#may this mark the end of an era

[tomboeski]

Bliss.

[keeps-ache]

ggghhg i hate vehiclessssssss ghghghhghhhhh [dies dies dies forever]

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

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[yandere-writer-momo]

Thinking about a Yandere vampire. Specifically, the beautiful kind that shape-shift into giant, humanoid bat creatures. The hopeless romantic vampire who cannot forget his human lover when he was once human…

Yandere Vampire who was oh so thrilled when you knocked at his door and shivered on his steps. What a scrumptious morsel you were! So soft and tender looking… he couldn’t wait to eat you. Your tears fell as you babbled about how you were thrown off your horse that was spooked by a pack of wolves and you ran towards his manor in hopes of safety. You were simply out looking for your lover. You were lucky to escape those damned werewolves! Those mangy mutts always laid their paws on most of the prey around here… which made you all the more scrumptious.

Yandere Vampire who invited you into his humble abode and ushered you into his living room to warm up at the fire. You couldn’t help but feel suspicious of his overly friendly smile and his incessant touching. Why did he dress up like he was from the Victorian era? And his accent was so thick… was he Romanian perhaps?

Yandere Vampire who gives you a fresh set of clothes and tells you that he has a spare room in the west end of the manor. You’re very grateful to him and even give him a soft smile that caused his chest to stir. When was the last time he’s had pleasant company? He couldn’t remember since it’s been so many years since a meal came to him…

Yandere Vampire who found himself sitting beside you as you asked him about his life. He was flattered that you showed interest in him. He didn’t find himself that interesting of an individual since he’s spent a millennium alone. Yet you seemed so happy to hear about his hobbies and book collection. The way your eyes sparkled and your cheeks flushed made him miss the days he was once human… but he could not let your human innocence enrapture his lonely heart. He must feast on you. It’s the way of living after all. No matter how strikingly similar your appearance was to the love his life.

Yandere Vampire who begins to feel more hesitant when you laugh and smile. Your mannerisms were so similar to a lover he had when he was human… it couldn’t be, right? There was no way they had returned to him… he was a monster now.

Yandere Vampire who sneaks into your room when you’re fast asleep. You were completely oblivious to the way his cold hands roamed your body as he dragged his fangs across your delicate neck. He’d make your death quick and painless… yet he couldn’t help but want to check to see if you really may be a reincarnation of his lover. What if you were? Would you be able to love him again?

Yandere Vampire who choked back a sob when he found a birthmark on your skin that was the same as his dead lovers. They were back to him… at long last, he wouldn’t be alone!

Yandere Vampire who leaves your room in a hurry in a cloud of black smoke. The vampire rushes to his room so he can stand on his balcony. His pale hands grab the metal rails as his body sprouts white fur and white bat wings spring from his back. He needed to feast but he wouldn’t feast on you. No, never you… his beloved.

Yandere Vampire who raids a nearby village and savagely feasts. He needed to build up his strength so he’d be able to turn you into a vampire as well! He couldn’t lose you again… not when he finally had you in his possession once more. He wondered if you’d remember him if he showed you all the portraits he had painted of you over the years.

Yandere Vampire who began to fantasize of all the ways he’d make love to you. Of how he’d litter your body with bite marks and bruises so you’d always have his ownership on you. Gods it made him breathless imagining being with you in this monstrous form. He wondered if yours would be more beautiful than his… he could hardly contain his excitement!

If only he was aware that you had a lover already who was his sworn enemy… a werewolf.

[styllwaters]

KNIGHT DEITIES

It's been a hot minute since I posted Vivere 44 art. Been intensely busy with school for the past few months but now that I've graduated I've got a lot of time to kill! Since the Knights post surpassed 1k notes I figured I may as well elaborate on them more. I'm so blown away by how much love they're getting already! Thank you all <3

I'm gonna talk a bit about Mountain and Plains Knight religions, mythology and a snippet of evolutionary history. I will cover Polar Knight religions in another post. The focus is on two gods in particular, Uwet-Jana and Kiraiarik.

_______

Uwet-Jana is the demigod of good health, vitality, and inner balance. In some regions they are also the god of fertility. The name of their Host is Uwetsil, and their Helmet is Serrjana. Mainly worshiped by Mountain cultures, Uwet-Jana takes the form of a Knight whose Host and Helmet are physically merged into a singular being.

Kiraiarik [pronounced ki-rai-ah-rik] is the personification of the host-helmet symbiotic relationship. They are the god of symbiosis, rebirth, and love. Kiraiarik was the name given to two immortal partners, a Host and a Helmet, who began as a singular being born to the sea in Ettera’s prehistoric era. Ettera decided to make them Two, one half (the Helmet) ruling over the sea and the other (the Host) having domain over the land. The story goes that in every form they take, they try to find each other - for their body remembers being One.

Both gods have lots of lore to their name. Further information below!

UWET-JANA

Uwet-Jana's Host body has long spines and red stripes like a Pike, and long fingerlike paws like a Helmet's manipulators. The Helmet section sports two long horns and elegant facial markings. Uwet-Jana has an iridescent sheen on their golden fur, catching the rays of the sun in a shimmering glow.

The story of Uwet-Jana is as follows: Both Uwetsil and Serrjana were born as runts, in a dark time when sickly Knights were seen as curses and not worth caring for. Their Order, believing them to be bad omens, cast them out to wander the tundra alone. They believed that the natural forces of Ettera (the Knight’s homeplanet) would quickly end them. However, Ettera took pity on the castaway, sending them three blessings. The first gift was a bone with marrow inside that ensured one is never hungry or thirsty again. Then, Ettera sent a warm, sweet wind into Uwet-Jana’s lungs which warded off all sickness and disease. Finally, a sun shower fell, the rains cleansing them and blessing them with a coat made of ivory and gold.

Transformed into a demigod with a hybrid body, Uwet-Jana was offered a place among the deities in the sky - but they refused, preferring to stay on the ground to share their gift with the mortals. Unbeknownst to them, their Order who had exiled them was struck by three curses from the Gods to mirror Uwet-Jana’s blessings: all the rivers in the area dried up and all their hunts were unsuccessful, leaving them with no food or water. Infections and diseases picked them off one by one, and a great storm ravaged the land, destroying their home and all remaining survivors. Uwet-Jana now blesses Knight Orders who take care of their sick and ailing members, and ignores those who don’t, leaving them to the wrath of the Gods.

Although they are nomadic and always on the move, many Mountain Orders will refuse to leave any sick members behind. They may also keep ivory statues of Uwet-Jana in their bags as a token of good fortune. Sometimes these statues are filled with bone marrow, or have holes which make a whistling sound as wind passes through it as a reference to Ettera’s gifts. Occasionally Pike Helmets are born with an extra long ‘horn’ spike, and are considered a child/reincarnation of Uwet-Jana. Additionally, whenever it rains while the sun is still shining, it is seen as a blessing from the demigod.

_______

KIRAIARIK

Kiraiarik's Host is depicted as a small creature with a striped pelt to mirror its ancestral form, and the Helmet as an aquatic beast with long, trailing red fins. It is frequently shown twisting around the Host, sharing its blood. Kiraiarik is also often simplified as two disembodied eyes looking at each other. (And yes, the artstyle is a nod to medieval depictions of heraldic beasts!)

To understand Kiraiarik, one must be aware of how much Plains religions are intrinsically tied to concepts of evolution and paleontology.

Digression on the origins of Etteran symbiosis: 

Large stretches of Plains Knight deserts and scrublands were once submerged beneath the sea. As a result, there are countless fossil hotspots which have been unearthed over the centuries. These high concentrations of fossilised remains have lead to Plains cultures basing their religions around said discoveries. Although many features have been warped, the general timelines are strikingly similar.

For instance, a mass extinction event occurred on Ettera millions of years ago, caused by a series of catastrophic volcanic eruptions on a worldwide scale. This event is known in Plains culture as The Remaking, traditionally interpreted as the planet shedding its skin. Many species were decimated, but some groups survived; these happened to be phyla who possessed an exposed ‘Interfacer’ organ, a precursor to the specialised Integrator organ which connects the Host’s brain to the Helmet’s. Before The Remaking, there was no prior record of the deep symbiotic connection which Knights possess (scientifically deemed ‘Hyperadvanced Mutualism’). The Interfacer organ was used in the phyla for species to communicate simple stretches of data to each other, such as health and reproductive status. After the extinction, populations of these species were dwindling. To ensure their survival, an odd phenomenon occurred in which many individuals began to interface with different species who possessed the same organ - strangely enough, some were able to successfully exchange information. These individuals survived and passed on the practice to their offspring, eventually culminating in what would be discovered as a very primitive form of mutualism. Host and Helmet ancestors (pictured above) were some of the first species to achieve this.

As the planet recovered and populations increased, the relationship continued to solidify and become more complex, with symbiotic species sharing memories, emotions and complex thought. In modern times there is now an entire class of organisms on Ettera which possess an Integrator organ for Advanced Mutualism, including Knights.

Kiraiarik is said to be a manifestation of this relationship. After The Remaking, their two halves finally managed to find each other again, eternally locked in a joyous dance of love. (Side note: the love in question is not platonic nor romantic, but a deeper kind which is indescribable and not easily understood. Due to their intricate nervous systems, Knights have a higher degree of emotional intelligence and can experience sensations we would consider alien). When a Plains Knight is experiencing inner turmoil, they will often pray to Kiraiarik to restore a healthy connection. The god’s blessing is also called upon when an infant Host and Helmet first Assimilate.

Note: Many Plains ‘saints’ and deities have palindromic names which can be read both forwards and backwards, an indicator of holiness. Fun fact, the word Kiraiariku means “Your heart and mine are very old friends.”

Thank you for reading! More Knight content coming soon ;)

[obsidian-pages777]

Pick a Card: Your upcoming revenge arc [jennifer's body theme]

Left to Right= Pile 1->Pile 3

Introduction

This is a sweet reading on how you will have your- come up- in your future life journey. Enjoy!

Pile 1

Past: Three of Pentacles

This card suggests a period of collaboration and hard work. You've been dedicated to your craft, honing your skills, and working well with others to achieve a common goal. You might have had challenges with regards to career developments. Maybe it is something out of your control that caused this. You have been undermined regarding your skills because of this.

