#many relevant questions for part 3 though

[literaryvein-reblogs]

Writing Notes: Novel Dialogue

Speech in a novel is different from real life

Novel dialogue - is not like reality, where much of what we say is of little consequence to the bigger picture of our lives.

Check that all your dialogue needs to be there, then remove the mundane.

Artful dialogue - requires balancing realism with engagement.

Ensure that every word spoken by a character pushes the novel forward rather than making the reader feel like they’re eavesdropping on a mundane conversation at the bus stop.

Every line of dialogue should have a purpose. If it doesn’t, it shouldn’t be there.

A 3-Pronged Approach to Dialogue

One way of assessing whether dialogue is working is to think in terms of:

voice,

mood and

intention.

When we focus on these three things, we avoid dull dialogue – conversations about the weather, how someone takes their tea or coffee, and courtesy statements such as ‘Hi, how are you?’

VOICE

Tells us who characters are, what makes them tick – their fears, frustrations, hopes and dreams, identity, preferences.

Perhaps their speech is abrupt, rude, measured, polite, sweary or seductive.

When we change the way a character speaks, we change their voice. And that means we change them.

MOOD

Characters can show us how they’re feeling via their dialogue.

Emotionally evocative speech allows readers to access the internal experience of a non-viewpoint character. And that makes it a powerful tool.

Perhaps their speech is abrupt, assertive, hesitant, forceful, pleading. Using the right words means the speech tags and narrative won’t need to be cluttered with further explanation.

INTENTION

Another way of framing subtext.

How characters speak tells us what they want.

Perhaps they’re asking questions for the purpose of discovery & understanding whodunit (doctors, lawyers, private investigators, and police officers regularly use dialogue in novels to this end). Dialogue can express a multitude of motivations.

Ask yourself what your character wants every time they open their mouth.

To declutter dialogue and make every word count, ask yourself the following:

Is every line relevant to the story?

Is the character speaking with purpose or taking up ink/pixels on the page?

Can mundane chitchat be removed without damaging sense and flow?

Could the dull stuff be replaced with speech that deepens character?

Example

A real, but mundane dialogue:

Laurie comes back to the office with me for a meeting with Kevin. These meetings are basically of dubious value, since all we seem to do is list the things we don’t understand in our preparation for a trial we don’t know will even take place. “Hi, Kevin,” I say. “Hey, Andy. How you doin’?” “Not too bad, thanks. Christ, it’s cold out though. I need something to warm me up. Gonna grab a coffee. Want one? Laurie, you?” Kevin nods. Laurie says, “Please. Milk and sugar.” “So Kevin,” I say as I hand around the drinks, “we need to talk about Petrone.” It’s the first chance I’ve had to tell Kevin about my meeting with the guy. I fill him in. When I get to the part where Petrone denied trying to have me killed, Kevin asks, “And you believed him?” “I did.” “Just because that’s what he said?” I nod. “As stupid as it might sound, yes. I’ve had dealings with him before, and he’s always told me the truth, or nothing at all. And he had nothing to gain by lying.” “Andy, the guy has had a lot of people murdered. How many confessions has he made?”

Turning it into Novel Dialogue...

This is how author David Rosenfelt actually wrote this excerpt from Play Dead (Grand Central, 2009, p. 175):

Laurie comes back to the office with me for a meeting with Kevin. These meetings are basically of dubious value, since all we seem to do is list the things we don’t understand in our preparation for a trial we don’t know will even take place. It’s the first chance I’ve had to tell Kevin about my meeting with Petrone. I fill him in. When I get to the part where Petrone denied trying to have me killed, Kevin asks, “And you believed him?” “I did.” “Just because that’s what he said?” I nod. “As stupid as it might sound, yes. I’ve had dealings with him before, and he’s always told me the truth, or nothing at all. And he had nothing to gain by lying.” “Andy, the guy has had a lot of people murdered. How many confessions has he made?”

Rosenfelt knows that none of his readers care about the weather, the tea, or whether people say hello to each other or not. And so he leaves all of that out and lets the reader imagine that this stuff took place. And it’s enough.

In the published novel, the first line of speech is “And you believed him.” With that, we’re straight into Kevin’s incredulity and concern, and his desire to understand what the team is dealing with in regard to Petrone.

Meanwhile, Andy has his lawyer hat on. His initial reply is succinct, so that we are left in no doubt about his belief that Petrone was telling the truth, and that he is determined to reassure Kevin.

This is no-messing dialogue that focuses on story, not whether the speech is what we might actually hear – in its entirety – in real life. It’s an excellent example of an author ensuring that every word counts and that there’s no bus-stop-talk filler.

Source ⚜ More: Writing Notes & References Plot ⚜ Character ⚜ Worldbuilding ⚜ Tips & Advice

[goblinhoursinsomniaramblings]

I Know Those Eyes, Part 3

i said i was continuing this and i meant it. dramatic reveals and misunderstandings are like snacks for my anime kid soul, and i have desperately snacky urges today

***

Lex Luthor was a dangerous man.

Batman had known this for a very long time. It was likely the only other member of the Justice League to have known for as long was Superman himself. Yet, he had let his guard down.

And Damian had paid the price.

When had Luthor taken an interest in the Lazarus pits? How had he been able to locate a source of them without involving the League of Assassins? What, exactly, had he been trying to do? Batman had been willing to lay the matter to rest with Luthor and Damian–but now both of them were unearthed, and so would the questions he had hoped to never need to answer.

By every account, it was as though Lex had just divined the answer. Which was ridiculous. Until Batman took a harder look at the timeline of Lex’s ‘mental break’.

That base took time to construct. Time that roughly aligned with a couple of weeks before he began openly calling his own company’s name stupid and agitating for a change. It could have finished construction that very same day. And as soon as he had sequestered himself… Damian received the letter that sent him–

Batman breathed deeply, regaining his focus. He could not afford to get lost. Relevant details only.

So. Something had happened in that narrow window to point Luthor in the direction of Lazarus water and the Al Ghuls without tipping his hand.

He still had the files taken from Luthor’s systems in the wake of the incident. He combed through them now, arranging them onto a timeline. There, fifteen days before he went into isolation, a change between projects. One had been attempting to technologically replicate some forms of magic, which had stuttered out in failure. Immediately after… leylines?

That was… logical to follow, actually. Ambient magic supposedly flowed along leylines in the earth, like blood through veins in the body. Luthor must have been trying to tap into one to fuel his ‘arcanotech’ prototypes. There’s even a small device he claims he will use as a ‘thaumic tap’ to drain the magic like maple syrup from a tree.

All files cease after that. Something happened with that device. A tap for magic…

He remembered John Constantine complaining, incessantly, about the many ways magic could screw someone over. One of them was… where you got a lot of magic, causality stopped behaving quite the same.

Had Luthor seen the future?

The timing. The ability to evade the League of Assassins while harnessing enough Lazarus water to blow up a bunker. Whatever instructions had been in that letter to allow him to extract Damian from what had otherwise looked like an attempt to–

Relevant details only. The timing was too phenomenally close. The slightest misstep and Luthor and Damian would have been in their reach.

Luthor had had a vision to do whatever it was he had done.

The powers he had displayed could have been a side effect, but what if they were the point? What type of power did he channel with concentrated Lazarus water?

… he would need to consult Justice League Dark on this. But a horrifying new theory was taking shape.

Lex Luthor may have opened a door to one of the many lands of the dead.

And something may have given him power in exchange for doing so.

If Luthor had been dangerous before… he was a monster now.

***

Vlad glared out the window of the GAV, down at the frozen wasteland below, intense displeasure radiating out from the several layers of clothes he’d been forced to bundle himself in just to get this close. He had to stay in human form or risk getting frozen solid as a ghost.

“Y’know, glaring at it isn’t gonna suddenly make it any warmer, Mr. Super Delicate Fire Core,” said Danny, smirking, as he piloted.

“I swear they make it colder when I come here on purpose.”

“Frostbite is way more direct than that.”

“Yes. I remember.”

How could he forget barely managing to talk his way out of getting flung off the Far Frozen’s edge, when he’d helped Daniel get here four years ago? And they made it very clear that if he screwed it up, that was not just a threat, it was a standing offer.

That said… there was a term used, here in the Infinite Realms. The closest definition they had managed to find after four years was “family without condition”. Where one formed a family group that could shift their familial roles and dynamics for each other as needed, and thus were assumed to be needed. They had barely managed to reach that status the previous time around, but they had reached it. Like all of them were tuned to the same wavelength, and could adjust when the signal weakened somewhere.

In human terms, they were horrifically codependent in a way that could stop when they were apart, but pick right back up the second they got near each other. Luckily, ghosts and half-ghosts weren’t nearly so vulnerable to the psychological problems that a human would face. That codependence would cause anxiety and stress in a human.

For ghosts? Easy power-ups. Especially necessary at the time for Daniel, who not only hosted two weakened cores at the time, but was forming his own core simultaneously. Vlad had taken care not to provoke the people of the Far Frozen and threaten any of the three in their recovery.

He wouldn’t call his relationship with the yetis friendly, but he was at least recognized as kin to the Great One. And Vlad returned the favor by recognizing they would find a way to end him if he took advantage of Daniel or their kindness.

As the GAV finally landed, the door opened to an absolutely frigid wind that just made his badger snicker as he strolled off the vehicle, rings of light leaving him in his ice-immune ghost form. Still, Vlad followed, deeply unhappy.

Until the door to Frostbite’s home opened.

“Daddy!!!” came an excited squeal, and a small, black and white blur shot out to cling to him, instantly banishing the chill.

It was only barely an exaggeration–the little girl, roughly between three and four years of age, was his little princess Daniela. The joy and love they both felt on seeing each other gave him the boost to help protect his core from the ice of the Far Frozen. He reached up to hug her back, getting her to snuggle into his many layers of coat.

“Aw, nothing for mama?” asked Daniel, jokingly

“Mama’s not got puffy coats,” mumbled the small, glowing girl.

Daniel already had Dante in his arms, who was bolstering himself from Daniel’s quieter feelings in the same way Vlad had done. He’d likely never known the cold here to be truly cold. He had short sleeves, but didn’t even seem to notice, resting his head with his messy black hair against Daniel’s shoulder, blinking sleepily in the wind and cold.

Co-parenting with Daniel had been awkward at first, but they had agreed both had wanted to parent the children and give them the same chance they’d both gotten to live a new life from day one. Just. Better. So much better. No assassins, no neglect, no threats, no lies. And since it had been Vlad’s desperate decisions that gave the kids both their genetics, he had to concede that Daniel would have to be parentally involved. Daniel had modeled what he had wished his mother the second time around had been, to the point he didn’t even blink when he had been called mama.

And Vlad… he had always wanted to be a father. Lex had squandered his chances with the clones, just as Vlad had the first time around, but he refused to do anything less than his best for his children.

So, co-parents. It was much easier in the Infinite Realms than it would have been on earth with its infinite ways to ask the exact wrong questions, which had given them time to figure out the dynamic between them again as they regained ghostly power. They had landed on ‘family that are far too much alike and should be kept separate to prevent problems’.

In other words… partners in crime. Although in this case it was less crime than… no, actually the crime was in at least equal parts to everything else in the plan. They needed to be on equal footing to set proper boundaries as co-parents, but they also needed some form of safe connection. Causing chaos together seemed to be that connection.

He would have to remember to discuss with Daniel later how he wanted to handle discussing these things with others. Would he want to make up some explanation easier for humans to understand? Or did he want to lean in and cause Bruce Wayne’s brain to break a little at the ‘obvious’ explanation to his having grandchildren? Vlad was predominantly powered by the desire to make up for things taken from others, and the sheer lack of fun in Daniel’s childhood seemed to make him want to mess with everyone around them to amuse him.

Daniela mumbled wordlessly, sleepily, into his coats, and Vlad decided that could wait for later. For now it was worth the cold and the many, many decisions they had to make about their return to earth, to walk back to the GAV with his family, feeling them all, practically glowing with the soft pink of a well-fed obsession for familial love.

***

reveal this chapter: Batman managed to deduce almost everything about becoming a half-ghost in the worst possible way, and is about to tell the goddamn Hellblazer someone used necromantic resurrection juice to punch a hole between planes and got powers out of it. given his canon history with summonings, holy shit is that going to be a bad time

-just to make it clear, Vlad and Danny are not romantic in any way in this story. nor will they be. don’t get me wrong, i ship it, but it’s going to be funnier if they aren’t and ghost zone norms means they don’t even think about how they look from the outside most of the time

-real monster there, Brucie. love-powered family man who knows he can get folded by the family’s doctor

-surprised i updated again so soon? got inspired making up a ghost zone explanation for Vlad seeing Danny as his son or equivalent-generation family member AND being able to co-parent with him without their brains freaking out on them from the implications and imagining how that’s gonna play out

-Vlad is totally going to forget to ask Danny about it, so when the batfam learn there’s grandbats afoot, Danny isn’t even going to be thinking about how it looks, and Vlad is going to answer any questions about it with the most confusing or enraging answers he can think up on the spot, because he may be redeemed, but he is always going to desire fucking with Superman and everyone else in the Justice League

-it would not make Batman feel ANY better to know Vlad with kids is, in fact, incredibly dangerous to a degree rarely seen by mortal eyes. he will also not feel any better to learn it's because Vlad's core has similarities to a Violet Power Ring and becomes massively powerful and destructive the more love you feed it

@hinari , @blankliferain , @grimdarling69

[ask-whitepearl-and-steven]

You put a lot small visual elements and details in that I never seem to notice on my first read, and it always makes rereading exciting. What’s a detail from the comic that nobody ever seemed to notice? I’m sure there are things that nobody has mentioned, especially from the early chapters, that you’d want to talk about

Oh man.........that's a great question.

The thing is, there are a lot of details that people don't pick up, but there are definitely eagle-eyed readers that also do! There are also details which most didn't pick up until someone posted about it, and now everyone knows!

There are also details which are actually... yet to be revealed as relevant! That's a secret tool that'll help us later. :)

But most of it is plot relevant decisions I make which make the story more full, but are not necessarily NECESSARY for full enjoyment.

