#marcus harman
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Some doodles to mark 5 years of The Owl House, because I may be at work but I've gotta commemorate it somehow
"A Lying Witch and a Warden" premiered 5 years ago, on January 10, 2020. The episode was scripted by Dana Terrace (Tiny Nose):
directed by Stephen Sandoval (Mr. Sandoval):
with story by Dana Terrace, Rachel Vine (Viney), John Bailey Owen (Jerbo), and Zach Marcus (Barcus), and teleplay by Dana Terrace and Rachel Vine:
and storyboarded by Bosook Coburn (Bo), Catherine Harman-Mitchell (Cat), Stephen Sandoval, and Dana Terrace:
Yes, if you hadn't caught on yet, they all have self-inserts in the show.
Thanks for creating this universe!
#the owl house#tiny nose#tinella nosa#mr. sandoval#toh viney#toh jerbo#toh barcus#toh bo#toh cat#pencil art#traditional art#rambles
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perhaps someone wants to draw Celeste and Emma. that someone would require photo references and in depth physical descriptions with lots of details please
Ooh! Well...the thing is, this is (theoretically) L I V E T H E A T E R. So anyone can be cast however the casting team sees fit. That being said...if you cast an Asian Celeste Anders, tell me you don't understand Asians without telling me you don't understand Asians. I say that as an Asian myself. That being said, I also designed my characters with Picrews based on their hypothetical VAs, and I did break that guideline because Celeste's hypothetical VA is an Indian friend of mine (though she won't sing the part, making Celeste's hypothetical singing voice a black girl I know on the Internet—hi, @mhmm-thatsinteresting!). VA-based designs also broke the white Thomas guideline because his hypothetical VA (with whom I'm working to bring you guys something special soon) is Filipino.
Throw those rambles to the wind now. Plenty of actors formerly in Matilda are now of age for BAP, so I'd go for Gabby Guitierrez as Emma, Zaris-Angel Hator as Celeste, Luke Kolbe Mannikus as Thomas, and Ian Saraceni as Theo. Alternatively (looks-wise, hence Thomas' absence from this list), Luján Blaksley or Destinee Mccaster could play Emma, ROSIE looks like a good choice for Celeste (even though her songs sound more like Emma's choice of music), and we could have a Nathan Levy or Marcus Harman Theo. Run with that! Draw my kids in your style!
#the authors look down#dodie#build a problem#build a problem musical#celeste anders#thomas hargrove#emma gardner#theo gray#asks
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There is... a lot to process about that episode of Casualty. So while I organise my thoughts, I’ll start with this:
It looks like I was right about Max Cristie’s backstory! About halfway through his very first episode, I thought “he’s definitely gonna have a backstory where he either lost a kid, suffered childhood trauma, or both and that’s why he cares so much about children now”. And tonight seemingly confirmed at least the childhood trauma part. What the trauma exactly was still isn’t totally clear (a Holbyverse character hasn’t been this vague and incomprehensible about their backstory since John Gaskell), but from the stuff he said regarding the patient Ivy and how he “knows what it’s like”, it sounds like we can assume, at minimum, that he was a victim of child neglect and went down a dark path (possibly involving a gang or something??) trying to cope with it. Interesting.
Nigel Harman did say, if I’m remembering right, that someone from Max’s past will show up and provide insights into his character. So I’m assuming that’s where his backstory will be further explored - I imagine this is all we’re getting for now. (I’m not actually even all that interested in this character, funnily enough. I’m just fascinated to see where they go with his backstory, because they’re definitely setting up a tragic past for him.)
One thing I do know is that he is continuing to give me strong Greg Douglas vibes. Remember when Greg gave that teenaged patient his phone number so she could speak to him?? Yeah.
As for the Ivy storyline itself... eh, I struggled to focus or get invested due to Faith’s involvement. Why are they keeping that woman on this show?!?!?! Everything she’s done is just... beyond redemption. There’s no salvaging that awful abusive monster. Casualty producers, if you’re reading this, please write Faith out.
