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innuendostudios · 8 months ago

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new video about Edgar Wright's Cornetto Trilogy, and how everyone* keeps getting them wrong! this video is sponsored by Nebula, a place where you can watch the original version of this video before I had to tweak it for YouTube's copyright bots. (by clicking that link, you can get an annual subscription for 40% off.) or you can just back me on Patreon, which is also cool and good.

transcript below the cut.

I adore Edgar Wright’s Cornetto Trilogy. I flirted with making a video about it ages ago, had a draft of a script, but ultimately decided it wasn’t about anything except “here’s a thing I like, and here are its (I thought) very obvious themes.” So I shelved it. But, in the years since, I have seen multiple video essayists on this here website claim that these movies are about growing up and taking responsibility. (I say “multiple.” It’s not a lot. But it’s more than one! And that’s enough.)

These people are 100% wrong.

Lemme lay it out: the Cornetto Trilogy is not about growing up. It is not about taking responsibility. It is the exact opposite, and that’s not subtext. It is three movies about stunted manchildren thrust into extraordinary circumstances, and each, in the end, is saved - is redeemed - by abandoning his character arc and failing to grow or change. It is a three-part love letter to immaturity.

And I guess I have to set the record straight.

Sometimes making a video about a thing you love is an act of appreciation. And sometimes it’s out of spite.

The Cornetto Trilogy is three movies: Shaun of the Dead, Hot Fuzz, and The World’s End. All three are written by Simon Pegg and Edgar Wright; Pegg stars, and Wright directs; all three center on a relationship between Pegg and real-life best friend Nick Frost, which makes each film a reunion of the core team behind Spaced (excepting, but for a small role in Shaun of the Dead, Jessica Hynes). The three films span three genres: zombie apocalypse, buddy cop, alien invasion; each features a Cornetto ice cream cone: strawberry to represent blood, original blue to represent the police, and mint to represent little green men; this is a joking nod to Krzysztof Kieślowski’s Trois Couleur films, Bleu, Blanc, and Rouge, which were based on the colors and themes of the French flag (I don’t care what you say, Emily: #TeamRouge); that nod is funny because Trois Couleur is high-art drama and these are comedies. All three are parodies of, tributes to, and actually surprisingly good executions of their respective genres. And the hook, the gag at the center of all these movies, is that Simon Pegg plays a character wholly unsuited to be starring in this kind of film.

Shaun, the burnout, is the wrong person to survive the zombie apocalypse; by-the-book British bobby Nicholas is the wrong person to lead an American-style bombastic actioner; and alcoholic asshole Gary is the last person to save the world from aliens.

And I think that’s where people get stuck. Because “schlub finds himself protagonist of a genre film” is the elevator pitch for like a dozen Adam Sandler movies. The genre trappings may be as mundane as parenthood or mandated anger management classes, or as high-concept as action movie, whodunnit, or time travel It’s a Wonderful Life if Clarence were Christopher Walken as the angel of death (that… that makes it sound good, it’s not, don’t see Click; leave Frank Capra alone, Adam). But all these movies have the same basic shape: an extraordinary situation forces a guy to confront his shortcomings, which always stem from having never grown up. And you probably haven’t seen all of these movies, but if you’ve seen any, I bet you have assumptions about how the rest end: even though “Adam Sandler acts like a child” is generally the selling point of an Adam Sandler movie, they all end with some lip service toward becoming an adult: hey man, grow up a bit; appreciate your family a little more; square your shoulders; clean your room. This is so standard, it was parodied mercilessly in Funny People.

And this was a formative microgenre for my generation! Whole universe turns itself upside down to teach some shitty dude to, like, do the dishes and pay his wife a compliment now and then - Liar Liar, Bruce and Evan Almighty (all directed by the same guy, by the way). So I don’t blame people of a certain age for seeing the first act of Shaun of the Dead and thinking “I know where this is going.” And when, at the last minute, it swerves and goes someplace else, you could read that as a gag, a final subversion of expectation, still the same basic shape. But no! No! Once is a gag - thrice??? Thrice is a thematic statement!

So lemme make my case. I’ma take you through these movies one by one - we’ll talk about the manchildren and the expectations set by the genre, and then we’ll talk about that last-minute swerve and what it means. And then you’ll tell me I’m right and apologize!

Shaun of the Dead:

Shaun is a man in his twenties. What kind of manchild is he? He’s the slacker.

What is his problem? He needs to sort his life out. Shaun doesn’t know how to take action. He hasn’t advanced since college - he’s been working the kind of job a teen takes over the summer for like a decade, lives with the same best friend, has the same petty fights with his stepdad, goes to the same pub every week with the same group of people. He can’t make a reservation, he can’t manage a calendar, he’s a washup. This makes his girlfriend, Liz, feel stifled, trapped; he is a weight around her ankle, taking her on the same date week after week, keeping her from living her own dreams, having her own adventures. She gives him one last chance to prove he can sort his life out, and he blows it, and she dumps him.

And then: a zombie movie happens.

The genre forces him to confront his shortcomings: to survive, and save his loved ones, he’ll have to take action, make plans, be decisive. This is a common fantasy: when you feel ground down by the mundanity of life, you might imagine, oh, if only a crisis would happen, like a zombie virus outbreak, where my normal-life problems like “am I gonna make rent,” “is my girl gonna take me back,” “is my roommate gonna kick out my stoner buddy who’s crashing on the couch” become meaningless, and it’s immediately clear what’s really important, what matters. Then I’d know exactly what to do. It’s why disaster movies work as escapism: a necromantic plague - or at least the fantasy of one - is sometime preferable to normal life.

