#mark gossage

[ozzyscollectiblehub]

George Brett: The Legend of Kansas City Baseball

When you think of Kansas City Royals baseball, one name immediately comes to mind — George Brett. A Hall of Famer, 13-time All-Star, and one of the greatest hitters in the history of Major League Baseball, Brett’s legacy is forever intertwined with the Royals organization. His passion, intensity, and consistent excellence made him an icon not just in Kansas City, but in the entire baseball world.

From his legendary pursuit of a .400 batting average to his infamous “Pine Tar Incident,” George Brett’s career is filled with memorable moments that have solidified his place as one of baseball’s all-time greats. In this blog, we’ll take a closer look at his incredible journey, his defining moments, and his lasting impact on the game.

Early Life and Rise to the Majors

George Howard Brett was born on May 15, 1953, in Glen Dale, West Virginia, but he grew up in Southern California. A natural athlete, Brett excelled in baseball from an early age, playing alongside his older brother, Ken Brett, who would also go on to play in the major leagues. It wasn’t long before George Brett’s talent caught the eye of scouts.

In 1971, at the age of 18, Brett was drafted by the Kansas City Royals in the second round of the MLB Draft. After spending a few years in the minor leagues honing his skills, Brett made his MLB debut with the Royals in 1973. Initially a shortstop, Brett would eventually shift to third base, where he became one of the best in the league.

The Pursuit of .400: A Historic 1980 Season

Brett’s career truly hit its peak in 1980, a season that is still talked about as one of the greatest individual performances in MLB history. That year, Brett flirted with baseball immortality as he pursued the elusive .400 batting average — a mark that hadn’t been achieved since Ted Williams hit .406 in 1941.

Throughout the summer of 1980, Brett’s bat was unstoppable. He consistently delivered at the plate, thrilling fans and leaving pitchers bewildered. By late August, Brett’s average sat at .407, and it looked like he might achieve the unthinkable. Although his average dipped slightly in September, Brett finished the season with an astonishing .390 batting average, the highest in the majors since Williams’ iconic season.

Brett’s remarkable performance earned him the American League MVP Award in 1980, as well as the adoration of baseball fans across the nation. His chase for .400 remains one of the most thrilling individual accomplishments in the history of the sport.

The Pine Tar Incident: Controversy and Infamy

While Brett’s .390 season remains a defining moment of his career, he’s perhaps equally well-known for a singular moment of controversy: The Pine Tar Incident. On July 24, 1983, during a game against the New York Yankees at Yankee Stadium, Brett hit a go-ahead, two-run home run in the top of the ninth inning off Goose Gossage, giving the Royals a 5–4 lead.

However, Yankees manager Billy Martin contested the home run, claiming that Brett had too much pine tar on his bat. According to MLB rules, pine tar couldn’t extend more than 18 inches up the handle of the bat. The umpires examined the bat and, to Brett’s dismay, ruled him out, nullifying the home run.

What followed was one of the most famous reactions in sports history. Brett stormed out of the dugout in a rage, charging at the umpires in disbelief. His anger, and the chaos that ensued, became an unforgettable moment in baseball lore. The ruling was eventually overturned by the MLB, and the game was resumed weeks later with Brett’s home run reinstated.

The Pine Tar Incident, while controversial, showcased Brett’s fiery passion for the game. It also added to his legend, proving that he wasn’t just a great player but a man who played the game with heart, intensity, and a relentless competitive spirit.

World Series Glory in 1985

One of Brett’s crowning achievements came in 1985 when he led the Kansas City Royals to their first-ever World Series title. As the team’s undisputed leader, Brett was instrumental in their success throughout the season and especially during the playoffs.

In the 1985 American League Championship Series (ALCS) against the Toronto Blue Jays, Brett delivered a performance for the ages. In Game 3, with the Royals down 2–0 in the series, Brett hit two home runs, helping the Royals to a 6–5 victory. He finished the ALCS with a .348 batting average, earning ALCS MVP honors and helping the Royals reach the World Series.

In the 1985 World Series, the Royals faced off against their cross-state rivals, the St. Louis Cardinals. Down three games to one, the Royals staged a miraculous comeback, winning the final three games and securing the championship in Game 7. Brett’s leadership and clutch performances were vital to the Royals’ triumph, cementing his status as a Kansas City sports legend.

A Hall of Fame Career

Over his 21-year career, George Brett accumulated some of the most impressive stats in baseball history. He finished with a career .305 batting average, 3,154 hits, 317 home runs, and 1,596 RBIs. Brett was a true five-tool player — he could hit for power and average, field his position with precision, and was a consistent leader on and off the field.

Brett is the only player in MLB history to win batting titles in three different decades (1976, 1980, and 1990), showcasing his longevity and consistency. His ability to adapt and remain competitive for over two decades is a testament to his work ethic and natural talent.

In 1999, Brett was elected to the Baseball Hall of Fame, receiving 98.2% of the vote on his first ballot, an overwhelming endorsement of his greatness.