For example, in the very first comic, when Earl approaches Steven....

Her eye isn't white! That was a fully deliberate decision. She didn't actually approach Steven because he wanted her to. That was a decision she made on her own!

Most of the white eye shenanigans in Season 1 were deliberate, albeit not very explicit. I suppose that worked out okay, though. Plus, many people DID catch on!

Also, this part in the Kindergarten comic:

...which people assumed was a power separate from everything, is actually just the first instance of Steven's Command power. The thing is, I hadn't settled into how to portray it at the time, and also - the gem is Corrupted! It doesn't respond to Steven's commands the same way normal gems do. I planned to explore that earlier initially, but in the end, decided to tie it into much later plot.

In Season 1, EP 38, Steven asks Earl to write her name.... and she does! But in gem, not English, because she doesn't know how to write in English.

She designates herself as White Pearl, putting the dash over the top diamond. It was at the time when she was still anxious about making Steven - White Diamond - angry with her.

And to add to the eye thing - during the Season finale of Season 2, when Steven wondered if Earl only came to see him because he forced her to - the comic where she finds him in the water proves otherwise!

Immediately when she grabs him and swims up, her eyes aren't white! She's doing it of her own accord.

Also, in Season 3's opening, when Rose is angry at what she THINKS is White Diamond, she almost has a slip of the tongue when talking about the past.

There's a very pointed reason that panel of Earl is right there next to Rose's cut-off 'My...'

Also, when Rose leaves Steven in the Containment Sphere - the Baby Jail Bubble - she unlocks it to leave, and you can pretty clearly see an interesting detail.

(which Steven, of course, doesn't notice.)

There's also a bit of a narrative tongue in cheek line-up which is accidental on Steven's part but still rings true:

(TVTropes editors caught this one! Hey TVTrope editors!)

Also, this very famous Seaglass foreshadowing:

The first instance of Steven connecting to tech was in the beginning of this season!

When Steven has a bad dream after fusing with Earl and forming Bleached Coral, there's a hidden detail in this reflective text from Nightmare Rose:

(It might be easier to read if you mirror-flip it.)

Another fun thing I enjoyed doing before I got busy with other stuff is gem language! Earl writes Steven notes in it to help him learn, and now signs with her English name,

In the Cluster Experiments comic, if you look at the panels before stuff starts to Happen, you can find a few Experiments hiding in the background. :)

In Amethyst's room, there is a Japanese stopsign and a d20 in the background.

In episode 25 of season 4, Steven is playing Moonlight Sonata!

In episode 33, the ship Steven connects to displays a bisection of the earth which showcases its lumpy core! Or rather, the megastructures that are hidden deep inside the mantle.

It also showcases a few geothermal coring sites made during the colonization.

And by the way, the drill Pearl built was actually a repurposed ship hull which was used for the Space Race ship in the original show!

And man there are actually... many more! But I had to skip over them because they are alluding to things which have not yet been explicitly revealed! :D

But even with this, I'm sure there are other ones I'm missing. If you think you have one that should be listed - throw it on a reblog or in the comments!

[thefandomenchantress]

Chapter 2 Episode 15 Spoilers below!

Since Ace being the culprit has brought about so much pain to ace lovers, including me, I figured I'd make a list of all the good things that him being the culprit brings to us. Even though Ace will (probably) be executed next episode, that doesn't mean that nothing good came out of this, right?

-Ace's backstory may be revealed much sooner than expected! Before we would've had to wait for chapter 3 or chapter 4 and so on, but since Ace will be gone soon, almost everything not revealed next episode will get told to us in a bonus episode! (I think every dead person gets one of those? Idk if that's officially confirmed). I doubt Teruko's gonna find, like, Ace's diary in chapter three detailing his life story, so if we're ever getting the Taylor Lore™, it'll be in a bonus episode! Plus, a bonus episode would come out a lot faster than the whole of chapter three, so more Ace content sooner no matter what happens in it! And there's always the chance he gets picked for an FTE, since dead people are on the list of options.

-Ace canonically has neat, fancy handwriting. Begone rumors of Ace having illegible, traditionally boy-ish handwriting, he actually writes like a 19th century scholar and I find this very funny. More evidence for my 'Ace likes reading and writing and wanted to become a romance author' crack theory, since he also reenforced his particularness about vocabulary in chapter 2 part 2. (Our only remaining question: Does Ace actually have terrible spelling ('responsibel'), or did he just think Eden would?)

-Ace is very good at being sneaky and often overhears things he shouldn't. I can't wait for this to be used as a plot device in numerous fics ("XANDER YOU'LL NEVER GUESS THE SHIT I JUST HEARD DAVID SAY ABOUT YOU WHEN HE THOUGHT HE WAS ALONE").

-Ace will have to be included in the dead (formerly a) trio posts forevermore. Get ready for Xander-Min-Arei-Ace shenanigans.

-Now that the cast has been forced to acknowledge that being dumb and angry aren't Ace's only traits and that he's just as human as the rest of them, Ace is much less likely to be seen as just those two things by the average viewer. Ace's popularity, or at least the amount of dislike towards him, seems to have shifted since the last episode, and I'm happy more people are able to enjoy what his character has to offer now. He's a cool little guy. I've literally NEVER seen the Ace Markey tag this busy before.

-We got so many cool Ace CGs guys. SO MANY. Including one where he's hanging upside down on the swing set and looks weirdly cute for someone in the middle of a murder plan.

-Also new sprites! The DRDTdev gave Ace a redesign knowing full-well that it would only get a singular chapter of use, and I massively respect that. We already got some new sprites in part 2 of chapter 2 so far, and I'm guessing next episode he'll probably have at least one more breakdown sprite before he dies.

-For someone who no one in the cast liked, he's definitely going to leave an impact. He's finally made at least some of the cast realize what happens when they ignore the issues right in front of them. Ace shouts about how everyone hates him and sees him as an insufferable idiot? Eh, probably nothing, we don't have to worry about that. Sure, multiple people told him he's gonna die next in here, and he almost got murdered, but that won't amount to anything. What's he gonna do, murder someone--WAIT SHIT Ace step away from the Arei I repeat step away from the Arei-- (plus Teruko parallels). I'll probably go more in-depth about this sort of thing in a different post.

-WE NEVER GOT TO SEE WHAT'S UNDER HIS GLOVES. Kyoko and Mukuro both had hand-related secrets that connected them to the plot later on, does that mean Ace will have some sort of relevance to the mastermind or overall lore later on? Like a Mai tattoo situation? (Or maybe it's another thing that may be alluded to or discussed in the bonus episode)(Or left to interpretation but I hope not because I have so many theories).

If you have any more suggestions for other good Ace-related things the culprit reveal brought us, let me know and I can add them to the list! We need as many good things as we can think of right now...

[zvaigzdelasas]

Sorry if this is a bad question, but do you think the Palestinians can keep their gains? I know this is an important win psychologically no matter what happens next, but is there any chance for changing the borders on the map?

Sorry if this naive or not relevant to the actual events

no its very relevant! Really too early to tell I think, at the absolute minimum I think this conflict could last several weeks, wouldn't be surprised if longer though. Either way the entire regional politic has already been changed forever, and I'm sure there will be defacto territorial change one way or another

Main factors/possibilities (rougly sorted in terms of my perceived importance/likeliness) imo:

A) level of coordination that Al-Qassam & other militants taking part have (idk what comms they'd really have available at this point, particularly with the blackout) as well as how robust logistical supply chains are for deliveries of weapons, personnel, and ammo, but to start out w 5,000 missiles in 20 minutes (though israel claims 2,500) definitely indicates a major degree of planning & coordination, probably months in advance if not more - so many contingencies were probably accounted for

B) how much Hezb'ullah enters the offensive, even pinning down a couple battalions around Sheba farm or the broader Golan heights can be a pretty pivotal, but if they actually are able to take territory that changes things significantly

B-2) how much non-muslim groups in lebanon accept hezb'ullah joining the offensive - israel can escalate here & potentially fracture the offensive by staging a ground invasion/aerial attack into Lebanon, as long as non-muslim groups read that as "because hezb'ullah instigated it" instead of as israeli aggression on them. I have no read on lebanese public opinion here so idk.

C) Whether the Syrian SAF steps up strikes against israeli occupational military targets in the Golan Heights in the next couple days

C-2) amount of explicit coordination between Hezb'ullah & SAF

D) how the situation develops in the West Bank - expect a lot of retributional violence by Israeli civilians here.

D-2) Abbas & his govt have already taken quite a strong stance where they dont quite endorse hamas' operation, but put blame squarely on Israel - if West Bank escalates decisively they might take a much stronger stance.

E) How many israeli political prisoners Hamas has taken (israel has admitted to 130, hamas says "more than dozens") - PIJ also claims 30, how important they are, & how many of their own civilians Israel is willing to potentially kill in order to achieve broader military objectives.

E-2) If Israel arent willing to do that, then that also means a lot of their vaunted air force is largely useless here & combat will largely take the form of urban street battles, which tend to favor irregular insurgent combatants (esp when the regular army is used to unquestioned aerial supremacy)

E-3) what happens during the land invasion of Gaza (said to happen in about 24 hours, and something that would be surprising if wasnt expected by hamas), which is likely prompted by the large number of detained political prisoners. If this ends without something that can be spun as a clear victory for IDF, then this will be a major demotivating factor against their international perceived strength & massively increase morale among palestinian militants & civilians

F) If gazans are able to make a land bridge to the West Bank, then things are going to escalate in a significant way. Sderot is right now the frontline here, about 20 mile straight shot

G) how much more of the barrier around the Gaza strip is able to be destroyed, particularly at checkpoints

I) if the Saudis officially announce a pause in normalization talks

I-2) if other factions in the House of Saud take advantage of the mass-unpopularity of normalization with israel among saudi citizen (ie not immigrant labor) population (~2% support support among saudi youth according to Arab Youth Survey 2023 https://arabyouthsurvey.com/wp-content/uploads/whitepaper/AYS-2023-WP_123_English.pdf - seems like a fair assumption this isn't limited to the young). Even absolute monarchies have limits in terms of unpopular choices.

H) how much of a united front palestinian refugees (across the region but in Egypt & Jordan in particular) are able to mount & what political ends they're able to force pressure on - Sisi has rhetorically genuflected to Israel being the one to provoke escalation while also condemning both sides, but Jordan's Abd'allah has pretty much stuck to both sides so far

H-2) If the youth survey is a good proxy, Jordan would likely be the one where the governing regime would have most difficulty avoiding taking a stand against israel (~6% in favor of normalization)

J) if Israel officially declares military operations against Iran, then that's going to be a major escalation path.

J-2) More likely imo will just step up operations particularly in Iraq against shi'a militants, not sure they'd really want to escalate in Syria at this exact moment

K) how long the Netanyahu-centered Unity Govt takes to form, especially how much Gantz tries to push himself into the center

L) How much the US/european politicians publicly supports israel rhetorically & with guns without public pushback (that's where posting can actually help, particularly politicians). Right now the political class has basically all fallen in line in support of Israel, so normalizing discourse in support of palestine does do something, particularly if it has quantifiable achievement like BDS (particularly S)

M) Now is also when israeli civilians protesting against the corruption of their government would make the most difference. Strangely the recurring protests have been canceled. lol.

Z (wildcard)) Ansar Allah (houthis) or other non-coalition yemeni militant groups start an offensive against the Israeli-UAE occupation of Socotra. UAE alone is still militarily powerful and islands have obvious defensive advantages but scrambling to coordinate a rebuff of Israeli military positions all that way away would definitely start to strain logistics

[hurpdurpburps]

Otherside Picnic Manga Yuri Club Special Story 8 English Translation

SPOILER WARNING: Takes place at the end of File 9 - Yamanoke Presence in Vol 3 of the novels.

Written by: Miyazawa Iori

Translated by: @hurpdurpburps

-

Chapter 8: Otherworldly Elevator, On The Way Back

Mum and Mama…

What did she mean by Mum and Mama?

As we rode the elevator in the skeletal building to return to the surface world, the question slowly returned to my mind.

Toriko said that she had a Mum and Mama.

Her dad didn’t remarry.

It was just her Mum and Mama.

Hah.

So, she was raised by two mothers.

I was a bit surprised since I’d never given it any thought, but I suppose that’s how things were.

Mama was a soldier in the Canadian military, and Mum wasn't.

What's “not in the military” supposed to mean? A full-time housewife? Do full-time housewives exist in Canada? Well, I guess they do...

I knew as a fact that marriage between women was possible. The topic came up regularly in the gender studies lectures that I took as part of my general education, and the existence of many different forms of family and kinship was one of the major themes in cultural anthropology. It was probably also mentioned in my high school civics classes, but I didn't have the luxury of paying attention to subjects that weren’t necessary for my university entrance exams. Due to what was going on at home, I’d fallen behind in my studies, so the best I could do was catch up on the scope covered in the tests.

I see…

Toriko had a Mum and a Mama.

While I knew of such things, it never crossed my mind that I would find a real-life example in such close proximity.

When I learnt that Toriko had lost both her parents during my conversation with Kozakura from before, I had assumed that we were in similar situations, but Toriko had her own unique set of circumstances.

I guess you never know about the story behind someone's family unless they tell you…

Based on what I knew, I’d assumed that Toriko was brought up lovingly by her mum and dad.

And judging from the way Toriko spoke, it seemed I was right about her being loved.

But why did she tell me about that, today, at this particular moment? Was that where things were headed? We’d been talking about survival techniques just before, when Toriko said that she’d learnt it from her parent who was in the military- who was erhhhh, Mama… That was about it. While what we were talking about was indeed relevant to Mama, the turn in conversation seemed abrupt.

Oh, right. I remember now.

I’d shared my life story with Toriko on the revolving observational platform. About my escape from the cult and all that jazz [1]. I was confused since Toriko seemed to be in shock despite my casual tone. I suppose that's why Toriko started talking about her family as well.

In the elevator next to me, Toriko stared at the floor indicator above the doors as she restlessly shifted from foot to foot.