Hot Fuzz:

Nicholas is a man in his thirties. What kind of manchild is he? He’s the hall monitor.

What is his problem? He can’t switch off. He is a hypercompetant police officer with a rulebook where his brain should be. He’s so good at being a cop that he’s spotting and unraveling crimes even on his day off. He can’t maintain a relationship, has no friends, all his coworkers hate him because he keeps finishing their work for them, and his stats show up the rest of the force so badly that they scuttle him out to the country.

Now you might be thinking, “Mmm. A fastidious police officer who can’t have fun? How is that a manchild? Sounds pretty grown-up to me. You’re reaching, bud.” Ohhhh ho ho, smartass, do you remember this scene? [bar scene] Yeah! Nicholas Angel has a five-year-old’s notion of law and order. He’s still playing cops and robbers.

And that’s a problem, because then: an action movie happens.

It doesn’t happen all at once: he goes out to the country and finds they do things a bit differently there. They are (ostensibly) less concerned with rules than what than the rules are for: if the purpose of drinking laws is to keep the streets safe and orderly, and letting some people off with a warning or allowing kids drink so long as they do it inside achieves that end, the rule can be bent. That’s a judgment grown-ups can make; I mean, they’re the ones who wrote the rules in the first place. So be lenient with shoplifters, don’t hassle people for speeding; this isn’t the Big City, you can use your better judgment. But Nicholas never got past doing whatever Mom & Dad said; obedience, and trusting whoever’s up the chain, is his entire moral framework. He can’t accept that bending the law could be more righteous than following it.

But also maybe there’s a criminal conspiracy murdering people and writing it off as accidents and the police chief might be in on it. Or maybe Nicholas is so desperate for a big case with no moral ambiguity that he’s seeing things where they aren’t.

The genre forces him to confront his shortcomings: either there’s nothing going on and he needs to chill out about procedure, or the department is corrupt and he’ll have to go rogue like it’s Point Break - and this is how he experiences Point Break. [“paperwork”]

No matter what, he’ll have to bend the rules, which he constitutionally cannot do.

The World’s End:

Gary is a man in his forties. What kind of manchild is he? He’s the delinquent.

What’s his problem? Pfffft. What isn’t his problem? Gary is a manipulative, narcissistic, lying, self-destructive, ignorant, violent, thieving, shit-talking, unapologetic asshole who peaked in high school when being all those things was still kind of badass. The greatest night of his life was the drunken pub crawl after graduation he and his friends didn’t even finish, and he’s been tumbling downhill ever since. He’s spent his life ruining everyone who knows him until there’s no one left to ruin but Gary King. So now it’s time to bully the old gang into going back home with him to relive that night by finishing the pub crawl, because, in his own words, it’s all he’s got. And he and his friends have to confront how home has changed since they left - the bars have gentrified, not everyone recognizes them; the defining, epic deeds of Gary’s youth have been forgotten. You can’t actually go back because that place doesn’t exist anymore.

And then: a sci-fi movie happens.

Turns out the town’s been taken over by aliens, and all the people who couldn’t conform to their new order have been replaced with robots! That’s why no one recognizes them! And that’s why the pubs all look the same: the aliens are homogenizing everything! And it’s clear, if they can’t get Gary and his friends to play ball, they’ll roboticize them as well! The obvious move is to get the hell out of town, but Gary keeps inventing excuses to stay and finish the pub crawl, and they sound pretty sensible because the group’s already five pints in. The genre forces him to confront his shortcomings: sooner or later he’s gonna have to give up on recapturing his youth and do what’s best for him and his friends now, even if it means running back to the city where all his problems live.

So there we have it: the characters cross the threshold into an unfamiliar world where an external conflict cannot be addressed without resolving the tension within. The slacker will have to get his shit sorted, the hall monitor will have to break the rules, and the delinquent will have to do what’s good for him. And, to an extent, all three know this! The movies Wright and Pegg pay homage to exist in these stories - Shaun knows what a zombie is, Danny keeps Nicholas up watching Point Break and Bad Boys II, and Gary and friends know bodysnatcher movies so well they have philosophical debates with the robots about whether “robot” is the PC term.

So, yeah, if you turned the movies off there, I could forgive you for thinking that’s where they’re headed. But you goofballs watched them to the end and then made content about them, what is wrong with you???

What actually happens in the second halves of these movies?

Shaun twigs that he’s in a zombie movie and, at first, tries to play the part - his survival plans are miniature hero’s journeys with him as protagonist, wherein he’ll save the day by neatly confronting all his flaws. He’ll resolve parental conflict by saving his mom from his zombified stepdad, resolve romantic conflict by showing his girl he can come through when it counts, and resolve internal conflict by being a man who saves the day. And all his plans suck! It’s just the same plan he always comes up with! Dragging around the same useless liability of a bestie, collecting the same group of people, and holing up in the same pub! He doesn’t save his mom: his stepdad apologizes, resolving their conflict for him, and then survives in zombie form but Shaun’s mom gets killed; most of the friend group gets killed because the crisis does not actually suspend but in fact amplifies their personal grievances; and he doesn’t save the day, just manages not to die long enough for the military to show up.

But… well, Liz wanted adventure and now she’s had enough for a lifetime, so… she’s down to just be boring with him for a while - sit on the couch, watch TV, hit the pub. Beats running for your life. Tensions with the roommate are gone cuz roommate died, but rent is covered cuz Liz moved in. Zombies don’t get eradicated, just folded into normal life, so Shaun can mindlessly play video games with his bestie forever, and it’s not a problem that bestie doesn’t have an income cuz he doesn’t need food or shelter.

