#make open queer characters

[imexperiencinggrowthgetoverit]

“They say when you unmask, you can never mask again. It’s not true for everybody; which is why I escaped.”

So who’s gonna write a Teen Dystopia novel about what’s being done to so many autistic kids in ABA and schools similar?

Who’s going to talk about what our generation has done and will do to stop the hatred towards us?

Nothing About Us Without Us

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[anoant-haikyuu-dump]

got bored, nekoma ship wheel + sexuality hcs (explanations under cut along with empty templates in case anyone wants them)

FUKUTORA TIER

This is self-explainatory. They're basically 90% of my account. If you go to the fukutora tag its just me talking to myself because no one else has posted in it since 2022

LOVE

Kuroken - I have specific opinions on Kuroken because I'm a fan of unrequited Kenhina in highschool. Don't get me wrong, I still like how most of the fandom portrays them, but I much prefer them getting together after the timeskip when everyone's settled into their new jobs. I also really like it queerplatonic, as much or even more than romantic.

Inushiba- Idk man they're just silly, no deeper reasoning. Funny guys doing funny things with a cute height difference

LIKE

Kuroyaku/Levyaku - Honestly I like these two about equally, i think they're both shitpost-able and that's my top priority for a ship. My gf likes Levyaku so i lean towards them but i've seen some good Kuroyaku art too so i can be won over. I'm a firm believer that Kuroo and Yaku were each other's first kiss

Fukutoraken - I think Kenma being a serial third-wheel is infinitely funnier but i dont mind it, as long as fukutora aren't separated i'm chilling. Kenma getting dragged along despite not being part of the relationship is my ideal for them tho, also i think Kenma being Tora's unwilling wingman/the recipient of his sexuality crisis rambles is hillarious

Anything else i'm neutral on or haven't heard of

[onionninjasstuff]

you🫵, you're gay /j

(ur not wrong tho.....)

[weirdo-from-bonesborough]

Yes i think joyfire would be a horrible ship in execution especially with how dirty RHatO did Kori and Roy. Yes i want to bang my head against the wall every time I remember it wasn’t canon even if it was just Kori dating both Roy and Jason but them not dating each other because dc always has to make being gay a big deal. I contain multitudes.

[canisalbus]

i just wanted to let you know that Machete being queer means so much to me. I‘m following your art for many many years now and you and your characters have been a big inspiration baaack in my teens. I was struggling with the possibility of a queer identity alot back then and I remember looking for a trace of queerness in every character I adored. I‘ve always loved Machete and today, as I‘m seeing your art again regulary on my timeline, it brings me so much joy that you’re telling this bittersweet queer story through your characters. Thank you!

Thank you so much for taking the time to leave such a heartfelt message! You've made my day ;w;

[unproduciblesmackdown]

winston my quant of billions

[chaoswithrory]

i finally finished my TF2 self insert's actual ref(s)

please interact this shit took so fucking long

Yes he's basically a sniper knock off leave me alone 😭 im creative i swear

Praying Tumblr doesn't absolutely nerf the quality, even though it probably will 💔

[buffythevampirelover]

Bingo! How alike are you to my characters? (tag game)

Rules: when tagged, fill out the tagger's bingo(s) to see how similar you are to their OCs. then, make a bingo or two for your own OCs and tag anyone you want to play! Bingo made with BingoBaker (remember to share the link!)

Lightly tagging @sleepyrxsetea @kaylinalexanderbooks @blind-the-winds @americanfemcel @meerawrites @blackrosesandwhump @kbwritesstuff @illarian-rambling @faeriecinna @guessillcallitart @simonnebethel plus an open tag!! please join in and @ me <3

[mag-lore]

🏳️‍🌈Pride edit requests open!!🏳️‍🌈

In keeping with the theme of my recent silvergifting edit, I'm going to be making edits of queer Tolkien ships for pride month! I have a list of ships already, but if anyone has any ship requests please send them in!!

Editing to add that these will be open from now until the end of June!

[diyautopsy]

COMMISSIONS OPEN!

hey YOU🫵

would you like EPIC AMAZING ART?

then consider commissioning me!!!

i'm down for almost anything, my prices range from 3$ to 45$!!!

if not, consider reblogging this post to help me out!<3

[unluckystreak]

BISEXUALISM!!!! LOVE TO SEE IT!!!!!!!!!!

[nocturnalcolour-art]

Warrior Cat AU Design 👀

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I DM for a group of my friends a homebrew campaign heavily inspired by Zootopia & Beastars that has been lovingly nicknamed “Fantasy Zootopia” by my players.

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Recently I’ve been on a kick coming up with concepts for what they would look like as a warrior cat. I love coming up with their names and details to draw back to the player character.

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This is Petaldrop! (she/her) based on Petunia the lop-eared rabbit. She has, so many kiddos, and her dead spouse just hangs out rent free in camp with her because frankly - it’s boring in Starclan!

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Character belongs to @morbidgiggling design by me!

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If you’re interested in my work feel free to DM me! I’m taking commissions to save up for surgery!

[queerasian]

succession is simultaneously a:

shakespearean tragedy

postmodern tragicomedy

drama about dysfunctional families and cycles of abuse/trauma

comedy about the absurdity of the ultra wealthy

surreal circus of repressed queerness

political critique of the toxicity of late-stage capitalism

trying to pinpoint exactly what kind of show it is feels impossible, and that's what makes it good – you can rewatch it and experience it from a different lens each and every time and i love it for that

[talentforlying]

i've got stuff to do tonight but i am thinking about how it absolutely fucking pains me to see the joy and energy and love of living sapped from constantine's spirit over the initial run of hellblazer. like he goes from this spirited, wisecracking, life-loving, bully-punching, fastidious little guy to a man so disintegrated by decades of grief and being used and never being good enough for anyone that he was willing to be buried alive to serve a cause he didn't even care about. thank god they gave him back some friendly connections and some semblance of hope by the end of "red right hand", because that late-hellblazer constantine was utterly unrecognizable and it broke my heart.

[aroaessidhe]

2024 reads / storygraph

My Throat An Open Grave

YA paranormal/folk horror

about a girl who lives in a small religious town who fear a child-stealing lord of the forest

when her baby brother is taken on her watch, she’s forced to cross the river to the woods and get him back

but when she arrives she finds that the lord is not what she expected - and she can get her brother back in exchange for composing a song. but as weeks go by, hidden secrets and memories are uncovered