stream as many cancelled shows centering POC and/or queer people as you can. Another option is to cancel your streaming subscriptions and vote with your wallet (this is what I have done).
There's also a bunch of petitions for cancelled shows I strongly recommend signing. Pick a show and google it plus "petition" and it will turn up.
You can go to Rotten Tomatoes and IMDB and 5-star your chosen shows, as well as each episode.
You can message the streaming services on social media requesting renewal. Reaching out to influencers in spheres related to this topic, as well as media outlets, is also a good idea.
Finally and most importantly, talk to your friends and family. Ask them to do something. Ask them to tell people. The more people who stand against a hateful status quo, the less powerful it becomes.
I believe this can be turned around if we make enough noise. These streaming services should revive their queer shows, market them properly, and support them like any other show.
I sound silly now, but watch this space in two years.
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Aroallo is not an "adult" sexuality
[plain text: Aroallo is not an "adult" sexuality]
I am aromantic and allosexual. I am also (as of writing this) a minor. TLDR at the end because I rambled on a bit.
There's a view in society that sexuality and sex are topics that are entirely irrelevant to children and should not be discussed around/with children because it is inappropriate/predatory. And to an extent, there is a point to that, and any discussions of sex and sexuality should be age-appropriate (e.g. an eleven year old would not receive the same sex ed as a sixteen year old because there is a vast difference in experience)
However, thinking like this leads to teenagers not being given proper sex education because they are "too young", which is wildly ignorant of the fact that a decent proportion of teenagers older than sixteen are sexually active. I live in the UK where the age of consent is 16, and I know plenty of people who were in relationships aged 14/15 were having sex. (Whether they weer mature enough to is another matter, but it's important to acknowledge that it does happen so there is no point ignoring this).
This rhetoric also leads to the belief that teens (and younger kids) shouldn't be coming out as gay/lesbian/bisexual/asexual/aromantic/etc. because they are too young to be thinking about sexuality and sexual attractiveness, which just.... isn't true. Many young people have crushes, and as the majority of people are allosexual, this does often involve sexual attraction as people mature through puberty.
Within the queer community, people have said that it is perfectly fine and normal and common for teenagers to come out as gay, lesbian, bisexual, asexual - Because if a teen can be straight, they can also be queer. These arguments are all set out beautifully and the points well made.
Yet.
Some people exclude aroallo people from that. They say that teens can be asexual, because they can know they aren't experience sexual attraction like their peers, and teens can be aromantic as well as asexual because they can realise they also aren't experiencing romantic attraction. But when a teenager says they are on the aromantic spectrum but still allosexual, often the same people who defend teens' rights to be (for example) bisexual turn around and say "you're too young for that".
Why?
Honestly, it comes down to sex-negative views that sex is inherently impure/disgusting, and of course children are the perfect example of purity and innocence, so they shouldn't be thinking about such "dirty" topics.
Of course a teenager can be asexual, that distances them from icky gross sex & means they would likely to be only engaging in chaste, pure, wonderful romance. Of course a teenager can be aroace, that makes them little cinnamon infantile babies, safe from all sexuality. (/sarcasm) (Also completely ignores the existence of sex-favourable aces and aroaces)
It comes off as very hypocritical though, because a teenager identifying as bisexual but not aromantic (so biromantic, but that distinction isn't typically made) is seen as acceptable, when they are expressing the same sexual desires as a teenager who is bisexual and aromantic. The only difference is that the first teenagers' sexuality is seen to be "balanced out" by the presence of nice wholesome romance.
tldr: if teenagers can identify as bisexual/gay/lesbian/pansexual/etc. whilst being alloromantic, it is hypocritical to say a teenager cannot identify as one of the above sexualities whilst being aromantic, because romance is not inherently more pure than sex and sex is not inherently impure.
#aroallo#alloaro#aromantic#aro#alloarophobia#aroallophobia#lmk if any other tags need to be put on here??#also apologies if the wording comes off strange i'm not used to writing big official posts like this and im autistic#i think the message still comes across pretty clearly??#crow cawing
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/olderthannetfic/769334704445997057/another-fandometrics-year-in-review-another-bevy
I am - genuinely - very sympathetic to the frustrations of solely f/f shippers and I DO think some people are a little too quick to shrug off the lack of f/f in fandom spaces with “lack of representation in media what can you do” when fandom is all about assigning personalities and backstories to one-line characters. HOWEVER. As someone who likes all kinds of ships, the experiences I have had across many MANY fandoms with solely f/f shippers treating people who also liked the main m/m ship as traitors and bad feminists, not to mention the number of people who have told me, a trans man, that I HAVE to write more f/f and less m/m For The Sisterhood, has made me LESS likely to engage in f/f, not more. Some of y’all are your own worst enemy when it comes to this stuff I swear. (Hashtag not all femslashers, hashtag some of my best friends are femslashers, etc)
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Demands that people defend and explain perfectly commonplace things always end up generating dumber and dumber explanations.
I agree that that explanation by itself is kind of weak, but "Why are you asking only about AO3?" (as people often are) plus representation problems plus the other commonly cited reasons add up to a perfectly sufficient explanation. People just don't like what they're hearing.
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The kind of f/f fandom people are often looking for—a by cis wlw, for cis wlw one—is not that different in size from the by cis mlm, for cis mlm one. They are both small.
Yes, I know they pretend that's not what they mean. They are lying. Possibly to themselves. Just look at the bawwwwing over the idea that cis men liking f/f could add to the amount of f/f art or the audience for the same.
Many AO3 slashers are better compared to transbian catgirls making lesbian furry porn or cis dudes horny for Buffy/Faith or something. There are plenty of people who care about f/f. They're just not necessarily the ~right~ people in the right spaces making the right art to count in some wanker's statistics.
Part of the reason our explanations and discussions always sound so bonkers is that we constantly compare apples to oranges.
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And while we're at it, let's talk about that hoary old ~one-line character~ thing.
