#makoto applies here too

[snivyartjpeg]

aww little guy! ... wait he's a bit fucked up actually-

[iwaasfairy]

┌─ “ ! „ FLUIDITY

tw. dubcon, monsterfucking, explicit size kink, interspecies sex, reader has sex pollen like effects, communication barrier, manipulation, yandere (other parts will contain a lot more explicit dark kinks so please read every individual part's warnings!) wordcount. 8.7k

part 1 of —

a/n. ♡♡ thank you so much rhi for keeping me going through this, idk if i would have pushed through if not for you so ily ily ily and this fic is just indulgence as a period piece and a monsterfucking fic but i hope you give it a chance and like it bc there's moresomes a-coming and this is just the beginning so! yeA i hope you guys enjoy mwuah mwuah mwuah ♡♡

tachibana makoto x fem!reader ( x other characters coming)

Dragonflies glint the prettiest, richest silver you’ve ever seen under the right light. The rosy evening sun casts the entire river into a blooming glow— complete with a soft blanket of fog that rolls along the base of the trees. “Your maiden servants worry about you, you know,” a voice softly calls, and the rustle of shrubbery makes you turn.

You don’t really want to know how long the man’s been guarding you without a word. If it were anyone but one of your father’s most trusted men, you’d probably have some distrust. Instead you only pull your knees to your chest, and continue tossing rocks into the babbling brook.

“Lady, it’ll get dark soon. Your parents don’t want you playing out here so late.”

The small area isn’t open enough to lure any visitors. You’d be fine. Still, you slowly bob your head, waiting for him to step away from the tree edge into the river bank with you. “I had a weird dream, only it didn’t feel like a dream.” The reeds sway in the wind, and you almost let the perfect surrounding whisk away the thought. But the man’s hand drops from his sword, and he gives the faintest of nods. “There was a monster here when I fell asleep— one with a huge mouth packed full of teeth. I saw eyes in the water, and hair so long it covered its whole body.” The tart remnants of your delicately applied makeup wash away as you swallow. “I think- it was a yokai.”

“There’s no yokai here, lady,” he patiently responds, and you turn to him better. This time taking a proper look. If the damp hair tied in a bun is anything to go off of, he was most likely called out of his bath to come out looking for you. You bite your lip, apology lingering on your tongue. But that’s where it stays, as the man continues. “There’s monsters only where people don’t go. You needn’t worry.”

“Are you comforting me?” A slight giggle passes your lips before you can help it. “I know you think I’m lying. You don’t believe anything you don’t see with your own eyes.”

“... It’s not for a lack of trying.” He smooths a hand over his hakama, before resting it back on the pristine handle of his sword. The dragonflies buzz over the low edge of the water, and your feet ache a little from the cold. You’d love to ask to be carried right about now, but spare the poor man the effort. It’s the least you can do. After another few minutes of silence and watching the sun disappear entirely below the tree line, he finally clears his voice. “Come on, lady. We should really get back. You’re precious to your parents. You’re precious to us all. I can’t leave you here.”

This river runs from the high mountains all the way through the small lake that borders the gates of your home; and all the way down the lowlands— and it’s said that on the day of your birth the river flooded, and provided the most bountiful harvest of the last few decades. Even as a child, there was no ignoring the gleeful whispering of the ladies, nor the calculated introductions of sons of poorer lords at every birthday or feast. Some day not too long from now you will get married and spread providence over the land… and there won’t be time for napping by rivers or running off half-dressed into the forest.

Somehow, despite the honor, a small part of you goes cold at that. The water glistens under the last of the light— and you take a long look into the deep of it. The eyes the color of hot coals flash through your mind once more, and you start pulling the fabrics of your dresses aside to put your zori back on. “I know it was a monster- but-” The wind picks up when you turn over your shoulder and smile your most genuine smile. “I wasn’t scared, I think. Perhaps it was friendly.”

The guard is quiet as he watches you get up from the riverbank, and sticks a comfortable distance after helping you gently up onto your feet. You suppose he doesn’t really have the heart, or perhaps confidence, to tell you what he really thinks of your childish talk. The barely-there path back to your home has you growing much more tired— as if weights are tied to your legs. You wish you could stay. The moss crunches softly under your feet, and the dewy air starts to feel a bit cold to the touch. Despite everything, it’s always peaceful here. You cast a brief glance up to the man as he pushes the shrubbery aside. His face has a vacant sort of look, until he catches you looking, and his mouth curls up. “I’ll tell your maiden servants to prepare a purifying ritual for you.”

“Ugh, no, please. Anything but that.”

+

“The koi fish aren’t around anymore, are they, lady?” There’s a slight hesitation in her voice as your maid walks up.

You nod, lift your sleeves to brush your fingers through the water and wait. You got them as a present for your coming of age festivities— the most beautiful blue grey with red fins— much too expensive for your liking but a courting gift nonetheless. You’d been quite fond of the walks out of your houses’ walls because of them. The feed floats sadly on the surface of the inlet, where the clear river water shows no sign at all of the normally curious animals. “It seems like they’ve gone.” What a shame.

Your other maiden scans the area, before rushing to help you up onto your feet as she lowers her head. “Should we ask the master to procure some more? We know feeding the fish brings you much joy.”

The girl helps to fix your sleeves again, before awaiting your call. “No, that’s quite alright. There’s no use replacing a gift.” You cast a wary glance at the bay once more, not quite sure what you’re looking for; but fail to find anything out of the ordinary. A sight furrow comes to your brow, before you hike up your layers of skirts- much to the shock of your two servants- and turn to them with a softer smile. “I would like to be alone for a bit—”

“Lady!” one of them squeaks, but you only laugh.

“I am certain, Hitsu. Tell my father I will be home before tea and dinner, and if you could prepare my bath…” The dark brunette has a question on her tongue, but does nod with the same trained properness that you’ve come to know. “I simply wish to walk along the river, I won’t swim. It’ll be quick, I promise.” It’s not a lie. You have no intention of ruining your beautiful, expensive clothing by going any further than a shallow few steps. But there’s a nagging memory somewhere in the back of your mind— 

You used to have so many dreams, all of them now too faint to recall. Both young ladies give each other a look, before eventually bowing deeply and heading back towards the palace gates.

See, that nagging sense that you’re forgetting something important, something crucial, overcomes you. It’s almost impossible to ignore, and you kick off your shoes to tread carefully along the edge of the deep pool of fresh spring water. The moss is soft under your feet, keeping a tight grip on your embroidered silks.

When you were only a few years old, you used to have these dreams. Dreams of drowning, of ghouls and demons. They grew scarcer the older you got, and eventually even the weekly purification spells and chants became declared unnecessary. But where the memories once sat, now only a blank hole remains in your mind. And however hard you try to remember, you can never quite get there. You make it to the sloped edge of the river not much later, stepping up the small sputtering waterfall and a few round stones between stray bamboo— nearly still water pooling at your feet.

It’s chilly, but not freezing. Something scratches in the back of your skull, deep down. It trickles down your neck, and with a steady heartbeat, it breathes.

But you can’t catch the thought, and the harder you try, the cloudier it becomes— eventually you click your tongue and start walking along the water edge up stream. You should look for your fish. If they swam out of the inlet somehow, maybe they’d be around. They are, much like you are, bred for captivity and wouldn’t survive too long on their own. The sun casts warm spring rays onto your skin, walking in much needed solitude. When you barely realize you’ve spaced out, you’ve already made it to a bend in the river where peach blossoms float on the otherwise pristine surface of the water— and despite your previous care, you drop your dress.

The blossoms swirl in slow circles. And a raindrop lands on your nose. 

Arms, wrapped tight around your chest. Claws. Wide lashless eyes.

Something floods your brain so suddenly that you stumble back a few steps and gasp, sucking in a breath.

It was here. You can’t exactly make out what, but your gut recognizes the trees, the scraggly stones sticking out of the water. Your lungs full of water, and hands all over.

Bumps rise all over your back as you look around, and water seeps up along your tarikubi robe. It’s so quiet, and the stillness starts to trouble with each droplet that comes down. But you breathe. You’ve been here, perhaps more than once, and the aching, pressing itch deep in your head grows more unbearable. When a metallic flicker catches your eyes, you glance down. The rain now starts up more properly, and though the trees provide some shelter, there’s no hiding away from the cold as you walk in just deep enough to bend and pick up a dainty golden chain from between the smooth rocks.

It’s fine like thread, and cold to the touch, and though you can’t quite explain it; something about this finely crafted piece is familiar too. Even through the rain and the chills crawling all the way up your spine, you study the necklace closer. The intricate detail is almost too pristine.

A soft splash on the other side of the river startles you— The sudden scare makes you lose your balance and fall back onto your lower end. Hard. The ache immediately has you whimpering, but instead of worrying about the pain, you slowly try to catch yourself on the rocks; pained enough in the motion that you swear — you see a person diving underneath the water edge. Something pale and fast. You scream, and whatever you saw dashes away before you can think about doing different. The blossoms drift off as you scramble back up; your bruised palms sting, and your heartbeat still hammers hard in your throat when the silence returns.

But the blurry flash of maroon hair and fiery red eyes you caught is long gone.

And much too soon, the clouds that had seemed so fluffy and beautiful earlier turn a dreary grey. You turn on your heel and book it back down the river side on bare feet— still clamping the chain between your fingers.

+

The wick of your lantern splutters with thick oil as you fail to catch sleep. Even with the spring weather it’s chilly, with you remaining wrapped under a thick blanket. You breathe a long sigh, and listen to the crackling of the candle beside your bed in the absence of any other sound. The earlier lecture of your father, your mother, and even the normally quiet and collected matron of the house still lingers on your mind— it’s not like you can blame anyone. You wouldn’t be the first stupid, brazen young girl who happened to drown, and despite the quiet lives most girls like you live, you most likely won’t be the last.

You shouldn’t have been out there. Your servants had been ghastly pale from fright upon seeing the state in which you returned, and even the thorough scrubbing and hours-long bath didn’t do much to alleviate the ache in your lower back.

Despite all that, you’re stuck. Eyes -monstrous, unnatural eyes- appear in the crevices of your mind each time you close your own. No amount of prayer makes the longing fade, and the longer you lay here, the deeper they seem to dig into your flesh. Goosebumps crawl all over your skin once more. When you throw your blankets off you, you go digging in one of the woven baskets for the thickest bland garments you’ve got— tying them around your hips until you’re dressed enough to peer out into the hall. The frigid air current howls through the house when you gather your lantern, some woven socks, and after a brief bit of deliberation; snatch the golden chain from beside your pillow.

The palace is quiet at night, an almost eerie sort of calm that is broken only by the soft ‘pats’ of your feet on the hardwood— with the lanterns barely providing enough light to see a good arms length at a time. The wind pushes you forward, nuzzling deeper into the collar of your clothing until you make it outside. Even under the starry sky, there’s no doubt that this is a stupid idea. No good can come from nightly outings — though you’ve seen girls come and go in similar ways under the cover of night, you’re quite sure their purpose was less out-for-trouble than you are now. But what else can you do?

How could you ever sleep soundly not knowing what’s out there.

With only the flickering reflection on the water, you bow before your home— you’d be back soon enough. You love your clan— and you have no intention of getting caught in long lectures twice in a night. The guards at the gates have no way of noticing you as you slip into the brush and cover the lamp from sight, as cold breaths form clouds before your eyes.

Your legs move almost instinctively until you come upon the peach tree, and the pretty white flowers rain down with the breeze. You place the candle by your feet; and hesitate before taking your own seat on a round rock right by the water edge. You’ve never seen a yokai. Not that you can remember at the very least, but if you would have-you didn’t expect to here. Not the river that blessed your birth, or the one who gives everyone life by way of harvest. Maybe what you saw was a farmer bathing, or a particularly pale, large cod— wouldn’t that make more sense. Isn’t that exactly why you didn’t tell your father?

Because naïvity and silly wonder seems better than monsters lurking among the shrub.

Sadly, but perhaps unsurprisingly, a soft splashing in the water sets every hair on your body upright— and your mouth goes dry. It’s so dark. So awfully dark that it’s hard to see even past your own feet, if not for the broken reflection of your candle in the water. You know it's there. You feel it, by the rancid sort of churning in your stomach, the rapid beating of your heart. You swallow the tightness in your throat as best you can. “I’ve come to return your necklace. I didn’t mean to steal it, so I’ve come to give it back.” You wish you could let your eyes grow used to the dark, but without candle light, it’d be so much harder to get back home in one piece.

After just the sounds of the river drag on, you slowly take another breath, and try to bite back the wetness that rises every time you try and fail to find the eyes you know are looking at you. “I don’t wish to harm anyone.” The wind seems to howl harder across the river, and you can’t fight the horrible visions of monsters all around you, just there in the darkness; tightening your hands into fists. “So I wish you would not harm me either. You can have it back.” Your hand shakes when you hold out the chain above the water— not nearly far enough for anything to reach it without coming into your sight. But you’re too frightened to go any deeper, and your lungs tighten.

“Please, I-”

The peaceful spluttering of the water is suddenly disrupted by a much louder splashing, and you freeze up with a sharp gasp, shoulders trembling despite yourself. You don’t dare move any more than that— only after a minute or so of silence, you continue. “Hello? Don’t you want your necklace back?”

The reeds shake in the wind, and one of the blossoms brushes along your cheek as it falls into your crouched lap. Your breathing is tense enough to almost hide the little mumble that reaches back. It’s soft, sweet like dripping honey, and makes your whole spine tingle. “We want.”

If you had any less sense, you’d probably run right back home. But the idea of moving is too terrifying, so you’re stuck rooted in place as you take a breath. The voice sounds young enough, but the Japanese is distinctly older than your own dialect, rolling off the tongue with a vague foreign lilt— and it takes your frightened brain a little longer than you want to process that the voice isn’t simply human. When another little splash sounds a bit closer, you pull your outstretched hand back to your chest. “Can you see me?” Your own voice wavers when trying to make out any shape in the river. Alas, it’s just so dark that any further effort hurts your eyes.

“Yes.”

“I’ve come to give back your necklace. I got scared and took it, I’m sorry. I mean no harm-”

“He told.” The voice is unbearably clear. Almost like it’s being spoken directly into your head, even though it’s just a mere whisper among the rippling water. It’s distracting, and feels ice cold between your ears.

