#marcello arturo

[tendrbelly]

After graduating high school, Arturo spent his first year working in his dad's bakery. He also spent a lot of time working his boyfriend.

Now ten days overdue, Marcello just felt his first real contraction. It's time for the bun (or in his case, the entire loaf) to come out of the oven.

[fashionbooksmilano]

Maria Mulas Milano, Ritratti di fine '900

A cura di Andrea Tomasetig

Testi di Andrea Tomasetig, Paolo Fallai, Stefano Salis, Patrizia Zappa Mulas

Allemandi, Torino 2022, 192 pagine, 89 ilustrazioni, 20x29 cm, Inglese e Italiano, ISBN 9788842225812

euro 25,00

email if you want to buy : booksinprogressmilano@yahoo.it

Il catalogo, edito in occasione della personale di Maria Mulas a Palazzo Reale a Milano, documenta il percorso di una protagonista della storia della fotografia che, con i suoi scatti, ha mostrato come nessun altro il volto del mondo artistico e culturale milanese, italiano e internazionale.

Gli anni settanta, ottanta e novanta sono per Maria Mulas una girandola di incontri, fra le Biennali veneziane e la Documenta di Kassel, allestimenti e inaugurazioni di mostre, presentazioni di libri, feste e reportage in giro per il mondo. Il suo luogo d’osservazione privilegiato è sempre Milano, città cosmopolita che, come un magnete, accoglie e integra le varie provenienze regionali e straniere, ed è in quegli anni uno straordinario laboratorio di creatività e modernità.

Maria Mulas ha ritratto artisti, galleristi, critici, designer, architetti, scrittori, editori, giornalisti, stilisti, registi, attori, intellettuali, imprenditori, amici. Un elenco dettagliato ne riporta ben 539, dalla «A» di Claudio Abbado alla «Z» di Franco Zeffirelli. Il catalogo Allemandi documenta i cento ritratti esposti nelle sale dell’Appartamento dei Principi di Palazzo Reale, provenienti dalla mostra al Museo Nazionale Slovacco promossa dall’Istituto Italiano di Cultura di Bratislava. Tra le pagine, i volti di: Giorgio Armani, Gae Aulenti, Joseph Beuys, Umberto Eco, Inge Feltrinelli, Dario Fo, Carla Fracci, Allen Ginsberg, Krizia, Marcello Mastroianni, i Missoni, Bruno Munari, Fernanda Pivano, Giò Ponti, Miuccia Prada, Giorgio Strehler, Arturo Schwarz, Ornella Vanoni, Lea Vergine, Gianni Versace, Andy Warhol.

[lamilanomagazine]

Verona ospita gli intarsiatori lignei di tutta Italia

Verona ospita gli intarsiatori lignei di tutta Italia L'evento, organizzato dall'Associazione Culturale Quinta Parete in collaborazione della 1^ Circoscrizione di Verona – Centro Storico è curato da Federico Martinelli. Diciannove gli intarsiatori (Carlo Alfarano, Arturo Biasato, Alberto Bernardi, Marcello Buccolieri, Carletto Cantoni, Sereno Cordani, Carlo Favini, Bruno De Pellegrin, Nino Gambino, Lino Giussani, Francesco Lazzar, Giuseppe Mazo, Massimo Milli, Duilio Negroni, Carlo Nicoletti, Daniele Parasecolo, Fabio Tamburi, Aldo Tomelleri, Pino Valenti) che prendono parte a questa edizione consolidando sempre più l'idea di far diventare questa fucina culturale ed espositiva un progetto continuativo con la necessità di consolidare quest'arte nella sua proiezione moderna e contemporanea. La mostra, presentata oggi dal consigliere della Circoscrizione 1^ Andrea Trombini e dal presidente di Quinta Parete Federico Martinelli- nasce dal desiderio di recuperare l'edizione 2020 interrotta a causa dell'emergenza sanitaria. Nel frattempo, giunta alla decima edizione, la Rassegna ha allargato l'interesse espositivo anche ad artisti emergenti e allievi incrementando il valore divulgativo che essa si prefigge. Una mostra che vuole altresì sdoganare l'accostamento di quest'arte al solo artigianato: le opere esposte sono pezzi unici dall'alto valore artistico. "Accanto alle forme e alle immagini più classiche – spiega Martinelli-, ricordiamo i celebri lavori di fra Giovanni da Verona che hanno ispirato alcuni degli artisti presenti. Nel corso dei secoli, e in particolare nel Novecento, si è assistito a un vero e proprio avvicinamento di quest'arte alla raffigurazione e alla rappresentazione iconografica delle Avanguardie. L'intarsio è anche questo: è racconto libero, energico, vitale. Troviamo, accanto a vedute classiche di solidi, paesaggi, soggetti sacri e nature morte, immagini e linee oblique, diagonali e ossimori prospettici. Troviamo, eccellente, il desiderio di raccontare tanto l'esperienza del passato quanto lo slancio del futuro". La necessità di dare un segnale ha mosso l'entusiasmo dei partecipanti che, riuniti in questa grande esposizione, intendono mostrare come l'arte dell'intarsio sia in grado di rinnovarsi sia nella tecnica che nella raffigurazione dei soggetti allo stesso modo di come accade in pittura, scultura, incisione e fotografia. In occasione dell'inaugurazione, il 23 marzo alle 17, saranno presenti, oltre al curatore Federico Martinelli, gli esponenti della 1^ Circoscrizione e alcuni dei maestri intarsiatori. Alle 18 seguirà la conferenza dal titolo 'Dall' intarsio rinascimentale a quello moderno' tenuta dal prof. Francesco Lazzar e da Federico Martinelli. L'esposizione, a ingresso gratuito, è aperta tutti i giorni dal lunedì al venerdì dalle 16 alle 19, il sabato e domenica dalle 10 alle 19. La domenica di Pasqua dalle 16 alle 19. Durante le giornate di mostra si terranno laboratori gratuiti di intarsio la cui partecipazione è vincolata alla prenotazione: quintaparete@quintaparete.it... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[digitalandy]

