#max lloyd jones
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Stiles: Okay, how do I look? Be honest. Chris: There’s no critic more honest than Peter! Peter: Bad.
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sejanuspiinth · 1 year ago
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PUBLIC COMMISSION — by clicking on the source link find a free download link and a page with 400 gifs, all made from scratch by myself, of max lloyd jones in the book of boba fet, the mandalorian, love classified and when calls the heart. max is white and is currently 32 years old. i don’t care what you do with these, just don’t be gross and don’t claim them as your own. if using these, give this post a reblog. thank you !
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teenwolf-confessions · 5 months ago
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stuff-diary · 3 months ago
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Woman of the Hour
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Movies watched in 2024
Woman of the Hour (2023, USA)
Director: Anna Kendrick
Writer: Ian McDonald
Mini-review:
This is a surprisingly hard-hitting movie. It uses the bizarre real life story of a serial killer to put on display the different aggresions (both macro and micro) that women face on the daily, and the way many things have barely changed over the last 50 years. While I already knew Anna Kendrick was a great actress, here she also proves herself as a talented director on her first try. I can see some people being unhappy with the way she handles the most violent moments, but I think it was the right choice for this particular story and message. Beyond that, Daniel Zovatto's performance is genuinely unsettling and terrifying, which makes the whole thing work even better. So yeah, Woman of the Hour is not an easy film, but it's pretty powerful. I'll be looking forward to Anna Kendrick's future directorial works.
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watchinghallmark · 2 months ago
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Debbie Macomber’s Joyful Mrs. Miracle - November 28th on Hallmark Channel
Three adult siblings return to their childhood home at Christmas to honor their late grandmother’s wishes and try to agree on new leadership for the family’s company. Enter Annie Merkel – also known as Mrs. Miracle – who poses as an estate planner and uses her special brand of Christmas magic to help the family find common ground and rekindle their bonds. As the siblings try to sort things out, Charlotte also finds herself reconnecting with Austin, the manor’s caretaker and her first love. Starring Rachel Boston, Pascal Lamothe-Kipnes, Tanner Novlan, Matthew James Dowden, and Max Lloyd-Jones.
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arojenniferwalters · 7 months ago
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Love, Classified (2022)[19.6.2024] sneak peek and preview
Written by Lynn Sternberger Directed by Stacey N. Harding
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hallmark-movie-fanatics · 1 month ago
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Debbie Macomber's Joyful Mrs. Miracle - photo preview
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lovemurphythe100 · 2 years ago
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skyz8 · 2 years ago
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Graham Hamilton and Max Lloyd-Jones (who were/are Luke's stand-ins) posting about Luke within a day. Dunno if either of them still involved in The Mandoverse but it's interesting.
For Graham, it's about the plastic-free packaging for Luke's action figure, as he's passionate about the environment. And for Max, it's about becoming the destroyer of parents's toes as a lego set 🤣
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lunastar92 · 8 months ago
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Blue Eyes!!!! 😭😭😭😭😭
He deserved better!!!!!!
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Some sketches of the characters from Planet of the apes- just watched all the newer movies and absolutely loved them 🫶
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apollo-lovesyou · 3 months ago
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max lloyd-jones.
(yi-haw)
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Peter: When you meet someone for the first time and it’s new and exciting. You know that rush. Chris: No. No, see, when I first meet somebody it’s mostly internal panic, anxiety, and a great deal of sweating.