The reality is that we like to talk about how we elevate random walk-on characters, but the vast majority of shippy AO3 fanfic is about fairly major characters. Clint/Coulson was bizarrely popular in 2012. It has been twelve years. It is time to get over it.
On top of most things focusing on leads, the focus is often on characters who are given a lot of interiority. The audience is invited to be in their head and care about their feelings. People aren't usually good at analyzing film, so they use more familiar metrics involving text: how many lines do they have in the script? How many minutes does that translate to on screen? They don't know how to quantify a character being treated as an object to be looked at beyond "Booty shorts bad". But it's not general sex appeal or amount of skin on display that matters here.
As audiences, we respond to film grammar and "Just happen to like" or not like some character as a result of it, but we aren't aware of the mechanics, so we can't explain why beyond vague spluttering and "How dare you! Everyone should think this because it's the natural response!"
In general, media with multiple central women who have intense relationships with each other and who are conventionally attractive generate plenty of interest in f/f. Media with one hot girl who has the camera trained on her ass all the time while the men do everything interesting usually don't.
It's a no brainer and the harebrained explanations come from trying to look deeper to find the secret conspiracy where there is none.
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The biggest mistake of most of this dumb discourse is "But I see all these queer women here. Why isn't there more f/f?"
This presupposes some default "normal" level of f/f without any actual justification for why that would be expected. You see the same nonsense from people going "Why is there so much m/m?"
What's the default? 10% because of the fake statistic that 10% of people are gay? 75% because action movies are sausagefests and all the important relationships are between men? What's the "normal" level of femslash? 25% because f/f, f/m, m/m, and gen are all equally valid? 80% because lots of fanfic writers are women?
Chasing one precise number is a fool's errand, but building a whole theory on the idea that there's an implicit number without even digging into that assumption is more foolish still.
When you look at the fanfic (or art!) spaces that are full of dudes, they often look like a bit of a mirror of AO3. Lots of het still. Lots of f/f. Lots of lady blorbos people are obsessed with. Limited m/m. Depending on the space, there might be a lot more gen. It's not perfectly 1:1, but then AO3 isn't precisely like other chick-heavy fanfic spaces anyway.
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In my experience, the thing that makes a blorbo take off is that they're fairly major in canon, often driving the narrative even if they aren't the main protagonist, and they show up early.
In the cases where they weren't there at the very beginning, them showing up was the catalyst for fans who like this type of character to get into the canon at all. It's not just Castiel: you see it with Methos from Highlander and plenty of others. It's usually in a context where that fandom didn't have that much established for this type of fan. There wasn't a second dude to pair the lead with or the ship turned some people off or something. Highlander, for example, had fucktons of het shippers, both of canon het and of various OFCs and canon dudes. It was the slashers who stampeded over there when friends told them there was new ship potential for m/m. SPN... Sam/Dean was very popular on LJ, but I think it's obvious why a viable non-brother ship was of interest to people. I watched tons of people get pimped into Teen Wolf for Sterek. Of course they ended up liking it and not really caring about other ships: they were pre-selected to like that specific vibe. (And they are all wrong because Scott is the best and Derek has weird teeth.) The same thing happens with f/f. People get into media all the time because they're promised such-and-such a ship dynamic.
Wynonna Earp had plenty of people who were there for the women because the women are who matter for the most part. People were super into the canon f/f because it's hot and because it didn't seem like they were just going to get hit by a bus and shooed out of the narrative.
How many things that everybody and their sister saw have that many main women who matter? Some, definitely, but they're outnumbered by the sausagefests and by the things with very central het. Not everything with a huge audience gets a big fanfic fandom, but most things with big fanfic fandoms do have a big audience. You need critical mass to make a fandom happen.
Something like MCU has a variety of tasty shipping options, but the characters it spent all its time on first were the small selection of guys fandom cares the most about. When other characters were established very early, they also had an early spurt of fandom. I can't be the only one who remembers Pepperony fandom on LJ. It wasn't just people tagging canon ships in the background: Pepper/Tony shippers were a whole thing.
Yes, there are exceptions, but we make a big deal of them while ignoring the overall pattern.
Again, it is time to get over Clint/Coulson, Arthur/Eames, and people hallucinating that Hux had a personality in that first movie.
These are rare exceptions, and they're all snark-based at that. Darcy Lewis was also obnoxiously popular based solely on a few lines of snark, but that didn't count because she wasn't the correct and virtuous choice of favorite female character.
(Seriously, you should have seen the whining about all the people horny for Darcy who didn't give a fuck about boring Jane. Sorry, but your blorbo is a snooze and mine has amazing tits in addition to being funny.)
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Let's go look at what's big on AO3 since it's easy and that's what other lazy statistics compilers do and then base their whining on:
Looking at the M/M tag, here's the sidebar:
Castiel/Dean Winchester (111856)
Draco Malfoy/Harry Potter (70823)
Derek Hale/Stiles Stilinski (70134)
Sherlock Holmes/John Watson (67796)
James "Bucky" Barnes/Steve Rogers (61397)
Aziraphale/Crowley (Good Omens) (56548)
Minor or Background Relationship(s) (55109)
Sirius Black/Remus Lupin (49179)
Bakugou Katsuki/Midoriya Izuku (46679)
Steve Rogers/Tony Stark (44754)
I'm seeing canons with huge audiences. Teen Wolf and SPN are way more popular in fanfic fandom, relatively speaking, but they're certainly not obscure media.
I'm seeing a lot of leads. Sirius/Remus does stand out a little: they aren't walk-ons, but fanon did elevate them. Same with Draco, but main protagonist/most obvious nemesis is hardly a surprising ship type.