The zombie apocalypse doesn’t make Shaun sort his life out, it changes the world til he doesn’t have to.

When Nicholas discovers that, yes, there is definitely a murderous criminal conspiracy inside the police department, he recognizes the only way to bring about justice is to become what Danny has always wanted and go Dirty Harry on the town. It’s either that or just swallow the crimes. But he does neither. He and Danny go on an epic shooting spree, recreating famous movie scenes, taking out the entire criminal organization against all odds, and spouting badass one-liners… but everyone who helps them is a cop, they don’t actually kill anyone, all perps are formally arrested, and they fill out all the paperwork. I think he even properly signs out the weapons. He never switches off, never breaks a rule, does absolutely everything by the book, only… louder. And this violent showdown saves him from the chill town with lax rules he thought he’d moved to. Now he, with his five-year-old notion of right and wrong, is in charge of the police department.

The buddy cop actioner doesn’t make Nicholas bend the rules, it changes the world til he doesn’t have to.

Gary knows exactly how a movie of this sort is supposed to go and spends the whole movie running from it. Friends and secondary characters keep sharing these poignant moments with him, because they know this story, too: yeah, he’s gonna reject help at first, but sooner or later he’ll hit rock bottom and then someone will get through to him. And, as the night goes on, and the characters get drunker and drunker, and Gary passes up more and more opportunities to abandon the pub crawl and go home, these moments take a tone of desperation. They start to sound more like interventions; like, Gary, we all know you’re going to come to your senses but could you hurry up with it??? How many of your friends need to literally die for you to shape up? Are you gonna get them all killed?

And the answer is: Gary will never shape up! To Gary the Human Dril Tweet, his friends trying to save him, psychiatrists trying to treat him, and aliens trying to assimilate him are all the same thing. He doggedly makes it to the end of the pub crawl and confronts the alien overlord who tells him all the technological advancements of the past few decades - all the efficiency and homogenization that’ve changed the face of his home town - are their doing. The Information Age is an intervention on behalf of Earth, a pan-galactic effort to save humanity from itself. And the reason they’ve been replacing people with robots is some people are too fucked up to go along with it.

And here’s Gary, King of the Fuckups, brashly declaring that fucking up is what makes us human. There is no freedom without the freedom to ruin your life. We are endowed by our creator with the right to be drunken, ornery pieces of shit.

He tells the aliens to piss off and he’s so fucking annoying that they do, and they take the Information Age with them.

Now… I know… ugh… I know a lot of people love this movie, say it’s the best of the three. Some friends who’ve struggled with mental health or just being an adult under late capitalism really identify with Gary, and the valorization of being a mess. I see you, you’re not wrong, I get it, I really do. But can we just… not “but” but “also” can we… can we also admit that this ending is… this is Space Brexit.

Like, literally it’s an alien invasion but symbolically this is Gary rejecting the adult world of rules and authority and doing what’s best for the community and that’s how Brexiters view the EU. And people keep telling him “Gary, this is in your best interest” and Gary says, I don’t want my best interest! I am registered in the anti-Gary’s Face Party and I will cast my vote by cutting my nose! I choose to do what’s bad for me.

And, like a true Brexiter, he chooses for everybody.

Now tell me that’s a movie about growing up. Gary collapses human civilization in its entirety rather than change, and in the world that follows, he thrives… by being an immature, irresponsible bag of garbage.

To Wright and Pegg, growing up is death, and these are movies about being alive. These characters don’t cross the threshold back into the ordinary world with the ultimate boon of character growth; all three stay in the extraordinary world. The zombies remain, the robots remain, Nicholas is offered his London job back and chooses to stay in the country. These are stories about normal life spontaneously turning into a genre film, and they are made with deep love for those genres; why would they end with leaving those genres behind? Because it’s what Adam Sandler would do?

So there you have it. I rest my case.

“Okay Ian. Why does this matter?”

…what was that?

“You’ve made your point: these movies aren’t about growing up or taking responsibility. So what?”

Uhhhh.

“Bring it home for us.”

…

“Why do you care so much?

[breath]

I wrote the first draft of this script when I was around Shaun and Nicholas’ age, and “so what?” is why I shelved it. Now I’m Gary’s age, this video’s been in the back of my brain the whole time, but I got this far and “so what” is where I got stuck, again. This is why the CO-VIDs came out quicker, cuz I let myself end with “so that’s interesting!” and got on with my life. But there’s clearly something sticky here, more than “someone is wrong on the internet.” (Also, to the YouTubers I’m vaguebooking, who said these were movies about growing up - I’m way more annoyed at the folks I’ve argued with on Twitter about this, you just made a better rhetorical device; you do not owe me an apology!) (Also, to the commentariat: I am not extrapolating this from like two data points, this is chronic and recurring and has been bothering me for years.)

There are a few directions I could take this to give it some “cultural weight.” I could put on my social justice hat and talk about how the “crisis of adulthood” doesn’t play as broad comedy unless you look like Adam Sandler or Simon Pegg, or put on my class analysis hat and talk about how signifiers of adulthood are, traditionally, ways of spending and accruing capital which are, today, often inaccessible to people under 40.

And that’s all legit, but here’s the real deal: I’m just mad at Gary. The world changed around Shaun such that he could stay a child. And Nicholas ended up somewhere he could stay a child. If you missed that, you’re wrong, but whatever. But to say that Gary grew up grinds me, because Gary chose this. The whole movie is people telling him to grow up, and he says no! He says it out loud! He says it to the literal end of the world. To walk out of the theater and say “that’s a movie about growing up” is more than a mistake, it’s a refusal. It’s trying to “fix” the movie by fitting it into a more familiar shape, so it doesn’t say what it says, so Gary isn’t who he is, who he chooses to be.

