#many thanks to the creators for inspiring me in this wonderful and ridiculous project!

[sheliesshattered]

New sewing project

I just realized that I haven't taken any pictures of my new sewing project -- while I'm sitting here wearing the nearly finished dress, lol. That's how quickly it's come together, which is just wild after all the months I spent on the last dress I made.

I'll take some pictures in the daylight tomorrow, but I figured I'd document a little of the process now, before getting back to work and getting the sleeves on. Also there's matching pants, and those just need their waistband casing and ankle cuffs and they'll be done too.

Oh yeah, and the fabric only arrived like three days ago. xD

The motivation behind this project was to sew something for wearing around the house during the winter -- something cozy for these darker months when all I feel like wearing is long witchy dresses and cozy layers. I don't have any costuming events to plan for, and this is a dress I've really wanted the last few years, so Jack encouraged me to actually draft the pattern and get the thing made so I can start wearing it already.

The concept is a cozy winter dress in a sort of pseudo cotehardie look -- maybe more Victorian Pre-Raphaelite medievalism than anything that would work at an SCA event, but in that sort of direction. I have just enough of a wool allergy to make wearing it next to my skin completely unbearable, and since I'm not trying for historical accuracy, I can really use any fabric I want. I prefer to use only natural fibers (or synthetics made from natural fibers, like rayon and viscose) in my wardrobe whenever possible, and I knew I wanted this dress to be heavy, warm, and soft inside.

After a bunch of searching around online, I found a 100% cotton sweatshirt fleece weighing in at about 7oz per square yard. I ordered a sample of the charcoal gray color, which turned out to actually be more of a slate blue-gray, but that suited me just fine. The sample washed and dried well, and stayed soft inside without pilling, so I knew I had a winner. That just meant I had to actually draft a pattern to match what I was thinking. I pinned a bunch of things on Pinterest, all kind of revolving around this sort of look:

I thought about using a typical cotehardie pattern with triangular skirt gores, but since I knew I didn't want any sort of closures, lacings or otherwise, and because I was going to be working with a stretch knit, I decided I didn't want to try to mess with the accurate historical way of making dresses like these and just stick with a tried and true princesses seam pattern that I know fits me.

So I ended up adapting my pattern for Rhaenyra's red dress to draft this one. I kept the basic 10 panel shape, but drafted out the center front seam, and added some height to the tops of the sleeves so I can properly set them in (rather than lacing them on with some shoulder showing). I raised the neckline in the back to the nape of the neck, and rounded both the back and front necklines, rather than the V-shape of the Rhaenyra dress.

I also added a tiny amount, like 2mm, to each seam from the waist up, so that I could pull the whole thing over my head and not have to worry about a zipper. And I widened the skirts a bit from the hips down, since I'm not trying to replicate a screen-used look, and so I could have even more swish in the skirt. The wider skirts (and heavier fabric) also allowed me to put invisible pockets on the side-front seams, which the Rhaenyra dress really couldn't handle.

I also decided to draft some matching pants to wear underneath the dress, for those days when I really can't get warm. I used a pajama pants pattern that I drafted last year, widened the legs a bit so they're straight up and down, and raised the waistline a tiny bit so I can put a wider piece of elastic into it. I also drafted out the side seam pockets, since the dress itself will have pockets. I may yet go back and add welt pockets to the back of the pants, but we'll see.

The pajama pants I based the pattern on generally fit pretty well, but the only problem with them is that they're so wide at the ankle that they like to creep all the way up to my knee at the slightest provocation and leave my lower leg rather cold. Since these fleece pants will be even wider, and since the point of this is to be warm and cozy, I knew I wanted the ankle to come in nice and close. But I also didn't want to gather the lowest edge, since the fabric is so heavy.

After looking around at a bunch of pictures and patterns online, I figured what the hell, I know what I'm doing, and these are really only going to be worn under the dress (or other long skirts) anyhow, so even if they end up weird looking, who cares. With a bunch of math I drafted two extra pattern pieces that basically form a 3/4 skirt for the bottom of each pant leg, with the 'waist' of the 'skirt' around my ankle, and the circumference sewn to the end of the pant leg. The result is fluffy and round and ridiculous, but I think will suit my needs quite well.

Once I had all of my pattern pieces drafted, I laid them out on the floor at half the 64" width of the fabric, and then measured how much length I would need, rounding up a little for the ~5% shrinkage that happens when the fabric is washed. I placed my order just over a week ago, on December 9th, and it arrived -- all 6 yards and 5 pounds of it -- on this past Thursday, the 14th.

I washed and dried it on Friday, then started cutting out all the pieces (26 in total, for the dress and the pants) that afternoon. I'd also ordered cotton thread in a coordinating color, and that didn't arrive until yesterday afternoon, by which point I had most of the pieces cut out. Last night I pinned as many of the seams as I could and this morning I wound a bobbin and tested out my tension and stitch length on a scrap piece of fabric and then got straight to sewing.

To say this came together faster than the last dress would be a massive understatement, lol. The Rhaenyra dress is two layers of silk, both of which wiggled around and refused to stay on grain, frayed easily, and needed all the raw edges finished and fully enclosed. This winter fleece dress is shaped nearly identically, but the fleece fabric doesn't fray at all, doesn't slip and slide when I cut it, and generally has a pretty easy to find grainline. The only piece that gave me any trouble was the center front, since it doesn't have a straight outer edge to align with the knit, and for that one I just thread-traced straight down the canyon between two lines of knitting, and then lined up the center of the pattern piece with that, easy peasy.

So after three days of actual cutting and sewing, I am sitting here in something that is decidedly dress-shaped, and wonderfully warm and soft and cozy. I still need to attach the sleeves, tack down the pockets, and then hem the sleeve ends, neckline, and skirt hem, but I'm feeling like I might actually be able to accomplish most of that tomorrow.

For the pants I need to sew on the ankle cuffs and turn under the waist casing and add elastic, both of which should be pretty quickly done. I should be able to have both done by the middle of this week, I think, unless something major comes up, with work or otherwise. We've got a big rainstorm coming in this week, after a few warm days, and winter solstice on Thursday, so it would be lovely to actually be able to wear this by then.

My long-term plan for this dress, besides just wearing it around the house all winter long, is to make other pieces to layer over top of this, both for fashion and for function, sideless surcoats and vests and aprons and such. I might end up making a second fleece dress out of another color eventually, but even then I would want all the pieces to be interchangeable.

The look I'm going for is something I haven't seen anywhere else, but I'm thinking of it as sort of medieval cottagecore, or practical 14th century historybounding, all influenced by Pre-Raphaelite paintings and my own take on mori kei and strega fashion. Layers and long full skirts, body-skimming through the torso but not tight, practical and functional but still witchy and a bit unusual, all in natural fibers and the colors most commonly found in my closet already.

I'll take some photos of the dress in progress in the daylight tomorrow, and more pictures later in the week once it's finished. Provided I can actually talk myself into taking off the nearly-finished dress, which has been so very cozy and comfortable while I've typed up all of this, lol.

[dornish-queen]

GQ MEXICO - PEDRO PASCAL 2021

It seems that Pedro Pascal is in all possible universes. Here and there. In the past, in the present, and in galaxies far, far away. Today, the actor is considered the great entertainment reference and one of those in charge of saving a franchise that seemed lost. Enough reasons to talk exclusively about discipline, gastronomy, creeds and how he traumatized his father in 30 seconds.

The RAE defines 'creed' as the set of ideas, principles or convictions of a person or a group. For example, by creed, one can leave his country and be in exile. It happens that one can leave the loved one behind. Or simply live in another reality. And also one can put on a helmet to pretend never to take it off again. If that is the path to follow, the creed says that it must be done with the profession of faith and without stopping to look. Turning the pages of the script for The Mandalorian , the Disney + series that revived passion and nostalgia for the Star Wars franchise , Pedro Pascal came across this definition in every dialogue and moment, and reflection carved his way.

More than two decades have passed since the Chilean-American, Pedro Pascal, began his acting career and today, named as the great reference of 2020 , he misses the theater and it still hurts him not to have the discipline to exercise and maintain a diet sana while acknowledging the irony of having the best year of her career in the midst of one of the worst in recent history. But even in physical solitude, the man who carried the best-selling Christmas baby rescues many positive things and shares his vision of the universes he has traveled through, his passion for distant galaxies and how to traumatize your family with a simple scene of TV. In an interview, the Mandalorian of Latinamerica.

IMDB named you the 2020 benchmark in entertainment, a year in which the world took refuge in fiction. How was living your best time locked up and what do you rescue on a human level from it?

The strength of family relationships and friendship. For them, we endure this physical loneliness. I do find it ironic that in 2020 I received projects so well received by the public, although they were carried out before the pandemic and their impact was during it, and that year I was isolated and alone. But I must emphasize that this loneliness is a privilege when many people had to continue working, surviving and maintaining the functioning of the world. We only had to be alone, but they more than that and you must value it too.

Among the activities you have missed, how much do you miss the theater?

Much indeed. It's something that I miss the most and being with people without being afraid. See a play and return to those experiences of being with people doing and living things in common. That is what I need most, in addition to my loved ones.

Disney fully entered streaming and its strong letter has your face, what do you think of the discussion of platforms against movie theaters?

There are incredible things in streaming and many people develop great projects that they did not have access to before. The diversity of voices is gaining ground and it is important to recognize that opportunities grow exponentially and boundaries change. It is incredible the availability that we have to very well made content and how creative people can share their work in different ways. But I also want to be honest: limiting the experience of watching content only on our gadgets or at home is a mistake that affects the stories we can tell. You have to achieve a mix of opportunities and challenges.

You jump between the fictional universes that mark the last decades until you reach the universe of universes. What is your first Star Wars memory and how do you summarize the essence of this legendary story?

For me, Star Wars is nostalgia itself. It is one of the primary things in my memory, of my childhood. I came to the United States with my Chilean family when I was less than two years old and one of my first memories is going to the movies with my dad to see the saga ; it becomes one of those romantic childhood things that opens your mind, so imagine how special it is to participate in this project. I think the creators of The Mandalorian perfectly understand this nostalgia and that power, and they managed to count on that element as a great ally for the world of Star Wars and I couldn't be happier to be part of it. (From which we expect the third season The Mandalorian)

The Mandalorian exploits the power and nuances of your voice, did you have that letter on your resume?

I didn't know I could do it, but I resorted to my theater preparation, which was very physical on all levels and feelings. There are elements that have to do with and that are essential to create a role, and they teach you that the voice is something primary, something you have to start with and you cannot hide. Now I have learned much more about the importance of that, and how to use it economically. The body also has to do with that, because something very subtle communicates something. In The Mandalorian , I had a great time figuring out how to do it, they gave me the opportunity to develop it in different ways. The opportunity to be very intense at it.

What happens to the ego when someone works under a suit and a mask?

In the conversations about the project, before doing it, we were communicated the idea and the concept of the entire season , so I clearly understood what it was. I wanted it to be the most powerful version of what they were trying to accomplish, so there was no point in involving my ego, you know? It was already very clear what the project meant, so I knew about the character , the piece that it represented for him and the opportunity that it was for me, so I was only focused on executing in a better way the part that touched me in everything this. In the theater, I worked several times under a mask and it helped me develop the experience.

It seems that The Mandalorian has a very theatrical base ...

Exactly, and thanks to the physical experience of working in theater, doing a play a few times a week, discovering how your body and your voice communicate , being part of a whole image, and how you will tell that story visually, I achieved this character. I never imagined that it would be something I would have to use on such an important Star Wars project .

On the list of entertainment greats, there are names like Steven Spielberg and George Lucas, do you think John Favreau should be added to the list?

I think your name is already included. Without a doubt, it is in that category and it is incredible. His vision fascinates me. I remember an episode in the second season , and I had some boots and I walked so much in the snow, it stuck to them. He figured it out, so he talked to the art department about the kind of boots you need when you're out in the snow. They approached me and gave me new ones that fulfilled the idea I was looking for. He noticed it in an instant. It is such a wonderful detail and it is repeated to scale in every session with him. He thinks of absolutely everything and his vision of the use of technology is admirable. He is someone who makes you feel motivated and always sees how to achieve the goal.

One of the reflections in the series is on how and under what circumstances a man can break his creed and way of life. What makes you break with your beliefs?

I think that you must follow your heart so as not to regret anything; Although sometimes it brings pain or conflict, deep down when you look back, everything is worth it because it was what you heard in your heart. I am very afraid to deny that feeling or not to attend to it. I am 45 years old now and I cannot believe I have a finer philosophy. Make it more disciplined. It's ridiculous, but I'm trying to accept that I am and it's all I can say, "follow your heart." Although, you know, I'm not on a good diet yet, I still have trouble sleeping or exercising.

Still good at Chilean empanadas?

Yes, I couldn't stop. And also how good that I do not live in Mexico City because I would only spend it eating. I could move my whole life to defe just to eat.

I want to deviate and ask you, with whom did you see the chapter of your death in Game of Thrones and what traumas did you cause in your family?

For me, no trauma. I separate myself well from the characters , although I fully understand that if I were a Game of Thrones audience and loved that character, it would make an incredible impression on me. Thank you that it was not. I had to interpret it and there was a model of my head to be crushed that way with the tubes and the fake blood, you know? Me lying there, with pieces of my meat, it was funny in the end. But not for my family. For them there is nothing funny but traumatic. My dad's voice changed completely when we saw the episode, he turned around and said: “I didn't like it, Pedro . No, Pedro , not this ”.

The media found similarities between your villain in Wonder Woman: 1984 and Donald Trump. When playing a character with characteristics like this, do you humanize him or do you understand him?

The project had nothing to do with the former president. They always told me that my character in Wonder Woman: 1984 was emotionally messy, and I took that and took that as far as possible. Instead of creating it with images or certain inspirations from life, it was more to work with what was on the page. Personally, what made sense to me is the size of the story that is being told and there is always more, and we all want more. Creatively, if this makes sense, that meant "blowing her out of the park." Connect a hit with the character and be committed to telling his story faithfully, in a way that was true to me. So all the exterior elements found their way.

What a way to start 2021 with the theme of the Capitol ... How do you perceive that moment?

I am not a politician and it is not that I do not have an opinion about this type of event; however, it is not necessary to state the obvious. My opinion would be very simple compared to that of a person who studied this, who knows how to act in these kinds of scenarios; I believe that I am next to the majority who experienced this, which is the logical result of what we have experienced during these years and we are all horrified . It was distressing to see this violence.

If you had the monolith in your hands, what would your wish be?

My wish would be… it's impossible, really (laughs). I think it is to be together again, with less fear and that people have the opportunity to connect.

What is your position on the reality that Chile has experienced in recent years and how has the relationship with your country been since exile?

It is something that I am developing and I continue to do in my life, trying to understand that it is my home. To be in Chile is to be at home, but my life has been very nomadic, living different things and having many influences; so it is strange, I do not feel with the title of a complete Chilean identity nor with an American one.

Neither here nor there?

In a sense, but I'm also completely both. My parents are Chilean , my brothers were born there before my parents traveled, and I came back sometimes because my family is very large; in fact, my parents came back. It has always been there, it continues to develop, and it will be a part of me. I don't know if it answers your question, but it has a lot to do with who I am.

What is your relationship with Latin American cinema? Are you interested?

Much, it has invaded me in life like American cinema. The movies that I carry in my heart, seeing something like Y tu mama was also something that changed me; I also love the work that comes out of Chile , and the only thing I can say is that it is a cinema that needs more access and projects.

Today you have a comedy with Nicolas Cage on the door, can you tell us something?

It's my first shot at comedy , as a complete story within the genre. Speaking of American influences , in the 80s I saw all the films where Nicolas Cage appeared , he came into my life and it's great to be his partner after seeing all his performances.

How is the relationship you have with the comedy genre?

I love it, I have done a lot of comedy in the theater, what happens is that in film and television issues , I was always part of drama castings . And in the cinema, you go where the doors open; Although I identify with one or the other, I think that being an actor , one goes and does what one has to do. Comedy is something unique, it is very challenging because it must be very real to be funny, you cannot hide or use normal tricks. I was very excited to have this challenge in front of a camera.

Finally, Pedro, after going through so many fictional worlds, literally, what do you dream about when you sleep?

I dream that my bathroom is dirty, that I haven't done my math homework, that the oven is on and all that stuff. Sure, there are times when I close my eyes and see myself in all these projects , although my conscience is with the anxieties of the day that you can imagine.

Without a doubt, Pedro Pascal is a particular type .

English Tranlation: Google Translate

SOURCE:  GQ MEXICO

[levihantrash]

new chapter update!

Summary:

Levi’s pragmatism pulled the brakes. “I’m not about to dedicate my life to become a broke comic artist.”

Levi Ackerman, a gruff cleaner with an appetite for toilet humour meets the unabashedly friendly creative writing professor, Hange Zoë, who somehow ropes Levi into working on a comic with them. While the comic’s title remains undecided, Hange knows that it’s going to be set in a world where giant, human-like creatures devour other humans. Erwin Smith, the comic’s self-appointed editor, unironically thinks it’s going to be a hit. All Levi knows is that he wants to indulge in drawing this comic while hanging out with a certain writer who just won’t stop talking to him.

Where Hange, Levi, and Erwin are the creators of Attack on Titan.

Chapter 1: Free Bread

Chapter 2: New Friends

Like routine, Levi found himself waiting for a certain professor to show up. When Erwin called out to him, he couldn’t help but search behind the tall, imposing figure.

“I haven’t seen Hange this morning either,” Erwin said. Levi found himself irritated by Erwin’s discernment and by his own discrete uneasiness.

“Good morning, Erwin,” Levi greeted, nonetheless.

Hange was late, which Levi figured wouldn’t be out of the ordinary.

The morning passed without a single sign of Hange.

“Sorry, are you Mr. Levi?” A nervous-looking person approached him, holding on to a well-wrapped steamed bun. A twinge of hope stirred in Levi.

“Levi will do,” he said.

“Dr. Hange said I should pass you this,” the bread-holder blurted out.

Levi’s gaze softened. “Where’s Hange?”

“Oh! She’s rushing a deadline and insisted that I pass you this bread.”

The inexplicable rush of relief made Levi dizzy as he grasped the bread limply. “Huh. Sorry that you have to be an errand boy today.”

“It’s no trouble!”

“Who are you?”

“Sorry! I didn’t introduce myself! I’m Moblit, their teaching assistant! Dr. Hange helps me out with my master’s thesis because they’re my advisor. This is just my way of saying thanks. Dr. Hange also treats me to meals, gives me detailed comments for my work… though they might go overboard when it comes to giving speeches about the importance of world-building and honing your craft, it’s inspiring how dedicated they are in what they do.”

Moblit took a deep breath, making up for lost air in between the lengthy, whole-hearted sentences.

“Is that so…” Levi said, suddenly contemplative. “Do you want some tea?”

“Are you getting it from the staff pantry?”

“No, that stuff’s stale as shit. I have better tea, wait here.”

Levi recalled Erwin asking him in front of everyone in the staffroom if he wanted the staffroom snacks. Hange followed up, speaking at a volume that was clear enough for most of the staff to overhear, orchestrating a deliberate conversation with Erwin.

“Since there are no hard rules as to who the snacks and drinks are catered for, and technically, Levi is a staff member, he should have access to the snacks!”

None of the professors objected. It was probably because open prejudice would be socially unacceptable, Levi thought.