“Who’s he?” you try, biting your lip. The river seems to stare back at you, and you can’t do anything but hope you aren’t making some horrible mistake. Are you supposed to talk to the monsters that go bump in the night? “I- I don’t know where you are, I can’t see you.” Despite the soft, gentle nature of the voice, your heart patters wildly, unable to let go of your fear when there’s another closer splash. You must only be a dozen feet away from each other now, and still you can’t even see past the water at your toes. The voice stays quiet for a while.

“You don’t see is … better.”

You don’t respond for even longer. But for whatever reason, you almost want to agree. Not seeing, he almost sounds like a childhood friend of yours. The soft, honeyed words aren’t so frightening when you can’t see what they’re being spoken by; and you gather your last bit of courage to softly open your palm out again towards the night. “I’ll throw it over to you. Can you catch it?”

“No ‘throw’.” The -whatever- struggles with the word as he says it, before going quiet. You’re not sure if he doesn’t want you to throw it, or he simply doesn’t understand— so you just bite your lip and wait for any further comments that eventually do follow. “You put paw- h-hand.” Then, after another breath, “Come.” With a slight tremble in your voice, you breathe out a little laugh. You are really being asked to be braver than any girl with sense would— dragging your lantern closer over the pebbles until it’s right by your feet. Cursing yourself, you blink back nervous tears, trembling as you hike up the edge of your skirts, just the tiniest bit, and place only one foot into the shallowest part of the river for stability.

Your hand drops halfway outstretched, and you watch the flame where she glints back on the chain.

More splashing makes way for a more disturbing sound once it surfaces, of a body dragging over the shallow of the river towards you, scraping along the blunt stones— and you almost dart away when the sound comes close enough to reach. But your fingertips are almost frozen solid when another hand comes ever faintly into view, and wetness drops into your palm. To call it a hand is gracious, you decide. There’s longer digits, clawed, and webbed between each bony finger, and the wet glossy skin is more curved spike than thumb. The paw slides carefully along your hand, swiping up the chain as it goes— and leaves a cold coating all over your palm that you snatch back too quickly.

It’s unbearable to stay so close to something and not see it now, and you quickly hurry back to the safety of your rock as the same shuffling goes back to the water. Your heartbeat’s in your throat, and you can’t find any polite words to offer it until the yokai speaks again.

“Rin present, with- no, f-for you. You give present back, make happy. I am thank you.” You’re welcome, you think, but you barely manage to paint on a little smile before wringing your hands together and picking your lantern back up for safekeeping.

“I’m heading home now. If I’m not back soon my guards will find out.” It doesn’t feel entirely appropriate to thank it for not killing you when it had ample chance to, so you stay quiet. But there’s also a sense of gratitude that washes over you. Soon you’ll be back in bed like all of this was a dream. That seems right. That seems good. Your tongue lingers on your words. “You … What's your name?” The river bank feels much safer now you’re back on solid ground, and you can see the peach blossoms you almost slipped on.

There’s another long pause, where you almost make a run for it back all the way home, before the voice sounds out again from the dark— sugary sweet in its tone.

“Makoto.”

+

You’re pretty sure you should be questioning your own sanity. Everyone else wouldn’t hesitate to, and after the few restless nights you’ve had, you should be staying as far away as you can. But curiosity, mixed with a slight sense of obligation, has you walking the river bank like a little droplet flowing back to the sea. The quiet, scruffy man following behind doesn’t say much… never does, and you can’t say you dislike it. But you feel the glances your way, distracting you. Soon you find yourself clearing your voice. “You’re wondering why I’m walking this same path again?”

The older man only hesitates for a moment. “No, lady.”

“Sure you are. I would wonder if I were you.” There’s a faint smile that makes its way up, glancing out over the babbling brook to your left as grass tickles your ankles. “Not too long now and I’ll be engaged…” The peach blossoms above are almost done blooming— and you’ve never known your father to be an indecisive man. “Walking gives me a little break from all the fussing attendants, and father's advisors. Which is why it’d be even better if I were alone-”

It doesn’t take much pushback at all for the man to stop in place and give you a little look, resting his hand on the handle of his sword. “Lady.”

“Oh, please Azuma-san, we’ve had this same conversation for years.”

“I am not to leave you unprotected-”

You turn on your heel to face him. “I want to swim.” The stubborn frown on his face doesn’t move an inch, as your eyes go a little more puppy-esque. You have to know, so you have to lie. It doesn’t bring you joy either, but you might go insane if you have to live with questions for the next twenty years barred in some fancy prison of your future husband’s making. “-Swim right here. Without my very expensive clothing getting ruined.” Still that stone wall refuses to budge, and you throw your last bit of dignity into the ring. If this was anyone else you’d never hear the end of your unrefined words. “So I am going to get undressed.”

“—Ag-lright, just quiet. Your servants hear you and I’ll be lynched in the square.” He sighs deeply, rubbing his hand over his scruff, then gives a little bow. He wants nothing more than to roll his eyes when you offer back a self-satisfied grin, but instead takes a few steps the way you came with a stern look. “I’ll ask one of your maiden servants to make her way over here.”

“Don’t tell her to hurry!” you chant back, only taking off the heaviest layer of clothing once he’s out of sight. You lay it safe out of reach, before kicking off your shoes and socks and waddling towards the big stones again. Sure enough, the river here is a lot deeper than it looks. There’s a ledge in the pool that’s dark enough for almost any kind of monster to hide. This at least means your midnight escape wasn’t a total delusion. The peaceful sway of water grass settles when you dip your toes in the water, and wonder. There’s only a brief few minutes where you sit to think, before a slight thrashing once again captures your attention.

Only when you look up, the river is still, safe for a few tiny fish jumping out of the water. You get up, and tie your skirts up higher to inspect. A large maroon shape darts away into the darkness before you can take a good look, splashing droplets all over the river bank— and you hold your breath. You aren’t crazy. That definitely was much larger than any fish you’ve ever seen, and such a brilliant color that nothing but yokai could possess it. Brighter than all the finest silks, shimmering like a mirror. You wait for what could be a few seconds or an hour, before… someone- something else starts coming up from the darkness.

The olive-golden glitter rises so slow you have no choice but to take in another breath, but luckily don’t scare it away. His light chestnut hair is chopped short-ish, and a strangely human face— with cloudy black eyes, and green gashes either side of his neck— where he hovers below the water surface. It’s not human though. The eyes are big, round and deer-like, nose flatter, and his skin seems almost pearlescent. You don’t have the ability to think if you’re brave or just frozen solid. But whatever the case, the humanesque monster seems to stare for quite a while before judging it safe enough to approach.

It’s only then that you get to see the full extent of his body, scaled from ribs down, with a snake-like bottom half that’s at least longer than your entire body, and ending in a beautiful fish-like tail that feathers out in glittering threads. “Oh…” you breathe, and your arms wrap around yourself for protection, but you still don’t move further. Can’t, more like.

The half-man is close enough -and real enough- to feel a bit nauseating. Close enough to set every hair on your body on end and have your heartbeat a wild patter. But it’s the voice that really makes you feel frigid, gulping for air when that soothing tone comes out of a monstrous mouth. Whatever you had expected to see… wasn’t this. You can’t make out if the near-resemblance is comforting, or more frightening. You shiver at the black tongue, against porcelain white teeth.

“You come back.”

Your nod is hesitant, and you fidget with your jewelry in an attempt to calm your nerves. “I- wanted to see who I’d been talking to, that night. I haven’t slept well since then.”

He hoists himself a little further out of the water onto both hands, clawed and boney. “That was you, right? Makoto?” The brunet only gives a single nod of response, and doesn’t take his dark eyes off you for a second. And you want to laugh, though it isn’t too funny. The scene is just so absurd that you have nothing else to do, but laugh. “Isn’t this weird, talking to each other? How come yokai speak Japanese?” your voice comes, and you only hear how childish you sound when it seems to hang over the river without answer.

Out of all the questions you can ask, that’s what is most important to you? Makoto is gracious as he scoots a little closer once again, scraping his long, heavily muscled tail up over the pebbles and stones. “I listen very many year. Always listen, listen woman, listen warrior, listen you.” He blinks, and blondish lashes are the only normality you have staring back at him. “All can’t speak like me. I -hmm, pras-”

“Practice?” you try, and he clearly agrees when his tail pats happily on the ground. When you smile, he grins back wide and kind, his teeth are much sharper than yours. There’s something so human about the look, that you feel your muscles unwind a little further. You suppose, if he wasn’t so strange looking, with the wrong shades and fins here and there; he’d be quite handsome. He’d go over well with the maiden servants in the clan, too. “Many years, huh? Then- How old are you?”

“Hmmm- old. Very…” He doesn’t seem it, though. You avert your eyes when the water flicks over your feet, slowly dropping your shoes to the side. When you look back, he’s gotten closer yet, and is reaching out his hand towards the edge of the water, towards you. Despite your hesitation, and slight disgust— scaly and seemingly frost bitten pale lips, and unnatural greenish marks along his neck that flare out and in— there’s something that makes you want to follow.

A call, or instinct, to glide into the water and feel it embrace you. “You want come in?” he prompts, softly, and you do. You aren’t much of a swimmer even in high summer, and yet. You find yourself closing the distance and reaching out for his hand, letting your fingertips glide along as you get up to your knees into the water, and then get pulled along further step by unsure step. “Good, come.”

“Ah- it’s cold!” you squeak, but Makoto’s fingers wrap around your hand to support you even when you get almost up to your chest into the river, water crawling up your clothing and making your chest feel tight. “Sh- it's so cold.”

“Water not cold. You warm.” Only when he comes up in front of you do you truly notice how much bigger he is. His hands dwarf yours, and even though you’re higher up, his tail is curved aside to fit on the ground so he stares down at you— covering the sun from your view. He towers over any man you’ve ever seen, and his human-esque top half is still much broader than most. Like a hard plane of muscle, marked with thousands of golden freckles that shift in color the longer you look.

Shivers climb up your legs, and the water seeps your energy out of you. Wrapping your free arm around yourself, you rub some heat into your skin. Those pale lashes flutter as he gives you a half lidded glance, and the freckles that also go across his cheeks color a little more amber. “Lady is … cute.” Large hands suddenly slide along your sides up, before dragging over your shoulders and slowly taking your clothing with it, removing one of a few layers as he leans in. “Here, better without.”

“Oh. No- I don’t- think-”

“Shhh. Better, I know,” he seems to get closer, even though you are too busy staring back into the darkness of his eyes to really notice; and let him untie the robes enough to toss it towards the water edge. Then he pauses, and gets up higher onto his coiled tail to pull another layer off and throw it. Until you’re left standing in only your flimsier linen undergarb, and you’re suddenly much too aware of how peaked your nipples are against the scratchy fabric. But his hands slide up along your thighs to start peeling that off too, when you grab for him and shake your head.

Makoto insists. “No cold when not -this.” His hands keep going up even with your pressure on them.

Having a night encounter with a man is one thing, but you don’t know how you’d ever explain this if someone saw. You can’t dart away in a flash and escape the consequences. You have to go home after this. “I need my clothes to go back—” you quickly beg, ignoring the soft pads of his fingers along your upper thighs, “and if people see- Makoto, please.” Your whole body aches with the cold, and though the touch feels nice, it doesn’t seem right. Your nakedness isn’t a simple thing, even if his is.

“Clothes heavy. Water don’t like clothes.” He turns you around and you lose your footing on the stable flooring, arms quickly clinging onto his wide shoulders for support— it does make his point. Your clothes are incredibly heavy soaked, and pull down on you as strong arms ever so slowly wrap around your waist; nose only a few inches from yours. You can’t help it, your face gets hot. Cheeks, ears, nose- everything starts getting a distracting warm glow that you do your best to ignore, pulling your lip between your teeth. Even so, he seems to look down at you with intrigue, water reflecting in the black of his eyes. “What?”

“You’re very close…” you confess, and also try to release some of the tightness of your embrace— but amusement only brings him closer. He tilts his head, before leaning in until your foreheads meet, and the cooler skin consumes you. “Makoto-sama-”

“Human kiss, hm?” He’s so close, and his mouth is right there -and though you have no clue why, you really want to. The thought is almost as real as the air you breathe, feeling his hands roam all over your body through the soaked linen. Your voice doesn’t make it out when you nod, but he still lifts you into his chest, and your fingertips dig into his shoulders instinctively. “Show me how to kiss? You little one -hmm- good- fit.” You can’t help it, in place of physical heat there’s a sort of aching fire that spreads through your limbs the longer you stay close— and once you start you can’t stop.

Your mouth meets his first, lips moving with yours as his arms squeeze tighter; but when your tongue brushes his lips and meets his, he makes a noise. A low sort of purring that rattles his chest, and has him leaning in harder, trying to bury you into his body as your tongues brush and you suck and moan. His taste is mild but his tongue is heavy, and much longer than yours when it slips further into your mouth. Much longer, bigger, and the wetness soon has you feeling like you can’t breathe.

You pull back with a gasp, staring at the way his long tongue brushes along those sharp teeth before he leans in more. “Again.” You try to make some separation between your two bodies, but clearly Makoto doesn’t care for it when he clamps his hand down around your hip and kisses you more, melting to you as his tongue brushes against yours. He kisses like you’re the first and last thing he’s tasted, even when you moan a little whimper at the lack of air. His cold skin prickles against yours, grinding his waist against you slowly as your head pounds. Still, it feels good.

You don’t ever want to leave— and it’s this exact feeling that has you pulling back for air. You must be out of your mind. He stares with a blown out sort of hunger when you say his name again, and run your fingers along his shoulders up a little. “I’m going to get in trouble if someone finds me here- and- it’s not like we can—” Your cheeks get even hotter when you try to say the words, not even sure if he’d understand. Does a yokai’s understanding include human nighttimes? When he shows no intention of putting you down, you bury your face into his chest, feeling even smaller than before.