Die Zauberflote, Opera di Roma

Bellissima e originale messa in scena diretta da Damiano Michieletto, questa versione dell'opera Mozartiana vede l'azione collocata in una vecchia scuola. Il percorso iniziatico di Tamino diventa quindi quello di uno scolaro e i vari personaggi si allineano a questo tema con naturalezza. Papageno diventa quindi un bidello, le tre cortigiane delle suore, Sarastro il preside e così via. Il tutto in una scena scarna e impreziosita da una lavanderia lavagna dove appaiono disegni animati che accompagnano l'azione.

Lo spettacolo, originariamente prodotto per il teatro della Fenice nel 2015, rivela ancora tutta la sua originalità e freschezza.

Ottima la conduzione da parte del giovane Maestro Michele Spotti mentre sulle voci un mix di giudizio.

Die Zauberflöte

Musica di Wolfgang Amadeus Mozart

Singspiel in due atti

su libretto di Emanuel Schikaneder

Prima rappresentazione assoluta Theater auf der Wieden, Vienna, 30 settembre 1791

Prima rappresentazione al Teatro Costanzi 16 marzo 1937

Durata: 2 ore e 50 minuti circa. Atto I 65'; intervallo 25'; Atto II 75'

DIRETTORE

 Michele Spotti

REGIA

 Damiano Michieletto

MAESTRO DEL CORO CIRO VISCO

SCENE PAOLO FANTIN

COSTUMI CARLA TETI

LUCI ALESSANDRO CARLETTI

VIDEO ROCAFILM/ROLAND HORVATH

PERSONAGGI INTERPRETI

TAMINO Juan Francisco Gatell / Cameron Becker  14, 17, 19

L’ORATORE Zachary Altman

PAPAGENO Markus Werba / Äneas Humm 14, 17, 19

PAMINA Emőke Baráth / Maria Laura Iacobellis 14, 17, 19

REGINA DELLA NOTTE Aleksandra Olczyk / Aigul Khismatullina 14, 17, 19, 21

SARASTRO John Relyea / Simon Lim 14, 17, 19

PAPAGENA Caterina Di Tonno / Mariam Suleiman* 16, 17, 18, 19, 20, 21

MONOSTATOS Marcello Nardis

PRIMO SACERDOTE / SECONDO ARMIGERO Arturo Espinosa**

SECONDO SACERDOTE / PRIMO ARMIGERO Nicola Straniero*

PRIMA DAMA Ania Jeruc

SECONDA DAMA Valentina Gargano*

TERZA DAMA Adriana Di Paola

*dal progetto “Fabbrica” Young Artist Program del Teatro dell’Opera di Roma

**diplomato “Fabbrica” Young Artist Program del Teatro dell’Opera di Roma

ORCHESTRA E CORO DEL TEATRO DELL’OPERA DI ROMA

Con la partecipazione della Scuola di Canto Corale del Teatro dell’Opera di Roma

ALLESTIMENTO TEATRO LA FENICE DI VENEZIA

IN COPRODUZIONE CON TEATRO DEL MAGGIO MUSICALE FIORENTINO

[reginadeinisseni]

Giochi particolari 1970

TONINO GUERRA FRANCO INDOVINA

Un marito, annoiato dalla routine matrimoniale e dalla vita, procura un amante alla moglie per poterli riprendere insieme.

Italia, Francia Anno 1970 Durata 98 min Genere drammatico Regia Franco Indovina Sceneggiatura Tonino Guerra, Franco Indovina Produttore Franco Indovina, Danilo Marciani Casa di produzione Produzione Intercontinentale Cinematografica Fotografia Arturo Zavattini Montaggio Roberto Perpignani Musiche Ennio Morricone (dirette da Bruno Nicolai) Costumi Adriana Berselli Trucco Giuseppe Banchelli Interpreti e personaggi Timothy Dalton: Mark Virna Lisi: Claude Marcello Mastroianni: Sandro John Serret: Aram Stephan:

[personal-reporter]