Toriko’s instinctive reaction to my story had troubled me, but that was also surely her trying to be considerate in her own way. Thinking along these lines, I could understand the sudden change in topic, and why she seemed to be waiting for my reaction. While her cheerful appearance could be misleading, Toriko was rather clumsy when it came to communicating with others.

Though, she probably wouldn't want to hear that coming from me.

Sorry for worrying you, thank you…

Just as I was thinking that, Toriko seemed to sense my gaze and turned towards me, and our eyes met.

All of a sudden, Toriko smiled at me again. The way she laughed as her eyes roamed, as if she was slightly troubled. Toriko had a habit of doing so when she was feeling shy.

Was there anything for her to be shy about?

A new question arose in my mind as I looked back at her curiously,

A life story was reciprocated with another one. That seemed like a coherent way of connecting the dots. However.

Is this really a correct interpretation of what’s going on?

Could there be a reason that I haven't thought of?

Something important that I’m not seeing-

My mind turned fuzzy just as I reached the thought. Like the way it did whenever I thought of the terrifying depths of the Otherside, as if my brain was politely declining to think about the matter.

Ever since I met Toriko, I'd been constantly reminded of the fact that I was terrible at reading others. Although there'd been no need for me to do so before then.

The bell chimed as the elevator reached the first floor. The sound brought me back to my senses and I returned my gaze to the front.

The doors opened slowly, and there was no one on the other side.

I let out a sigh of relief, having half-expected Satsuki Uruma to appear. Thank God she didn't follow us to the surface world.

"I'm exhausted- what should we eat?" Toriko said as she stepped out of the elevator, completely oblivious.

As I trailed behind, my worries from earlier were already fading from my mind and disappearing into who-knows-where.

At least, for now.

TL Notes

General note: I adopted a more 'literary' prose style to match the tone of the novels. Hence, the translation in this series will be significantly more liberal than my usual analytical posts. Feel free to ask me anything. Feedback regarding translation accuracy is also welcome.

[1] Sorawo says うんたらかんたら here, which is the equivalent of 'blah blah blah' in English, but that didn't really flow well with the other sentences so I spiced it up a bit.

This is probably the most difficult chapter to translate so far, holy shit. I wanted to pass away. My brain cells died at all the inferencing. High context languages are terrible [insert Kozakura ough face here].

List of Yuri Club's Otherside Picnic Short Stories [my translations]:

1. Shinjuku, The First Meet-Up (新宿、初めての待ち合わせ)

2. Hasshaku-sama Epilogue (八尺様エピローグ)

3. Ochanomizu, The First Afterparty (お茶の水、初めての打ち上げ)

4. Ikebukuro, Cafe Meal For One (池袋、ひとりカフェ飯)

5. Naha, After The Big Job (那覇、大仕事の後)

6. Ishigaki Island, A Dazed Vacation (石垣島、呆然のリゾート)

7. Mercedes AMG, The Backseat (メルセデスAMG、後部座席)

8. Otherworldly Elevator, On The Way Back (異世界エレベーター、帰路)

9. Kozakura Mansion, Pizza Party (小桜屋敷、ピザパーティー)

10. Ikebukuro Bookstore, Meet Up (池袋の書店、待ち合わせ)

11. Hannou, In The Car From The Station (飯能、駅からの車中)

12. TBD

[destielfanfic]

Group Ask #213

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Ask #1 ( @miraculousfailure): there’s this fic…#1

I’m looking for a fic where Dean is dating Lisa and they move into a house with Ben next to Cas who is married with a kid and a baby on the way. Dean and Cas immediately become best friends. I believe that his wife ends up dying after giving birth. She is a painter in the fic. Dean and Cas get matching tattoos in it at one point. The fic is pretty long. Probably 100k+. Would appreciate finding this so much! Found by @chiops256 and @caseyjw1973! So it Goes by raiseyourpinky [NC-17, 236,500 word count] Dean Winchester has finally bought his white picket fence dream house for his girlfriend Lisa and their son Ben. On top of living in the perfect neighborhood, they now have the best neighbors, the Novaks. Castiel and Amelia Novak are awaiting their first baby, Claire. They’re in love and are not afraid to show it. When their new neighbors move in next door, they become practically family. It feels as though nothing could ruin the ultimate domestic bliss Dean and Castiel have achieved. Until it all goes to hell. Then the two of them will be the only ones left to pick up all of the broken pieces and keep each other moving forward. Dean and Castiel soon realize that the only thing stronger than tragedy and pain is the love that they have for each other. Unfortunately, the fic has been deleted by the author.

Ask #2 ( @loveagoodstory2 ): there’s this fic…#2

Hello I’m looking for a one shot please. Dean is an omega and works the night shift in an office building. He smells Cas scent and loves it they start leaving notes for each other and Cas leaves Dean his tie (scented by him Completely 😉) Found by @caseyjw1973! Scent of an Accountant by Andromytta, nealinor [NC-17, 7,000 word count] Omega Dean Winchester has taken a temporary position as a security guard in a high rise office building. His first night on the job, he finds one particular office suffused with a scent that fascinates him. Fascination builds and soon Dean crosses into the office space of an unknown alpha. The one thing he didn't consider: what would happen when the alpha scents him in return.

Ask #3 (Anon 1 ): there’s this fic…# 3

I'm looking for a fic where Dean and Cas first meet while having a threesome with Lisa -- there's a followup fic where Dean and Cas reunite after many years, with Dean now out of the closet and eager to pursue a relationship with Cas. It was on AO3, though not sure if it's still there. Found by @kazshero and @chiops256! Light Me Up series by tricia_16 [NC-17, 219,000 word count, 3 parts] Summary of the part 1 - In a desperate attempt to save his dying relationship with Lisa, Dean Winchester agrees to invite another man into their bedroom. He’s always considered himself to be completely straight... so why does being with this Cas guy feel so good?

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[13thdoctorposts]

Highlights from Jodie Whittaker’s Gold Coast Panel

Host

So have you got any stories from Attack the Block?

A.

Can I think of stories from attack the block?

I would say that when we were shooting it just as a little like genius of Joe Cornish.

He is an encyclopedia of films and television. And every single element of it is some kind of homage to something you’ve seen. One thing that was really clever is there is no accidental lighting, so the entire thing is set at night so that every single light is deliberate. This stuff or that, like the kids train, is like, every single element is a choice. And you can't say that for most things, because the sun will just appear sometimes, and the sun can take full credit for the lighting. But in that film, he chose every single element. And that's why I think it's such a great film, because it's detailed beyond belief.

Host

Thank you. Wow. Can I see that.

Q.

What's your favorite memory of playing The Doctor?

A.

My favorite memory? There's so many, I'll tell you what, I'll give you a moment that's relevant to something like this. One of the highlights of playing The Doctor actually happened to me at a con, and it was San Diego, and so it was before the show would come out.

We were filming, and I got invited to come to this kind of the cosplay show. And when I got there, I was like, a special guest. And because I was just feeling really confident, I was like, can we not announce me? Can I pretend I'm a model?

I came out in my costume, slowly walking down, and I thought I was gonna get to the end to do some big reveal. But I must have a very obvious walk, because people started to realize, and the really narcissistic part myself, absolutely loved it because I got such a big round of applause just for walking. So that was a really amazing moment.

Q.

My question is about one night. Your character Tess has tattoos. They're only shown in two scenes, one in the first episode and one in the last I was wondering if they were both shot together, even though characters in different places, at different times, and the system of putting those tattoos on, because there's quite a lot.

A.

Yes, it was. It was one of the most influential stage directions I've ever read of a character when that doesn't necessarily feature as a main part of the story. So my character Tess, in a Australian show called One Night, I’m very proud of it is covered in tattoos and every tattoo was a choice, and designed by the incredible designer and all the creatives. And so there's no accident. But the first time we did it, it took about 4 Hours and we stood like this for what is a very small scene as well.

And then the next scene, which is however many months later, I think we got it down to 3 Hours but it was still, it was a long time.

But it was such an amazing character choice, the writer, beautiful writing that gave me so much, but I didn't have to necessarily articulate what that was. It was just she gave me this armor to be able to play tests.

And that is when I started to read it, it's only a few scenes into the first ep, I was like, I'm playing that part. I'm absolutely playing that part. because I just thought that was such an incredible choice.

Q.

I was just wondering, in regards to Doctor Who, was there anyone that you wanted to like come and appear on the show alongside you, like an old companion?

A.

Ah, I suppose I was spoiled for companions. So I think with that, I was, I would have loved, oh, it's difficult before, before we got to the point where I met my master, who is played incredibly by Sasha, and I adored every single scene I was in with Sasha.

There was a part that was like, oh, wonder if I get to work with Michelle. I thought that would have been incredible. So if anyone's out there and they write episodes of Doctor Who, I think that might be a good one.

Q.

Hi, and why did you decide to become an actor? Oh, that's such a good question.

A

When I was probably a bit younger than you i watched a film called goonies and if you haven't seen it highly recommend it stood the test of time and it is such an amazing film and i think what it does is it celebrates the inner child's because as a kid. I watched it and thought, oh my gosh, they're going on this amazing adventure. But then as I got older, I realized that could be a job, and then I got to play the Doctor. So it really is a job that you get to play pretend in the most epic scale, and anything is possible. So I think that's what I wanted to continually feel, was that I could be my inner child till I'm 99.

Q.

my question was, I love seeing, you know, Thasmin play out on screen in Doctor Who. And I know that you and Mandip had a bit of involvement in making that happen. So I was wondering, could you, explain how we got that.

A.

No, no we didn’t, so I think just the fact that Chris obviously knows us and knows how much we love each other. Yeah no we had no influence on any of the story lines. Obviously, we had that, the characterization, and we fully, you know, believed in and loved the direction that our characters went in, and it played out perfectly for me in my head. That is absolutely my kind of dream ending of where I saw my doctor. And the to the point of regen was with that side by side with Mandip .And for those two characters as well, I thought it was beautifully played out, but it was all Chris Chibnall. So I can take no credit, which also the video in the cupboard during lockdown.

I think people were really generous and thought I'd written it, but I didn't write that. Chris wrote it and sent it to me and said, I think it'd be really brilliant if the doctor could maybe, you know, say something. And so that was him as well. So I love that. I keep getting all this credit there. But, but I absolutely adored where our story line went.

Q.

You have obviously played such a diverse range of characters, and I'm just really curious about your process when you sort of get the script and how you create them.

A.

Do you know what? I can't write at all, and I don't want to be a writer. And because it's not within my skill set. And I think because of that, my appreciation the next level, I think 90% of my job is generally always done, I’m so lucky to work on extraordinary scripts, and a lot of your hard work is there, like I was saying about, Emily (one night writer), with one night. This wonderful stage direction is she's covered in tattoos. But those kind of details are just the best. Sometimes an entire character can be given to you in a tiny stage direction, or in a use of punctuation. Something can be a dot, dot, dot, and it has a completely different meaning than an exclamation mark.

I think that, for me, is the absolute side point. Take what you can from the script, and then I've been looking at what the directors and cast do it’s a really collaborative effort My main thing is, I don't like to decide or even kind of go there on how I'm gonna do something before you say action. Because if I do, I'm just a bit cluttered, and I overthink it, and I wouldn't listen to you. So however you were doing it, my brains go, well, I'm gonna do it like this, and it doesn't work for me. So for me, I kind of, I need to be kind of completely unprepared to be prepared, that not even answer. I don't think I should teach a drama school. Basically, not everyone can teach. And I can't.

Q.

If you could be in any episode of Doctor Who that already come out to 13, which would you choose? And why? The ones that you haven’t already been in

A.

I am furious if no one's seen it I'm REALLY sorry I'm furious I MISSED an episode with spice girls i Am Sorry… But how did that happen when i wasn't IN it? spice of your life i devastated, I was like, I'm sorry. What? But it's only because It was so amazing. Sorry if that's a spoiler.

Q.

I just wanted to see if you could tell us a bit about your audition process for Doctor Who.

A.

So it was an interesting one because it's secretive from the second the words are spoken. And my initial meeting was what I thought was just a cup of tea with my name Chris, because we did Broadchurch, and we were doing the junket and he was in town. He doesn't live in London. So we met up and we were chatting, and he’d been announced as the show runner. And I said, please, can i be a baddie? And then that was when it was, can you keep a secret? Depends. And it was, would you like to audition to play The Doctor? Um…I'm sorry? (Laughs)

But then it was a lot. It was quite a few rounds. It was about three And some of it was my husband taped me when, you know, at like, 09:00 p.m., when my kids asleep, and not gonna come in the room and ruin it. And I got, like, iphone wires and had to defuse something.

And we did it. Most tapes I've ever done, I've been sat on a couch and you make sure it's like a really tight two shot there. So my I was running around with an iphone as I was jumping on a couch and then trying to do the gobbly guke. And I say that with up most respect. And it was so stressful. And then when I got it, they were the most fun. I was so scared of those scenes more than anything. And, that's always the most fun when the doctor's just fizzing and working out. So, so it was over months, and it was very secretive, but then I finally got it.

Q.

I was wondering about your doctor. Is there a facet or an aspect of the of your doctor that you wish you could have explored more?

A.

I don't know. That's a good question. Um.

Is the one you like me to have explored?… No, just because I feel as if there's a lot of versions of The Doctor that I really enjoyed. And I love it, particularly around The Timeless Child, where there was this kind of deep rooted rage that would come out in a kind of slightly spitty, you know, frustrated way I enjoyed playing the distance sometimes when i wasn't quite connecting with the people that i was with i enjoyed THOSE elements because i follow such a contradiction to the not a contradiction. Just such a journey away from the kind of energized, childlike version of The Doctor that I loved to play But can you answer that? What would you have like me to have done it?

I think the depth of the distant of the doctor, was amazing But I think that I would have liked to see a bit more, um, a bit more unhingedness.

Okay, so we'll get an episode of me and Michelle, because we're really unhinged.

Q.

You've done so many roles that have legit, ripped my heart out. when is this trauma gonna turn into a villain arc?

A.