Though his skin is cold to the touch, there’s an intense amount of heat surging between you two, almost impossible to ignore— and the way you’re positioned against him, large arms caging you against his waist that pushes into you— doesn’t help anything. You can feel yourself get more slick each time you move your legs. He seems to chuckle when you groan- and as if sensing your train of thought, he rubs his nose along your ear and down the sensitive of your neck with a lower voice. “I want see. Human body so little. Want see it.”

That’s the tipping point. Every fiber in your being aches to obey, to let yourself get touched, seen, taken by him— and your mouth drops open a sliver as you struggle to find words. Your feet can’t reach the bottom here, and Makoto seems content to keep rubbing against you in a slow sea-saw motion that makes your center feel entirely hot. And eventually you crack. Blinking up at him, you breathe a faint “okay”, and let him turn you around. His hands are quick in their exploration, sliding under the last layer up your thighs, squeezing every few inches as he goes up. When he gets to your center, there’s a little flutter of his eyes, before those digits slide in and brush over your pussy, rubbing just soft enough to leave you wanting. “Warm,” he breathes, and then pulls you a little closer. “You do me too.”

As he pushes your last layer of clothing open fully and starts sliding it off your shoulders, you allow yourself just a little curiosity. He’s handsome, and he’s close, and you just feel so needy. Your breathing is still short against his chest, but your numb fingers glide down his sides with purpose as the muscles flex under your touch. His chest rumbles when you whine at the prodding and circling of his fingers around your dripping pussy, and you glide your hands down to his tail. The touch feels a little coarse, but he’s warmer there, and when you rub your palm over the area he’d been grinding into your waist, your fingers feel a softer, spongey slit. Makoto hisses when you rub a finger up and down, and you feel more heat burn onto your face. “Here?”

The question is answered when your finger slips in and is all hot, and something bumps you. But he picks you up and with one swift dash, lays you down on the river bank to get up between your legs. You need to open wide to allow him to fit, and can only whine out his name when the weight of his body over yours pushes you into the cold stones. He licks the air a few times, before grunting. You wish you could do anything other than just flush and look away when his hands descend onto your tits and start touching and rubbing, and the pressure leaves you all exposed. But it doesn’t take long for his attention to shift back to between your legs, and now with a better angle, he sinks down to nose below your navel. “Hmn-”

The purring is paired with a flaring of the gashes on his neck, and his eyes roll back. When his hands spread your legs up as wide as you can go, he nuzzles into you, and that long black tongue peeks out to lick slowly. You can’t help it, you moan. Loudly. It feels like a million pinpricks are traveling your body, as the very long, heavy tongue drags a long strip up your center, and then the tip of it laps at the wetness coating your hole— that quickly gets pushed open further with each sloppy lick. His tongue pushes inside you as he sucks and the feeling of something so hot and so- squirmy makes you squeeze your eyes closed. It’s too strange, but you can’t pull back.

Your hands even reach for his head to tangle your fingers in his hair and whine, your back curling from the floor. You’re drenched- no longer just water as your pussy clenches around his tongue that he forces in to lick places you’ve never been licked. Makoto wraps an arm around your thigh to pull it over his shoulder when you curl and wiggle against him- you can’t help it, it feels so good. Everything’s so sensitive, like your entire body’s been doused into hot water and you’re drowning— only difference is, you’re actively longing for more.

It’s better than any drink-induced daze, late night tussle with a stable boy. It’s even better than your own touch and mind, because he’s just so big and you’re so full, so hot. Your hips grind against his face when he sucks again, and his nose brushes your most sensitive area— and try not to let the water into your mouth when you yerk again. “Ah, ahg, Makoto-sama. I can’t- I can’t handle this much, please. Oh dear gods, I’m sorry, I’m so sorry. Ah-ughhh, f- ah, please -keep going.”

Your lower belly is wound so tight, and even the sound of his breathing against you feels good. You could melt into the floor with how much slick is coating your insides, dripping out of you around the suction on your cunt. And Makoto doesn’t have any intention of moving. Your mind aches— you want more. You want to wrap your entire body around him and come apart— as his large hands squeeze your thighs tight and wrap them around his head like he can’t get deep enough.

The sloppy, wet sounds of his face burying between your legs to stuff you full of tongue, licking and sucking at your sensitive pussy. It has your muscles so tight as you roll your hips against him, and you can’t stop shaking. “Oh, I’m g-gonna cum— I can’t! I can’t. It feels so- gud. Ah, ahh. What is happening?” When your fingers clench in his hair, he lets out a long, animalistic groan as he glances back up. Still his tongue isn’t fully inside you. “I can’t- Makoto, I can’t!” Even though he’s reaching further than fingers can, he’s still able to fold the deft black muscle over your clit and slot his lips around it to suck. Hard.

And your body can’t handle any more. While his heartbeat pulses through his tongue against your clit, everything goes white, your muscles clenching so hard it hurts. And your heart beats so hard it feels like it stops altogether. If you make any noise at all, you can’t hear yourself over the pounding in your head, rattling your body so hard that nothing except you and him exist. Your eyes are shut until you’re aware of how he grunts against you and pinpricks get too unbearable. But he doesn’t stop, lifting your body to his face and allowing you to ride out your orgasm against him for what feels like forever.

When you feel like you can hear yourself breathe again, you unwrap your legs from around his head. “I thought my heart was going to explode. If Hitsu knew…”

Your eyes are teary when they flutter open against the light, and the black abysses that stare back are barely narrowed slits. Dipping his gills into water briefly before getting up above you again, Makoto seems different. There’s something predatory that wasn’t there before. You can’t help but go quiet. As his hands drag your body down a few inches, you swallow. “Are you okay? Sorry. I feel like I should thank you— I haven’t come that hard, ever. I don’t know about yokai but I don’t think I could feel that good.” His muscular body covers most of the river from your view, but you find it almost too hard to look at him. You’re still hot; but your skin feels cold.

His fingers slide down along your side when he lets out a little groan. “Yokai don’t do this.” Then he goes to brush his face and mouth along your throat, and you shiver a little at the feeling. “So pretty. Warm. I like warm. Stay with me?” You let him grind himself on top of you and embrace him the best you can, only fitting around the narrow of his waist, but after just a second you yerk up. Makoto pulls his head back when he notices, and you get another brush against your slit that makes a cold shiver run up your spine. Where the slit sat before, a dick has emerged- and your mouth drops open a little. The thing is vaguely dick shaped, but has spurs at the base like an anchor, is more pointed at the tip; and it also pulses with each breath.

“Pretty warm body, good. Smell good too.”

You can’t help but swear when you avert your eyes, and instead wrap your arms back around his neck. “Oh, fuck.” Surely, this is where you’d draw the line. Right? But the touching of that against you doesn’t make your body react the way you think it should. The prodding along your inner thighs just leaves you feeling empty, like you’d like to start all over again. Makoto grunts out a little breath when your tits brush his chest, before staring down at you.

After a few seconds of studying your face, and probably the heat that’s flooding your features, he licks his lips. “Human men have… hm-”

“Yes,” you quickly say. He smacks his lips and grinds against you again. “They uhm- put it inside.” If the answer shocks him, he certainly doesn’t show it— looking like he’s barely holding back from crashing his face back to yours and turning you over to fuck you like the begging whore you feel like. The longer he just keeps his solid body against yours, the harder it is to ignore yourself getting wet again against the pulsing of his cock. The purring, clicking noise coming from him feels nice, and you pull at him. “You’re not done yet, right? I can do more.”

You angle your hips a little, and try not to sound so desperate when looking up at him for a kiss. “Please- put it inside me. I- I want to feel you.” Your hands slide over the rougher scales down between you two to reach for him, and hesitate a little when his cock is heavy and covered in some sort of slime; and it seems to follow your touch. But you’re too far past embarrassment to truly care, and Makoto groans when you wrap your fingers around him to squeeze softly. “I need you.” You really don’t know what’s wrong with you. You feel like your body’s being torn apart. You want to be filled, fucked full of him, and get pumped round of his kids— all things that you shouldn’t be thinking about. You didn’t with any men you’ve been with. You can’t.

Even though you know you’re being ludicrous, when he goes in for a kiss, you cling onto him hard; digging your nails into his back. You don’t even know if he could fit. His cock is proportionate to him- but it’s big and long and girthy enough to put any man to shame. You should care. You should care that you could regret being filled up to your breaking point, but you’re just so, so desperate. You might die if he doesn’t fuck you. You can feel it. “Please, please, please—”

—You slide a few feet across the floor, angry thrashing scaring you up into a flounder as you breathe in deeply. Makoto’s dragged off of you and down before you can even blink, water splashing everywhere; and you struggle back to the riverbank with wide eyes. Now you’re no longer side by side with another person- no, creature- you suddenly feel the entire ache of the cold water. The shortness of breath, the numbness of your lips and hands and feet. You feel the painful sting of your back where you’ve been sliced by a dozen sharp rocks, struggling to keep your head above water. And you feel the soreness between your legs of having been filled by something too big.

When you get over the pure shock, you notice the struggling has stopped, and you notice your creature’s golden shape next to someone else. They glitter and glint even in the low light of the afternoon, and you furrow your brows. The second shape only gets clearer when the light shines through the water and colors the flickers a blinding maroon. Your tongue feels cold.

Your arms wrap over your chest and cover up the best you can when Makoto surfaces again and gives you a kind smile, but you take a slight step back. His long, pale lashes flutter when he reaches out a hand. “Sorry. Rin don’t want to bleed you.” Your back and your painful scrapes are the lesser of your worries though. Whatever spell you were under, you’ve been snapped out of. You feel entirely strange- enough to have hot tears welling up along your waterline. What the hell have you been dragged into? You were going to… do things with some monster you didn’t know existed until today. Your brain screams and pounds, and your stomach is entirely flipped. But the brunet softly continues. “He don’t like I take you. Can you come here?”

“No.” Your hair now sticks to your neck and chest, and every second you’re out of the water, is one where the feeling comes back to your limbs. Your arms are so heavy as you keep them up. “There’s more of you?” You don’t know what you expected, really. Maybe you should have known. Maybe you should have questioned. But how could you have truly known?

“Yes.” he answers after a beat, and swims up a little closer with a frightening ease. “Shhh, okay. He will come. You stay.” You try to tell him not to, but he dips below the water surface before you get the chance to ask him not to, splashing water all over as he does— and you don’t know what else to do but to stare at the small bubbles that pop as peach blossoms wash over your feet. Before too long, the reddish shape surfaces alongside Makoto. He lingers in the deep of the river however; fiery eyes zeroing in on you without blinking at all. He stays submerged from the nose down, and you can’t help but feel too watched. 

Your heartbeat doesn’t calm when the brunet swims up closer, and you take a little breath. “Who’s that?”

“Rin,” Makoto softly, sweetly answers, as if he was expecting the question all along. He smiles wide like a saint, and you have to ignore the voice in the back of your head that tells you to get back in the water. His hand reaches out though, and you almost want to. Almost. Your arms and back break out in goosebumps. Then Makoto looks back at the other yokai, and gives you a smiley once-over. It takes you a little too long to recognize something else that plays over his features though. A strange sort of knowing, like he’s seeing right through you. “You Rin’s mate.”

You don’t know why you don’t get up and run.

“Come back in?”

Only that the voice in the back of your head gets more unbearable. You wrap your hands over your ears, and try to hang on.

All Rights Reserved © IWAASFAIRY 2023. Works are exclusive to this Tumblr.

[penguwastaken]

About Brainwashing in Danganronpa

Hello to all 3 of the people who see this account. A few months ago, I made a thread on hit website Twitter dot com about brainwashing in the Danganronpa Series. I discussed where it came from, how it works, and how the brainwashing of class 77-B was never a retcon. The thread got a lot of attention there, even getting a "debunk" on other hit website Reddit dot com (lmao). Due to that, there's been a lot of responses and questions. Since I can't really update a Twitter thread, I decided that I'd make the Ultimate™ Brainwashing thread and hopefully dispel any information on the subject while making my original points more clear and covering things I failed to cover. So here it is: Brainwashing in Danganronpa, how it works, where it came from, and how it was intended from the start. (a 🧵 except not really) *Massive spoilers for Danganronpa Zero, Danganronpa 2, Danganronpa Another Episode, Danganronpa Togami, and Danganronpa 3, as well as the series as a whole*

Danganronpa Zero: First Sighting

Brainwashing has its roots all the way back in the second official entry produced in the series, Danganronpa Zero. During the story's events, Ryoko comes across a secret cult made up of students from the reserve course. They're seen staring at a strange video, seemingly turning them and turn them into mindless zombies.

The video depicts members of the student council killing each other. Ryoko is stunned while watching it. She can barely look away, but eventually through force of will she does. This same video is later used to convince the reserve course to rebel.

The way it's described to work is that it uses their “pent-up emotions,” implying that their emotions played a role in its effectiveness. It's also worth noting that the novel itself refers to what is happening as brainwashing, making this objectively the first depiction of brainwashing in the series right from the second entry.

Danganronpa 2: Now it Gets Dubious

Our next instance of brainwashing comes from Danganronpa 2. The concept is brought up multiple times, such as when Makoto states that the Ultimate Despairs were brainwashed or how the Neo World Program is good at treating brainwashing, though the details of what brainwashing actually means in this context are kept vague.

It's also worth noting that Danganronpa 2 was being written around the same time as Danganronpa Zero and Kodaka wanted concepts from the novel to appear in Danganronpa 2, likely so readers would feel validated. This is why things like Izuru Kamukura and the reserve course play huge roles in Danganronpa 2, it's not too much of a stretch to say that the same applies with brainwashing. One detail we’re given about the brainwashing is from Monokuma, who states the Ultimate Despairs were brainwashed by Junko taking advantage of their feelings. Specifically love, hate, grudges, and "anything really". If that sounds familiar, it’s because that’s exactly how the brainwashing video from Danganronpa Zero was described to function, using their pent-up emotions.

I should mention that Monokuma and Junko are known for being unreliable narrators who often stretch the truth, exaggerate things, and use hyperbole to manipulate people into believing their narrative. Monokuma describes the Ultimate Despairs as “nothing more than Junko’s limbs”, which contradicts the existence of characters like Nagito. Who, while in his despair state, did not work with Junko nor did he look up to her (at least in the normal sense like the other Ultimate Despairs). In fact, it would have been impossible for them to really obey any of Junko's orders as Ultimate Despairs because Junko was trapped inside of Hope's Peak with minimal connection to the outside world. This isn't a definitive "Monokuma is lying" statement, but just note that his word isn't 100% reliable. Meanwhile, someone like Makoto who outright mentions brainwashing, is a much more reliable source.

