#me? oc posting. it’s more likely than you think

[tossawary]

I revised one of my older fics and, in doing so, pushed my "Scum Villain Stories" series over 1,500,000 words! That's the series that is just SVSSS fics, 28 of them now, no art collections or other fandoms.

It's been a little over 4 years now since starting, and it's funny to think that about 500,000 words of that was the first year, mostly PINTWILF. I had a lot more free time and drive then, I think! It's also funny to look back to when SVSSS was a more obscure series, with neither a donghua nor an official English translation, and I genuinely had no idea whether or not anyone would read a story mostly focused on a minor character within those less popular books and his friendship with an OC.

I do wonder sometimes how I've influenced fandom! I don't think that I have a Word of God Big Name Fan setup (I hope not, that sounds terrifying, I do not want to be on a pedestal), but after I've written so much that has been relatively popular, I don't think it's unreasonable to wonder how my personal interpretations and/or specific choices for certain AUs have helped (helped!!! not alone by any means!!!) to shape various fanon perceptions over the years, for better or worse. I've had a few people tell me that they've read SVSSS because of my fics, which is cool, or that they've read my fics but not SVSSS, which is also cool, though I hope any potential fic authors do check out the original books rather than rely solely on my characterizations in particular AUs.

When I first started writing for SVSSS, a lot of Shang Qinghua additional tags such as "Shang Qinghua centric" or "POV Shang Qinghua" didn't really officially exist yet, so I guess I feel part of an early wave of SQH-focused fics (there were others! Lots of them before me! It was not just me!) and that's neat. It's cool to think that I had so much fun playing in a sandbox that I might have convinced other people to climb in to have their own fun.

It's fun to see fandom posts like: "Finding an story you like and then discovering the author has a bunch of other fics just like it is like finding the Holy Grail." I kind of get to go: "Hey, that's me for some people! 😄♥️"

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[lexydakitten]

rot rot rot rot ... this particular kind infests the grounds of my iterator oc one step ahead / osa, and inevitably him as well. time for me to ramble yayy yayy

meant to post this earlier i just was fussing over names. i have concluded that the colloquial name for all these together is inflorescence longlegs because that means that i still get to use the acronym ILL and thats cool i thinks. proto-rot is creeping longlegs, then in order of size smallest to largest is sprout longlegs, flowering longlegs, and wilting longlegs. they're a sort of mutated vine, one which was pretty common on osa's grounds, but he got just a Little screwed over by astronomically low odds. vine turned into rot naturally as certain background environmental conditions on his grounds make that something that happens from time to time (in more than just vines - any organism). the atypical and astronomically low odds part comes from the fact that it did not resolve itself, because when this occurs on his grounds it's usually such a small sample produced that quickly dies or is otherwise destroyed. in this case, by the time it becomes noticeable to him, it's already grown too quickly to be easily fixed.

because of it occurring naturally, a lot of properties and behaviors are retained from what it was originally. this is mostly because it's scarier that way and i made osa for me to project my nightmares onto👍

for visual - osa's grounds are mostly a tight thicket of bushes and shrubs that are adapted to a higher latitude environment. the thicket provided a fair amount of shelter for the ILLs until the infestation had a sizeable population. a common behavior seen in all ILL specimens, proto or not, is that they try to climb up other plants as they infest them, something retained from being a vine. additionally, when they have infested a significant amount of one shrub, they will start trying to spread to find another by growing on the ground in arches (top right) which is another thing based off of certain vines. they're green because they also can still photosynthesize, though because of high energy needs this is only sustainable for smaller specimens and really only means they can survive longer in a starving state. also, they're very thorny, which makes mobile cysts move slower, and they typically prefer not to move much anyways aside from the wilting longlegs. because they originate from a plant, they're all weaker physically, i think a sprout longlegs you could probably spear to death very easily in one cycle if you had enough spears to expend, and none of them are explosive resistant. fighting any of them with explosives in a particularly large thicket of rot though (or a wilting long legs) is something i would not advise though ;3c.