Her being outraged at Max for shouting at Ivy was especially ridiculous. Yeah, Max shouldn’t have shouted, but Faith has absolutely no right to get mad at someone for shouting at a teenager. Just a few months back, she literally physically assaulted Natalia’s boyfriend Tristan. Max shouting is nothing in comparison.
Speaking of which, I really, really despise how they seem to be setting up a Faith/Max/Dylan love triangle. Revisiting Faith/Dylan would be bad enough - pairing Dylan, an abuse survivor, with an abuser would be absolutely disgusting. (They could pull it off if they actually turned it into a deliberate abuse story and made it a story about revictimisation. But I don’t think they’d do that, because that would require acknowledging Faith is abusive.) But throwing a pointless love triangle in, where Faith’s other potential victim is also (from the sounds of it) an abuse survivor - yikes. And that’s not even getting into her future relationship with Iain... who wants to bet they’ll break up the moment she finds out about his depression? Faith does, after all, hate it when her men aren’t perfect and dare to be mentally ill and traumatised. ://
The Rash and Ashok storyline is still incredibly sad. I don’t have much to say because they didn’t have that many scenes in this episode, but it really is heartbreaking. And from the looks of the spoilers, it’s only gonna get sadder. :( Neet Mohan and Kriss Dosanjh are still as brilliant as ever.
The Stevie and Marcus storyline is... a lot. I really don’t know how to feel about any of this so I’ll just say, Elinor Lawless absolutely smashed it. What a wonderful actress - Casualty are very, very lucky to have her. Adam Sina has been great as Marcus too, although it’s harder to compliment his acting precisely because of the thing that makes it worthy of compliments: Marcus has been getting more and more repulsive to watch.
But I am kind of disappointed that they gave Eloise, Marcus’ previous victim, BPD - giving me hope for a properly represented BPD character in the Holbyverse, even if one who was just a guest role - and then... killed her off. Like, did they have to give her BPD for the story to work? I feel like it could’ve worked just as well if they’d said she had depression or something. Idk. I’m just tired. I guess I should be glad it wasn’t “BPD makes you evil” like John Gaskell (who was a textbook case of BPD, whether Holby intended him as such or not). But the only Holbyverse character I can think of with even potential BPD who survived their storyline (Jac fits a lot of traits too, but like John and Eloise, she didn’t survive) was Chloe Godard, and they retconned all her traits away! (And her mental health struggles in general, but I especially noticed them retconning the BPD traits away. And yes, I am still on the “Chloe has BPD” train after all these years.) Sorry for the rant. I just want some good BPD representation for once. :(
The Jacob and Stevie scenes were absolutely fantastic. I’m so glad the show tied Jacob’s own experiences of domestic abuse into Stevie’s storyline. Charles Venn was brilliant, too. I hope Jacob gets to be an ongoing support to Stevie throughout the aftermath of the Marcus storyline. They’d better not just isolate her into only interacting with Faith again.
Marcus is a monster. I mean, what more can I say about him? Everything he’s done to Stevie in the past and everything he did tonight... he’s just so awful. I despise him with all my heart. He feels like a very realistic abuser, so kudos to Casualty for that.
I’m also glad they made the choice to avoid going down the usual cliche route of Marcus physically hurting Stevie and that being his point-of-no-redemption. I feel like these storylines always spiral into something like that. And I’m not saying that’s not worth depicting, but it’s nice that they let the coercive control/emotional abuse stand on its own, without feeling the need to add physical abuse to make Marcus a “proper” abuser.
I could see some of Stevie’s actions while seeking evidence and revenge being called “unrealistic”, and that would probably be a reasonable argument, but personally I’m fine with it - it doesn’t cross the line into sensationalism for me, as it feels perfectly in character for Stevie (if it were anyone else, that would be another story).