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ouatreusedcostumes · 8 months ago
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This dark red cloak is worn two times in Once Upon a Time, First worn on Bo Peep's bodyguard in White Out (2014) and worn second on Max Lloyd-Jones as Footman Jacob in The Other Shoe (2016)
The Cloak is worn later in Once Upon a Time in Wonderland: Heart of Stone (2013) on Tweedledee
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lifetimemoviereview · 1 month ago
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Debbie Macomber’s Joyful Mrs. Miracle (Hallmark 2024)
Debbie Macomber’s Joyful Mrs. Miracle (2024 Hallmark Channel) 📺.  Stream/Watch the Movie (Ad): Stream this movie now with Philo w/ Deck The Hallmark Cast: Rachel Boston, Pascal Lamothe-Kipnes, Tanner Novlan, Max Lloyd-Jones Director: Peter Benson Writer(s): Nina Weinman ➡️    Check out our Youtube Channel: Lifetime Uncorked: Lifetime Movie Reviews 🎧   Listen to the Lifetime Uncorked…
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milliondollarbaby87 · 3 months ago
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Woman of the Hour (2023) Review
Based on the true story of serial killer Rodney Alcala who had the audacity to go on a hit dating show in the 1970s, with Sheryl Bradshaw having a rather lucky escape when she chooses him as the bachelor. ⭐️⭐️ Continue reading Woman of the Hour (2023) Review
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claudia1829things · 4 months ago
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"THE HISTORY OF TOM JONES, A FOUNDLING" (1997) Review
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"THE HISTORY OF TOM JONES, A FOUNDLING" (1997) Review
The year 1963 saw the release of Tony Richardson's Academy Award winning adaptation of Henry Fielding's 1749 novel, "The History of Tom Jones, a Foundling". Another thirty-four years passed before another adaptation of the novel appeared on the scene. It turned out to be the BBC's five-episode miniseries that aired in 1997.
"THE HISTORY OF TOM JONES, A FOUNDLING" is a comic tale about the life and adventures of an English foundling, who is discovered in the household of a warm-hearted landowner in Somerset named Squire Allworthy. The latter adopts the child and Tom Jones grows up to be a lusty, yet kindly youth; who falls in love with one Sophia Western, the only child of Allworthy's neighbor, Squire Western. Tom is raised with the squire's nephew, a falsely pious and manipulative young man named Mr. Blifil. Because the latter is Allworthy's heir, Sophia's father wishes her to marry Mr. Blifil, so that the Allworthy and Western estates can be joined as one. Unfortunately for Squire Western and Mr. Blifil, Sophia is in love with Tom. And unfortunately for the two young lovers, Tom is discredited by Mr. Blifil and his allies before being cast away by Squire Allworthy. In defiance of Squire Western's wishes for her to marry Mr. Blifil, Sophia (accompanied by her maid, Honour) runs away from Somerset. Both Tom and Sophia encounter many adventures on the road to and in London, before they are finally reconciled.
Actually, there is a lot more to "THE HISTORY OF TOM JONES, A FOUNDLING". But a detailed account of the plot would require a long essay and I am not in the mood. I have noticed that the 1997 miniseries has acquired a reputation for not only being a first-rate television production, but also being superior to the 1963 Oscar winning film. As a five-part miniseries, "THE HISTORY OF TOM JONES, A FOUNDLING" was able to adhere more closely to Fielding's novel than the movie. But does this mean I believe that the miniseries is better than the movie? Hmmmm . . . I do not know if I can agree with that opinion.
I cannot deny that "THE HISTORY OF TOM JONES, A FOUNDLING" is a well made television production. Director Metin Hüseyin did an excellent job of utilizing a first-rate production crew for the miniseries. Cinders Forshaw's photography was well done - especially in Somerset sequences featured in the miniseries' first half. Roger Cann's production designs captured mid-18th century England in great detail. And Rosalind Ebbutt's costumes designs were not only exquisite, but nearly looked like exact replicas of the fashions of the 1740s. The look and style of "THE HISTORY OF TOM JONES, A FOUNDLING" seemed to recapture the chaos and color of mid-18th century England.
"THE HISTORY OF TOM JONES, A FOUNDLING" could also boast some first-rate performances. The miniseries featured solid performances from the likes of Christopher Fulford and Richard Ridings as Mr. Blifil's allies, Mr. Square and Reverend Thwackum; Kathy Burke, who was very funny as Sophia's maid, Honour; Celia Imrie as Tom's London landlady, Mrs. Miller; Peter Capaldi as the lecherous Lord Fellamar; Tessa Peake-Jones as Squire Allworthy's sister Bridget and Benjamin Whitrow as the squire. The episode also featured solid turns from the likes of Kelly Reilly, Michelle Fairley, Camille Coduri, Matt Bardock, Roger Lloyd-Pack, and Sylvester McCoy. Max Beesley was solid as Tom Jones. He also had good chemistry with his leading lady, Samantha Morton, and did a good job in carrying the miniseries on his shoulders. However, I do feel that he lacked the charisma and magic of Albert Finney. And there were times in the miniseries' last two episodes, when he seemed in danger of losing steam.