Oh, I know. I keep saying that, so keep, I keep contradicting myself, because I get asked specially after Doctor Who, what is it that you want to do? And I was like, oh, you know, I'd really love to play, like, I'd love to some comedy, maybe, or explore a character that has a lot of darkness and potentially not very likable. And then, you know, wanna kind of steer clear, maybe of, like, drama. And then I did one night, time. And this other thing. It's very emotional, and I don't know why, but I kind of keep breaking my own rules.But I would love to explore a villain. I mean, that was my initial thing.I want to be a baddie.But I'm glad Chris didn't listen.

Q.

I'm a big fan of Attack the Block, and especially the horror sections of Doctor Who, and I was wondering, what was your approach, and how would you think about doing the, your characters different in that sort of horror setting compared to other genres?

A.

Oh, do you mean, like, how would I do it or if The Doctor was in more of a horror genre or if me as an actor got to be in that?

Both. But you as an actor?

I'm into horror. That's kind of, let me say, to reference. It's like, one might be a bit young for it, but there was a classic horror for me that came out when I was like, 16, and it was right at the beginning, of the Internet so being able to have this mystery, because now we're so used to information been given to us by the Internet.

But when I was 16, it was that there was this found footage of these guys in a wood And then I went see the film. I was like, this really happened, oh boy, which it's really, really happened. And now you can't really create that that kind of, like trickery in a way, during a press junket, because we know it's a film. But I that kind of horror that plays that doesn't give you too much, I don't wanna see everything chopped up. I'm just not into it I'm too much for whim. But the psychological horror of the when you hear it, but don't see it. Those are the kind of things that I think brilliant to play.

But then when we did have things like that, with the Dregs, and we were filmed in I was chasing me and once you were stuck in a cage, and every time it hit the railing, it was really loud. And I go, ahhhh… I know the doctor's probably braver okay you know I, don't know how i did it ha ha.

Q.

Some Doctors have had input into their outfit. Others have been told by they can't have that. How much input did you have into the outfit?

A.

Well, so I had a hugely collaborative experience with the costume designer, and it started from the second we met. We met in a bar that he recommended. And the surrounding wallpaper was this petrol blue which became the trousers. I had a photo that I sent to Chris when I was trying to trick him into giving me the part I sent him all these photo references. And it was a woman. It's a black and white picture. I Don't know where it's from. I don't know if it's fake, black and white, and it's modern or I don't know but it's someone walking with purpose short trouser, tshirt boots so to me all of that, the coat was very much collaborative with ray because I would say things And he came back with the design of the coat that was so perfect.

I Didn't want buttons because I felt like it was pointless. Of course, wanted pockets. I wanted a hood, but I wanted the colors to be representative. Because of my first episode, I wanted to transition from was space through to Earth, sky. So the entire lining on the inside is a dark blue, black for space. The exterior is a kind of like sky blue light color. But also the into the the Suffragette colors are inside the sleeves. And it has my pride stripes everywhere, and yellow braces because it's my favourite color. So the whole thing, the jewelry was collaborative with Alex Monroe. It was amazing. I think I take more credit for it than it was me, because i felt like I'd go oh i came up with that and then actually, when i look back on it it was drawings that ray had done. Very much you gave him A pebble and he created a statue out of it. It was amazing.

Q.

I just first wanna say thank you for making a very queer, coded doctor. I just wanna quickly ask, we've seen David tenant come back for the anniversary just past, and we've seen doctors come back in the past. Would you ever consider coming back again and putting back on the coat and the zonic of everything?

A.

Hundred percent. I would love to, and I really, if that's not, I would be really offended, because I would love it, and it'd be so amazing. And you just, you never wanna say goodbye to It is the the gift role forever. And I'm still, I'm gonna grieve it forever. But I suppose the feeling is that you don't have to necessarily let go, because, like you say, other doctors have come back. There was loads in my last ep, so there's no reason for me not to bob up somewhere. But I want to.

Q.

Did you take anything from like the set, all your costume?

A.

I've stolen it all. I've got my jump suit, the prison jump suit. And just as a little fun fact about costume, all of the dates are personal to me. So there's dates all the way down the side, and there's a lot of Gallifreyan you know, kind of design. But all of them are a meaningful date to me. So that was, that's the kind of joy thing you can put into your doctor. So I've got that, so I've got my costume and me and Mandip very clearly heard ‘that is a rap in the TARDIS’ So we heard that on the last day of filming and she had a hold on the console that was like this massive ball thing. I snapped off the tiny mini TARDIS that spun And then, we hear and we're gonna do some pickup shots in the TARDIS without any actors. So I think there was a bit of swift editing there, because I absolutely wasn’t my fault. I heard cut.

Q.

When it comes to Doctor Who, do you have a favorite doctor from any era?

A.

I got asked this the other day. I'm not saying, it's not saying you don't like the other ones. I got asked recently about classic, and so I said, Sylvester But you said any you didn't say classic. I'm gonna say, Jo Martin. The episode to shoot with her, and the moment when her doctor is revealed and the costume and the energy she bought was amazing. And so, Jo Martin, hahaha.

Q.

I was just wondering, were you interested in doing the Big Finish audios? And if so, what kind of story would you like?

A.

I don't know. I get ask all the time. And I don't know. I mean, hopefully, is this something I ask them? Do they ask me? Big Finish? Well, obviously, if it, then if I was gonna do it, I'd really wanna do it with Mandip, but I would love to, I mean, this is, what is this job? You know, I've not been the doctor now for two other doctors, and it's amazing that you still get to experience it and be a part of it. So if being a part of things like big finish, or any of you the… I suppose, departments?, but all those other things that celebrate Doctor Who I'd wanna be in them all.

Q.

It's such a loved program. Is it what you thought it would be playing the Doctor like?So you're the figurehead of that program. You know, is it what you thought it would be? in as big as you thought?

A.

I think it's, it's bigger and more magical than you can kind of ever describe, because it's as a new whovian as well. And I'd said to Chris in the process of audition, look, I've not seen loads of it. I've seen, you know, bits when I was a kid, but we didn't have it on those in house. But then also, I've got mates that have been in episodes. I've done those auditions and not got in, you know, things like that. And so it has a very unknown quantity about it. To me, I was very much walking into something and going, okay, what is this? And I think from the second you get on set, and the crew, the crew I worked with, had been working on the show for twelve years. It was such a magical family and to shoot it in Wales.

Wales is one of the most beautiful countries you can ever visit.

So to be there and to be in this ready made family of something that all the hard work's been done because all the other doctors build up this family , you just shouldn't lose it. And so then to have our journey and our story lines, and to then have this opportunity where we went out to press or we met fans, and to have the interaction and to speak to people, to see how much it's meant to them through their life, is so extraordinary, because for me And I can definitely say it and for Mandip as well, that it's our happiest time as actors. We've never been happier, and we knew when we were in it. Ah, this is this. It's just so nice, and there's just so much, just wonderful about it. And I think that needs forever. This is so easy to talk about, so easy to be in this room and do it because I wouldn't have to, I've never fake how much I love it. I loved it, but as a new whovian. And I'm like, oh, I get it. Hahaha. I one of a family then. Haha. That's it. I'm in.

Q.

Do you ever get nervous when you're playing The Doctor?

A.

I was nervous all the time. I know The most nervous, I think I've ever been on a set was in my first week of shoot in The Doctor. It was my hero speech at the end of episode one. So my very first day involved jumping between cranes. Mind you I’ve only ever run around and cried on most jobs. So jumping between cranes was a whole new thing. And on day two, I think it was my huge kind of realization of, I know who I am, I am the doctor, and saying that for the first time, and thinking, if you mess this up, there's still time to recast I've been here two days. So that was the most nerve racking.

And I think sometimes another time when I was nervous as well, we had Stephen Fry come in And I was a bit like, you might not remember me, but I was in St. Trinian's And we kind of had a scene in St. Trinian's, isn't it was, you know. And so him being on set, I was just so nervous, because I was just like, he's a legend to me. So this is very… I think if you're not scared and you haven't got the adrenaline of nerves, you're taking it for granted.

Q.

Who is your least favorite doctor?

A

There's nobody, the craziest answer. I haven't got one.

Q.

Did you ever think you would have had such the impact on the doctor who community?

A.

The thing that's such a joy for me playing the Doctor, the thing that I really quickly realized was that it. I adore this community, and I feel that everyone in the fandom should feel represented and what I feel really proud of with ours, which has nothing to do with me, like you saying about, when, you know, with me and Mandip had credit to that story, and we didn't in that way, but it was, that was the beautiful transition of this gorgeous journey that we'd been on. And I think that because it then resonated so powerfully to so many people, that is the all of a Christmas Day gift, because what you want is you want your work to, to speak to people, and you also wanna feel as if everyone feels seen. And I think that that's what I'm really, proud of.

Whenever I have these wonderful interactions with people, they say that the doctor means this or someone else's doctor means that for me, that very often is having that wonderful moment where someone feels like that storyline really spoke to them. And I think I can't take any credit for it because I didn't write it, but I loved being a part of it.

[kings-highway]

Trick or treat!

knocknocknock! welcome to my door... for you, my friend, a treat! a little ficlet drabble since I know you've been on the arankita train with me recently....

---

Aran's crush on Kita was, objectively, the funniest thing Atsumu or Osamu had ever had the pleasure of witnessing. It was also pretty high on Suna's list, though his interest tended to stray quicker. He was also less interested in tormenting Aran, usually.

Atsumu, however, had snuck up over Aran's shoulder while he was "studying" in the library and found him gazing mindlessly at the most recent instagram post from Kita. "Most recent" is misdirecting, it was about 3 weeks old and Kita's entire page seemed dedicated to family events and farming updates of inane quality. This one, however, had been of Kita and his grandmother, and what seemed like a frankly absurd amount of extended family, taken by one of many cousins and posted as a commemoration of some family event. Kita rarely posted pictures of himself - Aran, then, seemed to have zoomed in on his beaming face, an expression almost never seen outside of the sunburnt farmlands and summer evenings.

Atsumu, of course, takes a big, deep breath, and goes to fucking town.

"Oh. My... God!" he says, making Aran jump and whip around, alarm across his features. "You have a crush on Kita!"

"What? No! No I don't. No. No No. No, I don't. don't be stupid Atsumu, what are you even talkkng about?"

And from then on, it had been the absolute best part of the twins' days. Because Aran was obvious, once you knew what to look for. The way he leapt to help Kita whenever there was even slightly something that was bothering him. The way he looked at him when he was talking, the way he always waiting to walk him home, even if Kita's evening routines took forever. The way he laughed at every single joke he made, the way he bit on his finger when Kita looked away, all geeky fondness and affection. Atsumu, then, struck up a great joy:

When he caught Aran's eyes, he'd make a kissy face behind Kita's back. He'd make hearts with his hands, and on a few braver occassions - when he knew for sure Kita wasn't about to turn around - a couple of... more suggestive handmotions.

Just in case Aran wasn't embarassed enough.

Aran was hopeless, of course, and fell for Atsumu's jabs everytime, frantically pushing him away or brushing him off, hiding his face.

"Kita-san," Osamu says one morning, because although he was less aggressive in his mockery of Aran, he was a little more devious about it. "Have you ever had a girlfriend?"

Kita seems surprised. For a second, Osamu expects to be scolded for personal questions, before Kita seems to decide that its not invasive enough to be a problem and answers with:

"No."

"Anyone you have your eye on?"

"I don't see how this is a relevant conversation."

Over Kita's shoulder, Osamu can see Aran making a slicing motion across his neck in warning. Atsumu makes a motion to egg him on.

"Just chit-chat. You're a handsome guy, you could get any girl you wanted, you know."

"Is that so?"

"Yeah - Hey! Aran, don't you agree? Kita's pretty good-looking, right?"

This makes Kita raise his eyes, having evidently not been aware of the peanut gallery growing behind them. (Suna had shuffled in a couple minutes earlier as well).

Aran is glaring at them. "Ah... uhm.... yeah," he manages to stammer, clearly a little bit caught under the unreadable, watchful attention of Kita. "He... he's... yeah, he..."

"Oh, come on," Atsumu says, patting his back teasingly. "You can do better than that. He's what?"

"He's... very... he's very attractive. Beautiful, even, I'd say - ah-"

And all the watchers had been so swept up in grinning at Aran's fumbling embarassment that they had stopped paying attention to Kita, which is why they're genuinely surprised when they turn around and find him struggling to maintain his robotic calm energy, pale skin blushing not just pink, but damn near red, eyes widened slightly, seeming caught.

It occurs to Atsumu immediately that, although he hsd found Aran's crush hilarious, he would have thought so if Aran has been crushing on anyone at all - he had not, actually stopped to think on whether or not Aran's little crush was reciprocated or even feasible.

And Kita, of course, had always been less obvious with his emotions.

But this-

"Everyone get to practice," Kita barks suddenly, an angry noise as he ducks to hide his face, clearly incredibly uncomfortable outside the realm of his practiced routines and experience.

After all, nothing was quite as unpredictable like romance.

Aran is left staring after Kita as he borderline flees the room to the gym, and the rest of the audience files out as well. Slack-jawed and clearly not having missed the obvious fluster his terribly delivered compliment had induced, Atsumu decides to give Aran just a little peace to sort through this new information. The fact that his crush might actually not be all that one-sided.

(Just for an hour, though, on their break at practice Atsumu will decide that that was enough peace and decide to start cooing a love song at Aran.)

[one-strugling-bean]

So.

I finished the 4th season (MAG #160)

......I'm unwell

(part 3 of my Magnus Archives experience)

Ahhhhh where do i even start???? Ok, ok I think I'll start with the lesser things

First off, right off the bat, RIP Tim. More than ever, now I know he didn't have to die and I am so so sad he did..... Flirty boi deserved so much better u^u

Martin collected many moments of badassery throughout the 3rd and 4th seasons. Im so proud of his growth. Not him burning statements and snipping back at Elias - ahhhhhh he was so coooool, I wish someone else was there so that they could tell him! And when he made Fairchild sit back down to finish answering Martin's questions, I swear I got chills!!