George Brett’s Legacy

Beyond the numbers and accolades, George Brett’s legacy is defined by his deep connection to Kansas City and the Royals franchise. In an era when players often moved teams, Brett spent his entire career with the Royals, becoming the face of the organization. His loyalty to the team and his contributions to the city of Kansas City made him more than just a baseball star — he became a hometown hero.

Brett remains heavily involved with the Royals organization to this day, serving in various capacities, including as a vice president of baseball operations. His influence continues to inspire younger generations of players and fans alike.

The Ultimate Royal

George Brett wasn’t just a great baseball player — he was the heart and soul of the Kansas City Royals for over two decades. From his pursuit of .400 to his fiery outburst during the Pine Tar Incident, Brett embodied the competitive spirit, talent, and love for the game that defines the best of baseball. His place in the Hall of Fame is well-deserved, and his name will forever be associated with the greatest moments in Royals history.

For fans in Kansas City and beyond, George Brett is more than just a legend — he’s a reminder of what it means to play the game with passion, loyalty, and excellence.

[rcsodak]

Check out this listing I just added to my Poshmark closet: 1989 Upper Deck Chicago CUBS Team Set of vintage Baseball Cards NMint.

[ballysports]

Bally Sports Padres

Welcome to this comprehensive guide on the Bally Sports Padres, the beloved baseball team of San Diego. In this article, we will delve into the history, achievements, key players, and everything else you need to know about the ballysports.com/activate.

Whether you're a die-hard fan or a casual observer, this article will provide you with an in-depth understanding of the team that has captured the hearts of baseball enthusiasts in San Diego and beyond.

The Birth of Bally Sports Padres

The Bally Sports Padres, formerly known as the San Diego Padres, were established in 1969 as an expansion team in Major League Baseball (MLB).

Since their inception, the Padres have become an integral part of San Diego's sports culture, captivating fans with their thrilling games and showcasing remarkable talent on the field.

The Journey to Success

Early Struggles and Building Momentum

The early years for the Bally Sports Padres were marked by struggles as they worked to establish themselves in the competitive landscape of MLB. However, with perseverance and dedication, the team gradually gained momentum and began to make significant strides towards success.

In 1984, the Bally Sports Padres reached the pinnacle of their early achievements by winning their first National League (NL) pennant. Led by legendary players such as Tony Gwynn and Goose Gossage, the Padres made their mark in the postseason, thrilling fans with their exceptional performances.

Building a Championship Contender

The late 1990s and early 2000s saw the Bally Sports Padres continue their pursuit of excellence. With the addition of notable players like Trevor Hoffman and Kevin Brown, the team transformed into a formidable contender. In 1998, the Padres captured their second NL pennant, further solidifying their reputation as a force to be reckoned with.

Key Players in Bally Sports Padres History

The success of the Bally Sports Padres can be attributed to the exceptional talents that have graced their roster over the years. Let's take a look at some of the key players who have left an indelible mark on the team's history.

1. Tony Gwynn

Tony Gwynn, often referred to as "Mr. Padre," is one of the most iconic figures in Bally Sports Padres history. Gwynn's extraordinary hitting ability and unwavering loyalty to the team endeared him to fans throughout his illustrious career. With an impressive .338 lifetime batting average, Gwynn remains a legendary figure in the world of baseball.

2. Trevor Hoffman

Known for his devastating changeup and trademark entrance song, "Hells Bells," Trevor Hoffman is widely regarded as one of the greatest relief pitchers of all time. With his remarkable consistency and dominant performances, Hoffman played a crucial role in the success of the Bally Sports Padres, earning numerous accolades and establishing himself as a fan favorite.

The Bally Sports Padres Experience

Thrilling Moments at Petco Park

Petco Park, the home stadium of the Bally Sports Padres, is an iconic venue that offers an unforgettable baseball experience. Located in downtown San Diego, the ballpark provides a picturesque backdrop, combining the beauty of the city with the excitement of the game. Attending a Bally Sports Padres game at Petco Park is an immersive experience that immerses fans in the rich traditions of San Diego baseball.

Conclusion

The Bally Sports Padres hold a special place in the hearts of baseball fans in San Diego and beyond. With a rich history, a dedicated fanbase, and a commitment to excellence, the team continues to captivate audiences with their thrilling performances on the field.

Attending a Bally Sports Padres game at the iconic Petco Park is an experience like no other, immersing you in the electric atmosphere and the traditions that make the team unique. So grab your tickets, don your team colors, and get ready to cheer for the Bally Sports Padres as they continue to make their mark in the world of baseball.

