#majority of alters here are source negative and do not enjoy their source

[cringezskull430]

Alright this is Neon SYSD putting in our cents in as we've been silent for many reasons.

We thought grey rocking you and blocking would've put the point across already, But it hasn't. This isn't going to be the most conherent because we just want this over with.

☣️Neon2/Nyx- We have made it plenty clear we want No Contact, no vaguepost and such from you about us Wan. We've tried so hard throughout this to be civil, but you've outworn even OUR good will after everything, so I'm handing this off to the other alters to have them tell their sides and feelings

🍋Gayle- Yeah I'm the one who gave you another message to LEAVE US and OUR friends alone. You literally threw back the same shit we told you our own fucking abusers did to us, from REFERENCING THE EXACT EVENTS THAT CAUSED ME TO FORM. ["i just don't wanna get a knife and stab myself with it maybe in the chest"]

🍋- I'M DONE BEING CIVIL, AND BITING MY TONGUE. YOU FUCKED UP AND REFUSE TO ACTUALLY TAKE RESPONSIBILITY RATHER "Deny, Attack, Reverse Victim Offender", But even still I don't WANT to do this and I refuse to play as dirty as you enjoy.

🎉Sans- Despite how much you've hurt the system, the majority agree not to currently make public every transgression unless you force our hand about it.

🧠Brian- Literally I stopped talking because everytime you'd guilt us, and badger us to try to "help" you which reminded me of my own exo-trauma from source and the lingering trauma the BODY has from past manipulative & abusive "friends". when you refused to stop mentioning the systems various NEG triggers and would spoiler the TWS even after repeatively being told that wasn't helpful.

🧊Colress- With this I kept having to sit nearby front so I could help monitor and calm down the alters you would repeatively trigger and then cause to get frontstuck via all the manipulation from threatening to hurt yourself in various ways or just spewing the most vile words towards the ones who wanted to help. You sicken me.

🌸Steven- I was one of many alters you caused to come out of dormancy to just help the system cope and not break down to the pressure and pain you've caused us to feel. And I don't like you, which is why I was stopped talking and said the majority of the system did NOT want to talk to you in the hazbin server because I knew if I didn't me and some others were going to get even more angry

⚠️Bill- :wave: yeah I came out of dormancy because I could tell something was up in a neg way. Which is why I helped get some of the more angerier alters out of front so I could handle things, as a bunch of them were close to snapping.

🐰Colt- I also came out of dormancy to try to help those in headspace not just jump to front to snap as even I could tell you were hurting them with everything.

💀Skull- I was one of the alters who you pushed to snap, and pushed to talk about their trauma that IM STILL NOT ready to talk about because I was so FED up with your pity party and reusing the same SHITTY lines like Gabe would do. Oh yes there's another fucking lowlife Gabe/million names you are similar to.

🍬Candy- Skull is my insys boyfriend and it took so much energy for me not to yell and scream at you for what you put skull and everyone else through. Yeah you hurt me as well, but I can deal with that, You messed with my boyfriend and that was enough for me.

🍵☕Sponge & Bobby- Speaking together but we literally had to deal with so much new splits and stress in headspace as we tried to keep things in order, even Pibboby came back. Least the dude was alot less stressful to deal with. Neithier of us know what to say at this all because it's just insanity.

🍰Waldemar- I'm speechless really at all this, even if it was why I kept hanging around front so I could make sure Blaze was 'lright after all I could see happening, as both me and chara saw as he increased his joking and more harmful pranks in headspace.

🐊Monty- Really I don't have much to say as I came around after ya were already kicked out and blocked, but god it's insane hearing from those who were there.

🍆Dave- You, yeah I don't know what to say. You hurt them beyond belief and despite my feelings I'm not going to compare you to my source exomemories.

🧯Conner- I'm not usually the type to stand up or really show my rage towards others. But You are one of the few who has gotten both me and gayle angry beyond belief. Now take the Karma you've sown and stay the fuck away from us.

🔥Blaze- Again, stay away from us. We want nothing to do with your disasters nor crocodile tears. The depths of my anger is deep, and the only reason this is so short is because I don't want to care about you anymore.

🎱Ribs -... I have nothing to say.

🍤Mockingjay- The only good from this is that because of what you've done, is that they've realized they're much stronger than they thought. And I'm proud of them, not you. You're just a small parasite, and simply just a biohazard to them. My name is MOCKINGjay and I split off because of what you put them through Wan.

☢️Prodigy- You can scream as much as you want, I hear you loud and clear. Which is that the thought of you being alone feels you with fear, much more than any "LOVE" you have for us. if even there was any care or love you had for us with everything you've done

🥮Allie- Literally I have nothing nice to say, and what I do have to say I'm not allowed to say! So. Just leave us lone kay?

🍾Sparkling- Hi another alter you caused to come out of dormancy, I don't have much to say but just LEAVE US ALONE!!!!

🚨Drake- Move on, stop trying to come back. Just like the other Gabe, The door's fucking closed. You aren't welcome back, let the door hit you on the way out I don't give a fuck.

🪷John- I have nothing to say, I just want you gone.

🍥🍘Pest & Poob- We agree we just don't want to deal with you anymore, go make your own disasters on your own time.

🥩A5 Wagyu- You've done enough damage, leave them alone and stop trying to come back so you can pour more salt and lemon juice on the wounds. You cannot fix things, this is broken way beyond repair.

🦪White/Black pearl- I am staring in a negative way and I'm just going to leave front again for another few months.

🍊Jack Kennedy - Great! It's my turn, and I'm just going to use something from my source just rewritten! Enjoy you fucking idiot.

I have a message for you, Wan. It comes not only from me, but every Alter you've hurt inside this fair system along with the others you've harmed, You're outnumbered. We aren't afraid of you, and we aren't gonna let you hurt anyone else. You're outnumbered, Wan, and we aren't gonna tolerate you any longer. Now, get the fuck out of my sight, before I tear you limb from limb.

Just a quick message on someone who used to be in the Hazbin Rewrite server.

If you can vaguepost about me I can vaguepost about you too. Except its not gonna be vague because I'm going to say your fucking name. I'm not sugarcoating anything.

Wannursyafiqah74, leave me, my friends, and the Hazbin Rewrite server alone. We want NOTHING to do with you and your manipulation tactics and obsessive behaviour.

Just because I haven't been as "mean" about the situation doesn't mean I'm any less angry. I don't want to talk to you. Move. The fuck. On.

You've treated Neon and their system HORRIBLY throughout all of this, constantly bringing up things that they SAID. MULTIPLE. TIMES. Triggered them. You threatened suicide if they didnt help you. You constantly mentioned SA and abuse. You'd go to channels Neon was chatting in just to mention these things. And you never stopped, even when we threatened MULTIPLE TIMES to leave if it carried on. But you still did it! Why? I dont know! But it lead to us not wanting to associate with you anymore! Then when you left our friend server to move on and "improve", you just started doing the same shit in a completely unrelated Hazbin Rewrite server filled with minors who aren't equipped to help you with your personal problems!

I sent you that message weeks ago in hopes of you actually following through. I kept you unblocked with hopes that you wouldn't betray my trust like you had so many times by breaking your promise to cease contact.

This should have been the end of it. But you did it again. You didnt even apologise, you just went straight to asking if you could post art in our server! And even AFTER admitting it was stupid, you sent me another god damn friend request on discord. (Yep, friend requests show what time they were sent now!) So I blocked you. You've broken the last inch of trust I gave you.

We can't forgive you for the scars you've left us and ESPECIALLY Neon's system.

Im not playing quiet mouse anymore. I'm sick of this shit and I just want to be left alone. So do Al, Neon's system, and the Rewrite Server. Stop using me as a tool to get back into servers. I'm not falling for it anymore.

Tagging vivziepop critical tags as a lot of the Hazbin Rewrite members reside there. They can add on if they please with evidence, screenshots, etc. Love y'all, /platonic, I hope you're able to recover from all of this.

[do-you-have-a-flag]

i'm not looking for advice from anyone who isn't a professional i seek out myself (in the process) but i wanted to just find a straight forward list/reference guides for foods that fit certain nutritional criteria and it is SO HARD to find something that isn't combined with a bunch of lifestyle stuff

like, i have no interest in diet culture, i'm looking to alter my PERSONAL diet and to do that i need just basic info

what i am NOT looking for is: combining nutritional info with calorie counting, specific exercise regiments, diet recipes, irrelevant dietary info

while these are varyingly useful to many people they are not what i specifically need, because i am not interested in fast weight loss i am interested in something i can maintain long term

and i KNOW the best way to do that is to start from what i am already doing and build positive momentum

i don't want to start by cutting out foods and substituting in things i don't normally eat, that's just combining a loss of something familiar with the risk of not liking or being bad at cooking something new.

so i am starting by reducing some foods or preparing them differently, the only substitutions i am making is based on time not food type as a lot of the less healthy things i eat i eat out of time/MONEY convenience.

I am starting by changing preparation style, i am prioritising pre-planning over last minute convenience, i am picking more of what i make myself, i am reducing the frequency of certain ingredients, I am cooking for myself rather than whatever my parents have made, i am switching some ingredients i like for other ingredients i like.

I don't actually eat all that poorly but the biggest pitfall i have to watch for is convenience (some call it laziness but that's a needlessly negative spin on a grander issue of limited energy and resources) . speedy preparation and eating based on what is already cooked or ready to snack is where the actual foods i need to cut out are. I don't actually have to cut anything dramatic as of yet and I already like experimenting with recipes.

there is no need to switch to boring or bland food, I wanna focus on more conscious cooking rather than limiting options.

and while the exercise i do participate in is good i'm far too infrequent with it so motivation/consistency is the name of the game there

and it's hard because there's so much to filter out when I just want like... here's a filter you can search by food item to check against various nutritional qualities. when i want a guide on how to safely do certain low impact variations on exercise for days when i can't go take a 5 hour hike.

I don't want specific recipes, i don't wan't lifestyle motivation, i don't want diet culture or fitness culture. i want common sense guidelines so i can work with what i have and be safe about it until i am able to get personalised advice from a reliable professional source.

i don't even have specific goals because i don't wanna get fixated on numbers, my goals are like "get the one number from your blood test you were warned about to within healthy range" and "find a cardio/strength based exercise routine that you can maintain without getting bored"

like, major respect to people whose hobby is fitness or nutrition, i'm not looking for a hobby i am looking for the health equivalent of background music, something i can integrate into my daily life and enjoy while still going about my regular activities.

[apparentabstractions]

Some unstructured thoughts

My reaction to the trend of "AI artists" has been pretty viscerally negative—it's a clear off-shoot of the same Silicon Valley tech bro bullshit that gave us NFTs—but I've also been left grappling with the reality that there are very real similarities between much of my APPARENT ABSTRACTIONS work and images generated by AI. The latter involves someone inputting text and hoping for the best. My edited ROM corruption screenshots require similarly little "effort"—ask a program to inject some junk data or alter a few bytes, then wait for the results. In the end, we both have very little control over the actual output. I often make edits to the shape or color to make mine stand out more, but that's not a tall task either.

Furthermore, both are built off the backs of others' work. I think my only real saving grace here is that the "sources" I pull from are commercial, mass-produced products. Of course video games are an art form, and artists worked to create the graphics which I then ask a program to mangle, but at the end of the day I'm pulling from the works of corporations. Fair game for editing? Fair game for collages and sampling? The music enthusiast in me has always felt that way, at least. I wouldn't have a guilty conscience screencapping and editing something from say, Ninja Gaiden—as opposed to trying the same thing from some DeviantArt user's work. One like myself, maybe. I also illustrate as a hobby, and yeah, I don't want my drawings used in AI training datasets. And these days, it's getting harder to trust the websites we host our work on to protect us.

Maybe the big difference between what I'm making and what "AI artists" are doing comes down to ethos. AA is a project that's been going on for four years now. The works have always been released into the public domain. I just think what I'm doing is cool, and I wish more people would do it. It's not really even about the individual pieces but all of them as a unified gallery. I've always viewed AA as one singular ever-expanding art piece. I think it's why I enjoyed making the Tower Unite gallery so much. Very few "AI artists" ever seem actually interested in art. Or at least, they weren't interested in the concept of "art" until they saw that it could be an easy way to make them popular or rich. But you probably know that already.

We saw it with NFTs, too, though maybe less so percentage-wise—I saw a lot of legitimate artists I admired become grifters. I almost bought a John Karel (jjjjjjjjjjohn, the one with the low-poly skeletons) shirt and now I'm glad I didn't. Mark Vomit, the guy who made that "you are not immune to propaganda" meme, is actually a talented audiovisual producer that I liked a lot. Ironically, he tried making NFTs but threw a fit when no one wanted them and people started making fun of him. I don't think he's tried again since. Probably my biggest disappointment in this field was Osamu Sato—the guy behind LSD: Dream Emulator among a slew of great albums. And don't forget a bunch of musicians who were probably forced to engage with NFTs by their labels. But also, like, 80% of the people making "abstract digital art" like my own started getting into it! I had to unfollow the vast majority of them. At their height, it was so bad that you could just tell someone was probably doing NFTs by looking at their art because it had become so popular with certain cliques—my own included. I started using the "AGAINST CRYPTO / AGAINST NFTS" avatar around that time not just because I wanted to make a bold statement against it, but also because I didn't want people to have to check.

[i-want-my-iwtv]

I hope the rumours of Louis being a brothel owner aren't true, but if they are I can sort of see why they're going for this route? I mean, with a black Louis they can't have him being a slaver anymore, so maybe they're trying to find something that is also morally reprehensible for him to be.

TL;DR: My kneejerk reaction was to be saddened, and I don’t like that this is starting up, and will continue to fuel, fandom drama. Ultimately, if we want peace, we’ll embrace the fact that the existence of this adaptation doesn’t take away from the existence of the books, and it also doesn't mean we have to acknowledge it.

It makes me wonder whether AMC wants us to make a storm about this. We’ll see...

After all, what makes this adaptation any more important than the graphic novels of the ’90s, the graphic novel Claudia’s Story, movie!IWTV, or movie!QOTD? In fact, many fans here on tumblr consider VC to be a trilogy only!!! and don’t accept the majority of the PUBLISHED CANON so what makes anyone think we have any obligation to swallow this AMC adaptation as some kind of gospel?

I see movie!QOTD as a buffet of ideas carried in an official fanfiction work, and I don’t accept as my headcanon the various things it changed about the books that I didn’t particularly like, such as merging Magnus and Marius (which, IMO, effectively made both characters more morally reprehensible). I accepted the things I did enjoy, like casting a Black/POC actress to play Akasha. I see this AMC adaptation as a buffet of ideas, some can be taken, and some not, it’s just another official fanfiction work.

[Anon, I need to catch other ppl up on the information, too.]

Deadline.com informs us that in the AMC adaptation for Interview with the Vampire, Jacob Anderson has been cast as Louis. I'm not familiar with him, but it looks like he’s a successful actor, from Game of Thrones and other things, he’s also joining Series 13 of Doctor Who. I’ll have to check him out from an acting standpoint!

Aside from his talent as an actor, this is by far the most controversial thing that's happened in VC fandom recently. I've been thinking about this for a few months now, talking about it privately online and offline, still gathering my thoughts. So this post is not engraved in stone, it’s initial thoughts on this.

I’m glad to see ppl talking about it and I’m sure we’ll have more public discussions. I’m trying to discuss it very carefully, but also, this is an entertainment blog, my opinions are mine alone, and I’m not looking for dogpiling on anyone, I have no obligation to respond publicly or privately to anything. Plenty of other ppl have differing opinions on this. So take all of the following with more than a grain of salt, I’m not being salty, I’m providing the links to the little info we’ve seen pulicly, I’m giving my initial thoughts, and I’m also trying to add a little levity because ultimately, again, this is an entertainment blog, and I try to add a little humor to help with such serious topics, humor can help ppl talk about controversial things.

-----

The casting of a POC/Black actor (I’m sorry I don't know the preferred terminology, let me know if you know what Anderson prefers) confirms at least one part of theilluminerdi articles that stated that Louis’ race will be different from the books. I didn’t post about these before bc I wasn’t sure how reliable theilluminerdi’s sources are (and I'm still not sure), but this was one major aspect that theilluminerdi announced before Deadline did, so now seems to be the right time to share those articles. For now, you can go check them out yourselves rather than have my reposting of the information, trigger warning: mentions of sex workers and race in the changes to the canon story of Interview with the Vampire.

>>>theilluminerdi articles from May 21, 2021 and July 15, 2021:

www.theilluminerdi.com/2021/05/21/interview-with-the-vampire-amc

www.theilluminerdi.com/2021/07/15/interview-with-the-vampire-amc-2

^Meme of Dr. Ian Malcom from Jurassic Park reads: “Your writers were so preoccupied with whether they could that they didn’t stop to think if they should.”

I’m using that meme with a little levity here, clearly an AMC adaptation of vampires in which the producers/writers have chosen to change the race of a main character (arguably the original protagonist of the series) isn’t in the same VICINITY as the dinosaurs in Jurassic Park that broke out of containment and killed visitors to the park, but John Hammond’s intention for the creation of that park was very good, as I assume this race change was intended. Time will tell.

“But with this place, I wanted to show them something that wasn't an illusion. Something that was real, something that they could see and touch. An aim not devoid of merit.”

“Creation is an act of sheer will.” 

- John Hammond, Jurassic Park

Race is a more complicated subject than ever, so for AMC to make this bold change, I hope they have POC and Black writers on staff and are handling this very carefully. Even then, no racial group, including POC and Black people, are a hivemind, disagreements are bound to happen in the writing room, whether in good faith or bad. People have different intentions and motives, compromises will probably be made with the story in many ways, we all know how it goes with collaborations; the end product is a shared vision among multiple creators. This could be a potentially controversial adaptation, I don’t know whether they’re aiming for that or not, but with the elements it has so far, it seems to be headed that way.

Here's a comment by "Angellus" on the 5/21 article. It's undeniable that there's going to be the accusation of racism thrown at anyone who has any negative view of this change, regardless of their reasons. I find it unfair and narrow-minded that any negative response is automatically assumed to be coming from a racist point of view. To say that changing Louis' race is unequivocally an improvement fails to take into account how that change has a Domino effect on all of the other parts of the story. Not the least of which is that, if he is still a slaver/slave holder/plantation owner/(insert your preferred term) that adds a whole new racist element to his owning Black/POC people, even though, apparently there were Black/POC plantation owners. 

Not the least of which: How will this change impact his relationship with Lestat? Particularly when Lestat has the added issue of being described in those articles as having “mind control abilities” and “insistent that he gets what he wants and when facing rejection,” a terrible combination in terms of consent, even in a relationship of the same race, let alone invoking Caucasian/white dominance over Black/POC people, AND Lestat being the catalyst to Louis’ questioning his sexuality:

Lestat is insistent that he gets what he wants and when facing rejection, petulance can quickly turn to ruthless rage which causes frenzied acts of horrifically brutal violence. Lestat also has mind control abilities. Lestat initially infuriates Louis, but this soon turns to fascination which leads Louis to question his religion and sexuality. 

^Screencap reads: "I love how racist everyone is in the damn comments, this doesn’t pervert the story you’re all racist and it’s disgusting. I’m looking forward to it, I hope you keep crying your salty racist tears asswipes."

It makes me question whether Angellus truly believes what they wrote, if this is an ideology, or a troll. I would suggest their use of the term “pervert” is correct though, pervert means: “alter (something) from its original course, meaning, or state to a distortion or corruption of what was first intended.” That’s what this race change does, factually. Although, in this context, “distortion or corruption” carries a negative connotation. It would take a lot to show how this change does not meet the definition or “to pervert,” though.

I hope the rumours of Louis being a brothel owner aren't true

I agree 1,000%, I was hoping that these were just rumors. But, aside from the race change, if this were the only change, I find Louis being a brothel owner to be equivalently morally reprehensible to being a slaver/slave holder/plantation owner/(insert your preferred term). Ideally, they’d change his career to something that doesn’t involve benefiting from the bodies/labor of others in any morally reprehensible manner.

I mean, with a black Louis they can't have him being a slaver anymore, so maybe they're trying to find something that is also morally reprehensible for him to be.

He might still be a slaver. Who knows. Being morally reprehensible as a mortal man didn’t seem to me to be crucial to the story, but they still could have chosen something better. It seems to me like they want a brothel so they can have eye candy for an audience who want to see sex workers, maybe full frontal nudity. 

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What also gets my attention is that Anne and Christopher Rice have not yet posted publicly about it, which leads me to believe that this change wasn’t their choice. They take every chance to brag when they’re proud of something, every chance to crowdsource about casting ideas or which VC books Anne’s fans liked best, etc., and in this case, as of Aug. 31, 2021, (and to be fair, maybe I missed it), I haven’t seen either of them post about this on the official VC FB, Anne Rice’s FB, Annerice.com, Christopher Rice’s FB, or christopherricebooks.com. If it had been their choice, I think they would have gladly trumpeted their credit by now, but maybe they’re waiting to do it in a specific venue. Time will tell.

[daresplaining]

A Few Thoughts About the Current Run

    I feel like I ought to say a few things about my feelings on Zdarsky’s run, as of right now (August 2020, pre-Annual-- that may be important). I haven’t said much about this run, and I should admit that I actually stopped reading it for a while. At a certain point, I realized I was dreading the release of each preview, and took that as a sign that maybe I should take a break and just re-read some back issues instead. This is, above all, supposed to be fun; I never, ever want reading DD to feel like a chore.  

    That said, I am now caught up and feel ready to begin untangling exactly why this run is so distasteful to me. I’ve been fortunate to have other DD fans to chat with about this, which has helped me to pinpoint what my problems are... because on paper, this run seems like something I’d enjoy. Matt accidentally kills a guy; that’s always fun. Marco Checchetto is great. The story explores Daredevil’s relationship with the citizens of Hell’s Kitchen, which I love. Foggy helps Matt with an action-y Daredevil thing; that’s awesome. There are some very cool fights. Elektra is in it. Stilt-Man is (briefly) in it. It has all the trappings of an interesting narrative. But there is a giant hole in the middle of this run, and that hole is Matt Murdock-shaped and impossible to ignore.     