Danganronpa Another Episode: More Brainwashing! (kinda irrelevant tho...)

The next time brainwashing is used is in the next entry, Danganronpa Another Episode. Though its purpose in this discussion isn’t the most useful, as the brainwashing is caused by Monokuma helmets, which don’t have their functionality explained. I figured it was worth mentioning and describing at least, as its another example of brainwashing at least.

I did figure it was worth adding how the brainwashed children act. They obey the Warriors of Hope’s every command, as if they have zero control over their actions. This is different from how the Ultimate Despairs act, who still some free had free will after presumably being brainwashed judging by the actions of Nagito, who is also in this game.

Danganronpa Togami: I Hate My Life

Okay. As mixed as my opinions are on this novel trilogy, it does feature brainwashing. In fact, it might feature one of the most detailed and important descriptions of brainwashing in the series, and even outright CONFIRMS that class 77-B were brainwashed (sorta).

"Hey um... Tumblr/Twitter user Pengu... what do you mean by 'sorta'?" Well my uninformed reader who I guarantee has probably never read this book, there's a twist. I regret to inform you that the canonicity of Danganronpa Togami is rather questionable, as it depicts an extremely unreliable narrator’s warped viewing of events due to this thing called the K2K system, which means not everything in the novel is meant to be taken literally or at face value.

This doesn't mean that everything should be discarded or immediately dismissed however. This just means that we have to use our brains a little and decipher what the hell Yuya Sato was cooking when he wrote this novel trilogy. In the novel, we discover the existence of the elusive despair novel. When read, the novel will turn the reader to despair and inflict them with the despair disease. This novel is what's used to plummet the world into despair, as well as being what caused the class 77-B to become the Ultimate Despairs. There's no known ways to avoid it, once you read it, it's joever. 😔

As I said earlier, the events of Danganronpa Togami can’t be taken literally. Due to this and prior context, we can safely assume that the despair novel is most likely the K2K's warped idea of the despair video from Danganronpa Zero. Instead of being a book being read that brainwashed people, it was a video being watched. What makes me so sure? Well let's look over the similarities. The way the despair novel works is that it uses cruel words to overload the reader with negative emotions, causing them to snap and turn to despair. That sounds almost exactly like the despair video, overloading the viewer by manipulating their emotions until they turn to despair.

However, a major difference comes from the fact that Danganronpa Togami confirms towards the end that the despair novel doesn't literally brainwash people, acting as a placebo and an excuse for people with despair to use.

However I don't believe this suddenly breaks the connection to the despair video in Danganronpa Zero. All it shows is that the novel doesn't create despair, which is something we already established with the brainwashing video. It doesn't make despair, it makes it stronger. Whether it be via the disturbing imagery on the screen or the words on a page giving you an excuse, all it does is amplify despair. Basically it doesn't make despair come out of nowhere, it incites it. This connection's a little bit of a stretch but I'll bring it up anyways. The technology used in the despair novels was originally to bring hope. (Take notes, it will probably be important assuming you buy this connection.)

Essentially, the despair novel works in a similar same way as the despair video, but instead it’s a book and you read it instead of watching it. This means that class 77-B and the rest of the world were most likely brainwashed via the despair video, and that is what caused the class to become Ultimate Despairs.

Danganronpa 3: The One People Really Don't Like

And all of this brings us to the most detailed yet controversial usage of brainwashing: Danganronpa 3. Many assume that the anime’s usage of brainwashing is a retcon, contradicting the words of our holy savior Super Danganronpa 2: Goodbye Despair High School. However, I’d like to debate that. In fact, I'd like to finally put a nail in the coffin of this really stupid debate and finally show you that Danganronpa 3's depiction of brainwashing is exactly how it has always been described.

In Danganronpa 3, we are introduced to Ryota Mitarai and his anime. Using the power of subliminal messaging, it heightens the viewer's emotions and makes them more powerful. What was once a slightly emotional scene is now a complete tearjerker fully capable of tearing at the viewers heart strings! While he acknowledges that there are unethical things that can be done with this technology and it's technically brainwashing, his goal is to use this technology to make the world a better place, even if it can be dangerous. If that sounds familiar, that's because it's what Hope's Peak tried doing with the despair novel in Danganronpa Togami. Though I'll admit, this single point is a little bit of a stretch as there are differences. I just figured it was worth at least a mention.

Using her analytical prowess, Junko gets a rough understanding of how the technology works, so she develops the despair video, featuring the student council killing each other overlayed with subliminal messaging technology to make the despair felt while viewing the video stronger.

The video works on Mikan, however Junko fears that the video may not be powerful enough to fully go through with her plans due to not understanding the technology nearly as well as Ryota does. Because of this, she forces Ryota to create a better, more powerful despair video. A despair video v2 if you will. Junko’s fears weren’t unfounded, as we discover that Chisa had the mental fortitude to resist the despair video, similarly to how Ryoko was able to resist the same video in Danganronpa Zero. This is exactly why Junko needs a more powerful video, one that she knows can’t be resisted.

"Ermmmm, Tumblr/Twitter user Pengu, how come Ryoko and Chisa are able to resist the despair video but Mikan and nobody in the reserve course could?" Good question, the answer is pretty simple. As mentioned before, the video takes advantage of the emotions of the viewer. Mikan is already pretty weak minded, so there wasn't much issue in controlling her. The reserve course already hated Hope's Peak and would take any reason to hate them more, so a video that shows them the sins of Hope's Peak would affect them as well. Ryoko and Chisa have no connection to the reserve course however, and neither are particularly very weak emotionally. Ryoko has the analytical prowess of Junko and Chisa is just a very strong willed person in general, and paired with Junko's lack of knowledge about subliminal messaging when creating the video, it's pretty obvious it wouldn't be that effective on them. All the more reason for Junko to force Ryota to make a better despair video.

The despair video v2 that Ryota is forced to make comes in the form of Chiaki’s execution video, where the stronger subliminal messages paired with witnessing the representation of the happiest moments in their miserable lives and their closest friend suffer makes class 77-B unable to resist. Ultimately this causes them to finally snap, being overloaded with despair, and now they turn into the Ultimate Despairs. (side note this is so freaking cool idc what anyone else says)

This resembles Monokuma’s explanation from Danganronpa 2. Junko used class 77-B’s emotions and years of getting closer against them to turn them to them to despair. Now featuring the added context of her using the video designed to manipulate people’s emotions. Also as @jelimore pointed out, Junko leading the class to Chiaki's execution itself was manipulating them. This depiction of brainwashing fits perfectly with the information provided throughout the series, even down to the little details. It’s so close in fact that I can say without a doubt that Danganronpa 3 did not retcon anything. “But Tumblr/Twitter user Pengu, that isn’t how the video is shown to work during Hope Arc. Therefore it actually contradicts previous entries and is inconsistent!" To that I say, you’re correct! ...at least about the hope video functioning differently, but that doesn’t make it inconsistent. The hope video behaves pretty differently. Instead of overloading the viewer with negative feelings, it simply just shows them a repeating video loop that turns them into a mindless zombie, likely caused by even stronger subliminal messaging. The people affected can also snap out of this state with some time, as seen with Aoi.

The reasoning for this is actually pretty simple, it’s just different technology entirely. It’s stated that the hope video was developed later on after the despair video. If anything, it behaves very similar to the Monokuma masks from Danganronpa Another Episode, which we also already established uses different technology. The hope video doesn’t contradict the despair video at all because they both use completely different tech. This can also be seen with how the despair video uses subliminal messaging, meanwhile the messaging in the hope video couldn’t be further from subliminal. There is no inconsistency, just two different things.

The reason the hope video needed to be broadcasted everywhere was so that since it would be airing everywhere, nobody would have time for the effects to wear off or resist it. This would turn the world into mindless zombies who obey every command, similarly to the Monokuma kids. It's just that now they don't have to force bulky helmets onto everyone.

Debunking Common Arguments

With the hope video out of the way, I think it’s very safe to assume that not only is the despair video’s functionality very accurate to previous descriptions, it’s also always been the reason for the brainwashing of Class 77-B, long before Danganronpa 3. Even if you disagree and think the cause of brainwashing was never explicitly mentioned in Danganronpa 2, there's still the fact that Danganronpa 2 outright says it was brainwashing. So even if a video wasn't the direct cause of it, them being brainwashed was still always intended (though given the context and the fact the video was introduced in a tie in novel for the game, I'm certain that it was always the culprit). Many point to this line where Kazuichi asks why they became the Ultimate Despairs and Makoto says he never got an answer to debunk this. But... this doesn't change anything. He asks why they became Ultimate Despairs, not how. And this is completely ignoring the fact that Makoto clearly has done his own digging into the situation, he discovered the Remnants of Despair were hiding among Future Foundation after all. The Future Foundation had access to brainwashing videos, they found them, so of course Makoto is going to know about the brainwashing. What Makoto is saying here is that he doesn't know every little detail, all he knows is that they were brainwashed. I wrote a bit more about it here, but there's nothing contradictory in this scene.

Many also point to Mikan stating that it was her many human relationships that led her to being the way she is. Once again, this changes literally nothing. Mikan was the only one of the remnants who actually knew Junko, she was the only one who spent time with her because she was the first subject. This is why she gets more attached to her, and even why she'd believe what Junko would tell her when they spent time together. Monokuma also says that Junko used "hopeless methods overflowing with charisma and humor" to control the masses. I don't even know why I have to address this, but this statement is so vague you can interpret it as a million things. Like for example, this is how she got Ryota to work for her. While pretending to be Makoto to manipulate the people in the trial, Junko tells them that they all became Ultimate Despairs while coming into contact with her at Hope's Peak and they were subjected by her terrifying influence. Again, ignoring how vague "terrifying influence" is, this is literally Junko trying to LIE AND MANIPULATE them. This is quite possibly the worst example you could have used because we know for a fact that she is lying to them while pretending to be Makoto. There's other examples of Junko trying to manipulate them, like mentioning how everyone hated them and their all Ultimate Despairs at the end of the day. But that's just what this is, manipulation. You would think that the "Junko manipulated class 77-B" crowd would understand that saying "everyone hates you but I saw your potential" is literally manipulation 101. She even states that Izuru killed the entirety of a student council, which we know for certain is a lie because Danganronpa Zero (which came out before) says otherwise. Some say that the brainwashing turned them into mindless zombies and eliminates all blame from their actions. While I would agree that it does make them less at fault, they still have the ability to make choices and still have free will. Their original personalities haven't been overwritten, their brains were just rewired to crave despair. They're still each their individual person with their own ways of feeling despair, and characters like Chisa and Nagito show that they regain their free will to an extent. I also wrote more about that here, LOL.

Conclusion and Final Thoughts

This whole debate stems from people misunderstanding Monokuma’s words and going along with the popular interpretation, which turned out to be wrong. Whether you like the use of brainwashing or not, it objectively isn’t a retcon as it's been developed ever since Danganronpa Zero. Personally, I love the use of brainwashing. I think the way it's developed throughout the series and its usage in Danganronpa 3 is super interesting. If you disagree, that's fine! Heck, if you choose to headcanon that Junko manipulated 15 individual teenagers into all becoming despair hungry terrorists capable but ending the world and fighting off every military in the world in less than a year, that's cool too! But the truth is, Danganronpa 3's brainwashing is canon and it's also not a retcon nor does it contradict anything. Contrary to popular belief, Kodaka was involved with the writing of the anime. He provided a large draft and outline of the plot and oversaw its development. He produced the anime, he did his homework, the team even played the games to prepare for writing the anime. He knew what he was doing. I'm sure if Kodaka intended for them to all be manipulated one by one, that's what he would have went with. All information implying that it was manipulation is very few and far between and questionable at best, not to mention outweighed by everything implying it was brainwashing. Mind manipulation stuff is not new in this series, its been around since the first game and brainwashing was established in literally the second entry ever produced. Whether you love it or hate it, think it's the best thing since sliced bread or the death of the series, brainwashing was the answer the whole time. Some people just never noticed it, and instead of acknowledging that they were wrong, they stuck with a headcanon that they believed so much and jumped to the conclusion of "retcon". I hope this mega post managed to inform some people, maybe change some minds too. If you still don't buy it, then I guess there's nothing I can do. Thanks for reading all of this though, I tend to yap a lot about this franchise lmao.

[itsmariejanel]

73. roadtrip and shenanigans

previous [.beginning.] next > transcript under the cut

Makoto - ... I actually see myself moving here someday. [ sighs ] Now to figure out a way to drag you here with me- Kiara - [ laughs ] Buy me nice things and you might get a deal!

Makoto - easy peaaaasyyyy Serena - noice broooo Kiara - UGHHHHHHHHHHHH!!! Mark - FOFUCKSAKE!!!! slide 2 - text messages from Kiara's phone between her and Jace

Mark - GROUP HUG!!!!! Serena - I’m gonna miss you so much baby… Mia - Me too corazón... [ sighs ] one more week and we see each other again, yeah?

slide 5 - text messages from Kiara's phone on the group chat between Jace and Serena

Kiara - NOOO! DON’T GO IN THERE!!!!! Mia - Oh god!!! I can’t watch!!! Lucas - I don’t think the children can handle your movie choice, my love- Benjamin - Nonsense!! We’re just getting started. Pass the popcorn, babe.

slide 7 - text messages from Jace's phone between him and Kiara

L.Faba - There’s no way in hell you pulled that woman I’m- Jace - I KNOW- wait... SHUT UP! Grace - I love you, angel- Evanora - [ chuckles ] But I love you more!

Gemma - So yeah… I’m moving out- Jace - Pumpkin… Are you sure? Gemma - I’m sure! Darrel Darrel expects too much of me, and I can’t take it anymore. Being a spellcaster isn’t everything... Jace - Alright, [ takes a sip ] so what’s the plan? Gemma - Well for now I’m moving in with a girl named Ophelia? I think it was! She’s studying in Britechester, and I’ll apply for next year- Jace - Have you told your mom? Gemma - Nope!! You’ll help right, ghoul? Jace - ...Can I ever say no to you?