Let's play with exclude filters and see what's next (numbers won't be exact since this is via excluding the previous batches):
Harry Styles/Louis Tomlinson (43234)
Lan Zhan | Lan Wangji/Wei Ying | Wei Wuxian (40115)
Jeon Jungkook/Kim Taehyung | V (38398)
Keith/Lance (Voltron) (32757)
Dazai Osamu/Nakahara Chuuya (Bungou Stray Dogs) (32744)
Dean Winchester/Sam Winchester (31834)
Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV) (31527)
Merlin/Arthur Pendragon (Merlin) (31011)
Will Graham/Hannibal Lecter (30819)
Magnus Bane/Alec Lightwood (30133)
Steve Harrington/Eddie Munson (27403)
Original Male Character/Original Male Character (26854)
Bakugou Katsuki/Kirishima Eijirou (26854)
Jeon Jungkook/Park Jimin (26454)
Katsuki Yuuri/Victor Nikiforov (26453)
Clay | Dream/GeorgeNotFound (Video Blogging RPF) (21154)
Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion (20946)
James T. Kirk/Spock (20716)
Min Yoongi | Suga/Park Jimin (20561)
Blackbeard | Edward Teach/Stede Bonnet (20113)
Iwaizumi Hajime/Oikawa Tooru (20039)
Hinata Shouyou/Kageyama Tobio (18806)
Blaine Anderson/Kurt Hummel (18013)
Erik Lehnsherr/Charles Xavier (17577)
Dan Howell/Phil Lester (17518)
Levi Ackerman/Eren Yeager (17404)
Han Jisung | Han/Lee Minho | Lee Know (17390)
Akaashi Keiji/Bokuto Koutarou (17141)
Tartaglia | Childe/Zhongli (Genshin Impact) (17041)
Harry Potter/Severus Snape (16773)
Oh look: more leads.
Sure, there are some little oddities, like the fact that taekook is obviously the worst BTS ship and it is a personal attack on me that it is that popular. But come the fuck on: this is a parade of some of the most famous musicians and most popular anime, shows that had huge audiences and particularly huge audiences of the type that like fanfic.
Let's have a look at f/m:
Adrien Agreste | Chat Noir/Marinette Dupain-Cheng | Ladybug (33773)
Hermione Granger/Draco Malfoy (33031)
Original Female Character(s)/Original Male Character(s) (29586)
Rey/Ben Solo | Kylo Ren (24192)
Minor or Background Relationship(s) (21606)
James Potter/Lily Evans Potter (21088)
Kylo Ren/Rey (16028)
James "Bucky" Barnes/Reader (15922)
Hermione Granger/Ron Weasley (15635)
Sirius Black/Remus Lupin (15335)
Pepper Potts/Tony Stark (14552)
Fox Mulder/Dana Scully (14214)
Bellamy Blake/Clarke Griffin (13616)
Annabeth Chase/Percy Jackson (11471)
Oliver Queen/Felicity Smoak (11383)
Captain Hook | Killian Jones/Emma Swan (11272)
Castiel/Dean Winchester (11187)
Other Relationship Tags to Be Added (10529)
Clint Barton/Natasha Romanov (9750)
Original Character(s)/Original Character(s) (9736)
Okay, it is AO3 after all, so some m/m ships have snuck in there, but the general trend is still leads, leads, leads, now with some readerfic. (For James/Lily, you can blame the insanity that is Marauders fandom on TikTok, or so I hear.)
And f/f:
Kara Danvers/Lena Luthor (21520)
Original Female Character(s)/Original Female Character(s) (17873)
Evil Queen | Regina Mills/Emma Swan (16168)
Minor or Background Relationship(s) (13681)
Clarke Griffin/Lexa (12876)
Adora/Catra (She-Ra) (11532)
Amity Blight/Luz Noceda (10880)
Sirius Black/Remus Lupin (10532)
Caitlyn/Vi (League of Legends) (8925)
Blake Belladonna/Yang Xiao Long (7766)
Robin Buckley/Nancy Wheeler (7369)
Korra/Asami Sato (7146)
Wednesday Addams/Enid Sinclair (6720)
Other Relationship Tags to Be Added (6684)
Waverly Earp/Nicole Haught (5764)
Original Character(s)/Original Character(s) (5529)
Chloe Beale/Beca Mitchell (5347)
Laura Hollis/Carmilla Karnstein (4895)
Jirou Kyouka/Yaoyorozu Momo (4662)
Charlie Magne | Morningstar/Vaggie (4402)
Thirteenth Doctor/Yasmin Khan (4284)
Alex Danvers/Maggie Sawyer (4223)
Rose Lalonde/Kanaya Maryam (3936)
Eve Polastri/Villanelle | Oksana Astankova (3876)
Maya Bishop/Carina DeLuca (3700)
Sister Beatrice/Ava Silva (3689)
Castiel/Dean Winchester (3664)
Maxine "Max" Caulfield/Chloe Price (3471)
Miranda Priestly/Andrea Sachs (3394)
Ruby Rose/Weiss Schnee (3324)
Carmilla might be a little obscure compared to some media, and some other ships have snuck in here, but again, we're seeing some fairly prominent canons and the leads or at least main cast who have intense relationships in those canons. If most fantasy tv shows were Once Upon a Time, all of AO3 might be awash in nothing but swanqueen and captainswan.
The big thing that one sees is simply that f/f fandom often revolves around different media, while m/m and f/m are more likely to be into the same stuff that's full, full, full of main dudes getting to do things with one woman who matters.
We do not, in general, elevate anybody.
Not unless some very talented writer leads the way first with a juicy longfic that establishes all the fanon.
We repeat the myth that we do because it suits a certain narrative about how creative and transformative fandom is—and another equally popular narrative about how the lack of ship A/B is a ~conspiracy~ to rob one of one's rightful overflowing feed trough of fic.
It's bullshit.
We write about leads.
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Sorry one more thing I wasn't going to talk about but if you had asked me about the binational state/land thing maybe... in 2016, I might have given a somewhat positive answer but I think that since then, Israeli society has become exponentially more racist and anti-Palestinian. Since then we had the Abraham Accords, Sheikh Jarrah, Massafir Yatta, the highest child martyr count in years, and now finally a full blown genocide. Many Palestinians who previously advocated for equality in a single state look at all this, especially in recent months and think "how can I live side by side with these people?"