Anyway, I hope Marcus suffers for his actions, or dies, or both. I don’t really know what else to say. May Stevie succeed in her revenge plan! I fully support her. <3
#BBC Casualty#Max Cristie#Stevie Nash#Marcus Fidel#Casualty spoilers#tw;abuse#tw;suicide mention#(i guess... since i mentioned john and eloise and all that)
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The Owl House Season 2 Episode 8: Knock, Knock, Knockin' on Hooty's Door
Written by Dana Terrace, John Bailey Owen & Zach Marcus
Storyboard by Luz Batista, Hayley Wong & Cat Harman-Mitchell
Directed by Amelia Lorenz
Animated by Sugarcube
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A London Day in the Life and a Little Theatre Review
Anyone who knows me will know my three joys in life, in no particular order, are: cinema, books and musicals. Obviously, books and cinema are much more accessible than musicals nowadays, and 300x more affordable. I mean I have access to the soundtracks but writing reviews about soundtracks doesn’t sound particularly substantial. Anyway, end of May or early June this picture-perfect afternoon (it actually was) my friend Georgia and I were sat in my bedroom trying to revise for our A Level exams. We were bored. Georgia and I spend money when we’re bored. And that ended with us in debt but a day trip to Central London booked to see Dear Evan Hansen.
With the release of the movie starring Ben Platt, who now is the Evan Hansen thanks to him bringing the character to Broadway for the first time, being released October of last year, which I saw in cinema, I didn’t go into this musical blind like I usually do with such shows. I’m going to see Book of Mormon next month knowing 4 songs at most. However, by no means did it sour my watching of it in the slightest.
For those of you who don’t know, Dear Evan Hansen is a musical production that follows depressed, anxious teen Evan as he falls into a spiral of lies following the death of his high school classmate Connor Murphy. It’s a heart-breaking yet refreshingly comedic take on mental health and suicide with the key message of ‘you will be found’.
The current face of Evan Hansen in London is Sam Tutty, who from a plethora of YouTube videos I discovered was insanely and unfairly talented. However, we had Marcus Harman in the titular role. Also disgustingly talented by the way. He played the role to perfection, with the incredible vocal range and the very Ben Platt-like gestures and stutters I loved in the movie. So perfect in fact it took us until the interval to actually realise it was an understudy at all (we we’re sat right at the back and we’re both relatively blind so that could’ve been it).
The highlight of the show had to be Rupert Young though, who played Connor’s dad, Larry. With vocal abilities that make your jaw drop to him being the reason I finally let loose a tear, it’s no wonder his CV on the DEH website is so bloody long. (As I write this I’m starting to wonder if I’m actually getting the actors right, I’m going completely from vague face shape I remember and the pictures on the website).
As with every live performance, there’s a couple of mishaps. We had a wrong line in a song, a timing issue in the opening song and a couple of pitchy harmonies. None of which really ruined it though so I can’t spend too long grumbling about it. Plus, there were so many good parts that largely outweighed everything else. The set was incredibly cool, I cannot wrap my head around how they can just walk on and off moving sets without tripping over their own feet. Jack Loxton, who played Jared, was hilarious the entire way through. And I adore all the extra dialogue they cut out of the soundtrack, partly because I’m never quite sure what’s scripted and what’s improvised and partly because that’s the bit that gets me obsessed with the characters to the point, I start muttering the extra bits I remember in the gaps when I’m singing the songs in the car.
When comparing it to the movie it’s a tricky one, because at the heart of it all the film is an incredible remake of the stage production. Though I think it’s easier translating stage script to screen than it is with the likes of a novel. The movie cuts some of the best songs, namely Disappear and Good for You, both of which were my highlights of the stage show. It’s hard to be mad though, because watching it on stage you can tell the songs we’re written to be performed live, and the film wouldn’t have done it justice at all. Obviously on stage you miss the cinematic elements with the camera shots and time cuts. A lot of the show consists of two characters stood in boxes of light taking to each other via the internet, a device that shouldn’t really work on stage, but DEH does do quite well, however it’s an easier watch in the movie. There’s also a repetitive flashback sequence of Evan running towards a tree in the film that was beautifully shot and adds that sense of ‘oh fuck’ to the film as we learn more and more about how Evan broke his arm. Something the show loses, however the show’s final reveal of this in a scene with his Mum which was much better done and hard-hitting than in the film. The show also incorporates a lot more of Connor Murphy whereas the film leaves him behind for the most part (physically I mean, the entire plot is about him, he’s mentioned throughout the entire thing) after the first act. The pop up of Connor throughout the show made it for me, embarrassingly he might be one of my favourite characters, no matter how much they antagonise the poor kid.