I’m being cheeky when I say this because he’s a fictional character, but saying Gary grew up is enabling.

Gary says there’s no freedom without the freedom to ruin your life, which is the problem with alcoholics and libertarians: it’s not just your life, Gary! You live in a community, a culture, and an ecosystem! Your actions - everybody’s actions - impact other people! That’s just the way the world is! You can’t shit yourself at the bar without other people having to smell it. We’re all fuckin’ connected, man! You don’t want anyone’s will imposed on you; you spend the whole movie imposing your will on everyone else! You say humans don’t wanna be told what to do, and then you decide humanity’s future by yourself with no input or consent from anyone!

People point to Gary ordering water in the last scene instead of beer as evidence that he got sober, like that’s proof that he did grow up in the end, which are you fucking joking??? Getting sober is a shorthand for maturity the way buying a house is, it doesn’t signify anything in and of itself! Gary drank to escape the adult world of rules and responsibilities! So, yeah, under normal circumstances getting sober would mean he’s made peace with that world and is ready to integrate. But that’s not what happened! The thing he was escaping doesn’t exist anymore! He literally destroyed it!! People died! Probably millions! Now he lives a happy life LARPing as Omega Doom - no I don’t expect you to catch that reference! He doesn’t need to drink! He is literally reliving the best day of his life forever. And even if it did mean personal growth, the idea that a person could make what would be, unequivocally, the most selfish decision in human history, and then spend his life celebrating the outcome, oh but if he overcame a personal demon in the process then on balance that’s maturity? That is lightspeed solipsism! Who are you if you think that way? Are you all Adam Sandler???

And none of that makes this a bad ending, or Gary a bad character. I mean, he is the reason The World’s End is my least favorite, and I don’t like the ending, but I don’t think it’s bad that I don’t like the ending. Rather than watch another addict pull his life together or destroy himself, we watch a downward spiral with so much gravity the whole world self-destructs alongside him. And that’s why The World’s End is the most interesting of the three: it is a bold choice, and I think we are free to feel however we want about the conclusion Gary engineered for himself. I don’t think it’s valid to pretend it didn’t happen.

In the context of the trilogy, we see that Shaun’s immaturity is mostly a problem for Shaun: he would be, at worst, a footnote in the lives of the people who love him; “yeah, I liked Shaun a lot, but I couldn’t carry him through life anymore.” Nicholas is the kind of overachiever that is useful if pointed in the right direction; juvenile code of ethics aside, he is, empirically, helping the community (within the entirely fictional framework where that’s a thing police do). If the world hadn’t changed to turn their flaws into strengths, they would still be relatively harmless. Gary is what happens when immaturity isn’t harmless, and shows us how a world built by that immaturity would look.

There is an appeal to Gary King, a wish fulfillment. Letting your id fully off the leash because you no longer care what anybody thinks - it’s why some people drink, and it’s why some people would like to drink with Gary. But if that’s not just your Friday night, not just your twenties, but that’s your life? There is a destination at the end of that road, and it’s Gary doing something truly ugly. And we see that ugly thing the way Gary sees it: as awesome. But then you see the reality: the Monday morning after the Friday night. We went out with Gary and he did something terrible.

And I’m not telling you to hate Gary for it; I’m not saying Gary can’t be forgiven. In fact, seeing it for what it is is the only way Gary could be forgiven, because, if he “grew up and took responsibility,” there’s nothing to forgive.

I think this is the only way the trilogy could have ended. I mean, you make stories about boys who get older and older and don’t grow up, it eventually becomes a problem. There’s only two ways to resolve it: you either end with a guy actually sorting his shit out, or you go for broke and show what happens if he doesn’t. And I think some of us boys saw that and said, “no, noooo, they did grow up! all three of them!” rather than say, “haha! hahaaa! ……………shit.”

#video essay #cornetto trilogy #Youtube

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dollhousemary · 6 months ago

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Destiel || Undeniable You — Jukebox the Ghost (<- link leads to youtube version)

#ivy.txt #video #my amvs #destiel #jukeboxnatural #spn amv #hiiiiiiii :)#literally had to export this like 8 times because of timing issues but it's doneeeeeee finally <33 #i almost did the taglist directly on the original post but. i'll wait a lil bit #(if you'd like to be added specifically to my spn taglist let me know!)

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doyoulikethis-videogame-song · 2 months ago

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Ask Masterpost 10/12/2024

I will be answering all the BLOG RELATED asks I have received since opening my inbox here :). Going forward, this is how all asks will be answered (if they are not time dependent or something). I will make a new post with new asks every saturday.

my friends and i have been including youtube links in our submissions. is that helpful or annoying?

It's helpful! Thank you :)

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Have you gotten a lot of repeat submissions? Like, songs requested by multiple people? If so, what’s the most requests you’ve gotten for a single song? (You don’t need to say what song it is if it’s one you haven’t posted yet)

I don't remember the name, but I've received a song from 'In Stars and Time' about seven times now

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I submitted a song from an indie game listing the author as the composer, but then I realised that's not exactly true, as all the music in the game is from a public free gallery. because of that, there's no official upload on youtube. would that still be ok? p.s. thank you for your work, I've come to really love this blog and i look forward to the new polls every day 💕

I'm going to say no, even though the song is in a video game it's not technically intended for the video game itself. I'm curious as to what game this is though.

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@kaerran said: Speaking of which: I avoided submitting a game earlier because the only versions I found on a quick search were entire-soundtrack-as-one-video and I wanted to make things easier on you. Is it okay if I submit my mid-90s games even if they don't have nice convenient Youtube links?