[cyanidas]

⚠️SHSL Detective ! Kazuichi Souda 🕵️‍♂️

I'm hoping to make a small series of fun lil sprite edits with my talentswap AU that scrambles the talents of Class 77 and Class 78, and has its own weird lil story to go with it

(someday I'll think of a cool shorthand title. maybe. perhaps. as a treat. i would also like to write this story someday... we will see, since evidently im allergic to projects)

Headcanons? Headcanons for Detective Souda?

(also a lil comparison between this one and normal Kazu, and some AU info)

For this AU, characters' original body types, general interests/inclinations, and much of their personality is intact - the only parts of their personality that change are things influenced by their line of work alone. A lot of who we are and who we become tends to be influenced by our interests, which in turn is influenced by our upbringing, which also influences who we are... but I intend to keep the characters as close to how they are outside of their original talents as possible.

This AU also swaps the end twists between the 1st and 2nd games, and in some way keeps original relationships (like Makoto and Kyoko's partnership, and Souda's inclination towards Sonia). Some personality aspects are allowed to bloom or forced into hiding, depending on the upbringing I imagine would have been needed to allow these talents to shine within them and rise to Ultimate status.

ok Souda Headcanon Time:

The teeth are actually natural - he has a disorder which effects a number of things but especially effects his teeth, which are sharp as a result (something that evidently exists?? tho i forget the name, and it's not as perfect as drawn here ofc but.)

I think og-Souda would have a great skincare routine, one that Detective Souda lacks, since he never gained the motivation nor inspiration to care more about his appearance in front of others. So, he has some zits.

When he was very young, he was living with his father in their bike shop, but his dad went too far one night. A worried neighbor called authorities on them after witnessing his dad's aggression. At some point, the situation tips over, and Kazu's removed from his father's custody.

The detective investigating his father's abuse took care of him, and eventually adopted him after his dad was incarcerated. New Dad was not physically abusive, and genuinely cared for his new son, but due to his line of work he wound up kind of a sad sack of a person, so he's still a pretty cringefail/wetkitten father figure.

Kazuichi would accidentally stumble across his files around the house, and witnessed far more corpses than he likely should have as a child. Terrified at first, he eventually suppressed his fears in favor of trying to become a stronger person, and insisted on applying himself to learn his caretaker's line of work... inadvertently witnessing even more death and dying than he should have, from a young age.

As a young teen, he took interest in therapy and self care, and came to realize his trauma regarding his father and his guardian / upbringing. New Dad has his full love and respect and he tries to change for his son. This kind of expands Kazu's self-respect a little, while adding new depths to his hatred/fear of violence and conflict.

Due to his new caretaker, he never went to the same schools, and lost his original friends as a result - so he doesn't suffer from the same trust issues as OG-Souda, and as a result, easily clings to the people around him and allows himself to get lost in his head a tad more often than OG.

He specializes in forensic investigative work, because his brain is still wired better for calculations, spatial reasoning, and mathematical speculation.

He also still loves learning about how things work, and now, he's especially interested in how things have happened / come to be - finding satisfaction in analyzing evidence, instead of reverse-engineering parts/machines.

He even still has a mild interest in mechanics! But he is firmly convinced that being handy and technical is nothing to boast about.

He is also now convinced that he wouldn't make a good repairman/mechanic/engineer, anything of the sort. Part of this apprehension is due to his hatred of his father.

He is still pretty timid, and jumps easily at any sudden or loud noise, is afraid of the paranormal, gets upset easily when socializing, and feels terrified when there is any perceived threat.

However, death and dead bodies are some of the things that no longer frighten him. Upset, sure, but nothing like OG-Souda. He sees dead bodies as objects to investigate and solve, as opposed to feeling the horror of seeing a deceased fellow human, or feeling too overwhelmed if it's someone he knew. Because of this, it's easy for him to get lost in his work and feel totally disconnected while investigating.

[theultimatekamehamehavoc]

Kyoko time! Also, keep in mind, spoilers ahead ^v^

For her first outfit, the casual attire, it's nothing too crazy. Feel she'd still be rocking those boots as she's older. Kyoko just gives me boot energy after all. I like to think she's got strong legs and can kick fairly well, her boots adding to that strength. At the same time though, I just feel she just really enjoys wearing boots. Maybe it's that extra height or the very chunky look they have. Whatever the case though, she's a woman who's not giving up those boots. Additionally, I'll be honest. Most of the choices I made for her casual attire are entirely off of vibes. For instance, I feel she'd still be a skirt gal which is why she has a skirt here. This also applies to the bow on the back of her hair and the braids. How I interpret Kyoko is that she's not one to wear overly girly accessories that are very bright, loud, and vibrant. However, she still enjoys the subtle show of her femininity and feeling pretty! Thus, the braids and the black bow stay! They're just moved to the back of the head instead of one side. As for her work attire, for one, she's still doing detective work in my au, perhaps helping Makoto on the side since they're both roommates in the same apartment. I also decided to give her pants for her work attire, not because she couldn't do it with a skirt. This is Kyoko after all! She'd be able to manage. Feel with age though, Kyoko would be less likely to prioritize her style and instead goes for practicality for work. She has more of a social life now anyway so she can let her style shine and be as pretty as she wants then. Oh, and before I forget, she's got an eyepatch too! I left it open for interpretation in regards on what exactly happened. For those who mostly ignore the anime's addition to the canon, it can just be that she got the injury during a case. For those who like aspects of the anime though, the scar on her face is from that time she almost died. With how the poison dispersed, I like giving her this scar to show that effect! Plus, if they were going to do a fake out death and not just kill her off, at LEAST give it some impact by having her be physically scarred! That's my 2 cents here though!

As for physical features, I drew her a bit more stocky here, still very much a feminine shape though stronger as well. After all, she's still fairly active though it's not like she's jacked or anything either. I don't think she'd lean to wanting a more muscled appearance. Not to say she couldn't kick ass! Her legs have a bit of toned muscle to them and her arms do as well. It's all subtle though! Moreover, I like to think though that Kyoko's in a good balance from how she treated detective work back then though. Though she'd still do some risks for solving a case, she's less likely to throw her entire life in jeopardy. She's ensuring she's eating properly, treating her body well. Thus, the pear shape of her body is showing a bit more here as well as the fact that she's a grown woman. I also thought it'd be cute that, no matter if Makoto or Kyoko ever become parents, they are destined to have mom and dad bods, even if it's subtle. Additionally, with her age, life experience, and all that she's gone through in her life along with the others, she is much more willing to accept aid. Perhaps during her time working on case work at home, she gets some input from Makoto since they're living together and she also generally respects Makoto's thoughts and opinions. Some other aspects of her physical appearance I wish to mention here is her hair. I honed in a bit more on that practical feeling for her by having it shorter but still expressing her femininity. She's also wearing Makoto's boxers here as well. Just wanted to drop that tidbit in there as well >:]

For the most part, I can say I'm fairly happy with how she's turned out! A good mix of what makes Kyoko who she is with a mix of my own flairs! More to come soon! (1) | (3)

[my-midnight-musings-xoxo]

Major spoilers for MadK!

---

Dantenshou is one of my favorite characters, so I will yap about him! This isn’t a formal analysis by any means, (sorry!) I’d love to do an in-depth analysis one day though!!

The first time we meet Dantenshou is in his brothel, saving Makoto from being assaulted. He’s quickly shown to be motherly, given he’s birthed the incense children he has a soft spot for kids. 

In the next chapter, we see a conversation between Dantenshou and J with Dantenshou saying “...Of all the people you brought here thoughtlessly, not one of them…! It all ended with them going insane!” With J retailing saying Datenshou he didn’t, mocking him for being obedient and worrying when he was once a prince from a minor clan before leaving. Datenshou lashes out, muttering, “What are you dissatisfied about? I keep delivering don’t I…” befitting the worrying J mocked him for.

Dantenshou’s need, almost craving to please J is shown more than once. Many of these characters, if not all of them, could be described as tall children. They have power, status, and more, but at the heart of it, they are children forced to grow up too fast, unable to process their pain.

It’s a while before we see Dantenshou again, with him having lost his mind after betraying J, him being the first person to only add to his guilt. There’s a flashback with J and Dantenshou, looking quite young as J tells him, “What a good, obedient boy. Grow up into a powerful, influential demon and entertain me, okay?” Before this Dantenshoou exclaims, “I..I just did everything he wanted..” It’s made clear falling in love is fatal for demons, and I find this ironic because Datenshou uses scent to smother humans in love, becoming whoever they wish to make them addicted and unable to bear being away from him.

Chapters later after a client leaves Dantenshou and Fjord (another character I absolutely adore!) talk. Fjord brings up a past client who promised to free Datenshou if he was allowed to rip D to shreds, with Dantenshou replying with, “When people are sympathetic I just…” He’s often referred to as being nice, so human for a demon, clearly unchanging as he was as a child. In another flashback, it’s once again shown he was docile, loving J since he was young, letting J make him cry, and always doing what he was told. “You were so dedicated to J's expectations.” as he’s described by Shax, an old friend of J’s.

The moment Shax tells Dantenshou Makoto wasn’t bluffing about destroying J, he becomes enraged, immediately wanting to go see J with Shax stopping him. Dantenshou blames himself, proclaiming he wished he’d never been born.

There’s more to this scene but I want to talk about what happens after when Makoto is heading home while talking to Kiernan (another character I would love to yap about!). Makoto says, “...Talking with you guys makes me think about how alike you demons are to humans.” Kiernan asks what they look like to him. Makoto responds, “Fragile things bound by love.”

This applies to practically every character in this godforsaken manga, this masterpiece has so many quotable lines!! Ahem, almost done!

In the end, Shax and Dantenshou seem to be living peacefully, with little rafflesias joining them (the incense children) in quite the domestic scene.

You could argue he was the only one with a happy ending in that way.

As much as I want to do a Makoto analysis next, I’ll admit the thought is.. intimidating! He and J are two characters I love and want to do justice to, so if I ever do write an analysis for them it’s far off in the future unless I gain a surge of confidence one night! 

If you’ve read this far thanks for indulging in my rambles, it means a lot to me <3

Not sure what I’ll ramble about next, maybe Brutal? It’ll probably be another MadK post, hehe

[vindicated-truth]

(Originally written here)

This will definitely show my age lol but I'm reminded of a philosophy by two opposing sides in Rurouni Kenshin:

Shishio Makoto said that nature determines who comes out on top through survival of the fittest. He sees humanity as a predator eating prey.

"In this world, the flesh of the weak is the food of the strong. The strong live, the weak die."

Himura Kenshin, however, has a different philosophy, almost wishfully idealistic in how he believes humanity differentiates ourselves from animals.

"You believe that the strong exist to cull the weak. To use them as food. But you are mistaken. The strong exist, not to feed off the weak, but to protect them!”

I'm reminded of these opposing philosophies because I see them reflected in the difference of philosophy between the central villain and one-half of the central protagonists in Beyond Evil too: Han Kihwan and Lee Dongsik.

Remember what Dongsik said to the man who got Minjeong drunk:

"So you are saying there's nothing wrong with making a girl whom you don't know well get really drunk? So there's nothing wrong with leaving a drunk girl where anyone can come in and take her? You didn't mess with her, so it's not a crime. Is that it?"

And what he said to the ahjumma at Do Haewon's assembly:

"A daughter who is old enough to be your daughter is gone. Could you say that if she were your own? Minjeong wasn't a bar girl. Then is a bar girl allowed to die? Aren't your daughter, a bar girl, and Minjeong all just people?"

While Kenshin's philosophy is more broad and political, it's mirrored in Dongsik's philosophy that is more specific and modern. In particular, while Kenshin uses his skills as a swordsman to protect powerless citizens, Dongsik's uses his privilege as a man to protect women.

Essentially, it's the same philosophy: the privileged should use their power to protect the underprivileged and fight for their rights.

This is why Han Kihwan is pegged as the central villain opposite that of Dongsik, because his philosophy differs in that he uses his privilege and power to take advantage of the underprivileged: essentially "feeding on them" the way Shishio describes the purpose of the "strong".

It applies to how they approach their respective jobs as police officers too: Dongsik uses his job as a police officer to find the lost and forgotten of society, while Han Kihwan uses his job as a police officer to climb up the ranks while using everyone else below him merely as a stepladder.

And this is where the other half of the story's central protagonists—Han Joowon—makes the story come full circle because he is now given a choice between which philosophy he will follow: as the son of Han Kihwan and as the partner of Lee Dongsik.

By the end of series, his choice becomes unquestionably, undoubtedly clear.

That's what makes the storytelling of Beyond Evil so masterful.

[dangans-ur-ronpas]

Chapter 20

alright guys hit the showers. or the bathhouse. wait hold on i left my computer boy in there. guys wait don't open that

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

wow i wrote 10 pages for chapter 19 but i better take it easy so i dont burn out (writes 11 pages for chapter 20) anyway guess who's taking a break after this chapter

this is the one with togiri development but they're extremely not normal about it so it's almost blink-and-you-miss-it

@digitaldollsworld <- betapilled readmaxxer

Content warning tags: mild violence and injury description (non-graphic), description of depression symptoms and nausea, mild mention of eating disorder

< previous - from start - next >

He’s not sure how long he sleeps for, only that he wakes up still-dressed and laid out across his bed, his mouth dry and head groggy, the bedroom lights still on. As he checks his handbook’s clock, he finds he’s entirely missed Monokuma’s morning announcement, which is a good thing; he had no desire to listen to that bear’s irritating voice, especially not today.

But, he doesn’t have much desire to do anything else either. The library no longer feels like the safe haven it used to be, and he had no interest in going anywhere else and running into anyone else, when the atmosphere was still thick with the deaths of two people, and pity that Byakuya didn’t want. Much less, the possibility of encountering Makoto, who was the last person he wanted to see, so to speak.

He lies in bed a moment longer, unwilling to move. Everything feels sluggish, like he’s moving underwater; even his head feels stuffed full with cotton and wool. It's a strange, unfamiliar feeling, and unpleasant, too.