Overall, I don’t think anything quite compares to a good musical and this was a great one. We had an all-boys school school trip sat in front of us, they must’ve been 15/16, and a lot of them were crying, so when I tell you it’s heartbreaking. I really and truly mean it. But don’t let that deter you, and if you can’t afford to see the musical, which is closing for good on the West End and Broadway very soon, I’d definitely recommend watching the film as soon as you can. It’s not far off a masterpiece.
While I’ve got you, if you’re still reading of course, the day didn’t start and end with seeing Dear Evan Hansen. We spent the entire day in London and got up to some cool stuff. So, if you care, I’m not subjecting you to an entire blog post about it, but I’ll run you through it quickly. We started our day in Euston, where we walked off the train saw some attractive lad in a suit and tried to decide if he was going to a wedding and if he was actually attractive or he was just in a suit. We made our way to Taco Bell, which was my choice I’d never had it and wanted to try it, while we sweated in the 25º London heat and I tried to keep my bra covered by my top. I’ve never faced such a difficult feat. Taco Bell was average, I got a crunchwrap supreme and realised a bite in that when I’d dislodged my braces the other day I can no longer bite or chew on my back teeth. Not fun.
We made our way to the theatre, sweating some more, walking past all the other theatres and advertisements for musicals, Georgia and I pointing at them and claiming we want to see that one every few seconds. In the theatre we were sat next to another attractive lad, spent the wait for the show to begin deciding if he was actually attractive or he was just taking his Nan to see a show (incredibly cute).
After the show we wandered into Forbidden Planet, I walked around the whole shop pointing at overpriced collectibles claiming that I can’t afford them. Oh, how tempted I was to spend £140 on a Mjolnir replica though. We accidentally walked into a book signing, we googled the guy while we were stood there, found out he’s a comic book artist for DC. Incredibly cool.
The only must we had for the day other than seeing the show was to go to Waterstones Piccadilly, considering we are both massive book lovers and it’s the biggest book shop in Europe. Luckily, I didn’t spend a month’s wages in there but as we walked in, I did see a big pop up that the set of Charlie Spring’s bedroom from the Heartstopper show was still up, which I was convinced closed down last week following London Pride, you can imagine how excited I got. Heartstopper is one of my biggest hyperfixations at the minute. The Waterstones was beautiful though, spread across 7 floors, most of which had little bookish knickknacks like a set from Where the Crawdads Sing, the swinging bench from the Bridgerton show (which I unfortunately didn’t take a picture on) and a massive LEGO Harry Potter statue. Highlight of my day.
We then got lost, obviously, and somehow ended up in Trafalgar Square. We went full tourist. Walked to Covent Garden, there was some street performer who got some poor man to climb under his legs with a chain. Twice. It was very odd, and he took too long to get it over with, so we left before he finished his act. Leicester Square we saw another street performer, couldn’t tell you what he was doing I couldn’t see over the people. But we did see some very very very big posters for Thor: Love and Thunder. I think the remnants of the premiere were still floating around.
We got the tube from Leicester Square back to Euston, in traditional Londoner style, and Georgia and I decided that our future would be spend in that city sharing a shitty little one bed we can barely afford with two jobs, but it’d be worth it for the vibes. And with a pasta salad from the M&S Food Hall, we were back on the train on the way home. Exhausted.
Now I’ll let you go and watch Dear Evan Hansen while you and I both hope I post something at least before I end up at University with no time to spare again.