Begrudgingly, he accepted Erwin’s offer, and in full view of everyone, took a candy bar.

Hange gasped. “Just one?” Levi glared at them.

“Aren’t the snacks for your little sister?” Hange asked. He nodded, sensing the collective spike in sympathy for him in the staffroom.

After the whole stage, the trio huddled conspicuously in a corner outside the staffroom.

Hange whispered to Levi, “You could have played along better!”

“Erwin’s tired of your skit,” Levi said, overwhelmed and annoyed at the turn of events.

“No he’s not!” Hange said sternly, before gulping down half a bottle of water.

Erwin, standing in between them, told Hange to keep it down.

“Thanks, you two.” Levi found himself staring at the floor, embarrassed that his two friends had to construe him as a pitiful character for him to get a few snacks, even though he had been informed of the plan prior.

“I’m sorry, Levi,” Hange said, their lips compressed into a hard, grim line. “It’s ridiculous that you can’t even get snacks and refreshments as part of the staff.”

“I’m used to it.”

“If anyone’s giving you a hard time, you have us,” Hange said, still put off.

They squared their shoulders impressively. “Right Erwin?”

“You can rely on us, Levi,” Erwin surmised, equally sombre.

Growing more ruffled by their declarations, Levi hissed, “I don’t need two bodyguards.”

“No, you definitely don’t,” Hange joked. “Some people have told me about the deathly aura you emit that I must have missed…”

Fixing their attention at a vague distance, Hange’s playful jibes dwindled into an idle pondering, “I wonder if you found some joy in our companionship at least.”

They’re talking about joy and friendship again… Levi thought.

He found himself back in the present, handing a cup of black tea to Moblit, guiding him towards a bench.

Moblit squeaked out, “Thank you!”

“How did you find me?” Levi asked, betraying none of his real curiosity.

“Hange gave me a description…” Moblit began, not making eye contact with Levi.

“Did they? What’s the description?” Knowing Hange’s brand of humour, Levi braced himself.

Moblit shuffled in his seat, terribly reluctant. “They said to look out for a cold, black-haired man with an undercut, wearing an apron, gloves and brandishing a mop while scolding people to not step on wet floors.” Levi made a mental note to strangle Hange.

Moblit quickly supplemented, “You’re not actually cold though!”

“How would you know that?”

“Um… you’re offering me tea?”

Levi clicked his tongue. “That’s a low bar for human decency. You should have higher standards.”

“You’re right, Mr. Levi… I mean Levi.”

Levi noted Moblit’s jittery manner when he briefly checked his phone for a message and let out a small groan.

“Hey, you look worried sick. You didn’t receive a death threat, did you?”

Moblit laughed weakly, running his hand through his hair. “Uh, you see, I’m one of the editors for the bi-annual literary magazine and we’ve been looking for illustrators…”

“I take it that you haven’t been successful?”

“Yes… I just received someone’s rejection. It’s okay, we’ll find one,” Moblit said, although his panicked lip-biting ran contradictory to his optimistic statement. Levi’s hands twitched again. He folded them promptly into his apron pockets.

Upon finishing the tea, Moblit stood up and gave a tiny, polite bow. “It was nice meeting you Levi. Thanks for listening and for the tea!”

“Good luck,” Levi said, in time before Moblit rushed off.

Bagging up the rubbish, Levi heaved the load on his shoulder easily, only to be startled by the appearance of Hange.

“Fuck! Can you stop jumping out of nowhere?” Though momentarily disconcerted, the tension built up from the day unwound instantaneously, leaving his body loose and feeble.

“Levi! Did you shit yourself?” Hange sang. They accidentally bumped into the gigantic rubbish bag, falling butt-first onto the ground, phone in hand.

“Be careful,” Levi said, in the same monotonous voice he used regardless of the situation. Unless the situation involved Hange leaping out of nowhere. He looped his free arm under their armpit to pull them back up. Hange, flushed from running, placed their phone in his hands with ill-contained excitement.

“Look at what I found!”

“Oi, what’s this—” Levi scanned the phone, his mouth running dry.

“I’m going to recruit this artist. For my comic.”

It was a sketch of a cat being patted by a person with messy, tied-up hair, their hands stroking its head.

“Don’t you think the person looks familiar? Isn’t the cat cute… remember how I told you I have one at home?” Hange released their brown hair from a voluminous ponytail, biting the rubber band in their mouth.

He swallowed. “I drew that.”

Hange’s mouth hung open. “You’re kidding!”

“Do I look like I make such shit jokes?”

“Personally, I find your shitty jokes very funny. This is exciting news! Why didn’t you tell me you’re an artist when I was trying to find one for my comic?”

Levi found her question preposterous. “You could easily find a better one. I’m inexperienced.”

“I’m also an inexperienced writer. I barely wrote one book and a few articles!”

“You’re a professor. You have the title for a reason. I just draw for fun.”

Hange spared him a baffled look. “Please. You have no idea how many great writers never become professors. And how some professors never write great books. I thought you of all people would know that a title doesn’t mean anything.”

“I thought you of all people would know that titles hold their value here, even if we think they’re stupid and don’t mean shit.”

“I know that, Levi. I’m saying, drawing for fun doesn’t make you inexperienced or unworthy of being the artist for my comic. Besides, I chose you before I even knew it was you!” Hange said triumphantly.

Locking the phone screen, Levi reiterated, “I draw for fun.”

“Then this will be our fun project!”

Levi’s pragmatism pulled the brakes. “I’m not about to dedicate my life to become a broke comic artist.”

“You won’t be broke.” Erwin slipped into their conversation as though he had always been there. It was uncanny.

“What do you mean?” Levi stared questioningly at Erwin.

“You’ll be paid for your work, Levi. Hange as well,” Erwin said simply.

“You’re paying us?” Hange and Levi asked, in unison. One, in disbelief, and the other, in delight.

���A publisher will be paying you. I’ve secured funding.”

Levi gritted his teeth. “A publisher wants to sponsor a comic that hasn’t even been written?”

“I told you, Levi,” Hange interrupted. “I’ve already submitted a draft!”

“Yes,” Erwin said.

Levi had so many questions. “How?”

“Because it’s a good story.”

“Did you bribe them? Threaten them?”

“It is a risk,” Erwin admitted.

“It’s a fucking gamble,” Levi emphasised. “Don’t know why you’re so invested in this comic.”

Hange had other worries. “Levi, did you think I wasn’t going to pay you?”

Levi hesitated. “I don’t know. Isn’t this just a fun side-project?”

Hange’s face came closer to his. With the enhanced proximity, Levi stopped breathing altogether. Their face was deadly solemn.

“Listen, Levi, creating art is hard work. Your hard work. Any artist deserves to be paid. It’s not because our relationship is transactional. It’s because it’s only right.”

Erwin added, “We’re not going to accept your art for free.”

Pushing Hange back firmly with his hands on their shoulders, Levi argued, “Plenty of people have access to my art online for free.”

“That’s your choice. We insist.” Hange grinned. “And we think we deserve to be paid too. Even I’m surprised that my project has early compensation.”

Part of Levi’s resolve ebbed away. “I’ll think about it.”

“Good enough for me!”

“First, you have to tell me what your story is.” Levi gathered up the last of his self-respect. “And if we’re going to be working together, I’ll need your number.”

Erwin raised an innocent eyebrow. “Wouldn’t you need mine too?”

“Stop teasing him, Erwin,” Hange said, grabbing the rubbish bag from Levi, struggling to balance its weight over their shoulders.

Just as Levi felt a shred of gratitude, Hange remarked, “What if he doesn’t agree to do the comic together?”

Patience running thin, Levi stomped on both their feet in a fit of unrestraint that diverged from his unaffected demeanour.

Eyes twinkling, Hange couldn’t help but feel immense glee at the prospect of working with Levi. What was probably Levi’s withheld strength made them certain that he only wanted to dirty their shoes, not bruise their toes. Like Hange would care about the cleanliness of their battered sneakers.

In front of an ordinary apartment door, Hange dug into the depths of their bag to fish out a ring of keys. The size of the ring was unprecedentedly big; the choice of keychain most definitely random, a freebie handed out to new staff that blatantly displayed the university’s name.

Without that much bribery of tea, bread, and friendship, Levi found himself standing beside Hange as they busied themselves in finding the key to their apartment. Erwin had bailed due to having another Important Meeting with Important People, even during a weekend, but encouraged Hange and Levi to take time to discuss the comic.

Hange hadn’t expected Levi to agree so readily to kickstarting the project, and with the generous reception Levi gave (a curt nod and a follow-up question), they thought it’d be best if they invited him over to their apartment. Just so he wouldn’t mistake Hange as a mere business partner. Now that would be upsetting.

Hange pushed the ludicrous speculation out of their head. Levi was first and foremost, a good friend. His bored appearance revealed glimpses of surprise, satisfaction, moodiness, and suspicion. Hange held on to these pieces with the determination to collect them all. Surely, Levi must have figured them out by now. This endless, unabashed interest Hange had taken in him.

“Why are we meeting at your place? Do you need to take a huge shit? Does the toilet at home have a better flush?”

Although Levi had no qualms about visiting Hange’s apartment, he found it unnerving to have a work discussion in someone’s living quarters. It felt too intimate, too casual. He wasn’t sure if he could handle being sucked in further into Hange’s life. They asked so many questions, yet barely answered any about themselves.

Whether intentionally or not, Hange was someone shrouded in mystery to Levi. He couldn’t ask questions either—he wouldn’t—because he was unaccustomed to expressing himself in front of people. More than that, he could envision Hange’s sharp wit poking a clean hole through his muted facade. “You’re interested in my life, Levi?” Damn that four-eyes for being so perceptive. Or was he so easy to read?

“It’s more fun,” Hange said, eventually stuffing the correct key into the keyhole, a smooth click welcoming them. “Plus, I want to introduce you to my friends! Part of the reason why I took up the position at this university.”

“Friends?” Levi asked, slipping out of his shoes to step into the apartment.

“Hange!” A voice rang, and Hange was wrapped in a hug.

“Onyankopon! I saw you yesterday—”

“Three days ago, to be exact, since you always sleep over on the lovely desk at the university.” A smooth voice entered, coming from a woman standing comfortably against the wall.

As the tallest body let go of Hange, it allowed Levi to take in the congenial features of a man whose shoulders rivalled Erwin’s towering, well-built stature. While Erwin’s smile was measuredly cordial, Onyankopon’s was candidly sincere. Watching Hange and Onyankopon, Levi felt as though he were intruding into a family reunion that had invited the entire neighbourhood. Here, he was the guest who came for the free flow of food and drinks.

“I’ve missed you too Pieck!” The woman named Pieck ruffled Hange’s hair, offering them an embrace.

Hange pulled Levi by the elbow, pointing to the new people. “Meet my roommates and college friends, Onyankopon and Pieck!”

“Hi,” Levi said, uncertain as to what else he could affix his terse greeting with. Hange resolved that predicament for him, going into further details about their friends.

“Onyankopon is a researcher and engineer! I can’t tell you the technical specifics of what he does, though, I always get them wrong. Oh, and he’s religious, but he won’t try to convert you.” Onyankopon nodded, affirming Hange’s unflattering introduction.

“Pieck… Pieck is a gardener, florist, and avid gamer! That’s why she’s always bent over, whether it’s tending to her plants or her high score in front of the monitor.”

“It’s not why I need the crutches though,” Pieck said. Hange squeezed her shoulders in response.

“Seems like my friends are all nerdy. Maybe that’s why I like them?” A sheepish smile graced Hange’s lips.

Onyankopon gestured towards Hange, imitating their dramatic flourish. “And this is Hange Zoe, the nerdiest of them all. Obsessed with words. Recently obsessed with science fiction. They’re always reading or writing, and once they start on something, their butt doesn’t leave the chair.”

Levi’s eyes flitted around the apartment—it was relatively tidy, with a couple of framed photos and artworks. A blanket on the couch made it homely enough. His inspection didn’t miss Hange’s notice.

“Like what you see?”

“It’s neat,” he replied.

“That’s a compliment!” Hange took care to disclose this to their two friends.

“All your previous partners don’t take off their shoes, Hange. I hope he isn’t one of those.” Pieck said, using their crutch to relocate Hange’s haphazard shoes to a corner, flipping them the right side up. Levi liked her already.

“That’s gross,” Levi said apathetically, wiping away the horrifying image of dirt-smeared carpets and tiles creeping into his consciousness.

“He’s very clean, don’t worry,” Hange said easily. “Some might even say it’s his obsession.”

“I’m the cleaner at the university.” Onyankopon and Pieck turned towards Hange with patented disapproval.

“Levi, you know that’s not what I meant.”

“I think we’ll make good friends,” Pieck said, bemused.

Hange beamed at Levi. “You’ll love Pieck! She’s really quiet most of the time, just like you. Not to mention she pretends that she hates me. Just like you.”

“Good to know,” Levi said, enjoying the banter a bit too much.

“Hange says she’s going to get you to draw me, as a titan,” Pieck said, evidently sceptical.

“What’s a titan?”

“The giant, naked people I told you about, Levi! They’re called titans!”

“Why are they called titans?”

Hange landed on the sofa with a plop, patting the seat beside them for Levi to sit. “In Greek mythology, titans are immortal giant gods who were banished to the underground.”

Levi, who had little knowledge of Greek mythology, made a mental note to search for references online.

“Therefore, the titans are kind of like vengeful giant gods from the underground who have come to earth to wreak havoc on what the gods have built, which is human civilisation, basically.”

“Basically, I am wonderful enough to be titan-material,” Pieck drawled, propping their crutch at the side of the couch, sliding onto the cushions.

“A special titan that walks on all fours! Um, that’s the plan for now,” Hange said brightly.

Onyankopon, who had been content with listening, clapped his hands together in sudden realisation. “Hange, now that you’re finally home, you can take a shower.”

“I should, right?” Hange scratched their head, feeling the slickness of unwashed neglect.

Levi crinkled his nose as Hange reluctantly made their way to the bathroom. “That’s disgusting.”

“And here you are, still.” Pieck’s amiable statement prickled at his skin like a light warning before impending exposure.

“Hange must really want to make a good impression if they’re showering now,” Onyankopon said, chuckling to himself.

“It’s good to finally meet you.” Onyankopon pushed a newly made cup of tea towards Levi, with the steady confidence that could only come from having known prior that it was the beverage that Levi would desire. “Make yourself at home.”

Levi said his thanks, to the hospitality of two people he scarcely knew, and to Hange, who likely told them about the tea.

Cold water blasted them in the face, as Hange became cognizant of the necessity of showering more regularly. It wasn’t like they thrived in the dirt. Hypothetically, showering wasn’t that troublesome. The shower kept forgetting itself until it was three days later and Hange stank with regret and mild self-loathing. Still, the shower felt good, giving them new clarity about the fact that they had invited Levi into their inner social circle. How would he fare? Would he be uncomfortable? Hange massaged shampoo into their hair, recalling their conversation with Pieck and Onyankopon.

After much elaboration on adapting to a new university, their visits to an amazing bakery, and the fostering of daily encounters with new friends, Pieck had caught on that every other sentence from Hange contained a sliver of Levi-sized anecdotes. The new university was so much bigger than the one Pieck, Onyankopon, and Hange had attended together; it stretched endlessly, and Hange estimated that Levi would have walked 393700.7874 steps to clean just the faculty building. The bakery near the university was fragrant, its selection marvellous, and choosing a new bread for Levi every day was a tremendously delightful task. Moreover, Hange had met so many unique characters since getting to know the people in their faculty, people like Levi whose abhorrence for social etiquette was admirable, and with whom she was eager to share their mornings and lunches. Together with Erwin, of course.

Pieck let out a tinkle of a laugh at Hange’s obliviousness. “Why are you friends with Levi?”

Thinking hard, Hange answered, “I don’t know if he thinks of us as friends.”

“Well, friendship status aside, how’s he like?”

“He’s kind. He doesn’t sound like it, but he’s kind.”

“That’s nice. How’s he kind?”

Confusion coloured Hange’s usual confidence. “Hmm. It’s gut-feeling, I guess.”

“That’s unlike you, to rely solely on instincts,” Onyankopon said, stroking his chin. Hange was a person with an abundance of rationale, a reason for everything, with justification for any ideas. Their reasoning this time fell flat.

Pieck prodded on. “You said that he doesn’t sound kind. Then what does he sound like?”

“Grumpy, sarcastic, serious. He looks like he’s annoyed with everyone. Most people find him scary, I suppose? It’s like he wants people to think he’s an asshole.”

Pieck perked up. “Oh, so you’ve become enamoured with broody, misunderstood people who’re rough around the edges?”

“Pieck, come on, I’m not writing my own romantic trope! I don’t know… he’s a good person. I can tell. He doesn’t say much though.”

“You’re a mind-reader now?”

Hange ignored her. “His art… it’s so evocative. Melancholic. Hopeful. Angry.”

“What was the artwork you last saw of his?”

“A cat,” Hange said immediately.

Onyankopon brought Hange back to reality. “What about him? What do you like about him? Not his art.”

Hange pursed their lips. “Do good people need to prove themselves to show that they’re good?”

“There could be reasons as to why you’re so adamant about his golden character,” Onyankopon said.

“He’s reliable. And his shit jokes aren’t so bad once you get used to it.” Hange surprised themselves with that comment—Levi’s relentless toilet humour was infecting their brain. The corrosive force of the word “shitty” had already moulded itself permanently into their vocabulary.

Gazing up at the ceiling, Hange bent their arms behind their head. “It’s hard to find people to truly get along with.”

Onyankopon and Pieck shared a knowing look.

With their eyes trained to the white ceiling plaster, Hange mumbled on, “it would be nice if he’d talk more openly about what he’s feeling. It’s all guesswork and I’m afraid I’m constantly reading him wrong.”

“Maybe you should take your own advice…” Onyankopon said gently.

“But I do talk about my feelings!”

“Monologuing in your room and reposting vague lines of poetry and sending us memes to cope with your avoidance is not the same as talking about your feelings,” Pieck said, spending the subsequently long moment of silence to snip off a yellowed leaf from the potted Monstera deliciosa next to the kitchen counter.

“Wow.” Hange, for once, had nothing to muster.

Onyankopon’s approach was less incisive than Pieck’s. “You know, I don’t think you need a reason to be friends with someone. If he’s making you happy, I think it’s a good sign.”

“Thanks, Onyankopon,” Hange said gratefully.

“But Pieck’s right about you being deliberately evasive with your own emotions. Introspection shouldn’t be so strenuous, right? Don’t you write about your characters’ internal turmoil often?”

“It’s different when you’re reflecting for yourself,” Hange contended.

“We’ll see how Levi’s like anyway, when we meet him,” Pieck said, grabbing the scissors, going towards another deadened leaf.

“Don’t bully him!”

Another snip. Another leaf fell. “Isn’t he supposed to be scary?”

Hange smiled wryly. “But you two are scarier.”

[mcmansionhell]

Announcing the Winners of the 2019 McGingerbread Hell Competition

Wow! It was another great year for the McGingerbread Hell Gingerbread House Competition! The judges had their work cut out for them selecting between so many fine selections. Congratulations and great job to everyone who submitted an entry in this year’s contest. However, only six houses could make the cut.

Let’s start out with announcing the winners for Honorable Mention.

Honorable Mention: Priced to Sell! by Tina B.

