#me rambling about character writing

[littlebloomclan]

The “Cold” personality trait.

While they may not be friendly exactly, it’s not an inherently bad trait to have either.

Tawnypath, Deputy of BurnClan is also “cold” but he seems to be logical and can be reasoned with if hard factual evidence is in front of him (he acknowledges that BloomClan is a “real Clan” in the eyes of StarClan—not just “2 rogues living in a hole” like his father/BurnClan’s leader had said)

Oh definitely. All the personalities can branch off and be different, esp with the secondary traits in play

Much later from now, I have more than one character who is insecure for example. I see the way they show this VERY differently from each other. So for Frogpaw and Lavenderpaw, Frog is very stoic, calm, and aloof. She does care, it's just hard to read or see it. Lavender is more snappy, comes off as being too harsh or tactless. Again, he does care, he just shows it in another way. He called Frog an idiot because, she's ok. Hurt. but not dying

Then for Honeypaw, I interpret her lonesome personality to be that she's sensitive, EXTREME care and gratefulness for those she has, which makes her cry easy. Them being hurt or angry scares her and she can't hide that emotion as well as others could. Where as another Lonesome character you could make introverted and maybe a bit depressed, in contrast.

There's a lot you can do with a simple starting point like "this character is" blank. and can also be shaped by the other people around them. Have fun with it!

[dootznbootz]

Sorry, not sorry but I see this too often and it bothers me :)

Before people get mad: Notice how I put “Me and Penelope fans” there? I know there's others. this ain't about you <3

edit: This is about how people in the fandom prioritize Odysseus and Telemachus (and even Diomedes, who is not in the Odyssey) despite the Odyssey also being HER story as well. I've seen many fics about Odysseus and Telemachus in their youth, and never really seen that for Penelope.

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[800db-cloud]

i’ve been wanting to do this since day one

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[shoplifting]

Your silent protagonist doesn't have to use sign language btw. They don't have to write things down, either. They don't have to use language at all. Not every single person who doesn't talk can use words the same as you, or use them at all, so your favorite silent character shouldn't have to use what you consider a grammatical language to communicate in your fanart and fics. AAC exists. Drawing exists. Gestures and body language exist. Btw.

[stellanix]

(genshin impact spoilers incoming)

one aspect of furina's characterization that's pretty understated but that i really really really love is her intelligence and curiosity. usually in genshin, when a character's intelligence is an important trait of theirs, there are aspects of their design, writing, voice acting, etc, that very clearly tell you "hey this character is smart." albedo, for example, wears a labcoat, is always saying big sciency words in a calm, rational tone of voice, and other characters are always talking about how smart he is

but furina? nothing about her on the surface suggests that she's a "smart" character - quite the opposite, in fact. superficially, she's introduced as a bratty, conceited, overconfident person who actually has no idea what she's doing. we eventually learn in the archon quest that that was all an act, but even after she regains her freedom, nothing about her really seems archetypically intelligent, at least at face value

instead, furina's intelligence is always shown rather than told (the only exception being nahida's voiceline about her). she had an intelligence network across teyvat feeding her information, and we saw in the flashback how she directed researchers to study the prophecy and potential ways of stopping it. before things like lyney's trial or directing the two musketeers, she'd stay up all night planning and piecing things together all on her own. she loves learning new things, she has lines in the teapot about how, when she's interested in something, she wants to become the most knowledgeable person in the topic, and also how she'd like to disassemble the teapot itself to learn how it works, and she's quick to learn new skills (like surfing). and, of course, she's well read, and quite possibly teyvat's foremost expert on the performing arts

i like how furina sort of defies the concept of character archetypes. she's initially presented as an archetypical bratty, dramatic, spoiled popular girl, but that was a role she forced herself into because it's what people expected of her. but the real furina, while still retaining some of the flamboyance from her archon persona, doesn't really fit into a clear mold. she's smart without being a super-genius, and she's kind without being a soft-spoken doormat. it makes her feel multifaceted and real, and i really love that!

anyway, this is why it makes me mad whenever i see people calling furina stupid, cuz she's not!

[bamsara]

So is the reason for Tyren getting more unhinged the side effects of the devotion necklace, or was this a downward spiral he would have gone done regardless of the necklace? I remember you talking about how the necklaces have consequences, and I'm curious if this is one of them.

Yeah!

Tyren would have been an already overly-doting and even jealous character on his own without the loyalty necklace, (and had been due to his crush on the Lamb even before recieving it, and what happens when you reject followers in-game) but his spiral into a unhealthy obsession and idolization was aided by the loyalty necklace.

If it was given to perhaps a regular, less devoted follower, the effects maybe wouldn't have had such severity. But Lamb got the materials/necklace from the mystic seller and isn't fully aware of the effects it might have on their followers yet.

