#me: knows nothing of your canon

[dutyworn]

                                          @alootus    /    cont. from ↷

Not one to make massive social blunders often, it’s  fairly clear  her casual humour is not... well-received. To be fair to Padmé, it’s a tired, niche joke someone who doesn’t know her history couldn’t understand.

❝ Sorry, ❞    Wren says, with a full body sigh,    ❝ you’re not wrong. I feel like I haven’t slept in years. ❞    Her situation would be hysterical if it weren’t so desperate. She doesn’t know where she is, and she has an inkling this is rapidly becoming clear for her host as well. Wren doesn’t even know how she’s supposed to address someone who calls her my lady. Shit, what is this, medieval space colonies? What the fuck are her duties, when she doesn’t even know if she’s in her own galaxy, anymore? Certainly not any part of it Citadel Space has mapped.

❝ I’ll take you up on that tea. ❞    She wants coffee, or a beer, but. Neither really promote good sleep, nor is she going to nitpick what’s offered to her.    ❝ Should I... sorry, should I address you some specific way? I’m really... very. Not from around here. I’m not trying to be... ❞    She is so out of her comfort zone. She tries to embody something friendlier than her exhausted sarcasm; she manages a wan smile.    ❝ I’m really very  far from home.  I’ll get out of your hair as soon as... ❞    She has no idea, to be honest.

[royaltea000]

You’re my baby, say it to me

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[butterflysonnets]

absolutely insane that mike literally p a n i c k e d when will was like "well what about us?" because will wasn't even really making things gay he was honest to god just inquiring about the state of their estranged friendship and wondering why mike didn't make time to talk to him when they're supposed to be best friends but MIKE was the one having an aneurysm like "🏳️‍🌈⁉️ W H AT!!"

“WE'RE FRIENDS” “i know mike” “WE'RE!!! F R I E N D S!!” “right so why don't you call me — ” “I HAVE A GIRLFRIEND” “… that in no way answers my question"

[swordoffrivolousthings]

The gods in PJO are not godly enough, in my opinion

I will start this rant by saying that this is only one of my problems with the PJO series. I understand why Riordan has humanized them, I know this is a middle school age book series. But I am older and I want to make them freaky and strange and kind of eldritch. With little to no explanation as for my choices.

ZEUS. He is the Olympian king of the gods, god of the sky, weather, law and order, destiny and fate and kingship. He is the law, as any king is. Every word he says is godly law, every little order will be followed. He is the king. So, he is stone-faced, made of marble, with no expression other than thoughtfulness and severeness (even if he sometimes isn't). His eyes are pure lightning, the hurricanes that ravage the world and the gentlest of summer rains. Most days, when he speaks of future events, they tend to happen that way, if not overruled by a higher power. His very presence is the ozone layer being brought down, heavy, tiring mortals and demigods out quickly. He treads lightly, with steps like gentle patters of rain, but his every breath is thunder.

HERA. The goddess of marriage, women, the sky and the stars of heaven, and the Olympian queen of the gods. Marriage, despite her own being something less than aspiring, is sacred. Couples that marry are under her protection, she still blesses their marriages. She sky shifts with her emotions, getting darker and night starting to fall. Her himation worn over her head, the only garment visible, reflecting the sky above. Her eyes, two bright stars, seeing something more than human perception can begin to understand.

POSEIDON. Olympian god of the sea, earthquakes, floods, drought and horses. His body is not, just from the corner of the eye, made of muscle, bones and tendons. Water, swirling and moving in the shape of a man, the odd strand of algae. Then you turn and he is barely human, but not saltwater. The waves seek and tug at his heels whenever he walks along the beach. His eyes, oceanic tectonic plates crashing, sending tsunamis to devastate the world. The air around him is salty, sea air clinging to his skin. Algae appear in his wake, reeking of the sea.

DEMETER. Olympian goddess of agriculture, grain and bread who sustained mankind with the earth's rich bounty. In her wake, every step makes a grain sprout, growing tall and healthy, and nothing can take it down. The seasons are slowly blooming and booming in her presence, the spring more verdant, the summer hotter, autumn plentiful beyond measure and winter always frigid. From behind her ears sprout oats and barley, always young and vibrant green, crowning her in the coming bounty. Her eyes are the colour of wheat, and when the wind blows the shadows in her eyes move with it.