Present: Knight of Pentacles

Currently, you're in a phase of steady progress. The Knight of Pentacles represents diligence, responsibility, and persistence. You're putting in the necessary effort and staying focused on your long-term goals.

Future: The World

This card signifies completion, achievement, and fulfillment. Your efforts in career development will pay off, leading to a sense of accomplishment and the opening of new opportunities. You will feel a sense of a massive boost to your self esteem when you achieve success in this one career goal or project that you are working on. You will receive a public accolade in terms of career and you will feel confident in yourself and your skills.

================================================================================================

Pile 2

Past: Ten of Swords

This card indicates a painful ending, likely a betrayal or significant emotional hurt. It represents the culmination of a difficult period, leaving you feeling wounded but also marking the end of this chapter. A specific person or people might have caused you a lot of pain and you might have felt betrayed and disrespected.

Present: The Star

In the present, The Star brings hope, healing, and renewal. You're finding inspiration and regaining your sense of self. This card suggests a time of recovery and the beginning of new possibilities. You have created a new sense of self and managed to continue to create a beautiful environment for yourself. You are magnetizing good luck right now.

Future: The World

The World represents new beginnings and adventures and the closing of a past cycle. Moving on from your past relationship will open you up to fresh experiences and opportunities. Embrace the journey ahead with a sense of optimism and curiosity. Since you are creating an end of an era in terms of your previous relationships and life, you are opening yourself up to new a timeline. This new space created for yourself is a whole 180 turn in comparison to how you were living before. Get ready!

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Pile 3

Past: Five of Swords

This card represents conflict and discord. You may have experienced misunderstandings or felt undermined by those close to you, leading to tension and isolation. Discord in terms of family and friends might have caused you a lot of turmoil.

Present: Two of Cups

The Two of Cups signifies harmony, partnership, and mutual understanding. You're currently in a phase of reconciliation, rebuilding trust, and strengthening your relationships with family and friends. You are learning to build relationships up while taking accountability for how you behave. You might be trying to allow people in your life to understand you better. It might not be easy currently.

Future: Ten of Cups

This card is the epitome of emotional fulfillment and harmony in relationships. Your efforts to connect deeper with loved ones will result in lasting happiness and a renewed sense of community and support. Despite things not being easy to get to that state, you would still get there as you would be making calculated communicative efforts. You will rebuild yourself and the life around you to a better level. You will receive a sense of appreciation from those around you. Your actions will be filled with purpose as well.

[ambros1an]

hsr x gn!reader relationship hcs

warnings: penacony spoilers (2.0+), bug mention (screwllum), angsty (aventurine & acheron), ocd mention (sunday), slight dark content (ie stalking) at end in Sundays but it’s marked in red to avoid if uncomfy

characters: sunday, screwllum, acheron, aventurine

a/n: i feel like it’s so obvious i did like 2 of these a week later 💀 i need more Sunday content in game

sunday

❧ if you manage to get past Sunday’s formal exterior, what lies behind it is a complete “know-it-all.”

❧let him nerd out about the greatest books in the current and past amber eras. he’ll make sure to tell you all about the authors too.

❧if the two of you have liking books in common, congrats! he’ll bring you on a tour to the primal waking library where you can chat all about it.

❧sunday’s compulsions become even worse with you around. is his shirt properly tucked in? he hopes there’s no wrinkles, maybe he should iron all his shirts again. oh gosh-are his shoes untied? you don’t even notice this. he’s used to hiding his true feelings.

❧he definitely confesses first. he’s aware that his status can be a hindrance when forming genuine relationships.

❧ maybe afterwards he’ll let you touch his wings. he loves the feeling of you stroking his feathers. especially when those annoying pin feathers grow in. the biggest sign of trust amongst birds- and sunday of course.

❧ and obviously you always get free vip to robin’s shows.

❧before and after the “Robin incident” are two very different Sundays.

❧the after, is a very possessive Sunday. he can’t have you become like Robin. he uses nightingales to keep watch on you, to make sure you’re safe. he knows it’s unhealthy but he just lost his sister, he can’t lose you too.

-

Aventurine

❧aventurine’s flirty facade fools most people. they think he’s sleazy and untrustworthy, and so do you in the beginning.

❧at first he talks to you because he thinks your reactions are amusing.

❧eventually your relationship gets too deep for comfort.

❧this guy will never open up. if he has feelings for you, you’ll never know. it’s not because he’s ashamed. it’s because he cannot comprehend someone actually liking him.

❧the only way he’ll confess is if you do it first. and even then he plays it off like a joke, something he can’t even believe. it takes a lot of button pressing to get him to admit his feelings.

❧aventurine is a very vulnerable person. he may rub off insults but they still hurt him deep.

❧the first time you hug him, he is baffled. affection has been foreign to him since the extinction event.

❧worming your way into his heart will get you even more riches then before. sure, he hands out money like nothing, but to you? that credit card is unlimited.

❧”what, that’s all?” he encourages you to spend.

❧brings you to casinos for good luck. not as if he needed any, but with you at least his hand doesn’t shake.

-

screwllum

❧ it isn’t uncommon for inorganic species to feel love. just as it isn’t uncommon for organic species not to.

❧ Screwllum, however, hasn’t experienced that feeling.

❧ he sees the way organic species love in a way he hasn’t. as a genius society member and one interested in life itself, how could he not be interested.

❧ which is why when he starts feeling a fluttering in his chest whenever you’re around, he must get to the bottom of it!

❧ confesses instantly. he has zero experience yet remains so confident.

❧ immediately takes time out of his day to interact with you. in whatever way possible.

❧ it could be the busiest day of his life and he’ll still make time for you.

❧ he’s described as a gentlemen by his close companions. this means opening doors for you, taking you out to places, etc.

❧ sounds too good to be true. but it is true.

❧ his one flaw, if you can even call it that, is his love for all life. and that includes bugs! no smashing them on his watch! he’s picking them up before you even get the chance.

❧ if you like bugs, even better. he’ll gently pick them up and talk about them with you. the two of you can take turns.

-

Acheron

❧ the first time you meet her, you think she’s a polite but introverted lady. she claims to be a galaxy ranger and you have no reason to doubt her.

❧ her blunt way of speaking leaves no room for questions.

❧ that is, until you get too entangled in each other’s destines.

❧ your first meeting with acheron, wasn’t actually your first. you’ve met her many times. every time though she seems not to know you.

❧ Acheron lies to protect you. just as she lied about being a galaxy ranger, she lies that she has no feelings whatsoever towards you.

❧ perhaps you remind her of someone she once knew.

❧ on some days, acheron traverses through her memories to look for you. she sees the hurt look in your eyes, but sees your smiles too. the path of a self-annihilater is a lonely one.

❧ ultimately, if you manage to convince her with words and actions that you truly care for her. she will put forth that effort tenfold. she desperately doesn’t want to be alone anymore.

❧ acheron is very protective towards you. if there’s a hint of danger, she’ll encourage you to take her with you. even going on her own to eliminate it herself.

credit to @/miau-meow-miau for first divider 🫶

[osarina]

ᡣ𐭩 YOU AND ME (ALWAYS FOREVER)!

FEATURING: dark era!dazai osamu

SUMMARY: more than friends, not quite lovers. that's been your relationship with dazai osamu for as long as you can remember. you didn't want to push him, and you gave him plenty of chances, but there's only so long you can wait for someone. you thought you would be better off moving on—you were wrong, of course. (wordcount: 4.8k; sfw; angst (???) but with a happy ending)

AUTHOR'S NOTES: dark era dazai </3 my heart, i got a sudden urge to write for him and i wanted it to be fluff but then i got this idea and just had to go with it (warnings: fem!reader, smoking & drinking, suicide attempt mentions)

In your defense, you were never dating Dazai Osamu.

Not for a lack of trying on your part, of course. You’ve made your interest in him clear since you met him at sixteen during the Dragon’s Head Conflict, when Mori Ougai pulled you back from where you were stationed in Kyoto dealing with his associates to help with the declining situation in Yokohama. And you’d thought he felt similarly to you. You really did. The two of you had become inseparable within weeks of knowing each other, such a swift and strong connection that it almost felt unreal. You’d heard rumors of him, of course, before coming back to Yokohama—the infamous Demon Prodigy that Mori had brought in and groomed into becoming his heir, ruthless and cold and so terrifyingly intelligent that he had the entire upper echelon of the Port Mafia on edge. 

By the time you got back to Yokohama, he’d already had a heavy reputation following him, dark shadows clinging to him like a second skin. Demon Prodigy. Black Wraith. So many monikers attached to him, but he never really felt like the monster that everyone claimed him to be.

He and Nakahara Chuuya had been the one sent to retrieve you from Yokohama Station, an area very close to the heart of the gang conflict, and even from the first meeting, he’d always been… well, you’re not going to say normal because he’s not normal. He’s always had an unnerving air about him, eyes a bit too cold and dark, smile a bit too teethy, but he’s always come across as just another kid your age. Maybe a bit lonelier than most, which could be off-putting to other people, but it never bothered you. And yes, you’ve seen the way other members of the Mafia treat him—they’re scared of him, go to extreme lengths so as to not cross paths with him, but you’ve never seen him in the same light they do.

Well, not until recently, at least. 

Again. In your defense, you were never dating him. 

But you’d known he cared about you as more than a friend. And you’d cared about him as more than a friend too. And you waited. You waited almost two years for him to say something. You didn’t want to do it yourself, you know Dazai is flighty and he’s not used to emotions, and you didn’t want to make him uncomfortable, but god, there’s only so much waiting you can take before you start to give up.

When the two year mark hit, you’d become convinced that Dazai was never going to act on his feelings for you; instead, he’d prefer to wait it out until they passed, and if they never did, he’d just pretend they didn’t exist at all. You can’t really blame him, the Mafia is not a place conducive for relationships, it’s only a matter of time before your luck runs out and one of you end up dead by a bullet through the head or captured by the enemy, and the thought of getting attached to someone only to lose them is enough to scare anyone away. 