Of course that's okay, I'll find a way to work around it even if I have to crop the specific song out myself.

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Say a song that's made for a game and is in said game gets an official release of an alternative version that *isn't* in a game. (Ex: an extended version or a version with vocals) I assume that the in-game version of the song is acceptable, while an alternative version that isn't in any games are not. Asking because I've already submitted a couple in-game versions of songs that have official extended/vocal versions that aren't in-game.

Both are acceptable, for two reasons:

It's an official, original release/remix, presumably on an official album, for a video game, so it is technically a form of VGM even if it's not in the video game itself

I wouldn't be allowed to post the official NieR remix albums if I excluded these types of songs

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@moonlight-fox said: Hey. Question for when you reopen submissions - For songs that have lyrics, do you want the name of the lead vocalist as well as the composer, or just the composer?

If you know both, feel free to include both! Specifying would help a ton as well. Submitting the artists is optional as I'll almost always go verify it myself but it is very much appreciated.

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are there any games with more notable soundtracks that you're surprised HAVEN'T been submitted yet (if any)?

As of writing this, I haven't seen a single song from Persona 5.

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Hi, love the blog! Is there any way you could tag similar series? Like, tagging all the soulsborne games with a from software tag, that sort of thing? If not, it’s cool, I would just find it useful. Have a great day, keep up the awesome work! <3

I started doing this when I saw this ask, I hope the way I've categorized things is good so far! If anyone has any suggestions for further categorization feel free to send them in my asks (within reason, lol)

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can you put the number of the song in the anonymized title? would help us keep track of which song we're listening to if we're also scrolling

I also started doing this as soon as I saw this ask, thank you for the excellent idea.

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Are songs from live-service video games that have ended service permitted? I'm guessing that the answer is yes because I think I saw Dragalia Lost here but I just wanted to be sure before preparing songs to submit next month. Also, I noticed in your pinned post that it still says "submissions are always allowed" - since the rules are different now, you might wanna change that just in case some ppl get confused :3

Yes, songs from live service games that have ended are permitted :) (provided I can access the songs somehow of course)

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are we allowed to submit official live versions of video game songs? does its availability online matter (like how the splatoon concerts were officially uploaded, but the kirby 30th anniversary concert was only livestreamed once and has to be pirated now)?

If it's on an official album, I'm going to say yes. So no to the kirby concert -- but if the splatoon songs are on an album, they're allowed.

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i cant find if youve answered something like this already, but whats the verdict for songs thatare in video games, but werent made for them? like for example the inclusion of pre-existing low roar songs in death stranding.

As of now, I'll only accept songs that were intentionally made to be included in the OST/album/music of a video game series -- so no preexisting non-VGM songs or anything like that.

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out of interest, how far along the submission queue has been posted? when were the most recent posted songs submitted?

3.8% of the entire submissions I have received have been posted. Everything in active vote right now was submitted in July, hence the need to severely restrict submissions...

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are we allowed to ask if certain games/series are in the queue? because i cannot for the life of me remember if i submitted something a while ago and dont want to accidentally send it again when submissions reopen ^_^;

You can DM me for this as to not publicly post any spoilers :')

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@disgustedorite said: Um, when were the most recent songs submitted? I submitted a batch a while back when submissions were open and there's been no sign of any of them...I hope Tumblr didn't eat it @_@

Tumblr may have eaten it, but it's probably just as likely that I got a million gazillion submissions ahead of you :')

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genuine question did someone submit the entire destiny franchise at once or is it that popular and i just never see anything about it

Yes, in the very early days of this blog -- about the tenth submission -- someone submitted ~30 destiny songs.

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Do you accept music from mods? I mean, obviously you dont accept anything right now, but ykwim

Yes, as long as it's an original composition/remix :)

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@woolooism said: has any song won with any of the "i don't like it" results? if no, which one has the biggest relative percentage of it?

I'll have to check, but I think (off the top of my head) the song with the most "I don't like it" results is the Ao Oni chase theme

Edit: Apparently, it is actually this song from Lisa the Joyful!

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@violetsquare111 said: i'm curious, do you know when exactly the currently-running polls were submitted? curious just how far off mine are lol. (but i would guess mine are still a few months out based on the insane number of submissions you shared. 3000... oh god...)

July, so... yours are far off :')

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Do songs created for an event in a community engine driven rhythm game (i.e. original songs for custom charts in a rhythm game/community driven game engine) count for submissions? If so, how will they be counted?

I think I'm going to need an example of this scenario because this seems REALLY highly specific, haha

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A suggestion. When a song has lyrics, use a video that shows the lyrics in the reveal post. Please and thank you.

I'll do my best, but these aren't always the easiest to find, and I try to use songs from official sources as much as possible to prevent the risk of the video getting copyright stricken off the playlist.

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@only-blogging-2-save-rock-n-roll said: Would you ever consider doing joke polls for April fools day? Stuff like those MIDI remakes of song from Franchise A in the style of Franchise B

Probably not, only because it's not an official remix. I may post funny songs depending on submissions.

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would you be willing to maybe make a tag for just the polls, even if they're already over? i like going through them all without knowing what game they're from and i also dont keep super on top of checking this blog for new polls. thanks!!

There is one! It's #closed vote :)

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@sparrow-va said: Hi! I've had the hare-brained idea of possibly making some Youtube vids of listening to & reacting/trying to identify songs from this blog starting from the oldest submissions for my channel (LaserBearCat Gaming), is that something you'd be okay with? Obvs we would credit & link your blog for the source of the tracks c:

Go right ahead!