The vast majority of Israeli society is not against war for the sake of the Palestinians, they're against war for their own safety. They say as much. Hell, look at standing together. The founder guy says "our security is tied in with the Palestinians'". So if it wasn't tied with the Palestinians', you wouldn't care? And I get sometimes you need to introduce people to ideas gently, but their entire organization language emphasizes "shared pain" when there is an oppressor/oppressed dynamic they aren't even hinting at. How can anyone achieve safety if you won't even admit you have power over your Palestinian org members?
Even Brothers in Arms claims to want to "strengthen democracy" but they completely ignore Palestinians have never experienced democracy in "Israel". So what's the point strengthening your own standing when the most disadvantaged still are at rock bottom?? Plus your whole group represents the IOF reservists/members, you have no intention of helping Palestinians when you are the primary oppressors. And this is not an insignificant group in israel!
Not many Israelis are willing to put themselves on the line to protect or even advocate for Palestinians. I mean 7+ months into a genocide and what did israeli society do other than protest *netanyahu*? Hold up flour bags during the flour massacre??? The people serving in the idf are your friends and family and community. Tel Aviv is an hour away from Gaza. Surely you can do *something* physical!! They had people at their Gaza borders starving Palestinians on purpose and people just... watched it happen. Not to mention the IOF, which many Israelis are a part of, participates in the genocide and has been lauded for their "heroism". I look at that and I think "how can I expect you to seriously consider my rights as a person? How do I know you won't miss your old status and reclaim it?"
We've seen Israelis *celebrate* and *ridicule* our martyrs and people. So like where us the good faith in all this? Where can we work with some of these people and think "Yeah I believe they'll respect my inherent dignity as a person"?
Which binationalism relies on this. You need to have good faith between communities for this to actually happen. But when one community won't even acknowledge it's status as an oppressor at the height of oppression? Then what?
Israel as a country has never faced any retribution for its actions for 75 years. No one is holding them accountable. The country teaches propaganda in its schools about the Nakba. There is not serious consideration for Palestinian rights in Israeli society. Why would they suddenly decide to participate in a project that puts Palestinians as equal to Israelis when they learned all their lives that Palestinians are ruthless, unreasonable people who can't be reasoned with, and Israelis are logical, poor victims who are actually the ones who need protection from the Palestinians!
It just is mind boggling because I see people constantly complain about the way they hear things from Palestinians these days like "all Israelis need to leave". And they go on to say "why would you be so hateful/why would you say that" and don't think for a minute they're experiencing a televised genocide of their people (which they could have ended up in their shoes! People forget that Gaza has multiple refugee camps! Any one of us could have lived there!) And conversely are looking to Israeli society for them to do anything and they see nothing. At least think for a moment why they would say these things given the context of the situation. There's a genocide going on! And you're worried about what the people who are experiencing their people's genocide are saying because you're worried for the society conducting said genocide?? Let's deal with the matter at hand first!!!!!!
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We are halfway through Jack and Joker, and I just keep thinking about how impressed I am.
War is 30, Yin is 26. And the level of maturity that they are both showing in the creation of this series is truly praise-worthy.
I can't help but think about how we have major Hollywood "stars", of much more advanced age, who will refuse to be seen losing a fight onscreen, because it would hurt their little feelings to be portrayed as fallible in any way.
And here we have two young men, who were able to wrangle a project where they had vast creative control, and instead of turning it into some sort of ego-stroking endeavor, have actually taken the time and had the foresight to make it mean something. They made sure to find the right people to work with them, to leverage the skill sets of those who could bring the right energy to both behind and in front of the camera. They have so clearly been putting in the time with their own craft, bringing in performances that are some of the best of the year.
They aren't just telling a cool story, but they are making a point, about the way that people are left behind and stomped on again and again by the same oppressive powers. They aren't painting caricatures of heroes and villains, but giving complexity to everyone, even the guy who likes beating up people for fun. The "good guys" are gray, because real life is gray, and perfect morality is not possible in an imperfect world. But they make us love them all anyway, because compassion and forgiveness is the key to the entire story.
Even if it doesn't stick the landing perfectly, it's already been such a success to me.
Well done, gentlemen.
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Do you think Tom was the only student Dumbledore hated? I think Tom probably isn't the only Unfavorite Student and there are more out there that Dumbledore was successful at sabotaging.
(Side thought do you think Moody started out on Dumbledore's bad list but then worked very hard to "redeem" himself by trusting Dumbledore in all things and that's why he's so weirdly loyal to Dumbledore?)
Dumbledore and Hating People
The thing is that Tom Riddle does seem to hold a special place in Dumbledore's heart.
There are other characters we see who are also loathsome/have qualities that Dumbledore despises but it's in different ways/not to the same degree.
Dumbledore utterly loathes Lockhart, purposefully sets him up with the job so as to either destroy his reputation fundamentally or kill him. However, I'd say Dumbledore is contemptuous and dismissive of Lockhart. Dumbledore has 0 interest in the man beyond destroying him, and doesn't spend much time thinking about him beyond getting him in the castle and letting the curse do its work.
Dumbledore is dismissive and contemptuous of Cornelius Fudge, but again, doesn't focus on him much beyond pitying his shortsightedness and holding him in general contempt.
Dumbledore similarly doesn't love the Dursleys but it feels like that's in a way of he has 0 opinion or interest in Vernon and just... a very weird treatment of Petunia. I wouldn't even say he dislikes them, in fact, I think he likes the idea of them beyond the general disappointment in not treating Harry exactly the way he'd like (except they are doing that but he'll never say as much).
While we don't know that Dumbledore doesn't have stashes of memories he's painfully collected over the years, going to anyone who ever interacted with Tom Riddle and asking "please give me every memory you have ever had" only for the vast majority of them to slam the door in his face, given the focus he has on Tom Riddle it seems... unlikely...