[efosa123]

WPDigiPro 2.0 Review With BIG Custom Bonuses do you want to know about a hundred and seven billion dollar industry that nobody is talking about and getting involved easily starting today stay tuned guys as this is your total solution if you want to sell any kind of digital product a ebook WordPress theme plugins membership sites software audios and more hi guys it's mark Gossage here of best bonus king.com wordpress digi pro has been developed by an award-winning team who have specialized in WordPress development for years focusing on solutions for online marketers and their multiple award-winning software has first been created to maximize profits in their own business then and only then they release the very best to the marketplace today they're releasing their best product yet and this WordPress software is going to give you the raw pair to be able to tap into this multi-billion dollar marketing industry with a software that does the selling for you it's got the power to drive multiple revenue streams from your single dashboard and you can make big money selling your very own digital products or even others people's digital products no experience needed WordPress digi Pro - 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[seotorank-blog]

Social Profit App Review Demo Bonus - Get Meme Traffic from Facebook, Instagram & Pinterest

Social Profit App Review Demo Bonus – Get Meme Traffic from Facebook, Instagram & Pinterest

Social Profit App Review Demo Bonus – Get Meme Traffic from Facebook, Instagram & Pinterest: Quick Overview:

Demo Video Begins at: 04:35 (click timestamp to skip ahead)

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[hauntedsprings]

I remember hearing on the news the next day there would be a Blood Moon and partial eclipse coming and thinking “You have to be joking!” I did not recall ever  seeing or hearing about a Blood Moon and most certainly not one in conjunction with an eclipse! In the context of the recent activity around the Gossage Park Train Bridge and the Abandoned Rail Yard I knew it was an Omen of things to come. I prepared for the Blood Moon by watching the news. I just felt it would not be long before a new unexplained event broke local headlines. There was no shortage of local coverage of the Blood Moon.  I remember that night the sunset was particularly memorable and it had an odd portent about it - as if somehow the sunset and moonrise themselves were marking the day.

[bryregrad702]

Star Gossage

Gossage’s work seems very spiritual, floating above the background, or maybe fading into it - in this sense transcendent of time, or maybe spreading all throughout time: whakapapa. 

The earthiness of her colours are soft, inviting, the figure is part of the land (rather than literally drawing the woman as part of the mountains)

The softness of the brush and its mark flow around the figure, light and even the air seem to move softly about her. 

STAR GOSSAGE Nana i te Whiti o te Ra - Made of the Light 2018 oil on canvas 405mm H x 405mm W PRIVATE COLLECTION

STAR GOSSAGE Passing by Unseen 2018 oil on canvas 1220mm H x 760mm W Private Collection

STAR GOSSAGE Sky Shells 2018 oil on canvas 460mm H x 460mm W Private Collection

There’s something very poetic, dreamlike and reminiscent in Gossage’s paintings. 

‘Her emotionally intense paintings often feature dream-like tupuna figures who seem imbued, as Mark Amery writes, “with collected memory and ancestry … there’s no innocence in the eyes of figures; they feel soaked in both love and sadness. The pupils of the eyes bore through you as if demanding that their stories be remembered.”’

https://www.timmelville.com/artist/star-gossage/

[sunraysiaprestige]

Here’s a list of people who are more deserving of a space at the NGA than Prince Charles

1. Everyone we’ve ever interviewed here: http://thisonthat.org/ - seriously, everyone. Every single one.

2. Trent Parke

3. Narelle Autio

4. Raphaella Rosella

5. Max Pam

6. Graham Miller

7. Bob Adams

8. Adam Ferguson

9. Antonie Bruy

10. That Danish guy who re-photographed the Spencer Baldwin photos - that show would be amazing and the history of those photos and the way the Arrente people used photography as a way of becoming more humanised is something more people need to know about - Christian Vium, that’s his name.

11. Dan and Barney

12. Derek Henderson

13. Felix Wilson

14. Greg Halpern

15. Herbert List

16. Jem Southam

17. John Feely (deserves 2 mentions)

18. Gossage

19. Johannson (deserves 2 mentions)

20. Katrin Koennig

21. Ying Ang

22. Awoiska

23. Larry fucking Sultan

24. Laura Pannack

25. Juno Calypso

26. Mark Klett

27. Masao Yamamoto (pls NGA, pls fucking DO THIS)

28. Matt J Thorne

29. Naoki Ishikawa

30. Pat Tsai

31. All the blokes who used photos to fight logging in Tasmania - not just Dombrovskis but ALL of the lads

32. Jamie/Wouter/Will

33. Meeks

34. Richard Laugharn

35. Rinko

36. Sam Abell (who photographed Australia often and with joy)

37. The dude who set up ACP and photographed Marrickville for years

38. Sarker Protick

39. Sean MacFarland

40. Shadi Ghadirian

41. Simon Deadman

42. Barbara Bosworth (seriously this would be SICK - multi room retrospective: the meadow, the night photos, all the shit she’s published in Korea)

43. Judith Joy Ross

44. Onorato and Krebs

45. Albdorf

46. Todd Hido

47. You Li

[goalhofer]