Custodi di arte e fede: Basilica del Cristo Re a Roma

Una delle chiese meno note della Città Eterna… La Basilica del Sacro Cuore di Cristo Re, o Tempio della Pace, in ricordo dei caduti della prima guerra mondiale, fu uno dei primi esempi di razionalismo italiano legato agli edifici di culto, da un progetto di Marcello Piacentini, commissionata dal Padre Dehoniano Ottavio Gasparri,  si trova all’interno del quartiere delle Vittorie,  allora era in forte espansione. Della chiesa furono redatti due progetti,  il primo, iniziato nel maggio del 1920,  s’ interruppe bruscamente in seguito alla morte di Padre Gasparri nel 1929. Alla ripresa dei lavori nel 1931, il progetto subì una radicale trasformazione poiché Piacentini, durante gli anni di interruzione dei lavori, ragionò sulla planimetria della chiesa. Solitamente le chiese hanno due schemi planimetrici fondamentali, lo schema di pianta a croce latina e quello a croce greca e, secondo Piacentini il primo schema permette al visitatore di accorgersi della presenza della cupola soltanto dopo aver attraversato tutta la navata. Al contrario, nel secondo schema, la presenza della cupola si nota dall’ingresso e l’immaginazione di chi entra nella chiesa subisce un’impressione troppo improvvisa. Quindi alla ripresa, la pianta della chiesa si trasforma in un ibrido tra un impianto a croce greca e a croce latina con il transetto avanzato, permettendo alla cupola di dominare il transetto come nelle chiese a croce latina, ma senza una navata eccessivamente lunga. La Basilica è suddivisa in tre navate di cui quella centrale è lunga circa 70 metri, l’incrocio del transetto è sormontato da una cupola semisferica alta 36 metri e di 20 metri di diametro, anche l’abside è sormontato da una cupola di minori dimensioni mentre le cappelle laterali, di forma semicilindrica, sono caratterizzate da un basso zoccolo e una parete altissima. La facciata rettangolare della chiesa è solenne e proporzionata, con due campanili gemelli leggermente arretrati, ed è caratterizzata da tre portali, le cui proporzioni sono ricavate da un arco trionfale romano, oltre che da una cortina in mattoni, disposti in filari triplici e doppi alternati, con differente aggetto, secondo una studiata disposizione. Al di sopra del portone principale si nota un altorilievo raffigurante il Sacro Cuore di Cristo Re di Arturo Martini, mentre i portali laterali sono sormontati da simboli in ferro battuto di Isnaldo Petrassi. L’interno della chiesa è dominato dal tono rosso del pavimento porfirico, mentre le pareti,  che furono  affrescate da Achille Funi, presentano una Via Crucis di Alfredo Biagini, il gruppo del San Giovanni sul fonte battesimale, i bassorilievi dei Cibori e le figure sulle lampade laterali dell’altare maggiore di Corrado Vigni. Read the full article

[maxjellopower]

May - June 2020

[badoperafanfiction]

Captives:

Chapter(x), with 5<x<7

Work: Lucia di Lammermoor/La Boheme crossover

Vampire!Ashtons, Fairy!Bucklaws.

Notes: Arturo and Lucia both survived their wedding night.

Main character: Marcello (for the most part)

Author notes: Whatever

When Rudolfo  was taken upstairs via a ladder through a disused lavatory which lead to the kitchen through a small courtyard. He was beginning to wonder at the architecture of this place. When he entered the kitchen, a small army of kitchen maids began to scold him for getting in their way, which put him in a rather awkward situation, because the Lord Ashton had completely vanished from sight. When he finally managed to break their ranks and lodge himself in the trench that had been dug in the downstairs hallway to provide shelter from the heavy culinary artillery, he had a moment of respite to consider what he had just seen and what it meant.

Ashton had charged him with silence. Therefore, he had to ensure that the secret got out. The trouble was doing this in such a manner as to prevent implicating himself, and thus damning his companions. As crawled through the mud and into the safe-zone, he tried to piece together what they knew about the situation so far. Lord Ashton’s sister had been in love with a human. She had married a fairy instead. She went mad and attempted to kill the fairy, then Ashton turned the lover and locked him in the basement, then went to kidnap a small posse of Frenchmen to serve as a potential foodsource for the brood. While he was there, he picked up one such Frenchman’s ex-lover as his own fiance.

Aside from the fact that it would make a damn good opera, this was certainly the most useless conspiracy that Rudolfo had ever stumbled upon. It was so needlessly convoluted that it had surely been devised by a fairy for the express purposes of entrapping somebody in some sort of bargain or contract, except that the fairy was obviously stupidly amateur considering it hadn’t really succeeded in trapping anybody, so much as connecting a variety of disparate (and each uniquely melodramatic and pointless) parts.

---

Marcello had spent days agonizing over his paintings and their dilemma. He was not convinced (none of them were) that the mere knowledge of the scandal would help their case with Bucklaw, considering the information was safely sealed away. Fairies did not necessarily take well to blackmail.

Scandal did fill his mind, though, and he was something of an expert at making them - an art learned from the greatest master of all: Musetta. There were skeletons in this family’s closet, and people who hid their skeletons were usually adept at making more of them.

There was an unexpected knock at his (open) door. It was unexpected because nobody in this house ever bothered to knock except a few of the servants, and they were always conveniently out of scene. He looked up from his painting to see the Lord Bucklaw himself standing just outside the doorway with a charming, yet somewhat bashful smile. Marcello’s first thought was to redirect him to Schaunard’s room.

“I hope I’m not interrupting anything,” Arturo said. “Since I was by, I thought I would stop to visit. Are you well, since last we spoke?”

Marcello, in that meantime, had accidentally invented surrealism in his ever-growing frustrations with the painting, but he was also making a steady advance on the larger commission itself. He allowed himself a deep sigh. “If you can define ‘well’ loosely in order to encompass this never-ending monotony and imprisonment, I suppose I am quite well.” He rubbed his temples, inadvertently getting paint in his hair.

“I’m again apologetic for my brother-in-law’s ill treatment of you,” Arturo replied with a frown and a quirk of his lips. “As a man, I’m horrified at this situation. Unfortunately, I’m not just a man, and I can’t violate the law of his house while I’m in it.”