But you don’t want to live your life in fear, no matter how short it may be, and you also don’t want to live it alone. So when an opportunity arose at a cafe near the main headquarters, where you met a civilian around your age who showed immediate interest in you, you jumped on it. And it’d caught a lot of people off guard—Kouyou was surprised, Chuuya was baffled and questioning what a civilian could possibly have that interested you, even Mori gave you a double take and an odd look the first time he overheard Elise interrogating you about your new boyfriend.

But no one took it as poorly as Dazai.

Your throat feels tight as you remember the hurt expression that crossed over his face when you told him. It was so brief and so foreign of an expression to see on his face that you’d thought you’d imagined it, he was quick to school his expression back into a cold and closed-off one (one that he’d never directed toward you before that moment), but there was no mistaking the way the corner of his lip twitched and the way he suddenly couldn’t meet your eyes. 

How nice, he’d told you, voice frighteningly icy, acidic, even, before he made a half-assed excuse about a mission that you knew he wasn’t assigned to. And it was so unlike him to offer himself up to handle missions, usually Mori has to force him with threats of giving Chuuya his executive position for him to do anything that makes him extend the barest amount of effort . But he did, and he handled it, very bloodily and uncharacteristically inefficient, as if he was releasing all of his pent up rage onto the unfortunate souls who happened to stumble into Port Mafia territory.

You were never, at any point, dating Dazai Osamu. 

You think you’ve told yourself it hundreds of times over the past three months, throwing yourself into your work and enjoying a relationship with a boy who clearly was invested in you and cares about you in a way that Dazai Osamu would never allow himself to admit. You also think that Dazai Osamu has no right being as bitter and angry as he is—you gave him two years to come to terms with his feelings and make a move, you’ve made your own subtle hints that he promptly ignored. If he wanted to be with you, he blew his chance a hundredfold, and he can go screw off if he thinks he can be upset about it only after you’d found someone else. 

Which is what he did, pretty much, and it was a lot harder than you expected—going from talking to him every waking second of every day, seeking him out whenever you have free time and vice versa, to only seeing him during the joint meetings between the executives and sub executives, where even then, he wouldn’t even spare you a glance. It was hard, and deep down, you don’t think being able to experience an actual relationship was worth losing your best friend, but the damage had already been done by that point, so you could only lie in the bed you made. 

And you did enjoy the relationship. The boy you’d met was sweet. He was good. He was impressively smart—a government and law major at one of the most prestigious universities in this part of the country—and humble to a fault. 

But he wasn’t Dazai. 

You knew in your heart that you didn’t want sweet or good, no matter how much you tried to convince yourself otherwise. You didn’t want the type of smart that he was, top of his class and on track for law school, seeking out a job as a public defender in Tokyo. You wanted the type of smart Dazai was, wicked and devious, putting together vicious and efficient strategies to take down enemies of the Mafia, on track for taking over the position as boss in the future. You wanted him for all of his twisted moralities and questionable thoughts.

And it was unfair to you, and it was unfair to Dazai, and most importantly it was unfair to the boy you kept leading on, that you’ve refused to acknowledge this for as long as you have just for the chance of experiencing a real relationship. 

Which is why you stand here now, outside the infamous Bar Lupin that you know Dazai has been drinking himself into oblivion at everyday for the past three months, notably single and possibly about to meet your end at the hands of a drunken and scorned Mafia executive. 

You think you must look like a fool right now. You’ve been standing right outside the door in the rain for fifteen minutes debating on whether or not you should actually go in. You’re nervous, and that makes you sad because you’ve never been nervous to talk to Dazai before, and you’re not nervous because you’re scared of him, you’re nervous because you don’t think you have the balls to actually confront him, knowing that you’d genuinely hurt the boy that everyone claimed didn’t have the emotions to be hurt. He let you in when he doesn’t let anyone in, and you chose to be careless and you chose to give up, and you hurt him. 

And you remind yourself again: you were not dating Dazai Osamu. You remind yourself that you gave him chances, he had opportunities, and he chose not to take them. You remind yourself that he’s just as at fault as you are for the falling out, but you can’t help but also remind yourself that he was the one that came out the most hurt by the situation. Yes, him cutting himself off from you was upsetting, but you didn’t have to watch him go around happy in a relationship with someone else. He did. 

With that thought in mind, you push the door open to the bar. A soft bell rings above you and instantly, three heads swivel in your direction: the bartender, and two men that you recognize as Sakaguchi Ango, one of the Port Mafia’s special intelligence agents, and Oda Sakunosuke, who you only know through Dazai’s high praise of the man from when the two of you were still on speaking terms. The only person in the room who matters to you doesn’t even bother to look to see who entered the bar, one hand circling the glass of whiskey in front of him while a cigarette dangles from the other. You watch as he lifts it to his lips to take a long drag, head falling tilting back to look up at the ceiling as he exhales a cloud of smoke, seemingly unbothered by your presence.

Already, you feel as if you’ve made a mistake, but you force yourself to continue.

The bartender nods his head in respect to you, although you can’t help but notice he flashes a wary look to Dazai. You wonder, pitifully, how much he’s said about you in this place. Sakaguchi and Oda share a look with one another. Both of them speak a low murmur of your name, inclining their head dutifully—you’re not quite an executive yet, but with the Piano Man of the Flags dead, you and Chuuya are fighting for the next spot to open up. Chuuya will likely be the one to get it, which you think he deserves from all of the heavy lifting he’s done on operations the past two years, but you feel a bit awkward when they give you your due respect when you're here with your tail between your legs trying to talk to Dazai.

Sakaguchi and Oda take their leave when you arrive, giving short goodbyes to Dazai, telling them that they’ll see him another day, and the bartender makes a fumbled excuse about going to the back to restock, leaving you alone with Dazai. Internally, you wither just a bit because you think if they’d stayed, Dazai might keep a handle on himself because you know he views Oda highly; instead, they left you in the lion’s den alone. Which you might deserve, but you digress.

You let out a quiet puff of air as you make your way over to the bar stool next to Dazai, taking a seat in it carefully. Still, he doesn’t look at you, but you look at him and the aching in your chest returns tenfold as your gaze sweeps over him fully for the first time in months. During the joint meetings between the executives and sub-executives, you were always sure to keep your glances short and sweet, not wanting to risk any lingering looks, but now, you can look at him in his entirety for the first time since that fateful discussion three months ago. 

He hasn’t changed much. Or, well, that’s a lie. He’s definitely changed. The circles beneath his eye are darker, his expression a carefully constructed blank mask. You think he might’ve lost some weight, his coat has always been big on him but the way it hangs over his shoulders now is looser than it was before. If it weren’t for the way his fingers were tense around his glass of whiskey, you’d have thought he was entirely unperturbed by your arrival.

You don’t know what to say, and you know you need to be the first to speak because you’re the one that showed up here to talk to him, but now that you’re sitting in front of him you’re floundering for words. You could just come out and say that you broke up with your boyfriend, but you feel like that would be a bit weird, and he’d probably laugh in your face and make a comment about how he doesn’t care. You could ask him how he’s been, but you think he might genuinely put a bullet in you for trying to make small talk with him like that right now. 

The longer you stay silent, the more awkward it becomes, and you want to cry because you’ve never been awkward with Dazai before, and for a brief second, you wonder if things really have changed too much to go back to how they were. 

Finally, you decide to just come out and say, bracing yourself for the inevitable derisive words that are going to leave his lips. “I broke up with him.”

Dazai’s scoff is loud and instantaneous, you bite your tongue, eyes sliding shut as you turn to face ahead instead of looking at him. Cowardly, you know, but you don’t want to see the sneer on his face when he asks you why he should care. 

But he doesn’t say that. He doesn’t say anything at first. If you were looking at him, you’d see the way his cold expression shifted into a more conflicted one, still staring ahead because he can’t bring himself to look at you. You count each passing second, and it’s agonizing waiting for him to speak, a part of you thinks that maybe he won’t, and you’ll just have to leave the bar with your tail between your legs, humiliated. 

But then he does. 

“Why?” he finally asks coolly, and your eyes snap open and your gaze slides over to him when you realize he did not, in fact, hit you with the derogation you expected.

He still isn’t looking at you, and you watch as he lifts his free hand back to his lips, taking another long drag of his cigarette as he waits for your response. You swallow thickly when you try to figure out what to say next. 

What you want to say is ‘because he wasn’t you,’ but you’re not ready to bare yourself vulnerable in front of him like that when he’s still so unpredictable. Just because he didn’t immediately hit you with the harsh words you expected, doesn’t mean he isn’t going to lure you in just to slap you in the face with it, which is how you’re sure he perceived what you did three months ago. 

Rather, you say quietly: “He was boring, I guess.”

It’s a lie. Well, a partial lie, at least. He was a good guy, he was just boring compared to what you wanted, and what you wanted was Dazai Osamu, who no one in the world could hope to compare to. 

“He was boring,” Dazai echoes your words, a cruel and mocking lilt to his voice, and you brace yourself now, taking the sudden switch in tone as the flicking off of the safety. But he shakes his head as he lets out a puff of air, you can’t tell if it’s another scoff or a laugh. “How cold-hearted of you. I suppose I shouldn’t be surprised, given your track record.”

Two paths lay before you: you can take the words as well-deserved, trying to avoid the inevitable fight, or you can spit back equally venomous words, dive in headfirst so the two of you can get everything off of your chest. Both choices are double-edged. If you avoid the fight, it means avoiding the topic altogether, and even if the two of you choose to speak again, the resentment of what had happened will only poison and fester. If you dive into the fight, there’s a chance of saying words you can’t take back, and everything might fall apart anyway.

What do you want? You want to ask him, because you aren’t sure what the right decision is. Three months ago, if you and Dazai got into a disagreement about something, you would know in an instant whether or not he wanted to fight it out to let off steam or just pretend it didn’t happen. Now, you aren’t so sure. He’s still not looking at you, so you can’t use the look in his eye as a hint, but his shoulders are tense beneath his jacket, and his knuckles are white around his glass of whiskey. Your gaze drags up to his face, catching the way his jaw is tight, teeth probably grinding together, and you know. 