Best Baseball Nicknames Of All Time

Luke “Old Aches & Pains” Appling

Frank “Home Run” Baker

James “Cool Papa” Bell

Charles “Chief” Bender

Wade “Chicken Man” Boggs

Lou “The Franchise” Brock

Max “Scoops” Carey

Earle “The Kentucky Colonel” Combs

“Wahoo” Sam Crawford

Bob “The Heater From Van Meter” Feller

Frankie “The Fordham Flash” Frisch

Lou “Biscuit Pants” Gehrig

Leon “Goose” Goslin

Rich “Goose” Gossage

Burleigh “Ol’ Stubblebeard” Grimes

Tony “Captain Video” Gwynn

“Sliding” Billy Hamilton

Charles “Old Tomato Face” Hartnett

James “Catfish” Hunter

Walter “The Big Train” Johnson

“Honest” Joe Kelly

Chuck “The Hoosier Hammerer” Klein

Connie “The Tall Tactician” Mack

Greg “Mad Dog” Maddux

Mickey “The Commerce Comet” Mantle

Juan “The Dominican Dandy” Marichal

Bill “Little Joe Chest” McGowan

“Steady” Eddie Murray

Stan “The Man” Musial

Branch “The Mahatma” Rickey

“Bucklefoot” Al Simmons

Ozzie “The Wizard Of Oz” Smith

Norman “Turkey” Stearnes

Don “Black & Decker” Sutton

Frank “The Big Hurt” Thomas

Harold “Pie” Traynor

Zack “Buck” Wheat

Ted “Teddy Ballgame” Williams

Bruce “Eggs” Benedict

Andruw “The Curacao Kid” Jones

Larry “Chipper” Jones

Eddie “Mattress” Mathews

Brooks “Human Vacuum Cleaner” Robinson

Andrew “Ben Nintendo” Benintendi

David “Big Papi” Ortiz

Shane “Flyin’ Hawaiian” Victorino

Dave “Kong” Kingman

George “Sultan Of Swat” Ruth

Todd “The Toddfather” Frazier

Cesar “The Chief” Geronimo

David “Stormy” Weathers

Mike “The Human Rain Delay” Hargrove

“Sudden” Sam McDowell

Harry “Suitcase” Simpson

Andres “The Giant” Galarraga

Todd “The Toddfather” Helton

Steve “Father Time” Reed

Larry “The Canadian Clubber” Walker

Charlie “Chuck Nazty” Blackmon

Aurelio “Senor Smoke” Lopez

James “McCannon” McCann

Jeff “Bagpipes” Bagwell

Johnny “Cash” Damon

“Famous” Amos Otis

“Double Barrel” Darrell Porter

Vladimir “Big Bad Vlad” Guerrero

Daniel “Le Grande Orange” Staub

Edward “The Chairman Of The Board” Ford

Ruben “Slam-wich” Sierra

Garry “The Secretary Of Defense” Maddox

ElRoy “The Bullpen Baron” Face

Kyle “The Lobster” Lobstein

Mark “The Shark” Melancon

Al “The Mad Hungarian” Hrabosky

Leon “Bip” Roberts

John “The Count” Montefusco

Randy “Big Unit” Johnson

Kyle “Corey’s Brother” Seager

Len “Large Lenny” Barker

Prince “Uncle Phil” Fielder

Juan “Senor Octubre” Gonzalez

Kevin “Shrek” Mench

Robbie “The Lawnmower” Ross; Jr.

Josh “Bringer Of Rain” Donaldson

“Nat” Gio Gonzalez

[mhtbfa]

Star Gossage (Ngāti Wai / Ngāti Ruanui) lives and works, surrounded by whanau, on ancestral land at Pakiri, north of Auckland. She studied film and drama in Otago, making her acting debut in Barry Barclay’s The Feathers of Peace in 2000, but in 2002 realised that painting would be her career.

Gossage takes her inspiration from the coastal landscape of rural Pakiri, mixing local clay and ochres with oil paints to create the earthy muted colours that have become one of her signatures. Her emotionally intense paintings often feature dream-like tupuna figures who seem imbued, as Mark Amery writes, “with collected memory and ancestry … there’s no innocence in the eyes of figures; they feel soaked in both love and sadness. The pupils of the eyes bore through you as if demanding that their stories be remembered.”

https://www.timmelville.com/artist/star-gossage/

Field: Natural/organic, spiritual, identity/autobiography, cultural, figurative

Strategy: Celebration, nostalgic

Methodology: Imagine, observe, translate, abstract

Presentation: Adhering to gallery tradition, wall/floor work

Igor Moritz was born in Poland in 1996. At a young age, he and his family were forced to relocate to London, but when he was old enough, he returned to his home, Lubin, to pursue his studies in fine arts. Moritz’s artistic energy flows out him so intensely; constantly creating with an almost Egon Schieleian-like passion, Moritz’s muse is the world around him.

Those in his most intimate circles are the ones he portrays, giving the viewer a view into Moritz’s world. His paintings and drawing flirt with mimesis while breaking all rules of perspective, proportion and realism. He morphs and composes the perspective, space and figures in a way, in order to create visual tension.