“But these paintings are for you, are they not? She’s your wife, correct?”

“That merely puts me in more of a bind. You are, for the purposes of this exercise, one of his resources; and he is freely using his resources to provide this service. I’m no more bound to him than the laws of kinship demand since she is his sister, but it would be impossible to violate our terms.”

At first, Marcello’s lungs were alight with fiery rage, but it was short-lived. He sighed, his body sagging under the weight of it. This isolation was wearing on all of them. In particular, as the difficulties mounted, his more self-reflective friends were beginning to withdraw in their various ways; Marcello, for his part, was of a much more social temperament, and he was getting lonely. Rudolfo was his chief companion, but Rudolfo’s contemplations were becoming more private by the day, and Schaunard was often occupied with his usual employment in the vampire’s dining room or parlor. Colline, it seemed, had all but vanished; they saw him frequently, but he enjoyed their company from a silent corner, and often slipped away so furtively that not even Schaunard dared to follow him.

He had intended to make a quip. None came to mind. He wanted at least to complain. He wanted an excuse to throw fists and to shout until the rafters rattled. At the moment, he didn’t have that energy, nor the foolhardiness that came with being presented with the cause of anger. He had spent too much time considering Arturo as a potential ally to become overcome by rage for him.

“May I come in?” Arturo asked quietly, breaking into Marcello’s thoughts.

“Why don’t we walk instead?” Marcello suggested, brightening his voice as best he could. “I’m dreadfully cooped up here.”

Arturo fidgeted uncomfortably. “I don’t know that it’s wise to go together into the parts of the house frequented by Ashton,” he said.

Marcello shrunk further in despair. He knew this was wise, of course, but he needed some sort of company, some sort of stimulation.

“It’s still daylight, though,” Arturo hastily added. “are you permitted in the courtyards? I’m sure we could both do with some fresh air.”

“That sounds acceptable,” Marcello said, although he was certainly days away from a complete breakdown.

~~~~

Of the four of them, Schaunard spent the most time with their vampire overlord. This was because, of the four of them, he was the only one whose art the vampire actually liked. Schaunard had taken some drastic actions in the past to get out of unpleasant positions, but four things had prevented him from embarrassing his host or sneezing on the hors d'oeuvres. The first was a sense of professional pride: he loved to sabotage his employers, but rarely in a way that made him look bad. He simply hadn’t thought of a way of getting out of this one that didn’t involve making himself look incompetent. The second was that, despite it all, the vampire (though Schaunard cursed his name with every stroke of the bow) was not a bad host; he was obsessively dedicated to proper manners and a proper aesthetic; he was always perfectly cordial to Schaunard. The third was the delightful opportunity it afforded Schaunard to see Musetta. He wanted to keep an eye on her, ensure she wasn’t being maltreated; and, when she was being maltreated, he loved to see the fallout that reigned down upon the vampire’s head.

Schaunard enjoyed playing, even as much as he hated the mere sight of his captor, even as his stomach roiled with bile. He imagined it sometimes, vividly; in his mind, Schaunard became a soldier of fortune, had been all along in fact, waiting merely for the opportunity to take a sword and a stake and drive that living corpse into the wall. He thought of tearing his shoulder like Grendel’s and mounting it on a spire, of laying his pale body in a tomb and mounting his head on a pike. Schaunard was not one to enact violence, but the scenes filled his head vividly as he played, pulling him far away to another reality. A reality where Schaunard could protect them again, keep them safe as he had in the past.

But Schaunard was not a personally violent man, and when he considered even moderate acts of defiance, a different image forced itself into his mind. That image was Colline, eyes alight like a child’s with fear, that terrifying instant when the pain had pulled him from the vampire’s enthrallment and he had been staring at his own hand, engulfed in flame, the cuff of his old shirt smoldering as it began to catch.

His breath caught, and his bow hitched on a note. The vampire didn’t take notice.

That was the fourth reason for staying compliant; in fact, in many ways, it was the only one. He wasn’t sure that the vampire would take out his wrath on him, when there were convenient scapegoats so close by.  Not when Colline’s safety was at stake.

It was just a little bit harder to breathe now that that thought had entered his mind, but he pushed himself through the muscle memory of the routines. He focused, as hard as he could; he had been practicing earlier and had found himself switching from Mozart to Strauss halfway through a piece, and his hands shaking so badly that the legato came out as a trill.

He couldn’t think about things now. Later. Tonight, when he was alone. For now, he had to get through the evening; then he would have a delightful tea with Marcello and whoever else was around, then, when all was well and he had grounded himself in the sanity of companionship, he would retreat to his room. And then he could let his mind do whatever it pleased. He would compose a song; he would let Rudolfo write the words. He would fill it with rage and fear and pain and unrequited love. That would free his mind to be happy, like he was supposed to be, like he  had  to be too keep Marcello alive and Rudolfo sane. Like he wanted to be.

~~~~~

“Why did you consent to this marriage? Why did he?”

“Lord Ashton was in dire straights when the engagement was arranged,” Arturo said. “It isn’t obvious from the arrangements here, but his status is not what it once was. He lost some key military campaigns in the north that cost him a lot of face; face, status, money, and troops that he needed to gain political allies. Had I not joined his family, he would likely have been executed.”

“Executed for what?”