The judges were wowed by the impressive nub, the tumorous turret, and the fantastically mismatched windows.

Quote from the Project Description: A true GEM of a house! 6,738 SF beautifully set on .23 parklike acres. Mediterranian villa in front, stately Federal in the back; it's the mullet of houses!...Entertain in your beautiful backyard featuring a real StoneTek(TM) patio! The heavily pruned weeping cherry tree will be a real showstopper in 30-40 years! The largest roof in the neighborhood has Chex shingle roof in molasses brown. 4 BR / 5.5 BA / $899,000 / Days on market - 923

Honorable Mention: Festive Roofline Soup by Jessica C.

The judges LOVED the complexity of the roofline, the absurd gabling, and the 3 car garage.

Quote from the Project Description: Features include: • Flaked almond shingles covering a roofline so complex that it required trigonometrical expertise from my math teacher father to work out measurements...[and] A low maintenance yard as the house takes up almost the entire block! Now accepting offers; the sellers are motivated as the couple are in the middle of divorce proceedings.

Honorable Mention: Vinyl Vanity by Joseph & Kayla S.

The judges were impressed by the impressive garage to roof ratio, the roof detailings, the candy-cane columns, and excellent lawyer foyer.

Quote from the Project Description: This 2 square foot, two and a half story Craftsmen Tudor Post Classical Revival estate is the luxurious home that your friends and neighbors never wanted...The car is truly the heart of Tudor England, so we put the garage proudly up front, where the yawning chasm of the door greets the outside world with disdain...Be sure to schedule your private tour soon, this edifice is sure to not last long. On the market. If you're curious about the price, you're probably too economically responsible for this property.

And now, our top 3:

Third Place: A Jersey Thing by Nùria O.

Judges were impressed by the size, shape, and meticulous detailing of the project, which is reminiscent of a truly terrible McModern. Anjulie, seeing the size of the huge roof said “this is some sustainable sh*t.” This project captures the true McMansion ethos in truly making us say “what the hell is going on here?”

Project Description: Inspired by a beatiful RealLife™ McMansion™ in Beach Haven, NJ, this year’s featured McGingerbread mansion is a modern 5-bedroom, 16-bathroom home made entirely in construction-grade gingerbread and held together with royal icing made from free-range egg whites. The nonpareil- and sugar-crystal-covered walls provide both isolation from stormy weather and give a vintage air to counterbalance the futuristic lines of the design...On the back of the house, you can walk out to a large deck (perfect for entertainment) boasting a valuable one-piece handrail. From there you can access the beautiful mediterranean garden, set in candy charcoal and stones, environmentally friendly as it’s practically maintenance free. Don’t miss your chance to visit this unique home—feel the sugar rush!

Second Place: Victorian Opulence by Beth & Tina C.

Reigning McGingerbread champs Beth & Tina C. returned to the scene this year with yet another gorgeous gingerbread. Judges were wowed by the complexity and scale of the project. Sarah was impressed by the intricate piping and lots of frilly details, and the homage to the traditional Victorian gingerbread form. Anjulie described it as “unbearably neat” - she loved the uncantilevered bay window, the detached garage that makes entryway irrelevant, and the hilarious-front balcoiny with half-wall (not code compliant). Kate was impressed by the detailing and the extensive cantilevers which too serious structural engineering to pull off.

Project description: New from the creators that brought you a true monstrosity last year: The Victorian Opulence! Featuring a lovely wrap around porch, adorable detached garage, and a truly magnificent waterfall in the backyard, this monolith of a house features thee decks overlooking somewhat patchy but still rescueable landscaping. Other features include an outdoor patio, a tower for all your princess capturing needs, and a truly cursed facade featuring a curved roof of all things! With several nubbins featuring windows, there is no angle on this house you can't see out of! Standing at nearly 2 feet tall and with an approximate total floor area of 550 square inches-excluding outdoor seating area-this Victorian style home will surely be the envy of all the gingerbread men in your country club. (Snow removal not included as part of HOA membership fees.)

And finally...

First Prize: Simply Having a Wonderful Building Crime by Erin E.

The judges all agreed: this house was outrageous - its execution was fantastic, and its design was full of so many delightful, humorous details. Sarah remarked: “This one is perfectly McMasion-scaled, with weirdly placed windows and gratuitous features to boot.” Anjulie couldn’t sing the praises enough: “I was particularly taken with the garage that is so far detached it makes the front door totally irrelevant...it's a castle of grand sadness. The Pete Buttigieg sign is the literal icing on top.” Kate loved the details: the Pete sign, the ridiculously diverse selection of windows, the piped on invasive plants and basketball hoop, and the glass and siding effects. Part of the competition lies in its absurdity and humor, and in that particular category, this house took the cake.

Project description: This home Defies the Ordinary. Located on a 2.3 acre lot, you'll be the envy of all your neighbors--and can watch from the top of the turret to be sure they're suitably jealous! Enjoy sitting al fresco under the portico above the garage, or on the hand-laid M&M stone patio! The two-story entryway accounts for just a few of the more than 60 sugar glass windows! All of the walls join up exactly where the architect expected them to, and no windows were covered up on accident!!!

Constructed over two weeks, out of ten pounds of flour, four pounds of powdered sugar, and more than half a gallon of corn syrup, this modest four-story house will surely stand the test of time. It’s been meticulously decorated with royal icing vines, wreaths, and Christmas lights, and landscaped with gingerbread boulders, definitely-naturally-this-green icing grass, and coconut macaroon topiary. The roof stands at 17 inches high, and is crafted from waffle cookie shingles over gingerbread rafters. For sale for just $1,895,000, this house is just perfect for new families or young professionals just starting out!

Special thanks to everyone who entered this year and to our judges Sarah Archer and Anjulie Rao for their contributions in pulling off yet another successful entry our search for the Gingerbread McMansion Hall of Fame!

See you next week with this month’s 1970 McMansion.

If you like this post, and want to see more like it, consider supporting me on Patreon!

There is a whole new slate of Patreon rewards, including: good house of the month, an exclusive discord server, monthly livestreams, a reading group, free merch at certain tiers and more!

Not into recurring donations or bonus content? Consider the tip jar! Or, Check out the McMansion Hell Store! Proceeds from the store help protect great buildings from the wrecking ball.

[nanowrimo]

Meet Our New NaNo Interns: Sandra, Chyina, and Fatima!

We feel super lucky here at NaNo HQ to be able to work with some excellent interns! Today, meet our newest cohort of interns: Sandra, Chyina, and Fatima. You’ll be getting to know them better throughout November, but today they’re here to tell you a little about themselves:

Sandra, Programs Intern

Hi Wrimos—it’s going to be a weird one this year! I type this introduction from the brick buildings of Providence, Rhode Island, where I remain holed up with my housemates. Our walls are thin enough that we can hear each other as we attend our respective classes; we emerge for sustenance and, occasionally, the craven desire for friendship, which would be typical for college students if it weren’t for the ever-present pandemic looming over our heads. 

Last night, I woke up shivering because of an unaccountable cold snap, when it’s usually sweltering in Rhode Island until late September. Meanwhile my family in California wake up to red skies and temperatures well into the 100s. I haven’t felt this unsure about my future since I was eight and learned that someday, the sun would swell into a red giant and vaporize our planet, and in such chaos, I find myself exceedingly grateful for the regular annual event of NaNoWriMo.

This NaNoWriMo, I’m looking forward to seeing all the wonderful ways our community can reach across the web to connect! Already, in the YWP forums I’ve seen so many ways young writers are supporting each other in these times of stress; who’s to say us ancient ones can’t equally rise to the occasion? Right now, the constant in my life is looking for the kinder moments in life, the neighbors helping each other, the small acts of solidarity and compassion in even just a pal reaching out to check on me. I anticipate many of those moments emerging this November, as writer alike helps each other to the finish line. 

I said it would be a weird one this year, but weird is good, I’ve found. Weird is memorable—in the long and storied history of NaNoWriMo, this year will truly stand out as a novel-ty (hah). As this year’s Program Intern, I hope this introduction has already told you what you need to know about me: I love this community, and my entire role is devoted to cheering you all on. It’s a selfish wish too—I’ll be alongside the rest of you, trucking along with a garbled mess of a novel, and feeding off the communal energy. 

Anyone who undertakes the creative behemoth of NaNoWriMo in these times has already won, in my humble opinion, as creators and authors of tales waiting to be told. Looking forward to the next few months!

Chyina, Editorial Intern

Picture a young girl reading the complete works of Edgar Allan Poe. Fast forward a few years and she has discovered that the only thing she wants to do is work with words: reading them, writing them, editing them, or making them up. Now, imagine a year of pure chaos and craziness.

You may have guessed that the girl is me and that the year is 2020. Well, as ridiculous as this year has been, it did give me the opportunity to work with NaNoWriMo as an intern. I have been participating since I was in high school and when I found out that they were looking for remote interns for the first time ever, I had to apply. And I cannot wait to begin working as the Editorial Intern this fall.

For the curious minds who may want to know more about who I am, my favorite book is The Book of Disquiet by Fernando Pessoa, a book I discovered when I participated in DisQuiet, an international literary program. It’s a book the author calls his “factless autobiography” and has a timeless quality I aspire to have in my own work. I try to find inspiration in the little things, like the leaf floating through the air or why that one book in your library smells like gasoline. 

I also am the cofounder of the Women of Color Writers’ Circle, which is an international group dedicated to showcasing and nurturing the voices of women of color. I haven’t thought of a solid NaNo project yet, but I have dozens of ideas floating in my head. 

Thanks for having me! I can’t wait to get started working with all my fellow word nerds.

Fatima, Tech Intern

Hey y’all!

My name is Fatima and I am super excited to be joining this amazing community as your fall tech intern. I am currently a junior at Cornell University majoring in Information Science and Sociology. I am studying remotely from Illinois this year, which means I am always a mess and in fear of missing a meeting. My classes are on Eastern Standard Time, this internship is on Pacific Standard Time, but I am living in Central Standard Time. Time zones are beating me up. (Fun fact: I learned about the existence of Mountain Standard Time at my first NaNoWriMo HQ meeting a few weeks ago)

I am passionate about racial and gender equity in tech and the intersections of the humanities with technology. On campus, I’m trying to start a Digital Humanities club and am involved in many womxn of color organizations. A few personal projects of mine currently are getting my email inbox down to 0 (last week it was 5,035, today it’s 3,454--progress!), finishing the Couch to 5K challenge (I'm on week 5), and finding out who Mary Alice really is on Desperate Housewives.

I say that I’ve been a Wrimo since I was 12, but I’ve only fully participated one year. I’ve tried to do different takes on the challenge like writing in my journal every day (very relaxing, definitely recommend) and writing a short story every day (was really hard to come up with new ideas and sadly I burnt out quickly). I also enjoy watching NaNoWriMo prep videos and vlogs on YouTube, introducing friends to NaNoWriMo, and following writing inspiration accounts on Instagram and Pinterest. I definitely talk about writing and call myself a writer more than I actually write but that will all change this November (hopefully)!

[rhetoricalk]

2020 CREATOR WRAP

rules: it’s time to love yourselves! choose your 5 (or so) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

Thank you to @alamborghini and @wild-aloof-rebel for tagging me to do this, and apologies in advance that this is going to be kinda long!

In this year of despair, distance, and staying at home, I tried to push myself creatively and experiment with digital art, illustrations, learned to make gifs the proper way, edit videos, tried podficcing, tried new techniques, and built on my software skills.

Here are some of the works and collaborations that showcase that, under the cut:

1. Something You Keep

Written and recorded for Pod_Together 2020, this was one of the best group projects I’ve ever worked on, and I could not have asked for a better and more collaborative team to do this with, who endlessly listened to me and my mad rambles and supported me tirelessly! I absolutely adore this Ted/Alexis story written by @doublel27 and enjoyed brainstorming on this so, so much.

Not only did I serve as the artist on this project, but this was also my first foray into podficcing and I learned so much from @sunlightsymphony, @amanitaceaeveil, and @ships-to-sail. Their voicework, soundscaping and editing is phenomenal on this, and I am just in awe of them! This was also my friend Elswhrefumbling’s first podfic and I’m thrilled that we were in this together.

I created multiple different sorts of artwork for this, including multimedia posts, and came up with an art installation concept. Below is the movie poster style cover art that I made for this fic/podfic, that also comes with an extra back cover with the entire "cast" list.

2. SC Sports Fest I created all of the graphics for this fest, including all of the ‘collectible sports cards’ that we posted as promotional graphics on Tumblr. They can all be found on the @scsportsfest page. I really enjoyed this challenge so much (incorporating all kinds of competitive games and sports, and having a broad variety of Schitt’s Creek Characters. I’m (mostly) pleased with how they turned out. This one, is probably my favourite of the lot.

3. [Filk]Oh, There Could Be No Other

My biggest undertaking perhaps, has been creating this Filk. I wrote, performed, illustrated, and animated this. And of all of those things, the writing was the biggest challenge and took ridiculously longer than I could’ve imagined (This is why I don’t write, haha). I have no idea why I chose to do this, but, I had the idea, I had pieces of the process of how it would all come together, and I’m very pleased that it’s almost exactly how I’d envisioned it.

Here’s a kind of non-spoilery screenshot from the filk, if you haven’t had a chance to see/listen to it yet.

4. I am stupidly happy with my take on the Cabaret poster that I created for @januarium, for the criminally underrated fic Home At Last

5. I went back to my childhood roots, to create the hand-drawn illustrations with colour pencils for the gorgeous fic Must Have Been Some Magic, written by for @sunlightsymphony. It was so fun to make these panels that were inspired by the original artwork from the book and movie, The Snowman, that can be found here. The front cover is my favourite panel of them all.

An honourable mention to my first ever gifset, that I’d made for the SC gif Advent (which I was unable to participate in because of other real life things that came up. But I hope that I am able to make more gifs in the coming year. I’m so grateful for all the wonderful opportunities I’ve had this year to collaborate with amazing creators, and friends. Thank you for making this year survivable!

—

I’m going to pay it forward by tagging a few folks, I’m unsure who’s done this already, but here goes: @high-seas-swan, @doublel27, @sunlightsymphony, @landofsonlali, @anniemurphys, @earnmysong, @januarium, @petrodobreva, @lisamc-21, @danieljradcliffe, @roguebebe, and whoever else wants to do this!!

[aadmelioraa]

creator tag meme

Rules: It’s time to love yourselves! Choose your 5 (ish) favorite works you created in the past year (fics, art, edits, playlists, meta, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I was tagged by the wonderful @itslaurenmae thank you! ❤️ 

2020 has been hard and weird. On the plus side, working from home has allowed me some additional time to create when I’m not parenting or working on projects I’ve put off for too long, and I’ve definitely used fic in particular to cope with outside stress. Basically this is me saying THANK YOU to everyone who has read something I’ve written in 2020 or written something I’ve read, etc. Very grateful for fandom this year. 

Five Favorite Things I Made This Year (in no particular order):

1. Give Me Your Hand, Darling: Gilmore Girls, Rory x Paris, 3.2k

This is a (post-revival) fix-it fic I’ve wanted to write for a long time, and I’m glad I finally did! Just two best friends, living as roommates, nothing more....unless?

2. Take Two: Happiest Season, Abby x Riley, 2.4k

Another fix-it fic haha. This may or may not be a pairing I write for again, but I was pleased with the way it turned out.

3. Repercussions: The Last Kingdom, Alfred x Uhtred, Alfred & Osferth, 2.3k

I may end up writing a second part just because the concept of Alfred and Uhtred as reluctant (on Alfred’s part) coworkers amuses me, and Osferth deserves all the love and appreciation. 

4. Falling: The Last Kingdom, Aethelflaed x Aldhelm, 2.1k

Probably the completed fic of which I’m the most proud. I had a ridiculously good time writing it. Aldhelm + Efficiency Kink for the win (I love the Aldflaed fandom for inspiring it, particularly Hells and Katie thank you both). 

5. Something Wretched, Something Precious: The Last Kingdom, Aethelflaed x Aldhelm, 23.5k (so far)

This fic won’t be done by the end of the year but I’m really proud of what I’ve written so far. At about 42k with multiple chapters still left to write it’s going to be my longest fic and I’ve definitely challenged myself with the plotting and planning elements. 

Bonus: these two crack edits because I made myself laugh don’t @ me 

Aldhelm’s s3 Arc + Text Posts

Aethelred + Onion Headlines

tagging @skatingthinandice @volvaaslaug @the-most-beautiful-broom  @ivarthebadbitch @tsukkinami @steveroger and @easilydistractedbyfanfic ❤️

[tigpooh67]

New interview from Pedro.    Did my best to translate to English.

Enjoy!!

**************************************************************************************

Looks like Pedro Pascal is in every possible universe. Here and there. In the past, in the present and in galaxies far, far away. Today, the actor is considered the great benchmark of entertainment and one of those in charge of saving a franchise that seemed lost. Sufficient reasons to talk exclusively about discipline, gastronomy, creeds and how he swallowed his dad in 30 seconds.

 The SAR defines 'creed' as the set of ideas, principles or convictions of a person or group. For example, by creed, one can leave his country and be in exile. It just so happens that one can leave the loved one behind. Or simply live in another reality. And you can also put on a helmet to pretend never to take it off again. If that is the way to go, the creed says that it must be done with the profession of faith and without stopping to look. As he turned the pages of the script for The Mandalorian, the Disney+ series that revived passion and nostalgia for the Star Wars franchise, Pedro Pascal came across this definition in every dialogue and moment, and reflection worked his way.

It has been more than two decades since the Chilean-American Pedro Pascal began his acting career and today, named as the great benchmark of 2020, misses the theater and still hurts him not to have the discipline to exercise and maintain a healthy diet while recognizing the ironic of having the best year of his career in the midst of one of the worst in recent history. But even in physical solitude, the man who carried Christmas's best-selling baby rescues many positive things and shares the vision of the universes he has traveled through, his passion for distant galaxies, and how to traumatify your family with a simple TV scene. In interview, the Mandalorian of Latin America.

 IMDB named you the 2020 benchmark in entertainment, a year in which the world took refuge in fiction. What was it like to live your best time locked up and what do you rescue on a human level from him?

The strength of family relationships and friendship. For them, we endure this physical loneliness. I find it ironic that in 2020 I received projects so well received by the public, although they were carried out before the pandemic and their impact was during this one, and that year I was isolated and alone. But I must stress that loneliness is a privilege when many people had to keep working, surviving and maintaining the functioning of the world. We just had to be alone, but they had more than that and you have to value it too.

 Among the activities you've lost, how much do you miss the theater?

A lot, really. It's something I miss most and being with people without feeling afraid. See a play and return to those experiences of being with people doing and living things in common. That's what I need most, besides my loved ones.

 Disney went into streaming and its strong card has your face, what do you think of the discussion of platforms against movie theaters?

In streaming there are amazing things and many people develop great projects that they didn't access before. The diversity of voices is taking its way and it is important to recognize that opportunities grow exponentially and limits change. It's amazing how much availability we have to very well-made content and how creative people can share their work in different ways. But I also want to be honest: limiting the experience of viewing content only on our gadgets or at home is a mistake that affects the stories we can tell. A mix of opportunities and challenges must be achieved.

Leaps between the fictional universes that mark the last decades until they reach the universe of universes. What is your first Star Wars memory and how do you sum up the essence of this legendary story?