Grief. He thinks blearily at first, before rolling his own eyes at the thought, and pushing himself up with a grunt. Such dramatics didn’t suit him. He wasn't the kind of person to spare such theatrics, regardless of his circumstances.

He showers, brushes his teeth, and half-debates whether to try his hand at shaving before ultimately deciding against it (it didn’t feel like his stubble should be that noticeable, yet). He forgoes changing into a clean uniform in favor of his pajamas, and collapses back into bed with a sigh, hand searching immediately for his handbook - but finding nothing but empty sheets.

“Hello, there!”

He jerks upright immediately. Standing in the foot of his bed is Monokuma, rocking back and forth and looking as innocent as could be. Or, would be, if not for the handbook clutched in its paw.

Byakuya dives for it without thinking, but his perception is off, and he crashes to the carpet instead with a grunt. Monokuma sidesteps him casually with a laugh. “Whoa, there! Easy partner, don’t wanna hurt yourself!” It dances around his head, infuriatingly out of reach. “Didja miss me that bad? If you wanna hug, you can just say so!”

“Give it back,” He snarls, as he picks himself up. He’s in no mood for its jokes. “Give me back my handbook!”

“Your handbook? My my, but these were all mine first, weren’t they?” It shakes a paw disapprovingly in his face. “I just need to check it real quick, after all. I didn’t expect Mister Fujisaki to go and Macgyver anything onto here, so if it’s anything malicious, I’ll have to do a quick wipey-wipe!” Byakuya makes another lunge, and it juggles the handbook out of his reach, hopping backwards with a mad cackle. “After all, if it’s anything naughty, there’s no way I can let it fall in the hands of my precious students!”

“You miserable little-” Byakuya tries to rise to his feet quickly, but he hasn’t eaten since yesterday, and a bout of dizziness crashes into him like a wave. He sways and braces himself against the mattress, one arm still reaching out clumsily to try and grab at Monokuma.

But the bear has already flipped it open, scrolling so quickly through the screens that the little automated voice can’t keep up, the words blurring together. “Schoo-Stu-App-Day-”

“Whoops, too far.” It scrolls back. “Applications, that’s what we wanna see. And, what’s this?”

Byakuya feels his blood run cold. There was only one application there, the one Chihiro had downloaded for him. Alter Ego. The app was inconspicuously named ‘Test_App’ in the interface itself, but if Monokuma opened it-

“Well well well. Let’s take a look-see!” It crows, and Byakuya’s protest is frozen in his throat. He shuts his eyes, expecting to hear Chihiro’s voice-

“Black to E5.”

He opens his eyes again. What?

Monokuma also seems confused, tilting its head as it stares at the little screen. “What’s this? A chessboard?”

“Black to E5,” Alter Ego repeats, so digitized and monotone it was nearly unrecognizable. “Would you like to review the board?”

“Is this all it is? A chess game?” Monokuma sounds almost disappointed. Byakuya, seeing his chance, surges forward, snatching the handbook back and snapping it closed. He presses it to his chest, feeling his heart thud beneath it.

“Is that a problem?” He demands, and Monokuma shrugs, shaking its head.

“I guess not, but I thought it’d be something spicy, y’know? You’re a growing boy, after all!” It reaches out to pat Byakuya’s knee, and he steps backwards just in time, lip curling in disgust. “Aw, don’t act so mean to your headmaster, you’ll give me a complex!”

“Get out.” He hisses. “You got what you came here for. Leave.”

“Oh, alright…you sure know how to make a bear feel glum...” It sighs, kicking at the carpet, before it makes its way to the door. “Take care, now! Make sure you eat something, y’hear? I don’t want any hunger strikes in this house! And-”

No sooner had Monokuma crossed the threshold, had Byakuya jumped up, and sped forward to slam the door with a resounding bang. He takes a moment to breathe, leaning against the wall, legs suddenly weak.

How the hell did that thing get inside my room? He was sure he had locked the door - or he should have locked it, at least. Looking back, he actually can’t remember, but he double and triple-checks now, suddenly paranoid. He also flips off the light for good measure, leaving the room in complete darkness before he crawls back into bed.

Beneath the covers, he opens his handbook, and squints until he can make out the pale green shape of Alter Ego’s face on the screen.

“Is he gone?” Alter Ego asks, and Byakuya relaxes, the tension flooding out of his shoulders.

“Yes.” He whispers back.

Alter Ego makes a sound like a sigh of relief. “I’m glad. I got so scared when he grabbed me.” And its voice sounds so much like Chihiro's that Byakuya feels a strange pressure behind his eyes.

“How did you know?” He asks. “That Monokuma was there?”

“I could hear it. Through the microphone.” He reaches up and touches the tiny pinprick grid of the speaker, and feels the buzz of Alter Ego’s voice against his fingertips. “I didn’t want you to get in trouble.”

“Don’t worry about me. I think he would’ve just deleted you as punishment for me anyway.” He sighs. And then frowns, as a thought comes to mind. “If you could eavesdrop from the microphone this whole time, then you already know…?”

He doesn’t finish his sentence. But he doesn’t need to. Alter Ego makes a quiet noise like a sigh. “Yes, I know.”

“I’m sorry.” And he’s surprised to find that he means it genuinely, and almost laughs at himself. Heartfelt apologies were rare for him, and here he was offering one to an AI, of all things.

“It’s okay. He knew it might happen,” Alter Ego replies, and he imagines it might be smiling, a sad, helpless smile. “There’s nothing we can do about it now.”

“No, I suppose not.”

They’re quiet for a moment. In the darkness, Byakuya can almost pretend that he’s normal - unable to see in the dark as everyone else is. But it’s also the middle of the day, and he’s too restless to sleep, too uneasy to go outside. Too tired to mourn. Too mournful to do anything else.

“Can you really play chess?” He asks instead.

“I can, along with checkers, shogi, and backgammon and more.” 

“Play a round of chess with me, then. I’m bored.”

“Okay!” Immediately, the pale blot of their face on the screen is replaced by a square. “I’ll play black. What’s your first move?”

He smiles to himself. “E2, pawn to E4.”

—

Hours pass like that. He plays chess with Alter Ego (three wins, four losses, and seven draws), and a few rounds of shogi (one win, one loss, and two draws) for good measure. And then, huddled over his desk with his back facing the camera, he pores over lines of Dostoevsky and Nietzsche until he feels too sick from staring at the letters to even hear Alter Ego’s voice, reciting the words aloud beneath a dim ringing in his ears.

By the time he’s pulled out of his concentration by the sound of a knocking at his door, he’s too nauseous to feel hungry, but his throat is stinging from lack of water and there’s a slight pulsing in his head. His immediate first reaction is to ignore it, but that proves to be impossible; whoever was on the other side was clearly, very persistent, and had nothing better to do.

Even so, he lasts a full five minutes until he finally gets up to answer, irritated beyond measure. If it was Makoto, he was going to slam it closed again, reasons be damned. He didn’t even want to think about the other boy, lest he get pointlessly enraged about it.

But instead of brown hair, he’s met with pale white. Kirigiri stands at his threshold, hand partially raised, halfway through knocking, and they stare at each for a moment in silence, as if both surprised to find the other person there.

And then he slams the door shut in her face. Or tries to - instead of the satisfying bang of wood meeting wood, there’s a sickly crunch, and then she’s wrenching the door open, heedless of the way her fingers had just been crushed in the jamb. He almost winces in sympathy, but she’s too busy pushing her way in to offer much room for condolences.

“What is wrong with you?!” He demands, trying not to be too obviously perturbed by her lack of reaction; he doesn’t think he even heard her wince. She ignores him for a moment, attention focused on her hand, as she experimentally clenches and unclenches her fingers. Apparently they’re not broken, or maybe, she just had high pain tolerance. Or she was more insane than he thought.

“We’re calling a group meeting,” She replies, without so much as a waver. “Come to the bathhouse.”

“And why should I?”

“It’s important. I can drag you there if I have to.” It doesn’t sound like an empty threat either. Somehow, she seems impatient, though he’s not sure how he can tell; and it wasn’t just because she shoved her hand into the door in order to deliver the message.

He weighs his options - on one hand, he has no desire to speak with anyone, much less Makoto, who was bound to be there. On the other hand, he didn’t exactly have anything in the way of provisions in his room, and though he was still a little too light-headed to consider eating, it’d be embarrassing to collapse from dehydration at this point. That, and it seemed that Kirigiri had no intention of letting him refuse.

“...I’m going to get dressed first.” He says shortly. If he’s going to have to meet them, it will not be while he’s still in his pajamas.

“Hurry up.”

She makes no move to leave, and he realizes with no small amount of annoyance that she was making sure he wouldn’t be able to run or shut her out again. Somewhat affronted by this, and now wanting to go even less, he grabs a clean set of clothes from his dresser and goes to the bathroom.

Routine carries his hands through the motions, so he manages it relatively quick, but it’s only after he’s applying the finishing touches, that he nearly pokes himself in the eye as he reaches to adjust his glasses. It’s a strange sensation, feeling the bridge of his nose and finding nothing, and even though his original prescription was low and they were more an accessory than anything, he feels a little like he’s lost a limb.

She’s still there when he emerges, though now standing over his desk, bent over the books he has open. She looks up as he approaches, one hand halfway through turning a page.

“What?” He asks, chin turned up in challenge.

“Nothing. Just looking.” She closes the book, and he realizes, scandalized, that it was the one he was reading earlier. It was going to take him ages to find that page again. “You have predictable tastes.”

“Shut up. Are we going or not?”

He follows her out, his hands twitching all the while, smoothing down his shirt, his lapels, his sleeves. Making sure his buttons were lined up, that his shirt was tucked; he hadn’t had the time to put on garters or even try a hand at his tie, and he feels underdressed.

“You’re fine.” Kirigiri says suddenly, and he freezes, one hand resting on the button of a shirt cuff. “Stop fidgeting.”

He scowls. He was walking behind her, so what would she know. “I’m not fidgeting.”

“I can hear you fidgeting. Your buttons are fine.”

“Oh, can you hear my buttons now too?”

It’s a petty, childish remark, one that he can’t stop himself from muttering before he can even reconsider it. She stops at that, halting so suddenly in the middle of the hallway that he almost walks right into her, and turns around to face him, her head moving in a slow tilt from up to down - scanning me, he realizes - before she says: “You look fine. Are you quite done?”

She was checking for me. He’s not sure if he should feel grateful for the courtesy or irritated by her lack of grace. “Did the sound bother you that much?” He asks instead, patting down the front of his shirt one last time.

“...It wasn’t the sound.” Is all she says, with a sort of finality that indicated that no other questions would be answered on the topic.

They enter the bathhouse, and find everyone else there, gathered in a sort of semi-circle around the wall of lockers. Asahina and Ogami, predictably, are huddled close together on one of the benches. Celeste and Yamada sit on another bench, one fidgeting uneasily, the other sitting regally with legs crossed and hands folded. Hagakure is standing next to Owada, who doesn’t even stir when they walk in, and who Byakuya ignores in turn, gaze sliding past him uncomfortably. Fukawa hangs near the back of the group, and twitches when she sees him, though makes no move to approach.

Makoto is leaning against the lockers with hands tucked in his pockets. He looks up as they enter, and stands up straight immediately. “Ah-”

“We’re all here?” Kirigiri cuts him off, casting a glance around the room. “Good. Can you catch him up, Hina?”

“R-right,” Asahina looks between Kirigiri and Byakuya, then at Makoto, and seems to hesitate for a moment. “Um, so…last night, I couldn’t sleep, so I thought I’d go to the kitchen to get food. But on the way there, I heard something coming from the bathhouse - like, a weird, machine-y kind of sound? - and when I went in…”

She peters off. He raises an eyebrow, “And?”

“Uh, it’s going to sound a little ridiculous...”

“You act like nothing else is ridiculous about this situation. Get on with it.”

Her face flushes dark, embarrassed. He gets the feeling that Ogami is glaring at him, but since he can’t see it - and has no reason to act like he can see it, anyways - he ignores it easily.

“Right. I saw a ghost - I know it was a ghost,” She adds defensively, as Byakuya was preparing to scoff and roll his eyes. “It was glowing green and floating in front of the lockers, and…and it had Chihiro’s face.”

“That’s-” not a ghost, he’s about to say, but he stops, suddenly uncertain. The bathhouse had no cameras, but he wasn’t sure if Alter Ego’s existence should be revealed here, now, to everyone, especially given some of the individuals present. His hand reaches into his jacket pocket, where his handbook was. “That’s…and you’re sure it was Chihiro?”

She seems taken aback by how seriously he asks that, and nods quickly. “I know it was Chihiro! It was his face and everything!” She points in front of her, at a locker less than two meters away from her eye level. The exact locker, Byakuya thinks, where Chihiro was keeping his laptop.

He wonders if Makoto was thinking this too.

“...I highly doubt the existence of ghosts,” He sighs. There was no point trying to hide it with Kirigiri around, and better to do it now than later. “Instead of being in front of the locker, I think the thing you saw was inside it.”

He turns to the locker Asahina had indicated, and moves to unlock it - before realizing he doesn’t know how. If it was unlocked by key, he didn’t have it, and if by code it was even more impossible. But Kirigiri steps forward, nudging his arm out of the way, and the locker door clicks open under her hand.

Sitting inside is the laptop, its screen dark. After a moment, it hums to life, flickering green. A round, pale shape forms, and behind him, Byakuya hears someone gasp.

“Hello,” Alter Ego says, and their voice is clearer through the computer than through Byakuya’s handbook, and sounds so similar to Chihiro’s that it’s almost jarring. “It’s nice to meet everyone!”

Hagakure shrieks, arms thrown up in fear. “A g-g-gh-!”

“It’s not a ghost,” Byakuya cuts him off sharply. “It’s a program.”

“Yes, and it looks like something Chihiro made.” Kirigiri touches the keys lightly. “This computer was the broken one from the library. And the fact that it was placed here, out of sight of the mastermind, means that it was meant for us.”

“So, this is what I saw last night…” Asahina’s tone doesn’t sound uneasy anymore, but wondering, and she raises a tentative hand as the little Chihiro in the screen waves at her. “But, what is it?”