    I read Daredevil comics for a lot of things (anyone who’s been following me for the past few years might think I read Daredevil comics for Mike Murdock, and you may have a point there) but first and foremost, I read them for Matt. There is a lot that makes a good DD story great-- historically, the comic has featured great supporting casts, and that’s another problem with this run that I’ll get back to in a minute-- but Matt is always the anchor. One of the greatest strengths in Daredevil comes from the fact that the protagonist is such a compelling character. You are interested in what he’s doing. You want to follow his story. You enjoy being inside his head. I’m not saying that you can’t write a good Matt-free Daredevil story-- you definitely can. But if Matt is present and written poorly, the whole story will collapse around him, and that’s been my experience with Zdarsky’s run. Part of the reason I’ve taken so long to write this post is because I’ve been trying to figure out if my complaint comes from my own personal taste-- which is not a basis on which I can critique this comic-- or whether the problem is inherent in the work itself. Having discussed it with other people, I feel comfortable saying that I think the problem is in the writing. 

    Zdarsky’s Matt feels profoundly unfamiliar to me, and that in itself isn’t necessarily a problem, but I don’t find this new version of my favorite superhero interesting. I actually find him a little repellant. If this run had been my introduction to Daredevil, I would’ve said “Nope” and read something else. Matt is a character with depth. He is intensely multifaceted. His relationship to superheroing is complicated, his views on justice and morality are rich and often contradictory. Zdarsky somehow missed all of that and has crafted a one-dimensional character with a blatantly black-and-white sense of morality. Matt’s reaction to accidentally killing someone seems to be to decide that all superheroes are bad-- something I complained about at the beginning of the run and which, unfortunately, only grew more annoying as the story progressed. Zdarsky’s Matt is painfully self-righteous, to a degree that makes him extremely unlikeable (at least to me). And yes, Matt has been written as unlikeable before. I actually love when Matt behaves badly; I find that fascinating from a narrative perspective. But I’ve realized that the key reason that has been effective in the past is because the story has never condoned that behavior. When Matt was emotionally abusive toward Heather Glenn, Frank Miller went out of his way to show us-- via the side characters, via blatant expressions of Heather’s pain-- that Matt was in the wrong. When Matt was a jerk in Bendis’ and Brubaker’s runs, when he drove his friends away, when he acted irrationally and harmfully, the narrative commented on that jerkiness and irrationality. 

    But Zdarsky does not do that in his run. He presents Matt’s irrational and jerkish behavior without comment or nuance, as if it’s a perfectly normal, reasonable way for Matt to act under the circumstances, and I have been surprised to realize how distasteful I find that, and how bad it makes Matt look. There’s a difference between having a character who is comfortably flawed-- whose behavior you’re supposed to occasionally question-- and a character who is just unpleasant and unlikeable, seemingly by accident. In the most recent issue (#21), Matt has an extremely upsetting interaction with Spider-Man, one of his oldest friends, and Matt is positioned as heroic for behaving this way, and it made me feel a little ill, because there’s no textual examination or questioning of this behavior. It’s just Matt, pushing people away, being Angsty(TM) and Gritty(TM) and lone wolf-y just because, in a way that is grating and unpleasant and completely lacks nuance. 

    The other major element of Zdarsky’s characterization of Matt is religion. I’ve mentioned before (as have other DD fans before me) that Matt is not generally written as religious, and it’s a strange phenomenon that this characterization has appeared in multiple adaptations (the movie and the Netflix show) while having very little actual presence in the source material. But it was a key theme in the Netflix show, and while hopefully that influence will disappear from the comics as more time passes, we are still in a honeymoon phase wherein MCU elements are still popping up in the 616 universe. It’s clear that Zdarsky really liked the show, and Soule as well; I’m certainly not letting Soule off the hook here, because the idea of Matt being devoutly Christian showed up his run first. But there, you could get away from it if it wasn’t your thing (which, for me, it’s not). Soule had whole story arcs that didn’t mention it. But Zdarsky has made it 75% of Matt’s personality. When he isn’t fighting or sleeping with someone in this run, Matt is angsting about God. 

    I hesitate to complain about this because it’s Zdarsky’s right as a DD writer to change the protagonist however he likes. It’s frustrating, yes, but not actually a sign of bad writing per se. Plus, not everyone is me. Many people-- probably including many people who were fans of the Netflix show and are entering the comics via that connection (which seems to be the target audience for this run)-- may be religious and may connect to MCU/Zdarsky Matt in that way. And that’s wonderful. I want to be very clear: it’s not the religiousness itself that I’m complaining about. My complaint is this: if you’re going to drastically alter a character, you need to back it up. You need to dig into it, make that new personality element feel powerful and real, and integrate it into the character’s pre-existing personality. And if you’re going to base the entirety of that character’s emotional journey on that new trait, you need to work to make sure it’s accessible to your readership. I, as a non-religious person, have no sense of why Matt is so upset about God. I have no frame of reference for his pain, either from my own experiences or from previous Daredevil continuity, and Zdarsky does nothing to develop or explore the basis of Matt’s faith, and so it all just falls flat. I feel alienated by this run. I see an angsty, self-righteous, prickly jerk ranting about needing to do God’s will, and then I put the issue down and read some She-Hulk instead. If Zdarsky (or Soule-- again, he could have done this too) had made an effort to actually explore and explain Matt’s feelings about his religion, rather than lazily shoving that characterization in there and assuming readers will just accept it, it wouldn’t bother me nearly as much as it has. 

    Also, I feel I have to mention; this is a fantasy universe. Matt went to Hell and yelled at Mephisto in Nocenti’s run, and it was awesome. Maybe this is just me, but if you’re going to bring in religion, at least have some fun with it! Bookend Nocenti’s run: Matt goes to Heaven, runs into God, and she gives him some free therapy and a souvenir t-shirt (or, I don’t know, something). To give Zdarsky credit, he did at least hint at that sort of thing in Matt’s conversation with Reed Richards in #9. 

    I'm going to cut this post short, because I really don’t enjoy writing negative reviews. I’d much rather post about things I love, and over the next few weeks I do plan to highlight aspects of this run that I’ve enjoyed. But I’ll end by saying that the weaknesses in Matt’s characterization could have been mitigated by a great supporting cast. Having prominent secondary protagonists would have provided outside perspectives on Matt’s behavior and given the reader other characters to root for when he got too out-of-hand. They would have drawn out the human elements in Matt’s character and helped give him that nuance he so desperately needs. But this run, just like Soule’s before it, is woefully underpopulated. Foggy’s presence is extremely weak and his appearances far too infrequent. Apart from brief cameos in MacKay’s Man Without Fear mini, Kirsten McDuffie and Sam Chung have both vanished, and I’m worried that Kirsten might have joined Milla Donovan in the limbo of still-living-but-permanently-benched ex-love interests. The women in this run are all either villains or people for Matt to sleep with (I was pumped about Elektra’s return and the idea of her training Matt, but her characterization was disappointing (I may write a separate post about this), and Mindy Libris could have been really compelling as a moral person trying to survive life in a crime family, but instead she was just a one-note, underdeveloped victim for Matt to lust after). To Zdarsky’s credit, he has clearly been trying to give the Kingpin a humanizing story arc, but even that I haven’t found compelling enough to want to keep reading (though that could just be me). Cole North was intriguing at first, but he ended up feeling more like a concept than an actual person. And none of these characters engage with Matt on a human, emotional level, which is what a good supporting cast needs to do. I commented early-on that this run felt like all flash and no bang (Is that a term? It is now.) and I think I still stand by that-- it’s all bombastic plot concepts and big ideas without any of the actual development or nuance necessary to make them work. There is nothing in this run that has pulled me in and held my interest; in the absence of a Matt I can connect to, I need something, and so far I haven’t found it. 

    I could go on, but I think I’ve made my point. This run was nominated for an Eisner for best ongoing series, so apparently someone likes it, but it has become clear that-- so far, anyway-- it’s just not right for me.  

[divinaes-bookofsecrets]

Hi, how are you ? 🤗 If it’s okay with you can I have a spirit guide tarot reading please ? My name’s Hunter, I’m Taurus sun, Capricorn moon and Aries rising :)) In any case thank you for answering me, have a nice day/night ! ☺️💕🌈

starting shamanic session at 2:36am

Your Spirit Guide is Evaki -------

heres what is known about your rare Spirit Guide

Native American Legends: Evaki (Ewaki)

Name: Evaki

Also spelled: Ewaki

Tribal affiliation: Bakairi

Pronunciation: halfway between eh-vah-kee and eh-wah-kee

Type: Goddess, night, dreams, bat god

Evaki is the Bakairi night goddess, aunt of the twin culture heroes Keri and Kame. Evaki has the responsibility of taking the sun out of the jar it is kept in every morning and putting it back away at night. Evaki is associated with sleep and dreams, and she is sometimes represented as a bat.

Name: Evaki

Nicknames:

Evelyn

Luna Nina (Bakunawa)

Gender: Female

Age: 16

Species: Spirit / Bat

Evaki's personality is a soft blend of calmness and sweetness. She's extremely friendly, treating everyone politely, unless they're rude to her. She usually treats those who treat her poorly with stubbornness and even a bit of a huffy edge. She doesn't like negative emotions, but sometimes they can get to her. She mediates and smudges in order to rid herself of such emotions. She tries her hardest to be the best person she can be. She's very responsible and mature, even if she's not the most competent. She seems to have a desire to be a "leader", wanting to come across as more important and to try and appeal to her higher-ups. But also because she cares deeply about others and wants to help others and do her best. She's a bit of a flirt, often treating her friends very kindly. Though she can be stubborn and she can be annoyed when her friends are acting up (especially Bakunawa). Evaki however is quite brave, often risking her own life for those of her friends and teammates. She is rarely nervous, though she has her fears, she tries her hardest to put them behind her when the situation calls for it. She's very cool, often going with the flow, however she is not used to massive changes and likes to live in somewhat of a routine. She likes to roll with the punches in smaller situations, but the bigger the situation is, the more nervous she becomes. She can be seen as a bit of a "nerd", with her intelligence and love of history and similar subjects, but she doesn't mind being a "nerd". She knows who she is and she loves it. Evaki is portrayed as a kindhearted, brave, and daring girl with an aura of coolness.

Evaki likes active activities like archery and flying. She likes to hone her skills and combat to a fine "T" and takes pride in her achievements. She's a bit of an athlete, but also loves to read books and learn about different cultures and world history. She likes dancing and singing, but doesn't show it too often. She enjoys nature and animals, especially the night sky and bats. She also likes food, mostly sweets, fruits, and naturally, bugs. She mainly enjoys hanging out with her friends. However, the animals she doesn't like are owls, snakes, raccoons, and hawks (the enemies of bats). She also has a bitterness towards bullies and evil-doers, as well as those who disrespect the things she and her friends are passionate about. She's also sensitive to bright lights and harsh winds.

Evaki's powers include her powerful sleep dust, which causes foes to fall asleep. and lose their memories. Very useful after the fight's been won! She can also communicate and sometimes control bats, but this is rare. She can also fly and run very fast and gracefully, thanks to her defeating Bunnyman and absorbing his powers. Her weapon of choice is a bow and arrow, which she is insanely good with and can shoot like a master.

What does Your Spirit Guide Look Like?

WHY HAS EVAKI APPEARED TO YOU ?

WHATS THE MESSAGES FROM SpiritGuide ?

Number 530 is a blend of the vibrations and attributes of number 5 and number 3, and the influences of number 0. Number 5 brings the influences of major life changes, making important choices and decisions, expansion and opportunity, adaptability and versatility, personal freedom, resourcefulness and life lessons learned through experience.  Number 3 resonates with courage, forgiveness, natural skills and talents, open-mindedness, self-expression and communication, optimism and enthusiasm, growth and expansion, manifesting and manifestation. Number 3 also carries the vibrations of the Ascended Masters. Number 0 is the number of the Universal Energies/Source, the beginning point, eternity, infinity, oneness, wholeness, continuing cycles and flow, developing one’s spiritual aspects and connecting with the Higher-self, and denotes freedom from limitations. Number 0 also amplifies the energies of the numbers it appears with.

Angel Number 530 indicates that the life choices and decisions you have made will bring about positive changes that will encourage auspicious opportunities to present in your life. It is also a message that you will be devoting more of your time and energy to your spiritual pursuits and your life purpose and soul mission.  

Angel Number 530 is a message that the changes you are going through are in direct alignment with your life path, plan and purpose. Continue on your current path with enthusiasm and confidence knowing that these changes are taking place for a higher purpose. Trust that you are safe and protected along your journey and the angels are beside you all the way.

Angel Number 530 encourages you to trust your intuition and inner-wisdom and allow your angels and the Ascended Masters to aid, assist and support you through these transitions. Use your natural communication skills to uplift and enlighten others. 

You can transform your life into one filled with more love and joy simply by being more self-aware each moment. There are no limits other than those you place upon yourself. Allow yourself to grow and transform in ways that suit your true self. Manifestation requires faith and trust.

Number 530 relates to number 8 (5+3+0=8) and Angel Number 8.

Personal Message for January 25 - January 31

Teamwork may be a strong theme for you this week across more than one area of your life, Taurus. You may choose to team up with a partner who shares a passion in an effort to learn something new or begin a new venture. You might also choose to sign on to a visible project in your community or with your family. This week may bring around the repaying of a debt that you had counted as lost, so repayment in one form or another may surprise you in a good way, and it may even alter your perception of someone you may have judged because of that. A lighter, brighter period is beginning where your financial picture is concerned. An invitation you receive soon may involve something that causes you to feel fearful, but you may not want to turn it down because of the people involved. For example, if you have a fear of flying, it could mean a trip to someplace that requires a flight. If you really want to go, then fight your fear.

-- Divinae🌬🌪🌟🌟☄🔥💧🪐🌦❄⚡⚡🌈⚡⚡🌟🌟🌌🌊🌍🌐🌍🌐🌍🌐🌍🌐🏨🌐🌍🌐🌍🌐🌍🌐🌏🌐🌎🌐🌎🌐🌎🌋🏝🏟⛰

[historic-old-guard-lover]

The emperor has to be god-king Andy. Also like since nicky and Joe obv have to have the lovers why not have andy and quyhn kissing as the empress.

Another related ask (potentially by the same person):

Also since the fool is a journey's beginning I'd almost want to pick Nile for it. As well there are four characters who commonly have swords (or an axe but close enough) and cards have four corners. So one sword each corner, nicky, joe, andy, and quyhn.

So. Someone has good ideas. Here’s the post that prompted these asks. This made me pull out my tarot deck and go through the cards. Below the cut is a break down of the entire tarot deck. There will be an explanation of the (standard) interpretation of the cards, good then less good, and then my associated headcannon (or more than one if I couldn’t decide). The source is my experience with tarot. I’m trying to minimize repeats, but historic and modern Old Guard members are counted separately. Enjoy.

The Major Arcana (aka the cards most people have heard about)

0. The Fool - the seeker. Naivety. Courage. Living in the moment. Journey’s beginning. All paths available. Folly. Apathy.

Nile. Anon convinced me. Though Booker has got the folly, apathy, and madness down, Nile is ultimately the beginning. She’s naïve but headstrong, and quite frankly a perfect match.

I. The Magician - the trickster. Power, skill, talent. Mastery, self-control, willpower. Subtlety. Divine connection and inspiration. Self-reliant.

Modern Nicky. Definitely Nicky. Just. He’s a formerly very religious man who just says these things. Also sniper.

II. The High Priestess - the moon goddess. Intuition, wisdom, foresight, divination, prophecy. Enlightenment, understanding, intelligence, education. Pride, emotional instability, unforgiving.

Historic Quynh. Her name means “night-blooming flower”, which is very moon goddess vibes to me. Also, I’d say over 500 years in a box turns understanding and enlightenment into emotional instability and unforgiveness.

III. The Empress - the queen. Feminine power, matriarch, mother. Fertility, pleasure, beauty. Success, evolution, movement. Marriage, wealth. Overattachment, domestic upheaval, delay.

Quynh. The counterpart to Andy’s emperor card.

Nile. Let’s be honest, she’s going to take over from Andy some day.

IV. The Emperor - the king. Masculine power, patriarch, father. Authority, leadership, proficiency. Wealth, stability, effectiveness. Perseverance, logic, endurance, experience. Lack of ability, weak character, immature, rebellious.

Modern Andy. She is the leader who’s short-comings effect her entire team. And who doesn’t love a little gender bending? (and her film look is already soft butch)

V. The Hierophant - the religious leader. Tradition, convention, ritual symbolism. Ceremony, religion, morality, philosophy. Mercy, goodness, forgiveness, humility, vulnerability, Impotence, Religious tyranny.

Historic Nicky. I mean, former priest (enough said).

Historic Andy. “I was once worshipped as a god” (enough said).

VI. The Lovers - the lovers. Love, attraction. Compatibility, harmony, choice.  Triumph over trials, vacillation. Entanglement, enmeshment. Infidelity, moral lapse, vice, separation, quarrels, inadequacy, failing tests.

Andromaquynh. *peeks out from behind barricade* I know that most people would just put Kaysanova as this card, but look at all the negatives it is associated with. Sounds a lot more like our immortal wives can really cover the gamut. They have the range....I am a sucker for Kaysanova, though. Even though the beginning of their relationship is rocky, I’d like to think it’s been fairly constant over the years. But let’s reverse the uhaul lesbians and fickle gay men tropes! Sorry, Book of Nile fans. That ship just isn’t established enough for this, I’d say. Maybe one day?

VII. The Chariot - the journey. Ordeal, obstacles, competition. High stakes, ambition, discipline. Conquest, victory, greatness. Right action prevails, overwhelming odds, sudden defeat.

Merrick and/or Dr. Kozak. I mean, this is literally their characters in a nutshell. Merrick is the journey/ordeal for the old guard. He is driven by his ambition, thinks he’s won over impossible odds, and then has a sudden defeat.

VIII. Justice - the balance. Equilibrium, equality, symmetry, harmony. Integrity, honor, fairness, neutrality, moderation. Vindication, self-righteousness, bigotry, prejudice, favoritism.

Nile. This is the woman with a sword card. She brings a balance to the team, she clearly moderates conflict, and I’d love to see BLM art of her in this style. Just sayin.

IX. The Hermit - the seeker-sage. Wisdom, inspiration, contemplation, discretion, understanding. Safety, protection, spiritual quest. Seeking truth and justice. Self-denial, timidity, fear.

Historic Joe. The idealized warrior poet? Definitely just a form of the hermit. Helps explain why a Magrebhi trader/artist fought at the Siege of Jerusalem: spiritual quest. I also like the idea of Joe having a secret reserved side.

X. The Wheel of Fortune - cycles of life. Destiney, evolution and progress, advancement. Manifestation, unexpected events. Success, sudden luck. Ups and downs.

Modern Quynh. There is nothing that better encapsulates her storyline than the wheel of fortune. One day you’re roaming the world with your immortal wife. The next, you’re drowning for over 500 years. The next you’re in Booker’s shitty Paris apartment.

XI. Strength - fortitude. Resilience, courage, resolve, confidence. Integrity, moral victory, endurance. Energy, action, vitality. Power, force, violence. Abuse of power, disgrace, impotence.

Lykon. Do I love this character beyong measure and reason? Maybe so. We have so little to go on about him, however, that the only things we do know bely his strengths. Also, he becomes ultimately the weakest when he dies and encapsulates both “extremes” of the card.

XII. The Hanged Man - the tested. Delay, sacrifice, abandonment, rejection. Betrayal. Reversals, restrained or bound, limbo, trials. Falseness.

Booker. If the fact that his first death was by hanging didn’t convince you? Read that description again. His character arc is literally working through being the hanged man.

XIII. Death - the loss or parting. Alteration, transformation, transition. Boredom, depression, stagnation, failure or disaster. Bereavement, recovery, immobility.

Lykon. He literally represents the fear of death to the remaining immortals. It is HE that they invoke when they discuss it. Also, I’m still mourning my favorite underdeveloped character.

XIV. Temperance - the moderation. Self-control, economy, patience, coordination. Consolidation, harmony, friendship, recuperation. Unfulfilled desires, discord, stubbornness, hostility, clashing of interests. Time, seasons, and climate.

A Safehouse. I don’t think any of the people really capture the tempered essence of this card, the constancy throughout all seasons of life. An actual physical building that rises and falls with (regular) humanity, though, seems to do the trick.

XV. The Devil - the arcane. Magic, strange occurrences, prophecy, fate. Catastrophe, downfall, negative attitude, Temptations, sins, obsessions. Enslavement, bondage, misplaced loyalty, violence, fatality.

Honestly? I’m so torn. I feel like a major commentary of the movie is that our demons are the way people react more so than the people themselves. Maybe the armored van?

XVI. The Tower - the House of God. Disruption, expulsion from an earthly paradise, divine wrath. Punishment (of pride), loss, destructive rivalry, plans ruined. Need to start again, bankruptcy.

The Iron Coffin. While this doesn’t capture the religious undertones quite right, the coffin is the Tower for Andromaquynh, It is (divine? or very human?) wrath brought on by pride since the two probably thought that they would be fine. It is loss and painful new beginnings.

XVII. The Star - the bright promise. Hope, faith, light of the spirit. Recovery, symbols of immortality. Gifts, good prospects, new dawn, frustrated expectations.

Nile. The new immortal, enough said.

Historic Andy/Lykon. In a way, the first immortal would also be a great choice of representation.

XVIII, The Moon - the hidden forces. Twilight, illusion, deception, trickery. Dishonesty, danger, uncertainty, terror. Developments, particularly somewhat concealed. Errors, powerful feelings.

Copley. I know, I know. “He’s the moon when I’m lost in darkness” and all that jazz. But look at this card’s interpretation and notice it’s pretty negative. Copley’s entire role is to pull the strings behind the scenes. He makes headway on problems in secrets, he lies and deceives everyone in the film at some point.