“Get creative,” Arturo said, waving the question away with his hand. As it flew by him, Marcello realized he had just asked for incriminating evidence about a fairy’s brother in law, and Arturo might be physically incapable of giving it.

“Surely,” Marcello said carefully, “it would merely have been a political execution; surely there was no crime.”

“Because surely,” Arturo responded, “you would not be so bold or so crass as to suggest anything ill of my family.” He said it with a casual flair, but it confirmed Marcello’s hypothesis; Marcello had spoken nothing but ill of Lord Ashton, and that had never been an issue before.

”You care deeply for his sister, after all,” Marcello said, slowly, experimentally.

“I do care for Lucia,” Arturo confirmed. “Very much.”

“And surely that love extends to her brother as well.”

“You would be quite wise to say that.”

They had caught onto a game. Arturo, a fairy, could not lie or cause injury to the family. He could confirm any number of statements in roundabout ways, however, careful never to lie or to directly permit harm. He could point them in the right direction, a compass needle in a  twisted cave.

Marcello needed a drink. He needed Colline’s brain, he needed Rudolfo’s thoughtful attention, and he needed a drink.  What he had was less than an hour of daylight and a vaguely compliant fairy, which was about as compliant as fairies tended to get. It was like he had won a high-stakes card game, but the pot was all in credit.

[moviesandmania]

Black Sunday aka The Mask of Satan Italy, 1960

‘The undead demons of Hell terrorize the world in an orgy of stark horror’

Black Sunday (original title: La maschera del demonio; also known as The Mask of Satan and, in the UK, as Revenge of the Vampire) is a 1960 Italian gothic horror film directed by Mario Bava, from a screenplay by Ennio de Concini, Mario Serandrei and Marcello Coscia (who was uncredited). The film stars Barbara Steele, John…

[paulinedorchester]

Latinx singers of classical music: a list so incomplete as to be positively embarrassing

What I wrote in the previous post in this series applies here as well:

Some of these artists are up-and-comers; some of their careers were at their height in the 1970s, when I first began paying attention; a few go back further than that.

Although in this case it’s more than a few — which, along with the fact I kept finding more and more younger artists, is why I decided to end my research and post this now.

I’ve included many of the younger ones solely on the basis of reputation, without having heard them. Not all are or were A-listers, but they are all people who sing or sang Western classical music for a living, or taught others to do so, or a combination of the two.

Assembling this list has required me to consider some questions of inclusion. Do the children of European immigrants who, in some cases, didn’t even bother to give their children Latinate names belong here? Undoubtedly many people will say no; I disagree. (I have drawn the line, however, at Spanish or Portuguese artists who decamped to their countries’ former colonies.)

Fedora Alemán (1912-2018), soprano, Venezuela Elaine Alvarez, soprano, USA Marcelo Álvarez, tenor, Argentina Fanny Anitúa (1887-1968), contralto, Mexico Francisco Araiza, tenor, Mexico Iván Ayón-Rivas, tenor, Peru Aldo Baldin (1945-1994), tenor, Brazil René Barbera, tenor, USA Vanessa Becerra, soprano, USA Ricardo Bernal, tenor, Mexico Jessica Bogado Corvalán, soprano, Paraguay Javier Camarena, tenor, Mexico Teresa Castillo, soprano, USA Ian Castro, tenor, USA Arturo Chacón-Cruz, tenor, Mexico Mario Chang, tenor, Guatemala Claudia Chapa, mezzo-soprano, Mexico Luis Chapa, tenor, Mexico Lisa Chavez, mezzo-soprano, USA José Coca Loza, bass, Bolivia Eliane Coelho, soprano, Brazil John J. Concepcion, tenor, USA Natacha Cóndor, mezzo-soprano, Ecuador Paul Corona, bass, USA Gloria Criscione Pineda, soprano, Paraguay Gilda Cruz-Romo, soprano, Mexico José Cura, tenor, Argentina Alfredo Daza, baritone, Mexico César Delgado, tenor, Mexico Juan José de León, tenor, USA Fernando de la Mora, tenor, Mexico Justino Díaz, bass-baritone, Puerto Rico Gabriella Di Laccio, soprano, Brazil Nahuel di Pierro, bass, Argentina Oralia Dominguez (1925-2013), contralto, Mexico Rubén Domínguez (1935-2015), tenor, Venezuela Cecilia Duarte, mezzo-soprano, Mexico Gabriella Enríquez, soprano, USA Consuelo Escobar (1887-1967), soprano, Mexico Franco Fagioli, counter-tenor, Argentina Bernarda Fink, mezzo-soprano, Argentina Juan Diego Flórez, tenor, Peru Cristina Gallardo-Domâs, soprano, Chile Karen Gardeazabal, soprano, Mexico Ricardo Garcia, tenor, USA Raúl Giménez, tenor, Argentina Adriana González, soprano, Guatemala Joshua Guerrero, tenor, USA Carlos Guichandut (1914-1990), tenor, Argentina Levi Hernandez, baritone, USA Ramón Iriarte, baritone, Venezuela Edgar Jaramillo, tenor, USA Maria Katzarava, soprano, Mexico Yunuet Laguna, soprano, Mexico Valeriano Lanchas, bass, Colombia José Lemos, counter-tenor, Brazil Laura León, soprano, Cuba Isobel Leonard, mezzo-soprano, USA Luis Lima, tenor, Argentina Cecilia Violetta López, soprano, USA Zulimar López-Hernández, soprano, Puerto Rico Ricardo Lugo, bass, Puerto Rico Sergio Mandujano, tenor, USA José Mongelós, tenor, Paraguay Larisa Martínez, soprano, Puerto Rico Julio Mascaro, tenor, Guatemala José Mojica (1895-1974), tenor, Mexico Albert Montañez, counter-tenor, Colombia Maria José Morales, soprano, Guatemala Rafael Moras, tenor, USA Octavio Moreno, baritone, Mexico Adelaida Negri (1943-2019), soprano, Argentina Salvador Novoa (1937-2021), tenor, Mexico Richard Ollarsaba, bass-baritone, USA Lisette Oropesa, soprano, USA Jehú Otero, tenor, Puerto Rico Beatriz Parra Durango, soprano, Ecuador Miguel Pedroza, bass-baritone, Venezuela Ángela Peralta (1846-1883), soprano, Mexico Ailyn Pérez, soprano, USA Natalie Pérez, mezzo-soprano, Argentina Rodrigo Porras Garulo, tenor, Mexico Marcello Puente, tenor, Argentina Gustavo Quaresma Ramos, tenor, Brazil Rayén Quitral (1916-1979), soprano, Chile Ernesto Ramirez, tenor, Mexico Gabriella Reyes, soprano, USA Iván Ayón Rivas, tenor, Peru Ricardo José Rivera, baritone, Puerto Rico Gaston Rivero, tenor, Uruguay Mario Rojas, tenor, Mexico Manuel Salazar (1887-1950), tenor, Costa Rica Zoraida Salazar, soprano, Colombia Renato Sassola (1927-2013), tenor, Argentina Bidú Sayão (1902-1999), soprano, Brazil Erwin Schrott, bass-baritone, Uruguay Rosita Serrano (1912-1997), soprano, Chile Nadine Sierra, soprano, USA Efraín Solís, bass-baritone, USA José Sosa Esquivel (1923-1968), tenor, Mexico Paolo Szot, baritone, Brazil Ricardo Tamura, tenor, Brazil Jonathan Tetelman, tenor, Chile Camila Titinger, soprano, Brazil Matthew Treviño, bass, USA Eduardo Valdes, tenor, Puerto Rico Ramón Vargas, tenor, Mexico Héctor Vásquez, baritone, USA Vanessa Vasquez, soprano, USA Hugo Vera, tenor, USA Denis Vélez, soprano, Mexico Fabián Veloz, baritone, Argentina Elena Villalón, soprano, USA Verónica Villarroel, soprano, Chile Rolando Villazón, tenor, Mexico Ramon Vinay (1911-1996), tenor, Chile Ariana Wehr, soprano, Brazil Renato Zanelli, tenor, Chile