You look ahead again, leveling your vision on a particularly nice bottle of wine on the third shelf of the wine rack as you say: “I’d rather be cold-hearted than a coward.”

For the first time since you’ve arrived, Dazai’s gaze cuts in your direction, head snapping to the side. You turn your head toward him just enough for you to eye him from the corner of your eye, catching glimpse of the way his lip curled up into a snarl and the way flames now rage in the browns of his eye—a far cry from the bottomless void, but you prefer the anger to the emptiness. 

“A coward?” His voice is low, cold, dangerous. 

You’re treading on thin ice, but you choose to stoke the flame more, gaze sliding back to the wine racks ahead.

“A coward.”

The silence that hangs between the two of you is tense and damning, you have to force yourself not to react to it, keeping your expression as stony as his as you wait for his response. He’ll either hit you back with more venom or he’ll settle down, one will lead to a blow out fight and the other will lead to a very tense conversation. 

You don’t want to fight him, but if that’s what he wants, you’ll give it to him. 

After what feels like an eternity, Dazai makes another scornful noise but he doesn’t say anything, gaze snapping back ahead as he takes a drag of his cigarette, this one clearly fueled by anger, far more aggressive than the last one. As if to piss him off even more, he hardly gets half of a smoke, down to the nub already. Frustrated, he puts the lingering cinders out on the bartop before reaching for the pack in his pocket, pulling out a new cigarette and his lighter.

You watch as he tries to flick the lighter on, cigarette dangling between his lips, but the old thing refuses to cooperate. Distantly, you wonder why Dazai is so damn stubborn: working with an old lighter, living in a shitty shipping container, wearing the same few pairs of clothes every day when he probably has more money than god hoarded from his executive paycheck. But you only force yourself to not roll your eyes as you pull out your own lighter, flicking it on and holding it out to him without looking at him. 

You watch from the corner of your eye as he stares at your hand suspiciously before he exhales from the side of his mouth, dipping his head down to light the cigarette before he faces ahead again. He doesn’t say anything. Instead, he reaches out for his glass of whiskey, still mostly full, and then he slides it over to you.

An offering. A white flag. 

You barely withhold the breath of relief that nearly escapes you, accepting the drink and taking a long sip of it. It’s his favorite brand, smooth and familiar on the tongue; you haven’t been able to bring yourself to drink it since your falling out with him. 

“Was it really because he was boring?” Dazai finally asks. He’s not looking at you again, but you can see from the way his fingers are tense against the bartop that he’s probably waiting for a certain response from you.

You let your eyes slide shut. “No,” you admit.

“Then why?” he presses, as if he doesn’t already know. 

“You know why,” you say tightly, shaking your head and looking down.

“Tell me anyway,” Dazai responds quietly, you can feel his gaze on you but you can’t bring yourself to look at him. Irrationally, even though the atmosphere between the two of you has shifted, you wonder if this is it: he’s going to get you to admit it and then laugh in your face, cruel but probably deserved. 

“Because he wasn’t you,” you finally force out.

He doesn’t respond. Your heart sinks to your stomach, a sick feeling churning. You brace yourself again—you don’t know what for, maybe a laugh or a derisive comment, but he does nothing of the sort. 

A long exhale, smoke billowing around his face, a heavy look in his eyes. He doesn’t look at you as he says: “You’re right.”

You don’t respond because you’re not sure what he’s referring to. Finally, he tilts his head to look at you, a wry smile on his lips—your chest feels warm at the sight, you can’t remember the last time you’ve seen him smile. Probably not since the falling out. 

“I was a coward.”

Oh.

The frustration you felt all of those months ago returns with a vengeance. You had danced with possibilities back then: that you were reading too much into things, that he didn’t actually care for you the way you did for him, that he simply did not want to be with you even if he did care about you that way. Now, faced with confirmation that he had felt the same but was just too pussy to act on it, your chest swells with that familiar anger. You force it away. 

“Why?” you ask after a few moments of silence, nails digging into the palm of your hands as you rest them on your lap. “I… I waited for two years, Dazai. I gave you so many openings. You knew how I felt.”

“I know.” His voice is quiet, barely audible. 

“Then why?” you repeat his words back to him, pressing hard just like he did. His throat bobs beneath his bandages as he swallows, averting his gaze, or trying to, at least, because you don’t let him. You reach out to grab his chin tightly, forcing him to look at you, and the pads of your fingers burn against his skin, hyper aware of the fact that this is the first time you’ve touched him in three months. “Why?”

His hand comes up to grab your wrist as if to pull your hand off of him, but he doesn’t, grip firm around your wrist, fingers pressing against your pulse point, and you’re acutely conscious of the fact that your pulse is probably racing but you can’t bring yourself to care. 

“I told you why,” he says, voice uncharacteristically soft. Vulnerable in a way that you’ve never seen him before. “I was a coward. I… didn’t want to risk ruining our friendship... I don't have many friends. You know that. I would’ve rather just ignored how I felt and kept you as a friend, because I didn’t think there’d be a chance of losing you that way. I thought if I acted on how I felt, one day you’d eventually see me for what I am and I’d lose you altogether.”

“Some good that did you.” You can’t help the resentful words that spill from your lips, but you feel guilty when he winces, hand dropping back to your lap, his grip slipping from your wrist. “You think I don’t already see you for who you are? We’ve known each other since we were sixteen, Dazai. I know all of the sick and twisted thoughts that run through your head, I knew exactly what I was getting into.”

Dazai shakes his head, as if to deny your words. You get frustrated.

“I spend hours at your recovery bed after your attempts, I’ve caught you in the middle of them myself, do you know what the first thing I did was after I told you I had a boyfriend?” you demand, and he stares at you, unsure. “I put a protection detail on him because I thought you’d try to have him killed, or try to kill him yourself.”

Dazai winces. You shake your head and look away, settling down again. 

“For someone so smart, you really are so goddamn stupid sometimes,” you sigh, taking a long swig of his drink before placing the glass back down on the table. “I saw you for who you are, and I wanted you anyway.”

“Wanted?” Dazai asks, an uncertain expression on his face as he zeroes in on the past tense.

“Want,” you correct, voice little over a breath, and something akin to relief sweeps across his face as his gaze drops down to the bartop.

The silence that hangs between the two of you is more comfortable this time. Reassuring, even, because maybe things might still be awkward between the two of you for a while, but there’s a light at the end of the tunnel, one much brighter than the one the two of you lived in three months ago. 

“I can’t believe you went for a civilian,” Dazai suddenly says, almost sounding indignant. “A civilian. You!”

“What the hell is that supposed to mean?” you snap when you hear the incredulous tone he takes when he says ‘you’.

“You’re a stone cold bitch,” Dazai accuses and you gape, but you can’t find it in yourself to be offended because his eyes are lit up for the first time in months, a lopsided smile painted on his face. “And you’ve got as much blood on your hands as I do. You. A civilian. I think I would’ve been less offended if you went for Chuuya.”

“We both know that’s a lie,” you snort, and then you add, a bit amused, “you know what he wants a job as?” 

“Tell me,” Dazai drawls, resting his chin on his hand as he leans on the bar, watching you with such a fond expression that it makes you feel warm all over. 

God, you missed him the past three months. 

“He wanted to go to law school. Become a public defender.”

Dazai chokes over the smoke he inhales, and you press your hand to your lips to smother your giggles as he desperately wheezes between laughs. You’re not sure if he’s actually choking, you think he might actually be dying from how red his face is getting.

“Maybe you should keep in contact with him then,” he gasps between laughs, “we might need one of those one day.”

“As if you’re sloppy enough to ever get caught,” you say dryly.

He winks at you, his grin sharpening, and you know you’re not going to like what he’s about to say. “Oh, I’m not. By ‘we’, I meant you.”

“Douchebag.” You roll your eyes, letting another silence settle over the two of you, a smile on your lips now as you take another sip of your drink. He’s the one to break it again.

“... Odasaku convinced me not to, by the way.”

“What?” 

“To kill him. I was going to. Odasaku convinced me not to.”

You let out a sigh of utter suffering, giving Dazai a pointed look—see, you say silently, I know you. He has the decency to look a bit sheepish as lifts his cigarette back to his mouth in lieu of responding to your unspoken words. 

“Stop with the self sabotage, Dazai,” you finally say, tired. “For both of our sakes’.”

He doesn’t respond, and you know him well enough to know that he’ll probably never stop with the self sabotage, but he does reach out to lace your fingers with his, and the warm feeling that spreads through your chest is enough to satiate you. 

Little steps, because no, the Mafia is not a conducive place for relationships and yes, it’s only a matter of time before luck runs out for one of you, but if your life is destined to be short, there’s only one person you want to spend it with.

[koolades-world]

Obey Me Headcanons p.3

because the hurricane is currently overflowing the pool and i have a need to get the om brainworms out! p1 and p2 here :) (slight warning they are pretty old)

levi is 100% a clean and neat freak. not sure if i'm just saying this because my brother reminds me of him, but levi showers at least three times a day

asmo and mammon once made up their own language to annoy and to avoid lucifer hearing their plans for twenty years. sometimes for fun, they'll use it again and every time lucifer looks like he's having war flashbacks

thirteen loves twilight. send post

diavolo finds great joy in braid trains despite the fact that almost all of his inner circle and friends don't have long enough hair. he may or may not have tricks up his sleeve for these occasions

in his youth, satan was part of a rock band that quite literally went up in flames

belphie seems like the type to enjoy gruel

mephisto actually really enjoys photography because he's been part of the rad newspaper club for so long

the reason satan loves cats is because of mammon. cats remind mammon of lucifer, so satan grew to like them without knowing the real reason behind it

barbatos really loves cold weather, so while he'd never say anything, he enjoys it when diavolo has them take vacations to freezing temperatures

snake oil salesmen used to love beel because he'd believe every word they'd say. unfortunately for them, belphiecame along once and that marked the end of the era of snake oil salesmen

raphael will enjoy your cooking no matter what. and i mean no matter what

the first thing Luke did upon acquiring internet access was somehow find the ai voiced story times with either roblox or slime making in the background. solomon found him sobbing over one once

on the other side of the same coin, simeon really got into the ai voiced reddit aita readings with baking videos in the background (once he figured out how to use youtube shorts of course). solomon also found him crying over one once

it was after that solomon finally decided to educated the angels on the importance of not believing everything you see on the internet

believe it or not, levi is the best water drinker in the entire hol. even beel is unsure how whenever they have little competitions levi always ends up number one. however, to mc, this makes perfect sense. water is his thing!

diavolo is amused by that one video of bread falling

[tanuki-kimono]

Cw: We are going to talk here about periods, and sex education in the past. Read this note according to your own sensibilities :)

How women dealt with periods during Edo period, article by shunga enthousiast Shungirl who made a paper pad following instructions found in makura bunko 枕文庫 - ie ancient sex books illustrated with erotic ukiyoe.