For me, Star Wars is nostalgia itself. It's one of the primary things in my memory, of my childhood. I came to the United States with my Chilean family when I was under two years old and one of my first memories is going to the movies with my dad to see the saga; it becomes one of those romantic things about childhood, that open your mind, so imagine how special it is to participate in this project. I think the creators of The Mandalorian fully understand this nostalgia and power, and they managed to count on that element as a great ally for the Star Wars world and I can't be happier to be a part of it. (Of which we look forward to the third season The Mandalorian)

 The Mandalorian exploits the power and nuances of your voice, did you have that letter on your resume?

I didn't know I could do it, but I resorted to my theatrical preparation, which was very physical at all levels and feelings. There are elements that have to do with creating a role, and they teach you that voice is a primary thing, something you have to start with and can't hide. Now I've learned a lot more about the importance of that, and how to use it with economics. The body also has to do with it, because something very subtle communicates something. At The Mandalorian, I had a great time figuring out how to do it, they gave me the opportunity to develop it in different ways. The opportunity to be very intense in it.

 What about the ego when someone works under a suit and mask?

In the conversations about the project, before doing so, we were informed of the idea and concept of the whole season, so I clearly understood what it was. I wanted it to be the most powerful version of what they were trying to accomplish, so it didn't make sense for me to involve my ego, you know? It was already very clear what the project meant, so I knew about the character, the piece he represented for himself and the opportunity it was for me, so I was just focused on better executing the part that touched me in all this. In the theater, I worked several times under a mask and it helped me develop the experience.

It seems that The Mandalorian has a very theatrical base...

Exactly, and thanks to the physical experience of working in theater, making a play a few times a week, discovering how your body and your voice communicate, being part of an entire image, and how you will tell that story visually, I achieved this character. I never imagined it would be something I would have to use in such an important Star Wars project.

 On the list of entertainment greats, there are names like Steven Spielberg and George Lucas, do you think John Favreau's should be added to the list?

I think his name is already included. Without a doubt, it's in that category and it's amazing. I'm fascinated by his vision. I remember a chapter in the second season, and I had some boots and I walked so much in the snow, that it stuck to them. He noticed, so he talked to the art department about the kind of boots you need when you're in the snow. They came up to me and gave me some new ones that fulfilled the idea I was looking for. He noticed it in an instant. It is such a wonderful detail and is repeated at scale in every session with it. Think of absolutely everything and your vision of using technology is admirable. He's someone who makes you feel motivated and always sees how to achieve the goal.

 One of the reflections of the series is on how and under what circumstances a man can break his creed and the way he lives. What makes you break up with your beliefs?

I think you must follow your heart so as not to repent of anything; even if it sometimes brings pain or conflict, deep down when you go back, it's all worth it because it's what you heard in your heart. I'm very afraid to deny that feeling or not to take care of it. Now I'm 45 years old and I can't believe I have a finer philosophy. Make him more disciplined. It's ridiculous, but I'm trying to accept that I am and that's all I can say, "Follow your heart." Although, you know, I still don't follow a good diet, I still have trouble sleeping or exercising.

 Are you still good at Chilean empanadas?

Yes, I couldn't stop. And also how good that I don't live in Mexico City because I would only spend it eating. I could move my whole life to the defe just to eat.

 I want to deviate and ask you, who did you see the chapter of your death in Game of Thrones and what trauma did you cause to your family?

For me, no trauma. I separate myself well from the characters, although I fully understand that if I were a Game of Thrones audience and loved that character, it would make an incredible impression on me. Thank you, it wasn't. I had to interpret it and there was a model of my head to be crushed that way with the tubes and the fake blood, you know? I lay there, with pieces of my flesh, it was funny in the end. But not for my family. There's nothing funny about them and it's traumatic. My dad totally changed his voice when we saw the episode, turned around and said, "I didn't like it, Pedro. No, Pedro, not this."

 The media found similarities between your villain in Wonder Woman: 1984 and Donald Trump. When you play a character with characteristics like that, do you humanize or understand it?

The project had nothing to do with the former president. I was always told that my character in Wonder Woman:1984 was emotionally messy, and I took that and took it as far away as possible. Instead of creating it with images or certain inspirations from life, it was more working with what was on the page. Personally, what made sense to me is the size of the story being told and there's always more, and we all want more. Creatively, if this makes sense, that meant "flying it out of the park." Connect a hit with the character and be committed to telling their story faithfully, in a way that was true to me. So all the exterior elements found their way.

 What way to start 2021 with the theme of the Capitol... how do you perceive that moment?

I am not a politician and it is not that I have no opinion on such events; However, there is no need to express the obvious. My opinion would be very simple compared to that of a person who studied this, who knows how to act in these kinds of scenarios; I think I'm next to the majority who lived this, which is the logical result of what we've been through over the years and we're all horrified. It was distressing to see this violence.

 If you had the monolith in your hands, what would be your wish?

My wish would be... it's impossible, the truth (laughs). I think it's being together again, with less fear and people having a chance to connect.

 What is your position of the reality that Chile has experienced in recent years and how has the relationship with your country been since exile?

It's something I'm developing and I keep doing it in my life, trying to understand that it's my home. Being in Chile is being at home, but my life has been very nomadic, living different things and having many influences; so it's strange, I don't feel the title of a full Chilean identity or an American.

 Neither from here nor there?

In a sense, but I'm also completely both. My parents are Chileans, my brothers were born there before my parents traveled, and I returned sometimes because my family is so big; in fact, my parents came back. It's always been there, it's still developing, and it's going to be a part of me. I don't know if I answer your question, but it has a lot to do with who I am.

 What is your relationship with Latin American cinema? Interested in you?

A lot, it's invaded me in life like American cinema. The movies I have in my heart, seeing something like And your mom was also something that changed me; I also love the work that comes out of Chile, and all I can say is that it is a cinema that needs more access and projects.

You got a comedy with Nicolas Cage on your doorstep today, can you tell me something?

It's my first chance at comedy, as a complete story within the genre. Speaking of American influences, in the 1980s I saw all the films where Nicolas Cage was coming out, he came into my life and it's great to be his partner after seeing all his performances.

 What's your relationship with the comedy genre like?

I love it, I've done a lot of comedy in the theater, what happens is that in film and television themes, I was always part of drama castings. And in the cinema, you go where the doors open; although I identify with one or the other, I think being an actor, you go and do what you have to do. Comedy is something unique, it's very challenging because it has to be very real to make it funny, you can't hide or use normal tricks. I was very excited to have this challenge in front of a camera.

 Finally, Pedro, after going through so many fictional worlds, literally, what do you dream of when you sleep?

I dream that my bathroom is dirty, that I haven't done my math homework, that the oven and all that stuff are on. Of course, there are times when I close my eyes and see myself in all these projects, although my conscience is with the anxieties of the day you can imagine.

[todaydreambelievers]

The Newdie Awards!!

So, now that TDB is winding down - and in honor of the final podcast, I decided to hand out a few awards for all the people who’ve helped me along the way.  It’s a lot like The Office’s Dundie Awards! (only nicer).  

First of all, though, I want to shout a huge thank you to all the people who’ve donated so far to the TDB Pool - to keep the podcast hosted for years to come, so new people can listen, even if we’re not producing new content.  I’m amazed at how much we’ve raised so far.  Thank you so, so much for all your contributions! 

Secondly, a shout out to @seeroftodayandtomorrow - who diligently watched the show every week with me for the last two years.  That’s quite the feat and shouldn’t be discounted.  You guys try doing anything for two years straight! <3 

Thirdly, not sure how many of you realize this but @nikkisrandomthingsfan has been modding @todaydreambelieversfic for years now, and does an amazing job of it.  I can’t thank her enough for taking that over for me - and agreeing to continue to watch over the fic blog even after the main TDB blog ends.  In addition - to all the writers, including those who did the Author Spotlights with us back in the day, and to all the artists and creators out there - I hope you keep on doing your thing.  We’re blessed to have such creative talent in the fandom.  Thank you, thank you <3 

The Newdies!! 

The Matt Rutherford: Not Here but Not Forgotten Award goes to... 

All of my lovely guests who weren’t here in the finale.  I’ve had the pleasure of discussing the show with so many wonderful people - and I’m grateful to all the people who took the time to be on the podcast an share your thoughts.  Thank you for being such wonderful guests <3 

The Blaine Anderson: Biggest Stan Award goes to... 

@thedorkmark   There are plenty of Blaine stans around, but I haven’t met any that have surpassed Izzie’s passion and willingness to die on any hill.  And like Blaine, Izzie’s a sweetheart and a kind soul.  Thank you for bringing such joy and fire to the podcast <3 <3

The Mike Chang: All Around Awesome Award goes to...

@somewhereonlyino​  Like Mike, Lauren’s sometimes quiet, but always brings a fun and warm attitude to the podcast.  Thank you so much for sharing your thoughts and being such a team player.  <3 <3  The Tina Cohen-Chang: Don’t Cut Me Off Award goes to...

@carojane​ - I’ve never met a person who stans Tina harder than Carly, someone who shares Tina’s strong will and ability to push through the hard parts with sheer determination.  You’re sweet and sensitive and kind but also won’t back down from a fight.  Thank you so much for everything you’ve shared over the years <3 <3

The Sugar Motta: Sweet’n’Spicy Award goes to... 

@coming-up-rosie​ - Every time Rosie pops on to the podcast, she’s sweet’n’spicy and always knows how to liven up the conversation.  While not around a lot on the podcast, like Sugar, whenever you were on you brought joy and enthusiasm - especially lovely since I kept placing you on such random podcasts.  Thank you so much for your ability to go with the flow and have fun while doing it <3 <3 

The Sam Evans: Always Lending a Helping Hand Award goes to... 

@klaineship2​ Over the years, Carmen has been such a hard worker! She’s done the entire rewatch with me, continues diligently to keep track of fics, and has even translated my and other’s fic into another language for more people to read!! Like Sam, you’re kind and dependable, and great friend who’s always there to jump in and help out.  Thank you so much for everything you’ve done over the years <3 <3 

The Adam Crawford: Cutie Across the Pond Award goes to... 

@perfectanomaly  The thing about Anny is that she’s always coming at me with an unexpected, but welcome, new point of view, and challenging me on how I see the characters.  Like Adam, she’s sweet and friendly (and also European!) and reminds me that these character’s don’t always have to live in the boxes we sometimes place them in.  Thank you so much for keeping me on my toes all these years, and giving me new perspectives to think about <3 <3 

The Santana Lopez: Tell It Like It Is Award goes to...

@honeysucklepink​ - Pink, you’ve been such a firecracker over the years!  Your deep love of music and glee and Darren Criss has driven your passion, and like Santana you’re never afraid to shy away from your opinions, even if they’re different from everyone else’s.  But also like Santana - you care deeply about the things and people are important to you.  Thank you for always bringing your massive knowledge of music and crackling stories to the podcast <3 <3 

The Sue Sylvester: Kicking Down the Fourth Wall Award goes to...

@slayediest​ - No one on the podcast has had an insider view of production quite like Slayediest, so it’s always fascinating to hear your stories about how things probably happened on the show.  But also, like Sue, you don’t really give a shit about all the nonsense going on around you, and think that most of the drama is ridiculous and silly (and it is!) and I really appreciate it about you.  You have a great sense of humor, and are always reminding me to sit back and enjoy the craziness in the world.  Thank you for letting me drag you on all these years, I’ve always valued your input so much <3 <3 

The Marley Rose: Most Precious of Precious Muffins Award goes to...

@sleepdeprivedmind - Connie, hands down, is one of the kindest, most positive, purest people I know.  I’ve never heard her say a bad word about anything, and even tries to bring a positive on some of the most negative subjects (like Will!!, lol)  Like Marley, you have such a big heart and warm soul and radiate joy whenever you come on the podcast. I’m incredibly thankful to call you my friend, thank you so much for all the great conversations we’ve had <3 <3 

The Mercedes Jones: Oh Hell to the No Award goes to...

@black-john-lennon​ - Kay was the first guest I recorded with on the show, and I’m so grateful for that first conversation, because it helped me gain the confidence that this project was something I could accomplish long term!  Kay’s never been one to back down from a fight - but doing so from a place of passion and getting to the heart of the matter.  Like Mercedes, you do have a sassy, won’t-back-down attitude, but I think you also share her vulnerability and big heart, and I don’t think that’s appreciated enough.   Thank you so much for so many fantastic conversations, and becoming someone I can call a good friend <3 <3 

The Emma Pillsbury: The Gingers Always Know Best Award goes to...

@redheadgleek​ - Oh, Julia, so calm and wise in her ways, she’ll always be there to lend a listening ear or be of service in whatever way she can be!  Like Emma - I think you’re smart and on the nose about a lot of things, but also incredibly kind and caring. And, many people may or may not know, the backbone of keeping a lot of fandom things afloat.  (She has every Klaine fic ever stored on a drive somewhere in case the apocalypse happens guys, lol <3)  Thank you for always being so sweet, and listening to me ramble on with an open mind and an open heart <3 <3 

The Kurt Hummel: There Are More Than Four Sides to Me Award goes to...

@kurtmckinnon​ - Kelley helped me redefine what a Kurt Stan could be.  Believe it or not, being a Kurt fan myself, I always shied away from the term - but Kelley’s love and passion for the character, and the show, helped me be secure in my identification of being a Kurt Stan (lol).  But more so, like Kurt, there are far more sides to you and you’ve always come to the podcast with a new perspective and a way of thinking that I might not have been privvy to.  I appreciate so much that you kept challenging how I saw the world.  Thank you so much for being such a huge, positive champion of Kurt, and always pushing me to think outside of the box <3 <3 

The Finn Hudson: The Show’s Gonna Go All Over The Place Aware goes to...

@notthatbea - My dearest Bethany, my goodness where do I even start.  Always there when I needed her, Bethany’s never been afraid to back away no matter what kinda crazy scheme I’ve got going on.  Like Finn, she’s sometimes bumbling along with me (in a good way!) but has a huge heart and always willing to go with it now how matter how crazy and out of control things get.  Thank you so, so much for becoming my good friend, for letting me take you on some of these insane adventures, and solidifying yourself in my heart - so much love <3 <3 

The Brittany Pierce: Special Unicorn Award goes to... 

@slayerkitty​ - No one has a laugh quite like Kitty’s, and it’s a delight to hear it, even when it’s for the most randomest of things.  Like Brittany, she’s a little bit sweet, a little awkward, a little odd, and a whole lot wonderful unicorn - all of it wrapped up in such a delightful way.  I’m sorry I cancelled your contract so many times - know that I couldn’t really imagine doing the podcast without you there.  Thank you so much for your fountain of knowledge, your great sense of humor, and your deep love of all fandom things - you’re unique and wonderful in your own special way, and I appreciate that about you <3 <3 

The Cooper J Anderson Emotional Tornado Award goes to...

@ckerouac​ - I mean is anyone really surprised by this??  RB is the ultimate emotion tornado, swooping in and creating a great time like like none other.  Like Cooper - your enthusiasm never wavers, your energy is inspiring, your sense of fun is endless, and you’re always pointing me (ha) in the right direction, and I’m guessing you probably have really great hair. 

Thank you for the phrase - ‘I wanna lick him nipple to navel’ and your vast knowledge of liquors, and the bangity-bang song, and the 2 out of 3 podcasters joke.  Thank you for jumping in on a podcast as a pinch-hitter even when you didn’t even know what the topic was.  Thank you for all the laughs and the sometimes tears and the driving me crazy but not really.  Thank you for becoming one of my greatest friends - I value your friendship deeply. Just - thank you <3 <3 

And one final thought - Iron Man’s better.  He just is, RB, I mean really ;) 

The Elliott Gilbert: Glitter Rock Vampire Award goes to... 

@snarkyhag​​ - I’m not really sure I have words to express how I feel about the one and only Le Diva Hag.  You are the Glitter Rock Vampire of my world - always there, always helping, always being a life coach and a wonderful friend.  I can’t tell you all the things she’s done for me over the years - because if I did it’d take up another post entirely.  But know that sometimes you come to a fandom just wanting to hang out and enjoy the silly world that is your favorite story, and you walk away finding someone whose become one of your closet friends.  I have nothing but gratefulness for everything she’s brought into my life.  

I love you, Snarky, you are the Elliott to my Kurt, and I promise I’m never saying good-bye to you <3 <3 

and finally...

The Rachel Berry: Greatest Star Award goes to...

YOU!!! 

To all my listeners, and all the people who’ve contributed to TDB over the years, taking polls, giving prompts, writing stories, doing art, joining in on the conversation, or just hitting like or reblog.  This blog has been made special because you were a part of it.  To my real Daydream Believers - thank you for bring such joy to my life and others.  You all are the greatest stars <3  

Congratulations!!! 

[mochasandwords]

Greater Beings AU (Updated)

This will probably be updated more, as more is written and brain-stormed! Now onto the AU! (Wtf this all started with Remile and now Remile has the least bit of info. -_- )

Warnings: death, death by fire, transphobia, abusive relationship (let me know if there’s anything else!

Ships:  

Remile

Remy loses sleep worrying about Emile living on earth; where Emile is ridiculed for his admiration of all the gods

Remy helps Emile interpret dreams and perfect sleeping potions

They are actually the ones who cuddle the most but Emile has forbidden Remy from pointing it out to Roman and Logan

Remy always makes sure Emile gets a good night’s rest

Newest of the relationships, but act like they’ve been together for years

Emile wears the best clothing. Mostly because he ‘steals’ Remy’s cloaks (He forgets he was wearing it and Remy doesn’t care and refuses to take them back)

Remy will only drink energy potions made from Emile

Remy helps calm Emile’s patients

Emile caught Remy’s attention when he had vehemently, yet calmly defended the god’s worth; something most other mortals didn’t do. Sleep didn’t need a god and the mortals can handle the earth without a god, right?

Analogical

Dorks

They can often be found bickering about what is the best material for different armors, cloaks, tables, and many more things

Logan always watches over Virgil when he is selling a piece of his craft, making sure his Star (Virgil’s nickname) isn’t being swindled.