[fashionbooksmilano]

Moda Italia

Creativity and Technology in the Italian Fashion Sysyem                        Creatività, Impresa, Tecnologia nel Sistema Italiano della Moda 

Catalog Editor Bonizza Giordani Aragno, Graphic Design Italo Lupi

scritti di Marcello Inghilesi, Etta Froio, Ampelio Bucci, Andrea Branzi, Adriana Mulassano, Bonizza Giordani Aragno, Gloria Bianchino, Arturo Carlo Quintavalle, Rietta Messina, Maria Pezzi, Vittorio Fossati

Editoriale Domus, Milano 1988, 200 pagine + 38 pubblicità,  cm25,5x32,5, ISBN  9788872121009

euro 30,00

email if you want to buy :booksinprogressmilano@yahoo.it

La moda segue un percorso segnato dalla storia. I suoi mutamenti rispecchiano situazioni legate ad avvenimenti sociali, a tendenze politiche, a ideali mistici e fatti culturali. La moda è la cartina di tornasole di una epoca, rappresenta l’espressione estetica più vicina all’ego. Occuparsi di moda significa non limitarsi al prodotto moda, ovvero al manufatto, ma cercare attraverso questo tutti quei meccanismi che sono a monte : la progettazione, la ricerca dei materiali, l’industria, il mercato, la diffusione, la pubblicità etc...

Bonizza Giordani Aragno

24/06/21

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[lamilanomagazine]

Modena, eccidio Fonderie, concerto del gruppo ModenaMoltiMondi

Modena, eccidio Fonderie, concerto del gruppo ModenaMoltiMondi Tanti generi musicali, provenienti dalle tradizioni di popoli e paesi diversi, compongono il repertorio del concerto dell'orchestra ModenaMoltiMondi che si svolge domenica 14 gennaio, alle 11.30, nell'area dello stabilimento delle Ex Fonderie riunite nell'ambito delle commemorazioni dell'eccidio avvenuto il 9 gennaio 1950. Quel giorno, sei operai delle Fonderie - Angelo Appiani, Renzo Bersani, Arturo Chiappelli, Ennio Garagnani, Arturo Malagoli e Roberto Rovatti – persero la vita sotto il fuoco della polizia durante lo sciopero generale proclamato dalla Camera confederale del lavoro per protestare contro i licenziamenti decisi dalla direzione aziendale mentre altre duecento persone rimasero ferite. L'ingresso al concerto è gratuito. Il ritrovo è all'entrata del cantiere su via Mar Jonio: per motivi di sicurezza, infatti, il gruppo dei partecipanti deve essere accompagnato, è necessario, quindi, arrivare puntualmente alle 11.30. ModenaMoltiMondi, diretta da Michele Bonifati, è un'orchestra multiculturale composta da studenti e studentesse delle scuole superiori di Modena che dal 2017 porta sul palco storie, musiche e culture. Capofila del progetto è l'Istituto d'arte Venturi che dà vita alla rete con il Cattaneo-Deledda, l'Ipsia e l'IIs Corni, il liceo Muratori-San Carlo. L'orchestra propone brani provenienti da differenti generi e tradizioni, portati nel repertorio dai musicisti che ogni anno sono stati ospiti: Enrico Fink, Dudù Kouate, Cristiano Arcelli, Marcello Allulli, Pasquale Mirra, Javier Giotto, Guglielmo Pagnozzi e Francesco Bearzatti. Un'altra componente fondamentale del repertorio sono i brani scelti dai ragazzi e dalle ragazze per raccontare sé stessi, che permettono all'orchestra di disegnare giorno dopo giorno la propria identità. In occasione del concerto di domenica 14 gennaio Modena MoltiMondi eseguirà una selezione di brani di musica ebraica, afro-beat, sudamericana e tanto altro.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[adreciclarte4]