while slls are parallel to blls, flls to dlls, etc, there's a few distinctions worth making. sprout longlegs and flowering longlegs are very small, with sprout longlegs being probably roughly a bit larger than the size of a squidcada and flowering longlegs being the size of blls or a small dll. wilting longlegs are dll/tll sized. flowering longlegs don't break down into sprout longlegs when starving either (though a wilting longlegs may break down into a group of flowering longlegs), and they occur differently. sprout longlegs are commonly found outside of or on the edge of rot thickets and are common in clusters, as they are all cysts that were broken off the main patches by rain, and very few became mobile through normal means. sprout longlegs are though, like blls, completely senseless, and they don't pose a significant threat - i like to imagine they do have a tendency to fall when they start moving as they have the least amount of thorns though, so the majority of their threat comes from falling from above. flowering longlegs occur via normal means, just cysts that became mobile. they have the ability to hear, and in particularly heavy thickets of creeping longlegs they can also have what is effectively telepathy. think orange lizard. wilting longlegs are similar to flowering longlegs here, they're just much much larger cysts that became mobile, in some instances they may even be cysts that have completely consumed a shrub or bush and then became mobile, hence their size.

wilting longlegs.. :3. they can hear, and regardless of where they are, they're large enough to exhibit telepathy towards each other. wilting longlegs are the most aggressive as their ability to photosynthesize is entirely unsustainable for them - a sprout longlegs will last fine consuming things minimally, a flowering longlegs can last though will eventually start starving, wilting longlegs MUST consume however. their size and energy need is too costly and they're practically always on the edge of a starving state. an additional ability is that their toxicity is extremely concentrated - all ILLs produce toxins, as the vine they originate from did. in most instances, it only becomes a significant threat when consuming them. sprout longlegs are a similar effect to the ingame mushroom effects, flowering longlegs would be similar to the effects hunter experiences when rotting. wilting longlegs, due to their size, produce it the most, and it becomes dangerous to creatures that are grabbed by them. because they are covered in it, even if the creature breaks free, they will experience effects of the toxin shortly after. it's not life-threatening, but it would cause temporary immobility, like spitter spider spit does, alongside the psychoactive effects. wilting longlegs are escapable, but they present a greater hazard than a tll does.

said effects also apply to iterators. which osa learns pretty hard. because he can't ever find a fix to the issue, and his group members become too scared to put effort into helping him, he ends up having to deal with it alone. and the infestation reaches him initially through his intake system, but he can flush it out to prevent it from taking hold. it still damages his systems when it does get in, in very small amounts, and the damages accumulate until there's nothing he can do about it getting in. as more and more rot grows and damages him, he also becomes poisoned by it, and suffers from that as well. and the entire time he's terrified of it, even before it starts reaching him, that combined with the negligence of his group members is why he's a vicious jerk. not evil but he isn't in his right mind from the pressure of how terrifying his situation is from his perspective + inevitably becoming sick too. he was pretty unremarkable before, especially considering he's the oldest one in his group - i'd say senior but i'm still not sure if that's a fanon thing or not? i dont wanna accidentally take someone else's ideas by referring to him as that lol

but. i figured i'd make this as a reference and then also as an excuse to ramble about my nightmares goober🙌yay. it didnt make sense to not have significant depth to the nightmare-inspired parts so i fixed it :3

nvm just remembered the thing i forgot to put. also while their starving colors are not shown here, they shift into a more autumnal/stressed set of colors and become significantly lighter and more desaturated as well. wilting longlegs are the ones you'd find with these colors most often and they're already somewhat adjacent to it. just cuz i think it's cool

[laughtalelogs]

In the Shadows of Buffalo Bay - Prologue

word count: 1.5k+

Zoro x afab!Reader x Sanji, cowgirl!reader no use of y/n, no beta reader, all my reader characters are black even if not explicitly stated. if that's not ur jam, then don’t read!

Rating: M (smut will be in future chapters, labelled as Explicit.)

Warnings: themes of alcohol, drug use, smoking, mental health issues, implications of self-harm, and violence to come.

Summary: Right after the Straw Hats leave the land of Wano; they land on Buffalo Bay, a gourmet cattle island known for its famous fairs, cowboys, and food. What they find is a dusty town, ruled by a sheriff with more secrets than she lets on. When she challenges the swordsman and seduces the cook, they both can't help but wonder: what is she hiding? And how will her past, entwined with the island's dark history, affect their crew? cross-posted to ao3 @laughtalelogs

Special thanks to @sigilsmut for giving me major inspiration with his OC, Honeko. Please check them out, they’re both pretty neat!

Prologue: Dark Red

Prrr. Prrr. Prrr. Cu-lick.