Anyway. I continue being a fierce Martin fan, nothing new there

What is new is my newfound adoration for Daisy. Seriously. She's my baby now. Idc what happens or who dies, she needs to end this story okay :'))))

No, im 200% serious, if Daisy doesn't survive to the end, im def going to cry. Because i can totally see her being the "sacrifice herself so that everyone else will have a chance" type.

I swear she was the only one holding the brain cell power this season –  and FINALLY, someone who's not Martin is not being a bitch to Jon!!!

I wasn’t even expecting Jon to be able to bring her back. Much less for them to become supportive avatar besties! I’m so glad the writer decided to take that turn with her. It’s really satisfying from a narrative standpoint to have Daisy of all people do a whole 180 on her standpoint with Jon.

Idk, i just really liked her this season. She deserves all the hugs. So she gets a meme :)

Basira, on the other hand, fell a bit for me, but i think that was kind of the point. She was fierce and stony and nearly zero compassionate, – very Gertrude-ish of her –  but after everything that’s happened, i can't really blame her :/

Im just here praying to everything that the cop ladies can get a modicum of a happy ending

And just so I round up the gang, im scared for Melanie... She is now blind and also has (had?) a monster as a therapist. And Georgie doesn't feel fear which makes them even less likely to sense danger if it comes for them. I hope they're able to push through whatever season 5 throws at them

Okay. So only Jon is lef now. What can i say about him tho?? I mean, i can say he's been going through it.

Like, I spent my whole time hearing this podcast lowkey making fun of him for collecting beatdowns from pretty much every character - AND IT TURNS OUT IT WASN’T EXACTLY JOKING MATTER AND WAS ACTUALLY PLOT RELEVANT??

WHAT IS THIS SORCERY AND WHY IS IT MAKING ME FEEL BAD FOR VOICES ON MY PHONE??

I just feel so bad for Jon. The guy did not deserve all of this. He really was a lamb to the slaughter—a poor wet cat, an eternal damsel in distress, the Antichrist…?

That last statement from Elias/Jonah is so good tho. Like, objectively. I love it. Not only does it take the listener in a nice little trip down memory lane - nostalgia is always fun - but its also just. So evil.

They really gave us such a sweet start – Martin and Jon bunking together in a cabin in Scotland(?) seemingly happy and it's all "uwu, they sho cute, yada yada- and then BAM!! APOCALYPSE HAS BEGUN!"

(i could literally be here for hours coming up with titles for Jon. he makes it too easy.)

Elias though...... I was spoiled that he was Jonah Magnus halfway through season 2 or so, so the reveal wasn't a big deal for me. I wonder how shattering it was for listeners when it first dropped though... At least he upped his villainy cred this season. Suits him better than the "unbothered neutral/evil stand-by" vibe he gave before.

And one last character thing, I fell in love with Peter so quickly. His lines were all gold and his delivery even more so. He just had that unflappable vibe to him. Like he didnt have a care in the world.

Oh, and him and Elias totally had ex-wives who spent the last 10 years fighting about who gets what in the divorce energy.

No, i will not elaborate.

Uhhhhh yeah. I grew to appreciate Helen more and more every time they showed up. Simon Fairchild was surprisingly fun for an old man, Gerry deserved the freaking world (thank you so much Jon for burning that page) and i think that’s kinda it on my favorite “creatures and associates”

Im super excited for this last stretch. i wonder if TMA will stick the landing. I sure hope it does, and honestly trust it will.

Anywayyyyyy, off i go for those last 40 episodes. Wish me luck!

Finish testimony, or whatever

[iswearbyalltheflowers]

Woah that's so interesting.

I have so many questions because I really do love your account and how you think. You are very wise!

Why do you think anti Zionist Jews fail so terribly at creating a better alternative to Zionism? Would you say part of the reason is because they tend to be completely assimilated therefore lacking any sort of Jewishness and depth of knowledge about Judaism? Do you think the Left requires that Leftist Jews do not have a Jewish identity?

2. Has there been any interesting approaches to anti Zionism that has caught your eye? Do you know of any Zionists who wrote critiques of Zionism in a "I want this to be better and improve" type of way? You mentioned Bundism and how it failed while Zionism is still here. Why do you think Zionism survived? Are there any leftist/progressive/communist Zionist pieces you can recommend in general?

3. This is off topic but do you know any books articles etc that talk extensively about the theft of Jewishness especially through the two major world religions Christianity and Islam?

4. What makes Zionism so different from the Black Power Movements and Pan Arabism? People are fine with the latter but obsessively hate Zionism. Why? I mean, yes antisemitism but why is Jewish pride such a threat to people especially communists and the like? Why do the most intelligent POC and queers etc hate Zionism while supporting Islamism and Muslim extremist groups? Why are we such a threat to other marginalized groups?

1) I do think assimilation as well as lack of knowledge as to how assimilation is both infeasible and anti-jewish as a solution to jewish oppression leads many anti-zionist jews to erroneously believe assimilation is a viable alternative to Zionism, yes. When I said anti-zionist jews currently have no real remaining credible alternative to zionism though I meant that even anti-zionists who aren't assimilationists don't really have an answer to it and this isn't through any unique failing of theirs so much as there simply aren't good alternatives to nationalism generally at this point in time. Anti-imperialism and anti-colonialism largely mean nationalism in practice. When Russia launches a war to conquer Ukraine, the only meaningful way to protect Ukrainians from that oppression is to support the continued existence of their sovereignty.

I don't think it's remotely leftist to require that jews sacrifice their jewish identity. When I criticize leftists for essentially requiring this of us, this is a criticism I am making from the left, of the left, as a leftist jew.

2) I'm primarily interested in anti-zionism as an iteration of antisemitism, namely identifying the reasons why it's politically useful across various contexts, because the functions it serves are relevant to being able to understand and combat it. These for instance.

As for the second question really that's every zionist's critique of zionism. Sometimes they're even right.

As for zionism's survival, prior to Israel's establishment jews being a tiny, fractured people meant our political movements were largely impotent in the face of any opposition from non jews. Then as now, non jews hostile to us are far more numerous, far more electorally and politically significant, and far better resourced than we can ever be, let alone the non jews indifferent to us. Being unable to simply impose ourselves, anything we sought to accomplish politically required sufficient non-jewish buy-in. Zionism was the only political solution of ours that due to its being possible to align with their own interests could garner meaningful support from even antisemitic non jews. A good book on this subject.

As for leftist zionist recommendations, there's no more comprehensive treatment I know of than Albert Memmi's trilogy on the subject:

Portrait of a Jew

The Liberation of the Jew

Jews and Arabs

For something shorter here's a collection prepared in the wake of 10/7:

Additional piece I feel should be included on account of I think the failure to recognize the dynamic described is the source of a lot of confusion:

And I am not an ideological leftist so for socialist perspectives I will defer to others I know:

3) Check out Anti-Judaism: The Western Tradition and Islamic Imperialism: A History.

4) Pretty much all of that originates in the 1960's and derives from the soviet anti-zionist campaign in conjunction with the ascending political power of postcolonial states in Asia and Africa. The chief concern of the African states was anti-colonialism, epitomized by the fight against apartheid, and the arab states seized on the opportunity to broker an alliance: in exchange for the support of the arab states on fighting apartheid, African diplomats would accede to arab demands that Israel be treated like a western colonial power in UN human rights matters.

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/663370772509802496/do-you-know-what-the-origin-of-the-sold-to-one

So I was looking at this old post of yours (in your fandom meta tag) and has anyone else noticed that Hogwarts AU fanfic and meta about if this or that character from another fandom would be Hufflepuff or Ravenclaw has completely disappeared? I assume that this is related to JKR’s transphobia making her (understandably) persona non grata to a lot of online queer people of the kind who dominate fanfic fandom at least on AO3 (I’m less familiar with Wattpad or other corners of fandom that are overwhelmingly cishet and writing het, and the Bridgerton drama has taught me a lot about just how out of pace a lot of them are with even elementary queer stuff, yeesh). but I was wondering if others have noticed that. It did seem to really start to crater around 2019-20 when she stopped being coy and blaming it on “middle aged moments,” and started openly making transphobic tweets and writing essays about it rather than just “liking” others’. Like when I was into Yuri on Ice circa 2016-18, it was still all over that fandom, even though people were already souring on the actual official franchise stuff such as those terrible Fantastic Beasts movies.

So I’m mostly active in anime, JRPG and Western genre TV fandoms so I was curious if this was also happening elsewhere. I’m also wondering if the fact that actual HP fandom seems to be increasingly divorced from canon (like fanon pairings of characters who never interacted in canon being the most popular lately) is related to this too.

Cuz having a Hogwarts AU used to be a sign that a fandom had Arrived. I remember in 2016 you saw people doing house sortings for the people on the frickin 538 political podcast. Now I never see any of that even with huge fandoms.

It’s interesting to me given that it feels like her transphobia hasn’t dented much of her popularity with non online nerd culture. Like the third Fantastic Beasts movie failed but those had never been good and had been declining in box office numbers already. But the Hogwarts Legacy game sold really well. You still see HP in stores all over the place with other nerd culture staples like Star Wars and Marvel. Still constantly see brands doing collabs. I often find non online friends and family, including many who are genuine allies to the trans people in their lives, who have no idea about her transphobia. Or they’ve only heard a little and assume it’s some weird insular online culture thing that is just fans nitpicking, maybe having heard about some other Twitter “canceling” over nothing and figuring it’s like that. They’re always shocked and horrified when I tell them what she’s actually saying and doing.

--

Interesting question.

For me, as an Old, it just feels like Hogwarts AUs are part of my childhood, and why wouldn't they be less common now? But realistically, if they actually are declining, it does mean something.

There's no way for us to know if the "Would X be a Hufflepuff?" posts are really a thing of the past. That could be a question of whom one follows or of fans leaving one's platform. But we can at least poke at some AO3 tags and see if they show a pattern.

The relevant tags are Alternate Universe - Hogwarts and its metatag Alternate Universe - Harry Potter Setting.

There are 21,426 works in the metatag. Obviously, not everything uses the tag, but it's a starting point. (Some cursory playing with filters on big tags makes me think that maybe around 3/4 of HP AUs are actually tagged with a relevant AU tag.)

If we look at the AU tag itself, the numbers have come down in the last few years. (This year is obviously only half over, so we'd expect those numbers to be smaller.)

But we have to take into account how big the archive itself was. It's been growing significantly since it opened to staff accounts in late 2008 and then more widely in late 2009, so the overall rise doesn't mean much, but the recent drop might.

It does seem like there's a downward trend lately, but it doesn't look like it's falling off a cliff.

[runabout-river]

Gege famously kills off unneeded characters, so why didn't he kill off these plots?

This is going to be a list of plot points and threads that hang around in JJK without a proper ending and sometimes without a proper middle or explanation either. They're just there promising something but not delivering on it and with only 3 chapters left most of those won't be delivered on at all, not satisfyingly at least.

This list is not made to critizice Gege's story telling because the manga hasn't ended yet and many of these things wouldn't make sense to critizice villy-nilly. This list is made to show that Gege can and even might make Jujutsu Kaisen Part 2 with everything he's established, put into the story, and deliberately didn't cut out even though he has no problem doing so with characters.

Also, I'm sick right now, so there won't be much explanation on most things. If there are questions, I will elaborate later.

The Culling Games have not Ended

They still go on because players like Yuji and Hakari are still alive

We didn't even come close to the Merger

We have so much setup including pregnant Sukuna who left baby Tengen (probably) with Megumi now.

When as a writer you introduce world ending stakes, you better deliver on them even if only for the good guys to win against them.

Those stakes were never even reached though

The foreign invasion of Japan was introduced but then forgotten about

There are now militaries in Japan who abduct sorcerers for resources, giving Gege vast storytelling potential for the future

But Gojo could've dealt with them off screen and Yuta might continue to protect Japan in his stead now. This plot thread can be dealt with in the last 3 chapters but you would still ask: Why was it here at all?

Remy survived

Remy was the girl who tricked Megumi and who Megumi wanted to kill afterwards. Tsumiki's soul intervened on Remy's behalf and saved her, just for Remy to abducted later. She's one of those characters Gege could've killed but instead we have a scenario where Megumi is poised to save her now.

Tengen, the Star Plasma Vessel and the Six Eyes are connected by Fate

Multiple SPVs can exist simultaniously but not the 6E. After Gojo's death this minor detail mentioned by Tengen became obsolete for the story.

But then Yuta took over Gojo's body and now the 6E are back for this particular fate to happen again especially with Tengen's life in the strange state it is

Gege had come up with the story of the 3 Kugisaki women at the beginning of the manga

But instead of discarding it at the end of it, becasue it had no relevance or plot attention at all, Gege decided to open that thread and let it hang there, promising things to come like the bastard that he is with regards to the Kugisaki family.

Megumi's incomplete Domain

This is basic story telling especially in battle shonen: when you show the audience an incomplete ability, then by the end that ability has to be mastered barring a tragic end to the character.

Gege could throw us a curve ball about his domain with the last chapters but with Sukuna defeated now all tension of him accomplishing it is out.

But if this is Megumi's midpoint of his character arc and development, then everything regarding him, his domain and even his relationship with Sukuna can come to a proper end in JJK2

Sukuna's and Megumi's relationship and interactions were lacking in the end

But with Gege deliberately leaving behind 1 Finger, the option of Sukuna coming back as a curse, the remains of his first body most likely being permanent parts of Megumi, and not to forget the psycological and physical scars that Megumi has from him now, the potential for deep future interactions is there.

Sukuna's story has only been told to us from the perspectives of others

Sure, that does not have to change. Gege can leave it like that and he could or could not give us a Sukuna flashback in the last 3 chapters.

But he can go further than that and delve into that villain from more angles outside of mainly the narrator's and Yuji's.

He could eg go into the difference between Sukuna's relatiosnhip with Yuji and his relationship with Megumi to dive deeper into his personality

Kenjaku/Kaori, Jin and Yuji - none of that is resolved in any way

Just like how Kenjaku's true motives for creating the perfect vessel, who was in the end the perfect cage for Sukuna, was never explained.