Marcello Mastroianni, 1960 by Arturo Zavattini 

[trans-and-baby-names]

Masculine Names

Aaron  Abdul Abe  Abel Abraham  Abram Ace Achilles  Adair Adam Adonis Adrian Adriel  Ahmed Ajax Ajay Aiden Alan Albert Alejandro Alex Alexander Alfonso Alfred Alistair Alister Allen  Alonzo Amadeo Amadeus Amani Amari Ambrose Amir Anders  Anderson Andre Andreas Andrew Andy Angel Angelo Angus Ansel  Anson Anthony Antonio Apollo Aries Archer Archie Aristotle Arlo  Arnaldo Arnold Arsenio Arthur Arturo Arwin Asa Asher Aslan Atlas  Atticus Aubrey August Augustin Augustine Augustus Aurelio Aurelius Austin Axel  Aziz

Balthazar  Bane Barnabas  Barnaby Barney Baron  Barrett Basil Bastian  Bear Beau Beck Ben Benjamin  Benji Bentley Bernard Bertram Bertrand  Blake Blaze Blue Bobby Bodhi Booker Boris  Boston Bowie Boyd Brad Bradford Bradley Bram  Bramwell Bran Brandon Brandt Braxton Braylen Brayden Brendon  Brent Brett Brian Briar Brick Bridge Bridger Brock Brody Brogan  Bronx Brook Brooks Bruce Bruno Brutus Bryce Bryson Buck Bud Buddha  Buddy Buck Burt Burton Buster Buzz Byron 

Cade  Caden Cain  Cairo Caius Calder  Caleb Callum Calvin Cam  Cameron Camillo Campbell Carl  Carlisle Carlito Carlo Carlos Carlton  Carmine Carson Carter Casper Caspian Cassian  Cassias Cato Cecil Cedar Cedric Cesar Chad Chadwick  Chance Charles Charlton Chase Chauncey Chester Chidi Chip  Christoff Christoph Christopher Christian Chuck Cian Cillian  Clarence Clark Claud Clay Clayton Cliff Clifford Clint Clinton  Clyde Coby Cody Colby Cole Collin Colt Colton Conan Connor Conrad  Constantine Cooper Copper Corbin Cornelius Cory Cosmo Cosmos Costas Craig Crispin Cruz Curt Curtis Cyrus

Dale  Dallas  Dalton Damien  Damon Dan Dane Daniel  Dante Darius Darrel Darren  Dash Dashiell Davey David Dawson  Dax Daxton Deacon Dean DeAndre Declan  Demetrius Denali Dennis Denny Denzel Derek  Derrick Des Desmond Dewey Dex Dexter Diego Diesel  Dion Dirk Dixon Dmitri Dominic Donatello Donovan Dorian  Doug Douglas Draco Drew Duke Duncan Dustin Dusty Dwayne Dwight  Dylan Dyson 

Earl  Easton  Edgar Edmund  Eduardo Edward Edwin  Egon Eli Elijah Elias  Elliott Ellis Elroy Elton  Emanuel Emeric Emerson Emery  Emil Emiliano Emmett Emrys Enrique  Enzo Eric Ernest Ernesto Ernie Esteban  Ethan Eugene Eustace Euvan Evan Evander Everett  Ezekiel Ezra 

Fabian  Fabio Falcon  Faustus Felix Ferdinand  Fergus Ferguson Fernando Fidel  Fido Finbar Findlay Finn Finnley  Fionn Fisher Fitz Fletcher Flint Florence  Florian Ford Forrest Fort Foster Fowler Fox  Francesco Francis Francisco Franco Frank Frankie  Franklin Fred Freddy Fredrick Frederico

Gabe  Gabriel  Gael Gage  Gale Galen Garfield Garrett Gaston Gatsby  Gavin Geoffrey Geordie George  Gerald Gerard Gideon Gil Gilbert  Gilberto Giovanni Glenn Gordon Gordy  Grady Graham Grant Gray Grayson Gregg  Gregory Grey Griffin Griffith Grover Gunner  Gunther Gus Gustavo Guy 

Hades  Hal Hamilton  Hank Hans Harley Harrison  Harry Hawk Hayden Hayes Heath Hector  Henrik Hendrix Henry Herb Herbert Herbie  Hercules Hermes Hershel Hiram Holden Howard  Howie Hudson Hugo Humphrey Hunter Hux Huxley 