Add this in with Tom's "dark glamour", the way Dumbledore talks about him, the way he pontificates about him as if he's a fictional character and Dumbledore is writing fanfiction and metas about the man, and we're looking at a... I'll call it a fixation where Tom hit all the right buttons for Albus Dumbledore in a way that other people just haven't.
Basically, the people we see Dumbledore hate just aren't hot enough (or are women so Dumbledore doesn't care).
I'll put it this way. Harry's easily Dumbledore's second fixation, he puts a lot of work into this boy, but Dumbledore's way less... into him is the only way I can put it, than Tom. Harry's there as a vehicle/means to destroy Tom and acts as a foil to Tom. Everything about Harry for Dumbledore is presented as "in contrast to Tom Riddle" and that's telling to me.
As for hating students...
I think most of the time Dumbledore just doesn't give a fuck.
With Draco who was actively endangering the student body, nearly killing several students to ultimately kill Dumbledore, and ultimately letting Death Eaters (including Fenrir fucking Grayback) into the castle where it's a miracle no one died/got lycanthropy Dumbledore was into it and a) knew the whole time b) did nothing to stop it because then Tom would hurt Draco. (It's too bad Katie Bell got cursed for six months in the process of that huh Dumbledore or you didn't approach Draco with that offer to give him clemency until the last five minutes of your life).
I doubt Dumbledore knows who Crabbe and Goyle even are.
And he seemed to favor the Marauders (rampant known bullies) and not care about Severus at the time and now thinks quite highly of Severus for having redeemed himself for love/following a narrative Dumbledore likes while also being unable to not do what Dumbledore wants.
He only cares about Ron and Hermione in relation to Harry and just likes the general idea of them (Dumbledore is very big on the "idea" of people).
Dumbledore and Moody
I don't think so.
We've seen the redemption story Dumbledore likes and that's Severus Snape's. Dumbledore likes a narrative, Moody having been disliked then just choosing to be a sycophant would be very unimpressive for Dumbledore because he'd see no reason for Moody to have changed/not an impressive enough reason.
It has to be for true love, friendship, some reason that is a compelling narrative to Dumbledore.
Everything for Dumbledore fits into these narratives from Merope dying in childbirth (she just didn't love enough), to Lily being murdered (she loved her son so much she sacrificed herself), to Snape (his love for her means he is now undyingly loyal to her son), to everything.
Plus, I don't get that feeling about Moody.
Dumbledore has plenty of people unquestioningly loyal to him, he cultivates the Order such that this is the case, it's not so much that Moody's an outlier for being so loyal but the fact that he is in the Order of the Phoenix at all means he must be this loyal to survive there (notice Percy is not a member). In the Order we're seeing the people who survived the litmus test of "actively not questioning Dumbledore in any decision he ever makes" (see HBP and the Christmas Party and shooting down of Harry's "Draco's up to something and Snape is too" for reasons that are simply "I trust Dumbledore completely" and nothing else).
If Moody wasn't like that, he wouldn't be in the Order.
So, I think Moody's just like the rest of them and I don't see a reason why he would have ever been different.
#harry potter#harry potter meta#harry potter headcanon#albus dumbledore#anti albus dumbledore#tom riddle#alastor moody#the order of the phoenix#anti the order of the phoenix#meta#headcanon#opinion
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I wrote this because I needed to get it off my chest. But then I didn't want to put it on my own blog because I didn't want to deal with the discourse. So, I decided to send it to you in the hope you'd put it up.
I've been in many different fandoms, and I think the only fandom where I ever very actively shipped a canon couple was Torchwood. (If there are people not shipping Jack and Ianto, please never tell me.) That means, of course, there were always other LI of my ships to deal with. And somehow, no matter the fandom (NICS, Hawaii 5-0, Sherlock (mostly), Stargate, etc pp) it's always the same: If the fic takes place at a point in canon where one or more people in the desired ship are currently in a relationship usually one of two things happens: 1. The canon LI just doesn't seem to exist in the fic. 2. There is somewhere one line about "Oh, what about Character A?" "Ah, we broke up. No big deal." (And writing this, I'm kinda laughing now about the Buck/Natalia break-up between seasons 6 and 7.)
So, it's very strange and confusing to watch this part of the Buddie fandom that's so enraged about Tommy and has made hating him their whole fandom personality, who instead of doing what's always been done with LIs that were in the way of a ship created this whole subgenre on 9-1-1 fics now whose whole focus is "How do we overcome the obstacle of the unwanted LI to get our ship". (As I write this, there are 800 fics on ao3 tagged with both ships!) Where did the mentality of "ignore the LI in the way of our ship" vanish to? It was there for other LIs of Buck and Eddie in the past, why isn't it there for Tommy? Why can't a multishipper go into the Buddie tag in peace without being slapped in the face with Tommy bashing everywhere? (And why do you have to bash Buck and Eddie, too, while doing so? I know you don't recognize it, but that's what you're doing with many of those takes about the cheating. That's what you are doing every time you make Eddie into a violent caricature just so you have someone who can beat Tommy up.)
The hate against Tommy has a very different quality and edge to it than the hate for other LIs in the past, and this new genre you all created is a huge part of that.
And before anyone starts, yes there are a lot of bashing fics about the other LI. I've read a lot of them. The vast majority of those are not about finding a way to get the LI out of the way for Buddie (especially not by glorifying Buddie cheating on their LIs) They are about exploring little things of the characters people find jarring or exaggerating those things to use as a plot or plot device. (e.g. Ana's ableist take after the whole skateboard incident. Or her unprofessional behavior of flirting with a parent during parent-teacher-conference.)
As for the very worn-out mantra/whine of "Why could I peacefully hate on the female LIs in the past but aren't allowed to do the same with Tommy?" No one would bother you if you stopped pushing your hate on everyone else.