#dear evan hansen#musical theatre#west end#london#leicester square#tourist#theatre review#day in my life#lifestyle#blog
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A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is. Credits: TheMovieDb. Film Cast: Jerry Fletcher: Mel Gibson Alice Sutton: Julia Roberts Dr. Jonas: Patrick Stewart Agent Lowry: Cylk Cozart Mr. Wilson: Steve Kahan Flip: Terry Alexander Cynic: Alex McArthur Justice Guard: Rod McLachlan Justice Guard: Michael Potts Justice Guard: Jim Sterling Public Works Man: Rich Hebert Clarke: Brian J. Williams Piper: G. A. Aguilar Henry Finch’s Secretary: Cece Neber Labao Alice’s Secretary: Saxon Trainor Grouchy Nurse: Sage Allen Nurse – Roosevelt Hospital: Joanna Sanchez Cop – Roosevelt Hospital: Michael Shamus Wiles Lawyer: Andrew Lauren Tech: Danny Smith Surveillance Operator: Sean Patrick Thomas Helicopter Pilot: Al Cerullo Cleet: Dean Winters Night Security – Federal Building: Rick Hoffman Surveillance Operator: Peter Jacobson Intern: Troy Garity Alice’s Father: Bert Remsen Jonas’ Aide: J. Mills Goodloe Old Man in Book Store: Leonard Jackson Film Crew: Director of Photography: John Schwartzman First Assistant Director: Jim Van Wyck Original Music Composer: Carter Burwell Producer: Joel Silver Editor: Kevin Stitt Producer: Richard Donner Casting: Marion Dougherty Assistant Editor: Kris Cole Associate Producer: Julie Durk Writer: Brian Helgeland Co-Producer: Richard Solomon Art Direction: Gregory Bolton Editor: Frank J. Urioste Co-Producer: Dan Cracchiolo Co-Producer: J. Mills Goodloe Post Production Supervisor: Ilyse A. Reutlinger Unit Production Manager: Helen Pollak Unit Production Manager: Nan Bernstein Freed Second Assistant Director: John G. Scotti Set Decoration: Casey Hallenbeck Set Designer: Lauren Cory Set Designer: Joseph G. Pacelli Jr. Set Designer: Thomas Betts Leadman: Steven Curtis Husch Still Photographer: Andrew Cooper Video Assist Operator: Martin Glover Underwater Director of Photography: Pete Romano Second Second Assistant Director: Sean McCarron Unit Publicist: Stephanie Pond-Smith Script Supervisor: Sioux Richards Key Grip: Les T. Tomita Best Boy Grip: Audie Aragon Dolly Grip: Brad Rea Location Manager: Robbie Goldstein Location Manager: David E. Kaufman Negative Cutter: Mo Henry Color Timer: David Orr “A” Camera Operator: Mitchell Amundsen Steadicam Operator: Neal Norton First Assistant Camera: Christopher Duskin First Assistant Camera: A. Anthony Cappello Second Assistant Camera: Thomas D. Lairson Jr. Second Assistant Camera: Charles B. Katz Camera Loader: Jacobus Marcus Supervising Sound Editor: Mark A. Mangini Supervising Sound Editor: George Simpson Sound Editor: Richard L. Anderson Sound Editor: Mike Chock Sound Editor: John Dunn Sound Editor: Julia Evershade Sound Editor: Eric Lindemann Sound Editor: Geoffrey G. Rubay Assistant Sound Editor: Oscar Mitt Assistant Sound Editor: Sonny Pettijohn Music Editor: Adam Milo Smalley Scoring Mixer: Michael Farrow Orchestrator: Sonny Kompanek Supervising ADR Editor: James Simcik ADR Editor: William C. Carruth ADR Editor: Denise Horta ADR Mixer: Troy Porter Sound Re-Recording Mixer: John T. Reitz Sound Re-Recording Mixer: David E. Campbell Sound Re-Recording Mixer: Gregg Rudloff Sound Re-Recording Mixer: Jeffrey J. Haboush Sound Re-Recording Mixer: Kevin E. Carpenter Sound Re-Recording Mixer: Dan Hiland Sound Re-Recording Mixer: Gary D. Rogers Foley Editor: Solange S. Schwalbe Foley Editor: Aaron Glascock Production Sound Mixer: Tim Cooney Boom Operator: Todd Bassman Chief Lighting Technician: Andy Ryan Assistant Chief Lighting Technician: Brian Evans Assistant Costume Designer: Christopher J. Kristoff Costume Design: Ha Nguyen Production Design: Paul Sylbert Costume Supervisor: Kimberly Guenther Durkin Makeup Supervisor: Lee Harman Makeup Artist: Richard Dean Makeup Artist: Mel Berns Jr. Key Hair Stylist: Stephen Robinette Hairstylist: Lyndell Quiyou Hairstylist: Monique DeSart Property Master: Erik L. Nelson Assistant Property Master: Christopher Amy Special Effects Coordinator: Michael Meinardus Stunts: S...