“It’s been quite a while since you’ve called, are you sure about this?”

“Quite. They made it clear it would be utterly careless not to. Expected arrival time is at sunrise. No messes, you hear?”

“Clear as day, sir. Considering the walk in the park you just gave me, should I leave the ‘Thank You’ note with them, or should I save that for when you decide to ring again?”

“Focus. Stick to the plan. And it wouldn’t hurt to remember our deal.”

Cu-lick.

“Great.”

Zoro stirred from his slumber as soon as he heard the laugh of his captain. Was it already time for Brook to take his shift? Did he sleep through breakfast? He didn’t feel the sun on him just yet. He shrugged it off. If there was danger, he’d know, no doubt. He allowed his shoulders to relax as sleep absorbed him once more.

Until suddenly, “Now, Usopp, Chopper!”

The floor shifted, he shot back, the air in his lungs suddenly slammed out of him as his head struck the glass of the crow’s nest. His eye shot open, but his vision swam, followed by a thrumming on the base of his skull. He quickly grabbed his swords that slid under the bench from the change of position, scoping his surroundings. 

Of course, when his guard was down, something would happen to the ship. He ignored the way his vision blurred to turn around and scan the ship through the glass beneath him. He saw a familiar straw hat from a distance and loosened the tight grip of his blades. At least someone was out there.

What he still was trying to figure out was why in the hell was Luffy at the helm? Zoro ran to the hatch. He angled himself down the ladder and tightened his grip as he quickly realized they were soaring through the sky. 

“What the fuck is happening?!” He shouted over the whipping wind, watching Luffy let go of the wheel to stand on the now horizontal mast.

  He just laughed and held onto his hat, his standard goofy grin shined in the moonlight.  “We’re going to the city of meat, duh!”

“You idiot!” Zoro yelled. “We were going to be there in the morning!” His warning fell on deaf ears. Luffy, who was singing and dancing about meat, was too busy to care. He hoped everyone else was safe.

He already had a bad feeling about the poster they’d found on the ghost ship yesterday. The rest of the crew, however, seemed unfazed. Nami had determined from her Log Pose that they’d reach the island by sunrise, and everyone was eager for a break after the war they’d just endured. But, of course, Luffy’s hunger had to ruin that plan.

He glanced around while his thoughts wandered for a brief and unwelcomed moment.

Where was the damn cook? His face soured, trying to force the thought down as soon as it came. He’s probably clinging onto his bed in the men’s quarters like an idiot, he thought again, but the idea of Sanji flying overboard refused to leave his mind. 

“He’ll survive just in spite of me thinking that,” He humored, muttering under his breath to himself, the usual bite in his tone gone. Still, he scanned the doors for a mop of blonde hair that he wouldn’t admit he waited to appear. If he had half the brain Zoro thought he had, he’s probably helping the others. 

Now, Zoro was stuck there, gripping the rope ladder as he tried to make sense of the chaos. Over Luffy’s shoulder, he caught glimpses of the dark horizon. The Sunny pitched forward sharply, teetering above the sea before nose diving toward land. Zoro was relaxed as ever—if relaxed meant cursing under his breath and bracing for impact.

“Hold o-” Zoro’s warnings were cut off as the ship slammed into hard dirt, skidding like a rock skipping across a pond. Zoro jostled against the rope ladder with each impact, gritting his teeth. The hull screeched. Luffy was laughing, because of course this was absolutely hilarious to him, as he swung on a stretched arm. A chorus of startled yelling joined the ship’s groaning protests, the crew must have been rudely woken up just like him. 

Finally, they stopped. The wood wheezed underneath them, the pitch black enveloping them on all sides. 

“That was awesome!” Luffy’s cackle echoed off into the dark night as he dropped from the mast back onto the grassy deck. “Did you see that Zoro?!” 

He did more than see it, he thought. He drops from the rope onto the deck. He went to reply, but heard doors slamming open and shut, followed by multiple yells for the same person.

“LUFFY!”

Everyone clambered in, one after another. Jinbei carried Brook’s head, while Franky angrily dragged the other two culprits with him. Behind them, Zoro sees a shock of blonde, and he lets go of a breath he didn’t realise he had been holding. He scratched the back of his head and rolled his shoulders, as if his previous worries would fall off of them. Adrenaline is still pumped through his veins under hot skin, cooled off by the night’s air. 