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I noticed the rules about submission has changed to one song per period per person, which I can totally understand given the amount and when trying to keep a fair chance for everyone will this rule be applied retrospectively too? just wondering because I had been submitting more than one song and just would like to know if I'd need to submit them again one per month now if I would like them to be considered as a submission eventually Also thanks for running this blog it's become one of my favourites and I check it out almost daily

No, It's not going to be applied retroactively -- I don't even know if I'd be able to enforce that because the sheet doesn't record who submitted what (right now).

#vgpollasks #vgmpaskpost

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c-rowlesdraws · 2 years ago

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✨🥀💻I Need A New Computer!💻🥀✨

it's happened: my laptop is finally so old (she really does remember the Obama Administration!) that it can't handle any new OS updates, which is leading to inconvenient consequences. Like, discord crashes after attempting to download its latest update now, so I've been using the web version, in a browser that also yells at me regularly because it cannot be updated. Entropy is slowly swallowing it all, as entropy is slowly swallowing us all.

But before I, too, succumb to entropy, I do still need a computer for work, and also for my heavily computer-based existence, so I'm in the process of buying a desktop PC! After using macs at home since 2002, I'm excited to be making the switch to technology that will let me do incredible things like 1) play most video games and 2) stream sound over OBS without downloading third-party software and watching a youtube tutorial by a guy named SuperMacHaxxTurbo. But in order to welcome home my next computer, I need your help!

I have various stickers, art prints, and other items, fandom-based and original designs, for sale on my Redbubble store, if you'd like to manifest some of my art in the physical plane. Over on my patreon, you'll find years' worth of archived work, exclusive art, and step-by-step process breakdowns for $1/month-- and I've been posting a ton of art on patreon lately, so there's never been a better time to subscribe! I also have a ko-fi, if you just feel like sliding me some cash. All of these are linked in my pinned post!

If you've been enjoying my art for a while, or just since recently, I hope you'll consider also supporting me monetarily, if you're able to! No matter what, I'm grateful to everyone who follows me, and all of you rock.

Thank you!

#artists on tumblr #illustration #art prints #art store #my art #catie talks

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bepoucorp · 10 days ago

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last night i dreamed i was a bottle of ketchup...

#me? oc posting? more likely than you think #dnd oc #dnd art #dnd #oc #curse of strahd #animation #link leads to a youtube version #bepouart #boneless squelchy blooby #<<< ill tag them yah lol #also sorry im crazy and i need to draw to maintain some sanity

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saiyef · 4 months ago

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youtube

The Persona 3 Kotone Cutscenes Project is a mod for Persona 3 Portable that puts in reanimated versions of the original PS2 Persona 3’s animated cutscenes that have the Persona 3 Portable Female Protagonist in place of the Persona 3 Male Protagonist; the head of this project as its lead animator being Neptune (YouTube Twitter).

The mod has its own original opening, with vocals done by singer and cover artist Jenny xUnreachablee (YouTube); (plus, Neptune, in addition to animating and lead storyboarding, wrote the lyrics to the song and performed the rapping).

Credits

Neptune: Animation, Lead Storyboarder, Lyrics and Vocals (accompanying rapping)

https://youtube.com/@neptune_1313?si=ak2Yisd8cLGkEALL

https://x.com/neptune_npn013

Jenny xUnreachablee: Vocals

@xunreachablee

https://youtube.com/@xunreachablee?si=23IY-POaexYJhAEF

ZeoNyph: 3D Animation and Additional Storyboards

@zeonyph

https://youtube.com/@zeonyph?si=dc-uo0Xt0BBQ2i4h

Tiny Tango: Additional Storyboards

https://youtube.com/@tiny_tango?si=3GRW4PVlI9qW2jJ2

Merfie: Composer

https://youtube.com/@merfie-el-mas-xoro-del-caserio?si=ijDwHM792PgEh6Y0

_Mosq: Arrangement and Mastering

https://youtube.com/@_mosq?si=4xe4635etzuBqPoE

EDIT: And here’s the full song uploaded on _Mosq’s YouTube channel (who also does a lot of remixes and different arrangements of Persona if you want to check him out)

youtube

EDIT: And here are the links to Kotone Cutscenes Project Mod

Mod for P3P PC Version: https://gamebanana.com/mods/532448

Mod for P3P PSP Version: https://gamebanana.com/mods/533003

#persona 3 #persona 3 portable #femc #hamuko arisato #minako arisato #kotone shiomi #p3 #p3p #video #music #persona 3 kotone cutscenes project #Youtube

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sherbertquake56 · 6 months ago

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So the C!Sherb playlist stream...

I know I literally just finished yelling about the playlist for 3 hours but I wanted to put out a lil smaller version hehe- so here are some of my top songs that I think are right on the nose...

Sharks by Imagine Dragons - [CORRUPTION ARC S1] I absolutely love this song for Ominous Bane messing with Athena, and just overall Athena's POV of the corruption arc. Favorite Line: "Take advantage of you niceness, cut you up in even slices"

The Main Character by Will Wood [PRISON ARC S2] This song is a perfect representation of Sherb's mental space after remembering in season 2. It's very "there are worse people than me, and therefore I can do no wrong! i can do anything and it will be good" and I eat it up-- Favorite Line: "Villians are everywhere, that's how I know that I'm the hero"

Moonsickness by Penelope Scott [END OF S2] For me, this is learning more about the wack and trying to fit into the role of Fable's child. It's the idea of trying so hard to bring back Haley and ending in just dead ends. Favorite Line: "But I make lemons out of lemonade..."