#Assassin#central intelligence agency (cia)#Chase#Conspiracy#Control#cover-up#fbi#flashback#geronimo#government#helicopter#murder#new york city#newsletter#obsession#paranoia#politics#taxi driver#theory#Top Rated Movies#torture#wheelchair
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The Dear Evan Hansen West End Cast, photographed by Danny Kaan
#Doug is trying so hard to touch sam???#also look how CUTE everyone is#faves#dear Evan Hansen#DEH#dear Evan Hansen west end#sam tutty#jack loxton#Doug colling#Iona fraser#lauren ward#Lucy Anderson#Rebecca mckinnis#Rupert young#Marcus harman
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The West End cast of Dear Evan Hansen 💙
#sam tutty#marcus harman#doug colling#rupert young#lauren ward#rebecca mckinnis#iona fraser#nicole raquel dennis#jack loxton#dear evan hansen west end#deh west end#dear evan hansen#my gifs#look how compression murdered my boys
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It cut off a row that included Ben Levi Ross, Sam Primack, Marcus Harman, and David Breeds, but here’s a collection of Evans (with a rainbow flag ofc)
#ben platt#dear evan hansen#noah galvin#taylor trensch#michal lee brown#colton ryan#roman banks#stephen anthony#andrew barth feldman#jordan fisher#josh strobl#sam tutty#david jeffery#robert marcus#zachary piser#noah kieserman#evan hansen#ben levi ross#sam primack#marcus harman#david breeds
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Y'all do NOT appreciate him enough
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did someone say: marcus harman evan hansen?
#dear evan hansen#deh west end#marcus harman#i love when people draw evan in blue SO MUCH i wanted to at least try#anyway if you haven’t seen marcus evan you.. need to immediately#my art#i’m reposting this bc i messed up the first time sorry folks#i can say this bc it’s tumblr and if someone reads this it’s not my fault but: favourite evan hansen right here
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Does anybody have a Dear Evan Hansen West End bootleg with Sam Tutty or do you know someone who does? I'm willing to trade. I would be so grateful!
#west end#deh west end#deh#dear evan hansen#sam tutty#nicole raquel dennis#lucy anderson#jack loxton#rupert young#lauren ward#marcus harman#rebecca mckinnis#doug colling#david breeds#haydn cox#courtney stapleton#alex thomas smith
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wait hes gonna be clinical lead
Indeed he is! I wondered a few months ago (when we found out Dylan would no longer be CL soon thanks to Charles Venn posting set photos) if Nigel Harman's character was gonna take over, so I'm a bit pleased with myself for being right on that one, haha.
I suppose it makes sense. Marcus obviously wouldn't want Stevie having the job at this point, since he's so spiteful that she broke up with him; Dylan's the one being demoted; and now that Ethan's left, there are no more consultants in the department who could do it! So it makes sense they'd have to get someone new in.
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The Owl House Season 2 Episode 19: O Titan, Where Art Thou
Written by Zach Marcus
Storyboard by Mike Austin, Hayley Wong & Cat Harman-Mitchell
Directed by Amelia Lorenz
Animated by Sugarcube
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DEAR EVAN HANSEN WEST END AUDIOS
- dress rehearsal (NFT unless you have multiple of my major wants)
- first preview
- opening night (multiple trade for it)
- multiple full cast shows
- multiple marcus harman evan shows
- natalie kassanga alana
- courtney stapleton alana (with marcus evan)
- courtney stapleton zoe debut
- tricia adele turner heidi debut
- tricia adele turner cynthia debut (with marcus evan)
MESSAGE ME FOR TRADES
#dear evan hansen#deh#deh audios#deh audio#dear evan hansen audio#Broadway#slime tutorial#boot#six#courtney stapleton#sam tutty#marcus harman#debut#West end#audio#ben platt#jordan fisher#mu: dear evan hansen
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