“Morning everyone!” Luffy said excitedly, smile stretched so wide Zoro wouldn’t be surprised if his face stayed like that. “We’re here! Good work, Usopp and Chopper!”

“I can’t believe I let him talk me into this..” Usopp groaned and whimpered under the tight grip Franky held his waist in, and Chopper gasped for air. 

  “Too tight, too tight!” He clawed at the large hand with his hooves to no avail.

Nami was already tearing Luffy a new one, and Franky was following suit. Even Jinbei had a look of dismay, while Brook was steadily complaining in his palm.  as she clutched onto the blonde’s side out of fear of being shot off the ship. 

“You can’t believe it,” Franky says through his teeth, dropping the two to the floor. “I can’t believe all the work I’m going to have to do on the Sunny because of you 3, this is not super, bros.” 

“I’m thinking we should’ve kept him in the cage,” Sanji muttered as he let go of Nami and set down robin on the deck. 

“I agree with you Sanji,” Nami bellowed as she charged past Zoro, and pinched hard on Luffy’s cheek. “I don’t think he learned his lesson from the waterfall, after all,” 

Luffy whined halfheartedly like a child. “Ow- I’m really sorry, Nami.. I was just hungry, ya know!”

“When you’re hungry, you wake up Sanji. You don’t crash the ship into land in the middle of the night!” She screamed, and it ringed in Zoro's ears, the sharp pain in his head roared to life. He winced and rubbed the back of his head again. It didn't surprise him when he removed his hand that he saw smudges of red on his finger tips.

“Why didn’t you stop him?” He felt a gentle kick at his shin, turning to see Sanji staring at him. He had dark circles underneath his wide, tired eyes that bore straight through Zoro. The blond hair that covered his face illuminated with the light of his lighter. The flame flickered to life as he scanned around, taking in their surroundings. “What happened to keeping watch?"

  Zoro rolled his eyes, “I keep watch against threats, not our own crew. Besides, how was I supposed to know what he was going to do, curly?” He really wasn’t in the mood to fight with the bastard, especially not this early in the morning. He watches Sanjis eyes look at him, squinting like he could see through him, his eyes lingering on the hand Zoro had rubbed his head with. Zoro wipes his hand on the back of his pants, shrugging it off like he already knew what Sanji would say next. They remain silent, but everything in Sanji’s eyes looks like they’re begging a question. Zoro chest tightens as he bit back the pain in his head and heart.

“I’m fine, Cook. Nothing happened,” Is all he gives, turning away to look at the rest of the crew. "Drop it."

“I didn’t say a thing, Moss,” Is all he says in response, lighting a new cigarette as he listened to the crew begin to brainstorm a plan of action.

After a moment of arguing and tired deliberation, All adventures to the mysterious Buffalo Bay were cut off for the night. Even with Luffy’s master plan, they had no choice but to wait until sunrise with how dark it was. Even with Franky’s freak ass lights, they could only see dirt and grass for what seemed to stretch on for forever. Robin questioned if there was any land of meat at all, and the fact they were stranded settled amongst the group in a grim veil.

So much for a tourist destination, he thought. He had heard enough of the plan. He walked away from the group, settling on the edge of the grass to rest his aching head. As sleep began to overtake him as he droned out the sounds of his friends talking, he couldn’t help but to feel a pit in the bottom of his stomach. It was small, but large enough to annoy him and eat away at his steeled nerves. Something was really off about this island. As sleep washed over him, he could only think that that was just something he’d have to worry about later. 

A/N: AHHH finally!! I have been planning this fic in my head with multiple drafts and outlines and brainstorming for I think 2 months at this point, and finally feel pretty good about how to started this off.

I hope you enjoyed the prequel! I have the chapter one 75% done, I just need to edit it some more but expect it some time 11/28 at night. I hope to have it up and chapter two by Sunday! The next chapter will introduce the reader, i promise! also, future chapters will switch between perspectives. This will be a slow burn so stick around if you wanna see how it plays out! Feedback, love, and criticism is much appreciated ♡

Also, all chapter titles are based off songs, please listen to them if you want to feel immersed!