The Tornado by Owl City [UNLOCKED S3] The way I look at this song is that the weather and the storm is a metaphor for the wack. At the start, small changes are increasing leading to the wings shattering, and Fable finding them. (And then ya know the end section could totally by Icarus ascending hehehe) Favorite line: "But if I went home to heaven, at least that's where I'd belong"

Hero by Regina Spektor [CENTROSS DEATH S3] This song represents the direct spiraling after Centross fades away. Icarus is in shock and still processing what just happened (very poorly). Favorite Line: "I'm the hero of the story, don't need to be saved"

Solitary Confinement by Everybody's Worried About Owen [ISOLATION ARC S3] A representation of Icarus "being in too deep." it's the idea that just because they did choose this, that doesn't mean it's good for them. Favorite Line: "You cannot isolate me past the walls that I have built"

Ruin by The Amazing Devil [ICARIXIS ASCENSION S3] The female voice is Icarus, male voice is Midas. The song follows the full scene of Icarus entering the Worldport all the way until they are Quixis. (I absolutely love Midas's lines in this) Favorite Line: "Nothing quite prepares you for when they don't come back..."

Ghost Song by Ratwyfe [EPILOGUE] After ascending to quixis, this song is them being able to watch their world, but barely interact with it (like a ghost!). I have several songs with ghost imagery that I like for Icarixis but this one is by far the best. Favorite Line: "Trying to show the world I still exist..."

I love all of the songs on the playlist, but if you only listen to a few of them, make it these ones. I'll also drop the playlist link here (which you can find already on my youtube!)

...and if you made it this far I have a special treat for you! the link to my personal C!sherb playlist (not public)! theres some overlap but also some other ones :) my silly icarus playlist

#fable smp #fsmp #fablesmp #icarus morningstar #fable smp icarus #fable smp sherbert #quixis

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cowlovely · 3 months ago

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armandaniel || once upon a december (<- link leads to youtube version)

#ivy.txt #video #my amvs #iwtv #interview with the vampire #armandaniel #devil's minion #first iwtv amv let's goooooo!#not one of my best in my opinion but lightworks was reeeeaaally giving me shit this time #so i'm not fiddling with it any more than i have to #i think the whole end stretch came out Very well though!#if i do say so myself :)

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putschki1969 · 3 months ago

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📢UPDATE📢"sprinter" LIVE AUDIO

Thank you to everyone who voted in my poll and left a comment in the reply section of my previous post on the matter. I was intrigued when @gslin sent me a link to this audio but I had no idea it would spark so much interest.

I received two very enlightening messages today that provided some substantial evidence. With the added information, I now feel confident that I can clarify the situation. This will hopefully clear up some of the confusion.

The first lovely follower (who would like to remain anonymous) sent me their personal recording of the live in question. They have been a fan for a very long time and got the chance to attend the concert back in 2008. First up, a big apology. I wish I could post the recording but they asked me not to share it so I will respect that. However, I've been given permission to talk about it so here's what I've been able to find out〈(•ˇ‿ˇ•)-→

Just in case you are wondering, there's no doubt in my mind that my follower's bootleg is legit. You can tell immediately that this was recorded from within the audience. There's clapping all around and the music is considerably louder than the vocals. You can still make out the song pretty well though. None of the voices sound off or out of place. It's blended together pretty well without losing the distinct vocal colours of the individual singers. Which is why I know that this can only be from the YKL Vol.#2 front act performance since you can clearly make out Maya during her "bokura ni dekiru koto wa tada" line and some other parts. From what we know, no other live performances of "sprinter" have featured Maya.

For the past hour or so, I've been listening to different versions of the song on repeat, mostly focusing on the YouTube audio and the newly acquired bootleg. While the bootleg is of admittedly quite low-quality, there are two things that very clearly set it apart from the version on YouTube. Those two obvious differences make it absolutely impossible for the recordings to be from the same live performance. And since we've already established that Maya was not present for any other "sprinter" performances, we can easily conclude that the YouTube audio is fake.

Difference #1: Absence of the infamous guitar riff. @octopusofpaint already mentioned this in the reply section of my original post. The YouTube audio has a pretty blunt opening whereas the bootleg recording starts with the guitar riff we are all so familiar with. It's hard to know how audios are cut/edited so I'd be willing to let this slide if it weren't for the next difference.

Difference #2: In the authentic bootleg recording of YKL Vol.#2, one of the final lines, "naite sakende kiete yuku bokura wa", is sung by no other than (!!)Keiko(!!). That is very surprising since it is usually not one of her lines. Look up any random official live performance of "sprinter", starting as early as 2009 on the NHK program Pop Up Japan, you'll absolutely never hear Keiko sing that line. You know who has always been in charge of it since becoming a three-person-unit? Wakana!! Now let's listen closely to the YouTube audio again, shall we? Whose voice do we hear? I'm giving you a hint! It's not Keiko's! But it's not Wakana's either!! Surprise, surprise, it's Hikaru's!! And do you know where Hikaru sings this line? Only in the studio version (and most recently during Kalafina covers at YKL but with a notably different voice so I won't take that into account here). And you know what else is very specific to the studio version? The lyrical cold open without a guitar riff. This leads me to believe that the studio version was almost certainly one of the main sources for this awkward mash-up on YouTube.