Color is something that is always at the forefront of his works, as Moritz sees color to be a way to tap into the viewer’s visual palette. The effect are artworks that are palpable, emotional, and visceral.

https://www.nilgallery.com/igor-moritz/

Field: Psychology, memory, autobiography

Strategy: Domestic, optical, mimetic

Methodology: Observe, translate, abstract, depict

Presentation: Adhering to gallery tradition, wall/floor work

Georgia Spain is a visual artist and musician living and working in Sandford, Tasmania on palawa land. Her work often explores the complexities of human behaviour; using narrative and storytelling to examine the cultural, political and personal. Her paintings frequently look at ideas around human spectacle, theatricality, ritual and ceremony. She is interested in the emotional and performative exchanges between people in social and psychological spaces and in her paintings physical connection is explored through bodies in groupings.

http://www.georgiaspain.com/about

Field: Psychology, social commentary, cultural, relational

Strategy: Political, critique, mimetic

Methodology: Narrative, abstract, observe

Presentation: Adhering to gallery tradition, wall/floor work

[Maja] Ruznic is predominantly a painter, drawing on personal and collective memories to create works that deeply connect with human psyche. Allowing for figures to emerge from the thin layers of oil paint she applies to the canvas, the characters seemingly coalesce with their environments. She describes the process of painting as trying to remember a dream, touching on Bracha L. Ettinger’s theories of ‘matrixial borderspace’: the space of shared effect and emergent expression, across the thresholds of identity and memory.

Ruznic deftly weaves themes of trauma and suffering with mythology and healing, softening the darker subject matter in her work. This softening is then applied to the process of painting – scumbling, blurring and allowing shapes to bleed into one another – symbolically destabilizing borders. Playing with ambiguity, the paintings lie on the threshold of form, which Ruznic compares to a thought or a feeling that precedes language. She looks to evoke transitional moments, like dawn and dusk, containing illuminating and eternal qualities. This timelessness permeates the paintings, tracing journeys and rituals, histories and secrets. Nostalgic and empathetic, the works ultimately speak of human experience.

https://halesgallery.com/artists/93-maja-ruznic/overview/

Maja Ruznic (b. 1983, Bosnia and Herzegovina) is a New Mexico-based artist who paints diluted, out-of-focus figures and landscapes that explore nostalgia and childhood trauma and are influenced in part by war and the refugee experience. The ritualistic nature of her work reflects religious and mythological interests, including Slavic paganism and Shamanism. For six years following her graduation from the California College of the Arts, Ruznic worked with ink and watercolor in her small San Francisco bedroom. She refers to the loose, runny style she developed as “the drunken hand.” Ruznic has since expanded this gestural approach to oil, while still bearing the influence of water-based media.

https://karmakarma.org/artists/maja-ruznic/bio/

Maja Ruznic’s expressive, surrealistic portraits are rooted in memories, myths, and traumas related to her experiences as a refugee—the artist and her family escaped the Bosnian conflict in the early 1990s. Across her canvases, Ruznic loosely renders washed-out, ghostly figures in thin washes of paint. She calls this style “drunken hand,” using it to evoke muddled, complex histories and the auras of rituals, secrets, and journeys.

https://www.artsy.net/artist/maja-ruznic

Field: Cultural, surrealism, memory, identity/autobiography. psychology, hermetic

Strategy: Nostalgic, political, sensual

Methodology: Imagine, translate, abstract

Presentation: Adhering to gallery tradition, wall/floor work

Georg Baselitz (born 23 January 1938) is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.

He was born as Hans-Georg Kern in Deutschbaselitz, Upper Lusatia, Germany. He grew up amongst the suffering and demolition of World War II, and the concept of destruction plays a significant role in his life and work. These biographical circumstances are recurring aspects of his entire oeuvre. In this context, the artist stated in an interview: "I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society. And I didn't want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be 'naive', to start again." By disrupting any given orders and breaking the common conventions of perception, Baselitz has formed his personal circumstances into his guiding artistic principles. To this day, he still inverts all his paintings, which has become the unique and most defining feature of his work.

https://www.tate.org.uk/art/artists/georg-baselitz-699

Georg Baselitz, original name Hans-Georg Kern, (born January 23, 1938, Deutschbaselitz, Saxony, Germany), German painter, printmaker, and sculptor who is considered to be a pioneering Neo-Expressionist. Baselitz was part of a wave of German painters from what was in their formative years East Germany who in the late 1970s rejected abstraction for highly expressive paintings with recognizable subject matter. His trademark works were painted and displayed upside down to emphasize surface rather than subject matter and to underscore what he saw as the madness of his country’s atrocities during World War II.

Baselitz began art studies in 1956 at the Academy of Fine and Applied Art in East Berlin. He was expelled and left East Berlin in 1957 for West Berlin. There he entered the Academy of Fine Arts, where he completed postgraduate studies in 1962. During this period he also changed his surname to Baselitz. From his youth he was interested in the tradition of German Expressionist painting and its reliance on sources such as non-Western art, folk art, children’s art, and the art of those with mental illness. Like his predecessors Ernst Ludwig Kirchner and Emil Nolde (both involved in a group known as Die Brücke), Baselitz employed a deliberately crude style of rendering and a heightened palette in order to convey raw emotion. In the mid-1960s Baselitz turned to the subject of heroes, rebels, and shepherds, often fragmenting the figures and continuing to make the thick impasto carry much of his paintings’ emotional content. He also often used shocking or disturbing imagery to provoke a response in the viewer. Indeed paintings shown at Baselitz’s first solo exhibition (Berlin, 1963) were confiscated by police for obscenity. In 1969 he began to paint and display his subjects upside down. Baselitz also created art in other media; his etchings, woodcuts, and wood sculptures are as direct and expressionistically charged as his mature paintings.