Those are the most pressing things on my mind for why I believe that Jujutsu Kaisen will come back with a Part 2. Like, Gege is no stranger to tying up loose ends with an unforgiving cut, so why not with these things?

I've probably forgotten some things too but I'm also coughing my lungs out right now so I forgive myself.

[thesagedahlia]

HOLLYWEIRD READINGS PRESENTS: SEAN ‘DIDDY’ COMBS CHART ANALYSIS * PART 1*

*TW: mentions of ab*se, violence, r*pe, and s*xual assault*

INTRODUCTION

Sean Combs has been well known as the hip hop mogul of Bad Boy Records since the 90’s, as well as his affiliations with the likes of Notorious B.I.G. and Lil Kim to name a couple of the many artists to come out of that era of hip hop, but if you were alive and aware of the 90’s you wouldn’t be shocked to know that the name ‘Diddy’ was oftentimes entangled into controversial situations and conspiracies. It would even be safe to say that there’s a conspiracy that Diddy, as a gatekeeper of the hip hop community, was in fact a very controlling, domineering & aggressive kind of person. In true Scorpio fashion, a lot of his dealings have been kept under the radar and were never pressed upon, even suppressed from the media as much as possible. UNTIL RECENTLY, not only has Diddy been paying out his former signees from the label (after not paying them properly in the first place), but Cassie Ventura also brought up a civil lawsuit against Diddy which was settled within 24 hours. Cassie was another signee to Diddy’s label, as well as his long-time ‘girlfriend’ of 10 years. They separated around 2019 which was coincidently when her contract under him finally dissolved. Since then, she’s been happily married with two children, but if you are familiar with the reading I did on Cassie some time ago, Diddy was coming up a lot as trying to get in contact with her or keeping tabs on her through different means. Though I never directly focused on any abuse of any kind, there felt to be a very dark presence around their connection, and a lot of it was operated under Diddy’s control. Which is why Diddy still to this day has such a profound effect on Cassie, which has helped her develop an addiction problem among other psychological trauma. Before I even pick apart their synastry, I’m going to pick apart Diddy’s natal chart to the best of my abilities, for the ones in the back-left that don’t believe he is capable if the things outlined in the lawsuit. What tipped me off was Diddy’s acceptance speech for his BET Lifetime Achievement Award received around June of 2023, with the way he mentioned Cassie and the words he chose. Considering what I picked up in my reading before, I wouldn’t be surprised if Cassie felt highly triggered and threatened by his speech once she caught wind of what was said. So honestly the lawsuit came as a shock, not because I wasn’t privy to such or I didn’t see it coming, but only because I didn’t expect her to stand up to him so soon after separating (it’s been roughly 3-4 years). To mention briefly, Cassie is experiencing a Lunar Nodal return (the North/South node lining back up in the position they were in at the time of her birth) which is ironically the Aries North/Libra South axis, clearly spelling out how it was in this lifetime that she was to break the mode of ‘people-pleasing’ and dependency and being inclined to stick up for oneself, especially in romantic relationships (South Node in Libra crossing her Venus placement). Cassie is an extremely strong person for asserting her boundaries in this way and now that she has exposed him and finally can work toward her healing, she was also able to open the floodgate of something far beyond her, which I’m assuming that’s also what she wanted. The past month in me conducting this report, more lawsuits of the sexual nature are starting to surface, which only confirms that this is the beginning of an unraveling within Diddy’s proverbial closet, in which his skeletons pile up.

There’s no question of Sean’s impact & influence within the industry and that impact is reflected in his chart, however this specific report will be focusing in on relevant patterns and configurations within the chart that reflect certain conspiracies and allegations:

* DISCLAIMER: FOR EDUCATIONAL/ENTERTAINMENT PURPOSES ONLY; THIS IS AN ASTROLOGICAL CASE STUDY THROUGH NATAL/SYNASTRY CHARTS, ANY ASTORLOGICAL CONFIGURATIONS THAT I MEANTION IN THIS READING THAT ARE RELATIVE TO THE READER ARE NOT PRONE TO THE ANALYSIS THAT I CONCLUDE WITHIN THIS READING, THEY ARE MANIFESTATIONS OF THE ENERGY PRESENT WITHIN A SPECIFIC CHART COMPARED TO THE PUBLIC INFORMATION REGARDING THE INDIVIDUAL*

*This will be citing the subject’s most relevant traits regarding recent news through their energy signatures*

MARS IN CAPRICORN

As a lot of people may be aware of, Sean is a person who demands respect for his reputation in the industry. Being a Capricorn Mars native, I can see this being one of the main culprits that contribute to his control issues. Mars in Capricorn natives are driven by their ambition and determination to achieve a certain status. These natives, from a shadow perspective, can be very materialistic people and can produce someone who uses their money, power and respect (see what I did there? See the irony?) to assert authority onto those who he would consider ‘weaker’ or less established. This can even create someone who ‘bullies’ people because of the status they have. Capricorn is a calculated sign as well as entrepreneurial, so he has an affinity to throw his money around to assert himself and get what he wants. Mars is also making a square to his Mercury in Scorpio, which can detail more of a defined obsession for power and control (more on this below). Mars also squaring Jupiter can expand his quest for greed and can amount to an abundance of energy that needs a proper outlet or can succumb to his impulses and aggression. His Jupiter in Libra is already making a tightly wound conjunction to Venus that can reflect how his abundance can be defined by the business he makes and those around him, which will need a further explanation considering the surrounding and angling planets involved, but this can all tie into his tactics to control the business that he does and for him to be the one to mostly benefit from it. Lastly, and more importantly, the square Mars is making to Venus can be particularly subject his personal and intimate relationship to aggression, violence and other disruptive impulses (more on this below).

MARS IN CAPRICORN SQUARE SATURN IN TAURUS

On a surface level, the energy of this aspect can make for someone who is a hard and consistent worker and can work on things to exhaustion. From a psychological standpoint this specific square can be more violent, domineering energy within this native. Sean’s assertiveness can be in conflict with authority figures in his (early) life, which can in turn create an inflated & ego-driven sense of authority within himself when achieving the power that he has been accustomed to for so long. This can also point to his tendencies to use violence and force to solve his problems or to keep people ‘in line’. There is a lot of knowing behind the scenes of exactly what Sean is capable of in the industry, so there is a running joke that he can make people do what he wants or else they will ‘disappear’, which other parts of his chart can point to that theory as well (refer to ‘significant patterns, cradle 1’). This is also a great point of Sean’s inclination to rebel at any given opportunity, and a lot of his motive has to do with power and control, which is a running theme in his chart. This square is connected in a T-square (1) with Mercury, which can be an indication of having a tight-knit network of people who have a lot of power and prestige. Sean has a lot of wealthy ‘friends’ that he does business with, and these are people who were regulars at his hosted gatherings, both public and private. This square is a very selfish energy, not willing to go out of his way for people unless there is something in it for him, especially with Saturn having power over Mars (Mars in Capricorn). This can make Sean a very callous, unforgiving person who has more interest in dominating others, and he doesn’t stop to put other people into consideration. He can also be prone to frustrations, so it’s likely he’s not the most easy-going person. Punishments are very likely with this square, as he is inclined to make people work beyond their means to be rewarded as he sees fit, or he may look to restrict those who aren’t as cooperative. I also wouldn’t be surprised if Sean was into a lot of binding (BDSM) and violent kind of kinks (like rape or torture), especially with Pluto making a trine to Mars. Moreover, Capricorn Mars natives can have an insatiable appetite for sex, and in simpler terms can make for someone with prominent anger issues.

MOON-SOUTH NODE CONJUNCTION IN VIRGO

This conjunction between the Moon and South Node is significant because it represents how comfortable he is in his karmic and negative emotional patterns, and how easy it is for him to project that onto other people. Besides ones’ habitual nature and raw emotion, the Moon placement can also be the direct link to one’s mother as well as other feminine/maternal figures in a person’s chart. In the case of the mother, I discovered upon research that Sean’s mother was a model/escort (allegedly being supported by the Virgo Moon, Virgo ruling service, while modeling is ruled by Virgo’s opposite sign, Pisces (North Node)) who exuded the party-girl aesthetic, which can directly point to this Moon to South Node influence by his mother making that kind of lifestyle the ‘norm’ for him growing up, as the South Node represents our past lives or karmic lessons that we come into this lifetime needing to learn/move away from in one sense, it can also come up in a person’s chart as generational patterns that one has inherited into this life, or have been conditioned to upon entrance into this consciousness. There is also an allegation of his mother being predatory, and this is supported with the Virgo Moon representing ‘grooming’ from a feminine figure (the Moon), or the mother. More to this theory, there is a specific video where Sean professed to going to (strip) clubs with his mother and they are also seen kissing each other on the lips, which could be normal for some parent-child relationships (when the child is STILL a child), but another takes puts fuel to allegations that Sean was also preyed upon or groomed in his adolescence. Additionally, Virgo is the sign of service, work, daily routine, health/diet and anything of the like, it also represents ‘training’. As you know, Sean is known for the way he likes to be in control and how critical he is, so this is very on brand for a Virgo Moon native. When we talk about how he treated his signees on a public scale, Sean tended to be a critical, micromanaging force who controlled their image, the way they sounded, and how he wanted them to work for him. In a lot of cases this would entail how they ate as well, especially women since the Moon governs women. He also liked certain things within his order, which he could almost be obsessive about it. This doesn’t only apply to the ones who sign to his label or work with him generally, but also the employees that work for Sean on a routine basis, such as security, fitness trainers (another Virgo trait), cooks, maids etc. What I can deduce with this placement, Sean is particular about things being of a certain order when it comes to his employees and women in his life, and this can come from a specific karmic pattern that he was conditioned to in his past (The Moon can also represent one’s upbringing), namely reflecting a specific insecurity that he grew up dealing with. He may have lived in some kind of instability within himself, to which he found (albeit unhealthy) coping mechanisms for. He likely holds onto negative emotions until they build up within him to explode, which can likely be a person who is known to lose his patience. This is a wide orb so the severity of its effects may be weakened, but it is still prominent in the native so long as he clings to the comfort zone. Lastly, as a controversial opinion, the sign of Virgo is the ‘virgin’, or the maiden. Being that this sign represents something of purity and youth, as well as young women, this could pinpoint a tendency to attraction to ‘younger’ women. The lower frequencies of Virgo can take ‘training’ to a darker connotation, into the scope of ‘grooming’ as previously mentioned.

LILITH IN CANCER

The Lilith placement, in a man’s chart, represents the kind of woman he desires, yet fears. This is the same kind of woman that can truly overpower (or destroy) him. Lilith also represents defiance, sovereignty, darker emotions, the shadow side, and the wounded feminine energy or when we know we’re being manipulated, abused, or disrespected. In Sean’s case, not only does this denote a disconnect with his mother or females in his family in the traditional sense, but his Lilith placed in Cancer also says a lot about how he regards nurturing, soft and naturally empathic women. In his mind, this type of woman is ‘weak’, which can be traced back to the women he was generally able to overpower and manipulate (i.e. Cassie). This placement is another major indicator of the mother being somewhat of a temptress or taking on the ‘dark feminine’ archetype. The energy of Lilith in Cancer completely rejects traditional feminine energy and deems it to be something to dominate within oneself and others. With the afflictions to this placement, there is even more of an indication that he carries this psychology into his relationships and interaction with other women. With this placement I could go as far as saying that Sean has a complete disdain or hatred for women on a subconscious level and can manifest as a desire to have control on women that appear weaker to him. The sextile made to Pluto can tell me of just how explosive and violent he can be toward women in attempt to control/dominate, even deadly consequences are noted here. Lilith forming an opposition to Mars in extreme cases can even add forced violence toward women, even rape considering both Mars and Lilith govern over raw sexuality (Lilith being the feminine depiction of this). There is also a square Lilith is forming to Venus, which is also forming its own square to Mars (more on this Mars-Venus Square/T-square below). Venus’ contribution to Lilith in this instance can represent a more prominent force within his connections, not only referring to his intimate and personal relationships, but his business and industry relationships are subjected to this power-hungry dynamic where he is more strategic of how he gets over and manipulates others into his favor, Venus being good at making things look a particular way. This placement is an instinct within Sean to sense out those who are more capable of being manipulated, whether they are naïve and unassuming or not. Manipulations through things such as contracts, NDAs, PR, etc. as this is reinforced his Venus is placed in Libra (Libra represents written contracts and public image).

CHIRON IN ARIES

Chiron as Sean’s hidden psychological wounding (fears and insecurities) can revolve around his own, or the energy of, masculinity. As previously mentioned with his Lilith in Cancer placement, Sean has a borderline disrespect towards those he considers weaker, or ‘feminine’, so it would only make sense if that were to stem from toxic/wounded masculinity that he may have been conditioned to growing up. This can make for a person who overcompensates for his own assertiveness, pushing the barrier to being overtly violent, abusive, and domineering. This can also point to a specific ‘wound’ surrounding his masculinity that can have everything to do with sexuality with Mars making a sextile to this placement. This aspect can also give support to someone with a ruthless ambition, as Mars’ energy is doubled and can be malefic and disruptive in nature (such as Chiron). Sean could have been exposed to a violent or hyper-masculine world growing up and can be conditioned to the principles of ‘survival mindset’ and war mentality. The history with Sean’s father can put this theory into perspective, if we factor in that he was alleged to be a drug-dealer who died by gun violence (also a Mars/Aries signature). This can lead to his affinity toward solving problems with violence, especially with Pluto making an opposition these can have fatal outcomes. This is a particularly deadly energy that can bring about hostile situations.