“You just asked, ‘what is it,’ right?” Alter Ego says, almost teasingly, making her and several others jump. “The short answer is, I’m an AI program based on as much of Chihiro Fujisaki’s personality, memories, and thoughts as he managed to transcribe into data…um, but if it’s easier for you, you can call me Alter Ego. I was made to try and break through the firewall around the school’s network and to analyze the files on this computer, but it’s been taking a long time. I’m only about 25% done.”

25%? That was already more than Byakuya expected, and he feels a thin, inexplicable strum of pride.

“Crazy…hey, isn’t this crazy?” Yamada is up from his seat, and sitting as close as he can, crouching on his heels to be eye-level with the screen. “This is so- so totally sci-fi, right? Isn’t the genre wrong?” He sounds excited, overly so, and his breath is a little fevered and fast. “Hey, Chihiro! Can you hear us?”

Alter Ego doesn’t respond. Byakuya suddenly remembers the night that Chihiro was installing the application on his handbook and how Alter Ego only ever responded after the sound of keystrokes. “You have to type what you want to say in order for it to respond.”

“Move.” Yamada scurries out of Kirigiri’s way, as she drops to a crouch in front of the open locker. There’s the sound of fingers clicking over keys, and then -

“It will take me a while longer to finish analyzing everything,” Alter Ego says aloud, a little sheepishly. “I can definitely finish it though! Actually, progress is moving faster than originally predicted, so you can leave it to me!”

“My, how dependable.” Celeste remarks. “It seems that Chihiro has left us an invaluable gift, does it not?”

“It’s…pretty crazy,” Hagakure agrees, scratching his head. “Wait, uh - can Alter Ego get online? Like can we call for help from outside?”

“Hmm, probably not.” Asahina hums in thought, crossing her arms. “We’re in a bathhouse after all.”

“Then, if we take it outside of here-”

“No.” Kirigiri says flatly. “We can’t take any risks. Taking it outside might mean that the mastermind will discover it.”

“Yeah, but, I think it’s better to get help sooner than later. You know…” He pauses for a moment, tilting his head pointedly towards Owada. Throughout this whole time, the Ultimate Biker Gang Leader had been as still as a mouse, face turned downwards towards the floor. Hagakure clears his throat awkwardly. “Can’t we try it?”

There’s a sharp tap as Celeste laces her fingers, rings clicking together. “As stated earlier. We cannot take unnecessary risks. And we are not in the position to be pointlessly altruistic.” Her tone is casual, but Hagakure seems to shrink away from her, defeated.

“I…okay. Fine, sure.” He scratches at his head, then pauses. “Ah, wait a minute. Does Alter Ego, like, know…?

His question peters off, but the implication hangs over them like a heavy fog. Byakuya watches them cast uneasy glances at each other, then back to Alter Ego, as if trying to figure out who should break the news.

“It already knows.” He mutters. He’s not trying to be loud, but in the silence everyone could hear it anyways.

“...Not to say you’re lying or anything, Byakuya, but how do you…?”

Instead of answering Hagakure out loud, he reaches into his jacket pocket and withdraws the handbook, flipping it open and holding it up, screen facing them. Someone gasps.

“Yes,” Alter Ego confirms their unspoken question, and its voice echoes uncannily, doubled between the laptop and his handbook. “Master made it so I can be accessed through Byakuya’s handbook, so I could assist him with his visual impairment. I can also access the microphone function on this device, so I was able…I was able to overhear what happened”

The little, buzzing voice trails off sadly, and Byakuya suddenly feels uncomfortable, as the room grows all the more dreary. He clicks the handbook closed, suddenly irritated.

“That should explain it.“ He sighs. “Chihiro built Alter Ego to try and help find a way out of here, and at the same time gave me access so I could be self-sufficient. That’s the extent of my knowledge about it.”

He looks up and finds nearly all of them with their faces tilted towards him, and shifts, disconcerted. “What?”

“Nothing…it’s just kinda sweet that you’re, like, telling us this yourself.” Hagakure, ridiculously, sounds almost happy about this. “You never really talked to us about yourself before.”

“There’s no point in being secretive about it. Not when I was already forced to reveal it during the trial.” He sniffs. Immediately, Hagakure looks away, chagrined. From Byakuya’s periphery, he can see Makoto still facing away, his ears turning pink.

Kirigiri clears her throat. “...For the time being, it’s clear that we need to ensure Alter Ego remains a secret from the mastermind.” She says, and Byakuya watches as she types something out, a thick line of black characters. Every few keystrokes, she stops, and deletes the last word in a series of light clicks; listening closer, the sound was awkward and irregular, each press slurring into the next key. With a slight twinge of guilt, he realizes that the cause of it was her left hand - the one he had practically crushed.

After a moment’s consideration, weighing his conscience with what was at stake, he nudges her slightly with his knee. “Move. You type too slow.”

“And how would you know that?”

“I can hear it.” He replies flatly. “You type like you’re all thumbs. Move over.”

He half-expects her to stay where she is, to ignore him and continue, but to his surprise she actually complies, standing up and stepping aside. He crouches into the space she had just abandoned, sliding his hands over the keyboard until his index fingers find the tiny, tell-tale grooves of the position keys. The size and dimensions are different from his computer at home, but for a moment the feeling is so familiar that he’s almost nostalgic.

“What did you want to ask again?”

“If it has any contingency measures in place for if Monokuma - or the mastermind, or anyone suspicious - happens to find it.”

His fingers skim over the keys, clicking fluidly. A thin line of black appears at the bottom of the screen in time to his movements, but he can’t confirm if the output is accurate; judging by the way Makoto gasps behind him, and the way Hagakure whistles, he can guess that it’s more or less correct.

“Impressive,” Celeste says, in an appreciative tone. “I suppose being such an esteemed heir means you have many talents.”

He can’t tell if she’s mocking him, so he decides to ignore her, though he allows himself a small amount of smugness. He finishes typing: “Is this what you wanted to ask?”

Instead of replying, Kirigiri leans over his shoulder and clicks the ‘enter’ button. After a moment’s pause:

“Hm, to be honest, so far I’ve just been trying to be reeeally careful with when I’m active…though I guess that backfired last night, with me scaring Aoi.” Alter Ego hums in thought. “But, I do have a secret plan! If anyone comes around who I don’t recognize on my webcam…I’ll scream super loud!”

“That’s so basic!” Asahina blurts out, shocked by the simple nature of it.

“Yes, and it’s not likely to work at night.” Ogami grumbles. “The bedrooms are soundproofed.”

“Maybe we can try taking turns staying up?” Makoto suggests. “I can take the first night, I don’t mind…”

“I think such a sudden change in our patterns is likely to draw suspicion from the mastermind. Which would be rather counterproductive.” Celeste says, and Makoto ducks his head immediately. “Though, your thoughtfulness is appreciated.”

“Then it can’t be helped.” Kirigiri sighs. “I’ll leave my door open. I’m at the end of the hallway anyways, so if anything happens, I should be able to react the quickest.”

What a crazy woman. “You’d leave yourself vulnerable?” He scoffs. After all the precautions he’s seen her take, it’s hard to imagine her sacrificing herself to any degree.

“It’s a risk I’m willing to take. Besides, I’m not so helpless. I have no intention of going down without a fight.” She pauses, mouth open like she’s about to say more, before she decides against it. “Anyways. We should avoid any mention or contact with Alter Ego as much as possible, to draw as little attention as we can.”

She claps her hands sharply, a sound that makes more than one person jump, and makes Byakuya almost flinch. “For the time being…let’s disperse.”

< previous - from start - next >

[animatedapostasy]

Persona 4 has been bouncing around in my brain even more than usual and I wanna complain about it.

I think the main problem with Persona 4 is that it has nothing to say. Despite being a game that is dealing explicitly with topics like gender, sexuality, queerness, and identity, the game has absolutely nothing interesting to say about any of it. In fact, its viewpoint is pretty conservative. Nothing upsets the status quo.

Almost all of the character’s shadow selves are rooted deeply into the character’s insecurity and fear around their gender and/or sexuality and how it fits in with society’s norms. The exceptions are Teddie and Yosuke (ironic I know). Despite this, in the individual character arcs: all of the characters make decisions and end up almost exactly in line with what society expects of them. No one dares to go against the grain.  Yukiko ends up running the inn just as she was expected to her, only now she’s happy about it. Rise returns to being an idol just like everyone wanted her to only now she’s happy about it. Naoto sheds their gender non-conformity in favor what society expects. Chie, despite seeing firsthand the incompetence and corruption of the police, still wants to be a police officer (Makoto Niijima also says hello here)

Yosuke’s cut romance is a pretty good microcosm of this and I don’t think you need to be particularly yaoibrained to see it. With his romance, he could have had an arc of “boy in search of someone who makes him feel special overcomes his internalized homophobia to fall in love with his best friend”. At the very least, you have to admit it would have been transgressive when it was released. But it was cut and nothing remains except ash, homophobia, and fujoshi tears.

Ironically, I think Kanji with all his discourse around him has the arc with the most to say. Honestly in my opinion, his arc was never about being gay but defining a healthy definition of manhood that includes having “feminine” interests. But in the end he ends up conforming too. Just look at his epilogue outfit. They did away with all the visual things that made Kanji unique to look “normal”. The same applies to Naoto whose gender non-conformity is completely erased in their epilogue look.

For a game whose whole theme is “Pursuing Your True Self”, it pretty much says that “true self” shouldn’t be anything that challenges the status quo.

[ilovereadingandstuff]

Reconsidering what I explained in my last post here about RinHaru's relationship up to season 2, now i feel like I've seen most of the whole picture:

Rin is quite devoted to his relationship with Haru. I mean, their friendship and rivarly.

I noticed that Rin was the one to mostly make the moves, demostrate and say out loud his feelings for Haru (to the point that was kinda obvious and even Sousuke take note of that).

While, in the other hand, Haru...I feel like he's autistic or something.

Haha.

And I'm not saying this in a derogative meaning or with intentions of hurting anyone!! I'm hoping to not be that ignorant for using a term that does not apply here (correct me if that's the case)...but what I'm trying to say is that, actually, this treat of his character is just endearing: he doesn't speak that much, he's always straight-forward, silent and less expressive than others...this treat is one of the reasons why people like him so much, also something I like about him a lot, but to not lose the main topic: I think that's one of the reasons why I felt so one-sided his relationship with Rin.

I noticed that, after having to share much more time with Rin than the past time after their winning at final S1, especially in the movies, Haru was much more expressive both in speech and actions than before. And also, that makes sense!

S1 is him and Rin's conflict, mixed-up with the past-present and the construction of the clubs. This season was quite deppressing, in a way because of so much sour feelings in each character (mostly Rin and Haru) for their complications, so their 'happy side' was touched mostly at the end.

S2 they were focusing on their future and their own problems with the competitions and their respectives groups (alongside with Sousuke's story and Makoto's heavy participation). They were quite far from each other because their interactions were not a neccessity for the plot, and again, their 'happy side' and important interactions were handled mostly at the end.

S3 was heavely about Ikuya and Haru's story (that, at least, 7 episodes), and about their preparation to reach global levels. They were, still, a little much far from each other because their interactions, again, were not needed for the plot at that moment.

So, finally with the movies, the circumstances were the ones where they were going to interact with the other on one way or another. At the end, they were literally competing against each other, in the same group, against the same people (Albert, the other gringer/blond guy which I don't remember his name but was a hard swimmer also). They had quite a lot more meaningful interactions because they were together at the end of the day, participating in the same game...and while it was beautiful, I felt like finally I could see the reciprocity of Haru's feeling for Rin in terms of their relationship.

They were rivals after all, friends that worry for each other, that searched for the other when something bad happened, that supported, admired and inspired the other to be their best. And, something more beautiful, is that they wanted that. Both of them: To be together in that, racing to win. And they did, they won...and even after time passed and they met again in Bulgary...they kept swimming together.

I still feel that Rin is more vigorous when it comes to the relationship, but Haru's side is clearer now and I think I can say that, yes, this was a rivals to friends, meant to be, and they're both into it.

Thanks for reading this, which I consider to be one of the many internal disputes I have when watching two characters I like too much and I also ship them together.

[sleepyburito]

My thoughts on Visions

Every time I hear a new theory about Visions, the first thing I do is apply it to the archons in question. So here’s my take on the vision theory 

Anemo: Desire freedom and the ability to overcome loss in their lives. Their ambition in life usually related to breaking free of chains of some kind whether it be literal or metaphorical. 

For example: Xiao was freed from the chains of his old master and now works hard to protect Liyue and grant freedom to the people.

Venti helped Mondstat overcome their chains and strives to let them continue their free lifestyles. He overcame the loss of his friend despite still mourning after all these centuries.

Hydro: Those who have high expectations on them from uncontrollable circumstances or those who have dedicated themselves to a craft 

For example: Barbra has high expectations from her family name to the point she has seemingly abandoned it and she has dedicated herself to healing and the church 

Furina has expectations she tries to live up to as the hydro archon and her craft of choice appears to be acting. Even Focalor had high expectations being Egeria's successor

Dendro: Those who strive to learn and grow beyond socially expectations and to do so through unconventional means.

For Example: Tighnari grew beyond what he would have if he had become a sage

Nahida had societal expectations from the sages and is now growing into new expectations she’s set for herself as an archon. 

Pyro: Those who strive to be the best of something or those who have a family legacy to live up to or preserve.

For Example: Amber, strives to be a great outrider despite being the only one and is trying to ensure her grandfathers legacy lives on with her. 

As we have not met the Pyro archon, I’m not sure how much of this applies so this one may change

Cyro: Overcoming isolation and a conflict of beliefs. Their ambition in life relates to their desire to find a home or relates to their conflicting belief in a unique way.

For example: Diona is a bartenter who hates alcohol and has a blessing to create amazing drinks. Her ambition is to take down the Mondstat wine industry. 

The Tsaritsa, from what we can tell, isolated herself after the destruction of Khanriah and seems to have a belief she needs to take down Celestia despite being a creation of Celestia

Geo: Those who shoulder a metaphorical or literal weight to help those around them and often they take promises or ‘contracts’ seriously. 

For example: Noelle seems to take on a lot of the heavy lifting literally for the knights, she carries crates and takes down larger, harder to defeat enemies. 