XIX. The Sun - the work’s rewards. Daylight, co-creation, union “of male and female”. Peace, joy, pleasure, love, contentment. Accomplishment, achievement, success. 

Joe. Not only is he the sun, he also fits this card perfectly. He is creation and happiness. Enough said.

XX Judgement - the rebirth. Judgement, sentence. Rejuvenation, renewal, resurrection, call to the new from the old, rehabilitation. Creation, promotion.

Historic Booker. I feel like his backstory with his family helped highlight the theme of rebirth for the Old Guard. They must be willing to give up what they have left behind to move forward. Also, there’s the more literal play as well since Booker was a conscripted criminal.

XXI The World - the long journey. Perfection, completion, conclusion. Power through intelligence and wisdom. The universe and the material world.

A group photo, of course! Beyond that? Who knows.

Historic Andy? She’s seen so much of it. Like just her eyes portray the history of the world.

The Minor Arcana (aka the rest of the cards)

Since most people are only familiar with the major arcana,  I’ll just briefly explain it. The minor arcana are actually the majority of a tarot deck. There are four suits associated with the four elements. Each suit has ten number cards and four court/face cards (traditionally modelled either based on one person or different interpretations of similar costuming). Each number or face has its own meaning, each suit has its own meaning, and their combination mostly explains what the card should be interpreted as. Quite frankly, the minor arcana are vastly underrated in popular understandings of tarot.

Suit of Wands - fire. Spontaneity, action, passion, adrenaline, life force, stroke of genius.

Guns? It’d be a bit of a niche take, but I associate guns with fires.

Staffs? More traditional in shape.

Suit of Coins - earth. Solid growth, material interests, possessions, profit, business, labor, slow and considerate.

Historic currency. Enough said.

Suit of Cups - water. Heartfelt involvements, imagination, spirituality, love, friendship, family.

Fountains around the world. Enough said.

Suit of Swords - air. Worry, trouble, boundaries, objectivity, the power of truth.

Obviously, their weapons of choice. I would go into more detail about who best represents each number, but I don’t want to bore you.

Court of Kings - mature men. Leaders, authority, status-quo, taking responsibility.

Again, most tarot is very gendered. But members in tuxes?

Court of Queens - mature women. Reflective and active, concerned with security/foundations, supportive, focused.

Members in dresses/gowns/anything that glitters?

Court of Knights/Cavaliers - young men. Dynamic, adventurous, intensive, revolutionary.

Tactical gear. Or historical armor. But it’s easier to do tactical gear right than accidentally draw a 15th century helmet on a 14th century suit of armor.

Court of Knaves/Pages - younger women, teenagers, and children. Students, apprentices, trainees, messengers, new opportunities.

Casual clothes.

[suf-lives-rent-free]

Fragments

Everything below is just my opinion; I am in no way trying to say that how I feel about this is the one correct take or whatever.

I know a lot of people like this episode and what happens in it, but I don’t.  I totally understand that some people just don’t want to see any negativity, period, but negativity is not inherently bad or wrong.

Negative opinions, even about something you enjoy, can be valid too - regardless of whether you happen to agree with them or not.

Also I get very salty near the end of this, and that might be entertaining to people who stan this episode?

I am aware that a lot of people – the majority, I’m pretty sure – think that the episode is a masterpiece. And on some level, I see where they’re coming from with that assessment.

The episode is boarded beautifully, the backgrounds – especially during the training montage – are stunning as always.  The music is fantastic, and the performances are great too.  In these respects, Fragments is a stand-out episode; I agree.

(Like look at this.  Gorgeous.)

However, something that’s bothered me since I saw the episode is the writers’ decision to write it into the story that Steven shatters Jasper.

Now, I know what you’re thinking: I just don’t get it.  I’m purposefully misinterpreting the story to say it’s bad.  Steven brings her back to life; and it’s not like he meant to do it in the first place.  I just don’t have the capacity to understand the sublime nature of the show’s storytelling.  I’m an SU crit and all I want to do is make the real fans feel about themselves for liking it.

Uhhhh... no.  Nah.  That ain’t it chief.

It’s true; I am not a writer.  I’m just a passive consumer of media.  However, I do not agree with the viewpoint that in order to properly understand or critique a thing you need to have the expertise and/or experience in order to make something similar.

For example, if I were to put something I drew when I was 10 years old next to something I drew yesterday, it shouldn’t take a person who has had an education in fine art to tell you that the latter drawing is better-looking than the former.

That’s how I approach media consumption and criticism; when I criticise a writing decision, I am doing so as a consumer.  I’m not saying I could write it better, or even that my opinion is objectively correct and the writer is wrong or bad.  I’m just saying that I didn’t like a thing.  Which, I would hope, is allowed?

Okay, defensive hedging over, back to the point; I don’t like that they had Steven shatter Jasper.

[I get markedly saltier from this point on, fyi]

Full admission of bias here: one of the things I really cherish about the original show is how they wrote Steven’s character; he’s a boy with interests that don’t rigidly conform to gender stereotypes.  He likes ‘boyish’ things and ‘girly’ things, and that’s okay; thats just him.  In cartoons when I was growing up, characters like Steven would be the butt of jokes about being ‘girly’ or thinly-veiled homophobia.  I find him very relatable, and I want to acknowledge that yes, that is probably a significant part of why I have such an issue with this episode’s twist.

I am not trying to say that he’s a perfect baby angel or whatever; Steven regularly gets frustrated and angry. He does some pretty manipulative and dickish things to people around him (stop trying to make Larsadie happen, Steven. It’s not going to happen).  He is a flawed character who fucks up sometimes. And he’s not 100% peaceful either; he acts violently when he defends himself against corrupted Gems and Homeworld Gems (and Crystal Gems on occasion *cough*Bismuth*cough*).  

However, he has a pacifistic temperament; whenever it’s possible, he prefers that problems be solved without needless violence or hurt.  And I like that; in most media, it’s rare to have a male protagonist who wants to solve their problems without jumping straight to punching things.

When he accidentally frees Centipeedle, he convinces the Gems to step off and allow him to try and rehabilitate her peacefully; he even notices that the Gems’ weapons are a trigger for her, and make them put them away.  He frees Lapis against the Gems’ wishes because he recognizes that keeping her prisoner is wrong, and when she steals the ocean, he talks it out and heals her so she can leave Earth peacefully.

He tries to aid Jasper when she starts corrupting, fixes Eyeball’s gemstone when she’s cracked and tries talking Bismuth down when she attacks him with the breaking point.  In all of these situations, his words and help are ignored or rejected; he’s forced to resort to violence.  And it traumatises him.  

We get an entire episode dedicated to the fact that he’s been struggling with processing these awful things that happened.

Even in Future, Steven shows hesitation about engaging in unncecessary violence; he gives into Jasper’s goading for a fight after what’s implied to be dozens of failed tries at making her come to Little Homeschool, and he spends an entire episode trying to keep Lapis from squashing the two rogue Lapis Lazulis. 

The only time he hops into a fight willingly is after Eyeball and Aquamarine hold Greg hostage, and even then they pose a clear threat to his and Greg’s safety and have made it clear that they want to hurt him emotionally and physically.  Even at that, he stops and switches tactics to talking them down as soon as they lose their focus and start bickering with each other.

(I mean, he fails.  But it’s the thought that counts.)

I personally find it really jarring that the writers found it appropriate to write it into the series that this same character – over the course of three (3) days – goes from disliking mindless violence for mindless violence’s sake to happily engaging in the destruction of plants and animals* and has done a total 180 on his willingness to spar with Jasper, to the point that he instigates their rematch.

*(You best believe plenty of small mammals and birds – y’know, like the nest Steven saved in the first episode – died as he and Jasper felled tree after tree, not to mention all of those displaced by the destruction of their habitats, and the potential loss of food sources from some of those trees.)

You’re telling me that it’s a reasonable character beat for this boy to gleefully laugh like an anime supervillain at his sudden new-found joy in fighting, then pin Jasper in place, taunt her for helping him get so strong, and hit her so hard that she breaks into pieces and dies?

You’re telling me that that’s an in-character thing for Steven Quartz Diamond Cutie-Pie DeMayo Universe do to another character?

(And yes I am purposefully dancing around talking about the mental health stuff because if I did that I’d have to go on a whole other tangent about Growing Pains and fuck I just don’t feel like it right now lmao)

Going back to Mindful Education, another big thing we see Steven struggle with is the idea that his mother shattered Pink Diamond.  This knowledge sits heavily with him; it makes him sympathetic to the Diamonds, even under the circumstances in which he sees them (escaping from the Human Zoo, and being on trial for said murder). 

He sees their grief, and he feels awful.  He questions who Rose Quartz even was.  He knows, based on what Garnet said, that Rose had to do it; there was no other way to free Earth.  But he still feels awful seeing the pain that Pink’s loss has caused Blue and Yellow Diamond.

In Steven Universe, shattering is clearly equated with execution/death multiple times.  When Pearl and Garnet fret over the crack in Amethyst’s gemstone worsening.  When Blue Diamond threatens to break Ruby.  When Bismuth introduces the breaking point, and Steven recoils at the sight of what it does.  If you want to take the fact that Gem shards are sentient and desperate to become whole again into account, you could even argue that it’s a fate worse than death. This particular act of violence is treated very, very seriously.

When we find out that Rose shattered Pink Diamond, there is a season and a half long arc unpacking the implications and consequences of this one action, and how this knowledge forever alters Steven’s mental image of his mother.  And she didn’t even kill anyone.  It was a lie!

In Steven Universe Future, Steven shatters Jasper 4 episodes before the end of the series.  And it’s only brought up twice; once for a big *gasp* moment during his breakdown in Everything’s Fine, and in I Am My Monster by Pearl, when she has to fill-in Bismuth, Lapis and Peridot.  Notably, it is never discussed around or by Jasper.  Y’know.  The person who actually died.

No indication of how (or even if) what Steven did is affecting his own self-image after his initial breakdown, how Jasper feels about what she went through beyond falling back into the Era 1 and 2 mindset.  No inkling of how the knowledge that Steven killed somebody has affected how anyone in his life thinks or feels about him; when Pearl brings it up in I Am My Monster, she seems to not even really believe it’s true.

If there are any consequences or talks about this incident, they’re skipped over between I Am My Monster and The Future, and we’re expected to assume that Steven and his therapist are dealing with it, I guess?

And yes.  It was an accident.  He did bring her back to life.  But it still happened.  If you hit someone over the head and they stop breathing, just because the paramedics are able to resusitate and stabilize them afterwards doesn’t mean you never hit them.

But here, it’s shoved aside because dwelling on it would take far too much time, and risks framing Steven in an unsympathetic way when he’s meant to be on the cusp of a breakdown.

It just feels like careless writing to me.  They really, really wanted their big action scene with Steven and Jasper, but didn’t think (or maybe weren’t interested in thinking) about the seriousness or consequences of what Steven shattering someone would entail.

In my opinion, Steven shattering Jasper is one of the cheapest, laziest things they could have ever done with his character (and hers, for that matter).  To me, the entire thing feels entirely out of character.  It’s pure shock value; nothing more.

So yeah.  That particular writing decision just does not work for me.  And if you disagree... well that’s fine?  It’s fine.  We can agree to disagree?  I’ve read a lot of defense/praise for this episode, and honestly even after processing all of those opinions and all the time my thoughts about this plotline have been stewing in my brain, I still feel the same way.

[argylemnwrites]

Why Are We Still Waiting? - Prologue

Pairing: Drake Walker x MC (Riley Liu)

Book: The Royal Romance (It Couldn’t Wait Another Moment universe, just over one year after the epilogue)

Word Count: ~5500

Rating: R (language only)

Summary: As Riley prepares for a new chapter in her life, she’s forced to reflect on a time when things felt much less certain.

Author’s Note: Well, the sequel’s here... and I feel like it’s gonna not be what any of you all are expecting, but hopefully you will enjoy the journey still. We are so far from canon at this point, given the diverging plots, so no point comparing this timeline to that timeline. This prologue is set 13 months after the epilogue of It Couldn’t Wait Another Moment, but it does feature a flashback (in italics) to an event that happened about 4 months after that epilogue. The subsequent chapters will pick up about 8 months down the road from this prologue, or 21 months after the ICWAM epilogue.

Riley rifled through her purse, trying to find her keys, eventually finding them shoved beneath her phone, three tubes of lip gloss, and her flashcards that had scattered everywhere when the rubber band broke. Flashcards that were now sticky with lip gloss, she realized as her hand came out with tacky coral streaks across her knuckles. Oh well. Nothing was going to kill her good mood today.

She had just finished her last final exam of the spring semester. And provided she passed, which she was pretty confident she had, she would be a college graduate. It was crazy to think about. After her mother’s death, she assumed her degree would just sit unfinished, those last two semesters of credits seemingly unattainable. But now, she had probably just completed her last requirement for her BA in Communication Studies and Resources. Combine that with the fact that she had a likely job offer pending from the director of a PR firm who had led her Race and Media seminar and that she was getting married in four weeks, and she was riding high.

Hana had told her she was crazy when Riley had told her the wedding was going to be a month after her courses ended, but honestly, it hadn’t been too bad. Sure, Riley probably should have checked the academic calendar before she and Drake set the date, but they only had 23 people coming down to Texas, and that included Maxwell who was officiating. And an outdoor, casual wedding on a ranch involved a lot fewer details than the ritzy London soiree Hana and Catherine were currently putting together. At this point, all that was really left was trying on her dress one last time so Hana could see if she needed to make any last alterations, and that was happening next week when Hana was coming to New York for both business and the bachelorette party.

Climbing the steps, Riley knew she had to be basically grinning. She could smell something delicious coming from their apartment. She’d suspected Drake was going to make something special for dinner tonight, and the aroma that was wafting down the hallway confirmed that she was in for a treat. He could hear his voice muffled through the door as she turned the key, meaning he was probably on the phone. Knowing that he liked to keep the phone on speaker when he was cooking, she kept quiet as she opened the door and entered their apartment, not wanting to interrupt his conversation.

“Savannah, you gotta slow down,” Drake said towards his phone which was sitting on the counter as he held a knife over a cutting board.

Savannah’s sobs could be heard through the speaker phone, slightly distorted and off. “I just feel like… such… an idiot. And Drake, I don’t know what to do.”

Drake glanced up as Anderson trotted over to greet Riley, but she raised her hand and shook her head. If his sister was having some sort of crisis, that came before celebrating the end of finals.

“It’s bad enough that I’m the… unwed Baby Mama at court, but to get knocked up... again? Drake, I can’t let them know. They barely accept me being with Bertie as it is.”

Riley’s eyebrows shot up as she quietly hung her purse up on the hooks Drake had installed by the door and sat down at the table. Maybe she should feel bad about essentially eavesdropping, but Drake was going to tell her everything Savannah said anyway. Particularly something as massive as this.

“Who cares what they think?” Drake asked as he set the knife down and rubbed the back of his neck in frustration.

“I care!”

Drake let out a little sigh and shook his head. “What does Bertrand think about all of this?”

“He was a little shell shocked at first, but then he marched into his office and pulled a ring box out of a desk drawer. Apparently, he’d been planning on proposing for a while.”

Riley glanced down at the heirloom ring on her left ring finger. Savannah’s story was eerily familiar, and suddenly found herself thinking back on an afternoon last August.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Riley laid on the floor of the kitchen, trying to slow her mind down. It was a technique she’d been trying at her therapist’s suggestion for the past few months any time she found herself about to dive into a massive decision without giving it any thought. Apparently, her life experiences during her childhood and adolescence had created a habit of her rushing through major choices so that she wouldn’t have to think about possible negative outcomes. An avoidant coping mechanism was what he called it. Riley thought it was a little absurd that he needed a term for everything, and she didn’t think it took a genius to figure out that her absent father, her addict mother, and the endless string of foster homes messed her up in some ways, but he was relaxed and easy to talk to, which she supposed was what really mattered.

“Just find a way to ground yourself in the moment. Connect yourself to the physical environment, and let your thoughts settle. Give it a try, okay?” he’d requested, so she’d done it a few times since then, like when she was signing up for courses for the semester or when she and Drake had decided on this apartment. Laying down and closing her eyes usually worked pretty well. It helped clear her mind as her body adjusted to the position and the feel of the floor. But today, she couldn’t slow things down. Probably because her mind was racing thinking about the feel of her body, trying to determine if she felt any different. She knew that was stupid, but she just couldn’t help it.

Her phone buzzed on the floor next to her, but she didn’t want to pick it up. Because if she picked it up, she would have to look at her calendar again, the thing that was the source of her current panic and that she had killed the screen to avoid. 

It was really the phone’s fault, her current predicament. She and Drake had upgraded their phones about 6 weeks earlier, and it seemed like her calendar notification settings hadn’t imported over. Apparently, she hadn’t really used the calendar at all over that time. Until today, that is, when she had downloaded the syllabi for her course load and gone to add key dates for the semester. That was when she had realized she had missed her window for her depo injection by just over three weeks.

This was bad. She was too old to be this careless about birth control. She had just paid her tuition for this semester’s classes. She’d cut back to part time at the bar. Drake’s job paid okay, but this was absolutely not a good time for them. But she also felt weird even thinking about ending a pregnancy when she and Drake had recently had the “kid talk” and said they want children in the future. He wasn’t some random one-night stand. She wasn’t seventeen anymore. Their relationship was in a good spot. Things felt stable. Why did she have to go and fuck all that up?

She didn’t know what to do, what to think, how to feel. Kids with Drake was a someday thing. A down the road a bit thing. Not a now thing. They hadn’t even been together a year, and she might be pregnant. All because she forgot to go in for her depo. They’d been essentially trying for three weeks without even knowing. And because she hadn’t had a period for the past few months on the depo, she didn’t even know how to judge if she was late or anything.

Trying to calm herself down, she sat up, leaning forward and hugging her knees. Even in her panic, she was able to recognize that part of her dread came from the fear of the unknown. That much, at least, she could take care of. So she grabbed her purse and marched down the stairs, outside and over to the little drug store a block over. She grabbed the first pregnancy test she saw, paid for it, and went back home, ready to do what needed to be done. But she couldn’t. She just stood in front of the mirror, staring at herself, trying to will herself to just pee on the goddamn stick. But she felt locked and frozen, unable to take that final step.

She didn’t know how long she stood in the bathroom, but eventually, she heard the front door unlock and Anderson’s tags jangling as his little feet pattered across the floor. Drake was home. And she should probably tell him what was going on.

“Hey, Liu!” he called out, “What do you want for dinner? I was thinking maybe…” but he trailed off when he saw the look on her face as she walked down the hallway and joined him in the kitchen. “What’s wrong?”

“Drake, I…” she paused, taking a deep breath before she continued, “I forgot to schedule an appointment with my OBGYN.”

“Okay…”

“For my depo injection.”

“Oh.” Drake nodded slowly, like doing so would help him process the information.

“And I was supposed to get one over three weeks ago.”

Drake kept nodding slowly. “Okay… so you’re saying that?”

“That I very well could be pregnant, Drake. And it’s freaking me out.”

Drake just kept nodding, like he was a fucking bobblehead doll or something. It was annoying the shit out of her.

“Don’t you have any thoughts on this?” she ground out, frustrated at… well basically everything. Drake. Herself. That they were even having to deal with this at all.

“I think… you should take a pregnancy test before we do anything else. Do you want me to go pick one up?” His voice was calm and steady, but it felt like he hadn’t really processed, almost as if he had no reaction to the fact that she could be pregnant with his kid.

Riley wanted to scream and shake his shoulders. It was like she’d told a robot she could be pregnant. “I already went and bought one.”

“Okay, well then I think you should take it.”

“How are you so fucking calm about this?”

Drake just stood there for a second before giving her a little shrug. “I don’t know. I mean, it could be worse, right?”

“How could it be worse? We live in a one bedroom apartment in a mad expensive city where we just paid a bunch of money for my tuition and you work as a temp and I’m a fucking bartender and-”

“Shhhh, Riley. Come here,” Drake said, stepping forward and wrapping his arms around her. “First of all, we don’t even know if you’re pregnant. Second of all, I guess I don’t see it as that big-”

“Oh, that’s easy for you to say! It’s not you that might be pregnant!”

“Yeah, but this would be our kid. I guess I just feel like we could handle it, you know?”

“A kid is a huge fucking deal, Drake! Pregnancy is a huge fucking deal before the kid even gets here! And I get that for the guy it doesn’t seem like it. And you can act like it’s no big deal and we’ll just figure it out, but that’s because you aren’t facing the reality that you might have a baby growing inside you that you were not planning on. So, don’t you dare try and minimize this, Drake Walker.”

Part of her knew she wasn’t being fair to Drake. She’d been processing this possibility all afternoon. She’d just unloaded on him and expected him to react the same way she did. But a big part of her was just frustrated that he didn’t seem as worried or scared as her. Regardless of her storm of emotions though, her little rant somehow focused her. Taking a deep breath, she turned around and headed back toward the bathroom. She might as well get this over with.

“Riley, wait! Can’t we talk about this?” Drake called out. She spun to face him, throwing her hands in the air.

“I have to go pee on a fucking stick. And according to you, there’s nothing to discuss until I do that.”

Marching into the bathroom and slamming the door, she let out a deep breath as she scanned the instructions on the little purple box she’d left on the counter. It made it sound so fucking simple, like this wasn’t mad terrifying. She popped open the box, and pulled out a thin piece of white plastic. How could something so tiny be so fucking intimidating?

Somehow, she kept her hand steady as she did what she needed to do, setting the little stick on the side of the sink before she washed her hands. She let out one last sigh before opening the door and leaving the bathroom, setting the timer on her phone for five minutes as she walked back towards their kitchen and living room. She found Drake sitting at the table, hands lightly tapping in his lap as he glanced around the room. When he noticed her approaching, he seemed to hold his breath for just a moment. Eventually, he broke the silence as she sat down in her usual chair.