NEPTUNE IN SCORPIO

Neptune is a generational planet that can represent a pattern in our chart that can be heavily veiled and hidden from others and even ourselves, and can be referred to as the collective consciousness. It can also refer to our psychic inclinations and our spiritual understandings. The era for Neptune transiting the sign of Scorpio was between the years 1956 to 1970, and this would cite Sean’s birth year to be 1969, making Neptune 27 degrees through the sign. This was the period infamously known for drugs, sex, rock n’ roll, and even mysticism, which were all things that gave way to sexual liberation, experimenting with substances, and the emergence of religious cults. People born in this specific time where Neptune was traveling through Scorpio can have more of a soul recognition to these influences which can serve as a subconscious relevance to the native. Sean Combs is no exception, as I would consider him to be hiding a sexual liberation that may seem unusual or shocking to others. This is also an indication of what other intuitives/astrologers have been picking up about him forever now; that he is well aware of manifestation and alchemy (Moon/Pluto in Virgo supports this as well). Sean is likely aware of and have personal interests in cults and ritualism, so this can give merit to idea that Sean hosts sex parties/rituals. This is an intense, mysterious and possessive nature that is hidden beneath Sean’s surface, and he has likely had an upbringing that has desensitized him to all kinds of destruction, danger, and chaos. This Neptune is ruled by Pluto (and Mars traditionally) and is also making a sextile between the two planets (can be found in Cradle 1 and 2). This can bring opportunities for manifestation and manipulating energy for one’s own desires. With Chiron trine to his Neptune as well, he can be someone to suppress whatever insecurities he may have through escapism tactics, such as substance abuse, giving way to the theory of Sean’s own self-destructive tendencies.

SUN IN SCORPIO CONJOINED TO MERCURY IN SCORPIO, BOTH OPPOSITE SATURN IN TAURUS:

Here is a configuration that plays a part closely with one expression conjoining to one’s mental compatibility. Scorpio can represent cruelty when operating on lower frequencies, which in this case can also take on a controlling & possessive connotation. This can also create a person that can prioritize enforcing their will onto people for the sake of gaining powerful status. Add that with a double opposition that Saturn is making to his Sun-Mercury conjunction, and you have a person who may have a restrictive and dictatorial quality to the way that they manage contractual business with others. There is an energy of a dictator or an authoritarian to other people, even a cult leader (Taurus Saturn), and being able to punish those who go against them (Taurus/Scorpio axis governs loyalty/betrayal). Another take with the Taurus Saturn, this can be someone who expected loyalty from his people in the same capacity as a cult, especially those who worked under him for extended periods of time. Saturn is ‘the punisher’, so that would suggest the claims of aggressive intimidation against certain people, even sexual abuse with Scorpio involved (citing ‘violent’ kinks). On the spectrum of sexual assault, this is a point where I believe that the nature of this configuration would impulse a native to sexually ‘punish’ their victims, which can also include a forceful connotation when the victim refuses to accommodate the native in question. Scorpio placements operating at low octaves can be vampiric to those they encounter, and that opposition to Saturn can indicate selfish tendencies that he may be more willing to use the people around him to benefit him and his status. There is also a presence here of legal situations involving the finances of other people & the contracts that they sign with Sean. A take-over spirit that sucks everyone dry is also what I would describe it as. This configuration also supports someone who is capable of limiting fame and notoriety from his own artists if they felt it necessary, placing that same spotlight onto himself. This configuration ALONE backs up a lot of claims regarding anyone feeling cheated by Diddy financially, having an entire catalog restricted from the artist, and the overall control of said artist through contractual obligations. As mentioned previously, some information in regard to Sean’s late father and the lifestyle he led, which can also be a manifestation of this configuration in his chart.

VENUS-JUPITER CONJUNCTION IN LIBRA

Getting to a contradiction within his chart, this aspect can speak to the kind and benevolent nature that he may have been trying to channel, as noted by his most recent name change to “Diddy ‘Love’ Combs”, especially from a spiritual/religious standpoint involving Jupiter. Sean has been cited lately as changing his image in the way of creating what attempts to be a ‘peace-loving’, family-oriented aura from the native. But this placement does a lot more harm than good even involving the two aforementioned benefic planets. This conjunction expresses his generous nature, especially to the women he was publicly and privately in a relationship with. Not to mention that Jupiter also governs publishing, so Sean being in control of the publishing and producing credits at the label can be seen with this aspect. This is a major indicator of being able to benefit from his own generosity, in the sense that he expects to be compensated for what he has given his artists or his relationships. Libra is about balance, symmetry, and justice and when it comes to this conjunction, Sean’s extravagance came with the expectation to continually do right by him to some degree, as there is a reciprocity that comes with the energy of Libra, this configuration in a person’s chart, on the flip side, can make the native inclined toward greed and can even make one prone to addictions. Mars squaring Venus within this conjunction creates a motivating factor to merge his money and power, to essentially have a certain type of control in the industry. He also uses this control to steam-roll his relationships into being loyal to a fault. He may also indulge the most into his addictions/greed on a social level, which can be a direct link to parties he would throw since the 90’s, the same parties that are now being implicated as possible ‘sex rituals’ or sex trafficking social events (depending on what you believe personally). The Venus to Mars square can very well include the raw, sexual nature of the parties Sean would host or be a part of himself. Sean’s extravagant nature is not something that is unheard of to people who are aware of him generally, but behind industry walls this can actually point to the inflation of his ego. Sean is also someone who likely has very good lawyers and legal professionals working for him with this aspect, and he is not one to shy away from legally binding agreements in his business, i.e. NDAs.

MERCURY IN SCORPIO SQUARE MARS IN CAPRICRON

When you have the planet of communication squaring the planet of will, this can make for a verbally forceful and disregarding native. Sean is not really a stranger to being an aggressive communicator with a sharp tongue, but this is another indication of him operating on a short fuse. This can be due to the overstimulation that’s interpreted with this aspect, and the increase in impulsivity. Sean is likely a very intimidating communicator, and he doesn’t have any impulse control. A lot of his motives are once again linked with the obsession for power and control over others through his powerful connections and status. Sean also has a violent nature that he may be more inclined to keep hidden, but with Mars squaring Venus this would make these themes show up more in his social or romantic relationships (as a Libra Venus is skilled in making public perception of the native appear polished and balanced, with Libra ruling PR). There can even be sexual kinks that are deemed deviant and would likely be shunned upon with this square happening between the signs of Scorpio and Capricorn (‘violent’ kinks are cited here). This can also make Sean a determined individual with an insatiable need to fulfill his desires, and those desires can only be met with unwavering hostility and force. This can pertain to professional, personal, and even sexual desires when it comes to Sean. There is an inclination toward arrogance and power trips toward those he employs, and verbal abuse is the main weapon he uses unto others. This also reinforces him being accustomed to innate control over others and his mode of operation relying heavily on his connections to the industry (Mars in Capricorn).

MARS IN CAPRICORN SQUARE VENUS IN LIBRA

Here we have a native that is likely to be a forceful person within his interpersonal or romantic relationships and can attract those who are easily shaped and molded (Venus in Libra) or the native can project this motive onto those he is involved with. This aspect is associated with anger issues, a lack of self-control, and intense love-hate dynamics within intimate relationships. As this can be a reflex in establishing control, it is likely Sean is as domineering as everyone may portray him to be, especially those who have seen the different side of the coin. It is also likely that Sean can have a PR team behind him that can paint a less egregious picture in regard to his personal life, though behind the scenes it’s worse than what anyone could have imagined. This can also attract abusive dynamics, especially with any other malefic influences touching this, which can be cited by Mars’ opposition to Lilith in Cancer also squaring Venus (see T-square 2). Sean is inclined to dominate those who he is intimately, personally or professionally involved with. I could even go as far as to say that he has a domination kink (if I haven’t mentioned this speculation already) or a punishment kink (involving Saturn ruling the Mars placement). This can also cite difficulties in court proceedings against Sean as his Libra Venus would suggest a functioning legal team and producing iron-clad NDAs and contractual bindings in his business dealings. Also making note that Cassie is a native to this same Venus to Mars square, which the significance of this is likely to show up in the pair’s synastry.

SIGNIFICANT PATTERNS

T-SQUARE 1

Taurus Saturn opposite Scorpio Mercury, Square Capricorn Mars: This is the more general source of his anger and temper towards other people, and it involves previously mentioned aspects. For this T-Square, he has his apex planet (or the focal planet where we see the problem) as Mars, which has been the running theme, if not the dominant energy in the native’s chart. The point of tension with this T-square can point back to his aggression surrounding the way he dominates and manipulates control. Saturn opposite Mercury can suggest frustration from an inability to relate to others personally due to a lack in communication skills, which could have been a theme for him from a young age. Sean could have also been subjected to seeing different ways of being overpowered by authority in his upbringing or early career, which can create initial opposition with authority that he’d aspire to overcome, and a desire to achieve the same ‘untouchable’ status that he had been privy to, even through aggressive and violent means. Sean may have grown up to inspire control over those weaker than him, in comparison to what he may have been subjected to growing up. The ruler of the sign Mars is in (Saturn) being in the sign of Taurus can bring a direct importance and drive to achieve power through his material/financial status. He is a very technical person, and very strict, especially if it comes to criticizing or training people (which has come up before in other sections). As an employer, this can make Sean a very harsh person who may place extreme demands on the people under him, even if they were simply apprentices. Sean has a significant pattern of having a dominating presence over the people in his life, whether they work for him, are friends with him, or within romantic and intimate relationships. This is the perfect configuration for “aggressive manipulation”, which Sean seems to always be tied to. He is also capable of bringing sorts of ‘punishment’ onto those who don’t abide by his expectations. This can also be in lesser extremes, such as being harsh with his training/teaching and aggressive dictation. In recent history, there have been classic shows that essentially depict this and what immediately comes to mind is ‘Making the Band’. Incidents such as the ‘Cheesecake’ incident (and things such as hazing) are great manipulation tactics where Sean can construct the belief of one’s own authority and how he was projecting that onto his signees. This was how he was able to achieve the authoritative status that he did as a mogul/gatekeeper in the industry, reinforced with his Capricorn Mars at the 29th (Leo) degree. This is also a T-square that can pinpoint his ability to network through the industry and being in rooms with different ‘important’ people and allowing himself a roster of artists/fellow associates to catapult himself ahead as a music executive. In a more technical context, this is a T-square that also points to his ‘shady’ business (one off, not only). Mercury being in the sign of Scorpio (and adversely having Pluto in the sign of Virgo) opposite Saturn in the sign of Taurus can signify Diddy’s affinity toward his iron-clad contracts, NDAs, and underhanded payouts (as mentioned in previous sections). Adding that the sign ruled by Saturn is also his Mars placement, Saturn’s energy is prominent within this T-square (Saturn/Capricorn = binding contracts, corporate business). In a sense, with Mercury in Scorpio (Scorpio = joint investments, joint accounts, ‘other people’s money’), Sean was able to manipulate those who he’s signed into going into contractual business with him, and the Mercury-Saturn opposition can translate into bad contract dealings.

T-SQUARE 2

Capricorn Mars opposite Cancer Lilith, Square Libra Venus: This specific T-square can suggest his dynamic that he has towards women. As previously mentioned, Lilith in Cancer in a man’s chart can suggest a distain or blatant lack of respect for the feminine quality and finding women to be a weaker species. Add in the opposite angle happening with Mars and you have someone who likes to overpower the women in his life. The apex planet of this T-square is Venus in Libra, which is squaring his Cancer Lilith and his Capricorn Mars. The focus here is the essential ‘domination’ over his sexual/intimate and even business relationships, and the aggression that he naturally has towards women, and this can go especially for the women he has signed in the past. The ruling planet of the Lilith placement is the Moon, which is placed in the sign of Virgo, which governs routine, work, and health/diet. A lot of Sean’s criticism towards women can have a lot to do with how they look, their diet, and how they take care of themselves. This can absolutely correlate to the women he dates as well as for the women he decides to sign and work with. As previously mentioned, Virgo is the sign of the teacher/trainer, and this can represent why the Lilith in Cancer placement is so obsessive with overpowering women in a way of dictating and critiquing them. The women in his life have to abide by a certain standard, and in a lot of ways can make him prejudice to certain types of women and want to ‘fix’ or ‘change’ them to what he finds appealing. If they don’t fall in line the way he wants to (Venus in Libra), there is a violent streak that can come out in him (Mars opposite Lilith).

CRADLE 1

Pluto Chiron Opposition (Pluto in Virgo, Chiron in Aries), Virgo Pluto sextile Scorpio Neptune, Virgo Pluto trine Capricorn Mars, Aries Chiron sextile Capricorn Mars, Aries Chiron trine Scorpio Neptune, and Capricorn Mars sextile Scorpio Neptune: This can pinpoint to a lot of rage that is inspired by insecurities and deep seeded psychological wounds (Pluto opposite Chiron) that don’t have a healthy exit point. On one hand you have a Chiron in Aries, which can indicate someone who has insecurities surrounding the expression of their masculinity, or may have some tendencies toward toxic masculinity, narcissism, and misogyny. On the other hand, his Pluto in Virgo can point to obsessive compulsive behaviors that can reach extremes about perfecting a specific standard, which may lean more toward internalized powerlessness and insecurity. This opposition can result in him overcompensating for these wounds/insecurities, projecting them onto others, and can manifest in him seeking to dominate others with that Pluto influence. The supporting aspects that create this cradle (Mars, Neptune) speak to the talent/opportunities that are connected to his goal-oriented determination and business-like ambition (Capricorn Mars) and his artistic abilities with musical vibrations (Scorpio Neptune). This cradle can suggest someone who is able to use their power and influence in the music industry to hide from their psychological wounds and using it as a crutch or suit of armor that is meant to keep him from being accountable for the way he may strong-arm other people to get to his desired status. I can also see this being a main source of his believing he was invincible from receiving any certain consequences. This can also be a source of him using his power to engage in sexual encounters of his dominating desires, and having a forceful and aggressive undertone that can easily become threatening. Another interesting thing about the Mars sextile Neptune included in this cradle, which may indicate that he would have desires to film/take pictures of these encounters, which has been alleged of him being in possession of photographic evidence of some encounters from his own partners or of different women in different states. Leverage that to him, can be interpreted as a way for him to brag or assert domination with these women by sending these intimate pictures/videos out to his mutuals (rapper 50 Cent was cited as receiving such intimate photos of Cassie from Sean back in 2010). It’s likely that Sean may be someone who wants to be able to act out and film his sexual fantasies (Scorpio Neptune) and most of them may be where he’s dominating his partner, possibly in violent ways with Mars in a trine to Pluto. A lot of his reputation, both known and unknown, are tied up with this specific astrological pattern, but the Pluto Chiron opposition alone can be the indicator of a rapist/rape victim, which the trine/sextiles to Mars and Neptune can support this. It is also alleged that he had enough power to make people ‘disappear’ and this cradle supports the manifestation of that, especially with Mars’ trine to Pluto and its sextile to Neptune. This specific configuration supports any kind of claims or allegations linked to his violent nature being supported or even helped through the power or status that he has maintained in the industry, and him using violence to stay feared (because to Sean, Fear=Power; Mars trine Pluto).