Logan rushes to Virgil’s side whenever the craftsman is having a panic attack and helps him calm down

When Virgil falls asleep in Logan’s arms, Logan becomes distracted by Virgil’s freckles and gets inspired by them to make more constellations

Logan helps Virgil look over his creations for errors. Together, they find every single one

Virgil isn’t a fan of heights, despite his love of the sky, so he rarely comes into heaven, causing Logan to go to earth more (Logan doesn’t care)

When Virgil does go into heaven, Logan makes sure he feels safe

They are found cuddling more than Roman and Patton. It’s a competition between the two couples to see who can cuddle the best

When Logan found a silver cup with a very intricate and beautiful constellation design on it in Remus’ room, he became determined to find the creator; leading him to Virgil. He kinda died inside from cuteness when he saw the freckled, hard-working man who had constellations all over his walls

Virgil helps Logan think outside of the box

Logan sings, but only for Virgil. In fact, only Virgil know he sings

They force each other to sleep, as they both stay up way to late

Were pining idiots for way too long

Royality

Roman heard a sweet, yet sad singing in his temple and found Patton

Their relationship is so fluffy and cute

Roman helps Patton with his music when he has a block and they’ve come up with musicals together

Roman is, in fact, the voice that whispers into Patton’s critics' ears, telling them to choose their words carefully

Patton is often found in heaven from 8 at night to 8 in the morning; it’s a second home for him as Roman refuses to let Patton sleep where there are so many hurtful people

While Patton usually makes breakfast for the gods, he always makes Roman’s more special. Yes, even more than Thomas’

Patton loves how dramatic Roman is, but also is Roman’s anchor as he knows not everyone can handle Roman’s intensity

Dukceit

First of the relationships

Remus was impressed by D’s thieving expertise  

D had caught Remus’ attention by always sacrificing the best thing he got from his thieving to Remus

Remus loved every sacrifice he got and kept all the item ones

Remus spoils D by helping him get out of prison. Normally making the soldiers become very distracted

Remus was very excited when D broke into heaven using the ‘subtle’ hints he had left

Only Remus knows that D is a main visitor in heaven

The other gods have no idea that the two are in a relationship despite Remus being very obvious of his admiration/love of the thief

D often makes the first move even though Remus flirts more

While they don’t cuddle, they often hold hands. Remus always grins wildly when they do

Dissia

They met when Virgil was four and a half

Cassia was dancing with Virgil during a village celebration when some drunk knights yelled at them to move so they could dance instead

Dice had stepped forward (they were the son of the Lord who ‘owned’ the knights still) (this was before Dice came out as nonbinary) and told the knights that even when sober, they would never dance as well as the mother and her son 

Dice had seen them dance before and bombarded the knights with harsh critiques. About their dancing and their failure at the Knight’s Code of Honor

Dice had then asked Cassia if they could be permitted to dance with her stunning son (who was hiding behind Cassia, as he had a fear of adult men at that time)

Cassia accepted on the term that she could dance too, as she wanted to get to know the lord better and be near her son

As they say, opposites attract. Dice has realized how harmful their words can be thanks to Cassia. That’s not to say they don’t go back to their old ways once and a while. Though normally only when mad, someone wants their brutal honesty or they’re having fun and people know they’re joking

Cassia was always strong-willed, but Dice has helped her come out of her shell and being honest with those she loves (she used to pull punches in honesty with her family)

Love each other very much and if Dice ever met Cassia’s former husband, he would not hold back. At all. Physically and emotionally

Familial Relationships:  

Roman and Remus are brothers and always argue. Some think they hate each other. It’s just sibling rivalry (which means kinda?)

Patton and Virgil are half-brothers and will die for each other. Also, freckle bois (from their mom)

Virgil is six years older than Patton

When Remus and Roman were younger, Remus would go to Roman’s room to sleep. He liked his room, but he wanted to be with his brother

People:

Thomas:

Head god (control over life and death)

HUGE shipper

Towers over the other gods

He loves all his friends and his friend’s boyfriends like family and if anyone hurts any of them, they will suffer

Brown hair and brown eyes

Used to be in charge of everything but decided he needed some help, spitting himself into five parts: himself, Remy, Logan, Roman, and Remus. Only Roman and Remus are really brothers (just like the videos, don’t… think about it too hard)

Knows who all of his friends will be with and talks to his oracles, Joan, Talyn, and Terrence about his godly friends and their soon boyfriends

His oracles had to stop him from intervening and making the boys all meet sooner (he was getting impatient OK?!?)

Emile:  

Mortal doctor

A fan-boy

Loves all the legends and references them so much

Best friends with Patton and Virgil even before they met the gods

Late sleeper

Commoners dislike his enthusiasm that all the gods should be appreciated

Gets most of his money from people in higher places, so he has enough to live on and likes his simplistic life

Many of his outfits are from Remy

Master of his potions and doctor skills

Even if people don’t like him, they go to him in dire situations

Brown hair with pink dye in it (dye’s from Virgil who’s happy to have a hair-dye buddy) and hazel eyes

Virgil made his glasses, and just like with Logan, Thomas enhanced the glasses

Remy:  

Sleep and nature god

Doesn’t get many offerings, but doesn’t mind

Worries about Emile to the point he loses sleep which in turn makes the people on earth a bit sleep-less. Not much though.

He always makes sure that Emile has a wonderful sleep

LOVES robes and Emile’s energy potions

He wears a robe over his tunics. The robe was a gift from Emile

Dark brown hair and brown/green eyes

Wears tinted glasses that Emile gave him (Virgil made them)

Virgil:  

Mortal craftsman

Constellations are in each of Virgil’s creations. It’s his signature. Someone doesn’t want one on their thing? Too bad. Go to someone else.

One of the best craftsmen

Has bad anxiety as his father was not the best man

His mother took him away from his father when he was four and she remarried in a new town when Virgil was 5. (Patton was born when he was 6)

Older brother to Patton

FRECKLES

Usually has stuff on his face that covers his freckles. (Grease, wood chipping, wax, clay, dust, etc)

Loves the night sky but has a fear of heights

Always wished he could know the god who made the amazing stars. More than just the stories he had heard about Logan

Curly, long dark brown hair with purple dye in it (he has plenty to spare from his creations and will sometime ask people for purple dye and small gems instead of money for the cost) and dark blue eyes

Very composed and sarcastic on earth but his true, kind and shy self comes through when he’s around Logan (though he’s still sarcastic)

Natural bags under eyes as he will stay up very late working on a project

Virgil takes after his father in hair and eye color

Logan:  

Logic and star/space god

Inspiration comes from Virgil and the other gods say that his best work started to emerge once he met Virgil

Only lets Virgil hold him. The only acceptation is letting Patton hug him, as both brothers give great hugs

Comes off as emotionless but is just very distracted by his thoughts

Second tallest of the gods

Tolerates Remus and is very protective of Virgil around the chaos god as Remus’ random outbursts startle Virgil

Was startled when Virgil kept up with him in a battle of wits (Virgil still lost as no one can beat a god of knowledge)

Makes sure Virgil gets the amount of money he deserves

Dark brown hair with hints of blue (Virgil keeps trying to find a dye that will stay for longer than a few hours) and indigo eyes

He’s actually a pretty good singer

Despite being a god, his eye-sight is bad. Thomas helped make his eyes stronger, but constantly using his powers can tire him out once and a while

Glasses were from Virgil, and Thomas attached some of his power to the glasses to make them work better (than they did back in ye’ old days)

Patton:  

Mortal musician

Inspires Roman and Roman inspires him

He was crying/singing in Roman’s temple because his mother had died, and he was having a hard time getting inspiration

Bubbly attitude and he adores his older brother

His freckles aren’t as prominent as Virgil’s but in the right light, they show though (Roman loves seeing them)

Favorite instrument is a small guitar that Roman gifted him

Bright blue eyes and very light brown hair

Wears very flowy tunics

Loves children

Can dish out some dark humor (he got it from Virgil)

Patton makes Roman clothes, but they… aren’t the best…. Roman still loves them

Patton loves to make all the gods breakfast

Virgil made his glasses, and just like with Logan, Thomas enhanced the glasses

Patton takes after his and Virgil’s mother in eye color

Patton takes after Dice in hair and skin tone

Patton’s other parent is nonbinary

Always wears a mini gray cape that Virgil made him

Roman:  

Creativity and fire god

When he was a somewhat new god, he didn���t have full control over his fire powers

He loves all his followers and was super upset when he heard that one of Remus’ followers had set one of his priestess’ homes on fire

He had tried to save the home, but was not able to control his powers, which at the time was controlled by his emotions

The rage he was feeling only fueled the fire

If he ever met D, he would apologize profusely and do anything to make it up to the thief

His normally red-brown hair has gold bangs

His eyes are gold

He loves to sing and perform. Patton, Emile, and Virgil are his biggest fans. All for different reasons. Patton because he loves everything Roman does. Emile loves it when Roman sings and performs legends. Virgil loves how dramatic he is and how he’s not afraid of being ridiculed

He wears extravagant clothes and loves every piece of clothing that Patton makes him, even if they aren’t the best creations

D (Deciet):  

Mortal thief

(HOO BOY LETS DO THIS)

He hates Roman

His sister, a priestess of Roman, had denied the affections of a follower of Remus. The guy had threatened her and in return, she stated that Roman would protect them

When he was 10, the follower of Remus set his family’s house on fire, killing his mother, father, sister, and baby brother. He was badly scarred and lost vision in his right eye. He vowed to kill Remus’ follower

He was about to ambush the follower, who was praising Remus next to a lake, when a water nymph emerged from the lake and dragged the follower into it, saying that while Roman and Remus fought and threatened each other, their followers were not free from punishment if they murdered each other. Unconsciousness was alright but killing? Never

D committed himself to Remus then and there

D still hates Roman because he swears he saw a god in the fire, but all they did was wave their arms. He remembered the fire becoming hotter when the god’s arms moved

Only Remus knows D’s real name

D never liked the rich living of the gods, so he still lives on earth despite Remus’ pestering

D loves Remus very dearly even if he seems annoyed with him

Remus:  

Chaos and water god

Just… insane

Wears oddly extravagant clothing

Loves frills

Normally doesn’t get many offerings, but he doesn’t mind (especially since D spoils him)

Even though he and his brother fight, he doesn’t want anyone to die (no matter how much he jokes about it) (sympathetic Remus basically)

He’s very violent, but never hurts someone to the point where they can’t be healed (no matter how hurt they seem to be)

Has no filter

Green eyes

His normally red-brown hair has silver bangs

Even though the other gods and their boyfriends seem to hate him, they all find him endearing to some extent. Except for Virgil and Logan

Remus doesn’t like how uptight Logan is and it doesn’t help that he pranks him constantly, making Logan even more uptight around Remus

Remus steals Roman’s pillows  

Dice

Dice is nonbinary, using ‘they’ and ‘them’ pronouns

Dice used to be a lord, but gave up the life to be with Cassia and their kids (He loves Virgil like his own son)

He’s slowly, but surely, getting used to middle-class life

Taught Virgil that words are a person’s strength (it’s helped Virgil immensely in life)

Loves both of the children and would die for them

Bad vision but refuses to wear glasses unless they’re the tinted ones Virgil made for him (it was one of Virgil's first creations)

Light brown hair with green eyes

Took on Cassie’s last name

Helped Patton perfect his singing and instrument playing (though he wasn’t harsh)

Spoils their sons (and wife) to no end

Cassia

Grew up poor

Married to an awful man who would abuse her and Virgil

Ran away to the outskirts of the village where the story takes place

She loves both of her sons and her husband and is somewhat embarrassed at all they do for her

Dice is a fantastic father to her children and wishes she had left her other husband earlier, but wouldn’t give up Virgil for anything

Has suffered from cancer for a few years (yet no doctor knows what cancer is in this time...) and only recently has her family found out

Bright blue eyes with long blonde hair and fair skin (freckles!)

Even though sick, she wouldn’t change anything she has

[hannah-writes]

RNM Creators Appreciation Week

So I’ve not been in the right headspace to flail and rec as much as I wanted to, but today, on Cheerleader Appreciation Day, I can’t let this one pass me by. Without cheerleaders, I don’t think I’ve have posted much past my first couple of fics, and I certainly wouldn’t have finished some of the fics I found hard to write, and Not in this World would be nothing but a pipe-dream.

I don’t think those people who spend time cheerleading realise just how important they are. It’s not always telling you that you’re great (which does happen), but it’s helping bounce plot ideas off, boost you when you want to give up, to scream in excitement and help tell people that you’ve posted fic when you’re too shy to do anything more than post it and stick the link on Tumblr.

I’m so grateful for those people I have in my life right now that are fearlessly cheerleading me through everything that I want to do, especially when it comes to fic. They’re kind when I’m having trouble wording, they help unjumble the shite I write sometimes that’s full of spelling mistakes and half-finished thoughts. They bump up my confidence and tell me I’m awesome when I feel anything but. They make me feel less like I’m throwing my stuff into the void.

There are a few I really want to say a special thank you to:

@mandsangelfox: y’all know that she’s my wife, but she’s also a massive cheerleader behind the scenes. She deals with me texting her randomly, or telling her to pause what she’s watching so I can read a section to her to see if it sounds okay. She puts up with me throwing ideas at her until something sticks (and it was her idea to build out my current sci-fi horror Roswell project into something that resembles a choose your own adventure, and when I’m done you’ll all be amazed). She’s an unwavering pillar of patient support, and deals with my nonsense with aplomb.

@insidious-intent: What can I say about you? You’re always so kind and enthusiastic and impromptu beta-services help de-jumblify and sensify my fever-written crap and helps shape it into something better, and also removes some of the Britishisms that sneak in despite my best efforts! You’re a delight to talk to, and genuinely one of the kindest people I’ve ever met. Talking with you is genuinely a highlight of my day, and having you as a sounding board has helped up the angst factor of my stories, past and present (Darkest Before Dawn, I’m looking at you!). Your unwavering support and reassurance is so helpful, and I’m honoured that you let me do the same for you. Even being a small part of your creative process, I’m honoured to be included. You’ve got such a big heart, and I love that you’ve got such a loud voice when I post. I’m 100% sure that most of the people who read Not in this World ended up reading it because you yelled so loudly about it. From the bottom of my heart, thank you. And I am so grateful to have met you.

@beamirang My fellow angst queen! Man, I don’t even have words to describe how much I adore you. Not only your writing - and how you let me cheerlead for you even when all it is is incoherent screaming, emojis and gifs - but who you are as a person. I’ve never told the time in a regular way, but my time is now split into MJ leaving for work, @insidious-intent saying good morning and then 4:30am LA time when you wake up and say hello. I’ve told you this before, but I’m going to say it again, I have learned so much about how to craft stories from reading your work and from talking to you. Your enthusiasm and excitement for the things that I write constantly baffles me as you’re amazing and I’m bowled over every time you tell me that you like what I write/you’re excited. You’ve been such a boost for my confidence in sharing random snippets, you’ve inspired some of my personal favourite fics that I’ve written (including not so starcrossed, as Baxu was 100% your fault and I adore you for it) and being able to scream at you when the muse isn’t working helps immensely. I’m so glad to have messaged you out of the blue a while back, it feels like we’ve been talking forever and that’s something that I treasure. I can’t wait for our DA Fusion to be ready to share so we can cement our places as rulers of Angst.

@lire-casander & @ubiestcaelum - you ladies were the first two people I started talking to in the fandom properly and I’m so very glad I did! Getting to know you both, being able to be part of your creative process and see your wonderous works unfold and being the recipient of your feedback and comments as I post random bits of crap into our chats has helped me refine things that don’t work. You are both so ridiculously kind and talented and I’d not have posted my earlier works without you two in my corner, gently encouraging me on.

@saadiestuff SADIE. WHAT MORE CAN I SAY THAN YOU ARE GOOD PEPPE. The creator of 🐸 [frog emoji, if it doesn’t work]. It’s delightful that we have entire conversations that, to anyone else, might seem like code because we’ve got so many ridiculous jokes between ourselves. And I love that sometimes we don’t even say hello to each other, we just go 🐸🐸🐸 [frog frog frog] because of something we’ve seen each other post or mention on tumblr, or in a discord server. I adore you, girl. So very much. I’m glad we started talking.

@el-gilliath I’m SO GRATEFUL FOR YOU. Though we don’t talk as much as I want us to, the fact that we have so much in common and spend a large chunk of time screaming at each other about what we’re writing really brightens my day. Knowing that you’re on the other end of a message if I’m struggling and you’re ready to listen is such a boon. Knowing that you don’t care if I’m typoing all over the place and am generally a mess makes me feel so safe when we talk, that I don’t have to second guess everything. And knowing that, no matter what it is, you’ll read it and give me an opinion means I genuinely feel that it’s okay to just swing in and ask you for help whenever. And you know the feeling is mutual. I adore you, dude.

There are so many others, too, and I couldn’t possibly list them all though I want to, but the Junkyard folk, @jumbled-nonsense, @nielrian, @soberqueerinthewild... all of you guys who yelled at me during Not in this World and encouraged me to keep writing when all I wanted to do was pack it in. You’re SO VALUED. I’m sure there are people I’ve forgotten, and if I have, please don’t think that doesn’t mean I don’t value you, because I do. So much. Omg. 

And, as a quick special mention, to those of you who are kind enough to let me cheerlead for you? It is my honour and privilege to scream at you in excitement for things. I love helping people create, I love encouraging people to keep going and do something they love and I am thankful that you let me do that for you. 

Finally, finally! I can’t leave out @queersirius. Though I’ve never spoken to you, you have taken on a mammoth task with your rec list. I’ve been on there a few times and each time I’m flabbergasted by the nice things you have to say about what I’ve written. But it’s not only me, you’re a gift to the fandom, a one-stop shop for recs that has proven to be such a good way to discover new fic. I’m always excited to see what new fics you rec, I’d discovered a few new favourites as a direct result of your list. The fact that you take the time to write such detailed, thoughtful commentary and tailor a gif for each fic is mindblowing. Thank you! <3 

[sevenincubistolemyheart]

Chapter 4?

Hi, anon! Not sure if you realized how this comes across so I’m doing my best not to judge you too harshly but please do note that asking me for an update like this just makes me not want to write and does nothing but frustrate me and make me feel really irritated. 

If you noticed I actually just answered a kind ask(seen just below) about updating Tainting Purity earlier today. My response is in quotes.

Anon: I just started reading your stuff. It’s amazing, I’m just wondering is tainting purity coming soon. No rush, I understand you have s life outside of social media. Have a good day

“Hi anon! I am indeed actively working on Tainting Purity!

I’m at 5k currently and just struggling to get in the right…mindset as it were to bang it out lol.

I’m off for a few days so hopefully, I’ll get it out soon!

Thank you so much for your kind words and saying not to rush…that actually means so much to me since I always wanna keep ya’ll fed with my content and tend to stress myself out XD.”

Please anon; I implore you. Do not ask for updates like this on my or any fellow writer or creators blog. 

If you must at the very least be kind enough to offer more than two words. Things like just the chapter number, update more, or update plz!! just make me feel either so discouraged and beatdown that I don’t even have the energy to write and feel like a failure, or make me infuriated and irritable and again make me feel like I don’t want to write. 

I pour many, many hours into my works for you guys. 

I’m just getting started with all of my ideas for my current series and already I have nearly 50 thousand words written. (The actual exact number is 43,955 so I did round up a little to be fair but that’s also not including other projects I’m working on which would easily bring it up past the 50k mark)

50 thousand words.

That’s enough for about a 200 page novel.

For free.

And I’ve just scratched the surface for all 3 of my series!

I’m by no means complaining about writing itself here, don’t get me wrong. 

I love what I do. Crafting my worlds and characters is something I relish in and I live for that rush of exhilaration once I get a new idea I think will excite you guys and myself alike.

But...this really upset me. 

To the point where I was actually working on Tainting Purity and stopped despite staying up all night to try and make some headway since I know you guys are excited. 

...Asks like this just really kinda make me think you don’t care at all about all the work that goes into it.

I get so much feedback on A03 compared to here it's a little ridiculous to be honest.

Like,,, I have 59 comments all mainly super positive and just telling me how the chapters make them feel or that they’re excited.

Yes...some of them may be small. Some are larger. But they add up and inspire the fuck out of me whenever I have writer's block and a new comment notification keeps me going.

And don’t get me wrong!! There are a few regulars on here who I am so blessed actually care about me as a Human being and come tell me what they liked! 

@triheartedhero @xsunnyhoseokx @wilhelminalucinda @xsmilebitesx @sugarcookiesandsins , as well as many anons like Nova, Tempus and triple heart anon and many more who I may have forgotten as this list, is off the top of my head. 

But the difference is astonishing and makes me so unbelievably disheartened. 