[thehappiestgolucky]

Motivation hella died for a bit and I’ve also managed to get myself roped into Baldurs Gate during it and realised I cannot make a smart character to play as for the life of me

OC of all time Odessa? Dumbass child going ehehehehe and throwing adults

Ellunar? Elden Ring gave me the power to make a dumb butch lesbian and give her a wife

Agama? the only one with positive intelligence (10) how the fuck have they made it so far in Baldurs Gate

The blue crew. Half a braincell rattling in the dragons brain and the dragons brain only

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorization just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with the least intensely different appearance than other demihumans—they seem to be technically categorized as human to people not from the eastern archipelago?— but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight, and kept as a low ranking servant ever since. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standards? Like the elves, if you look at the portraits pages which include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with the usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic or arctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru will also influence them it isn’t just tallmen as a whole, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it especially if they have no real community left of their own), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to adorn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a little bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[mattodore]

birthday boy 🎂

[grzybjek]

A collage I made for one of the characters from my newest story. His name is Kundel by the way hes an absolute manfail and a menace

[elliewiltarwyn]

i apologize in advance for the bitching that's ahead. it's why i wanted to wait till pigeon's fun birthday times was over to address this:

i'm not the femroe in question, but this was left on one of the thirst shots of a very dear femroe friend of mine. and.

can we not?? can we not do this?? can we not say this, especially on people's thirstposts that they're specifically making because they think their character looks great??

"oh wow this character of this race/gender combo is gorgeous! i'm shocked! (implying characters of this race/gender combo are not usually gorgeous) (telling the player of this character directly in their tags you do not usually think of their race/gender combo as good-looking)" do you not realize how this sounds. do you not realize how backhanded this "compliment" is.

there is having preferences, sure, there is expressing love for certain character types, including their race and gender, but when you start saying "for a [race/gender]" maybe take a step back and interrogate why that is? whether you'd say that to someone irl (i should hope not!!) or about characters in their fanart or such? and definitely don't say it where they can see it?? if this has awakened a newfound appreciation for femroes within you, op, that's great, but maybe think about why that might be such a revelation, and try not to express such shock to their face next time.

[bepoucorp]

last night i dreamed i was a bottle of ketchup...

[batshikns]

RAHHHHHHHHHHH.

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.

[sae-mian]

『dont turn over-- turn over the page, --we should rip it straight out』

[turtleblogatlast]

Also hey I wanna say too that pretty much every single headcanon ever is valid. Even if they aren’t popular, even if they go against canon, even if they change on the regular and make for a throughly transformative work.

I think fandom is supposed to be fun and honestly it just acts like a toybox of sorts? With all these malleable characters as action figures that you play with as you like. If you wanna make them bigger or smaller or change their species or what they present as or how they sound or even act - you can! You can and you should!

Have fun, because you’ll inevitably find others who like what you do too. And even if you don’t, as long as you like it, then that’s what matters.

[oneluckydragon]

"What do you remember of being human, Echo?" The question is out of the blue and unexpected. But Sora offers a patient smile and tilts her head in curiosity, just enough that one of her ears flops over. It's endearing, if anything.

But Echo wishes she hadn't asked.

"Not much. Distinct memories are cloudy." A tired tone says softly, a pained recollection in her eyes and an acrid haze in her soul that endures, endures, and endures, "But I remember the discomfort more than anything. My body always did feel wrong back then. Misshapen. Condensed. Like it was too small for everything buried underneath, and that ache went so deeply some days that it would make my skin crawl. I hated that part the most."

At that, Sora's expression falls. She looks inexplicably sad, as if she'd hoped for a different response, a gentler one despite knowing the harsh truth about the dark future and the struggles Echo must have suffered. "But you had Grovyle, right? I'm sure he took care of you."

"He did, Sora, of course he did." A sigh, a flick of an ear and claws clenched tightly into the churned earth pressed under her paws. "I doubt I deserved his attention, though. I was too busy being angry at the world to give any care back."

In my lore, Echo does not look fully human during their time in the dark future. Since they were Darkrai before becoming human, and as a result of Palkia's reckless shattering of the Dimensional Portal which distorted both time and space, Echo's transformation was broken and accidental. They ended up looking pretty messed up and definitely (not) human. A lot of their characteristics as Darkrai carried over but rather morphed into something else.

And Grovyle, growing up in a world where humans have been extinct for longer than any living pokémon has been alive, has no concept of what a "true" human looks like. The only thing he knows is descriptions of humans from glyphs and texts in old ruins. Thus, he mistakes Echo for an actual human. And Echo, not knowing what a human looks like themselves due to amnesia, accepts this identification with nothing better to use.