Ian Igor Iker Irvin Isaac Isaiah Ivan 

Jace  Jack Jackson  Jacob Jaques Jaden  Jake Jalen Jamal James  Jameson Jared Jason Jax  Jay Jed Jedidiah Jefferson  Jeffrey Jeremiah Jeremy Jerome  Jerry Jesus Jethro Jett Jim Jimmy  Joe Joel Johan Johannes John Johnny Jonah  Jonas Jonathan Jones Jordan Jose Joseph Joshua  Josiah Juan Juanito Judah Judas Judd Jude Jules Julian  Julien Julio Julius Junior Jupiter Jurgen Justice Justin Justus 

Kaden  Kai Kaiser  Kale Kaleb Kane  Keane Keanu Keaton  Keegan Keenan Keith  Kellen Kenan Kendrick  Kenneth Kenzo Keoni Kevin Khalid  Kian Kieran Kiernan Kingsley Kingston Killian  Kip Kwan Kyle

Lachlan  Lake Lamar  Lance Lancelot  Landon Lane Larkin  Larry Lars Laurence Laurent  Lawrence Lawson Lazlo Legend Leif  Leith Leland Leo Leon Leonardo Leopold  Leroy Levi Liam Lincoln Linden Logan Loki  London Lonnie Lonny Lorcan Lorenzo Lou Louie  Louis Luc Luca Lucas Lucian Lucky Luke Lupe Luther

Maddox  Maksim Malachi  Malachy Malakai Malcolm  Malik Manfred Manny Marcel Marcello  Marcellus Marcio Marcius Marco Marcos  Marcus Marian Marino Mario Marius Mark  Marlin Marlon Marmaduke Marques Mars Marshall  Martin Marty Marvel Marvin Massimo Mason Matt Matteo  Matthew Maurice Maverick Max Maximilian Maximus Maxwell  Melvin Mercury Meredith Merritt Micah Michael Miguel Miles  Milo Mitchell Moe Monte Montgomery Murdoch Murphy Murray Murtagh  Murtaugh Myles

Nathan  Nathaniel  Ned Nelson  Nemo Neo Neon  Neptune Neville  Newt Newton Nick  Nicky Nicola Nicolai  Nicholas Niko Noah Noel Nolan  Norm Norman Novak 

Obadiah  Octavio Octavius  Odin Olaf Oleg Oliver  Olivier Omar Orion Orlando  Orville Osborn Oscar Oso Osvaldo  Oswald Ottis Otto Owen Oz Ozzy

Pablo  Palmer Panther  Parker Pascal Patrick Paul  Paxton Pedro Penn Percival Percy Perseus  Peter Peyton Phil Philip Phineas Phoenix Pier  Pierce Pierre Pilot Pluto Porter Poseidon Preston  Prince Prosper

Qadir  Quincy Quinn  Quinton 

Raiden  Ralph Ramone  Ramses Randall Randolph  Randy Raphael Ravi Ray Raymond Red  Reece Reggie Reginald Regis Reid Remington  Reuben Rex Reynald Reynaldo Reynard Rhett Rhys  Ricardo Richard Richie Richmond Rick Ricky Rico Ridge  Riley Rio Riordan River Robert Roberto Robbie Rocco Rocky  Rodney Rodrigo Roger Ricky Riley Rod Rodrick Roger Roland  Roman Romeo Ross Rowan Rudy Rufus Russell Ryder Ryker Rylan Ryland 

Salem  Salvador  Salvator Sam  Samir Sampson Samson  Samuel Sander Sandford Sanjay  Santiago Saul Sawyer Scott Sean Sebastian  Septimus Serge Sergio Seth Seus Seymour Shane  Shawn Shayne Sheldon Shepherd Sherlock Sherman Shin Sidney  Sigmund Silas Silver Silvester Simon Sinclair Sinjin Sirius  Slade Slate Sol Solomon Sonny Sparrow Spartacus Spencer Spike  Soren Stan Stanford Stanley Steele Stephen Steven Stevie Stone Sven Summit  Sullivan Sully Sylvester

Tad  Tag Talon  Tanner Tate  Ted Teddy Teo Teodor  Teodoro Terence Terrell  Terry Tex Thad Thaddeus Thane  Thatcher Theo Theoden Theodore Thomas  Thor Thorn Tiberius Tiger Tito Titus Timothy  Titus Tobias Toby Tommy Tony Topher Trace Travis  Trent Trenton Trev Trevor Trey Tristan Troy Truman Tucker  Tudor Tullio Tullius Tully Tycho Tyler Tyrell Tyrese Tyrone  Tyson

Uberto  Ulric Ulrich  Ulysses Uriah Urban Urijah  Uriel

Van  Vance  Vaugn Victor  Vince Vincenco Vincent  Vinny Virgil Vlad Vladimir 

Wade  Walden  Waldo Walker  Wallace Wally Walt  Walter Warner Warren  Watson Waylon Wayne Wendall  Wesley Westley Weston Wilbert  Wilbur Wilder Wiley Wilfred Will William  Winston Wolf Wolfe Wolfgang Woodrow Wyatt 

Xander  Xavier Xavion  Xenon

Yael  Yahir York Yosef  Yousef Yusef

Zac  Zach Zachariah  Zacharias Zachary Zack  Zander Zane Zayden Zeke  Zeus Ziggy Zion Zoltan

[maxjellopower]

August - December 2019