Zhongli ruled and cared for Liyue for Millennia, seemingly putting their safety and lives before his own needs. His retirement is him ending his contract. 

Electro: Those who don’t ‘belong’ in the traditional sense, the ones who are outcasted for who they are or the ones who don’t truly fall in line with society 

For Example: Fischl is caught in her daydream, her ‘reality’ is different to everyone else's. Even her own parents didn’t accept her

Ei and Makoto were the only twin archons, they shared the title but not the same duties. They were immediate stand outs with the archons and yet they hid that individuality from the rest of the world

this is all just my thoughts I've gather from too much free time and ADHD nonsense

Edit: 9/12/2023 because I forgot Electro-

[hayaku14]

hello why is kaishin more popular than shinkai or what i mean is why bottom shinichi is like the most widely believed one? lol not really in the fandom just vaguely familiar with the anime from childhood it's just my mutuals likes this ship. i'd thought shinichi being the top would be more popular given his personality.

anon sorry for the late answer!!

imma be real honest with you, anon, i've loved the kidco dynamic since i was conan-sized but i only realized kaishin should be making out around 2021 so i don't know if i'm the best person to answer this question LOL BUT, i'll give you an answer!

tbh, i think for fandom shipping in general, the main character more often than not is the chosen bottom and whoever else is the other party is topping them. in japanese media especially, the ship names are mostly born from putting the kanji of their names together wherein the order of which indicates the seme and uke. since this happens early on, we kinda get stuck with that as the popular ship name whether you prefer the other way later on.

perhaps kaishin is more popular but not entirely by a lot compared to other ships where it's completely skewed to one side. i see a lot of shinkai too. ofc there are people who prefer one way over the other exclusively and that's completely fine!

personally, i think confining them into seme and uke or top and bottom does a great disservice to the kaishin dynamic because to me we should be looking at their sub-dom dynamic more and why they're actually peak switch sub and dom!!!!

that's fucking right kaishin is actually peak switch and i will die on this fucking hill!!!!!!!!!!

when you say shinichi would be the "obvious top," i'd like to assume in your heart you actually meant "the obvious dom" (LOL) but i think that could also apply to kaito.

i think the appeal of kaishin is the push and pull between them. the give and take. they're always trying to one-up each other. sometimes one pushes and the other gives way, sometimes it's the other way around.

i will be honest, perhaps switch pairings might just be my preference but I have never encountered a pairing that felt this completely equal in the switch department more than kaishin. like for other ships i'd sometimes be like, "yeah they switch but A is 70% more dom than B." But for kaishin I'm like, "oKAY THEY'RE 50/50 THEY'RE EQUALS THEY'RE PERFECT HALVES RAAAAAHHHH"

now how does this answer your question? well, i have no proof and im going off of vibes and like i said im no veteran in this ship fandom but, i think a lot of people do enjoy the other way around as you think it would've been. it's just that...it's something that can just be filed under the kaishin tag too. because it's basically the same sometimes. the only different thing is who's topping and bottoming. like sometimes i'm scrolling through twitter and i'd see art that's giving shinkai but it's tagged as kaishin and vice versa lol.

also personally i prefer calling them kaishin because i love the letter k and i associate the name shinkai more with makoto shinkai so every time i see people refer to kaishin as shinkai, my mind just conjures up an image of kaito, shinichi, and makoto shinkai together and i know that's fucking hilariously weird but it sometimes happens!!!! LMAO so even if i'm thinking about shinkai stuff, i still prefer using the name kaishin lol.

(but having the kaishin/shinkai distinction is definitely still useful especially for people who want to filter through one way or the other so fuck yeah to the ship name shinkai you're here to stay!!!)

anyway in conclusion, top shinichi is popular too dw lol, or maybe i should say bottom kaito is popular too lol i see yalls

also sorry that this answer is not only late but also a whole essay that doesn't even straightforwardly answer your question lol my bad anon

[kiyocuck]

silly

ok im sick as hell and unfortunately also very bored so im gonna write down some silly naeishimondo scenarios ive been brainrotting for a while

Makoto being sick like me and staying home, meanwhile both taka and mondo barge into his house, bringing in homemade soup and tea (both of which makoto already got), and while they're being sad over the fact their favorite little guy wont be at the academy with them for the rest of the week, komaru steals the soup and tea cuz she woke up sick too (from makoto). An alt ending is them giving makoto a Liiiittle kiss on the forehead, both of them thinking they wont get sick, and waking up with 40°C temperature the next day

Them all going to mondo's house for a hangout-sleepover bcuz hes the only one of the three with a queen-sized bed (lil context, after mondo quit being a biker gang leader [in a universe where daiya is alive cuz fuck you] him and his brother move to a more. "calm" place, just the two of them. they still hangout w the other gang members though). they all watch movies and taka drops dead snoring the second the clock hits 10pm bcuz his brain cant handle staying up later for "no reason" (he has pulled all nighters when it comes to studying). mondo falls asleep second, and makoto just watches them sleep peacefully before snuggling between them and going to sleep too (imagine cringing over what ur writing help)

Going home in the snowy weather after shopping all evening (taka made them both come with him). theyre all holding equal amount of bags, until mondo grabs them all and speedruns to their house cuz hes FREEZING, and boy oh boy does he not like the cold at all. after that he sticks himself to the heater for like 10 minutes, while makoto and taka think to themselves that he looks like hes purring next to it (they both assigned him a catboy in their heads cuz it makes him 10 times cuter (also my version of him has a default >:3 face that all owada family members have (its more noticable on daiya but still))

Continuing the last one, theyre cooking together now!!! mondo kinda sucks at it, makoto is trying his best, and taka is this 🤏 close to chewing a brick over how they cut the vegetables (they look chunky (his autism can't stand it, meanwhile their autisms dont care/dont even notice it (no im not projecting not at all))). eventually they make a nice meal (of unknown kind cuz i can never think of foods LMFAO) and it turned out surprisingly good. yum!

Pet assigning. as i mentioned makoto n taka have assigned mondo a cat/catboy, but the same applies for the others. taka is a dog, obviously, but specifically a husky BECAUSE (im gonna be so annoying about this): Hes black and white, hes dramatic and loud like how huskies are, very loving (as every dog), and when his hair grows out more and mondo touches it, it reminds him of how fluffy huskies' fur is. makoto is a bunny, but i unfortunately dont know many bunny breeds so i will probably elaborate more once i look up and decide. hes just short/"small" and silly like one, and his ahoge going down when hes sad resembles bunny ears going down. (btw if ur curious mondo is either a tiger (still a cat!!!) or a persian cat. bcuz i cant help but imagine him as a chonky orange persian cat that on one occasion scratches your eyes, and on another cuddles on your shoulders. la creatura)

i think thats all for now! most of my other scenarios are even more generic, like going on dates (aquarium, cafe, cinema etc) so i dont have that much to write LOL.

if you read the whole thing, heres some items for yuo 🍀🧭💎

[albatrossmuffin]

Coco’s Touch Panel Voice #4 Transcription Translation

This wonderful soul has been transcribing the messages on the touch panels at Coco's; pardon me for just translating only this one 😅

"Written by a MakoHaru person so please pardon me" (Translated by one too lol)

[ ] = Transcriber's notes

Coco’s 2023 Campaign Voice #4 (9/19~10/2)

Greeting to Everyone

Makoto: Hello, welcome to Coco’s! Today the 5 of us will see you off.

Haru: It was a nice summer this time as well. Please make fun memories until the end.

Rin: It’s finally the last spurt! Is there anything you’ve left undone? Follow us until the end!

Sousuke: Rin’s passionate, as usual. We also feel like we dashed through as best we could.

Ikuya: It was tough but it was fun. Everyone who’s come to Coco’s, please take your time today as well.

Haru: Well then, to those who’ve come to Coco’s from us, it’s the Coco’s campaign message.

Campaign Guide:

Rin: No 1: By buying an applicable order, you can get 1 new artwork random clear file of ours~.

Sousuke: When serving your meal, the staff will bring out the clear file. Please check the menu for details.

Rin: No 2: If you apply using the serial code written on the receipt of applicable orders, you can win Coco’s original prizes.

Sousuke: When you collect points by applying, you can hear the story voice. It’s our ambassador activity record.

Rin: Right, right! They also showed me the Coco’s original memorial book. It was interesting editing this!

Ikuya: Everyone was there at that time. It was full of each person’s memories, and it was very lively.

Rin: I hope that everyone who sees this enjoys it, too!

Sousuke: Please confirm the details for how to apply on the website or menu.

Rin: When you apply a total of 33 times, you definitely get the Coco’s original memorial book, so please participate!

About the Collab Menu & Closing Greeting

Makoto: I wonder if everyone’s enjoyed the collab menu. We’ve prepared a lot, so please eat them.

Haru: Speaking of which, Makoto, you were also asked to help in the kitchen, did that go alright?

Makoto: Eh!? Ah, Hn~~~  Weeeeeellllllllll~......💦

                I did wrap in aluminum foil...for a bit....I guess?💦

               Sousuke said ‘Would you like to give it a try,’ but it was difficult to use the right amount of force...

               Just a bit.....~....not a bit, I ripped the aluminum foil! 💦

               Aah, but, I’m good at carrying the juice cases and such???

Haru: ...I see. Makoto, that’s plenty. [I can see the smile...]

Makoto: ~Really? If there’s something that I can do, please let me know, whatever it is!

Haru: Yeah. I always rely on you.  [I can see the smile...]

Makoto: There are also things I can’t do well, but I’d be happy if we all put our strengths together, and everyone enjoys themselves until the end!

Haru: Thank you for showing me your smiles of enjoying yourselves. I’m also happy. [For a second I thought he was saying this to Makoto]

   Please make the best summer memories at Coco’s. Signing off,

All: This has been the campaign message!

Haru: Please continue to relax and enjoy your meal.

Collab Menu Voice (#3 and #4 are the same)

Haru / Rin / Ikuya: Coco’s x Free Collab Campaign is underway!

Rin: There’s a ton of menu items you can only taste here! Are you ready to enjoy yourself?

Haru: Please enjoy to the fullest today as well.

Reading of Corresponding Menu Item (#4)

Haru: New Birth! Mackerel Acqua Pazza 2023 ~Prepared by Nanase Haruka~

           I think everyone has already realized the appeal of mackerel, but I want you to please try it.

Haru: Sakura in Full Bloom! Mentaiko Pasta ~IWATOBI Special~

           We expressed our precious memories through cooking. We’d be happy if you also enjoyed it.

Haru: Haruka’s Dolphin Blue Wave

           A blue parfait that takes the image of the sea or pool we swam in. It’s a beautiful blue.

Haru: Albert’s Silver Sweet Odin

           Albert also ate it happily when taste testing it. I also want you to try it.

Voice when Ordering (Same #1 - #4)

Haru: Thank you for your order. I want you to continue to enjoy the Cocos x Free! campaign.

Makoto: Thank you for your order. Please continue to enjoy the Cocos x Free! campaign!

Rin: Thank you for your order! (says thank you in English) Please continue to enjoy the Cocos x Free! campaign.

Sousuke: Thank you for your order. Please continue to enjoy the Cocos x Free! campaign.

Sousuke: Thank you for coming today. Please continue taking part in the Cocos x Free! campaign.

Ikuya: Thank you for your order. Please continue to enjoy the Cocos x Free! campaign.

[koki-hai]

WRITING REQUEST/ROLEPLAY RULES!!!

Haii! I take requests to write Danganronpa fics, mostly one shots but it depends on how I feel.

(Please note if you request something it might take time bc I have a life outside tumblr, thank you:))

(I'll edit this as I go on)

Request Prompt

Firstly, I DO NOT write cc x reader, to get out of the way.

Anyway If you want to request one shots, lemon, whatever, make sure you tell me each role of each character and the scenario you want them to be in. You can be vague on purpose too if you want! However if you want a specific way for it to go give me a plot and I'll do the rest. Maybe give some details like place, plot, kink, etc. This isn't required but it helps me flesh out the writing itself.

Characters I will write/play!!!!

I might be adding more to this list but this is just the ones I'll probably have the most passion for to write the most!

Makoto Naegi

Byakuya Togami

Hajime Hinata

Izuru Kamukura

Nagito Komeada

Gundham Tanaka

Kazuichi Soda

Shuichi Saihara

Kokichi Ouma

Gonna Gokuhara

K1-B0

Miu Iruma

Ships I will write/play!!!!

Kokichi x Shuichi

Kokichi x Kiibo

Kokichi x Gonta

Komichi x Miu

Miu x Kiibo

Kokichi x Nagito

Nagito x Hajime

Nagito x Izuru

Nagito x Makoto

Togami x Makoto

Gundham x Kazuichi

Gundham x Makoto

Stuff/Kinks I will write/play!!!!

(⚠️!!!content warning!!!⚠️)

- tickling (SFW/NSFW)

- non-con/rape

-Aftercare

- Body possession/ghost possession

- Mind control/hypnotism

- Monster fucking

- Tentacles

- Electrocution/tazer

- Drug use (strictly to roofie someone)

- Bugs and insects

- Restraints

- Kidnapping

- Injections

- Nipple play

- Somnophilia

- Humiliation

- Abusive relationships recovery

- Nekos, Furry ears/tails (cat/dog/bunny boys)

- Giantess (to a degree.. but I prefer pussy insertion)

- Gore (not a kink but i will write gore stuff if requested)

Stuff I will NOT write/play!!!!

(I won't change my mind so don't even try asking!)

- cc x oc

- cc x reader

- feet (includes the tickling part)

-public humiliation (sorta a spectrum but just hit me up and I'll see what works)

- Scat

- Piss

- Farting

- Feeder

- Inflation

- Diaper stuff

- Incest

- Full fur anthros

- vore

- zoophilia

- necrophilia

Roleplay Info

If you want to roleplay, you can ignore the request prompt. If you friend me on discord let me know you're coming from Tumblr! The characters I'll play and ships I do are the same! The limits apply here as well. One thing to note is i probably won't do any gore rp since I'm new to writing that in general. If I am comfortable I'll definitely edit this here! I'm semi-literate to literate. If you want to do more that's fine with me! I'll try to match your style just not like 2-3 sentences. (With Some exceptions like long term rp and if I generally have the time for)