#man you can really say

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[o-sunny-day]

“Don’t… don’t tell him you think dingbat fonts are cool.”

AUGH @forgettable-au fanart :3 been on another roll with it (in agony constantly)

theres some untranslated wingdings cause i love translating it myself, hope others do too :D

not confident on how “canon” or in-character this is but- I HAD FUN this AU has really got me in the rendering spirit, I really enjoy taking inspiration but also adding mu own silly twists on it and AAA everything looks even more tasty now

I view this as them in New Home after getting something to eat (after the last page update) and heading back the same way since Alphys’ place is on the way to The Lab. The font convo comes back up again and then yeah

Alsoooo if youre interested in behind the scenes stuff heres the speedpaint :3

also i never poster about this- but i had another forgettable dream. it didn’t make any godamn sense. I woke up and drew the only scene I could remember:

Wingdings and Sans had a fight and ig wingdings killed Sans 😭😭😭 in a stairwell for some reason

and current Sans, Papyrus brother Sans, is like watching all of this and was brought here by Lancer like a Ghost Of Christmas Past type situation. Idk why. I choose not to attempt to make sense of this anymore. But i swear this is an actual dream i had 😭

[swiggity-swexual-i-am-asexual]

Danny Fenton, aka Phantom, has been given a new task!

In short, literally no one in the Ghost Zone/Infinite Realms wants their mostly peaceful afterlife to be rocked by a certain Gotham rogue named Joker. Which, when he dies, is almost sure to happen because of whatever the hell was in that vat he dropped in included ectoplasm. So, yay, he’s also a little ghostly too, meaning he *is* pretty hard to kill. Unfortunately, there’s also a certain vigilante that is quite keen to murder him in recent years.

So now Danny has to keep the mass murderer trauma clown alive for as long as he possibly can while attempting to keep the Joker from. Well. Being the Joker.

Oh, and naturally, Danny got this assignment AFTER Joker got out of Arkham. Again. And entirely blew up the asylum. Time to join the Goonion, he is NOT doing this without getting PAID, thank you.

[kcrabb88]

I feel like we really lost something when we started looking at writing as a reader-centric product meant to appeal to the desires of a specific audience rather than a writer-centric approach of someone writes whatever particular thing particular compels them/whatever weird thing the demons in their head want to talk about, and people out there who are also compelled, and/or relate, find that writing. A lot of discussions of writing really center around what readers want rather than a writer's exploration. Sometimes as a reader I don't know what I want. I click on a fic or pick up a book I'm not sure about but that looks interesting, and I love it. Reading what I expect to get is it's own joy, but we always need to expand our horizons and not get mad at creators for not always writing what we want/expect.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[turtleblogatlast]

I’ve remembered that colors exist

[clockworkreapers]

Vol 3 Jack really went though it huh

[terriblygrimm]

wolverine: you know what, you really are a fucking joke. no wonder the avengers didn’t take you, or the xmen, and they’ll take fucking anyone. i mean you are a ridiculous, immature, half-wit..moron. i have never met a sadder, more attention-starved, jabbering little prick in my entire life and that says a lot because i’ve been alive for more than 200 fucking years and ill tell ya - that bald chick was right about one thing: you will never save the world. you couldn’t even save a relationship with a goddamn stripper. motherfucker i wish i could say you’d die alone but it’s one of GOD’S BEST JOKES THAT YOU CAN’T DIE! EXCEPT THAT’S ON ALL OF US!

what, you got nothin to say, mouth?

deadpool: *rendered speechless for the first time in his life*

me:

[yuurionviktor]

Gonna finish Gideon one soon, but for now you can have this Harrow

[arcanegifs]

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[laurents-secret-diary]

oh damen we're really in it now.mp4

[batcavescolony]

To like comics is to ignore comics.

When your favorite character has existed for 80+ years, has had 100s of writers, has changed over and over again, sometimes they got it wrong. You have to decide what to ignore for your own sanity.

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.