#maybe... don't read into this too much?

[extraterracetrial]

Personally I think Ody already knew Eury opened the wind bag, initially bc there's just something about his tone and the way Ody cut him off in the beginning of Puppeteer that felt... deliberate? But it's also mirrored in Scylla and Mutiny

It's just a little thing in Scylla but when Eury first tries to confess in Puppeteer Ody gives him a task instead "go check out the island" vs "light up six torches" instead of talking about it, like he's avoiding it

But more prominently is "whatever you have to say can wait some more of this I'm sure" sounds to me like "don't tell me. If you don't tell me we can pretend I don't know and I don't have to do anything about it. Lie to me (by omission)" vs Eury's "tell me you did not know that would happen" and "then you have forced my hand" while said in anger can also totally be ready similarly. I've already seen others talk about how he was basically begging Ody to lie to him so like, "lie to me so I don't have to do anything about it" again

(whether or not Eury would've been able to play along, assuming he did want that, I don't know, and ig we'll never know)

Also Ody's total lack of reaction. Sure Scylla had "leaving them feeling betrayed" but having it said out loud could still sting. It could also be a "I thought we had a deal to not talking about that" type betrayal.

Anyway many thoughts head full

[uncanny-tranny]

It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!

[ash-and-starlight]

modern au and esen’s honkers are haunting the instagram feed

[pizzazz-party]

funny as hell how volescu clocks right out of the narrative after All Systems Red. The last we hear of him, he retires (winning the award for "most sensible human" according to SecUnit). and that's it! he's done.

he doesn't even show up for mensah's kidnapping.

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[tooies]

i think probably the reason i like the idea of like a girl secretly being a dragon but still trying to just have a life in society and be normal is because it's kinda a transfem narrative of the whole like everyone thinks you're a terrifying monster but you just want to be a girl. and the other reason is due to i'm otherkin

[unicornpopcorn14]

You know this scene?

And how it was played as a funny jab at Aku's starvation for approval?

Well, I think it portrays more condescension on Dazai's part than it seems...

Because Dazai touching Akutagawa might have been the reason he even fainted.

Akutagawa clearly agrees with Dazai when he points out his exhaustion, responding to his "You're at your limit, now, aren't you?" With "It doesn't matter".

Rashōmon could have been the only thing keeping Akutagawa standing at that moment.

Dazai could have been totally aware that that was the case.

And what he does? Nullify his ability right then and there. Seep what's left of his strength away. Before, and not after, he provides him the praise he oh-so-needs after so, so long.

I'm half certain Dazai wouldn't have given that compliment if he wasn't sure he'd turn his protege off that way. Never having to deal with the reaction, never having to handle the emotions that would result and stem because of him. Easier that way, isn't it?

And you know what? I don't even think Akutagawa heard him at that moment, else why would he still be adamant to win Dazai's approval after this scene?

[buttercupshands]

rewatched Kurogiri's holiday story from ultra impact (not related to sketch at all)

(but it did inspire me)

on another note

finally!!

[cavennmalore]

with the amount that the main series dunks on the forbidden cities i would just love for unraveled to be just an unabashed celebration of humanity. like yes there is poverty and pollution and crime but also there is dancing and music and rollercoasters and scary movies. let keefe discover the beauty here! the first book was all about the wonder of the lost cities but unraveled could be all about the wonder of the forbidden cities

[inkly-heart]

please don’t be sad little sprout, you are loved 🌱 🖤

🌱

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[turquoisemagpie]

Appreciate the little things.

Not to ignorantly deny all of the big bad things in the world, but to survive them.

[mephistopheleswasrobbed]

Only two more episodes to go after this one and the gay is thriving as usual, so let's take a look:

1

Home and Peach keep staring intensly at the other's unconcious face while putting their head directly above the other's, resulting in unintentional headbuts. Boys, I know you're worried and want to be the first thing the other sees after waking up, but I'm sure there's less headache-inducing ways to go about it.

2

As per usual, Home is carrying Peach without complaint. (And I'm reminded once again that he's certainly not shy around his body o.O)

3

The looks/nonverbal communication between them are constant. Even surrounded by the rest of their family, their eyes always find each other first. Whether it's to comment on what just happened or to reassure each other on what's about to happen, one look says it all.