But you're trying to infiltrate every single nook with your hatred because somehow you don't understand while you're entitled to your hate about Tommy, other people are just as equally entitled to their love and appreciation of the character and the representation he provides. It's not just the Buddie tag people are bombarded with your hate in. No matter what tag — Bathena, Henren, Madney, every single character tag — you'll stumble over Tommy hate pretty fast. Because you tag them all if they matter for your post or not. (I mean, you've done that with Buddie in general for years, which also was never okay!) Or find cheap excuses to include them in your post.
People would let you wallow in your hate peacefully if you wouldn't attack anyone who didn't agree with you. Especially those gay and bi men in this fandom who are full of gratefulness and praise for the representation of their lived experiences 9-1-1 has given them through Tommy and Bucktommy. Who've been calling you out for your hateful and phobic behavior because there is no avoiding being confronted with it.
No one would bother you if you wouldn't post public lists of people you plan to bully in the future!
I guess the point of this long-ass rant is: Get in your fucking lane and let everyone else enjoy the fandom, too. Keep your hate where others can avoid it. It's not that difficult. And believing everyone has to agree with you about your hate is a huge red flag.
Perfectly said, anon 👏
"You" = bestie boos btw
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I know I said I'd be inactive but I gotta rant like I'm at a point of pure rage and I'm not all the way sober rn. As a black woman? I feel betrayed. Like I have no clue why, but for some reason I had faith in y'all to come through and recognize that while Kamala isn't perfect by any means that a Trump presidency would likely mean wraps for all of us, but no. Every. Single. Group managed to fuck up aside from black men and women in this election.
What happens when the internet becomes so overruled with censorship that we can no longer share information about the causes we care about? The police are already over militarized and the oompa loompa that's been put up in office is fully ready to grant them immunity, meaning they would essentially be able to do whatever the fuck they want to us without consequence.
I mean let's be fucking real that immunity is going to affect my community at a disproportionate rate just in case you guys already forgot what those pigs like to do to us. And my community is also that main group of people that is out on the street riding for everybody when there's an issue so what's gonna happen now? Hm?
Black women have been saying for a good while that we should vote for the candidate who will let us keep doing the work we're trying to do. The one that we would be safe protesting and organizing under so that we can make change both in and outside of our community, for example, actually putting third-party candidates in STATE GOVERNMENTS so that when actual viable third parties run, they'll have some chance in the presidential election. Y'know because the Electoral votes and support from state governments are really what matters.
And I say ACTUAL viable third-party candidates because, let's be real once again, half the people who voted for Jill Stein didn't do research on her like they should have. That white lady has been a grifter this isn't news.
It's like...watching people just cling to the idea that some big revolution is going to start within the next year because of this is exhausting, especially when the vast majority of American citizens had not a fucking clue about Palestine, Sudan, or Congo until 2023. Unfortunately for us, this shit takes time and actual irl community building. These election results have only made what would have been difficult nearly impossible because people either want to stand on some moral high ground or for 'tax cuts' that they aren't eligible for because half of you bitches are poor just like the rest of us.
I'm fucking exhausted. My ancestors survived slavery, Jim Crow, red lining - we're still surviving and fighting for justice for victims of police brutality and I am so. Fucking. Tired of surviving shit because y'all can't think critically for two fucking seconds. It's like doing a group project but everyone else has a few pebbles in their skulls knocking around in there instead of brains.
#lesbian#☆kennie's rambles#wlw#i just want to live im tired of this happening every fucking year#I don't wanna see any 'black women were right and the leopards ate our faces' posts in 2025 when shit goes bad#cus fuck everybody#fuck trump#fuck everybody that voted for trump#fuck israel#fuck the united states#fuck the patriarchy#fuck white supremacy#fuck it all im tired#us elections#us politics#election#election 2024#leftist#and i dont give a fuck if this is mean in the slightest i truly wish a lot of people the worst.#oh and ESPECIALLY fuck queer/poc trump supporters#you bitches are the dumbest out of the bunch I wont lie
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How do you go about having a service animal in a GLAM environment? I’m hoping to go into archives, but I also require a service dog and I’m worried about contamination and prejudice. I would really appreciate some tips!
Hmm, your milage may very with my answer because of a couple of factors: 1), I'm not actually in GLAM although I have done some archival work. Archaeology generally falls outside of those spaces and many archaeologists bring their dogs to digs and/or to work, so it's much more accepted. 2) Llywelyn and I have been a service dog/handler team for 6+ years, so my tactics build in prior experiences. I'll tag @museum-spaces (a GLAMorous person and service dog handler), @museeeuuuum (GLAMorous).
In general: One of the most effective tactics I've found when entering new archival environments is to provide an example of my dog behaving appropriately in a similar setting. In emails, I like to attach the picture below along with a quick blurb about our previous archive experience to prove our bona fides.
If you don't have previous archive experience, go for somewhere like a library. Many colleges and universities (and local libraries!) have archival collections you can access in reading rooms, and that would be a great place to start. Working to build trust and set both you and your dog up for success is essential.
However, I will also say that I've never once had a problem with museum or archive staff and my service dog. I can count the number of truly unfortunate experiences I've ever had on one hand, and they were all in restaurants. GLAM folks are by and large a lovely group of people, and they are often prepared to deal with accessibility requests.
For prejudice: access to places with service animal is federally protected in the United States. Know your rights and be prepared to advocate for them. A service dog is akin to a piece of highly specialized medical equipment. I carry a couple of these cards with the laws about service dogs in my wallet and give them to people when they challenge me.
For contamination: Llywelyn is a poodle, so he doesn't shed (I actually shed far more than he does) which takes care of the biggest contamination issues. If your dog does shed, brush them out thoroughly before they have to be in a space where hair could be an issue, and tell the people in charge that you've done so.
Llelo also sits on a towel I place at my feet, which means he isn't roaming around and protects him from the floor and vice versa. I use a bathroom hand towel because my dog is small, but you could totally do something similar with a larger dog. (It's also nice for him not to have to sit on the cold hard floor of some places.)