ARES. Olympian god of war, battlelust, courage and civil order. He is war, bloody and cruel, senseless, personified. His very presence makes fights break out, indignities and betrayals happen. He is an oppressive force that bring the bravery out of the people, along with all the hate. If he stays long enough in one place, even Olympus, war breaks out, be it civil or not. This is why he never stays in one place too long. He is luting for blood, but war had wearied him. He will not do the same mistake twice, even in war. His eyes are the open wounds of soldiers, bleeding, infected, dying skin and rotting meat.

ATHENA. Olympian goddess of wisdom and good counsel, war, the defence of towns, heroic endeavour, weaving, pottery and various other crafts. Every tapestry and pot and garment worked by hand that is not up to her godly standard shrivels and turns to ash in her presence, obliterated by her beyond-human perfectioned craft. Towns are instantly protected when she is there, good grace and godly favour. War, like Ares, follows her. It is not kinder, nor is it bearable. Calculated, cold, some would argue that her wars are crueler, sadistic. Eyes like garment fiber and shattered pots, blood covering them.

APOLLO. Olympian god of prophecy and oracles, music, song and poetry, archery, healing, plague and disease, and the protection of the young. The sun, a power passed on, burns under his skin. It is the worst in the summer months, when the sun is more preeminent. His music, lighting every room in shades of enticement, is otherworldly, his voice, be it in song or word, is a mastery of perfection. From his hands, a single touch can be salvation or sickness. His arrows, silver for his twin, always strike true, no matter the target. His presence brings prophecies and fates to light. The power of the sun is in his eyes.

ARTEMIS. Olympian goddess of hunting, the wilderness and wild animals. She was also a goddess of childbirth, and the protectress of the girl child up to the age of marriage. Around her sprout forests, wild and untainted, a world where humans could get lost in and never be found again. Wild animals prowl after her, protectors and friends of her hunters. When the night is darkest, a power inherited, her skin lights up, a moon to shine in the dark of the shadows. Her hunters, her girls, are protected and her wrath is painful and cruel, like her domains, and they are recognisable by their golden arrows.

HEPHAESTUS. Olympian god of fire, smiths, craftsmen, metalworking, stonemasonry and sculpture. Beneath his skin flames are visible, a moving part of him, like tattoos. Every piece of metal he works with, no matter how briefly, turns into beatiful and powerful tools, an art all of their own. His buildings are steady and everlasting, the stone protected by his touch. His eyes, the hammer hitting metal, are coloured in such a way that they resemble statue's eyes.

APHRODITE. Olympian goddess of love, beauty, pleasure and procreation. Born of sea foam and godly blood, the salt clings to her. Curls her hair and makes her glow, the power of the sea just under her perfect skin. Everyone finds something beautiful in the face of beauty. It is enchanting, a spell most can hardly exist. She is everything everyone could ever want, a goddess for everyone's taste. Yet her anger is born of the sea, a cruel and unforgiving sort of death. To make love dislike you is to lose it all in the blink of an eye. To disrespect a goddess means death.

HERMES. Olympian god of herds and flocks, travellers and hospitality, roads and trade, thievery and cunning, heralds and diplomacy, language and writing, athletic contests and gymnasiums, astronomy and astrology. He speaks in languages long lost, and his travel notes are written in queer glyphs and writing systems. Sheep like him, without doubt. The souls of humans clash and itch to follow him when he enters a room, beyond willing to be taken to the underworld. The stars illuminate his path, a road he knows by heart but they don't care. They will guide him, no matter what.

DIONYSUS. Olympian god of wine, vegetation, pleasure, festivity, madness and wild frenzy. Vines grow from his footsteps, water and seawater and nectar and any other drink turn to wine in his hand. Where he is, the frenzied, happy and drunk follow, a retinue of people that enjoy and enjoy and enjoy. There is nothing not to like at first glance, and only at first glance. When one looks closer, the insanity begins. It is like sparks in his eyes, a nonsensical word past his lips. When you look closer at the people, there is no happiness in the thaws of madness.

HESTIA. The virgin goddess of the hearth and the home. It does not make her kind, because the gods rarely are. It makes her steady, the fire in the home that keeps the chill away from making itself at home. The fire that lights the way back home, sacred in temples and to extinguish it is to forsake her favour. Homes she has blessed are cozy, full of love, of safety. It does not make them fireproof.

HADES. The king of the underworld and god of the dead. He, king over bones and lost memories. His wife, unnamable, his presence like the heavy hand of time on mortal shoulders. Bones and skulls and the wispy whisper of the lost are his retinue. Half decomposed corpses his servants and valets and butlers. His name, scorned, is never said but on the eve of the winter solstice, when death is the surest companion. His eyes, dark but brittle as bone, promise something any other god can't understand.