https://www.britannica.com/biography/Georg-Baselitz

The place I’m interested in is where the mind goes when it’s trying to make up for what isn’t there. —Cecily Brown

Cecily Brown makes paintings that give the appearance of being in continual flux, alive with the erotic energy of her expressive application and vivid color, shifting restlessly between abstract and figurative modes. Making reference to the giants of Western painting—from Paolo Veronese, Peter Paul Rubens, and Edgar Degas to Willem de Kooning, Francis Bacon, and Joan Mitchell—as well as to popular culture, she commands an aesthetic that breaks from the strictures of narrative to achieve an extraordinary visual and thematic fluidity. Her vigorous treatment of the nude figure in particular reveals a commitment to wresting conventional subjects free from their anticipated contexts. Punctuating her visual shorthand with moments of startling clarity, Brown maintains an endless, active present.

…Key to the success of Brown’s aesthetic is her ability to seemingly transform paint into flesh, embedding the human form within a frenzied, fragmented commentary on desire, life, and death. Her first major body of painting, from the mid-1990s, juxtaposes hedonistic rabbits with allusions to the still-life tradition; eventually, this led to the orgiastic scenes that would garner her wide and enduring recognition. In Brown’s hands, paint seems always to be in transition between liquid and solid, transparent and opaque states, and this material ballet is reflected in compositions themselves. “I think that painting is a kind of alchemy,” she has said. “The paint is transformed into image, and paint and image transform themselves into a third and new thing.”

https://gagosian.com/artists/cecily-brown/

George Rouy’s fleshy nudes—often painted in pink, blue, or muted earth tones—bulge and blur against abstract backgrounds. While the U.K.-born artist has cited 15th-century painters including Jean Fouquet and Rogier van der Weyden as influences, his work is decidedly contemporary: Rouy’s compositions evoke both soft-focus camera lenses and digital glitches. A graduate of the Camberwell College of Arts in London, Rouy has enjoyed solo exhibitions in London, Berlin, Los Angeles, and New York, among other cities. He has participated in group shows at the X Museum in Beijing and the Fondation Cartier in Paris. For Rouy, the body is a tool for storytelling. As he contorts his figures into curious poses that threaten to bump against the canvas edge, he explores the ambiguities of gender and sexuality.

https://www.artsy.net/artist/george-rouy

George Rouy (b. 1994, Kent, UK) lives and works in London. Rouy’s approach to the body - and his pursuit of painting - is one of contradiction, harmony and perpetual transformation, criss-crossing gender, form and disposition. His work is a fever dream of amorphous, fluid embodiment: rhapsodic portraits of 21st century desire, of physical dissonance, mystery and secrecy, ecstasy and turmoil, proximity and distance.

The work is liberated from established ways of being. In its place is an examination of the psychic effects of what encounters mean and feel like, drawing equally on the here-and-now, digital culture and the industrial advances of our age, as they do from primordial expression and the classical demands of colour and form.

The human figure has long preoccupied artists of all times; its story dominates the history of art. In its imagination and in its image-making we find clues to how artists have grappled and engaged with the political and socio-cultural moods and attitudes of their moment. We are in a time of renewed and committed interest in figurative painting and Rouy uses the figure - constrained and liberated - as many-sided prism to examine and interrogate the contemporary crucibles of gender, fiction and technology.

https://www.alminerech.com/artists/6684-george-rouy

[rcsodak]

Check out this listing I just added to my Poshmark closet: 1989 Upper Deck Chicago CUBS Team Set of vintage Baseball Cards NMint.

[efosa123]