“So, did you…?”

“Pee correctly? Yes, Drake. I managed to do that.”

He didn’t acknowledge her sarcasm, instead he just nodded twice before he asked, “How long do we have to wait?”

“Five minutes,” Riley responded, waving her phone in the air before setting it down on the table.

“Look, I’m sorry, Riley. I didn’t mean to make you think this isn’t a big deal to me. Because it is. All I was trying to say is that I think we can get through whatever happens here together.”

Riley nodded, but didn’t say anything. Deep down, she knew that was what he’d been trying to convey. But at the same time, she was freaking out. An unplanned pregnancy was just different for her, the person whose body would have to go through all the changes, than for him. “I know, Drake. And I know I just kind of dumped all my stress onto you and didn’t really give you any time to think or react.”

They were both silent for a few moments before Drake leaned over towards her. “No matter what it shows, you know I’m not going anywhere, don’t you?” he asked, reaching for her hand across the table. “We’ll be alright. We’ll figure it out. I can get a second job on nights and weekends if we need more money. And we probably won’t need a bigger place for a year or two. We can just shove this table against the wall by the kitchen, and then we can fit in a crib and a changing table, so we’d be set there for a while, and I know next semester might not be doable for you, depending when you’re due, but we’ll just have to see, right?”

“Drake…” Riley said, but he was just rambling off plans now, seemingly oblivious to her interruption.

“I know it’s a little earlier than expected, but this was always the plan, right? I mean, we talked a while back, and you said you saw us getting married and having kids. So what if it’s a little quicker than we thought? It’ll be fine. And I know there’s a lot to think about, but I figure we can still have a nice, little wedding. Unless you want some big, fancy wedding. If you do, that’s fine, we are just gonna have to start-”

“Woah, what the fuck are you talking about?” Riley finally said, squeezing his wrist tightly to interrupt his ramble.

“I’m just trying to figure some stuff out for us, you know?”

“Like our wedding?”

A faint blush crept onto Drake’s cheeks, but it didn’t stop him. “Well… yeah? I mean, obviously I want you to-”

“Drake, are you kidding me?”

“No, I’m serious. We can get married and-”

“No!” she called out, cutting him off before he could start rambling again.

“What?”

“Well, for one, you haven’t asked me yet!”

Drake winced at that but nodded and let out a little sigh, “You’re right. Sorry… just, lots of thoughts… but I should’ve… Shit, what I mean is… Riley, will you marry me?”

Riley was sure her eyes had never been wider than they were as she stared across the table. After a few seconds, she finally felt able to speak. “You did not just propose to me because I might be pregnant.”

“It’s not just because you might be pregnant,” Drake muttered, rubbing his hand along the back of his neck.

“Bullshit, Drake! Are you telling me that you planned on asking me to marry you when you got off work today?”

“No, of course not, but-”

“Then this,” she said, gesturing her hand back and forth between the two of them, “is all because you feel fucking obligated to propose. And I may not be big on over the top romance, Drake, but the thought of a man asking me to marry him out of a sense of duty is so not okay. I am not some fucking burden to be dealt with.”

“Hey! I never said that-”

“Drake, simply proposing because you feel like you are supposed to is mad insulting. Proposals should come when someone is sure they’re ready to commit to the rest of their lives with that one person. Not because they feel bad they might have knocked someone up.”

Drake swallowed roughly, and nodded at that. He didn’t say anything for a few tense moments, but then he stood up abruptly, shoving his chair back and stalking down the little hallway.

“Drake?” Riley called out, but all she got in response was a muffled “Just gimme a minute” from the bedroom. She glanced down at her phone, checking the timer.

“We only have a minute,” she muttered, shifting around in her chair. But a few moments later, Drake was striding back out towards her, one hand dragging through his hair, the other clutching something tightly in his fist.

“I didn’t ask you to marry me because I felt like I had to,” he growled out, dropping down on one knee next to her chair, “And I didn’t ask you because you might be pregnant. I asked you because I love you and I can’t picture my life without your teasing or swearing or jokes. Because I love that everything is a competition with you, and that you are a crazy sore loser and even worse winner. Because I love the way your eyes always show what you’re really thinking, whether you’re angry or protective or caring, not that they need to, because you have no problem telling me exactly what you think. And because for some strange reason, you seem to get me, and that makes me so fucking lucky.

“It’s not that I thought, ‘Oh, if she’s pregnant, I guess we better get married,’ but that I thought, ‘Why aren’t we married?’ Because whether it happens tomorrow or ten years from now, I know I want you to be the mother of my children. So yeah, maybe the timing is shit, and I know I’ve done this all wrong, but you were wrong too. Because I am ready to spend the rest of my life with you. I’ve been committed to that for a long time. And right now, I realized there is no good reason to wait. I don’t want to wait. So that’s why I asked you.”

He let out a couple of heavy breaths, just staring at her expectantly. Riley reached forward and grabbed his hand with both of hers, giving it a little squeeze as she found her voice. “Drake…”

“Shit,” he said as he tugged his hand out of her grasp, uncurling his fist and revealing a green, satin box, “I was probably supposed to show this to you earlier, too.” And with that he flipped the box open, revealing a beautiful, vintage, diamond ring.

“Holy shit,” Riley whispered, trying to keep up with everything that was unfolding, “You have a ring.”

“Yeah, I have a ring. Riley, I have known you were it for me for so long. So, let me-”

“Yes.”

“What?”

“Yes, I’ll marry you.” And with that, Riley leaned forward, sliding her hands around his neck and kissing him deeply. He responded passionately, tangling his fingers into her hair, but after a few seconds, a beeping noise interrupted them. Her phone alarm was chirping.

She turned slightly to silence her phone before facing Drake again, watching as he took her left hand off her lap and tugged it forward. She glanced up and found him staring at her, eyebrows raised, so she smiled and nodded. He grinned back at her before he slid the ring onto her finger. She felt like they had so many things to talk about, so many questions that needed to be asked and answered, but right now, there was one very pressing question with an answer waiting for them in the bathroom.

“Come on, Liu,” Drake said as he stood, tugging her to her feet with him, “It’ll be okay, no matter what. I promise.” So they walked hand in hand into the bathroom and looked at the piece of white plastic she’d left on the side of the sink. The piece of plastic that would shape their future.

“Two lines… does that mean…”

Riley shook her head, staring at the box. “No, that one is just the control. It’s only one line.”

“So, you’re not…”

“I’m not pregnant,” she said, feeling a rush of relief wash over her as she tugged Drake into a hug, “Thank God!”

It was like sheets of stress and panic were falling off her by the second, and she even let out a little chuckle of relief as she clung to Drake’s shoulders. Drake didn’t say anything, just loosely looping his arms around her waist to return the hug. When she pulled back after a moment, she saw just a hint of regret and sadness in his eyes.

“Drake, what is it?”

He just shook his head, “I don’t know. It’s just… a lot, I guess.”

She nodded, sliding her right hand forward to cup his cheek as she waved her left in front of his face. “Not second guessing this, I hope?”

He smiled warmly at her at that, clasping her hand against his cheek and tugging her hips flush against his, “No fucking way, Liu.”

“Good,” was all she said, before his lips were on hers.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Riley had always wished she could find something in common with Savannah. She knew Drake wished that they were great friends, but the truth was they just were very different women. It’s not that Riley disliked Savannah, not really at least, but they almost never had anything to talk about. But now it seemed like they both had proposals triggered by pregnancy scares. It was a weird ass thing to share.

Except, they really weren’t all that similar. Savannah was not only actually pregnant, but she lived a life where the optics of it were far from ideal. If Riley had been pregnant back then, it would have been a lot to handle, but at the end of the day, Drake had been right. It would not have been a big deal. No one in New York would care if she and Drake, a committed couple who lived together, had a baby out of wedlock.

But for Savannah, it was different. Dukes weren’t supposed to live in sin. They certainly weren’t supposed to knock up the same woman twice, once as a one-night stand, once as a girlfriend. And as stupid as Riley found it, she knew that Savannah’s ramblings did express a very warranted fear. She and Bertrand could easily find themselves on the outside of their social group for this. Or rather, Savannah could. Bertrand might face some snide comments, but at the end of the day he was a man and he was one of them. Savannah had neither of those advantages. And while Riley and Drake had left that whole world behind for a lot of reasons, the fact remained that Savannah didn’t want to have to give that life up. 

Lost in her thoughts, both her memories of her own proposal and her sympathy for Savannah, she was only half-listening to Drake and Savannah’s conversation, but when she heard her name and Drake’s tone turn suddenly angry, she snapped her head over, attempting to figure out what she’d missed.

“...Riley and I are getting married then! That’s our fucking wedding day, Sav. What the actual fuck are-”

“I know, Drake! If there was any other time that-”

“I’m not asking Riley that, Savannah. It’s not happening. You’re the one who wants a last minute wedding, you pick out a different day!”

“The Social Season already has events set for the next two months. The only exception is June 8th.”

“Yeah, because Liam blocked that weekend so he could come to our wedding! You’re just going to have to wait a couple of months.”

“I just want it to be believable that this is a honeymoon baby. People are already going to suspect, Drake. But if we just have a civil ceremony with none of court in attendance, people will know for sure.”

“Again, who the fuck cares?” Drake was clearly agitated now, pacing the kitchen and gesturing wildly.

“Bertrand’s a duke. We have to keep up appearances, at least a little. You don’t have to like it to know it’s true.”

Drake dragged a hand through his hair and let out a massive sigh, “What am I supposed to do here, Savannah? You realized this is an insane ask, right? I’m getting married in four weeks.”

“I know. If I could think of any other solution, I would. Just, talk to Riley about this, please? All I’m asking is that you two talk about it, okay?”

“Fine, Sav. But this is so out of line.”

“I know, I know.”

Drake ended the call without even saying goodbye to his sister. He slapped his hand over his eyes and let out a little growl.

“Soooooo,” started Riley, “Savannah and Bertrand are having another baby?”

He dropped his hand down and looked at her, just shaking his head. “I’m sorry you had to hear that. But you don’t need to worry about it. I’ll figure out how to tell Savannah she can’t just have our wedding weekend. How was your exam?”

“Fine, but Drake, we need to talk about your sister.”

“No, this is your day. You don’t need to worry about her drama. We’re celebrating you being a college graduate, and that’s all we need to do tonight.”

Riley shook her head, “Celebrating can wait a half hour while we figure this out.”

Drake gave her a frown and came to join her at the table. “What’s to figure out?”

“Drake, she’s pregnant, hormonal, and scared that she’s about to become a social pariah.”

“Yeah, but that’s not… I wouldn’t ask you to do what she’s asking. I wouldn’t expect you to postpone the wedding for that.”

She tilted her head forward, reaching out and grabbing his hand before she continued, “If this was just your event, if I wasn’t involved, you would agree wouldn’t you?”

“Well, yeah. But it’s not just my event.”

Riley stared at Drake for a few moments, running things through in her head. “How are you going to enjoy our wedding, knowing that it’s going to strain things between you and Savannah?”

“That’s the thing - it shouldn’t strain things between us. She’s being unreasonable here. We wouldn’t be doing anything wrong to get married as planned.”

“Oh, I completely agree. Savannah never should have called to ask you this. But the fact is that she did. And I don’t think you’re going to be able to just act like she didn’t.”

Drake sagged forward, propping one elbow on the table and catching his head with that hand as he squeezed her hand with his other. “I know I should just tell her ‘Hell no,” so that’s what I’m going to do. It’ll suck for a while, but she’ll get over it.”

Riley looked at Drake, trying so hard to steel himself, bracing to disappoint his baby sister. And a large part of her wanted him to do just that. Draw a clear line in the sand when it came to this. He already let her get away with so much. But a bigger part of her just felt for the woman that was going to be her family soon, who just felt scared and alone and was pregnant when she didn’t expect to be. And the biggest part of her just didn’t want Drake to be in this position, where he felt like he had to choose between her and his sister, even if his sister was mad out of line here.

“Drake, I think we should postpone our wedding.”

His head jerked up at that, fear and anxiety clear across his wrinkled brow and deep frown. Riley stood up and climbed into his lap, wrapping her arms around him and stroking the back of the neck and she worked to undo the worry and fears she knew her statement unleashed.

“And you know this has nothing to do with you or us or the way I feel about you. But you are a protector when it comes to those you love. And right now, you are trying to protect me from seeing how much you wish you could help your sister. And I appreciate that, but I know you, and if we get married on June 8th, I know that you are going to stew and feel guilty the entire time, even if you know you shouldn’t. And that’s not how our wedding should be.”

“Riley, I....” he sighed into her neck as his hands clutched at her waist. He didn’t say anything else, and Riley knew he was trying to find a way to contradict her. But he wasn’t going to be able to do that.

“It’s okay, Drake. I will be thrilled on our wedding day whether it’s in four weeks, four months, or four years. But your sister chose to be a part of a world that will judge her heavily if she gets married in four months or four years. We can help her by giving her the chance to get married in four weeks, and I don’t mind doing that, alright?”

Drake tipped his head back, sliding his hand up to comb through her hair. “I don’t know what to say, Riley.”

She leaned over and kissed his forehead. “Call your sister. Tell her she better start planning a wedding.”

“We’re going to lose a bunch of deposits.”

“I know. We’ll save up again. The benefit of a small, simple wedding is that it isn’t obscenely expensive.”

“I would never ask you to do this, Liu.”

“I know, because you take care of everyone whenever you can. But that mean you also want to take care of your sister, and I love that about you. So, let me take care of you here. This is my call. We are postponing.”

Drake crushed her against his chest as he hugged her tightly. Riley knew he was trying to convey a lot of things with his embrace that he couldn’t quite put into words. It just cemented her decision in her mind as the right call. As much as it would suck to postpone, starting out their marriage by making Drake do something that would hurt his sister was not the way to go about things. It didn’t matter that Savannah’s ask was way out of line. She and Drake could just afford to be flexible in ways that Savannah and Bertrand couldn’t.

“I love you,” Drake muttered into the skin of her shoulder before he loosened his grip on her, leaning back and looking up into her eyes, a clear mix of love, adoration, and regret present in his.

“I know. I love you, too. And I’ll love you whenever our time to get married comes.”

He kissed her gently. “It’ll be our time soon. I promise, Liu.”

Riley smiled, climbing off his lap and tugging him up after her, leading him by the hand into the kitchen, eager to get on with celebrating the end of her exams and to sample some of whatever Drake was in the midst of making. She wasn’t worried. They had a lifetime together. The when of their wedding didn’t matter as much as that fact.

Permatag:  @walkerswhiskeygirl   @riley--walker​  @bebepac​ @ravenpuff02​ @oofchoices​ @octobereighth​ @drakewalker04​ @kimmiedoo5​  @mfackenthal​  @thequeenofcronuts​  

The Royal Romance/The Royal Heir: @ao719​ @mskaneko​ @katedrakeohd​ @jovialyouthmusic​ @marshmallowsandfire​ @axwalker​ @kingliam2019​ @sirbeepsalot​ @texaskitten30​ @princessleac1​ @ladyangel70​ @dcbbw​ @yaushie​

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It Couldn’t Wait Another Moment:   @thequeenchoices​  @sunnyxdazed​​

[davidmann95]

For definitely no reason whatsoever, in response to nothing specific, can you rank the DC Multiverse Earths and tell us a bit about why each is in its place on the list?

Were this in response to an article, I could assure that I generally enjoy the writer’s output perfectly well from what I’ve seen and was absolutely baffled by the bizarrely selective research that went into it. Anyway, I hope you feel guilty enabling the amount of work I put into this truly ridiculous task by the end.

Cliff notes for the relatively uninitiated: that gorgeous monstrosity up above is The Map Of The Multiverse from the miniseries Multiversity, presented as a series of concentric circles bordered by the ‘Overvoid’ that all of reality is suspended in (and framed in such a way as to make clear it is the white of the pages comics are printed on). You go inwards from the borders of creation - moving moreso with each sphere from abstraction to the realm of the physical - to the Monitor Sphere in which once lived the near-omnipotent, now nearly extinct Monitor race that observed and maintained the multiverse, into the Sphere of Gods where the various beings of myth and divinity dwell, and into the innermost sphere where ‘we’ live. The 52 Earths you see within aren’t the whole of the multiverse but the ‘local’ 52 worlds, with infinite other Earths dwelling in their own dimensional pockets; all these universes actually exist in the same three-dimensional space at the same time but suspended in a higher-dimensional substance called ‘the Bleed’, and vibrating at distinct frequencies. Also there’s a ‘Dark Multiverse’ that’s cosmologically speaking ‘beneath’ the map, disintegrating half-formed potential realities that new proper universes are culled from. There’s a lot more to it than even all of that, but that’s enough to explain what’s up with these.

My ranking here is obviously subjective, but mostly comes down to a mix of ‘how cool is this Earth’, ‘how much would this Earth be worth using again’, ‘how well does it work in the context of being part of a shared multiverse’, and ‘do I seriously see creators unearthing any of this Earth’s potential down the road’. Also, Earths 24, 27, 28, 46, and 49 aren’t here, as they’re among the 7 Unknown Earths on the map that were left behind for future creators to define; 14 and apparently 25 have since been revealed.

64. Earth 14

A worthy bottom-place entry, Earth 14 is at the top of the Multiverse Map, and is shown as physically different from the other Earths, seemingly vibrating as if in two places at once; map co-designer and illustrator Rian Hughes suggested in an interview the intent was that this was where new universes entered the multiverse. Instead, ending up the first Unknown Earth to be revealed after the doors were opened to other creative teams, it was shown as a generic dystopian world home to a ‘Justice League of Assassins’ that were quickly dispatched by a generic cosmic threat. A monumental tribute to contextual ignorance and creative laziness.

63. Flashpoint

This is one of several Earths I’ll touch on that exist in neither the ‘local’ nor Dark Multiverse, but has directly crossed over or been framed in reference to the currently operating version of the DC Universe and so is probably worth a mention even if I’m not going over every Elseworlds and Imaginary Story DC has ever published. Another dystopian world, in this one an attempt by The Flash at fixing a change to history resulted in an Earth torn apart by war between Aquaman and Wonder Woman, where Cyborg was America’s greatest hero and Kal-El was held captive his entire life in a military bunker rather than becoming Superman. Aside from the prospect of a Thomas Wayne who became Batman when Bruce was gunned down as a child rather than vice-versa - resulting in him being pulled into a recent Batman run after this worlds’ destruction, the reason for this Earth’s inclusion - absolutely nothing of value came of this or the stories tied into it, such that astonishingly in spite of being the impetus for one of the biggest DC reboots of all time with theoretically an entire revised history to play with, essentially no one cares about this anymore.

62. Earth 1

The site of DC’s standalone, bookstore-market oriented ‘Earth One’ graphic novels. The incredible tunnel vision of marketing these for that purpose with titles that exist in reference to their multiversal structure aside, the Green Lantern book is the only one of those I’ve heard about being even kind of good; the rest top out at an interesting failure in Wonder Woman, with a standard forgettable failure in Teen Titans and truly flabbergasting misfires in Superman and Batman. Even Multiverse Map co-designer and writer Grant Morrison described this Earth in a blurb as having a history ‘in flux’, implicitly permitting the reader to believe it’s something else if they really want to, but as it stands in spite of the theoretical wide-open possibilities the foundations have already been built on salted Earth.

61. Watchmen

Home to the cast of characters of Alan Moore and Dave Gibbons’ seminal miniseries. Crossed over with the DC Universe 30+ year later in Doomsday Clock, which clearly intended to set up this world as one ripe for future stories and development rather than a singular text, but instead misinterpreted, stripmined, and otherwise nuked essentially everything that might have had one interested in exploring it further in the first place (in spite of the source text’s very definitive conclusions to all major narrative threads and characters). The only reason this is not ranked even lower is the possibility that the upcoming, as-yet untitled Watchmen project by Tom King and Jorge Fornes might manage to dredge something out of this.

60. Earth Negative 11

The first of the Dark Multiverse Earths here, a gender-flipped Earth where Bryce Wayne generically altered herself into an Atlantean in order to do battle with Aquawoman and the forces of Atlantis. As the Dark Multiverse worlds we have seen thus far are described as being borne of Bruce Wayne’s fears, it’s odd that as opposed to the ‘want of a nail’ scenarios shown on all others, this includes the additional twist of making Bruce a woman, yet does nothing with that. Anyway, this is a very clear product of the Dark Multiverse’s debut in Dark Nights: Metal wanting an evil Batman to correspond to each member of the Justice League, and it’s the oddest, most perfunctory of the lot.

59. Earth 34

Home to the heroes of the Light Brigade, defenders of Cosmoville, this is an Earth meant to evoke the classic creator-owned superhero comic Astro City. However, as Astro City is itself made up of archetypal signifiers yet isn’t meta about its usage of them, being defined by its storytelling principles rather than the shared universe it builds up in the background, there are essentially no stories to be told here that couldn’t be told with the regular heroes of the DC universe. Which is a shame, those are some neat character designs.

58. Earth Negative 12

A Dark Multiverse Earth where believing Wonder Woman killed in a battle with the war god Ares, Batman took up the deity’s helm in hopes of redefining war, instead being corrupted by it and becoming an unstoppable monster. There’s basically nothing here.

57. Earth Negative 44

A Dark Multiverse Earth where a computer program meant to replicate Alfred after the butler’s untimely death, attempting to protect its charge, takes control of Batman by way of mechanizing him and turns Gotham into a digital nightmare. A little more on-point than the previous entry, but still not much here.

56. Earth Negative 22

A Dark Multiverse Earth where Batman is finally pushed into killing the Joker, but the Clown Prince of Crime secretes a particularly potent Joker Toxin upon his death that corrupts the Caped Crusader into a second Joker known as The Batman Who Laughs, who slaughters his way across his universe before ultimately making his way to the ‘main’ DCU. The prospect of a Batman/Joker combination is interesting, but an origin for the ultimate corrupted Batman ‘he got drugged into going bad’ falls short.