CRADLE 2

Mars Lilith Opposition (Capricorn Mars, Cancer Lilith), Capricorn Mars sextile Scorpio Neptune, Capricorn Mars trine Virgo Pluto, Cancer Lilith sextile Virgo Pluto, Cancer Lilith trine Scorpio Neptune, and Scorpio Neptune sextile Virgo Pluto: This cradle has the same Mars Pluto trine, which encompasses that ability to acquire power and protection within the industry (involving Neptune) previously mentioned, but the focus of the tension is shifted to the complete rejection of feminine energy. Mars in Capricorn opposite Lilith in Cancer can create a self-preserving, venomous individual whose passions/ambitions are being channeled into episodes of rebellion, domination and control. This is a person who is vengeful, sneaky and domineering when it comes to his sexual and intimate relationships and can find himself projecting that back on to the women he engages with. Lilith in Cancer can directly relate to a desire to dominate women (if afflicted) especially to empower oneself, but with it opposite to Mars in Capricorn this can stem from some kind of hatred or coldness toward women that can also come off as complete disrespect. The Lilith trine Neptune in Scorpio can note an inclination to sex rituals, or spiritual (occult) explorations through sexual means in a way to manifest and manipulate energy, and a lot of women in his past have been participants and may even been scouted out for such (Mars sextile Neptune). This is also supportive of engaging in sex trafficking and being able to fly under the radar (Neptune trine Chiron, Lilith, sextile Mars). A lot of Sean’s sexual lifestyle and nature were always something people illuded to being of a dark nature, or at the very least, unconventional. It is possible Sean can have a sexual kink of dominating women in violent ways (as mentioned as being a running theme), with Mars and Pluto in a trine. Lilith being in Cancer can indicate his overall shadow side, or hidden nature, being projected onto women. This can especially be dangerous with Lilith opposite a violent planet, such as Mars, and in a sign like Capricorn he could also be a person who is punishing, domineering or restrictive of them. This could be a man who is not only sexually violent toward women, but also physically aggressive and violent with them as well. I can even say he doesn’t like women as far as respecting them as people. There were a lot of people that were around that were aware of Sean’s behavior with women in private, and so many of them turned a blind eye to their well-being, and even their safety. His Capricorn Mars indicates someone who prioritizes the power that comes with what he’s achieved, and being able to do what he wants because of it. So, with this Mars Lilith opposition, it is likely that he is the type of person to use his power and influence to attract the women that can act out his sexual desires (Scorpio Neptune) and there is an overwhelming tone of domination that can edge on the border of violence. A final note worth addressing was Sean’s Mars sextile Neptune. With Neptune governing photography, videography and even porn, he may have an interest in the documentation of his encounters with a camera, as well as using this as leverage against these women to have continued control over them (Neptune sextile Pluto), which can be further cited by the allegation of being sent Cassie’s ‘intimate photos’ in the past.

CONCLUSION

The further I go (down the rabbit hole), the more I can find evidence that Sean ‘P Diddy’ Combs is capable of most of everything that he has been accused of thus far, and he is still being hit with lawsuits of a violent sexual nature as I’ve been conducting my case on this. I have to say that I learned a lot more about this figure than what I honestly had an interest to, so much so that I’m deciding to take a break from this topic that I’ve now split into two parts (Diddy X Cassie synastry report will serve as the revisited/part 2). But a lot of what has been coming out against Sean can be explained by quite a few configurations in his chart and can be evenly deduced that he may be capable of more than a fraction of it. There were two main points that I wanted to highlight and bring home each time in regard to Sean’s psychological make-up; his controlling/domineering nature, and his sexual deviancy, and what exactly motivates the two and where it stems from. A lot of Mars (Scorpio) and Capricorn influences can be part of the contributing factors to the emphasis on power and control. His Lilith in Cancer opposing Mars in Capricorn is a major indicator of his sexual violence towards women, among other things, and it is the Aries Chiron that can give insight into his psychological wounds around masculinity. Another point one can make with his chart alignments is that he is a product of his environment, especially when you consider the facts of his life. His parents were both living alternative lifestyles, and Sean being a witness/participant in these lifestyles only fueled his familiarity to it. Speculatively, his mother being an escort opened the door for different sexual fetishes that he has till this day (Moon-South Node conj., Lilith in Cancer opposition to Mars in Capricorn) as it was alleged that this was how he was introduced to the concept of ‘orgies’. Recent findings can speculate that him and his mother engage in deviant behavior together, as a video cites Sean exclaiming his mother ‘likes to have a good time’ and how she can ‘touch the floor with her palms…flat’, which in itself is some ‘disturbing’ inuendo. This can very well play a role in his disrespect towards women as a species, as well as viewing them as sexual objects rather than people. It was also alleged by rapper Mase that Sean’s mother gatekeeps all of Sean’s ‘dirty’ business and is the main proprietor of his estate (Virgo Moon trine Saturn (Taurus) and sextile Sun-Mercury conj. in Scorpio). On the other side of the coin, Sean’s father is an alleged gang member/drug dealer that would have Sean present on certain ‘violent’ occasions, which can contribute to Sean’s belief in fear and barbarity being the most effective means to gain power and control, and this can be expressed with his Sun-Mercury conj. opposite Saturn (and instilled with afflicted Chiron in Aries). Allegedly Sean was even present when his father was gunned down in what is being described as either ‘gang activity’ or ‘a drug deal gone bad’ (Saturn in Taurus square Mars in Capricorn). These configurations can also speak to being mentored by men in the industry, who have a lot of power and prestige themselves. These where the examples that were set for him at a young age, and the way he turned out can be seen as the materialization of these influences.

When I revisit this topic, it will be from the angle of the ‘enslavement’, ‘sexual abuse’ and ‘trafficking’ that was the 10 year relationship between Sean Combs and Cassandra Ventura.

THANKS FOR READING

[moe-broey]

Would you like some strangely elaborate specific ass headcanons? Of course you do!!!! Also I'm outsourcing a very specific dilemma. But you have to Learn My Methods first. Okay? Okay!!!!

PIERCINGS. AS STORYTELLING DEVICES. GO!!!!

Okay! So what the hell are we looking at and what exactly am I trying to determine, here? Well!!! There's a few different facets to this.

FIRST OF ALL. REALLY REALLY CUTE AND ALWAYS SO FUN TO ME

One, two, three!!! They're a set of three, and they're marked as such by how many sets of piercings they have in their ears. It's such a small detail that happened more by coincidence than intent, but it makes drawing all three of them together feel coherent and again, fun! I also really like the storytelling/contrast of the Askr siblings having golden jewerly, while Moe's is in silver (it does mix silver and gold more broadly -- but I'm talking just the face/ears here!). You get the sense (... in addition to Moe's more scruffy appearance in general), that one is from a more "common" background.

Okay, but what's all that text? STORYTELLING.... 2

Piercings, as a way to indicate connections to other characters, and to imply background information.

First example, it's noted that Bruno has had his in for a long time (... kind of regretting the specificness of "as a kid". That's supposed to have implications, but tbh it may be more fitting for Bruno as a whole to simply have said, "A Long Time"). He wears something modest, maybe a common stone, but still eye-catching. I like to think Alfonse became enamored with it (guys can also do this???), same way he was completely smitten by all of Zacharias. One extremely questionable piercing job courtesy of Zacharias himself and egged on by Sharena (who made a generous donation and/or sacrifice from her own jewelry box) later, it's a miracle he managed to heal them. Equally impressive is how long he managed to hide them as a teenager.

Meanwhile, you see Sharena's example is pretty straightforward! Assigned ear-stabbing at birth. It worked out well, though! Aside from that one time where her piercings mysteriously closed up and they had to be re-done, when she was little. Which could mean nothing. Alls well that ends well! In fact, she liked the look so much she decided to get another set done! Which may or may not come back later...

I will admit, the saddle plugs on Bruno were an impulse decision I made drawing this out (so not a super strong design headcanon, and maybe I could draw it better w more practice tbh, test run ect ect), BUT. MORE IMPORTANTLY. That idea, AND NEXT UP: STORYTELLING... 3.

On top of noting significant connections and providing background information -- here, you have gaining more and/or doing different Things with your piercings, as a way to indicate the passage of time or a change of taste. Woah, that's a lot of text! That's just my autism showing, I'll do you a favor -- with Moe specifically, the biggest takeaway here is:

One, two, three. There are other iderations of Moe of course, plenty of awkward in-between stages. But as I've developed it, I've found that there's like... three really plot relevant parts of its life. One easy to forget, two OH GOD OH FUCK, three that's the guy who lives here now. AWESOME!!!!

OKAY. OKAY. PEONY she has BEEN HERE THIS WHOLE TIME. What's up with that?

So we have background implications/information, we have connections to other characters, and NOW. WE HAVE. Paths that diverge. Sharena, 2. Peony, 1. Plus, a little bit of shape language with those tear drop earrings... on Sharena specifically...... ohghhghhf........

I've always been really indecisive with my Peony designs (for some reason it has been SUCH A STRUGGLE FOR ME), but I do like the simplicity of this one actually. The "Princess Peach core" note about Sharena is more about her color palette, but after writing that I went You know what. Fuck it *gives Peony Princess Peach earrings*. This does feel subject to change, but the idea they could be like water droplets is so cutes... I have really wanted to give Peony earrings with a blue gem though, BECAUSE...

The blue and silver are a nod to this reoccurring detail on Peony! So not only does it tie back to Sharena (IMPORTANT), it also (theoretically.) ties together nicely overall!!

Okay. So. Where does this leave me. Why did I draw all this out? All these little details that exist in my mind, why did I go out of my way to create this elaborate in-depth demonstration? Remember when I said I was gonna outsource some shit?

PROBLEM: I NEVER. EVER. EVEEEERRRRRR KNOW WHAT TO DO WITH LIF'S EARRINGS‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️ AND THE LACK OF DIRECTION IS BECOMING MORE AND MORE GLARING EVERY FUCKING TIME I DRAW HIM‼️‼️‼️‼️‼️‼️

And what prompted all of this. What REALLY made me Think About This. I did another "ehhh Fuck It" with Lif's piercings, where he's sharing a panel with Moe, and

Ooughgughfhghhh...... them having the same earring arrangement.

But then. Then. I got autism brained about it. I can see Bruno having fuck all time to stretch his ears while on some gayass journey (... the. Timelines. Time in between Events. Maybe he wouldn't have full big stretched ears in Book 1. HOWEVER). Inconvenient, maybe, but if he's dedicated to the grind. He can do it. And I mean, have you seen his muscles? Dude CARES about his appearance. Meanwhile Moe ABSOLUTELY had fuck all time to stretch its ears before arriving in Askr. Then I'm thinking about Alfonse. NEVERMIND how much time it takes to stretch your ears, I'm thinking about the Number Rules. I'm thinking about how he's One, the first guy of a set of Three. I'm thinking about the Number Rule, to indicate Time. Why WOULD he have Three? The Number Rule, as Paths Diverging. There's Two of him, not Three. ALSO ASKING MYSELF "Would Alfonse get more piercings???" LIKE NO. BECAUSE. THE. THE RULE OF THREE. THE ONE TWO THREE. WERE YOU EVEN LISTENING‼️‼️‼️‼️‼️‼️‼️‼️‼️😭😭😭😭😭😭😭😭😭😭😫😫😫😫😫

Idk am I just insane. Am I a lost cause. Lif's ears are usually covered up by his long shaggy hair anyway. But really that does just make any time any piercings Would be visible, just. I am just so deeply conflicted torn between Goth Alt Men Hot and THE METHODS‼️‼️‼️‼️‼️ THE STORYTELLING THE METHODS MY DEEPLY INTRICATE RITUALS‼️‼️‼️‼️‼️‼️‼️‼️💥💥💥💥💥💥💥💥💥💥💥💥

[alt3rnata]

Xenoblade Chronicles 3 seemed very political to me when I started playing it and was unfamiliar with the rest of the series. (Spoilers ahead.)

What do we see there? Two nations are at war with each other, even though the people on either side are no different from each other and have no reason to be hostile. The only ones who benefit from this are their rulers. And they have elevated national hatred to an absolute. But the real reasons for war are completely different: distribution of resources and distraction. The elite see the masses as a resource, and the elite owns this resource via Flame Clock system (in this reality, it is the life force itself, but in some other reality it could be the means of production). By the way, the "leaders" of both nations are just puppets in their hands, literally. The common people wonder what they are fighting for and whether they need it (the answer is 'no'). Only by uniting can they fight back against the ruling class. And only violently, because there is no way to win peacefully. The liberated colonies of both nations and the City must work together to do this effectively.

...So, what is this idea that tells us that people who are being oppressed and used as a resource by some group of people in power should rise up, put their differences aside, and unite against that group, against their REAL enemy, if they want a better life?

As someone who has the misfortune of being a citizen of a country that is currently engaged in such a senseless war, I can say that it very much reflects the problems and questions that many people are facing right now. And it offers a solution that a communist ideology would offer, yeah. (Let us also remember that extreme militarism and nationalism, on the other hand, are features of the far-right totalitarian system.)

…But then there is the whole Queens thing, the intersection of universes, the shift in emphasis to philosophy, and the fact that the new social order built in this struggle will be thrown in the trash with the Origin reboot. It all continues the general philosophical line of thinking about the future that is characteristic of the series as a whole (yes, there is the idea of ​​"no gods, no masters" and that people should determine their own future, which echoes the idea that power and resources should belong to the people, but it is still more general). But still, the third part turned out, in my opinion, more social and relevant to our present.