WPDigiPro 2.0 preview there are a lot of fake promises gimmicks and hacks about online money making in reality it's just common sense money gets made when products or services are sold sell something to someone willing to pay and you get paid it's that simple these are great times for digital marketers because we're living in the information age people are hungry for knowledge and happy to pay for it the e-learning industry is well worth over 107 billion dollars each year YouTube how-to searches are up 70% year-over-year everywhere you look people are paying for digital courses content and services now you can get in front of that market even if you don't have your own products to sell but as exciting as this market is there are certain traps to avoid many people work too hard creating products then use third-party platforms to sell them and give over 50% of their profits others find their content shared illegally on blackhat sites where anyone can access their information without 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installed the WP digi pro plugin you can sell your products anywhere that you want so remember the three simple steps to start selling your digital products with WP digi pro add a product optimize your settings and then start selling after that you can begin to monitor your product statistics inside of the reporting interface hi guys acento Singh here and this is a very quick demo video of WP d G pro so this is the settings in here to be digital and currently I don't have any add-on installed so first tab you see all the payment gateways which we are giving away in code version that has people and to check out and we have developers more also for that your testing purpose and ages you said all the pages like successful redirect after successful payment but will be the redirect page after failed payment where users should be heading custom slug right and all the big shot what's for not in dashboard another pages in this email templates area you set all the emails which will be fired as 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URL here can be name source name and done one can be created in copy this link and then you can send traffic to that link and all the links will be tracked you can create your budget etc also here so that it will show you what is the ROI based on the links if someone referred by that link bicep wrap then that will be added in their news be very useful to similarly in orders you see all the orders which happened a so far then I put the license key is the days we get a search filter the other filters are also their base don't like product you can filter this and now these tags all products add for adding products nomicon it categories so know what products you see all the processes you have been created right whenever you get a product you see like this you get a product by not link which can be used across your site for example I am using this link on this page particular case like for example you know this one this one sample page is the length right and you create a pop-up will appear it will ask for the email ID and it will be purchased and this is the powered by DG pro link which you can set in you remove from you set in same way so this is a very useful I mean feature of this plugin the system which allows you to you know Li shear by no lens to any of the web pages of the website and here you said your pricing option it is whether it is a one-time or recurring but if it is a carry then what all the other fields the first prize then reckoning figure the price after first came in total bill in seconds etcetera and here enable licensing whether you want variable licensing or not if you guess if you say yes then how many allowed no means will be there for example if it's unlimited Union mention zero and if you want this particular product reviews on 10 domains and maximum 10 then you need to put 10 8 then licensure editing it will be been it for years or months or whatever time then deliverables all these deliverables will be at a day the deliverables which users will be getting the - body of work simple here if someone buys one particular product in the book then or they don't adhere with the license keys and the purchase let's forget it will also be coming here so if the license expired they will see this the new length when they click here they'll be directed to the review page and there he can set for how many time period they want that particular seems to be new so this is the feature of WPTZ Pro he means and changed off and here indirect set its area you mentioned give me the your own funnel PCP after purchase of this product where the users will be redirected will be instantly liked so all these things will be here in when you cut a product or editor product and this is the dashboard area where users will be able to download their products they'll be you know able to manage the reform that password scepter they will be doing here from the end they can change the password they get about details function is free will be coming in and for example this particular product they abort and what was the payment mode in works from what cetera course and one more important facilities we have given this is for example if someone buy this particularly price and if you want to give them a direct Buy Now link then what you need to do is instead of placing this thing here and you can give them a link like this one and just ensure ash Bynum so directly they will be able to buy that product be able to see the top of each when they click on this particular limb frame for example this one this will be a billion-year correctly they can buy from here so this is the most beautiful feature of this planet similarly we have if I show you this added page site we have membership lock pages for example this particular page will be shown put accessible to the buyers of which particular product if I select all then this particular product will be this page will be available to all those reasons you just need to add this in the passport money thing and if you want to available it for avail it for a fight one particular product users then if someone buys this product then only this for a few visible there is a beauty of this feature page becoming blocking membership pages and this is a feature for example if someone buys a product then after how long this product will be ability by default can be available immediately but if you want that this page should be available then after seven days just mention seven here days here and then only this page will be available otherwise it'll show coming soon these are the awesome important features which you mean WPT chico your plugin gives you thank you

[seotorank-blog]

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[rcsodak]

Check out this listing I just added to my Poshmark closet: 1989 Upper Deck Chicago CUBS Team Set of vintage Baseball Cards NMint.

[degreeprojectjg]

Photographs Reflection

As I’m about to enter competitions and various open calls. I thought it was time to organise a small collection of photographs that were the strongest in terms of creating a narrative and showcase the project cohesively and individually. I don’t want to just pick the best images but I want photographs that communicate the most appropriate message for the project. 

I didn’t want to sequence the images chronologically, since I wanted to leave the work to be ambiguous in it’s narrative. For me, what was more important was that the photographs should be able to create a narrative arc that carries the reader from the first page to the last. I wanted the collection to have a thematic sense of my identity, it would inform the audience of my identity but also be mindful in it’s approach to not being too obvious. 

Gurkha Beret

For the opening image, the photo above is a striking and compelling image as it informs you of the project. It’s a metaphorical image such as the Gurkha hat hanging on the bed post is more appropriate as it provides an enigmatic introduction to the project. As the observer progresses through the project the meaning will become less ambiguous and narrative clearer.

Taku, Gorkha

For my landscape images, I picked the photographs, see above and below. For the image above (Taku, Gorkha), I thin the photograph works as an effective image near the start of the collection since it informs you of the setting, it’s an establishing shot which informs you of where the project is based and what the landscape means to the project. The photograph is quite hazy and soft which is a running look of the project which suggests a dream like sense of nostalgic experiences. 

UK

I picked the image above as it suggests a metaphorical and subject change in the project which hints at migration, moving away from the place previously shown. The sea represents UK, as Nepal is a landlocked country. The image departs from my homeland into a new horizon. The discolouration of the sea also adds a layer of ambiguity. A further intrigue in the image is that in the distance is that you could see a ship which suggests the physical distance of myself and for what it could be my homeland in the metaphorical sense.

Aama in the garden

Mother= Aama

The two photographs above and below are the two strongest photograph of my mother. They both are visually striking and compelling.  The use of black and white worked really well as it shows the  figure of my mother, making her seem prominent in the photographs. Although the photographs seem straightforward, they are photographs with a strong  framework of exploration of my mother’s identity and my very own, of my home  and what it means with careful examination of it.