TL;DR: There are ways to set yourself up for success, and I think that you'll find that the vast majority of GLAM folks aren't going to give you trouble.
-Reid
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do you have any advice/tips on how to write a cross eyed/lazy eyed/amblyopia character?
Hello, this is an incredibly broad question and hard to answer due to that. If you have a more specific question or a particular issue you're worried about, please send another ask with what exactly you'd like advice on.
The main tip I have is to not make the amblyopia/strabismus into a joke. Same with making the character who has it into the one comic relief character. To me, this trope was already tired and boring fifteen years ago and to this day it still hasn't managed to be funny once. Is an eye pointing a different direction really such comedy gold that writers (and, especially, artists) keep doing it to death? Just don't do this.
This doesn't mean that the character has to be serious or can't ever say anything funny. But the vast majority of characters with strabismus aren't even characters, they're one-off gags with no actual personality or even name. Or when they get a name there's an infuriatingly high chance that it will have “Derp” or some synonym for “stupid” in it.
Second - very much connected to the first one - tip would be to have a range in what a character with amblyopia can be. Again, there's more roles in stories than “comic relief”, “creepy old person”, and “this character doesn't actually have strabismus but I think it's funny for them to have it for this one drawing xD so random lol they have googly eyes”. Be creative.
The love interest can have hypertropia, the scientist can have exotropia, the ancient deity can be cross-eyed, the Mysterious Superhero can have hypotropia. Try to think outside the box of what characters get strabismus. If you want to do something awesome and never-seen-before, have multiple characters with amblyopia. Almost all media seem to have a cap on the number of cross-eyed characters set at 1 for some reason.
Other things cool to include would be mannerisms. A character with amblyopia will probably squint and tilt their head a lot to see better. I often close one of my eyes when I have to read smaller text or do something where I need precise depth perception.
For some people, glasses “fix” their amblyopia when they have them on. This can potentially work when the cause is a refractive error, mostly being very far-sighted. If it's caused by something else then they will probably have it visible all the time and everyone will have it visible when not wearing glasses.
Last thing, related to the previous point, is to consider why they have it. Most people will have theirs because of strabismus and refractive errors, but it could also be because the weaker eye is blind, because their eyelid droops, or be otherwise associated with the one billion conditions that cause strabismus. So while it's completely fine for them to just have it because of their eyes being crossed, they could also have it because of congenital cataracts or cerebral palsy. If you have multiple characters with amblyopia, you could have them have different disabilities (e.g., main character has a cranial nerve disease while their wife has Down syndrome).
I hope this helps,
mod Sasza
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I know this isn't only an autistic thing or always an autistic thing, but over the least few years, I've realized that a lot of my difficulties with humor are not actually with humor itself. If anything, there are specific kinds of humor that really work for me and I end up laughing so much harder and longer than everyone else that it's uncomfortable or embarrassing.
But a lot of popular humor fundamentally relies on saying things that aren't true. Sometimes this is drastic exaggeration, sometimes it's OTT parody that is far more about Being Funny than about the actual thing being parodied, and often it's flatly false and that's what is supposed to be funny about it. And yes, that's a humorless and ungracious way to describe that kind of humor—I don't mean to say that this is objectively bad or something.
I even understand the jokes intellectually. But in the vast majority of cases, there is something deeply unfunny to me about jokes reliant on something that is either obviously untrue or which I firmly disagree with.
I've seen quite a few posts recently about how, in online fandom, mocking your faves or being amused at other people mocking your faves is an important part of fandom culture. But for me, jokes about my faves based on things they actually said or did, or qualities they clearly possess, can be very funny, while jokes that are based on misrepresentations—even obvious, it's-all-in-good-fun-and-we-all-know-the-truth misrepresentations—are tedious at best.
For an easy example: Anakin and Luke Skywalker are two of my main Star Wars faves. Jokes about sand or Anakin mass-murdering children in his good phase or Luke being far less concerned than Han over the revelation of who his twin is or "it's not faaaaair" can still be really funny to me when told right. Jokes about Anakin obviously mind-tricking Padmé or Luke being obviously an eternally optimistic loser twink are intensely annoying to me regardless of context or delivery, not because they're comparably objectionable or anything but because they're not true.
Functionally this does cut out a lot of humor—especially online humor—but it's not that I literally don't understand it. I get it. I just don't get it.
#anghraine babbles#long post#sw fanwank#rare breed of attack unicorn#general fanwank#etc#it was a couple of lotr joke posts i've recently seen that were based on blatantly untrue things about gondor that got me thinking more#i didn't correct them (and usually don't!) but when someone else does#and the ops are like 'well actually i'm right because [another comedically false statement]' it's this weird mix of understanding the humor#and understanding it in a way that is the mental equivalent of eating boiled unseasoned vegetables. allegedly there is value but ugh#and a lot of jokes and especially mockery hit that way for me unless it's clearly true#and then it can be absolutely hilarious shit. idk.#this came up in my autism diagnosis and is well established in the literature blahblah so i know it is very often an autism thing#but in any case: probably a disproportionate number of people in fandom /can/ take jokes and mockery of their faves#they just don't find the 'make up shit about them with little to no basis in characterization and keep repeating it' form of it funny
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Why I think Snape is autistic
(as someone with autism and who also has other family members and friends on the spectrum)
(I don't want to generalise these are purely my observations and I hope I worded everything correctly, this is just my lil hyper-fixation dump meant for fun an not to be taken too seriously)
Firstly, Severus is always seen in his trademark long, dark robes which could be a way to cope with sensitivity to certain textures as he has clearly found something that works for him and he knows he likes, so why should he have to wear anything else?