I started this blog to share my works with others but promised to write for myself first and foremost. 

That is still true and I will continue writing Tainting Purity as well as all my other works...at my own pace. 

Please, respect that. 

I know my laptop broke and I, therefore, couldn’t update for a long period of time and I have apologized innumerable times for it. 

But I’m stressed to the max as it is in my day to day life. Writing is an escape for me. 

My Safe Haven just as OC’s is the library with Jimin. 

Feedback is such a comfort to any creator. It is the only payment we ask for. Be kind enough to offer it to us-especially when you’re excited enough for an update. 

I love to talk to you guys about your lives, my own, the boys and of course, my stories.

You guys have no idea the giddy grin I get when you come to rant to me about my work, or to theorize what could happen next or just to scream about your favorite characters or fave ships. 

Anon; I’m sorry if this seems over the top. Perhaps I am a touch emotional due to being up all night as it’s now 7am here. 

But I’ll end it on a short plea to once more to emphasize my point. 

Please...don’t ask authors and creators in general for updates like this and leave feedback if you can. I humbly beg this of you and any readers of mine or other fanfic writers/creators who have gotten this far. 

Thank you and I sincerely hope my explanation helped you understand my point of view a little better. 

I hope you have a good day.

Sorry for any typos...again; it’s late and I’m only editing using Grammarly so I apologize in advance if there is any.

[will-work-for-music]

* 2017 ALBUMS OF THE YEAR

two thousand + seventeen birthed fantastic records that found me like friends, over + over again. these masterpieces lead me to people + experiences on adventures far better than i could have dreamed. these collections songs kept me company through the highest highs, the lowest lows + the walking in between of this year marked by hardship + madness, for most of the world. these are the tunes i smiled + screamed + cried + danced to the most, this year. i’m wildly grateful for each artist + the remarkable melody-wrapped memories they’ve gifted me. here’s to the songs that stay. 🖤

loved in no particular order:

* LOVELY LITTLE LONELY - the maine

brilliant + poetic + free. this band has been liberating me since i was seventeen. before lovely little lonely was even born i jumped at the chance to celebrate 10 years of this band of brothers who’ve grown up alongside their family of fans. to truly live the lyric: “let’s fall back in love with the world + who we are + do the things we talked about but never did before..” i’m grateful to the maine for adventures i only ever dreamed + for the soundtrack to them all.. she’s a masterpiece.

* THE SEARCH FOR EVERYTHING - john mayer

“And that ends an era. August ‘14-April ’17. I made this record for *you*. May you hear and see and feel yourself in these songs.” 🌊♥️🌊 - @johnmayer

she’s stunning from beginning to end.. i kept telling everyone this show felt like experiencing a film.. it’s surely safe to say JM has made another stellar, artistic set of songs for the soundtrack of my life. wow, wow, wow.. as he kept saying to us, “thank you, thank you, thank you.”

“[On The search for everything, Mayer] succeeds because he’s not donning a new costume: instead, he’s settling into a groove he can claim as his own, and it feels like he’s at home.” - AllMusic

* HARRY STYLES - harry styles

(on album release day) every once in awhile, a record comes along that surprises you in a great way. as i put it to my best friend, [on release day].. “oops, i think i like harry’s album.” THE cameron crowe recently wrote a truly stunning, intriguing rolling stone cover story with styles as the subject.. (the cover that my mom thought featured “a young mick jagger,” without a clue about the previous week’s SNL sketch, ha). as someone who was never into one direction (sorry, rob sheffield), i likely wouldn’t have given this album a shot, but it’s everything you wouldn’t expect to hear in a “former pop star” solo record. thanks to two of my favorite writers (rob sheffield, who penned the RS review like only he can, + crowe) for encouraging me to see harry for more than the kid from the boy band.. as crowe put it (on the RS music now podcast), “he’s a music geek, in the best way..” his love of classic rock shines through, while still capturing a sound all his own. well done, HS. “from the dining table” + “two ghosts” are early favorites.. which i chose just before ryan adams tweeted it.

Rolling Stone’s Rob Sheffield put HS at number 3 on his 2017 album list: “What a revelation to see Styles live the same week as Paul McCartney – a tutorial on the connection between joy and brilliance. So is this album. The songs are built to last, standing up to months of ridiculously heavy listening. The only rock star who can come on like Macca and Mick at the same time. The only rock star who could earn all six minutes of "Sign of the Times.” The only rock star using his hard-won artistic freedom to craft the kind of hilariously anti-commercial old-school personal statement where every song counts, making big guitar moves everybody else this year was too timid to try. The only rock star who thinks cigarettes in New York are “cheap.” The only rock star.“

* PRISONER - ryan adams

"i think ‘prisoner’ has so much more hope + sensuality in it—to me, it’s liberating. those songs are more a celebration of becoming something as it’s broken apart.”

a note to ryan, as tour came to a close:

i feel the most alive inside of these songs.. the ones that break me open + somehow heal me, all at once. RA, i know this time out on the road stole your health + your joy, at times, but the wonder with which you kept playing was magic to witness. i’m grateful for your pursuit of growth + grace, no matter what comes your way. be it bronchitis, haters or heartbreak, you never let anything keep you down. thank you for not one, but two flawless dates in two sparkling cities on the prisoner tour. rest up + stay weird.. xo

* ONLY THE LONELY - colony house

just shy of two weeks into 2017, franklin, tennessee born + bred band of brothers colony house released a creative, impactful collection of songs for the soul. the rocknroll band’s strong sophomore effort landed them spots in the year’s finest festivals across the country (homegrown pilgrimage fest, chicago’s lollapalooza, new orleans’ voodoo experience). it will be exciting to see where these driving, honest story songs take them in the coming year.

* WONDERFUL WONDERFUL - the killers

the fifth studio album from brandon flowers + co has been called their strongest in over a decade. the frontman said the lead single, “the man,” was written through the lens of what his 20-something self thought it was to be a man..“being tough + bringing home the bacon, when really it’s about being compassionate + empathetic.”

For NME, Flowers shared that the lyrics of the album are “the most personal and bare” that he has ever been: “I’m looking in the mirror on this record and focusing a lot on my own personal experiences. Instead of just drawing upon all these experiences and maybe using them in other songs, I am going straight for it with this and singing about my life and my family and that’s something different for me.” The track “Rut” was inspired by the struggle of Flowers’ wife Tana with PTSD. He said: “Usually I feel protective of her but I decided to take it head on. So 'Rut’ is about her submitting to it. That doesn’t mean that she’s gonna let it beat her, but rather that she’s gonna finally acknowledge that it’s there and promise to break this cycle.” Flowers also added that putting his wife’s battle into a song helped him understand better what she is going through. “Have All the Songs Been Written?” was originally the subject line of an email Brandon Flowers sent to Bono, in the midst of a bout of writer’s block, before the latter suggested it would make an excellent song title.“

'wonderful wonderful’ is altogether driving + poignant + strong, intricately crafted for the artist + his listener.

* METAPHYSICAL - the technicolors

as soon as i experienced the technicolors–friends/labelmates/co-creators of the maine–live, i knew they would be in my life from that day forward. it seemed previous projects couldn’t quite capture the passion + enthusiasm of that short set, so 2017’s "metaphysical” was highly anticipated by many.

the title’s defined as “relating to the transcendent or to a reality beyond what is perceptible to the senses. beyond ordinary experience.” the aptly named project evokes a raw, ethereal energy that draws outside the lines, while remaining true to a rock solid focus. “sweat,” “imposter!” + “congratulations you’re a doll” would be welcome additions to any playlist, however it’s recommended listeners follow the sparkling sonic story from start to finish.

* CONCRETE + GOLD - foo fighters the ninth record from foo fighters is born + it is a freaking force. dave says it’s motörhead meets sgt. pepper’s. i sure do dig the super crunchy guitars + layered vocal melodies. paul mccartney plays drums + justin timberlake sings bgvs, just cause he wanted to + it makes me the happiest human.

“I feel an earthquake coming on,” Dave Grohl sings on “Dirty Water,” a moment of fragile guitar poetry from Foo Fighters’ ninth album. Of course, keeping things steady amid chaos has been one of Grohl’s signature themes since the Foos were born from the wreckage of Nirvana a couple of forevers ago. Musically and emotionally, Concrete and Gold is their most balanced record yet – from stadium-punk dive bombers like “Run” and “La Dee Da” to the acoustic soul that opens “T-Shirt,” in which Grohl gets his Nina Simone on, singing, “I don’t wanna be king/I just wanna sing a love song.” “Sunday Rain” is a guitar weeper so late-Beatles great it even has Paul McCartney playing drums on it.

Adele co-writer Greg Kurstin’s production adds big-studio texture without diluting the band’s raw tumult; even Justin Timberlake’s appearance – as a backing vocalist on the space-truckin’ “Make It Right” – is subtle rather than ostentatious. The highlight is “The Sky Is a Neighborhood,” a hulking dream-metal anthem: “Trouble to the right and left,” Grohl sings, driving into the darkness with a Bic lighter raised to the heavens.“ - Rolling Stone

* HALLOWEEN - ruston kelly

ruston kelly captured me, years ago, with the single release of his flawlessly raw, haunting "black magic.” ever since, like a ghost itself, the song was never far from me.

Rolling Stone writes, “Black Magic” is a crescendoing rocker that ponders the bewitching pull of romance –and how it can easily disappear in a cloud of smoke.“

"Kelly is just as adept at making catchy country grooves – Tim McGraw and Josh Abbott Band have cut his tracks –as he is capturing life’s darkest, most introspective moments. The songwriter’s debut EP, the Mike Mogis-produced Halloween, is a solemn meditation on the inevitable end of things, and the spirits that tend to haunt us. Kelly came to Tennessee as a last-minute decision after attending high school in Belgium (he jokes that his father might have been a spy). Once he landed in town, he held tenure in the jam band Elmwood and battled addiction, writing songs on Music Row while exploring his demons on Halloween and his forthcoming full-length. Current single "Black Magic” shows a powerful grasp on storytelling gleaned from his love of the Carter Family and Townes Van Zandt, but also a more ragged rock & roll soul: it’s Americana, if your Americana is Bruce Springsteen with an acoustic guitar, sung by someone who spins a little heavy metal too. “Sometimes I wear both a cowboy hat and a Slayer T-shirt, just to throw people off,” Kelly says.“

* REPUTATION - taylor swift

"hold on to the memories, they will hold on to you” at her core, i still believe taylor to be the fiercely strong, quietly brilliant songwriter she’s always been. the power of the song comes through when you strip it down + it still shines just as bright. thank you for making music that meets me where i am + takes me away, since that very first day, at fifteen (2006). thank you for this one + for playing it for jimmy fallon + his momma (go watch that performance + weep!) i look forward to growing into this record as i have the five that came before.. i’ve never doubted her prowess as a storyteller.. + i won’t start now.

see also: Rob Sheffield’s glorious write up. i wholeheartedly agree. https://www.rollingstone.com/music/albumreviews/taylor-swift-reputation-sheffield-review-most-intimate-lp-w511359

rob is my favorite RS writer/author on all-things music. from his books on life through the lens of pop music–bowie, beatles + duran duran songs, respectively, i wouldn’t trust anyone else’s TS review. he articulately captures how i feel, as a fan from album one.. i look forward to better understanding 'reputation’ with each spin, though i can’t help but miss the classic introspective ballads.

* DIVIDE - ed sheeran

a fantastically diverse record. once again, sheeran proves he can break all of the boundaries + stay true to himself as an artist. he does it all so well, without appearing to care what anyone else thinks. “dive” is a bold, beautiful statement i continue to come back to + feel just the same. the record punches + dances in all the right places, from beginning to end, begging to be played on repeat.

* LIFE CHANGES - thomas rhett

thomas rhett gifted us the quintessential road trip singalong soundtrack record of the year. the day after it was born was spent on a bus from chicago to nashville, so when it wasn’t playing through my earbuds, it was spinning on repeat in my mind. the title track still stands out clear + strong, though i thoroughly enjoyed a live taste of the addictive early maren morris duet–“craving you”–back in february on the hometeam tour. it’s no wonder his career has catapulted with his seamless versatility in blending country’s storytelling with pop music’s neverending ear candy likeablity. this record excellently showcases rhett’s range from anthemic radio jams to heartbreaker ballads and true-to-life tales in between.

* FROM A ROOM (vol 1 + 2) - chris stapleton

stapleton released music this year in two parts, dubbing them “from A room” volumes 1 + 2–not just any room, “'A’ room” being nashville’s historic RCA studio A. some songs included in the collection were written up to a decade ago; ones chosen as they still ring true to the bearded, believable-as-they-come singer/songwriter.

on the authenticity of his craft, stapleton says, “I can’t really speak to why people like what we do. Hopefully, they know what we do is authentically us, and that goes over no matter what kind of music you’re playing. People will kind of hear that and connect with that in ways they wouldn’t if you were trying to be something that you think might be popular; I think that’s always a mistake in music, maybe even in life. Do something 'cause it’s in your heart, do something 'cause it’s what you’re supposed to be doing.”

“broken halos” + “second one to know” will, to me, always conjure up memories of seeing him open for tom petty and the heartbreakers at wrigley field, on their 40th anniversary tour, this summer. music is medicine and these honest-to-the-bone tunes are instant classics as well as a balm for the soul.

* FIRST CIGARETTE - travis meadows

“we rise. we climb. we shine like broken stars.”

the above is perhaps the defining statement of next-level nashville singer/songwriter, travis meadows’ 2017 studio album, 'first cigarette.’ the veteran of a different kind of war, there’s not much meadows hasn’t faced in life–cancer, heartbreak, addiction, depression.. and no story is off-limits for the wonderfully raw-voiced, honest-as-they-come artist. each song stays true to travis’ heart, some a little more uncomfortably authentic than accessible (ie radio-friendly), but that’s the way meadows prefers his craft.

“underdogs,” “pontiac,” “hungry,” + “better boat” stand out from first listen, yet each track was chosen to land where they do in the lineup + in the heart of the listener.

Rolling Stone writes, “To his most ardent fans and peers, including Eric Church, Dierks Bentley and Jake Owen, who have all cut Meadows’ songs for their respective albums, his open-book approach to his craft is his greatest gift. But Meadows lives in fear of rejection. That ever-lingering sense of distrust remains…

[On having label support backing a project for the first time]:

"It validates all of the suffering that I went through to get here,” Meadows says. “It gives it purpose.”

“I try not to be too hard on myself,” Meadows continues, “but I don’t deserve any of this. So I’m grateful for every inch I get walking that mile.”

* STEEL TOWN - steve moakler

steel town had only been out for nine days + i’d woken up with these songs in my head, every morning. i’m partial to “wheels” + “gold” + “summer without her” (co-written with + ft. my favorite-for-so-long, sarah buxton!!) + the title track, but i cannot pick a favorite, friends. the long wait from 'wide open’ to this one was oh-so-worth it. thanks for another heartfelt record filled with story songs i can spin for years + years to come. seriously, don’t sleep on this love letter to a historically hardworking hometown.

* BRETT ELDREDGE - brett eldredge

“Brett Eldredge’s self-titled third album is the Number One country album this week. The Illinois native also scored the highest all-genre chart position of his career, landing at Number Two on the Billboard 200, behind Kendrick Lamar’s LP Damn.” - Rolling Stone (August 15)

eldredge is both effortless + earnest, perfectly showcasing his ability + personality on the record he calls, “the most [himself].” from the playful first single, “somethin’ i’m good at” to the heartfelt vulnerability of “castaway,” listeners experience all-sides of the equal parts smooth sinatra, fun-loving country crooner. the standouts are story songs–“the long way” is dreamlike while “no stopping you” is wistful–both shine brilliantly on studio LP number three.

[comicteaparty]

February 4th-February 10th, 2019 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from February 4th, 2019 to February 10th, 2019.  The chat focused on Offshore Comic by Stefan Gasic.

Featured Comment:

Chat:

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Week Long Book Club~! This week we’ll be focusing on Offshore Comic by Stefan Gasic~! (http://www.offshorecomic.com/)

You are free to read and comment about the comic all week at your own pace, so stop on by whenever it suits your schedule! Remember, though, that while we allow constructive criticism, our focus is to have fun and appreciate the comic. Below you will find four questions to get you started on the discussion. However, a new question will be posted and pinned everyday (between 12:01AM and 6AM PST), so keep checking back for more! You have until February 10th to tell us all your wonderful thoughts! With that established, let’s get going on the reading and the chatting!

QUESTION 1. What has been your favorite strip in the comic so far? What specifically did you like about it?

QUESTION 2. At the moment, who is your favorite character? What about that character earns them this favor?

QUESTION 3. Given the comic’s focus on financial markets and all that composes them, what is something this comic has taught you about the subject? Alternatively, what is something you wished you understood better to understand the comic’s comedy?

QUESTION 4. How do you think the comic’s illustrative style and choices help the comedy of the comic? What is one moment where a particular design or image really stood out to you and helped the point the strip was trying to convey?

QUESTION 5. The comic features several recurring subjects like the legitimacy of IQ scores, LLCs, and more. Which of these recurring topics did you like the most? What about it caught your interest?

Stefan G

Hello everyone, 1) Just updated www.offshorecomic.com with a new strip. Check it out. 2) RebelVampire, are your questions intended for me or any new reader? Ciao, Stefan the creator of #Offshorecomic

snuffysam

They're intended for both (still working through the archive)!

keii4ii

Is there a way to get permalinks for individual strips, so I can come back to specific ones at a later time?

Stefan G

Thanks & okay, snuffysam keii4ii, unfortunately there’s no way to get permalinks for individual strips ... I coded the website myself as a side project and am not that good a coder

keii4ii

Oh man, I can relate to that... If I ever get rich, comic website coding and maintenance stuff is the first thing I'll hire someone to do for me

I do like how it loads and makes it easy to read through the archive, for what it's worth.

Stefan G

Thanks for the feedback ... and I totally, totally agree. One could spend a fortune for a coder to take care of all the fixings and stuff ... now I’m learning on the side whenever there’s time left over from work & family.

Stefan G

Answer to Q1 => readers have found the “happiness” strip the best. It’s also one of my favourite ones [succinct & clever & relatable] ...I truly don’t have a favourite strip, but the attached Reto & Urs -strips make me chuckle whenever I read them [I appreciate below-the-waist-humour and/or humour where people are really, really selfish].

lomcia (princess_lom)

1. The newest one is so funny

2. Trader

3. i dont work in office but i cant find nothing to improve that comic, i think the design of characters and humor is on really high lvl 12/10 for me

4. Style is perfect ffor that comic, i wouldnt change it

Stefan G

Answer to Q2 => at the moment my favourite character is the Economist. He’s a genuine IYI [intellectual-yet-idiot] ... which the world is full of and the finance industry in particular. The Economist is easy to write for because I’ve discovered a never ending source of humorous material called the daily financial newspaper ... please find attached also one of my favourite strips

Thank you, lomcia (princess_lom) for your feedback.

lomcia (princess_lom)

your welcome I hope i didnt misunderstood question 3 xD

Stefan G

I think you got everything just right

lomcia (princess_lom)

cool

Stefan G

Answer/comment to Q3 => I’ve spend my professional life in finance, hence, I know every nuance of the industry. However, for the layperson the finance industry [money, banking, insurance, etcetc...] is a big black box of unnecessary complication. My humble attempt with #Offshorecomic is to untangle this complexity and make money related topics more accessible/understandable to anyone ... using humour as my main tool. Finance is more stupid than you think; trust me

I’ll answer the rest tomorrow. Gotta go to now. is like in a totally different time zone and all that Thx again y’all !