55. Earth Negative 32

A Dark Multiverse Earth where Bruce Wayne moments after his parents’ deaths was judged worthy of a Green Lantern ring, but having only his hatred of crime rather than the discipline and morality he would come to develop becomes the murderous terror of the underworld, with even the Corps unable to stop him when he manages to force the darkness of his heart through the ring into ‘dark constructs’. Another ultimately throwaway Earth, this at least illustrates the properties of the Dark Multiverse in an interesting way: the constructs he creates aren’t something that’s ever been indicated as being possible or even sensible with the ‘real’ Green Lantern, but as this is a world literally made of nightmares that’s irrelevant.

54. Earth 39

Home to the United Nations superspies the Agents of W.O.N.D.E.R., who operating using super-technology with eventually deleterious side-effects. A pastiche of the obscure T.H.U.N.D.E.R. Agents, it’s hard to imagine anyone with much to say about them wouldn’t simply wish to write an actual comic about them under the current rights-holders, though the concepts described in Morrison’s provided information are enticing.

53. Earth 41

A riff on several of the superheroes published by Image Comics over the years, they’re worth having around for the occasional heroes of the multiverse groupshots for your big crossover comics and Dino-Cop turned out to be charming, but it’s doubtful someone with a big Spawn story in them for instance would use Spore as their outlet.

52. Earth 9

All I know about this is that this is a ‘what if superheroes really changed the world’ Earth, and when those are a dime a dozen, the additional conceits of the names of the various characters not at all corresponding to their traditional backstories and attributes, and being the brainchild of creator Dan Jurgens, are far from enough to sway me. I understand there are some fans out there who may heartily disagree, to be fair.

51. Earth Negative 52

Another Dark Multiverse throwaway Earth, this time one where a Batman shattered by losing his various partners taps into the Speed Force so that he can finally be everywhere at once to stop all crime. This is distinct however in that he achieves this by defeating The Flash, chaining him to the hood of the Batmobile, and driving it so fast their atoms explode and merge, which is thoroughly rad and gets it big-time bonus points next to its contemporaries.

50. Earth 37

An Earth based on the DC works of creator Howard Chaykin, its conceit of being a world that progressed technologically far faster than our world but culturally remains decades behind us is interesting, but I’m not much of a fan of his work that I’ve read and most of what’s been drawn upon here doesn’t seem to have much of a following.

49. Earth 30

The world of Superman: Red Son, where Kal-L landed in the Ukraine and grew up to become leader of a global Soviet Union, before realizing he had deformed humanity’s development and faking his death. Leaving Earth in the hands of a Lex Luthor who while still very much a bastard found public approval in America for fighting Superman, Lex ultimately led Earth into a utopia that over time fell into complacency and became its universe’s version of Krypton, Jor-L (Luthor’s distant descendant) and Lara sending their baby back in time to survive and establishing a predestination loop. While several elements of the DC Universe are present in a limited capacity that could in theory be expanded on, Superman and Wonder Woman are the only superheroes of long-term note and both their stories are very much concluded, seemingly leaving little to do here except have the Superman with the hammer and sickle logo show up in event comics.

48. Earth 6

The world of the Just Imagine Stan Lee Created The DC Universe series, where the father of the Marvel Universe rebuilt several DC figureheads from the name and a few pieces of imagery up. The results were mixed at best, but a series of gorgeous artists involved in the projects mean the characters certainly look interesting even if it’s hard to imagine creators going back here in any meaningful capacity.

47. Earth Negative 1

A Dark Multiverse world where Superman turned on humanity for reasons unknown, and Batman deliberately infected himself with the ‘Doomsday Virus’ to gain the properties of the hulking monster and defeat his former friend. Now numbed to human emotion and vulnerability, this Batman hopes to spread the virus as to make humanity similarly indestructible, as well as shield them emotionally from what he has come to see as the false hope Superman represents. This Batman didn’t end up a major figure in the same way as The Batman Who Laughs, but the conceit is killer and I hope someone picks up on it one day.

46. Earth-52

A universe somewhere outside the local 52, a ‘remnant’ of sorts of the main DC universe circa 2011-2016 prior to cosmic revisions resulting in the current setup. A world where superheroes had emerged approximately 5 years earlier and home to lots of dudes in very dumb battle-armor, most fan-favorite stories from this era have been carried forward into the current history, and its unique version of Superman under Grant Morrison - a socialist crusader in a t-shirt and jeans who battled corrupt institutions and cosmic supervillainy in equal measure - was depicted as set loose from his world after 2016′s continuity changes as a defender of the multiverse. While a significant part of DC history both in-universe and publishing-wise, there wouldn’t seem to be all that much left here worth exploring.

45. Earth 2

A world where Superman, Batman, and Wonder Woman alone represented the first wave of superheroes, they nobly fell in battle repelling an invasion of Earth by Darkseid. In time a new generation would emerge that were modernized, youthful iterations of the Justice Society of America, the superhero team predating the Justice League in DC’s publishing history. While the logline’s an interesting one and the successor to Superman Val-Zod debuted to some acclaim, for the most part this reinvention didn’t end up received well by either new or longtime fans, and a last-minute overhaul where this bunch was transplanted into a rebooted world without superheroes probably didn’t help. You still see them in crossovers and there are promising concepts, but this world seems basically dead.

44. Earth 50

When Lex Luthor ascended to the presidency and soon thereafter executed The Flash, Superman snapped, executed him, and took over the world alongside his allies as the Justice Lords, until they were ultimately overthrown by way of a parallel universe Justice League and a repentant Lord Batman. A Better World unequivocally rules, but given this is supposed to be those specific versions of the Lords rather than a new iteration, it’d be weird to see them up against any universe other than the DCAU. And, well...

43. Earth 12

The DCAU, currently world of Batman Beyond and a future Justice League. The DCAU, you may be aware, extremely rules, but is also somewhat redundant in this context - the ‘regular’ DCU already has all its core components without too much aesthetic differentiation, and there’s already frequently a Batman Beyond in the future of said universe. It has its unique attributes that make people love it, it’s cool that it’s here, but on the macro scale it’s too clean an adaptation to bring much to the table to crossovers and whatnot, and you’d never see any further stories told there otherwise as really being part of the DCU cosmic landscape so much as a comic tie-in to the TV show.

(Also it’s odd this is placed here with the Justice Lords Earth as if to go ‘it’s secretly been part of the 52 all along, you just never noticed when it only crossed over with the one other!’ when there were two other parallel universes in the DCAU.)

42. Earth 43

A nightmare world haunted by the once-heroic, now vampiric Blood League, the obvious potential would be for this world to function as DC’s equivalent to Marvel Zombies. Recently however DCeased has come to fill that position, and while this world in practice if not concept skews more closely towards that source material as the former heroes still have vestiges of their old personalities - in theory distinguishing it as its own spin worth keeping around - it’s hard to imagine most takes on ‘Justice League but monsters’ won’t come out under the DCeased banner for the foreseeable future.

41. Earth 40

A world of pulp villains made to oppose Earth 20, these guys are simple but a hoot.

40. Earth 35 aka the Pseudoverse

More analogues to analogues, this time of the Awesome Comics characters largely defined by Alan Moore in Supreme. This opens up the promising vista of ‘DC if it were designed by Alan Moore’, but in practice as demonstrated by his work with both DC and the analogues these mimic, that would just be...well, good DC comics, which you don’t need a whole extra universe for. The notion of this as a universe artificially created by Monitor ‘ideominers’ however both gives it a unique place in the multiverse, tackles its status as a pastiche in a unique way, and gets back to ideas of the power of imagination in both Supreme and Moore’s other works, so it’s likely there could be something to be done here.

39. Earth 11

A bit of a study in contradictions. This is seemingly a rather straightforward ‘gender swap’ Earth with Superwoman, Wonderous Man, and so forth. Also, its version of Star Sapphire implied it’s not subjected to constant crises in the same way as the main universe it mirrors, maintaining a greater degree of consistency in the process. At the same time however it’s mentioned that the Amazons rather than leaving Man’s World for Themyscira shared its technology and philosophy with the world, changing it forever, suggesting a far different world from what we’ve seen in glimpses here. Until it decides one way or another whether it’s a simple mirror to the regular DCU or a radically different take, it hovers in a state of uncertainty.

38. Earth-2 aka Earth Two

The original version of Earth-2, home to the DC Universe of the 1940s with aged versions of Superman and company and the original Justice Society of America. The first take on a DC universe that would progress in something resembling ‘real time’ rather than keeping the headliners as perpetual twenty-to-thirty-somethings, this was also the birthplace of heroes such as Power Girl and Huntress. I’m of the perhaps controversial opinion that this is a concept that was explored better in later takes: there’s a sense here that the largely forgotten follow-up generation eventually introduced, with the exception of the two heroes mentioned above, will never really matter in the same way as their still fully-active predecessors in spite of ostensibly taking over the family business, meaning you never quite actually get what you want here, which is to see a DC where things meaningfully change and move on - well into his middle age and his mentor’s death long behind him, Dick Grayson is still Robin. Add in the odd, ignominious demise of the original Batman and its Superman’s odd eventual fate - which slide from bizarre to intolerable if you accept the frequent implication that these are meant to be the original versions of them from the 1930s - and I can’t help but think the enjoyable high concept was never realized as well as it could be here.

37. Earth 4

The Earth of the characters of Charlton Comics who would go on to inspire Watchmen, this initially seemed like one of the most promising worlds after its debut in Pax Americana drew perhaps the most pronounced critical acclaim of any single issue in the past decade as the site for creators with something to say to work with Watchmen without actually touching that property. Now, however, Watchmen itself is in the mix: most wouldn’t reasonably go here while the material they’re truly referencing is now freely available (especially those simply wanting to draw fan attention by visibly playing with those toys, the way Earth 4 sidestepped) even though that world itself is now massively compromised past the original text, and with the ‘Watchmen Earth’ no longer an option and the characters themselves - if cleaned-up, more mainstream versions of them - existing in the DCU proper, this world’s role seems to have been largely stripped from it. I have to imagine there’s still potential here for those with the talent and commitment though.

36. Earth 44

A world where in the absence of natural superhuman beings, Doc Tornado created a Metal League of robot superheroes to protect the Earth. A promising concept definitely worth a few stories.

35. Earth 15

Once a perfect universe destroyed in a rampage by another Earth’s Superman, it was artificially reborn through the will of Countess Belzebeth - a cosmic vampire - as a copy of the Prime universe with the Green Lantern Corps replaced by Belzebeth’s despotic Blackstars, the uncertain and bitter heroes of this universe warped through the lens of Belzebeth’s perceptions of them had no chance against her forces. While its inhabitants are a bit samey what with all life having been subsumed into the diamond will of Blackstar Controller Mu, the idea of a conceptually weakened DCU being turned into an army against the rest of the multiverse makes for a terrific threat, and the prophecy of the ‘Cosmic Grail’ (a Green Lantern power battery lost somewhere in the multiverse) and that the First Lantern of the multiverse Volthoom hail from its original incarnation lend it some extra mythological weight.

34. Earth 32

A mashup world hosting the likes of the Justice Titans, Young Justice International, and the Doom Society. A world that’s home to Aquaflash will probably never have an ongoing all its own, but plenty of stories, miniseries, and even a brief line of comics have been based on mashup characters before, so there’s plenty of proof of concept for this being able to endure.

33. Earth 23

An Earth where Batman (naturally) is the only white guy on the Justice League, and Superman is not only President of the United States in his secret identity as Calvin Ellis, but the leader of the multiverse-spanning superteam Justice Incarnate. It reads like Morrison trying to do his idealized take on an ‘Ultimate DC’, a more diverse and politically engaged superhero landscape that doesn’t scale down its big ideas in turn, and if I were ranking it at the time it was introduced it would go much higher. The problem is that its version of Superman is modeled after Barack Obama, and that guy isn’t President anymore (and for that matter his legacy seems to grow more complicated by the year). As a result the vibe goes from triumphant to wistful mourning if not outright bitterly ironic, and that’s a needle that would have to be threaded before doing any substantial work here.

(Also, since several Justice Leaguers here rather than being made black are replaced with various black counterparts they’ve had over the years, that means Wonder Woman here is the 70s Amazon Nubia. And, uh, that name is something that would have to be...something.)

32. Earth 19

Steampunk superheroics; superhero period pieces are usually fun, and this is built on a foundation of pretty Mike Mignola art (though confession that I’ve never read Gotham By Gaslight), so sure, this one has potential.

31. Earth 18

Same as above but cowboys instead. This gets extra credit because cowboys mesh better with superhero conventions, and the additional twist of this world being frozen in history by the Time Trapper, forcing them to approximate modern technology with 19th century resources.

30. Earth 31

A post-apocalyptic waterworld where humanity is protected by Captain Leatherwing and assorted other pirate superheroes. Another ‘superheroes but in another genre’ setup, the post-apocalyptic, environmental twist makes it unfortunately more relevant than its peers, though I don’t think it’s quite the best end of the world as we know it on the list.

29. Earth 42

Home to the adorable, innocent world of the chibified Little League...secretly robots unwittingly enacting an endless stage play for the malevolent being known as the Empty Hand, running scenarios of his devising in preparation for a coming war with the rest of the multiverse. It’s a neat little multipurpose world, able to be played both as amusing contrast, or as parody whether light-hearted or cynical, in their endless ‘playtime’.

28. Earth 7

Formerly home to counterparts of the heroes of Earth 8, it was shattered by the Empty Hand’s forces and its desiccated cities made his throne, the zombie hordes that were once its champions his armies. The ‘Ultimate Marvel’ to Earth 8′s Marvel proper (and now Marvel Zombies), the idea of the broken remains of the cool version of the cool superhero universe as the lair of the ultimate evil has a certain appeal.

27. Earth 52

The last of the Earth 52s on this list, this newly added 53rd core Earth is home to Frank Miller’s Dark Knight books. Much as the reception to it over the years has become...mixed, at best (for my money Dark Knight III is the only one that’s not at least bad in a very interesting way, and even it still has its moments), the surprised generally positive reception to the most recent entry in Dark Knight Returns: The Golden Child suggests there’s still life in this oddball corner of the cosmos yet.

(Fun fact: this was Earth 31 in a previous version of the multiverse, and Morrison intended it to be included as such in Multiversity - hence why Earth 31 is made up of inky scratches on the Map - but Miller requested he not since he wanted to keep his domain separate from DC’s ongoing storylines. Instead he agreed later to Scott Snyder and Greg Capullo’s use of it in Dark Nights: Metal as DKR is famously Snyder’s favorite comic, bringing it in as Earth 52.)

26. Earth 47 aka Dreamworld

Where the Love Syndicate of Dreamworld dwells, baby: all is groovy. It’s incredibly specific in both era and theme, but a psychedelic universe with heroes to match invites tons of possibilities.

25. Earth 10 aka Earth X

It’s the Nazi Earth that sucks. It has superheroes who unnervingly are about as well-intentioned and effective as the standard set in the New Reischman, opposed by the few remaining dregs of the Freedom Fighters led by Uncle Sam; only their Kal-L, Overman, once Hitler’s weapon, truly understands the scope of the atrocities that led to their ‘utopia’, having grown a conscience too late and ever-aware that no feat in the present can ever redeem the oceans of blood on his hands. You can do horrifying introspective stuff with them as in their Multiversity chapter, you can tell Freedom Fighters stories like the recent miniseries, or you can just have the Justice League show up to fight the Nazi Justice League. A Nazi world is a standard one in multiverse stories for a reason, you don’t get easier targets.

24. Earth 5G

The DC universe that’s...sort of here and sort of not. Doomsday Clock and other upcoming stories appear to be shifting us over to this, but in most of DC’s line of titles the leap hasn’t taken place yet. As we haven’t seen the bench of successor heroes apparently primed to take over only so much can be judged, but the vast changes suggested by the new ‘official timeline’ that’s been leaked suggest a bizarre attempt at incorporating as many of their editorially-favored biggest hits as possible into a bizarre selective mishmash, without particularly serving the status quos any of the constituent characters said history is meant to bolster (with the exception of Wonder Woman, now framed as the first superhero, which would at least be interesting and a deserved bolster to her profile if there were any particular impression her new standing would be meaningfully followed-through on), while also not only reinstating the mutually destructive retcon of the JSA as preceding Superman, but taking the absurd extra step of actively presenting them as his inspiration. Of course we haven’t seen it in practice yet, and at the end of the day good stories will surely still be told here, but the foundations here are about as shaky as they’ve ever been for the ‘core’ DCU as a wholehearted capitulation to placing dotting all the i’s and crossing all the t’s over the actual narrative logistics of making a shared universe function smoothly.

23. Earth Negative Zero aka Betwixt

A world where those whose senses of self entire disintegrate fade away to seeking to feed on those still well-defined, this bears similarities to the realm of Limbo where ignored superheroes reside, but with just enough conceptual differences and a hellish, malleable twist that makes it the best thing anyone’s come up with to date to do with the Dark Multiverse.

22. Earth 48 aka Warworld

While its iconography is rooted of all things in castoff characters from Crisis On Infinite Earths and no-hopers from Countdown To Final Crisis, the actual conceit here of a world where literally everyone and everything is a superhero that operates by superhero rules, a world built by the New Gods as defenders of reality, is wide-open and tantalizing.

21. Earth 38

Another major shot at a DCU that aged in real time, this version has its own idiosyncrasies but far more of a sense of forward momentum and meaningful change, with the original Superman and Batman still leading the pack one way or another but successors to both them and the rest of the heroes truly stepping up. Also the predominant hero of the 21st century is Knightwing, the grandson of both Superman and Batman who has only partial Superman powers but also Batman training, which is just really cool.

20. Earth 3

The good ‘ol classic evil mirror universe, where strength is the only law, the forces of evil always win in the end no matter how bright the day may become, and thus the Crime Syndicate operates as it pleases. It’s never quite as interesting as you want it to be - its villains are largely one-note - but its warped societal and cosmic rules, and that each character has a handful of twists on the mythology of their counterparts rather than being an exact (if morally inverted) duplicate, means it could easily one day come to live up to its obvious potential in the right hands.

19. Earth 21

Here, most superheroes were forced into retirement after World War II by McCarthyist paranoia, but at the dawn of the 1960s the few remaining and a new generation are emboldened to step back into the light, spearheaded by the Justice League of America. DC: The New Frontier is a modern classic, with a direct standalone follow-up virtually out of the question; as it doesn’t quite lead into the world of the actual 1960s DC Comics either, its sole function in its capacity as a world in the multiverse is as a 60s ‘period piece’ Earth. Given that’s where most of the architecture of DC as we now know it was built however, that’s hardly a problem.

18. Earth 26 aka Earth C

Funny animals are fun, and in a superhero universe that means you get superhero funny animals, courtesy of Captain Carrot and his amazing Zoo Crew. What’s not to love?

17. Earth 22

While time has somewhat dimmed the acclaim that originally surrounded it, Kingdom Come and its tale of a Superman coming out of retirement alongside his allies to try and reign in an out-of-control new generation remains a landmark moment in the genre, and in many aspects still holds up. Unlike many stories of its stature this world has always played nice with the mainline universe in terms of guest appearances and crossovers, including works by the original creators Mark Waid and Alex Ross, and as the most iconic and conceptually expansive work to date set in a DC universe that has joined in the march of time, that makes it a prominent and useful one to have around.

16. The Antimatter Universe of Qward aka The Reversoverse aka the Anti-Verse

The original dark flipside of DC reality, this has occasionally also played home to the Crime Syndicate - and their best stories by far, to boot - but mainly serves as a home base to the Weaponeers of Qward and occasionally Sinestro. While largely unexplored it has a massively central place in DC’s cosmology and the birth of the multiverse, the glimpses of a society of pure evil in early Silver Age Green Lantern and JLA: Earth 2 are far more fun and interesting than anything seen in Earth 3′s history, it’s about to get even more room under Morrison to find definition, and as the ultimate mysterious Forbidden Realm of the DCU the possibilities could be essentially endless in the right hands.

15. Earth-1985 aka Earth One

The DC universe of 1956-1986, and the dragon an entire generation of creators have spent their livelihoods chasing as the ‘classic’ iteration, as evidenced by one of them flat-out confirming it still exists somewhere out there. While that makes it frequently redundant when the main DCU is trying hard to mimic its feel - a few divergent notes such as Maggin’s idiosyncratic take on latter-day Superman and its version of Jason Todd aside - the prospect of a DCU that remained in that mold forever to a greater or lesser extent even if time may have moved forward could, in principle, free the main universe to go off in wildly different directions, knowing this image of DC always exists in its own space to return to when so desired rather than actively turning the current status quo to face backwards.

14. Earth 17

The Atomic Knights of Justice quest across the radioactive landscape of Novamerika in a world decimated by nuclear was in 1963 in search of Earth 15′s Cosmic Grail, their only hope against the coming of Darkseid. A mashup of the Justice League with the protagonists of one of the most fascinatingly bizarre comics of DC’s Silver Age in the Atomic Knights, a mythic quest, and most relevantly “What if Fallout had superheroes?” leaves this feeling like it’s just waiting for its moment to shine.

13. Earth 8 aka Angor

Known across the rest of the multiverse as the protagonists of the Major movies and comics (as opposed to the sub-imprint Essential Major reflecting Earth 7), in actuality the non-actionable champions of Angor - the Retaltiators, the G-Men, the Future Family, and The Bug, among others - are as real as any other superheroes, and while they struggle under the weight of both mistrust by the general public and frequent in-fighting, they’ve thus far protected their world from threats global, universal, and multiversal alike. The Big Two having stand-ins for each other is a longstanding tradition for good reasons: it not only allows for crossovers where the legal stars don’t align (and adds an extra fun shock of recognition whenever the reader realizes what’s happening), but provides each of them an ongoing version of those archetypes to play with within the confines of their own narrative, whether as contrasts or bending them to fit the tone of a very different shared universe than they were originally created for.