One of such makura bunko is 渓斎英泉 Keisai Eisen's 閨中紀聞-枕文庫, first published in 1822. It details Chinese remedies recipes for menstrual pains and irregularities, give tips about sex, and information about menstruations and pregnancy. From a modern point of view, some beliefs are outdated, but it was then such a bestseller it went through several reeditions.

Several words were apparently in use during Edo era to designates menstrual period: keisui 経水, gekkei 月経, tsukiyaku 月水, etc.

When girls went throught their first period, their females relatives or nannies would taught them how to deal with them. One method was to use paper as sanitary products (please note people without easy access to paper probably dealt with periods differently).

__________ 御馬 paper pads

Sanitary pads, such as the one recreated above by Shungirl, were then called mima 御馬 (probably as a pun on true "mima" which were then fine horses own by noblemen, or attached to sanctuaries as mounts for gods etc) or simply ouma お馬 ("honorable" horse).

Ouma were made from inexpensive recycled paper called Asakusagami 浅草紙. Sheets were folded 8 times, tied with twisted paper strings (koyori 紙縒), and then wrapped with another layer of folded paper. It was secured once again with paper strings.

Part of the strings could be left long so to tie around the waist, or/and pad was hold into place by wearing fundoshi 褌 loincloth (which would also help prevent leaking on inner tights).

Asakusagami quality was low (it was also used as toilet paper) so paper pads had to be changed often, meaning you had to fold quite a lot of them to go through your period!

Shungirl folded the pad above following instructions found in the book 実娯教絵抄, which provided several other "models":

__________ 詰め紙 paper tampons

Another method for dealing with periods were tampon-like paper bundles which were inserted into the vagina, the 詰め紙 (tsumeshi? I am not sure of the reading).

This method may have first appeared in red-light districts (?). Beside its use for periods, prostitutes also used those tampons as method of contraception (OP has an interesting article on this subject).

By the end of Edo period and into Meiji, paper tampons were widely used even by women who were not prostitutes - despite voices branding this method as unsanitary.

__________ About girls' coming of age rites

Menarche (first period) was an important milestone for girls, and was celebrated as such via specific rites (shochō o iwau 初潮を祝). Those differed a lot from places to places, and also depended on social status.

Celebrations would concern close family, but often spread to wider community who could received for example a festive meal (sekihan 赤飯) for the occasion (some Edo era senryû poems stress how mortifying this publicity could be!).

Interestingly, some traditions were also pretty sweet: in some places, mothers would sew 3 stiches into their daughter's underskirt (koshimaki 腰巻き) as a good luck charm, hoping their periods would last only 3 days <3

Those rites were part of coming of age traditions (seijoshiki 成女式) which marked the start of a young woman adulthood. Another example is the blackening of teeth (ohaguro お歯黒) which usually started around 16-17 years old.

Celebrating menarche publicly was a way of advertising that the girl was no longer a child and would "soon" be a bride. Yet, if menarche often took place around 13-14 years old, in reality it was somehow unusual to have girls married so soon!

Before marriage, especially in non-noble/samurai families, young women often started their sexual life via flings or yobai 夜這い ("night crawling" ie pseudo-secret nighttime encounters) before any wedding actually took place.

[ceesimz]

I Did It All.

"Alexia Putellas, what do you have to say about leaving the pitch for the final time?"

Twenty years done, not enough. Twenty years more, too much. A discrepancy far more complex than it needs to be.

Days spent treading the same grass that legends of the past had once done, winding and weaving fluidly through near faultless defences, roars of awe following as stars returned back to their rightful place in the sky with each jump of celebration.

Nights spent in clubs and restaurants, surrounded by people high on glory with medals around their necks, a privilege some may argue wasn't warranted. Though, when stadiums filled to their capacities chanted just one name over and over as if it was the holiest sacrament of Catalunya, fighting against that was as close to blasmephy as one could get.

To now slip off into the unknown, leaving behind only a name that no longer gave way to the presence of a figure the fields didn't deserve. The future would never know her, only her name, only her stats, only her achievements. Perhaps it was best to keep it that way.

Decades of critics speaking in such a way it was almost sacrilegious, months of shame in the media for purely being a human in the worst era of her life, weeks of slander and insults for fighting for rights in a system built to spite her, twisting her kindness into a weakness. But always, the rightful figure rises, pulling the sword from the stone and raising it to the skies in triumph. The crown could get heavy, but not once did it falter. Not once did it fall.

With the final few imprints of her boot studs as she stepped off of the turf, she simply relinquished the responsibility and handed the legacy over to the next generation, trusting them indefinitely to carry the honour in the same way she did. It wasn't just the handing over of a torch; it was the exchange of a rite of passage, a way of life, and a promise to uphold the standards of excellence and righteousness she had engraved into the sport she gave her life to. This passing of the baton wasn't solely focused on the end of something though, no, it was the beginning of something far more important than people could understand. It was time for the up-and-coming stars of the sport to take the pen and write their own chapters into the history books, encompassing the opportunity to build something even more empowering than those before them.

Allowing the armband she had worn with great pride to slip off her arm, she shed the weight of a thousand battles, all of the lessons she had learnt from each victory and each defeat now etched into every fibre of her being. The world watched as she exited the field for the last time, an understanding wordlessly divulged between millions at the recognition that this was a landmark moment.

Kaleidoscopes of nostalgia flitted past her eyes as if it were an old film roll, freeze-frames of time portraying unimaginably euphoric moments. Only for them to never be experienced again. Though every cheer, every chant, and every image of a shirt worn with her legacy stitched into the fabric of it, flooded through her veins, and would for evermore.

The high regard her peers held her to, whether she had come across them on the pitch time after time or never met them at all, was a testament to the irremovable mark she had left on the beautiful game. Other countless memorable figures that were desperate to meet her, brands desperate to work with her, all these examples of her undeniable impact.

Alexia Putellas never cared about being immortalised in her sport. She was just a girl from the outskirts of Barcelona, chasing a dream with her loved ones holding her hand along the journey. Some of those hands had slipped away as time went on, but that meant she only gained more guardian angels to watch over her. With a family as tight-knit as hers, each member past and present a constant reminder of her purpose, she never lost faith. Sure, there were moments where it faltered a little, but no matter how much people tried to make a mockery of her failures, she would step back up; each comeback better than the last.

Her longevity was unrivalled, performing to the highest standards near enough all the time, even when others didn't deserve to witness it. Still, she gave away every part of herself to a sport that tried to silence her and failed to give equity until the latest moment possible. Always undervalued and unappreciated in her place of work, but did that stop her? Dampen her spirits? No, of course it didn't. And she had ample evidence to prove it; awards, trophies, medals, and most importantly to her, an easier path paved for those following in her footsteps.

The final chapter was about to finish though, the book of a near flawless career soon to slam shut.

Football would feel the loss of her absence, but like the story of Ozymandias, the dust will blow over and erase her stature, the nature of the sport will run its course and she'll be a figment of the past. Her time had come, and she had done everything and more of what she needed to do.

She moved from an ever-present figure to just a silhouette with a few steps.

Here, now, at the crescendo of a note-worthy career run, there was only one way to answer such a question.

"I did it all."

[girlbossblackbeard]

THOUGHTS AND LAYERS

i spent literally an hour analyzing this trailer at 0.5 speed. this post is long af and these thoughts are in no particular order and are poorly organized:

-there's a big storm (which I think was already confirmed), and ed gets swept overboard by a bucket on a rope:

he then crawls up out of the water onto the beach

then goes into the forest, creates a hut, has a journey of healing and self-discovery, meets hornigold (or his ghost??)

and kills him thus killing the part of himself that he hated the most (his violence) as a parallel to stede finally getting rid of nigel's ghost by accepting and believing in himself

-in the stede/ed split screen, the stede shot is from the first ep of s2 right after stede finds the marooned crew at the end of ep 10 in s1 (you can tell bc his hair and clothes are still clean, there's no gay bandana around his neck, and that's his lil dinghy buttons is rowing)

-they go to shore and wind up at the merchants shop where "susan" overhears they're tracking down blackbeard

and she invites stede's crew onto her ship, cue the outfit change in the BTS photos:

-the way stede makes that little swishy turn in the red coat -

makes me think this may be first time he's been in fine clothes since his "death" and i hope we get a moment of him reflecting on how he gave up everything for ed only to have him hate him :( but then obviously realizing that ed is worth it and he'd do it all again in a heartbeat if it meant getting a chance at spending the rest of his life with him

-izzy and stede team up, and izzy is clearly training either himself or stede on the revenge (?)

soooooo many questions: what caused him to leave ed and join stede's crew? is he fighting with ed and is training to take him out or is he just done having his love be unrequited so he leaves and just so happens to stumble into stede? is izzy thinking that if he can't cut out the longing he has for ed he has to kill him instead so the pain will go away? what, pray tell, the fuck is going on in here on this day

-wee john in the mermaid costume (and olu in a bunny or donkey costume?):

a fuckery? or just a weird acid trip? OR IS IT THE TALENT SHOW THEY NEVER GOT TO HAVE??

-ed really does force everyone on his crew to wear war paint

-all the tally marks scratched into the walls - is that the number of days since stede bonnet broke ed's heart?

-ed in the forest in PEARL NECKLACE HELLOW????????