RebelVampire

QUESTION 6. Which joke not related to finance did you enjoy the most? What about it made it stand out to you among all the others?

RebelVampire

1) i really enjoyed the life coaching strip about facing reality and lying to yourself. i just really enjoy the bluntness and simplicity by which the self-deception line is delivered. A+ comedy right. 2) i like p-bird because i consider him a much needed counter balance to many of the other characters. he at least has more feet planted in reality. 3) hedge funds. not that i understand them perfectly from the comic, but now theyre more than just a financial word i see tossed around. and despite the very negative absurdist humor regarding them, was still interesting to get some insight into what they actually involved. 4) i think the style overall really balances well with the comedy. a lot of the comedy is reliant on the dialogue, so keeping the illustrations clean, bold, and somewhat simple really helps direct attention to the words. i also really just enjoy the character designs cause every single one really hits that idiot or absurdist mark that needs to be hit. 5) actually i really liked the address of IQ scores. because literally these characters seem like the type whod wind up on r/iamverysmart and use their IQs to talk about how cool they are. so it was kind of nice to see some evidence for that with the subject. that and i always like seeing the concept of IQ being torn apart. 6) i actually liked a lot of the jokes that pertained to the academic sphere in regards to things like publishing and teaching. selfishly it most just stood out to me because academia is something im more familiar with in regards to its simultaneous setup of worthless class structures and cutthroat profs trying to further their careers.

Stefan G

Thank you, RebelVampire, for your thoughtful analysis & feedback I believe that the writing is the most important part in comics ... and the best humorous writing is often blunt & simple [you hit the nail on the head with that comment]. Furthermore, I intentionally designed the strip in a simplistic style in order to A) highlight the writing/gag, B) to save time and C) cuz simple drawings are funny I love to make fun of pompous, self righteous folks ... academics are thus some of my main targets [due to the same reasons I make fun of financial professionals].

Stefan G

Answer to Q4 => My childhood inspiration and spark for cartoons/drawing came from F.Ibanez [Clever & Smart] ... very funny yet simple style. Nowadays I enjoy Dilbert by Scott Adams or the political cartoons from cartoonist Jari Elsilä; also both of them are hilarious without wasting unnecessary lines. I believe a straightforward style highlights the writing and that’s what I’m trying to achieve. Moreover, I love to have backgrounds in my comics [to steer the reader to a particular thought or mood] but hate to draw them and/or dislike it when they clutter the cartoon ... I’m rather happy with a style that I’ve developed over time where I draw the background but reduce the opacity to 25 %. I think that works pretty nice

Stefan G

Answer to Q5 => My favourite themes are 1) anyone predicting the future, 2) mistaking luck for awesome skill and 3) incompetent yet pompous professionals ... there is so much hilarious material right there

Answer to Q6 => I often use the characters Reto und Urs for jokes/strips that are not necessarily financial because they are so endearingly stupid [well, mostly Urs is]. This one makes me chuckle

RebelVampire

QUESTION 7. In what ways have any of the strips changed the way you think about life, finances, or any other topic covered in them? Alternatively, what have the strips portrayed that you wish more people knew?

RebelVampire

(the archive for the chat on Poco Adventures is now available https://comicteaparty.com/post/182650076295/january-28th-february-3rd-2019-ctp-archive)

RebelVampire

QUESTION 8. Of all the parodies and jabs at financial markets and life, which do you consider the most on the nose as far as its representation in the comic goes?

RebelVampire

7) the strips have made me realize in a way that this is another industry where basically theres lots of ridiculous junk going on in the background cause you can never remove human faults completely. cause when it comes to finance theres lots of advanced vocabulary and concepts being thrown around usually, so for someone untrained it can sound intimidating and hard to follow. i think these strips do a great job of humanizing things tho and showing that the concepts arent all that alien cause at the end they were created by humans and reflect the desires of humans in a way. 8) one of my faves that i think is totally on the nose is this one where the economist is telling p-bird about ppl on twitter debating him being ignorant. and that his facts and stuff will prevail but p-bird points out that wouldnt even work on the economist. and the economist goes home confused. i think this is way too true for what its like to argue on the internet and how facts and logic get infinitely buried for the sake of narrative.

Stefan G

Excellent analysis/comments, RebelVampire really constructive. The human element is everywhere and money is such an emotionally laden topic that it’s easy to get confused even without the unnecessary complicated vocabulary ...which is often misused even by so-called “professionals”. If my strip has helped you understand all of that and un-demonised the beast, you’ve made me a very happy man Yeah, the Twitter-Fact-Confusion strip is one of my more relatable strips ... I’ve given up on trying to change people’s minds with facts; if changing minds is possible, it can only be achieved through via emotions. It sounds more logical the other way around but that’s not how we work. Here’s a special academically oriented strip just for you, RebelVampire Enjoy

snuffysam

haven't been able to get all the way through the archive yet, but my answer to both #2 and #8 is the Regional Manager. I love all the characters, but there's something to be said for the simplicity of having a guy literally run around headless.

Stefan G

Thanks , snuffysam. I almost forgot about the regional manager. I have to bring him back to life; I also like him ... by the way, there are 308 strips in total.

Answer to Q7 => I can’t claim that any one strip has changed the way I think about life and/or other things ... however, I do believe that writing & drawing Offshore strips has reinforced in me some of the main ideas from my favourite author, Nassim Nicholas Taleb, who’s books have influenced me deeply [e.g. Black Swan, Antifragile, etc etc] ... luck versus skill, thinking about risk and stuff like that. I regularly come back to his books for inspiration and recommend his books & Twitter -feed. Here are two strips that highlight my point ...sort of

Answer to Q8 => wow tough question ... with 99 % of my strips I genuinely try to convey some message about basic human quirks and/or outright stupidities that actually take place on a regular basis when handling money + and then I add my own personal humours twist to it. Here are a few strips with the message never to buy something you don’t understand [a hint: they always have complicated names]...

RebelVampire

QUESTION 9. What other finance related topics are you hoping to see the comic explore? Which characters are you hoping to see involved with the topic?

Stefan G

Answer to Q9 => As the creator of the strip I’m obviously biased to answer this question, but I’d love to hear what the new readers have to say. I don’t have a particular preference for any topic [except make fun of pompous forecasters ] ... but I feel myself wanting to write & draw more strips for the Markets-Weasel and Reto und Urs. And that’s surprisingly hard to do; forcing it doesn’t work [at least not for me] ... Offshore’s main characters were supposed to be Reto und Urs and somehow P-Bird and the Economist and the trader stole the show. I guess that happens when you get to know your characters better. Funny how that happens ... here’s one nostalgic strip from my early work that I really enjoy

Stefan G

Addition to Q9 => ... I’ve steadily build up an audience on Twitter [@NonMeek] which consist mainly of likeminded financial and/or other professionals ...hence, hearing the viewpoints from anyone outside that sphere would be awesome

RebelVampire

QUESTION 10. What are you most looking forward to in the comic? Also, do you have any final thoughts to share overall?

RebelVampire

9) idk about specific topics, but id like to see the CEO who i think appeared in like one strip. I'm really interested to see the CEO dynamic with the other characters in terms of finance. learn how they view what theyre doing, how they view what the others are doing, etc. but im all for bringing the regional manager back too cause i enjoyed that character as well. a lot of great humor picking fun at how some managerial positions are kind of ridiculous to even exist to a degree. 10) learning more, mostly. overall its nice to see a harder to cover topic in comics. ive enjoyed how approachable and humanized the strips make finances, and how they remind you that professionals can be like this and actually have no clue what theyre doing. @Stefan G that academic oriented strip you shared was actually one of my faves. not necessarily in college, but i see this a lot in the blogosphere where ppl do a thing once and try to pass themselves as qualified experts to deliver advice. XD

Stefan G

@RebelVampire Thanks again for your opinions. Those really help with the development of the strip ... finance is a hard topic indeed and there are no really finance oriented strips out there [that I know of anyway], which is funny cuz the industry is filled with emotions and mind blowing mental errors. I guess people still believe finance & investing is some sort of scientific discipline which it’s really not ... there are hardly any black & white answers to anything even though there’s lots and lots of historical data ... it’s time to fix that myth with Offshore I’m glad you enjoyed that academic strip. It resonated rather well on Twitter too

@RebelVampire [adding to my previous answer] ... I agree that the managers need to be reanimated and given another chance. I’ll try to do that and see how they resonate. I never know beforehand which characters will work and which will fizzle out; e.g. der Compliance Offizier is one of my favourite characters, yet, resonates weakly outside the banking circles ‍♂️ [I love the strip below ].

keii4ii

I would like to see more strips that cracks jokes about this very specific context of finances! Things like that strip about funds blowing up on day 252. I think that gives this comic its own flavor. Readers get to laugh about not just any kind of incompetent people, but incompetent people in this specific field. Readers with no background in finances don't know the context, so more strips that shed light on the context of the jokes would be great.

Stefan G

@keii4ii All valid and excellent points ... I genuinely try to write & design my cartoons in such a way that the joke is understandable even though you don’t know the context. It’s a hard thing to do ... my wife is my toughest critic and she tells me the same as you ... but keep following Offshore and I promise to come up with more stuff like that 252 strip

Answer to Q10 => My ambition with Offshore is to 1) amuse myself first and see if anyone shares my sense of humour [if a cartoon doesn’t amuse me, I don’t publish it]. It’s a splendid way of letting out some frustration from work ... and 2) to make investing & finance more approachable to the layperson by infusing some humour into it in the form of cartoons ... which by the way nobody thought of doing on a serious basis. Weird. However, to produce material on a semi-regular basis I figured that writing only gags/jokes is too much work and/or too shallow of an approach, hence, the characters in the strip need to be interesting/relatable enough in order to create humorous material by mere interaction with each other. That’s easier said than done. I’m quite satisfied with my characters so far but am continuously looking for new interesting characters to add to the strip [either permanently or impermanently]. Like Scott Adams once told me: “The trick with comics is to reflect the reader's own experience. To allow people to say, "That's me!" I’ll conclude with this sneak peek strip [only for you guys] that should relate to the experience of anybody working in a big corporation.

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB END!

Thank you everyone so much for reading and chatting about Offshore Comic this week! Please also give a special thank you to Stefan Gasic for volunteering the comic and creating it! If you liked Offshore Comic, make sure to continue to support it via some of the links below!

Read and Comment: http://www.offshorecomic.com/

Stefan’s Twitter: https://twitter.com/NonMeek

[recentnews18-blog]

New Post has been published on https://shovelnews.com/how-indie-developers-finished-half-life-3/

How indie developers finished Half-Life 3

On 25 August 2017, Marc Laidlaw, former writer on the Half-Life series with Valve – from the original game to its extended second chapter – posted a short story in the form of a letter entitled Epistle 3. While the names had been gender-swapped and other details disguised, it was clear that this was an interpretation of Half-Life 2: Episode 3, or Half-Life 3 as we have come to refer to it over the years. It was a concluding chapter in the story of Gordon Freeman (who refers to herself as Gertie Fremont in the text), a story that was never given a chance to be finished.

It was an extraordinary moment. After so many years of looking for clues and references to a Half-Life sequel, of seeing the number three in any Valve or Valve-associated title as a portent of Freeman’s return, we finally had this. A vision of what could have been. 

Gordon Freeman: Rational Man is a creation of the Half Life 3 game jam.

A vision that writer Laura Michet didn’t want to see go to waste. “I saw someone tweeting it out and I was immediately fascinated,” the originator of the Epistle 3 Jam on itch.io explains to us. “That evening, at dinner with some friends, I ended up reading parts of it with them. We were all people who had grown up with the Half-Life games and started games careers in the shadow of the perpetually unreleased HL3.” And when the dinner was over and the enormity of what Laidlaw’s text represented settled into place, she sprang into action. “I rushed back to my computer to make the jam, actually.” 

“There’s something fascinating about taking this thing that will never be made and letting it go free”

Brendon Chung, creator of Tiger Team

Game jams are a curious and wonderful thing. They are cauldrons of creativity in compromised conditions. Limits of time, resources and accessibility make them the open mic nights of the games industry, where veterans can play with new materials and up and coming creatives can make a name for themselves and show their talent. “They’re my favourite creative activity in the world, pretty much,” says Michet, who started out in the game jam scene after graduating a few years ago. “I love running game jams on itch, too, since that platform gives you instant access to other people who might be interested in the same topic. I love seeing the stuff  that comes out of itch jams.” 

How did the Epistle 3 game jam link to Half Life 3?

Epsistle 3 is a more psychedelic take on Half-Life 3.

The Epistle 3 Jam started on 26 August (the day after Laidlaw’s piece was revealed) and ran to 1 November, attracting a swathe of developers with the desire to finish what Valve had started. Developers such as the aforementioned Brendon Chung, creator of Thirty Flights Of Loving and Quadrilateral Cowboy for Blendo Games. “I was (and still am) a tremendous fan of the Half-Life games. They really blew up the definition of what a first-person shooter can be. Half-Life played a big part in shaping the kind of work I do,” he tells us. “There’s some really elaborate and ambitious stuff happening in the synopsis. Lots of great temporal and dimensional hopping. I wanted to use this aspect as the backbone of the project, to have you and your memories bumping around time and space.” 

“It’s a beautiful, poignant farewell to a series that will never reach a proper conclusion.” Heather Robertson, creator of GENDERWRECKED and, for this game, the psychedelic EPISTLE 3, tells us. “Also, in the wrong hands, it is a ridiculous comedy piece where nothing makes sense and everything is horrible. I have those wrong hands.” And pretty much everyone we spoke to concurred that the prospect of creating a bootleg Half-Life was just too good an opportunity to pass up. How the developers chose to take it from there and what they created was wildly different, however. Of the 32 submissions to the jam once the process had closed, very few are actually first-person shooters or, even if they are, not in the traditional sense. Thanks to the nature of the jam and the source material, the creators felt a freedom to go wild. 

What games did Half-Life 3’s unofficial synopsis inspire?

Rational Man is billed as a ‘visual novel parody’ of Half-Life 3.

“Evidently, not even Valve wants to take on the challenge of making a shooter follow- up to Half-Life 2, so I felt there was zero mileage in us attempting it – instead, a game focusing on relationships or dialogue seemed the most entertaining direction – especially playing with Freeman’s role as a silent, killing machine who’s always washed along by events,” says James Kapella, one third of TEK Collective, behind HL2: Episode 3 – Gordon Freeman: Rational Man. You can download the game to play on PC through the link, if you’re interested. Others had a much simpler mission statement. “I wanted to make the biggest, dumbest piece of garbage possible. I’d like to think I succeeded,” Robertson declares enthusiastically about her first-person fever dream of an experience that pretty much every other developer we spoke to praised for its design and ingenuity. 

“I aimed for a literal interpretation of the most cynical take on the linear FPS genre,” game designer Dave Hoffman, AKA Dave Makes, tells us. “That is, walking down a hallway, killing everything, occasionally pausing while people talk at you. I’m not actually as cynical as all that, even as a joke, so I couldn’t help getting sentimental while writing the dialogue.” The result was something like a merging of Fruit Ninja with a relationship simulator called THE THIRD ONE. 

In fact many of the developers looked to find the funnier side of the story, leaning on the absurdity of it all while also being reverential to their inspiration. “For a while I’d been wanting to make a game that was just a single joke, setup and punchline, communicated through gameplay instead of writing,” Nicholas Kornek, maker of I Have No Mouth And I Must Freeman, explains. “I actually came up with the title before figuring out what the game would be. I just knew that I really wanted to make something about Gordon Freeman’s strange inability to speak to anyone. In the end, I decided to make a game that would reflect on the futility of trying to communicate when your only impact on the world is through violence, but, you know, funny and stuff.” 

And while the text of Laidlaw’s script gave these creators a lot of freedom to be inventive, the jam process enhanced it too. “The stakes in a jam are super low because everyone comes into the project expecting they’re going to fail,” says Laura Michet. “I ended up just making a bizarre interactive short story where you make only one real choice – whether or not to shoot the BreenGrub. The game keeps track of whether or not you killed him, and it also keeps track of how many people have killed him since the game has been running.” 

How Half Life inspired an interactive fiction MMO

You can play text-based MMO The Grub right here.

In actual fact what Michet made has been described by some of the other developers as a Twine MMO, as the text-based story actually involved measuring the number of people making the choice to kill or save Laidlaw’s depiction of a Dr. Breen-like grub and challenges you to shift the numbers (similar in concept, but more complex in execution, to the Lutece twins coin toss scene from Bioshock Infinite). 

“I think Twine is very much mischaracterised by both game fans and indie game developers,” Michet adds. “It has a very low barrier of entry, but a very high skill ceiling for people who want to use it as a complex expressive tool. Hypertext itself – telling stories using clickable links – is a kind of interactive fiction sub-discipline that nobody has quite yet mastered, I think. The possibilities of hypertext are pretty immense.” 

Everyone’s approach in the jam was different, from sifting through old concepts to coming up with something original, using the longer jam schedule to play with a work in progress or come up with a new system altogether. It was a personal journey for everyone we spoke to.  

“To be honest, I jumped into this jam with very little thought. I had been following Heather Robertson’s work in progress and it made me laugh so hard I couldn’t help but join in the fun,” Dave Makes tells us, for example. “It’s funny, THE THIRD ONE is probably my most personal game to date. The art style is just my rough doodles, they’re the kind of thing I fill notebooks with when I’m having fun.” 

“I had already written a bunch of top-down game code for a game pitch I was working on and it came to me that I should make a Lego Star Wars-type game where everything is a caricature of the Half-Life universe,” says Owen Deery, creator of Small Radios Big Televisions who made a kind of chibi-shooter called Expo. Decay. “I figured I was already making an unauthorised Half-Life game, so I had nothing to lose by re-using Valve’s assets. This sped up the production process a ton since any time I needed a new asset I could probably find it in the Half-Life archives. More importantly, though, it really helped the game feel like a Half- Life game. When you kill a Combine soldier and his radio plays that flatline noise it really makes a huge difference.” 

“Something we imagine that Valve would approve of”

Brendon Chung also delved back into the real games to fish out some authenticity for his homage. “It was a lot of fun taking the dialogue lines from Half-Life 2 and re-using them in a different context to create new scenes,” he reveals. “I basically listened to every line of dialogue in Half-Life 2 and ‘wrote’ my script around the suitable lines.” 

The strange array of different approaches, the sense of humour, the irreverence of it all, based around a franchise that is so revered and praised for its narrative is an interesting thing, but something we imagine those at Valve would approve of. The love of Half-Life is so clear from these titles and the sympathy the developers feel for the creators was apparent. 

“I’ve worked on games that have been cancelled, or suspended indefinitely, and it’s heartbreaking,” says Dave Makes. “THE THIRD ONE is a goofy, silly thing, but underneath that, it’s a love letter to game developers who have felt that heartbreak.”

I was also very pleased that most people didn’t just dunk on the HL3 developers or make a lot of angry games,” adds Michet. “It’s worse that the HL3 devs didn’t get to make their game than it is that we didn’t get to play it. Working on a project and watching it get cancelled or die sucks – that’s happened to me a lot in my professional career.” 