12. Earth 16 aka #earthme

The world where every sidekick, super-son, successor, and short-lived ‘new generation - of HERO!’ at last seize their moment in the sun...in a world already saved by their predecessors, with little left to do but lap up lives of super-celebrity and wish for one, just one little alien invasion or immortal tyrant to justify their existences for them. The best of DC’s futuristic/what-if-time-mattered alternate Earths in my opinion, taking to its logical conclusion the notion as stated by Morrison in interviews that as the Justice League will stick around as long as there are evils that need fighting, the ever-present promise of the torch being passed could only ever truly, permanently take place in a world where the job was already redundant. Playing as it does with in-universe history, real-life publishing realities, celebrity culture, generational divides, and the question of what being a superhero even means sans the usual confrontational justifications, it’s by its nature only going to become more expansive and interesting a commentary as time goes by and the regular DCU goes through its cycles of reboots, rebirths, and returns to form.

11. Pocket Universe 54471

Exactly what you see: Superman made a little pocket universe a half mile wide to go fishing in and he was gonna take Bruce and Dick there for the former’s bachelor party, and he knows about and/or created at least 54470 others. It’s absolutely delightful not only in its own right, but as an opening of the door to what the multiverse can mean in DC comics as a sci-fi idea generator beyond riffs on existing properties, while still being presented with a distinctly DC sense of playfulness.

10. Earth 45 aka Earth 45™

The origin of one of the best Superman villains of all time in Superdoomsday - the Superman idea in a world without him brought to life but twisted by committee into a murderous living brand - a horrifying corporatocracy standing for all Superman and company are meant to stand against, and an enduring threat with the world still in shackles and those in power still able to dream to life whatever vision they please of absolute power to be wielded in their name.

9. Earth 36 aka Terra

Justice 9, the defenders of Terra - or I suppose Justice 7 now after the losses of Optiman and Red Racer, though how long does that matter in a superhero universe? - is the most interesting of the direct analogue groups for my money. Technically speaking they’re another twice-removed set like 34 and 35, standing in for the heroes of Big Bang Comics, but given my understanding is that there’s no major “Like the DC heroes, BUT” twist in that book the way Astro City and Supreme have other than a retro ‘good old days’ bent (which definitely isn’t the case here with at least two queer members), Justice 9 basically function as direct analogues for the Justice League...in the same comics as the Justice League. To me, that’s actually fascinating: one of the most useful elements of stand-in characters like this is the ability to tap into the iconic power of archetypes without the familiarity surrounding the actual figures, in the way Planetary for instance uses just enough distance from the source material to make a couple dozen decades-old pop culture touchstones feel completely new, and this implements that approach to the material to the DC characters with heroes who can actually themselves team up with DC proper. As many approaches as could be taken with that though, that potential alone probably wouldn’t be enough to shoot it this high up the list if not for a major additional factor: in the same way that in the old-school DC universe the heroes of Earth-1 had comics reflecting the adventures of the heroes of Earth-2 long before learning they were real in another universe, DC Comics are published on Earth 36. Aside from the neat trick of putting our leads in the same position as the Golden Age heroes, it means Justice 9 grew up with the Justice League as their heroes in the same way as us the audience before becoming heroes themselves, and then they grew up to learn they were real. These folks absolutely deserve to become multiverse standbys.

8. Earth 51

The Earth where all Jack Kirby’s ideas live as a single cohesive world and adventure. No further justification is needed.

7. Earth 13

A world of occult danger where DC’s traditionally superheroic magical figures such as Zatanna and Deadman are given the full Vertigo horror treatment, while the more intimidating and morally dubious figures such as Etrigan and John Constantine get logos and codenames. Not only an expansion but an offputting inversion of one of DC’s most acclaimed corners, this oddball bunch could bounce off of the capes and tights crowd as easily as your Shadowpacts and Justice League Darks, in ways no other team from any corner of the multiverse could.

6. Earth 20

Pulp champions of a 21st century that remains aesthetically moored in the early 20th, of the handful of Earths converting DC standbys into different genre territory in the local 52 the homeworld of the Society of Superheroes hits hardest, given the role the likes of Doc Savage and The Shadow played in that time shaping the conventions of superheroes as we know them. Add the wealth of concepts presented in their oneshot and the decision to hew away from the traditional Justice League riffs of parallel Earths, and of all the truly new worlds introduced in Multiversity, Earth 20 is the one that most feels like it could support an ongoing all its own.

5. Earth 29 aka Htrae

You gotta have Bizarro World. You just gotta.

4. Earth 33 aka Earth Prime

The in-universe representation of our very own pale blue dot. Whether it’s the birthplace of Superboy Prime where assorted DC creators had to deal with a visiting Flash and Superman throughout the 60s and 70s, meta games with the various incarnations of Ultra/Ultraa, a looming threat yet also victim in need of rescue through the eyes of Justice Incarnate, or the unwitting home of the ‘Superman’ or ‘Batman’ of Kurt Busiek’s off-center takes on the characters in Secret Identity and Creature of the Night, over the years DC has shown a decent amount of restraint in not going back to this particular well too often unless someone has a really clever tale to tell, and as a result it has maybe the single best batting average of all the ‘parallel Earths’ that have been regularly returned to by DC over the years. Give yourselves a hand, folks!

3. Earth 5 aka Thunderworld

Home not to ‘Shazam’, but Captain Marvel and the Marvel Family in all their glory, a technicolor world playing by the rules set down by Otto Binder and company where a superhero can literally battle planets and the most dangerous villain of all may be a very, very mean worm with glasses, a place of dream logic and childish innocence even by the standards of superhero comics. Captain Marvel at his best is one of DC’s most iconically potent players yet many seem to agree that much of his woes in recent years have come down to trying to find a unique space for him in the DCU proper. While I don’t know that it’s at all impossible to make that work, it’s certainly true that Marvel as he was originally presented doesn’t quite make sense in that world, whereas back in his own he keeps a flavor entirely unique to himself and his partners, whether for solo adventures or teamups with the heroes of the other worlds, playing it straight or examining some of the unsettling implications established by Thunderworld or finding a new way to make it work. Much like Bizarro World, it’s simply a locale the place doesn’t quite feel whole without.

2. Earth 25 (?)

While I’m a bit dubious on it definitely being Earth 25 in the core 52 based on interpretation of an offhanded line from Mr. Terrific (it has a multiverse all its own!), the fact of the matter is that America’s Best Comics came roaring out of the gate as proof of its own title, and basically didn’t stop until it ended. A couple after-the-fact Tom Strong miniseries (containing perhaps the most singularly cowardly hack move in the history of shared universe comics in undoing the end of Promethea) can’t detract from the core ABC lineup being made up of some of the most singularly clever, gorgeous, and heartfelt superhero titles to hit the stands, pretty much the platonic ideal of what you want books like these to look like. If this universe can hang around in any capacity at all until someone god willing picks them up again in a big way, it’s a win in my book.

1. Earth 0 aka Prime Earth

The extant version of the main DCU for at least a little longer, it really does feel like more than just about any version before it - at least for my money - they finally got all their ducks in a row, albeit right before blowing everything to hell. Most of the stories you really want to still have some sort of weight for the major characters are still in play to be built on, and most of the stories that clearly needed to be dropped are dropped. The cosmology’s fleshed out and expanding, the big names mostly work as they should ideally work while still heading into new territory, the JSA is mysteriously somehow around in the past without interfering with the primacy of Superman and the Justice League as the first known superheroes (a mystery that will never be resolved now due to the current reboot; damn shame) and the Legion of Superheroes have a new coat of paint, and there’s room for stories cosmically massive and intimately personal and utterly bizarre throughout the line rather than there being a single overriding idea of what these books should be. It may not be the perfect DC Universe by any means, but it’s a real, real damn good one, and of course without that thing, none of the rest of these universes would have been there in the first place.

[dweemeister]

New Orleans (1947)

The city of New Orleans is synonymous with a rich cultural tapestry shaped over centuries. Located on the banks of the Mississippi River, its economic and political influence waned with the spread of railroads and highways. Today, its influences are indigenous American, African, French, Spanish, Creole, Honduran, Vietnamese, and much more. But the city remains an inimitable cultural force. One of the city’s most significant contributions to the world is jazz – a musical genre that, even in the mid-twentieth century, attracted racially-coded disdain.

I must admit that I am instantly suspicious of any film that takes a city’s name as its title. Being not in a sniping mood as I write this sentence, I will not single any certain film out – for now. But to reduce a film title to a city’s name is to heighten expectations that the filmmaker will capture the so-called “soul” of a city (a nearly impossible task). Or perhaps they shall depict a man-made or natural disaster that takes place in that city (how often does a city’s name become shorthand for a mass shooting?). Enter Arthur Lubin’s New Orleans: a quasi-musical that does not have the courage to let the musical numbers guide it. The film stars Louis Armstrong (essentially playing himself) and Billie Holiday (not playing herself in her only credited role in a feature film), in addition to other jazz stalwarts at the time: Woody Herman, drummer Zutty Singleton, clarinetist Barney Bigard, trombonist Kid Ory, guitarist Bud Scott. New Orleans makes the mistake of not having Armstrong and Holiday be the main stars. Instead, the film has a half-baked, predictable romance. For a film title with such enormous implications, New Orleans’ concentration makes no sweeping statements about the eponymous city. Instead, it turns its gaze to jazz’s reputation among high-society white Americans.

It is 1917. The Storyville district of New Orleans is a den of prostitution, drinking, gambling, and – worst of all – jazz. Storyville’s residents are mostly black, but some of its welcome patrons are white. Nick Duquesne (Mexican actor Arturo de Córdova) runs a gambling joint frequented by Mrs. Rutledge Smith (Irene Rich) and classical music conductor/pianist Henry Ferber (Richard Hagerman). Irene avoids the jazz there (one of the regulars is Louis Armstrong and the aforementioned players), but her daughter, Miralee (Dorothy Patrick) – an operatic soprano who has arrived in New Orleans to make her professional classical music debut – is entranced by this radical music. Miralee is also entranced with Nick, against her mother’s wishes. Miralee is staying with her relative when she meets their maid, Endie (Billie Holiday), who surreptitiously plays the piano and sings jazz music when she gets the chance. As you might imagine, Endie’s employers disapprove. The film comes to a head as the U.S. military forcibly shuts down Storyville (evicting hundreds of black residents overnight), Nick leaves New Orleans, and Miralee must contend with her emotions just before she makes her classical music professional debut.

Billie Holiday’s fans might be troubled by the fact she is a maid here, given that she intentionally avoided physically demanding occupations in real life. Her reaction to this casting is unclear, as different reputable sources offer contradictory claims: that she abhorred being cast as a maid (Meg Greene’s Billie Holiday: A Biography), or that she relished the opportunity to be in a motion picture regardless of the role (an interview with music journalist Leonard Feather). So as tough as it may be to see her in a subservient role, Holiday appears to be enjoying herself – especially during the musical numbers she is a part of. She is clearly, other than Louis Armstrong, the most musically accomplished member of the cast. But when her character disappears from the film in the final third, New Orleans heaves due to the hackneyed romance between Nick and Miralee. To toss the one actor making this film worth watching for no sensible reason is a disastrous choice by screenwriters Elliot Paul (1941’s A Woman’s Face, 1945’s Rhapsody in Blue) and Dick Irving Hyland (1947’s Kilroy Was Here).

Even in a film independently released through United Artists (the one major Hollywood studio of Old Hollywood with the least executive interference), she and Armstrong cannot be the central stars. Considering Holiday’s musical talents, one wonders why she never starred in another film. Despite some digging, I could not find the answer. But if any black woman musician could have films centered around her, it would be Holiday. Her contemporaries, Lena Horne and Ethel Waters, could never overcome the terrible beliefs that audiences would not pay to see a film with a black actress in the lead role. But did Holiday – noting how Louis Armstrong also appeared in films – want to make more films? That may be an answer for someone else to uncover.

More than any film of its time that I can recall, New Orleans is overflowing with a disobedient musical energy. When considering musical genres innovated by African-Americans, there is an underground aspect to their initial spread that, at first, appears exclusive. Jazz, R&B, and hip hop have all gone through these motions: a tumultuous, secretive birth; a rebellious adolescence where critics decry the moral fabric of such music; and finally mainstreaming. Jazz in New Orleans lies somewhere within that adolescence. Its troubled reputation is the result of a mixture of musical and racial tensions. New Orleans’ affluent white community, on its surface, disdains jazz and prefers the import that is Western classical music – opinions they express vocally (as an amateur classically-trained musician who learned more about jazz later in life, I can’t stand the gatekeeping behavior exemplified in this film). So any time that jazz music is played in an unorthodox setting – the parlor of the Smith household, an orchestra hall – it feels defiant, dangerous.* These musical-racial dynamics persist in America to this day. To even see a film acknowledge that conflict, however ineloquently, is credit to the screenwriters and director Arthur Lubin understanding aspects about musical popular culture of this time.

But what is New Orleans and New Orleans without music? First sung by Holliday and reprised (one might even say appropriated in the negative sense) multiple times is, “(Do You Know What It Means to Miss) New Orleans”, with music by Louis Alter and lyrics by Edgar De Lange. Louis Armstrong is on his signature trumpet, a phalanx of great jazz instrumentalists play on the flanks, and Billie Holiday’s voice captures the timbre necessary in any song about longing.

Do you know what it means to miss New Orleans And miss it each night and day? I know I’m not wrong, the feeling’s getting stronger The longer I stay away.

It is a song representative of this film’s failed ambitions as an embodiment of New Orleans’ spirit. But it is also a brilliant showcase for some of the great jazz figures working at this time – including instrumental performances by Woody Herman and his orchestra and a virtuosic performance of “Honky Tonk Train Blues” by pianist Meade “Lux” Lewis. Nevertheless, New Orleans’ most soulful performances always revolve around Armstrong and Holiday singing Alter and De Lange’s original compositions. Other soundtrack highlights include “The Blues are Brewin’” and “Farewell to Storyville”. The former exemplifies Holiday’s timeless appeal, her singing voice’s unornamented pathos that elevates the simplest of lyrics. The latter is the most context-dependent song in the soundtrack and occurs as the U.S. military orders the closure of the speakeasies and gambling joints of Storyville – a swinging elegy without defeatism. New Orleans is at its most enjoyable during these musical numbers, and the film just feels lost whenever Armstrong and Holiday are not present or when any of the supposed leads open their mouths to speak.

That Lubin and the film’s producers do not trust the soundtrack to carry New Orleans indicates an ironic misgiving towards jazz music itself. United Artists’ refusal to reward Armstrong and Holiday star billing over de Córdova and Patrick is probably rooted to then-contemporary reality that movie theaters in the American South refused to show films with black leads. In addition, jazz music – like in this film – was not yet completely in the mainstream. If it appeared in a Hollywood film (and elements of jazz often appeared in mid-century American musicals), it almost always would be presented and popularized by a white performer. This development is not exclusive to jazz, let alone artistic medium. The filmmakers, in New Orleans’ final third, muddle their message through such appropriation. “Cultural appropriation” at its most basic definition is a neutral concept, but the developments in the film’s closing scenes – intentional or otherwise – extend this appropriation by presenting a white person’s presentation of jazz as more acceptable to a general audience than a black person’s.

For New Orleans, it remains obscure in terms of Hollywood musicals, African-American cinema, and within the esteemed United Artists filmography. In the present day, it serves best as an exhibition for some of the most acclaimed jazz musicians and performers working in the 1940s. To those fans of the numerous black jazz performers appearing in the film, New Orleans is a bittersweet reminder of what may have been.

My rating: 6.5/10

^ Based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

* In one scene in an orchestral concert hall, jazz is played as an encore to a classical music concert. It says volumes that the audience is beside themselves and that all of the members of the orchestra (and Richard Hagerman, playing their conductor) are transfixed.

[writing-prompts-for-friends]

Notes from Robert McKee’s “Story” 09: Genre and Expectations

The majority of this section defines genres and sub-genres of story. I’ll provide a summary of them at the end of the post. I think that we all as writers know what genre our works tend to lean toward, so I instead want to focus on what McKee has to say about what is expected of writers as dictated by genre and by the audience. 

Mastery of Genre

As life-long consumers of media, we have ingrained expectations of a story once we hear the genre. A rom-com? Well then, we’re in for a light-hearted comedy with a happy ending for the love interests. High fantasy? There’s gonna be lore and magic and elves and dwarfs, and a massive conflict that will probably span multiple novels or films. 

“The genre sophistication of filmgoers presents the writer with this critical challenge: He must not only fulfill audience anticipations, or risk their confusion and disappointment, but he must lead their expectations to fresh, unexpected moments, or risk boring them. This two-handed trick is impossible without a knowledge of genre that surpasses the audience’s.”

As writers, it is our job to identify our genre and research it thoroughly. In the previous section about setting, McKee explains how the setting of the story gives the writer both limitations and inspiration. 

Genre is, in a certain way, the frame in which the setting and story sit. Depending on the genre, the frame can be pliable or it can be rather fixed. Here you need to study your own genre deeply to find out exactly how flexible it is. For example, the genre of “Comedy” is much more pliable than that of the “Crime” genre. There are sub-genres, of course. But under the vast umbrella of “Comedy” almost anything goes as long as we can get a laugh out of it. “Crime” on the other hand, generally involves a struggle between a criminal and a justice-seeker (with the justice-seeker most commonly being the protagonist) and culminates in one triumphing over the other. 

How to Master Your Genre

“Never assume that because you’ve seen films in your genre you know it. This is like assuming you could compose a symphony because you have heard all nine of Beethoven’s.”

McKee states that genre study is best done in the following way:

List all the works that feel similar to yours, both successes and failures. Studying works that are similar to yours but were failures can lead to great insights.

Study each of these works from page to page, breaking each one down into elements of setting, role, event, and value. 

Stack these analyses on top of each other and look down through them all and ask yourself, “What do the stories in my genre always do? What are its conventions of time, place, character, and action?

Until you find these answers, the audience will always be one step ahead of you. 

Personally, that sounds like a lot of work lol. But doing case studies like he describes would certainly help me to better understand my genre. Idk when I’ll have time for it, but...well. I’ll work on it. 

Creative Limitations

This section really echoes what McKee had to say about setting, in that both setting and genre create boundaries for you to work within, but having boundaries pushes you to be more creative. 

Until now, I’ve always started writing a story on a whim, based on a single scene in my head that grows into some 300 page monstrosity. I resisted plotting and just wrote what I wanted to write that day. I enjoyed the freedom that came with having no specific plans and not thinking much about my genre. 

However, McKee uses a brilliant example to illustrate the beneficial aspects of understanding and working within the bounds of your genre:

“Robert Frost said that writing free verse is like playing tennis with the net down, for it’s the self-imposed, indeed artificial demands of poetic conventions that stir the imagination. Let’s say a poet arbitrarily imposes this limit: He decides to write in six-line stanzas, rhyming every other line. After rhyming the fourth line with the second line he reaches the end of a stanza. Backed into this corner, his struggle to rhyme the sixth line with the fourth and second may inspire him to imagine a word that has no relationship to his poem whatsoever--it just happens to rhyme--but this random word then springs loose a phrase that in turn brings an imagine to mind, an image that in turn resonates back through the first five lines, triggering a whole new sense of feeling, twisting and driving the poem to a richer meaning and emotion.

Thanks to the poet’s Creative Limitation of this rhyme scheme, the poem achieves an intensity it would have lacked had the poet allowed himself the freedom to choose any word he wished.

The principle of Creative Limitation calls for freedom within a circle of obstacles. Talent is like a muscle: without something to push against, it atrophies.”

So one of our first steps as writers is to identify our genre or combination of genres, and then learn the genre conventions. 

Genre conventions are the expected aspects of a certain genre. In a “Boy Meets Girl” romance genre, an obvious convention is that a boy and a girl must meet. It isn’t a cliche--it’s a necessary part of the equation. These conventions force us to use our imagination to reinvent the paradigms our genres and audiences demand, and if we can do it right, we fulfill their expectations while giving them something they had never dreamed of before.

Mixing and Reinventing Genres

What better way to sum up this section than Run DMC’s “Walk This Way,” which was the first hip hop hybrid video every played in heavy rotation on MTV? 

Generally, a work tends to be a mix of two or more genres. For example, there is a Love Story subplot in just about EVERYTHING nowadays, for better or for worse. By mixing genres we as writers have a chance to give the world something that has never been seen before. 

Something that McKee stresses is that genres are not static. He says:

“Genres are simply windows on reality, various ways for the writer to look at life. When the reality outside the window undergoes change, the genres alter with it.”

Social attitudes change. This means that what may have been a compelling story 50 years ago may not be as compelling when looked at once again today. The example McKee uses is the 1950′s film FALLING IN LOVE, which was about a man and woman who fell in love with each other but were already married and in unhappy relationships. Nowadays, in mainstream America, divorce isn’t a big deal. If an audience in 2020 watched this film, they’d just say, “You’re married to people you hate--just get a divorce already!”

“The audience wants to know how it feels to be alive on the knife edge of the now. What does it mean to be a human being today?

Innovative writers are not only contemporary, they are visionary. They have their ear to the wall of history, and as things change, they can sense the way society is leaning toward the future. They then produce works that break convention and take the genres into the next generation.

The finest writers are not only visionary, they create classics.”

McKee’s List of Genres

McKee states that there are many different ways to break genres down, and his is neither the best nor the most complete. Also, keep in mind that this book is actually focused around storytelling through film, so the references he uses are not books, but films. 

LOVE STORY. It’s sub-genre, Buddy Salvation, substitutes friendship for romantic love. 

HORROR FILM. This genre devices into three sub-genres: the Uncanny, in which the source of horror is astounding but subject to “rational” explanation, such as beings from outer space, science-made monsters, or a maniac; the Supernatural, in which the source of horror is an “irrational” phenomenon from the spirit realm; and the Super-Uncanny, in which the audience is kept guessing between the other two possibilities. 

MODERN EPIC (the individual versus the state).

WESTERN. 

WAR GENRE. Although war is often the setting for another genre, such as the Love Story, the WAR GENRE is specifically about combat. Pro-war versus Antiwar are its primary sub-genres. 