Now onto the second message I received today. This time from my lovely follower @concretebadger. Thank you so much! Many of you speculated that the 2010 live performance might have served as an inspiration for this supposed "unreleased" audio track. And I think you were not wrong about this. While I do believe that the studio version might have been the "main" source, I do think that the creator needed to add something else to make it sound more like a live performance. This is where the 2010 Red Moon version comes in. @concretebadger actually took the time to mash up the two tracks for a comparison and the result makes it quite clear that the two audios are eerily similar. Check it out for yourself〈(•ˇ‿ˇ•)-→

If you use the studio version and Red Moon live version as base layers and then add a few tweaks here and there to distort certain sections in order to make them appear more raw and unedited, you basically end up with that mysterious track that's currently floating around on YouTube. The previously mentioned line "naite sakende kiete yuku bokura wa" might actually be a good example for the layering/mashup of those two sources. While you can definitely identify Hikaru's vocals during that part in the YouTube audio (indicating the usage of the studio version as base), there seems to be a slightly different texture to her voice that makes it sound almost ethereal. This is most likely due to Wakana's singing of the line being added to the mix. It's very subtle and Hikaru's vocals are certainly more prominent but it's worth mentioning.

Anyway. Mystery solved. At least for me. Maybe you still have some thoughts on it. Feel free to share them below.

#kalafina #sprinter #random #maya #wish you didn't have to take my word for the bootleg >_<

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idontknowanametouse · 2 months ago

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Presenting to gringos (people that aren't from Brazil) Mundo Torajo (Torajo World)

Mundo Torajo is a brazillian animation youtube channel that will be very soon releasing a series thanks to a gofundme. Unfortunately, there is still no english translation, so I can do it here if you want.

Torajo was a channel like Jaiden (same video format) until about august/september of 2023, when a short was released (this one) beggining the lore, in which a red version of Torajo took his place. This continued on for almost 2 months with no sign of Torajo, only through glitches and links on the shorts that lead to audios of Torajo and Morajo (the red one) talking about the channel's future and video format. 2 months after Torajo was gone, Morajo made this video showing all the audios together. He said he made all of this to prove Torajo the audience didn't really care for him (their whole argument was about youtube algorythm vs passion and a nice audience) because they only stayed for the mystery. In the next video, this one, the two fight and we find out that they are brothers and Torajo called Morajo when the channel grew and he needed help, with everything getting more and more unstable between them. At the end, they set apart and Morajo starts his own channel. The two start a "war" between them until this video (followed by this one), when he introduces a new character, Zulmi (I love her, you'll see more about her later). She is friends with the two and stops their fight... at least, for a while.

Then, this happened. Basically, Morajo got infected with algorythomus, a substance that is, well, the youtube algorythm. He goes a little crazy and threatens Torajo while hacking other youtubers, and then Torajo posts this video. He explains he lives in another planet, Verade, that can be only kept alive when people watch their videos. The next video, this one, is the last part of this series/saga. The two have a fight with a really emotional flashback of them as kids, and in the end THE POWER OF LOVE WINS AND THEY MAKE UP YAAAAAAY

And, for a while, all is well. They continue Torajo's channel together (the 3 of them), introduce a new character, Linn (I love him, you'll see more about him later) and even post a compilation of the fight. And then something happens.

The channel is hacked by an unknown person and this video is posted. In it, we meet the "hacker", Abel, who is basically Verade's god/narrator and that does propaganda to the gofundme for the creation of an animated series (he also wipes Torajo's memory after this). 1 week later, they reach their goal and publish this video, with a sneak peak of the series (also wiping the character's memories). Now, there's just 2 videos left for its release, and the story is warming up. They post shorts daily and this week, Morajo seems very unwell, and as we know algorithomus is coming back, this is surely the cause of it.

This is the lore at the moment, and I can keep you aware of it. They are very popular with kids. I recommend, even if you don't know portuguese, to watch their videos, cuz they are really fun and charismatic. Now, I'll show you the characters!

Torajo

[ID in alt]

He is the main character. He is, as you can see, a green apple and is very nice, though a bit sassy and dumb. There are many memes about him, like him bald or as a banana. He has a crush on Zulmi but won't say it. Loves coffee and minecraft.

Morajo

[ID in alt]

Torajo's brother and former antagonist, now a co-protagonist. He is a red apple and kind of an emo, grumpy, kind of mean sometimes but actually very emotional, soft, shy and nerdy. People often call him a mango. He wears glasses but usually doesn't do it on videos. Loves Tetris and cats.

Zulmi

[ID in alt]

She is a co-protagonist. She is a blueberry and kind of a diva, but also very extroverted and likes gossips, also being nerdy about science stuff. Is often called a pineapple. Has a crush on Torajo, but won't say it. Loves Club Penguin.

Linn

[ID in alt]

He is a co-protagonist. He is a lemon and very introverted and shy, being very nerdy about anime and videogames, also kind, calm and phylosophic. Is besties with Morajo. Likes to play ukulele, ducks, Zelda and bread with lettuce.

Azedo (Sour)

[ID in alt]

He is Linn's little brother and a side character. He is a lemon and basically an ipad kid (looks like the collector from the owl house, is currently called Enzo Gabriel/Azedo Gabriel). He likes spider man, chicken nuggets and saying stuff on the community's discord server (I've seen him there sometimes).

Abel

[ID in alt]

He is Verade's god/narrator. He is a mango and kind of crazy, but really funny. He hasn't appeared much, so we don't know a lot about him, but we'll probably see more about him soon.

Amby

Ok, this one ain't canon but I am including him anyway. He is from an arg of the official Discord server and was a villain from an alternate universe that was friends with Morajo and then tried to dominate the channel. He is definitely a tumblr fave cuz he is completely crazy and unhinged, while also being a master manipulator and loving creating enygmas. He is a raspberry.

#mundo torajo #mundo do torajo #torajo #morajo #zulmi #linn #azedo #abel #amby

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