PERSEPHONE. Goddess queen of the underworld, wife of the god Hades. She was also the goddess of spring growth. Her presence brings with it the smell of the first flowers of spring, little by little making the world greener. But her steps are always silent, always just a little far from the ground. She is a queen, death is her and her husband's domain. Of course she is ghostly, terrifying. Her perfume is of freshly dug earth and autumnal rain, the weeps of widows and widowers, the death of the young and elderly. Her name is unspoken, a curse when invoked. You will not hear her name on Olympus, in mortal mouths. Kore, Despoena, her titles are safe. Her eye is not benevolent, when it's attention is captured.

[nebuladreamz]

The voices are loud and I am WEAK

[fishareglorious]

i do a light chuckle once i remember hofmann and semmelweis are friends but then i remember semmelweis and marcus' suitcase interaction where they talk about her and i am once again inconsolable about this old woman's death

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[autism-corner]

LEVI FROM @bubbiedubs!!!!

[lilianade-comics]

Danielle Fenton or Danielle Masters?

Anon I absolutely love that you're asking this question to the artist whose only significant contribution to the phandom is naming the Vlad & Dani father-daughter tag 😂

[sockdooe]

I don’t know if maybe it’s just me, but is anyone else seeing a rise of people claiming that they could do a better rewrite of Voltron and then immediately say they’d make K/L cannon or Adash/ canon?

I don’t know about anyone else but I genuinely don’t think making ships canon would make the show better.

In fact I think It’d make it worse.

And considering shiro isn’t even mentioned in these and if he is it’s just to be Keith dad…. Is telling.

[seawing-vibes]

Some sillay doodles!! Qinterwatcher + trans jade-winglet doodles <3 I tend to do these silly (very off model & probably real out of character) jade winglet doodles as warm ups & cool downs after bigger drawings !! They’re fun to do

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[akkivee]

better late than never ;w;

HAPPY BIRTHDAY ICHIRO!!!!!!!!!!!! HAPPY BIRTHDAY NEMU!!!!!!!!!!!

[daffi-990]

Yeah how about we don’t be this person.

[youchangedmedestiel]

This ficlet is called "You are perfect the way you are" (also available on AO3). This came to me because I wasn't feeling so great. I wanted to hear those words, instead I wrote them. But if you need to hear them too, then this is my gift to you. And also, you are perfect the way you are! This is clearly not my most elaborate fic but if it can help at least one person to feel better, then it makes my day. I hope you'll enjoy reading it:

"I love you." Cas declares, his arms holding himself up above Dean, his hands resting on the mattress at each side of his face.

"What's that for?" Dean chuckles, because what else can he do when Cas is facing him, blue eyes piercing deep in his, honesty all over his face.

"You are smart." He says, kissing his forehead.

"Right." Dean answers, not believing a word of it.

"You are funny." Cas adds, kissing the tip of his nose.

"Cas." Dean says quietly, he wants to tell him to stop but he can't.

"You are kind." Cas keeps trailing his road, kissing Dean's cheek, noticing the light blush starting to grow there. Dean wants to hide it, so he turns his face towards Cas's arm. "Dean." Cas tries to make him look at him again, but without success. Instead he uses his other hand to grab Dean's chin and make him look up at him. They lock eyes and he adds, "you are beautiful." And he kisses his lips before Dean gets the chance to look away again. It's a chaste and soft kiss. Dean chases it when Cas moves his head away.

"Are you done?" Dean asks, acting annoyed but his blush betrays him.

"No." Cas answers, squinting his eyes. "Did you listen to what I said?"

"Yeah. I'm clearly out of your league." Dean jokes, but Cas isn't.

"Dean!" He says loudly, frowning. He softens quickly when Dean looks up, his eyes wide open, surprised by Cas's tone. "You are perfect the way you are and I love you." Cas insists on every syllables, never looking away from Dean's eyes. Even when you're joking and it's not the time, he thinks. Dean can't escape this, trapped by Cas's body against the mattress. The only thing he can do is watch how sincere Cas looks when he pronounces those words.

"I love you too, Cas." Dean whispers, lifting his upper body from the mattress to reach out for Cas's lips with his. That kiss is not as chaste as the previous one. He grabs the back of his neck and pulls him down with him.