MATURATION PLOT or the coming of age story

REDEMPTION PLOT. Here the film arcs on a moral change within the protagonist from bad to good. 

PUNITIVE PLOT. In these, the good guy turns bad and is punished. 

TESTING PLOT. Stories of willpower versus temptation to surrender.

EDUCATION PLOT. This genre arcs on a deep change within the protagonist’s view of life, people, or self from the negative (naive, distrustful, fatalistic, self-hating) to the positive (wise, trusting, optimistic, self-possessed)

DISILLUSIONMENT PLOT. A deep change of worldview from the positive to the negative.

COMEDY. Subgenres range from Parody to Satire to Sitcom to Romantic to Screwball to Farce to Black Comedy, all differing by the focus of comic attack (bureaucratic folly, upper-class manners, teenage courtship. etc.) and the degree of ridicule (casual, caustic, lethal).

CRIME. Subgenres vary chiefly by the answer to this question: From whose point of view do we regard the crime? Murder Mystery (master detective’s POV); Caper (master criminal’s POV), Detective (cop’s POV), Gangster (crook’s POV), Thriller or Revenge Tale (victim’s POV); Courtroom (lawyer’s POV); Newspaper (reporter’s POV); Espionage (spy’s POV), Prison Drama (inmate’s POV); Film Noir (POV of a protagnoist who may be part criminal, part detective, part victime of a femme fatale). 

SOCIAL DRAMA. This genre identifies problems in society--poverty, the education system, communicable diseases, the disadvantaged, antisocial rebellion, and the like--then constructs a story demonstrating a cure. It has a number of sharply focused sub-genres: Domestic Drama (problems within the family), the Women’s Film (dilemmas such as career versus family, lover versus children), Political Drama (corruption in politics), Eco-Drama (battles to save the environment), Medical Drama (struggles with physical illness), and Psycho-Drama (struggles with mental illness). 

ACTION/ADVENTURE. This often borrows aspects from other genres such as War or Political Drama to use as motivation for explosive action and derring-do. If ACTION/ADVENTURE incorporates ideas such as destiny, hubris, or the spirtual, it becomes the sub-genre High Adventure. If Mother Nature is the source of the antagonism, it’s a Disaster/Survival work.

HISTORICAL DRAMA. The treasure chest of history is sealed with this warning: What is past must be present. He must find an audience today. Therefore, the best use of history, and the only legitimate excuse to set a film in the past and thereby add untold millions to a budget, is anachronism--to use the past as a clear glass through which you show us the present. 

BIOGRAPHY. This cousin to Historical Drama focuses on a person rather than an era. BIOGRAPHY, however, must never become a simple chronicle. That someone lived, died, and did interesting things in between is of scholarly interest and no more. The biographer must interpret facts as if they were fiction, find the meaning of the subject’s life, and then cast him as the protagonist of his life’s genre. These caveats also apply to the sub-genre Autobiography.

DOCU-DRAMA. A second cousin to Historical Drama, DOCU-DRAMA centers on recent rather than past events. 

MOCKUMENTARY. This genre pretends to be rooted in actuality or memory, behaves like documentary or autobiography, but is utter fiction. It subverts fact-based filmmaking to satirize hypocritical institutions.

MUSICAL. I would love to see a musical novel lol.

SCIENCE FICTION. In hypothetical futures that are typically technological dystopias of tyranny and chaos, the SCIENCE FICTION writer often marries the man-against-state Modern Epic with Action/Adventure. But, like history, the future is a setting in which any genre may play. 

SPORTS GENRE. Sport is a crucible for character change. This genre is a natural home for the Maturation Plot, the Redemption Plot, the Education Plot, the Punitive Plot, the Testing Plot, the Disillusionment Plot, Buddy Salvation, and Social Drama.

FANTASY. Here the writer plays with time, space, and the physical, bending and mixing the laws of nature and the supernatural. The extra-realties of FANTASY attract the Action genres but also welcome others such as the Love Story, Political Drama/Allegory, Social Drama, and/or Maturation Plot.

ANIMATION. I guess you could equate this to graphic novels, comics, and manga. 

Source: McKee, Robert. Story: Substance, Structure, Style, and the Principles of Screenwriting. York: Methuen, 1998. Print

[meditativeyoga]

A Simple Practice to Improve Well-being and Relieve Stress: Be Mind Full of Good

Right currently, what you assume and feel, enjoy as well as endure, is altering your mind. The brain is the organ that learns, made by development to be changed by our experiences: just what scientists call experience-dependent neuroplasticity. We have the power to utilize the mind to change the brain to transform the mind for the much better. Below's a technique from author Rick Hanson to reveal you how.

The Practice: Be mind full of good.

Why? It's sort of outstanding: today, just what you think as well as feel, enjoy and endure, is transforming your mind. The mind is the organ that finds out, created by development to be changed by our experiences: exactly what scientists call experience-dependent neuroplasticity.

Neurons that terminate with each other, cable with each other. This implies that each one people has the power to make use of the mind to transform the mind to alter the mind for the much better. To profit oneself and other beings.

Using this inner power is extra essential compared to ever nowadays, when numerous people are pressed as well as pushed by exterior forces - the economic climate, media, politics, office plans, battle on the other side of the world, individuals beyond of the dining-room table - as well as by our reactions to them.

Life is typically tough. To deal with hard points, to be reliable and effective, or just to experience normal well-being, we need sources inside, self-confidences like strength, empathy, gratitude and also various other positive feelings, self-worth, and also insight.

Some toughness are innate - developed right into your DNA - but most are obtained, woven in time into the textile of your brain. These long lasting attributes come from passing states - experiences of the internal stamina - that get set up into the brain. You become more happy with internalizing repeated experiences of thankfulness, you come to be extra thoughtful via internalizing duplicated experiences of concern, etc.

So far, so apparent. But right here's the catch: without this installment - without the transfer of the experience from temporary memory buffers to long-lasting storage - useful experiences such as feeling cared about are for a little while pleasurable but have no long lasting worth. Yikes! There is no learning, no development, no change for the better.

Meanwhile, your mind is swiftly and also successfully turning unpleasant, negative experiences - feeling frazzled, worried, stressed, disappointed, aggravated, insufficient, pain, and so on - into neural structure. To assist our ancestors endure in severe problems, the mind developed a negative thoughts prejudice that makes it efficient finding out from disappointments but fairly negative at learning from excellent ones - despite the fact that picking up from great experiences is the main method to expand the inner staminas we all need.

In effect, today our brains have a well-intended, universal understanding handicap due to the fact that they've been fastidiously developed over countless years for peak performance ... in Stone Age conditions.

Most of us are respectable at having valuable experiences - however very negative at mounting them in the brain. A lot of specialists, mindfulness educators, instructors, moms and dads, and also human resources trainers are quite excellent at urging useful experiences in others, but quite poor at aiding them obtain mounted in those minds, this was definitely true for me.

In result, the majority of valuable experiences are thrown away most of the time. The result is a discovering contour, a growth rate that is a lot flatter than it should be.

Poignantly, because we are not internalizing most of our wholesome, advantageous experiences - authentic minutes of sensation unwinded, capable, tranquil, grateful, successful, satisfied, valued, liked, and also loving - we feel emptier inside compared to we truly should have to feel. As well as we become a whole lot less complicated to manipulate by fear, consumerism, and also "us vs. them" conflicts.

What can we do?

We could make use of the mind to change the mind for the better.

How?

Here's the essence: Have It, Delight in It.

In various other words, have a beneficial experience in the first place - typically because you just observe one you are currently having: you're already feeling a little bit of convenience, relief, pleasure, connection, heat, decision, confidence, clearness, hope, and so on. And it's great to produce advantageous experiences, such as intentionally thinking about points you feel appreciative for, or phoning empathy for a person hurting, or recalling just how it really felt in your body to insist yourself with somebody who was being pushy.

Then, once you have actually got that great experience going, truly appreciate it: taking 5, 10, or even more secs to secure and stay with it, and open up to it in your body. The longer as well as a lot more extremely those nerve cells fire together, the even more they'll be electrical wiring this internal toughness into your brain.

This declares neuroplasticity, the significance of self-sufficiency: taking in everyday experiences to create more self-confidences such as grit, confidence, kindness, psychological equilibrium, happiness, patience, and self-awareness.

I don't count on positive reasoning. You're not overlooking the pains, losses, or oppressions in life. I believe in realistic thinking, seeing the entire mosaic of reality, the great, the poor, and the neutral. Exactly due to the fact that life is commonly tough - as well as because we have actually got a brain that's relatively poor at growing the self-confidences should deal with these difficulties - we should concentrate on the good facts in life, let them become great experiences, then help these experiences actually sink in.

Most of the time you take in the good will certainly be in the circulation of life, maybe six times a day, normally much less than half a min each time. You can likewise make use of more structured moments, such as at meals, after exercising or meditation, or simply prior to bed.

Besides being a lot more open generally to advantageous experiences, you could try to find those certain experiences that will expand the internal stamina( s) that will help you one of the most these days. As an example, if you're really feeling nervous, seek authentic chances to feel sustained, protected, resourced, tough-minded, loosened up, or calmness. If life feels disappointing or blah, seek the real realities that naturally support experiences of gladness, appreciation, satisfaction, success, or effectiveness. If you really feel lonely or poor, seek the actual occasions when you are consisted of, seen, valued, suched as, or loved - and also available to feeling properly cared about, and valued, likewise search for chances to feel caring on your own, since love is love whether it is moving in or streaming out.

Our useful experiences are usually light - a 1 or 2 on the 0-10 scale of strength - yet they are actual. Any kind of solitary time you allow these experiences truly land inside you will not alter your life. But long as a cup of water is loaded decline by decline, you'll be changing your mind synapse by synapse right - as well as your life right as well.

And with a mind full of excellent, you'll have even more to provide others. Growing the good in them, also, in widening ripples seen and also undetected, perhaps reaching at some point around the entire world.

[organixxcollagens-blog]

Organixx Collagen Review

Organixx Collagen

This Organixx Collagen review is entirely about getting real deep into the Clean Sourced Collagens of Organixx.

 It’s about having a proper look at the promotional materials, pledged claims, beneficial ingredients, and the actual benefits. Additionally, we’ll also discuss an aspect most other reviews waive: additives. And lastly, we will dive into the customer reviews, major complaints and global success rates.

 Essentially, all to make as accurate of assessment about the Organixx Clean Sourced Collagens supplement as possible.

 Ultimately, you could even say that my goal here is to help you save time by creating the most resourceful review around. But, if by any chance, you find a section or aspect I haven’t covered but you’re interested in, let me know. And I’ll add that to the review.

 One Can Drown In The Wealth Of Information Organixx Provides; Is It All To Sell?

 The supplement of this review actually comes with a couple of different commonly used names. Its real, original name is Organixx Clean Sourced Collagens. But it also commonly gets referred to as simply Organixx Collagen which I assume is because it’s their only Collagen supplement. Or there’s also Organixx Clean Sourced Collagen (without an “s” at the end) which I feel is the more common approach given that no other manufacturer calls its supplement “Collagens” because there’s more than one type of Collagen.

 Every single one of these alterations refers to the same supplement over and over again. Thus, if I happen to alternate between these different names throughout the article, do forgive me; I’m referring to the same thing.

 According to the manufacturer, “Clean Sourced Collagens is hands down the most bioavailable collagen supplement you’ll find anywhere.” As they put it, “That’s because you’ve got absolutely EVERYTHING your body will need in order to use as MUCH collagen as it can” [R].

 And to that extent, the supplement does go beyond just Collagen. As for all the other ingredients added, they support their choice with more than just generic statements. Instead, they use quite a bit of references. Which I personally do heavily enjoy.

 Generally speaking though, the description of the supplement is uncomparable with the description of supplements like Doctor’s Best Collagen, It Works! CollagenWorks, or even the Pure Gold Collagen. This is because this one is a proper sales page. And there’s not one but two of them [R, R].

 However, I feel with either of them, we don’t get that negative, suppressing, burdening feel that we typically get with most other sales pages. No, this one’s mostly about informing people (and thus, the references). And it’s an absolute wealth of information there. And then it’s about selling.

 So, about promises. There’s quite a few actually. The main one is about anti-aging, which echos all throughout their content. They also promise to “[..] reduce the appearance of fine lines and wrinkles, [..] keep your arteries squeaky clean, [..] ease joint discomfort, [..] rev up your metabolism [..], protect your liver, [..] boost your mood, [..] help you sleep better, [..] and a whole lot more” [R].

 So, generally speaking, a pretty wild benefit list. I mean, we don’t even remotely get that with straight-up Collagen supplements like Youtheory Collagen or NeoCell Super Collagen. And even don’t get that with those that add a bunch of other nutrients to the table like Applied Nutrition Liquid Collagen or Health Direct AminoSculpt Collagen Energy.

 That said, the benefit list doesn’t exactly end there. They also persist to “promote healthy hair, skin, and nails, support optimal joint function and mobility, improve digestion and overall gut health, boost your metabolism to burn stubborn fat, and more” that do cover in full those of commonly mentioned for other supplements [R].

 Then there’s also some comparisons going on. According to them, of course, Organixx Clean Sourced Collagens is the best Collagen supplement of all. Then there’s also a full-year 100% money-back guarantee which is a proper one in the sense that we can get all of our money back even if we send back an empty container.

 Then there are also customer reviews which seem to not get adjusted as they include also negative ones. And there is quite a bit of “order more now and get a bigger discount” action going on.

 Overall, the Organixx Collagen supplement is definitely a compelling one. But is it actually worth the money?

 While Supplement Is Abundant, Reasons For Added Ingredients Are A Mess

 There is a couple of different approaches Collagen supplements tend to take. First, there are those that provide only raw Collagen and nothing else like Doctor’s Best Collagen Powder. Then there are those that add one or two extra nutrients or beneficial substances to the mix like AHS Super Collagen. Finally, there are those that are almost multivitamin-like in regard to the number of different additions they bring to the table like Nature’s Bounty Ageless Eye.

 The Organixx Clean Sourced Collagens subscribes to the very last of the mentioned approaches. So, what does it have a hand in?

 The supplement offers 8.5 grams or 8,500 milligrams of Multi Collagen Complex that consists of Hydrolyzed Grass-Fed, Pasture-Raised Bovine Collagen Peptides, Bovine Bone Broth Hydrolyzed Protein, Antibiotic-Free Chicken Bone Broth Collagen Concentrate, Clean Marine Wild-Caught Hydrolyzed Fish Collagen Peptides, Eggshell Membrane Collagen, Acerola Cherry, Camu Camu, Silica from Organic Horsetail, Zinc Gluconate, Fulvic Acid, and Pyridoxine Hydrochloride [R, R].

 Thus, on top of the typical sources for an abundance of Collagen types, it adds quite a bit of other ingredients to in a way augment the benefits we’ll get out of the blend. And supposedly, there are very good reasons for this.

 As they put it, vitamin C through the Acerola Cheery and Camu Camu is there because it’s paramount to Collagen absorption. However, I feel that’s not exactly true. Certainly not the case according to the resource they quote when making that statement [R, R, R].

 Yes, vitamin C is necessary for natural Collagen production. Or a fancy way to say it, it’s presence is paramount in Collagen synthesis. However, it does not play a role in the absorption of the substance. Thus, if we’re already getting ready to absorb Collagen (which we are), then vitamin C plays no role whatsoever in how our bodies absorb it [R, R, R].

 Moreover, we ideally should be consuming a conventional (for men or women) or an unconventional multivitamin daily anyway. And that will provide all the vitamin C necessary. There’s no purpose in getting an overpriced one out of our Collagen supplement.

 As for the Silica as a building block of Collagen, I feel that’s a stretched truth as well. They persist on this idea that Silica is “actually a ‘building block’ of collagen, so it helps your body more effectively use the collagen you’re taking.” But that I feel is an argumentation fallacy. How can something that is a “building block” of something affect how well absorbed that thing is [R]?

 I mean, if it truly were to affect the absorption, it’s not because Silica is the “building block.” It would rather be because Silica is a facilitator of some kind. I mean, yes, Silica might be paramount in the natural production of the thing (as a “building block”) but the supplement inherently doesn’t require us to create Collagen naturally. It provides a ready-to-absorb type of Collagen. So, why there is an inherent need by the supplement for more of it naturally?

 Furthermore, while they have referenced a study to that cited statement, I don’t see how that fixes the argumentation fallacy. Moreover, while Silica is a paramount nutrient to health and well-being, it is not considered to be something that we need to supplement. Because we generally on average get enough of that from food already [R, R].

 Then it’s that Zinc part. And as far as I can tell, the ideas of “collagen-repairing enzymes in your body are all zinc-based” and “zinc also helps slow the breakdown of collagen in your body” are all true. Still, it’s not a reason to say that typical Collagen supplements without this mineral will be ineffective. Furthermore, it really isn’t a must to have in a Collagen supplement if we’re getting the element from a proper multivitamin anyway (which I feel absolutely should be the case) [R, R].

 Thus, overall, I feel the Organixx Clean Sourced Collagens is not as “break-through” as they try to paint it to be.

 A Bunch Of Potential Benefits; Still It’s A Mystery How Many Will Go Through

 That said, let’s do, however, look into the actual benefits of Collagen and how that corresponds to what the Collagen supplement of Organixx promises. And despite the often likely small amounts of the added other ingredients, let’s look into the potential of those, too.

 So, as far as Collagen goes, it’s actually all somewhat legit. All of the proposed benefits have a referenced study or two. And each of those studies feeds on the likely benefits of Glycine which is the amino acid most abundant in Collagen. So, yes, it seems that Collagen may truly go far beyond just potential benefits to hair, skin, and nails [R, R, R, R, R, R, R, R, R, R, R, R].

 But I wouldn’t necessarily count on that as these studies are mostly done on rats. So, there might be something there but, by all means, we can’t tell for sure yet and that’s something to be explored [R].

 As for the joint health, I’ve never seen Collagen as a profoundly effective option for that. Sure, it can help. However, there’s much more to get out of a proper Turmeric Curcumin supplement in that regard [R, R].

 Acerola Cheery goes by many names; it’s also known as the Barbados Cherry or the West Indian Cherry. It is a type of fruit that’s extremely abundant in vitamin C and all kinds of phytonutrients, including flavonoids. And with that, it can improve the immune system, promote digestive and metabolic health, aid skin and hair health, as well as bless with anti-cancer, anti-fungal, anti-microbial, and anti-aging properties among other benefits [R, R, R, R, R, R].

 Camu Camu is another berry extremely abundant in vitamin C. In its essence, it’s a powerful mixture of phytochemicals, amino acids, and various minerals. And through that, it can support the immune system, improve liver health, enhance mood, boost gut, oral, and gum health, protect vision and eyes, as well as among other stuff just in general be a very powerful anti-inflammatory .

 As for Fulvic Acid, it’s an active chemical compound that’s known as “nutrient booster”. It augments the absorption of certain nutrients (Collagen not one of them) and helps to use them better. Additionally, it can also nourish the digestive tract, protect the brain, promote the immune system’s function, support detoxification, lower inflammation, fight cancer and free radical damage, reduces pain, repair skin, and even provide energy among other benefits [R, R, R, R, R, R, R].

 Zinc Gluconate is an amino acid chelate form of Zinc. It’s a form that’s arguably one of the best ones in terms of absorption. However, only 2 mg – that’s not a lot. Whereas Pyridoxine Hydrochloride is a form for vitamin B6 typically when the manufacturer really doesn’t care. It’s a weak form, often for our bodies hard to mold into usable B6, which for some people, due to genes is impossible. So, they won’t find any benefit in it .

 As for the Organic Horsetail, according to the label, they don’t offer that. They only extract Silica from it. So, I feel discussing the potential benefits of Horsetail here, it’s not fully appropriate. Thus, we won’t.

 Overall, yeah, I mean, it would be great and all. It’s just that each of these in the Organixx Clean Sourced Collagens supplement is pretty scarce. And so, as I mentioned, they may bring some of those benefits. But it, without a doubt, won’t be the full spectrum of them. Just some at best.

 Additives… How Well Does The Clean Sourced Collagen Manage Them?

 Sadly, the ingredients that are all about helping us reap benefits are not always the only ones we get to find in a supplement. In truth, in about 99% of the cases, we also inevitably get substances known as additives or the other ingredients.

 These represent the additions that are present not for the wanted benefit, substance or whatever. No, these are the ingredients added to supplements to make them easy to consume (tablets, capsules, etc.), make them have a certain color or flavor, or make them possess other certain qualities.

 They can often be extremely harmful, especially in the long run. And with that, they can bother our health quite a bit. But the right kind ones will do none of that. They will be as harmless as warm water to our skin. Other times, they can even be beneficial .

 So, the choice and quality of them make a profound difference. Whereas as far as the Organixx Clean Sourced Collagens go, it’s among that one percent that doesn’t use any. At least that’s the case as far as promotional materials and rather blurry product images I was able to come across online go.

 Hence, while the potential benefits are there, it’s done without any concern or thought for potential side effects. Which is always a good thing.

 The Disparity Between On-Page And All Other Reviews Is Huge; Certainly Unnatural

 Now, let’s switch gears a little bit. We’ve discussed every single ingredient but I don’t think that’s enough. Let’s take into account also the perspective of the global success rates (through customer reviews).

On the Clean Sourced Collagens of Organixx description page, there are quite a bit of customer reviews. And to that end, the supplement is unlike what we’ve seen with supplements like Skinny Fit Super Youth or Code Age Multi Collagen. Meaning, at least superficially the supplement of this review also embraces negative feedback and doesn’t just delete it or edit it out.

 In total, there are 530 reviews on the manufacturer’s page at the time of writing this article. Of these, we are looking at 516 positive ones (3-, 4-, and 5-star) and just 14 negative ones (1- and 2-star). Which, to be honest, is unnaturally positive. I mean, this would mean that the global success rate arguably exceeds 97.4%.

 Which is bonkers and far more positive than what we’ve seen from many other viable brands.