So, dog is unhinged a bit on his own, but amplified by the necklace. He's originally friendly, caring and sweet. But you take good traits, too much of a good thing, and they can turn bad

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[slavhew]

Posting my thoughts here too.

PPS; there is something about BGD still looking the same while jake has so clearly changed in appearance. I don't have anything clever to add, except that that stupid fingerless-gloved hand is so quintessentially Dirk, it looks like an aesthetic choice that belongs to a man much younger than Jake. Because it does. Because Dirk stopped, while Jake had to keep going.

[varyathevillain]

no joke but what I really want for Buddy Daddies as a fandom is to make fanart and fanfic post present time ep12 where Rei wears an arm orthosis when working.

I think varied disability aids being represented would be fantastic, and personally would write Rei as someone being deeply proud of something he's done for his family, but also understanding with time that using an orthosis also helps him at work and in raising Miri. with a giant portion of mobility/motorics aids being represented by prosthetics, seeing more variety and exploring it in fiction would also help making a step in normalising disability treatments.

[becauseplot]

Philza Minecraft is a survivalist. 

Everyone knows this. He's the "Hardcore guy." He's an expert in the inner-workings of the natural world. He's vigilant. He knows how to hold his own in a fight, and he knows when to cut his losses, too. He knows how to keep himself alive. By extension, he knows how to keep his team alive as well. It only makes sense that they elect him as the leader of red team.

Philza Minecraft is a team player.

This is why he's always happy to go grinding for materials when the team needs it. Even if he tends to get a little distracted sometimes, wandering too far, forgetting to check global chat or talk in the team vc, he checks in with his friends and does what he can to keep morale up when everyone is feeling down. He recognizes the ease with which Cellbit operates in this environment, so he lets the man call some of the shots, or give Phil instructions. After all, Cellbit led the Ordo for months. Phil trusts his judgement. Why not play to their strengths? 

Philza Minecraft is an adapter. 

His biome doesn’t matter, nor his circumstances, nor his equipment. He’s started over more times than he can count. Working under stress isn’t something that hinders him, nor changing environments. If the game of the day is complete the tasks, he can complete the tasks. If the game of the day is kill a player, he can kill a player. He might hate it, but he can do it. For the sake of his friends, of his team, of his kids, and of their collective survival, he can do it.

There is something else worth mentioning. 

Philza Minecraft is a liar. 

Oh, but you’ll never catch him in a lie, because it’s never what he does say. It’s what he doesn’t. It’s the details he omits. It’s the parts of the tale that he glosses over so that the bedtime story isn’t quite so scary. He’ll give you everything he wants you to have and hold the rest of it close to his chest. Or, more accurately, he'll slam it in a locked box and shove it under his bed with the rest of his monsters. 

He was an asset to the Empire. 

Back then, he always asked the right questions: not "why," but "how," and "when." Back then, he knew he was valuable, so he kept himself alive. Back then, "the Angel of Death" wasn't so much a nickname as it was a title he earned. A rank.

He never became a general. The promotion was there, and he was more than qualified, he just never took it. He was content to let his friend take the helm, because Phil knew what he was.

"Knew." "Was." Was, was, was. (Come on, now, Phil. Don't be daft.)

Philza Minecraft is a liar; the man he lies to the most is himself. Yes, Purgatory is fucked and twisted, and he hates what it forces him to do, but not because it's hard. No. Because it's far too easy.

At the end of the day, what matters most is that Philza Minecraft is an arrow. Let someone else nock him in a bow. Let someone else draw him back, point him in a direction, let him loose, soar, fly. Resources, gear, tasks, points, kills, blood---it makes no difference. Philza Minecraft won't stop until he hits his target.

[ambrosykim]

i'll be honest the devs going on the internet to retroactively fill in the blanks is kinda giving "dumbledore is gay actually"

[dawnatlas]

i just feel so so so spoiled and grateful for tsc right now. every single thing i wanted to see was in that book. a deeper look into jean and kevins relationship, jean having people to rely on + the veeery slow but sure curve towards healing, the trojans being a walking pride parade, crumbs of neil and jean interacting, every single jerejean interaction,JEREMY CATALINA AND LAILA, UGH IM JUST SO HAPPY. like yeah i felt like jumping off a ledge every other page but GOD IT'S SO GOOD AND IT DELIVERS SO WELL

[flea-the-circus]

even if ronance isn’t endgame, i need nancy to have an arc where she chooses her friend. in my head, the only thing that makes sense is nancy choosing robin. not even in the romantic sense (although i would die of happiness if it was), just nancy remembering her choices and not making the same mistakes she made at sixteen.

having nancy go through four seasons of chasing/grieving/fighting for her best friend, only to turn her entire character into a plot device for steve or jonathan, would be the worst possible choice the duffers could make.

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?