4

Pangpang is streaming and her viewers are shipping. They must be happy to see that Home and Peach have moved past their divorce era. ("Where's Peach?" they say, which, if you've ever been present for a live of some BL actors, well, you know.)

5

This shot is right out of a 2000s gay coming-of-age short film.

And the way Peach laughs so fondly and asks Home what he wants for dinner in a soft voice? The love is strong in this scene.

And then their kids join in to bug them.

(a commenter on YT pointed out Peach pulling down his shirt but I'm not even going to go there)

6

Home is so tuned in to Peach, when he get's a message and looks at it a little weirdly for a second, Home is immediately there to ask what's wrong.

7

Home is so genuinely happy that for Peach when he hears that he's finally getting closer to achieving his dream

only to force himself to keep up that happiness when he realises that it might get in the way of his own dream.

Meanwhile Peach can't even really be happy about this himself because being a cook is his dream but he doesn't want to lose his family, lose Home, to get there.

In fact, his first impulse after finding out is asking Home what he thinks about it, because just like Home, he's clearly at this point considering Home a part of his future. Decisions like that have to involve him. (And Home, you idiot. You could have just said you'd come with him. It's not like there's anything keeping you in Bangkok.)

But unfortunately those two have still not achieved this sense of security in their relationship (and definitely Home, probably also Peach, being orphans, I guess it's not surprising they're having some issues around attachment and feeling secure in the long-lastingness of their relationships). And so Home falls back on protecting his vulnerability by pretending it's not there. Rather than imposing difficulty onto Peach (,rather than facing the smallest possibility that Peach might choose this over him,) Home plays it off like there was never any future for them anyway, even after he had just confessed to his uncle ca. one minute earlier that all he wants is for them to stay together.

He isn't even very subtle in his overplaying (is that a word in English?) of his troubled emotions, at the same time using this opportunity to get physically close to Peach for potentially one of the last times.

8

Of course, as he told his uncle, all Home really wants is to stay together with Peach and his family.

But he has come quite a long way from tricking Peach into unfair contracts. So he'd rather stap back than cause Peach any problems, doesn't think it his right to put his selfish desires onto him. (Unfortunately, judging by the preview, Peach is also insecure so by doing that he's just hurting Peach more)

"Just us" huh, Home? You know, at this point you might as well just propose to him.

At least this time he has another member of his family there to cry into the shoulder of.

Lesbian Corner

The girls have taken a page out of the HomePeach handbook, clinging to each other at the revelation of a ghostly presence.

Now that Peach and Home are somewhat settled (well...) it's their turn to flirt their way through the end credits

Edit:

Oops, it seems I missed something. Kan and Pangpang even have their own shippers now

[anotherfandomtrash]

@alittlesliceofcucumber got the great idea for tgaa x disco elysium and I couldn't resist not to draw it. I didn't get far in the de yet, so I didn't want to put characters in other roles, but Gina is a kid who would call pigs fa**ots, that's basically canon. Anyway, love my two fave detectives interacting

[raven-of-miramar]

Can we talk about the clothing in Twisters for a sec and the symbolism that is shown and how it also kinda mirrors the first film. Especially Kate's

Both films have the 'good guys' in everyday clothes. Ones that are dirty, messed up, not matching. And the 'bad guys' are clean cut, uniformed, sterile.

Like Bill in the first film where he slowly becomes more disheveled as he returns to what he loves again, Kate does the same.

Kate comes back to OK very clean cut and business like which fits because that is who she has been for the past 5 years but as the film goes on her clothes slowly start to reflect the journey her character goes through. The turtleneck becomes a regular tank with a tan shirt. Then when she finally goes home her clothes reflect that fact. Old band shirts and patched and decorated old work shirts, her hair is down more. Going back to Sapulpa was Kate going home in more ways than one. It kinda goes hand in hand with Tyler being the one to remind her the joys of chasing not just the tragedy. Because I also noticed how Kate's clothes change color palette as she becomes closer with Tyler. She goes from black/navy and white to tan to green to red to match Tyler at the end of the film. I could probably go on and on, but I just had to try to get this out of my head and see if anyone else noticed this.