 However, I feel this is not the whole story. Especially, given that the reviews I managed to gather across all other sellers and retailers show a completely different image.

 According to those, 97.4% is a RIDICULOUS exaggeration as the actual global success rate seems to not overhead 85%. Out of a total of 86 reviews (yeah, it’s mostly Amazon; others in this regard are lacking), I found almost as many negative ones but far fewer positive ones – 13 and 73, respectively. Which leaves us at 84.9%

 And that is a massive difference between what we had on the manufacturer’s page (12.5% apart). So, it’s likely that even though Organixx tries to appear to be completely honest with this, they’re likely actually not.

 So, I would be very careful about what I read on their page in terms of customer feedback.

 That said, I do, however, believe that that 84.9 % is quite unjust. This is because there are many people that are complaining about the fact (and thus, giving low ratings) that the container is half full. To me, that’s alien. I mean, what does it matter that the container is only half full if you’re still getting what the label says your getting which is 30 servings per container?

 To that end, I feel if we were to remove those, we’re confidently looking at something slightly above 90%. Which is about in the same range that many other viable brands land in.

 So, is the Organixx Collagen ultimately worth the investment?

 Just Not A Fan Of Their Approach; Other Than That There’s Nothing Inherently Bad

 Well, for one they’re trying to sell really hard. All those talks about how other supplements are useless because they don’t add vitamin C, Zinc, Silica, and whatnot. The quantity packs and extra 10% off if we buy a number of them and subscribe. And the 365-day money-back guarantee. All are great strategies to persuade people into buying.

 But is that actually worth the heavy investment we will have to make for it?

 I feel there’s nothing inherently bad about the Organixx Collagen. Quality beneficial ingredients. Likely solid Collagen amounts. No additives. As far as they emphasize it, they’re even doing third-party testing. Still, I don’t think that’s enough to make up for what I feel are the subtle inaccuracies of facts in their promotional materials. And, yes, the price.

 I mean, I believe most people will not check the facts. And thus, they’ll likely be misled and hence, lured into an illusion of what it actually takes from a proper Collagen supplement. And that can be harmful. Truly.

 Ideally, we should always build on a proper multivitamin. And only then add a Collagen to that mix. And choosing such an approach will inherently render any supposed advantages (though they’re not real advantages) of the added extra nutrients 100% meaningless (and overpriced).

 As for that Collagen part, if you are looking for something truly value, I believe this (review) is currently one of the best options on the market. And I would personally prefer it over this Organixx thing 10 times out of 10.

 Above all, I hope this Organixx Collagen review helped you find the information you were looking for. But if not, definitely let me know in the comments on how I could further improve it.

 If you have as much as 15-30 seconds to spare, even one line in the comments helps a ton and will be highly and sincerely appreciated.

 See you in another article!

 Cheers, Stay Healthy & Have a Great One!

[cosmicpopcorn]

Captain Marvel (2019): Feminism, Diversity, and the 90s, oh my!

Warning: Spoilers, possibly. I always like to warn a nigga just in case.

Note to Readers: Yes, Cosmic Popcorn is back up and running! Last year, I went on an impromptu hiatus due to life being...well, life. Now I’m back and determined to pick back up where I left off on my journey of providing informal movie and TV reviews and discussions on astrology and all things cosmic. 

Without further ado, let’s get into Captain Marvel. 

If ya’ll remember the post credits scene from Avengers: Infinity War, Nick Fury sends one last message to someone, somewhere on an old ass looking communication device right before he turns to dust...and we see a star-shaped logo confirming that his message has been sent. 

He was sending that message off to good ol’ Captain Marvel aka Carol Danvers. Captain Marvel has a very diverse, interesting history in the comics...in fact, Carol Danvers is the 7th Captain Marvel in the comics. To read more about that dope history, check out this article here: The Weird and Diverse Comic Book History of Captain Marvel. 

Now, the movies in the Marvel Cinematic Universe (MCU) do divert from the comics in a lot of ways. So MCU Carol Danvers is a former air force officer who was under the mentorship of physicist Dr. Wendy Lawson, who was actually a Kree scientist who disagreed with the Kree’s war with the Skrulls and had fled to Earth. Dr. Wendy Lawson (her alias) aka Mar-Vell (her real name) was using the Tesseract (Space Stone) to create an engine that would have helped the Skrulls to live beyond the reach of the Kree empire and she had enlisted Danvers’ help in this mission. But they are discovered by Yon-Rogg, a Kree commander who is the leader of Starforce (a Kree military task-force). During the fight between Mar-Vell and Yon-Rogg, Carol shoots the engine in an attempt to prevent Yon-Rogg from getting it and it explodes in her face, causing her to absorb the Tesseract’s energy/powers, thus making her Captain Marvel. Her memories of who she is and her life on Earth are mostly altered/erased and she becomes one of the members of the Starforce, under Yon-Rogg’s direction and mentorship. 

The movie was directed by Anna Boden and Ryan Fleck. Carol Danvers/Captain Marvel is played by actress Brie Larson. I first remember seeing her in United States of Tara and really enjoying watching her character on screen. She has also played in Scott Pilgrim vs. The World, Community, and Room (which she won an Oscar for Best Performance by an Actress in a Leading Role). Obviously, she’s been in a ton of other shit, won a bunch of awards and been nominated for others but I am not about to lay this woman’s resume out for y’all - just know she’s been here for awhile and she’s accomplished. Lol.

Nick Fury is obviously played by the wonderful Samuel L. Jackson, and y’all should damn well know who he is. He’s one of our national treasures in my opinion, right along with Terry Crews. Not to mention he’s already been present in the other MCU movies. He’s the character with the second most screen time in the movie outside of the obvious Captain Marvel. 

Other actors worth mentioning: Talos/Keller is played by Ben Mendelsohn, Jude Law is Yon-Rogg, Annette Bening is Dr. Wendy Lawson, and we have Lashana Lynch as Maria Rambeau, with Akira Akbar as her daughter Monica Rambeau. The cast overall is very diverse - comprised of people of color and women in starring roles. And based on what I’ve personally read on Captain Marvel’s comic book history, this is the essence of her story - breaking through barriers and giving power to a range of different people who may not have had it before, who were not usually represented in certain roles and positions of power.

I’ll be honest, it’s difficult for me to review and critique Marvel movies because the quality of their movies these days is usually pretty high...even the mediocre or bad ones are significantly better than other mediocre/bad non-superhero movies. I go into these movies with a bias towards them and it’s hard for me to see flaws unless they’re extremely obvious and detract from the overall quality of the movie in a major way. I will always try to be honest about a movie...but how I feel is how I feel and I feel Marvel movies are usually pretty great. So when it comes to these movies, I’ll present my thoughts on various aspects of them instead of the usual pros vs. cons approach unless it calls for it. 

I basically really liked and enjoyed Captain Marvel. I don’t regret the experience at all and feel it’s worth the movie ticket. Here are some thoughts on the movie: 

Brie Larson was a good choice for Captain Marvel: I’ve heard people complain about the decision for Brie Larson to play Carol Danvers aka Captain Marvel, with some of the main reasons for their complaints being that she appeared to be too stoic, didn’t smile or laugh enough and that her portrayal of Captain Marvel was bland. I felt that she expressed the appropriate amount of emotion for the character and for the scenes she had. We must also keep in mind that Carol Danvers was an air force officer on Earth, a member of Starforce on Hala while being with the Kree, and also had been taught to not be emotional and that her emotionality was a weakness. So...why the fuck would she be super emotional and expressional?! I’m not sure what was expected - did they want lots of crying and giggles? We don’t ask for Captain America, Iron Man or the Hulk to be more emotional or smile more and this specific critique reeks of sexist undertones to me.

Captain Marvel was portrayed well in this origin movie and Brie Larson did a fine job. Yes, I am saying this as someone who did not grow up reading the comics. We are discussing the MCU Captain Marvel, not the comics. And we already know that when converting books or comics to movies, shit gets changed. They have the same source, but they are still different.

As a 90s baby, I enjoyed the blast from the past: This origin movie is set in 1995 and has things like pay phones, Blockbuster, slow ass internet, internet cafes and the music, oh my, the music. I loved it all. I don’t miss any of that, except maybe the music, but it’s nice to wax nostalgic sometimes. 

Nick Fury and Captain Marvel are cute AF: I loved watching Samuel L. Jackson and Brie Larson on screen as Fury and Marvel. They had just the right amount of chemistry and played off of each other very well. I know Fury has gone to dust, but maybe we’ll get to see a nice, cute reunion in Endgame? One can only hope. 

They did well at helping Samuel L. Jackson go back in time as Fury: I was pleasantly surprised how good Sam looked as young Fury - usually aging actors and actresses, whether younger or older is something that has a high possibility of not being done well and they did a fantastic job here. My man looked good!

I loved that Nick Fury got a lot of screen time: We got to learn a lot more about the character, his past, and really see his personality shine here. We also learned about how he lost his eye. Once again, I really do hope to see more of Fury in Endgame. And with Fury and his eye in mind, shoutout to Goose the cat, that’s my nigga. 

Captain Marvel doesn’t have a strong villain and it doesn’t need it: One of the complaints about the movie was the lack of a strong villain like Killmonger or Thanos. However, with this being an origin movie, I see it being more focused on how Captain Marvel comes to being and how she becomes a hero, any villain present is only there to showcase her powers and as a plot device. That’s not how it is in all origin movies - Black Panther had a very strong, well-developed villain, but here, it appears the villain almost takes a backseat to other aspects of the movie. Her “villains” are more of society’s sexism, her own self-doubt, identity struggles, and her rejection of the emotional parts of herself. The people around her either enforce, support and/or represent those “villains” (e.g. Yon-Rogg) or push her to break against those barriers and embrace her power (e.g. Nick Fury). 

Captain Marvel has a diverse cast and clearly wants to empower young women and girls: I loved the fact that our main character was a woman, her main supporting character was a black man, and the other important supporting characters were a black woman and a beautiful black girl. Yes, there were white men and other white people all around, lol, but a good amount of the ones with a lot of screen time were not. The movie also rejected sexist ideas such as: emotionality and being emotionally expressive being a negative trait, women having to smile for men and always appear pleasant or pretty, women not being capable of being in traditionally male-dominated fields and not being capable participating in male-dominated or traditionally male activities. It says a giant FUCK YOU to all these things. It also hints towards Marvel’s first African-American female superhero, Photon. 

Brie Larson was right in her Crystal Award for Excellence in Film acceptance speech: In her speech, she presents statistics regarding movie critics - bringing to light that a large, overwhelming amount of movie critics were older, white men and that white women, women of color and men of color are largely unrepresented when it comes to movie critiques. She explains the importance of reviews and the impact it has on what movies can be bought and seen, how much money a movie grosses and what movies are nominated for awards. Overall, she encourages more inclusivity and for critiques of movies to be done by a more diverse group of people - a group that includes more white women, women of color and men of color, especially since some movies are, let’s face, simply not made for white men or with white men in mind. Not mention, as she said, people other than older white men also like Star Wars. You can hear that speech here.

She ain’t say anything wrong and anyone who has a problem with this speech obviously has some unaddressed sexism they need to tend to. Because, I mean...are you saying only older white men like these types of movies? Are we saying their opinions on media are the most important? Do we not want to hear from white women, women of color and men of color...since we are, you know, also part of this world and consume this media? And considering the diversity present in Marvel comics and films, considering the messages about sexism, racism, feminism, etc. that are present in the stories of heroes like Black Panther and Captain Marvel...are you really trying to tell me these were only made for and primarily focused only on older white men? Get the fuck outta here. I don’t care what a 40-year-old white dude has to say about what he doesn’t like about A Wrinkle in Time either. 

All in all, I enjoyed this movie and it got me hype of Avengers: Endgame. Instinctually and based on conversations with others and hearing about flaws they felt were present such as pacing issues, actress choice, etc., I feel these flaws were mostly based on opinion (opinions that I don’t agree with) and in my opinion either are subtle (such as pacing issues) and/or simply don’t exist (such as actress choice being a problem). However, this isn’t Black Panther and while it doesn’t really have any cons (major or minor) that come to mind, it does lack the aspects of Black Panther that earned it a 5 Caramel Popcorn Pieces rating. With that in mind, I give it 5 Butter Popcorn Pieces. 

Rating: 5 Butter Popcorn Pieces

[twitchesandstitches]

HS Humans in Crossthicc - Descriptions!

The humans themselves, along with my headcanons for how they look here. In general, the post-scratch humans are the older generation, from 5 to 10 years older than the pre-scratch humans:

Jane Egbert: She was originally called Jane Crocker, but she has no wish to be associated with Crockercorp, nor her position as the Condesces’ legal heir. Polynesian, a definite BBW and a very strongfat build, she stands more than ten feet tall and is a walking tank and her powers function as this, making her a living wall that ignores all damage and heals what does get through. Crockertier cybernetics are imbedded through her, glowing blue and making her a very obvious cyborg. Likes to use a combat gourmand fork that can turn into a spoon, and she fancies herself a gourmand when it comes to foes. She tends to use her healing powers to restore people to health as a combat medic.

She started the army of chefs that keeps the fleet fed, and wrote up the principles of agriculture and livestock they follow to this day. She’s since become one of the heads of a corporation-analogue called the Carnival Bazaar; the fleet’s source of wealth, where they sell their goods as they travel from world to world. She’s less a CEO and more of an HR department head who keeps people stabilized and counseled, but in practice she runs the whole thing. She’s very close with Steven Universe, the two of them dating from time to time, and they’ve had many children together.

She is clearly mutated with troll mods; her blood is tinted faintly fuchsia, and she has a few mutations indicating her troll-themed genetic mix. She and Feferi are quite close, and the latter is responsible for stabilizing some of Jane’s complications.

John Egbert: A cheerful and helpful guy, and very tiny, standing below five feet tall. Polynesian, chubby, and incredibly solid for it with muscle. He drifts from ship to ship, going wherever he pleases, and proves to be popular wherever he goes and does his best to keep everyone happy. He’s extremely fast and mobile, and surprisingly destructive in a straight fight, using massive hammers bigger than he is.

Dated Vriska at some point and they’re still very close. No one is sure how the size difference was coped with but he doesn’t seem to mind being totally dominated by extremely large women.

Dirk Strider: Mechanics expert, roboticist, and key engineer in both shipcraft and mech maintenance, though he declines to actually pilot them. Aboriginal, a bit shorter than average (5’6), and has that bishounen ‘thin but pretty and fit’ look. His powers allow him to effect magic directly, and the soul directly; damaging their essence, or turning heroic spirit into raw damage. It gives him a great insight into creating AI, which led to the creation of  his… son? Brother? Something? Anyway, that’s where Li’l Hal came from.

Prefers not to put himself out there and likes being a support guy. “I don’t want to be the guy to kill the bad guy. I want to make the weapon that kills the bad guy.”

Dave Strider: Studies monsters of all kinds, and is a forensic expert and coroner. He also does part time in one of the many bands the fleet does in their flirtation with being cosmic pop stars. He doesn’t like fighting, but he exhibits absolutely absurd speed related to his growing powers of time travel. Aboriginal, smaller than Dirk (5’4), and on the plump side. MILFs of all kinds gravitate straight towards him in a ‘oh, you POOR Dear…!” way. He is the father of many children now, having a huge weakness for gentle, protective mom-types.

Roxy Lalonde: one of the fleet’s head scientists, heavily influential in their alchemizer program, and loves messing with bio mods for fun. Her playful demeanor hides how frighteningly smart she is, and she loves messing with people on account of it. (NOT an alcoholic of any sort here, either.) When she is involved in fighting, she uses high-powered rifles and does sniper duty. Indian, a classic hyper curvy hourglass and about seven and a half feet tall. She can manifest objects out of raw magic, but this takes a lot of work and requires her to understand them in and out. Has a lot of cat-themed mods that sometimes give her pink fur, a tail, cat ears, and functional claws.

A true mom friend to everyone around her, Roxy is a sweet and good-natured person who loves helping people and being a Science Hero FOR GREAT JUSTICE; she’s very passionate about what the fleet does, and actively encourages everyone to be more proactively heroic. She fears that she has a tendency towards addiction, and is compelled to mass produce children whenever she has the chance, with the possibility that she has an integrated alchemizer to ‘produce’ items herself through her powers.

Rose Lalonde: Expert in magical power and theory, specializing in arcane magic, but she also has channeled power from mysterious eldritch entities that are nonetheless apparently benign. They have left their mark on her; while she looks human if she concentrates, in her true form she is a monstrous eldritch monster girl, with tentacles for legs, glowing multiple rows of white eyes, and immense spookiness. Probably at least Roxy’s height, but can be a lot bigger as she powers up. Hard to say how her powers will interface in the AU, but she is certainly an EXTREMELY powerful magic user, on par with a D&D Warlock, and takes a methodical, experimental approach to her powers. Indian, pear-shaped, with very large hips, massive butt, thick tentacles, and large breasts. She tends to favor more inhuman mods, for more multiple… well, everything if she wants it. Her weapons of choice are a pair of deadly wands that channel her magic, and can stab really well too.

Rose is deeply spooky to a lot of people, and she enjoys unsettling others. She gets annoyed that John, Dave and the others don’t fall for it so much anymore. She has a close romance with Kanaya, whom she has had many children with, and they enjoy a mutual spooky aesthetic of eldritch/vampire goodness. She is deeply fascinated by the mystery of what happened in the ancient cataclysm, and has resolved to solve it.

Jake Harley: An explorer and famous fleet scout, often flying off on his own to report on new worlds and see if there is first contact to be made. Able to channel optimism and happiness into raw destructive power over a period of time, he’s situationally very powerful, but tends to be a glass cannon, easily taken out once he Does The Thing. He’s First Nations, and a massive super-cute beefcake of a man; he flexes and people thank him. Likes to use a pair of customized pistol-lasers that channel his powers. About seven feet tall. He may have some genuine angelic essence in him, which can be very spooky.

Jade Harley: A monstrously big and obscenely powerful amazon, so heavily modded that she looks like a werewolf girl even when not monsterized. Her heart has been replaced with an infinite energy generator, she calls it the green sun,, and it is powered by her own resolve, and she uses it to channel a wide variety of technologies secretly fueled by her own powers. She can alter space in many ways; shrinking herself and others, growing herself and others, opening portals, or unleashing incredibly destructive blasts of green energy. She is obscenely powerful, and one of the fleet’s heaviest hitters, bar none. She can even channel it into herself, giving her immense strength or size. She is First Nations, standing… however big she wants, but often over twelve feet high. Muscular and amazonian, she has absolutely enormous curves but focuses on gigantic breasts. Her canine mods are advanced enough that she has furry skin, canine features, and can generally pass as a low-level beastwoman. One of her favorite alternate forms is a dogtaur form. Jade turns Grimbark whenever she uses enough power, but this is more of a super mode, not a bad thing, and she just becomes a lot more aggressive and domineering.

Working heavily in the science departments, Jade is a major leader in the fleet, and a powerful witch as well. She takes a more carefree approach to her magic, doing whatever seems like an intriguing idea for her spells; an artist, to Rose’s technician. She is one of the most prominent human characters here, and her raw power is simply awe inspiring. She’s very sweet, if prone to sassiness and a short temper. She’s rather dominant with boys, too.

Joey Harley: She has no conflict with Jake here, so did not take another name out of spite. A talented dancer and xenopsychologist, she prefers to do ‘real work’ and research, but enjoys dancing and regularly demonstrates her skills at the fleet’s clubs. She is First Nation, with a bulk similar to Jade’s but slimmer, with smaller breasts; instead most of her curve mass is in her cybernetically enhanced legs, which are absurdly powerful. Her kicks are very strong, she can leap great distances, and she augments them further with special weaponized shoes with built-in cannons. Nine feet tall.

Jude Harley: A self-proclaimed strategist and existential threat theorist, he is deeply worried about the threats that the Ringers have supposedly seen, and organizes a group of people who are trying to figure it out as well. He otherwise works in the Zoo, the facility where the pet monsters, summon creatures, and powerlink beasts are cared for, and he happily tends towards the avian ones. He’s made a lot of friends with Flying-type Pokemon and avian Digimon as well. Built on broadly the same lines as Jake but shorter (a little under seven foot) and very softly built.

Li’l Hal: Dirk’s robotic offspring, and while an AI, he can upload himself into robotic bodies as he pleases. He and Dirk have a very complicated relationship, and with being often subject to harassment, oppression and worse by humans, he has a very negative attitude towards organics in general from sheer spite. He’s warmed up a bit since joining the fleet… to just being instantly suspicious of anyone outside the fleet. He’s in sincere love with Jane and Roxy, but doesn’t seem to realize it. He’s quite close with the other robots of the fleet, idolizing the Dinobots as liberators of robotkind, and wishes to one day upload into a Cybertronian frame.

Unexpectedly, he has his own share of unusual abilities unrelated to whatever body he is using. This appears to be related to soul-themed abilities; he can weaponize the essence of genuinely living beings, or tear organics apart at the very soul. While Dirk can destroy in ways he can’t Hal’s actual combat powers are superior to Dirk’s.

Squarewave and Sawtooth: Hal’s robot brothers, and performers in the fleet’s various bands, pop groups, metalheads, and other musical interests. Both of them are loyal to Dirk and are generally considered legally Striders, and think Hal needs to calm down on the ‘meatbags are out to GET US’ front. Squarewave uses destructive sonic attacks… by yelling really, really loud, and comes off as an earnest kid brother. Sawtooth, on the other hand, is just plain cool, everyone wishes they were as cool as that. It must be a Strider thing. He employs integrated weaponry and sonic weapons, often narrating his actions in musical form and working it into his performance.

The Consorts: A wide variety of strange creatures Roxy and Jade created, producing happy little creatures modeled after the canon consorts, and they seem happy to act as servants to the fleet as a whole, bustling in and tidying up or serving people, washing people in the communal baths, and so forth. The fleet tried to get them to be more independent and less servile, but they refused to listen, so they’re just left to their own cheerful devices.