-the tear in ed's eye as he moves the cake toppers closer together which he also painted to make the lady look more like him he literlaly is in love wiht stede so bad wht the FUCJ

-ed's crew is murdering SO MANY PEOPLE at the wedding wtf (pic not included bc scary)

-delusional moment but i hope anne bonny on stede's lap is looking at calico jack off screen

-stede and ed are running towards each other on the black sand beach (thank you @sluterastede for pointing this out to me wtf!!!!!!)

which evolves my theory that ed in the forest goes through his healing journey and realizes he wants to openly love stede again but then the navy attack and stede just so happens to have found ed at the same time and they're fighting to get to each other and taking out everyone in their way (what if that was okracoke lmao)

-the swede and spanish jackie hooking up in the trailer

makes me think the bts shot of ed and jackie is them looking at stede and the swede, and ed being SO in love with stede obvi but jackie is watching the swede do some weirdly hot shit so she's gotta have him (what if they got married and he became her umpteenth husband in a drunken vegas-like shotgun wedding where she wakes up the next day to realize what has happened lmao)

-also this pic is DEF from the reunited/make up era bc ed's half-up hair, no makeup, soft eyes, and buttons' clothing. i am weeping

-stede in pain - is it an injury or a tattoo? or torture as @sluterastede posits?? he looks down at his lower body before screaming so maybe he knows what's about to happen to him??

-ed in the forest wearing the pearl necklace (see above), ed saying "fuck you stede bonnet" wearing the pearl necklace (see below)

does he pick it up at the wedding??? (theory credit to @sluterastede!!!! can u tell we watched the trailer together 400 times) i can't tell if he's wearing it in the one wide shot of him in that scene:

but regardless of when he acquires it, does he take it bc he remembers stede said he wears fine things well???? and he starts to believe he may deserve them??

-side note about a LACK of something: ed isn't wearing the cravat at all in the trailer near as i can tell, and he's not wearing the pearl necklace when throwing knives at the wall (at least from what I can see, which is not much) which leads me to believe that scene is in the earlier part of the season

-lastly, the most important song lyrics from the trailer (the beautiful ones by prince):

and that's my dissertation on the ofmd season 2 teaser trailer thank you

[ingravinoveritas]

This past week, I traveled to London to see Macbeth. Everything I had heard and seen about David, Cush Jumbo, and the overall production convinced me that it was not to be missed, and so I took the crazy chance of purchasing a ticket months ago, and it was the first time I've ever gone to another country just for a play.

Ever since I was a kid, I have been going to Broadway shows, and the experience of live theatre has always been something incomparable and incredibly meaningful to me. Seeing something beyond Broadway, however, never felt possible until now. This opportunity arose at a moment when I was finally able to seize it, and now that I have attended the play not once, but twice (thanks to a lovely person who was able to help me obtain a £25 day ticket), I can say that Macbeth was, without question, the most amazing thing that I have ever seen on stage.

What follows is my review/thoughts on the production, and I will try my best to avoid spoilers (though fair warning that one or two may arise, so proceed with caution).

In high school, Shakespeare was something we were taught. It was an assumed part of the curriculum, labeled as a classic. Yet it seemed to exist in a time capsule--a product of its era, and of an English language barely proximate to the one we speak today. We learned Macbeth on the page, in annotations and themes and meter, rather than something pulsing, beating, living. Something that makes us feel. And for nearly two hours in a beautiful Victorian theatre in a little corner of the West End, all I did was exactly that.

I felt. And after seeing this play, I am not the same person on a molecular level that I was before.

Everything about this play--from David's mesmerizing portrayal of Macbeth to Cush Jumbo's wrenching turn as Lady Macbeth to the entire ensemble cast to the staging choices (light, sound, and so on)--is extraordinary. It is breathtakingly ruinous. It is so fully immersive that by the end you somehow feel bruised, viscerally disgusted and wrung out in equally beautiful measure.

It's almost misleading to say that we the audience are simply watching the play, because thanks to the binaural audio design (headphones), we are in Macbeth and Lady Macbeth's minds, and become accomplices to the characters' wicked deeds. When the porter (Jatinder Singh Randhawa) comes on to provide comic relief at exactly the perfect moment, it soon becomes clear that it is a distraction from our own discomfort at what has just happened. But it is a short-lived respite, as we are soon plunged back into the action and the characters' spiraling descent into madness.

In terms of David specifically, seeing him on television or on any screen profoundly pales to seeing him on the stage. In much the same way that the stage is Michael's natural habitat, it is also David's. The way he moves, the way he holds himself when he's not even speaking--which I got to see up close when he knelt directly in front of me on several occasions--is meticulous. David becomes the character he is playing, down into the pit of his soul. He disappears so thoroughly that I very quickly forgot that I was even watching him.

So many people can recite Shakespeare, but there is a marked difference between recitation and what David does. Together, David and Cush make Macbeth and Lady Macbeth feel like the Bonnie and Clyde of the Elizabethan age (only hornier). And the themes the play invokes--greed, fear, jealousy, power--are shown to be themes not of a particular era, but of humanity. David especially is so preternaturally good at making all of that unbearably real. He not only makes Shakespeare accessible to the modern world--an already difficult feat on its own--he makes it timeless.

For the last ten minutes of the play, I felt like I stopped breathing. The evil that Macbeth perpetrates, and the realization that he has not become like this, but rather that this is who he has always been, hits full force. As much as this play is very definitely an ensemble piece, David is the standout. He commands the stage, and at no point is he more powerful than when Macbeth is falling apart near the end.

(On a purely aesthetic level, this is also when David looks most beautiful--the wild hair, the form-fitting shirt heaving with the rise and fall of his greyhound lean chest, and the majestic sweep of the kilt with every frenzied movement. The complete erosion of the line between sanity and insanity, but also showing us how tenuous that line was to begin with. And he is utterly gorgeous while doing so.)

It's also at this moment in the play that we see how skillfully David has manipulated the audience. Where Michael uses a character's emotions much more overtly and aggressively--sniffing the audience out, stalking around the stage, feeling as if he's about to pull you up with him--David is far more controlled. He draws you in slowly, carefully, and it's only when we see the depths of Macbeth's depravity (notably killing Young Siward) that we realize the truth:

He got us. He made us the witnesses to Macbeth's malice, made sure we couldn't look away. And now we are complicit.

If I had to pinpoint any negatives about the play (which is extremely difficult to do), it's that there is only a brief moment where the pacing lags just slightly, and it's because David is off stage for a considerable period of time. The cast is absolutely incredible, bar none, but the energy doesn't quite maintain that high level when he is not there.

Also, from a sensory standpoint, this is very much not a sensory-friendly production. There are several instances of sudden loud noises in the headphones (which I found especially jarring), as well as the use of flashing lights, and considerable use of smoke at multiple points. All of these were more acute because I was sitting in the Stalls (second row), so I can only speak to it from that vantage, rather than from other locations in the theatre. But for anyone who is autistic (as I am) or has sensory-processing challenges, be advised that this play is definitely inaccessible in those respects.

When I left the Harold Pinter Theatre that night, I felt as though my entire central nervous system had been rearranged. There genuinely is no way to be normal about this play, because it is not a normal play. It takes apart everything you know about Macbeth and puts it back together in the most unexpected, electrifying way. It is the beauty of destruction, and no one embodies that more perfectly than David. Even days later, I can still feel the buzzing of my skin, the blood rushing through me, fingertips tingling from some heady combination of arousal and fear. (Or as Dr. Frank N. Furter once put it: "A mental mind fuck can be quite nice...")

The moment the lights went to black, every single person in that theatre was on their feet in a standing ovation. The applause was thunderous, and seemed even louder in the wake of the complete silence that preceded it.

I had sat in that silence--awestruck, captivated--and thought to myself that I could watch this production forever. And I would go back and do it all over again right now if I could. If you have the means, the opportunity, it is an experience I cannot recommend highly enough.

David is truly a master of his craft, and yet performs without a hint of ego. He gives everything he has and leaves it all on the stage. And what he and this team of people have come together to give us is something I will remember for the rest of my life.

(Pictures taken on 10/12/2024.)

[robilover]

silver wolf who loves fem reader so so so much? silver wolf brain rot era has not left me since 26/04/2023 😭😭 basically hcs of her love for reader? and she’s basically willing to do everything in the universe for her (maybe some nsfw of silver wolf being a bit possessive bcos she’s jealous [i personally think she’s a possessive lover 👀😵‍💫]) how do you personally think silver wolf wld be (nsfw headcanons)? HELP my request is so vague 😭 but i hope you’ll do it either way 😭😵‍💫

did you know that silver wolf is my very first limited 5-star? I also got her light cone because I was so in love with her😭 had to skip seele just for her hshaja

Lovestruck!Silver Wolf SFW and NSFW Headcanons !

pairing(s): silver wolf x fem!reader

cw: silver wolf is a streamer, smitten and possessive silver wolf, strap-on use, implied fingering, marking, dom!silver wolf, men and homophobes dni.

SFW

silver wolf strikes me as someone who just loves to spoil her girlfriend with game credits. she definitely did not hack someone’s bank accounts—

to me, her main love language is gift giving. she always shows her love to you by giving you little trinkets that are either from games, or anything that makes her think of you.. especially when it comes to games.

if she hears you saying that you want this character, or that weapon of theirs, battle pass, or anything at all, you suddenly get them.

she’s a very skilled hacker, so why not put them to good use? even if you’re against them, she wouldn’t care at all.

aside from giving you stuff you like, she doesn’t mind holding you close in her arms. she loves your warmth.

whenever she plays, she always calls for you to sit beside her.. or even her lap. why, you ask? well, she thinks that you bring her luck to her games and gacha pulls. she thinks of you as her lucky charm!

she occasionally gives you kisses whenever she feels like it. when she somehow gets her hands off of her keyboard or phone, she puts one of her hands (or both) on your body. may it be your cheeks, your waist, your hips, your thighs — anywhere. she just can’t help but want to touch you as a way to take a break from her games.

there are times that she just cups your face and tells you how cute you look, even poking your cheek with a chuckle. that little gesture would make your face heat up.

most of the time, you would catch her staring at you. what you don’t know was that she’s already gushing about you (she does that 24/7). you’d already see her faintly blushing and you would ask her why her face is red. she brushes it off by saying that it was hot in the room before turning away to get snacks from her food stash.

nsfw under the cut, read at your own risk!