Mero Aaama

My mother= Mero aama

The image feels quite nostalgic. It’s a representation of how I see my other or  how I’ve seen her throughout the years. My mother is a prominent figure in my identity, she has transcended the ideas of Nepalese identity throughout my life. The photographs seems like romanticised ideas of my mother, it’s how I see her, striking and dominant whilst also it depicts a soft, delicate overview.

The portraits of my mother evoke the questioning of home, my very own sense of belonging and  identity since I began my life with her. My identity started from her.  Photographing my mother is a way of confronting my identity and it’s a way to  build it as well. It’s this strong urge to preserve my Nepalese identity that drives me as I attempt to rekindle my relationship. The whole project has been a way of creating a  sense of attachment to my Nepalese identity but also my separation from them. 

Ex Soldier 

The ‘Gurkha Beret’ image introduces you to the theme of the project whilst the photographs (see above and below) hones in on the owner of the hat. I picked these two photographs as they reflect a sense of nostalgia as my father wears his beret which he hasn’t worn in a long time, which just about still fits him.

Baba

Father= Baba

I picked the photograph above as my father appear prominent as his figure is authoritative and bold. Whilst the previous photograph offers a closer insight on my father, this photograph makes my father appear more physical and dominant which suggests his involvement in the project and my life.

These images of my father are quite important in the project as I explore the notion of being a ‘Nepalese man’. In the project, there are some universal themes of having a sense of belonging and  questioning of identity. Through the portraits, I’m confronting the notion of being a Nepalese man, they’re my ideas of a Nepalese man. 

Aama ra Baba

Mother and father= Aama ra Baba

Since the collection / sequence didn’t two subjects in one. I included the image above as it suggests togetherness and it’s quite informative in the sense of adding a narrative to the project. The image depicts the two prominent figures of my life where they are seen to be wearing traditional Nepalese / Gurung dress against the backdrop of my homeland. My father is not wearing the full Gurung dress which can suggests the influence of eastern lifestyle as he wears his jumper and jeans.

Baje

Grandfather= Baje

For more variety in the sequence, I decided to include my grand father in the project which is a major influence in the project. He’s a very important figure in both my life and my parents. I chose the image above as it doesn’t give too much away, it’s very simple the image seems off with it’s off kilter composition. My grandfather appears striking yet grounded which suggests his character. By choosing a simple photograph, I want the viewers to interpret themselves my relationship with this man and others.

Boy in the hill

I wanted to sequence to be playful with it’s subject matter. I chose the image above as it’s anonymous, I have captioned the image as ‘Boy in the hill’ which plays with that idea. It may hint at the viewer that it’s a self portrait, it’s very ambiguous in that sense. I really like the warm tones of the image, it’s quite revealing in that sense yet feels distant as the subjects are far away. The boy in the distance overlooking the hill can suggest a nostalgic viewpoint. 

Ghar

House= Ghar

The reason I chose the image above is that it depicts our home in the UK which is quite reminiscent of Nepal with it’s evergreen nature of the garden and the love for which suggests affiliation with nature which is prominent in the landscapes of Nepal. The image has a soft evening light, hinting a peaceful time which is accentuated by the use of soft, pastel colours with warm tones. The image balances and warms the sequence.

Aaam ko Maala

Mother’s necklace= Aama ko Maala

The images above, below and beneath it suggests a nostalgic view upon the Nepalese culture, the images gives you soft glimpses of the objects in my house in UK which informs and reminds you of my identity despite the migration. The images works effectively in the sense that it acts as a memorophilia.

Puja

(Place to) Worship= Puja

Nepalese Calender

Homeland

I chose the image in the sense which it acts as a metaphorical image in which it depicts a reflective outlook on the project, it doesn’t provide with you any setting or clues to where the place might be. It just silently offers you a glimpse of my life and my introspective moment, thus the image balances the sequence, taking you back to a reflective standpoint. 

Overview

As most competitions that I wanted to enter required maximum photographs of 15, I compiled 15 of the photographs that not only were strong images but they were images that worked effectively together to create a narrative around my identity.

Personal Intake

The project explores intimacy, distance, and often tensions between my torn identity. I wanted to bring out these themes in the sequence. I also wanted to sequence it visually with similar colours, subject and form but I didn’t focus too much on this as it would detract the audience from the narrative. Although the photographs are quire straightforward in terms of creating a narrative, the photographs remain ambiguous and metaphorical. There isn’t one way to sequence images. It’s entirely subjective, the project comes from me and is about me, I have a story and this is what I want to tell, this was my approach to the sequencing. It’s not the best (aesthetic) images that communicate the most appropriate message. I simply hope to make my audience understand the context in which the work will be viewed.

Reference

Magnum Photos. 2020. The Language Of Pictures: Exploring Sequencing With Mark Power • Magnum Photos. [online] Available at: <https://www.magnumphotos.com/theory-and-practice/mark-power-the-language-of-pictures-exploring-sequencing/> [Accessed 17 April 2020].

[efosa123]

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