But there were some performances that I found outstanding. Brian Blessed was deliciously lusty and coarse as Squire Western, Allworthy's neighbor and Sophia's father. I really enjoyed his scenes with Frances de la Tour, who was marvelous as Sophia's snobbish and controlling Aunt Western. Lindsay Duncan gave a subtle performance as the seductive Lady Bellaston. James D'Arcy was outstanding as Squire Allworthy's nephew, the sniveling and manipulative Mr. Blifil. Ron Cook gave the funniest performance in the miniseries, as Tom's loyal sidekick, Benjamin Partridge, who had earlier suffered a series of misfortunes over the young man's birth. Samantha Morton gave a superb performance as Tom's true love, Sophia Western. Morton seemed every inch the graceful and passionate Sophia, and at the same time, conveyed the strong similarities between the young woman and her volatile father. But the one performance I truly enjoyed was John Sessions' portrayal of author Henry Fielding. I thought it was very clever to use Sessions in that manner as the miniseries' narrator. And he was very entertaining.
The producers of the miniseries hired Simon Burke to adapt the novel for television. And I believe he did an excellent job. I cannot deny that the miniseries' running time allowed him to include scenes from the novel. Thanks to Burke's script and Hüseyin's direction, audiences were given more details on the accusations against Jenny Jones and Benjamin Partridge for conceiving Tom. Audiences also experienced Bridget Jones' relationship with her cold husband and the circumstances that led to the conception of Mr. Blifil. Judging from the style and pacing of the miniseries, it seems that Hüseyin was inspired by Tony Richardson's direction of the 1963 film. There were plenty of raunchy humor and nudity to keep a viewer occupied. More importantly, "THE HISTORY OF TOM JONES, A FOUNDLING" proved to be a fascinating comic epic and commentary on class distinctions, gender inequality and social issues.
However, I still cannot agree with the prevailing view that the miniseries is better than the 1963 movie. Mind you, the latter is not perfect. But the miniseries lacked a cinematic style that gave the movie a certain kind of magic for me. And due to Hüseyin and Burke's insistence on being as faithful to the novel as possible, the miniseries' pacing threatened to drag in certain scenes. The scenes featuring Tom and Partridge's encounter with an ineffectual highwayman, their viewing of a puppet show, and a good deal from the London sequences were examples of the miniseries' slow pacing. I could not help feeling that "THE HISTORY OF TOM JONES, A FOUNDLING" could have easily been reduced to four episodes and still remain effective.
I also had a few problems with other matters. One, I never understood why Lady Bellaston continued her campaign to get Sophia married to Lord Fellamar, after Squire Western prevented the peer from raping his daughter. Why did she continued to make life miserable for Tom after receiving his marriage proposal . . . the same proposal that she rejected with contempt? And what led Sophia to finally forgive Tom for the incident with Mrs. Waters at Upton and his marriage proposal to Lady Bellaston? After he was declared as Squire Allworthy's new heir, Sophia refused to forgive Tom for his affair with Lady Bellaston. But the next shot featured Tom and Squire Allworthy returning to Somerset . . . and being greeted by Sophia, along with hers and Tom's children. WHAT HAPPENED? What led Sophia to finally forgive Tom and marry him? Instead of explaining or hinting what happened, Burke's script ended on that vague and rather disappointing note.
But despite my problems with "THE HISTORY OF TOM JONES, A FOUNDLING", I cannot deny that I found it very enjoyable. Director Metin Hüseyin and screenwriter Simon Burke did a first-rate job in bringing Henry Fielding's comic opus to life. They were ably assisted by an excellent production staff and fine performances from a cast led by Max Beesley and Samantha Morton.
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