#man vs. nature

[stargirl230]

Heard there’s going to be another lxh movie!! and immediately renewed my hyperfixation by consuming all the available media in the franchise

(no reposts; reblogs appreciated)

[fakecats-art]

relearning how to draw dazai... also 2 sushis

[triviallytrue]

we've had a lot of memes lately about like. math illiteracy

[totally-not-an-awkward-okapi]

Still thinking about that little angel I dreamt about a bit ago so I’ve been binging other angel stuff and felt inspired to try to draw him as @hoaxghost ‘s style of angel.

[bisexualjonahsimms]

Sweets trying to help Brennan recognize emotions is peak autism to autism communication

[novelconcepts]

In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.

The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.

And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.

[immediatebreakfast]

It's kinda fun, and all of that make jokes about how Van Helsing is probably shitting himself out of fear while Mina watches him without blinking a single time, but considering the whole picture between the two... Van Helsing is in a deeply fucked up situation straight up from a more horror like narrative than a gothic one.

Yes, there is a really good difference between the Gothic and Horror as literary genres. The Gothic genre uses amplified emotions such as terror as a response plot device to give commentary on any socio-political-cultural anxieties that were happening in the real time period which the plot is centered. More times than once it is also hand in hand with a personification of these anxieties in the form of the Monster or the Villain of the story. However, in the Horror genre this terror shapes itself in the front and center of the narrative as a way to explore the extreme of the darkness that lays within the human condition through emotions like disgust or the emotionally disturbing. By putting the characters in unsettling conditions, and against the inevitable grotesque, the Horror makes the readers have a reaction to its situation, and questions about said reactions as humans beings.

And what else to call this if not Horror? How does the character of Van Helsing, a man who thrived in the Gothic setting as the role of the foreign man of science with rational and cultural knowledge on his side, can defend himself against this change when the literary Horror declares that he can shifted from protagonist to victim whenever the narrative decides to inflict a new emotion to the reader?

Well, this sudden shift leaves Van Helsing utterly afraid.

She make no entry into her little diary, she who write so faithful at every pause. Something whisper to me that all is not well. However, to-night she is more vif.

There is nobody else but him, and Mina in this isolated mountain as winter falls down on the ground, absolutely nobody to turn for help.

At sunset I try to hypnotise her, but alas! with no effect; the power has grown less and less with each day, and to-night it fail me altogether. Well, God's will be done—whatever it may be, and whithersoever it may lead!

As Mina changes the closer she gets to Dracula's castle, it was never like this and never so unnervingly quickly.

I go to help her; but she smile, and tell me that she have eat already—that she was so hungry that she would not wait. I like it not, and I have grave doubts; but I fear to affright her, and so I am silent of it. 

With only his journal as a listening ear for his very justified worries, because Van Helsing fears that the questioning would finally break the very thin liminal feeling that is protecting him right now.

Madam still sleep, and she look in her sleep more healthy and more redder than before. And I like it not. And I am afraid, afraid, afraid!—I am afraid of all things—even to think but I must go on my way. The stake we play for is life and death, or more than these, and we must not flinch.

Right now Van Helsing is holding in his hands the promise that he made to both Mina and Jonathan before departing, he is holding onto that little ray of hope that tells him to ignore all of the warning signs all over Mina that any other character except Jonathan wouldn't have just ignored. All of these days Van Helsing is taking care of Mina while praying that she doesn't kill him if her transformation becomes complete before ever teaching their revenge, he has to write his "last" letter now before he can't ever write again.

[howtomakeyousee]

Not all art is static.

Some masterpieces move.

[baejax-the-great]

Oh, so you enjoy fiction that has "conflict" in it? Okay, pervert

[lapdogchase]

i feel like im supposed to know a lot more stuff about everything than i actually do

[londonadayatatime]

Standing... With Company, April 2024

[borgialucrezia]

THE BORGIA BROTHERS + putting the family's interest above their sister's concerns

"Everything I do is for the family."

[floridazcrazy]

Girl you made the bet what do you mean you don't know 💔

Pls disregard my tags chat

[solaestial]

end roll X stranger things 2v2 🔥

super random and self-indulgent crossover but. i did some pixels in a kind of semi-battle setup for fun ehe. the pairings feel both a little similar to me and VERY different ofc it's so funny

separate duos and alts under the cut :>

[rush-the-stars]

perhaps it is time to dust off the western omegaverse au with wolfwood. perhaps.

[rogloptimist]

reading through this interview with tadej’s parents and hmmmm being conflict averse soo fun i think something could be said about this