He also keeps his hair long which could also be another sensory comfort for him as tying it up can keep it very far away from his face which short hair doesn't provide quite as well (from personal experience) or leaving it loose can create a nice feeling on a persons face or neck that some people with autism find comforting
Obviously Snape's favourite things are the dark arts and potions and he shows a deep knowledge of these subjects throughout the books and movies alike therefore these could be seen as special interests considering the amount of time and energy Severus puts into them
He's also shown to have a vast collection of various potion ingredients in jars and knows straight away that something is missing when Harry takes the Gillyweed
Severus also stims in potentially unnoticeable ways such as constantly fiddling with his hands, having his hands behind his back to clasp them together and picking apart leaves as a child
Social gatherings are clearly something that Severus finds difficult as he's not often seen at any besides supposedly mandatory events such as the Yule ball which could be because he finds them overstimulating from the noise, crowds, smells, lights, etc
Another potentially overstimulating thing for Severus could be light as he spends his time in the dungeons which aren't well lit and in other scenes where there is bright lights he immediately shuts them off such as when he takes over Lupin's defence against the dark arts lesson and also again in the prisoner of Azkaban a portrait asks him to put out his luminous spell and he complies as he walks away meaning he's just walking in the dark?! (Which is a total vibe tbh)
He's always been depicted as "strange", "wierd" or "lonely" as from his childhood Lily is his only friend and the vast majority of other characters seem to find him off putting and can't actually specify why they don't like him "the fact that he exists" but he's not shown to make much effort to expand his social circle so it seems as though he's either content with the situation or has given up on it
There is a lac of understanding shown for other peoples emotions throughout the books and movies alike for example the perceived "rudeness" towards students could definitely be a result of depression or something else but it could also be that he doesn't fully understand the impact that he has on them
Severus also experiences the "flat effect" which is when someone displays little to no facial expression, this is a trait that can be seen in autism, this is emphasised in the movies in particular but Severus in the books is also said to not show much emotion unless he's feeling incredibly extreme emotions "Don't call me a coward" for example is one of his infamous more emotional scenes but for the majority of the time his expressions aren't depicted in great detail or he simply isn't displaying any
Along with this he also has a fairly monotone voice, besides when he's extremely upset which again is a trait displayed by those on the autism spectrum
He doesn't seem to understand social rules particularly well for example he's unsure of how to communicate to Lily that she's a witch and accidentally ends up scaring her, not fully grasping that 11 year olds can't do everything he can regarding potions and becoming easily frustrated by them
Severus also clearly has a very strong sense of justice that he's willing to do almost anything to ensure is carried out such as spying for as long as he did which was definitely partly motivated by Lily but also (or I like to think) his intense black and white vision of right and wrong which Voldemort crossed when Severus fully understood everything that the death eaters stood for when they began hunting down Lily
#autistic snape#severus snape#pro snape#snape#snape fandom#pro severus snape#professor severus snape#professor snape#snape community#snape au#snape content#severus snape headcanon#snape headcanon#snape defense#snape love#snapedom#young snape#severus
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anti shifters are actually worse than yall think
��you’re mentally ill’ ’get help’ and then they try to explain why they’re being a whole ass bully with ‘but im just trying to help’
so if you think we’re mentally ill, why treat us like bugs… you wouldn’t tell a depressed person that they’re a weak ass piece of shit for being depressed, would you? you wouldn’t dox a person with dementia, would you? So are you trying to help, or are you trying to feel superior to us?
I’m gonna be honest, I wouldn’t harass a person who believed the earth was flat. I absolutely don’t believe the earth is flat; why? Not only bc it’s not destroying their lives, but because there are so many different tests to prove the earth isn’t fucking flat.
You can’t prove shifting isn’t real just as much as we can’t prove that it is real. I can’t bring a piece of a different dimension back to this reality, sorry!
‘but if shifting was real, wouldn’t this be a big breakthrough in science?’
TW: mention of babies undergoing surgery without anesthesia
…Humans discovered that babies could experience pain in the mid 1980s. The 20th century. Babies underwent surgery without anesthesia. Only muscle relaxants were provided to prevent them from thrashing around while they’re literally being cut open.
If someone were to say in the 1970s "babies literally can experience pain…"
"but wouldn’t that be a huge scientific breakthrough….?"
Did we have the same advanced technology in the 20th century as we do in the 21st century? No. We didn’t even think we would be able see to our fucking bones without hacking our flesh open until 1895. We didn’t have the same technology then. We won’t have the same kind of technology 100s of years from now.
Nobody is forcing you to believe in shifting. YOU are the one commenting, hating, dehumanizing people. Just because we can’t prove something with the technology we have now, doesn’t mean we won’t in the future.
Just because shifters believe in shifting doesn't mean we're a cult. There is no cult leader. People come and go from the shifting community like water and without shame. Nobody is shamed, doxxed, or outcasted by giving up shifting. Nobody has to pay to shift. People who haven't shifted aren't shamed. People who have shifted aren't better than those who have not, and instead of acting like they're better than anyone else, most just provide tips or post storytimes. Shifters aren't forcibly isolated from the outside world, and the vast majority of shifters have non-shifter friends (including me). Questions about shifting and the logistics of shifting are more than welcomed by the shifting community; people want to learn more about shifting. Nobody has unrelenting, unconditional loyalty to 'the leader'. Literally if a shifter is a piece of shit, they're called out on their bullshit. Shifting is not a means to better 'the leader', which, again, there is no leader. Who tf would even be the leader of the shifting community anyway...
ugh it makes me so angry when ppl call shifting a cult. literally, i saw one girl put up a chart on tiktok that LITERALLY CONTRADICTS HER CLAIM that shifting is a cult. but non-shifters in the comments were eating it up... did nobody look at the chart.........????????????????????
We do not have the means to prove shifting as of right now, well maybe besides for bringing back skills-- but yk besides that (even then I’m sure people would think we’re lying)
#fuck anti shifters#shiftblr#reality shifting#shifting community#shifting blog#lalalian#desired reality#shifters#shifting diary#shifttok#scripting
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