So, while the Epistle 3 Jam may not have delivered much by way of an authentic conclusion to the Half-Life story, what it has inspired is a wide variety of fun and experimental games as well as a fantastic platform for a number of developers, some of whom only work on games part-time, to find exposure and have their creativity appreciated. And while many said they wouldn’t be coming back to these titles now the jam was done, some will be looking to build on what they created here. 

“I want to play a little more with the world of Half-Life, rethink the barnacles, return the Vortigaunts as enemies. Make something crazy with it,” says Alexey Sigh, maker of HL: Minimal Edition, which mixes 3D world design with pixel art characters. “It’s simply fun to come up with something new using known characters and express your own vision. Also, I treated this project as a practice  at level and game design because its minimal visuals allowed me to spend less time on assets and more on the gameplay experience.”

HL: Minimal Edition in action.

Deery also had an eye to the future with his creation. “I used the jam as a jumping off point to experiment and prototype my next project, which has similar mechanics, and this allowed me to take all the feedback I received from the jam and use it to improve the experience. I had to remove all the Half-Life assets obviously, but it feels like the same game in spirit,” he tells us. 

“I am a firm believer in the idea that a game is like a little bird. Once it flies from the nest it grows wings and a beak, and would try to kill me if I got close,” Robertson tells us with an alternate view on things. “There are birds worth tracking down and binding so they would not peck me, but this bird deserves to be free. Also it has massive talons and a gun. Why did  I give it a gun?” 

“More than anything I’m really happy that a lot of people seem to be enjoying the game,” is Kornek’s take on the experience. “I’ve seen a lot of playthroughs of it on YouTube and the joke seems to land well for pretty much everyone, which makes me feel like I did a solid job on the design.” While Dave Makes just had a lot of fun with the development process, as he explains to us. “I had an absolute blast recording all the sound effects. My wife was trying to study while I was banging on things around the apartment, slamming a head of cabbage against the floor, obnoxiously chomping on carrots, swinging a big stick around for that crowbar ‘swoosh’ noise… and then I made her do head crab screeches with me. It was fun.” 

“The outcome was better than I could have hoped”

Tiger Team was made by Blendo Games.

A jam is about giving game developers the spark of an idea that will send them forward. Sometimes that’s the one thing missing between talent and execution. Besides, thanks to Laidlaw’s writing and Michet getting the game jam running as quickly as she did, we now have all of these games and all of these interpretations of the Half-Life world to enjoy. Michet herself seems delighted with the response. “I was overwhelmed! 

The outcome was better than I could have hoped. A lot of people interpreted the jam in a wide variety of strange, incongruous and hilarious ways and that is absolutely the best outcome,” she enthuses. “There were a ton of extremely funny, weird games in this jam, which was also amazing – I love how jams let people make the kind of outrageous joke-games they otherwise wouldn’t ever be able to make.” And so, while it feels more and more like we might never see Valve finish its saga, at least developers like these are tending the flame of Gordon Freeman, keeping the dream alive and giving us experiences that even a team as creative as the Bellevue outfit would balk at attempting. 

“A jam is a great opportunity to capture a moment, either in your own development (technical or personal), or something external,” Kapella sums up for us. “Marc Laidlaw sharing Epistle 3 was both a stimulating gift to the community and a full stop the series was lacking – and this was our modest tribute. Half-Life belongs to the people now”. 

Watch 10 years of Gabe Newell addressing rumors of Half-LIfe 3 in a 4-minute video.

Source: https://www.gamesradar.com/how-indie-developers-finished-half-life-3/

[smartworkingpackage]

Podcast: Productivity for Writers with NaNoWriMo’s Grant Faulkner

Productivity isn’t only about our jobs and our to-do lists. The same concepts that help us produce work in the office can also help us tackle personal creative projects. Just ask Grant Faulkner, the Executive Director of National Novel Writing Month, a.k.a. NaNoWriMo—the annual challenge where ordinary people commit to writing a 50,000-word story in just 30 days. Evernote is proud to be an official sponsor of this annual creative explosion.

Grant has heard all of the excuses we have for not acting on our creative impulses, from a lack of time to the notion that we simply aren’t creative. He demolishes these myths and offers a way forward in his new book, Pep Talks for Writers: 52 Insights & Actions to Boost Your Creative Mojo.

Taking Note: Episode 11 — Grant Faulkner

Length: 46 minutes iTunes | SoundCloud | Overcast | MP3 | RSS

  In this episode of Taking Note, Grant discusses NaNoWriMo, the ways we sabotage our own creative impulses, and how to conquer those inner obstacles to unleash our creative potential—not only in November but all year round. Here are selected highlights from our interview (click the player or download links above to hear the whole thing):

Let’s start off with your day gig. You are the executive director of NaNoWriMo, which is something people might have heard of and might be wondering what this funny acronym is all about.

Focus on the syllables here. Na is for National, No is for Novel, Wri is for Writing, and Mo is for Month, so National Novel Writing Month. That’s the largest writing event in the world.

Last year, we had 312,000 people sign up for it. This year, from our early indicators, we are expecting more. In its most rudimentary form, it’s a challenge to write 50,000 words in the month of November. Just to expand a little bit on why we do this, we believe that everyone in the world has a story to tell. In fact, I just read a survey that 81% of Americans say they would like to someday write a book, but someday doesn’t happen for most of them. We are all about making that dream of ‘someday writing a book’ happen now, through setting a big goal of 50,000 words and having a deadline of 30 days. Those are creative igniters or creative midwives to help people write.

how many people actually manage to complete the challenge?

About 15% if I was going to pick a one general figure. This year, roughly 45 to 50,000 people will complete a novel, which is huge. Oftentimes people will apologize to me for failing in NaNoWriMo and they’ll say something like, “I only wrote 10,000 words.” Even though some people might not hit 50,000, I don’t want them to think of themselves as failures because if you write 10,000 words in a month, that’s significant. If you do that for 12 months, that’s 120,000 words and that’s a huge novel. I recommend everyone sign up and just give it a shot and don’t quit. If you fall behind on your word count goal, keep going.

Just give it a shot and don’t quit. If you fall behind on your goal, keep going.

You’ve undoubtedly seen a lot of the challenges that people face when writing projects, especially if they are doing it for the first time. Now, you’ve got this book, Pep Talks for Writers. What prompted you to write the book?

One, I talked to a lot of NaNoWriMo writers. I heard a pattern after I’d been here for a few years. I talk to a lot of writers who discovered themselves as writers during NaNoWriMo. They love the NaNoWriMo community. They wanted to keep writing 12 months of the year, but it’s hard to do that. NaNoWriMo is a huge experience and you can make creativity a priority for a month. You can do that in part because you’ve got all these people around you cheering you on, but the next 11 months are more challenging because that community isn’t there in a big way.

I really wanted to write something that would help people stay creative every week of the year—hence, 52 essays—and really finish their novel and to take that creative momentum that they’ve established during November and keep it going throughout the year. That was my genesis of the book.

Internal challenges and external challenges both exist in abundance. Before we even talk about how we stay in the zone throughout the year, how about just that initial state of inertia we have where you tell people about something like NaNoWriMo or just encourage them to try creative writing and the first thing they say is, “But I’m not a creative person.”

I hear that a lot. Two rationalizations of why people can’t do NaNoWriMo. One is “I don’t have enough time.” I hear that most frequently, but the second one I hear and this is the one that actually disturbs me the most is that people will say, “I’m not a creative type.” It hurts me to hear that, actually. We are creators because we are human. We are wired that way. It’s in our genes. To say that you are not a creative type is really shutting down a huge portion of who you are and just not letting it out. You are just limiting yourself, and NaNoWriMo operates on the opposite principle.

We are creators because we are human. To say that you are not a creative type is shutting down a huge portion of who you are.

You are a writer because you write. You’re a real writer. You don’t have to be published to be a real writer. You are a writer because you write. Creativity for creativity’s sake is good. By participating in NaNoWriMo, by realizing that you are a writer and that you are a creator, you are much more likely to be creative in your everyday life and that means creative as a parent, as a boss, as an employee, as a citizen. That’s the kind of creativity we need to make the world a better place.

You point out in the book that inspiration is something that strikes constantly in little, microscopic ways. Every time you write a sentence, each word, each word choice has its own little inspiration. The phrase you use in the book that I really love is, “The muse is conjured in the telling.”

Thank you for pointing that out. I actually like that a lot too. I think sometimes we think of inspiration as this big glorious thunderbolt from the sky and that we can’t do anything creative until that somehow kind of strikes us—until we have one of those light bulb moments. You create inspiration when you sit down to write. It might not be the equivalent of one of those thunderbolts, but you are creating. I think inspiration is whispering to you between each word. It’s small, small moments of inspiration and you might not totally recognize it, but it’s happening with each sentence because one sentence spawns another sentence and spawns another sentence. It’s just about getting those words on the page. I like this quote from William Faulkner who said, “I write when inspiration strikes and inspiration strikes every day,” something like that.

I think we often stop ourselves from doing something like NaNoWriMo—or any creative project—because we look at other people who are successful artists and we think, “Oh, I can never be like that.”

Exactly. I think, especially with the rough draft, too many people will write the first sentence of a novel or first paragraph or even the first chapter and then they’ll go pick up one of their favorite author’s books, or even just any published author. Those books are so polished and perfect. What is not apparent is the number of drafts that the author went through, in excruciating fashion, to get them to that perfect state. And the author had an editor as well, and an agent. I think that that’s a bad way to measure yourself as a writer. Everybody’s rough draft is a crappy rough draft including those award-winning authors. I guarantee you.

I wish that some of the big authors in the world would show us their rough drafts because I bet they don’t look too much different than our rough drafts. I recently heard this quote from Barbara Kingsolver and she said that she actually starts at page negative 100. She doesn’t even count the first 100 pages because she is writing just to explore and find her story, and that’s largely what a rough draft is. You have a story in mind and sometimes you might have outlined it in ridiculous detail, but the writing process of that rough draft is still exploratory. If you get hung up on making it perfect, you’ll likely not hit the last page.

Let’s talk about this problem of, “Hey, I don’t have enough time to write.”

Have you ever met a person who says they are not busy?

Our busyness is at least in large part a perception. Obviously, there are a lot of very busy people in the world, but I think sometimes we think we are too busy to do new things or big things. I think if those things are really important to us, if we really want to make creativity a priority for a month to write a novel, we can find a way to do it. I say this from personal experience and dealing with hundreds of writers who I’ve talked to personally. What I do, and I’m just going to give this as a simple tactic for any listener who think that they are too busy, is go on what I call a time hunt.

Spend one week of your life keeping track of how [you] spend [your] time. You can do it in 15-minute increments or half hour increments. I think when you do that, you’ll realize how much time you spend on things like social media or binge-watching Netflix, even walking your dog or cooking meals. Some of these things are practical matters of life. Most people can structure their life in a way that will give them the two to three hours a day to write a novel. I need two hours a day, so I cut out social media. I cut a lot on my TV viewing. I make a promise myself to say no to most parties or dinner parties or occasions like that during November and I come up with a strategy where I can find that two to three hours a day to make it work. I think most people can do that.

The next step from that, once you’ve made some of those hard choices and you’ve carved out a little bit of time is to get into the habit of using that time. You talk a lot about the importance of routine. I’d like to dig into that.

I say in the book that ‘routine’ is another word for ‘muse’ and it goes back to creating your own muse by putting words on the page, just writing regularly. You need to do that to keep creative momentum. If you’re going to drop in on your writing for one or two days a month, it will be hard to like keep the ball rolling. You’ll always be starting from scratch. I think you need to form a routine where you do it regularly and to try structure your life for that.

If you’re going to drop in for one or two days a month, it will be hard to like keep the ball rolling. You’ll always be starting from scratch.

Stephen King in his book On Writing, which I highly recommend, has a nice passage on routine. He takes it further than I do, because he likes the idea of routine where you go to one place every day and at that one place, your ideal desk, say, you are picking up signals. It’s like when you lie down in your bed at night, your brain is like deciding to go to sleep and picking up all the cues to go to sleep. Stephen King said the same thing with routine. He says, “If you sit down at your desk at the same time every day, you are getting your mind ready to go back into the story.”

Maybe we can’t all carve out two hours like you mentioned every day, but even if you’ve only carve out a little bit of time to write in a routine manner, it really adds up. If you can write 250 words a day, that’s 7,500 words a month. At the end of the year, you’ve got a good sized novel’s worth of writing done.

90,000 words, isn’t that amazing? I’m a working parent and a writer in addition to my day job. Especially when I became a parent, I had to totally change. It totally changed my writing life. My routine was not as expansive and as glorious and as regular as I might have liked. I had to strategize and look for the nooks and crannies of the day, the 10 minutes here or the 15 minutes there where I could write that 250 words. As long as you are keeping your juices alive, I think that’s what’s mainly important.

I’m going to tell just one little story on this note, which I’ve always found this very inspirational. Toni Morrison, she was a single working mom living in New York City. She didn’t have much time. After she finished the homework with them and got them to bed, she literally had about 15 minutes before she went to bed herself. In that 15 minutes, which was like the worst creative time in her whole day, that’s where she wrote her first novel. Just 15 minutes a day.

We can get into the trap where we are engaged in fake productivity. We are having activity, but we are not actually moving forward. What are some examples of that?

Some people can spend their whole lifetime researching a novel. I think writers, you need to know where to strike that balance. Do you really need to research everything before starting? I think generally the answer is no. I think it’s best to write the story and go for it and then look for what you need. You need to do a certain amount of research to feel confident about the topic depending on what the topic is, but then there’s a lot of research you can do afterwards. I think things like that become rationalizations of why you are not going to write.

For me, before I did NaNoWriMo I wrote with a kind of ponderous preciousness. I would have to get that first chapter or those first two or three chapters just perfect before I could move on. I was just spending an inordinate amount of time tweaking sentences and cutting and pasting things. I really wasn’t moving the novel forward. That’s where there was fake productivity for me. I was doing a lot of work and a lot of tweaking, but I wasn’t really moving that much closer to the end point. It also made the time I spent on each section of the novel very skewed, like I might spend 50 or 60 percent of my time on the first act and 20 or 30 percent on the second act and then barely any time on the ending.

One reason I think the productivity of NaNoWriMo is really good is because you are constantly focusing on moving the story forward and progressing. You can measure it in the words you write every day, your word count.

What about writer’s block? I know you’ve said there’s no such thing. If there is no writer’s block, what is going on in our heads?

I say that. I know it’s controversial to some people. I tweeted that a few months ago and I got a lot of flak from certain people. Writer’s block is this sort of accepted notion and I don’t think it should be such an accepted notion. I think there’s a lot mythology build up around it. The stereotype of the author who hasn’t written in years and years. I think that writer’s block is largely self-imposed. It’s largely a story you tell yourself. You tell yourself that story when you’re not writing, when you’re not sitting in front of your laptop or in front of your Moleskine journal. That’s where the NaNoWriMo word sprints come in so handy. You can write in a burst for five minutes and it doesn’t have to be perfect. You are not supposed to even revise the grammar or anything, just get the words out.

I think when you put one sentence on a piece of paper, it leads to a second sentence and a third. It’s just about getting some words down and it’s amazing what happens. During those word sprints, it taps into a mysterious part of our brains. We are not planning the words to write or the story we are going to write. It just comes. It only really comes if you’re writing. It’s not going to come if you’re sitting there staring out the window. It’s really about sitting down and just putting some words down and you can start out with just absurdities. You can start with a few observations. It doesn’t have to be about your novel. The thing is just to start writing.

It only really comes if you’re writing. It’s not going to come if you’re sitting there staring out the window.

I tend to agree with you. I’ve certainly had many periods, sometimes very lengthy periods, when I’m not doing any writing at all. And I’ve had periods when I write myself into a corner and don’t know how to get out. But that’s not the same thing as being blocked. I think when you give the thing a name, you give it power over yourself. It becomes this external agency: “Oh, it’s not me. There’s this thing. There’s this writer’s block that is stopping me.”

That’s exactly it, I think. When you give it a name, you give it power. There’s no reason to give it that power.

There are so many ways around it. You can, as you say, just write some nonsense, just freestyle it for a while, just do a sprint or you could skip ahead in your story if you have an idea of where you’re going. You don’t have to write the next scene next.

Exactly. I recommend a lot of skipping. I love skipping ahead or back a lot. I was going to also say that one of the chapters in Pep Talks goes through Ray Bradbury’s process when he first became a writer. He did this cool thing where he would write just 20 nouns down and they would be random. Then, he would write what he called little pensées, little 100 or 200 word tiny essays about each word. By doing that, he would find his story and actually some of his most famous books came from that process. There are so many different ways to inspire yourself out of writer’s block. You can grab pictures on the internet and put them in Evernote. I did that with one novel to have some visual images to guide my novel. I think there’s just a lot of cool ways to not accept writer’s block.

I have one more thing I wanted to ask about and this is also from your book. The concept that we are going to fail, but when we fail, the key is to fail better. What do you mean by that?

I think there are a lot of different ways to interpret ‘failing better.’ At its most fundamental, failing better means actually seeking failure out by taking risks. The best novels take risks. The author is opening up his or her heart in a way that helps us connect with the story and that’s a risk. There’s something like beyond that for writing because I think it was Philip Roth who said like a really good baseball player hits the ball 30 percent of the time and that stat goes for a writer as well. Most of your sentences, especially in that rough draft, are going to be misses or they’re going to need improvement. I think you have to accept that to start, accept that you’re going to miss the ball more than you’re going to hit it. Then, think about ways to learn from that failure, to keep going and to still be open to taking risks.

Accept that you’re going to miss the ball more than you’re going to hit it. Then, think about ways to learn from that failure.

It’s a growth mindset that when you recognize something as a ‘failure,’ you are not shutting the door and saying you’re a bad writer and you should stop. You need to tell yourself that being a good writer takes practice. Ray Bradbury actually said, “To be a good writer, you have to write several thousand or hundred thousand throwaway words.” That’s one thing I tell people with NaNoWriMo, especially the beginning writers. You’ve got to write one novel, two novels, three novels to really learn how to write a novel sometimes. Most people don’t get it on the first shot. It’s rare. It’s wonderful when that happens, but it’s rare.

This is the nature of art or any creative endeavor. You fail more than you succeed, but you can cultivate that growth mindset and succeed a little more often or when you do fail, fail better.

There’s also the premise that more ideas are better than fewer ideas. Getting more ideas leads to more likely success. I like quoting this story that there was a study by a ceramics professor. Let me think if I can remember this. Half of his class was graded on if they could just make one perfect pot or ceramic piece. The other half of the class was graded on the weight, the volume of things they produced. What the teacher found was that the students who produced for quantity, what they produced was actually better than those who were focused on the quality of one piece. That’s because they were taking a lot of risks and they were open and they were accepting failure. They didn’t care.

Evernote is proud to be a sponsor of National Novel Writing Month. If you’re up to the challenge, sign up for free at nanowrimo.org, then come visit Evernote on the NaNoWriMo forum and let us know how your novel is coming along! We’ll post more tips and strategies to our blog throughout October and November.

Did you enjoy this podcast episode? Please visit us on iTunes and leave a review! We would love to hear your feedback. To get notified when a new episode has been released, don’t forget to subscribe to the Taking Note podcast on iTunes, SoundCloud, Overcast, or your podcast platform of choice. Thanks for listening!

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