—

NSFW

silver wolf may not show it much, but she is possessive towards you. she absolutely hates it when people hit on you, may it be in games, in her streams, or in real life.

if she sees someone hitting on you in game while you’re both playing, you could see her gripping her mouse/game console/phone so tightly, almost like she could break it if she continued to apply force on them. she would mutter under her breath on how she’d hack their accounts if they don’t stop.

if she’s on stream and you could be seen by the camera, her chat goes crazy over you—basically thirsting over you. it would make her grit her teeth as she tries oh-so politely to tell her chat to calm down, it’s just her beautiful girlfriend and you’re all hers.

if she couldn’t handle it anymore, she abruptly ends her stream and turns to you, as you were just laying on her bed. she would look at you with hunger and immediately removes her headphones and pounces on you, which resulted in you squealing.

when she’s possessive and jealous, she tends to be rough.

you would have bite marks all over your body—your neck, collarbones, shoulders, stomach, thighs—basically anywhere that she has access to. after all, she loves to show everyone who you belong to.

silver wolf loves it when you moan her name. it encourages her to fuck you so hard until you could barely even form a single word other than her name. for her, it’s an ego booster.

she would make you cum countless of times using her fingers. and if you’re overstimulated enough, she decides to use a strap-on. a big one.

she’d pound into your cunt so harshly that the room would be filled with your loud, whiny moans and skin slapping against skin. she’d grunt and groan at your moans, her face buried into your neck as she places kisses on your skin to make you whine under her.

she would grumble how you’re hers and no one else’s between thrusts and grunts, her hands grasping tightly onto your hips.

silver wolf surprisingly has quite the stamina, that the both of you would last for hours on her bed.

once she’s satisfied, she becomes awfully and surprisingly? gentle.

her aftercare would be gentle kisses on the marks she left on your skin, whispering praises into your ear at how well you took her and that she loves you so much. she also loves how fucked out you look that she sensed that you could barely register anything that she says.

in the end, she cuddles you close to her heart while whispering sweet nothings into your ear until you fall asleep in her arms (probably passed out) <33

[mostlysignssomeportents]

'We buy ugly houses' is code for 'we steal vulnerable peoples' homes'

Tonight (May 11) at 7PM, I’m in CALGARY for Wordfest, with my novel Red Team Blues; I’ll be hosted by Peter Hemminger at the Memorial Park Library, 2nd Floor.

Home ownership is the American dream: not only do you get a place to live, free from the high-handed dictates of a landlord, but you also get an asset that appreciates, building intergenerational wealth while you sleep — literally.

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/05/11/ugly-houses-ugly-truth/#homevestor

Of course, you can’t have it both ways. If your house is an asset you use to cover falling wages, rising health care costs, spiraling college tuition and paper-thin support for eldercare, then it can’t be a place you live. It’s gonna be an asset you sell — or at the very least, borrow so heavily against that you are in constant risk of losing it.

This is the contradiction at the heart of the American dream: when America turned its back on organized labor as an engine for creating prosperity and embraced property speculation, it set itself on the road to serfdom — a world where the roof over your head is also your piggy bank, destined to be smashed open to cover the rising costs that an organized labor movement would have fought:

https://gen.medium.com/the-rents-too-damned-high-520f958d5ec5

Today, we’re hit the end of the road for the post-war (unevenly, racially segregated) shared prosperity that made it seem, briefly, that everyone could get rich by owning a house, living in it, then selling it to everybody else. Now that the game is ending, the winners are cashing in their chips:

https://doctorow.medium.com/the-end-of-the-road-to-serfdom-bfad6f3b35a9

The big con of home ownership is proceeding smartly on schedulee. First, you let the mark win a little, so they go all in on the scam. Then you take it all back. Obama’s tolerance of bank sleze after the Great Financial Crisis kicked off the modern era of corporations and grifters stealing Americans’ out from under them, forging deeds in robosigning mills:

https://www.marketwatch.com/story/us-breaks-down-93-bln-robo-signing-settlement-2013-02-28

The thefts never stopped. Today on Propublica, by Anjeanette Damon, Byard Duncan and Mollie Simon bring a horrifying, brilliantly reported account of the rampant, bottomless scams of Homevestors, AKA We Buy Ugly Houses, AKA “the #1 homebuyer in the USA”:

https://www.propublica.org/article/ugly-truth-behind-we-buy-ugly-houses

Homevestors — an army of the hedge fund Bayview Asset Management — claims a public mission: to bail out homeowners sitting on unsellable houses with all-cash deals. The company’s franchisees — 1,150 of them in 48 states — then sprinkle pixie dust and secret sauce on these “ugly houses” and sell them at a profit.

But Propublica’s investigation — which relied on whistleblowers, company veterans, court records and interviews with victims — tells a very different story. The Homevestor they discovered is a predator that steals houses out from under elderly people, disabled people, people struggling with mental illness and other vulnerable people. It’s a company whose agents have a powerful, well-polished playbook that stops family members from halting the transfers the company’s high-pressure salespeople set in motion.

Propublica reveals homeowners with advanced dementia who signed their shaky signatures to transfers that same their homes sold out from under them for a fraction of their market value. They show how Homevestor targets neighborhoods struck by hurricanes, or whose owners are recently divorced, or sick. One whistleblower tells of how the company uses the surveillance advertising industry to locate elderly people who’ve broken a hip: “a 60-day countdown to death — and, possibly, a deal.” The company’s mobile ads are geofenced to target people near hospitals and rehab hospitals, in hopes of finding desperate sellers who need to liquidate homes so that Medicaid will cover their medical expenses.

The sales pitches are relentless. One of Homevestor’s targets was a Texas woman whose father had recently been murdered. As she grieved, they blanketed her in pitches to sell her father’s house until “checking her mail became a traumatic experience.”

Real-estate brokers are bound by strict regulations, but not house flippers like Homevestors. Likewise, salespeople who pitch other high-ticket items, from securities to plane tickets — are required to offer buyers a cooling-off period during which they can reconsider their purchases. By contrast, Homevestors’ franchisees are well-versed in “muddying the title” to houses after the contract is signed, filing paperwork that makes it all but impossible for sellers to withdraw from the sale.

This produces a litany of ghastly horror-stories: homeowners who end up living in their trucks after they were pressured into a lowball sales; sellers who end up dying in hospital beds haunted by the trick that cost them their homes. One woman who struggled with hoarding was tricked into selling her house by false claims that the city would evict her because of her hoarding. A widow was tricked into signing away the deed to her late husband’s house by the lie that she could do so despite not being on the deed. One seller was tricked into signing a document he believed to be a home equity loan application, only to discover he had sold his house at a huge discount on its market value. An Arizona woman was tricked into selling her dead mother’s house through the lie that the house would have to be torn down and the lot redeveloped; the Homevestor franchisee then flipped the house for 5,500% of the sale-price.

The company vigorously denies these claims. They say that most people who do business with Homevestors are happy with the outcome; in support of this claim, they cite internal surveys of their own customers that produce a 96% approval rating.

When confronted with the specifics, the company blamed rogue franchisees. But Propublica obtained training materials and other internal documents that show that the problem is widespread and endemic to Homevestors’ business. Propublica discovered that at least eight franchisees who engaged in conduct the company said it “didn’t tolerate” had been awarded prizes by the company for their business acumen.

Franchisees are on the hook for massive recurring fees and face constant pressure from corporate auditors to close sales. To make those sales, franchisees turn to Homevana’s training materials, which are rife with predatory tactics. One document counsels franchisees that “pain is always a form of motivation.” What kind of pain? Lost jobs, looming foreclosure or a child in need of surgery.

A former franchisee explained how this is put into practice in the field: he encountered a seller who needed to sell quickly so he could join his dying mother who had just entered a hospice 1,400 miles away. The seller didn’t want to sell the house; they wanted to “get to Colorado to see their dying mother.”

These same training materials warn franchisees that they must not deal with sellers who are “subject to a guardianship or has a mental capacity that is diminished to the point that the person does not understand the value of the property,” but Propublica’s investigation discovered “a pattern of disregard” for this rule. For example, there was the 2020 incident in which a 78-year-old Atlanta man sold his house to a Homevestors franchisee for half its sale price. The seller was later shown to be “unable to write a sentence or name the year, season, date or month.”

The company tried to pin the blame for all this on bad eggs among its franchisees. But Propublica found that some of the company’s most egregious offenders were celebrated and tolerated before and after they were convicted of felonies related to their conduct on behalf of the company. For example, Hi-Land Properties is a five-time winner of Homevestors’ National Franchise of the Year prize. The owner was praised by the CEO as “loyal, hardworking franchisee who has well represented our national brand, best practices and values.”

This same franchisee had “filed two dozen breach of contract lawsuits since 2016 and clouded titles on more than 300 properties by recording notices of a sales contract.” Hi-Land “sued an elderly man so incapacitated by illness he couldn’t leave his house.”

Another franchisee, Patriot Holdings, uses the courts aggressively to stop families of vulnerable people from canceling deals their relatives signed. Patriot Holdings’ co-owner, Cory Evans, eventually pleaded guilty to to two felonies, attempted grand theft of real property. He had to drop his lawsuits against buyers, and make restitution.

According to Homevestors’ internal policies, Patriot’s franchise should have been canceled. But Homevestors allowed Patriot to stay in business after Cory Evans took his name off the business, leaving his brothers and other partners to run it. Nominally, Cory Evans was out of the picture, but well after that date, internal Homevestors included Evans in an award it gave to Patriot, commemorating its sales (Homevestors claims this was an error).

Propublica’s reporters sought comment from Homevestors and its franchisees about this story. The company hired “a former FBI spokesperson who specializes in ‘crisis and special situations’ and ‘reputation management’ and funnelled future questions through him.”

Internally, company leadership scrambled to control the news. The company convened a webinar in April with all 1,150 franchisees to lay out its strategy. Company CEO David Hicks explained the company’s plan to “bury” the Propublica article with “‘strategic ad buys on social and web pages’ and ‘SEO content to minimize visibility.’”

https://www.propublica.org/article/homevestors-aims-to-bury-propublica-reporting

Franchisees were warned not to click links to the story because they “might improve its internet search ranking.”

Even as the company sought to “bury” the story and stonewalled Propublica, they cleaned house, instituting new procedures and taking action against franchisees identified in Propublica’s article. “Clouding titles” is now prohibited. Suing sellers for breach of contract is “discouraged.” Deals with seniors “should always involve family, attorneys or other guardians.”

During the webinar, franchisees “pushed back on the changes, claiming they could hurt business.”

If you’ve had experience with hard-sell house-flippers, Propublica wants to know: “If you’ve had experience with a company or buyer promising fast cash for homes, our reporting team wants to hear about it.”

Catch me on tour with Red Team Blues in Calgary, Toronto, DC, Gaithersburg, Oxford, Hay, Manchester, Nottingham, London, and Berlin!

[Image ID: A Depression-era photo of a dour widow standing in front of a dilapidated cabin. Next to her is Ug, the caveman mascot for Homevestors, smiling and pointing at her. Behind her is a 'We buy ugly houses' sign.

Image: Homevestors https://www.homevestors.com/

Fair use: https://www.eff.org/issues/intellectual-property

[slugtranslation-hypmic]

Hi Slug! If possible could you please translate the new updated timeline from the second guidebook? Thank you so much 🙏

I typically don't want to translate any sort of paid content, but I'll make an exception just this once so we can publicly shame Hypmic for its ludicrous timeline have this as a resource.

The guidebook's timeline is split into two halves corresponding to Chuuouku and the six Divisions featured in the storyline. For ease of reading, I've combined them into one and placed them in order (as much as possible).

The translation is as direct as possible. I do not translate word by word by the dictionary when there are more straightforward or natural-sounding equivalents available, and I do not incorporate features of the source grammar and punctuation that are nonsensical in English. Apart from that, this is super cut-and-dry. It's a timeline lol.

Finally, a note about the "H Age" (H歴) year system: While treated as its own calendar system similar to BCE and CE (or BC/AD), the H Age notation is otherwise similar to Japanese "eras." In real life, a new era corresponds to a new emperor taking the throne, so Otome's rise to power and the subsequent beginning of the H Age marks a paradigm shift. Eras can start in the middle of a calendar year, so Year 1 of the H Age isn't necessarily from January to December (in so much as Hypmic has months anyway). Let's arbitrarily say it started in June 2024. (Did it? No idea. I made this up for argument's sake.) That means Year 1 is June - December of 2024 while "one year prior" is January - May also of 2024. Therefore, "two years prior" is January - December of 2023. And so on and so forth.

Under a cut for length

19 years prior to the H Age

Rei joins a military R&D program.

Otome founds the Party of Words.

13 years prior to the H Age

World War III begins.

11 years prior to the H Age

World War III ends, but smaller violent conflicts continue.

Rei leaves the military and assembles an independent Hypnosis Mic development team.

4 years prior to the H Age

Rei creates a working Hypnosis Mic.

3 years prior to the H Age

Otome purchases the Hypnosis Mics from Rei.

The military creates a working Hypnosis Mic prototype.

Rei begins development of the Hypnosis Canceler.

2 years prior to the H Age

Rei creates a working True Hypnosis Mic.

1 year prior to the H Age

The Party of Words stages a coup d'tat.

Rei creates a working Hypnosis Canceler and gives the first Ramuda to Otome.

Year 1 of the H Age

The H Age begins, ending violent conflict with weapons.

The Party of Words overwhelms the preexisting government, thus subverting the state.

The Party of Words founds Chuuouku and distributes Hypnosis Mics to select candidates.

Ichirou and Kuukou form Naughty Busters.

Samatoki and Sasara form Mad Comic Dialogue.

Ramuda meets Jakurai and Yotsutsuji. The former two go on to form Kuujaku Posse.

Otome purchases the True Hypnosis Mic from Rei.

Ichirou and Kuukou begin working with Mad Comic Dialogue.

Year 2 of the H Age

Ramuda clones use the True Hypnosis Mic to brainwash Sasara and Kuukou. Kuukou tells Ichirou their friendship is over and leaves for Nagoya. Sasara does the same and returns to Osaka.

Ichirou, Samatoki, Ramuda, and Jakurai form The Dirty Dawg.

The Dirty Dawg gains supremacy over every Division in Japan. A Ramuda clone puts Yotsutsuji in a brainwashing-induced coma.

A Ramuda clone brainwashes Nemu. She goes on to join the Party of Words.

Ichirou and Samatoki battle one another in accordance with a Chuuouku plot. At the same time, Jakurai and Ramuda fight over the Yotsutsuji situation. This leads to The Dirty Dawg disbanding.

The Party of Words disables all preexisting Hypnosis Mics distributed [through their program in Year 1] and recalls the mics.

The Party of Words creates the Division Rap Battle program.

Year 3 of the H Age

Ichirou, Samatoki, Ramuda, and Jakurai receive mics from Chuuouku.

The Division Rap Battle program begins.

Ichirou forms the Buster Bros with Jirou and Saburou.

Samatoki forms Mad Trigger Crew with Juuto and Riou.

Jakurai forms Matenrou with Hifumi and Doppo.

Ramuda forms Fling Posse with Gentarou and Dice.

Preliminary matches begin within each Division. The Buster Bros, Mad Trigger Crew, Fling Posse, and Matenrou win their respective preliminaries, thus advancing to the finals.

Ichijiku uses a Hypnosis Canceler for the first time.

In the first DRB tournament, Mad Trigger Crew wins round 1 against the Buster Bros.

In the first DRB tournament, Matenrou wins round 2 against Fling Posse.

In the first DRB tournament, Matenrou wins the final match against Mad Trigger Crew and takes the championship.

Hitaki Tsumabira, Vice Director General of the Criminal Bureau, and the Tobari brothers attempt to lay a trap for the Buster Bros, Mad Trigger Crew, Fling Posse, and Matenrou. Their plot fails.

Ichijiku has Tsumabira purged from the Party of Words for using the Tobari brothers to traffic the Grasshopper drug.

The Party of Words announces the second DRB.

Kuukou and Sasara receive mics from Chuuouku.

Rei meets Sasara and Roshou. The three go on to form Dotsuitare Hompo.

Hitoya introduces Juushi to Kuukou, who takes Juushi under his wing as an apprentice. The three go on to form Bad Ass Temple.

Ichirou notices Nemu's name on a list of missing persons and meets up with Sasara and Roshou to find out more. Rei meets with Jirou and Saburou. He reveals that he is their father and that Ichirou has been lying to them.

Nemu becomes the Vice Director General of the Administrative Inspection Bureau.

Nemu, still brainwashed, shows up in front of Samatoki with other Chuuouku members. Ramuda confesses to Samatoki that he brainwashed her.

Gentarou and Dice learn that Ramuda is a clone.

Chuuouku approaches Jakurai for his crucial assistance in improving the True Hypnosis Mic in order to bring Yotsutsuji out of his coma. Jakurai and Hitoya reunite. Meanwhile, Hifumi and Doppo meet Kuukou and Juushi.

Chuuouku decides to have Ramuda killed. Honobono enlists the Word Wreckers to join her in hunting him down. Gentarou and Dice come to his rescue and spirit him away to safety, but now all three are wanted as outlaws.

Dice performs a trade with Otome, giving her the Chuuouku expose left behind by Gentarou's older brother. Ramuda is allowed to go free, and Fling Posse is granted permission to participate in the second DRB.

Jakurai agrees to cooperate with Chuuouku under certain conditions. Honobono pays a visit to Hifumi's club.

Juuto arrests Sekirei Hanmyou, the man responsible for the drug that led to Juuto's friend and parents' deaths.

Nemu arrests Tsumabira, now escaped from prison, and her coconspirator in crime Misago Haebaru. Honobono rises to position of Vice Director General of the Criminal Bureau in Tsumabira's place.

Ichirou battles Jirou while Saburou battles Rei. The brothers make up afterward.

After receiving advice from Rei, Sasara and Roshou battle one another and come clean about their feelings. With that bad blood washed away, the team comes together stronger than ever.

Juushi comes face to face with the boy who bullied him and took his grandmother's life. Through his own fortitude, Juushi prevails through the mental distress. After talking with Kuukou, Hitoya lets go of the past in seeking revenge for the death of his brother. The team comes together stronger than ever.

The second DRB preliminaries come to an end. The Buster Bros, Mad Trigger Crew, Fling Posse, Matenrou, Dotsuitare Hompo, and Bad Ass Temple advance to the finals.

In the second DRB tournament, the Buster Bros win round 1 against Dotsuitare Hompo.

In the second DRB tournament, Matenrou wins round 2 against Bad Ass Temple.

In the second DRB tournament, Fling Posse wins round 3 against Mad Trigger Crew.

In the second DRB tournament, Fling Posse wins the final match against the Buster Bros and Matenrou, thus claiming the championship.

Sasara and Kuukou learn that they were brainwashed. Ramuda opens up to Jakurai and tells him the truth. Ichirou and Samatoki learn the truth as well, thereby resolving the feuds between the team leaders.

The Party of Words announces the third DRB.

The Party of Words locates and seizes control of Rei's laboratory. In an exchange of hostages, the Party gains control of the True Hypnosis Mic and Ramuda clones.

Otome announces plans for world domination before Rei attempts a coup d'tat. All Hypnosis Mics are disabled, and Otome and Ichijiku are sent to maximum security prison by the very Ramuda clones Rei created.

Public order breaks down following the disabling of the mics.

Ichirou discovers Rei's connection to the Hypnosis Mics due to Gentarou's brother's expose. The main cast, led by Jirou and Saburou, hold a music festival to bring courage to everyone struggling with the political turmoil.

Honobono frees the inmates of Chuuouku's maximum security prison. After staging an attack on the music festival, she disappears from the eye of Chuuouku.

Rei and Ichirou have a fistfight over their respective moral positions. Rei acknowledges his defeat, reconsiders his moral stance, and reactivates all Hypnosis Mics.

Armed with a working mic once more, Nemu takes command and restores order within Chuuouku. Otome decides to step down from her position in government.