#mainly for my own sake

[dufferpuffer]

Order member ages

Just wanted to post this as its own thing for future reference. People often say Dumbledore recruits directly from Hogwarts, but it never seemed to line up with how old most of the members were...? So - I looked up who all the known members are! :)

First War:

Order was founded 1970 at the earliest - dissolved 1981. Earliest birthday possible: 1953, graduating 1970

S. Black, class of 78. R. Lupin, class of 78. P. Pettigrew, class of 78. J.+ L. Potter, class of 78. S. Snape, class of 78 E. Bones - Murdered w. wife + kids. Brother of the Head of the Department of Magical Law Enforcement, Amelia Bones. M. Fletcher - already well integrated in Wizarding crime world. A.+ F. Longbottom - They would have been OLDER than the Potters as they were 'Prominent Aurors' and Auror training takes years to complete. A. Moody - Legendary Auror. Retired after this war. S. Podmore - Born 1956/1957, apparently…? G.+ F. Prewitt - Molly Weasley's brothers. E. Doge - Albus' schoolmate. Ab. Dumbledore - His brother. A. Figg - old Squib. R. Hagrid - He was 51 when Harry was born Unknown age estimate: C. Dearborn - Missing. D. Diggle. B. Fenwick - 'bits of him' were discovered. D. Meadowes - Personally killed by Voldemort, might mean he is a skilled adult. M. McKinnon - Killed 'with her whole family' E. Vance - 'stately looking with a green shawl' in the the 90s.

Note with the Longbottoms: They were 'Prominent Aurors' - which means they worked for the Ministry for some time. If they were born 1953, and thus graduated 1970 - they would only be 27 when Neville was born... giving them a little time to have built their careers while still being a younger couple. But was the Order formed right at the crack of the war...?

Second War:

F. Delacour - 95/96 at Gringotts, joined the order through Bill. H. Jones - Unknown age. Never mentioned to be at Hogwarts while Harry is there. N. Tonks - Adult, well into Auror training. C + B Weasley - Adult, well into their own careers. A + M Weasley - Born 1949/1950. M. McGonagall - I mean I suppose she was recruited from Hogwarts hey haha K. Shacklebolt - An Auror; my man became Minister of Magic F + G Weasley - 'Graduated' 95/96 - opened store H. Granger; R. Weasley - First mission seems to be when 17 H. Potter - Did some things with Albus at 16...? Unclear.

If I am missing anyone please add B^)

- Harry was doomed to face Voldemort anyway. Does he really count as an Order member...? He's more the reason the order exists. - Ron and Hermione are there in support of Harry - and only do things for the Order after Albus' death, when they are 17 and don't have much choice, they are hunted. Is it really 'joining the Order' when the order barely exists anymore...? - Fred and George... did they do any Order things before Albus' death...? Were they just running their shop, with their Mum breathing down their backs to not get involved? Unclear.

Notes to do with the second Order: Molly is against the children participating. Sirius, Lupin, probably some others but I can't remember are in support of it.

Albus Dumbledore was also against the children participating - especially in 95/96, where his whole deal was trying to keep them at school, safe - even though they weren't learning jack shit. It takes Harry having a meltdown, Sirius dying - and Dumbledore being cursed - for him to go "Fuck it... Harry, you should help. I gotta teach you before I die."

Observations about both Orders:

They both have a large group that come from one source. In the First War it was the Marauders, in the second the Weasleys.

They also share an 'Auror talent' that seem more affiliated with Moody than they do Albus: Tonks and the Longbottoms.

It makes sense that when one person joins others are likely to follow. The Weasley parents -> the Weasley kids -> Fleur. James, Sirius -> Peter, Remus, Lily -> Severus.

That's not really recruitment from school.

If I personally were to use the school to groom/recruit children to fight for me in a war: I would be trying to get the best from every year. I would be heavily encouraging kids from all year levels that show promise to take certain classes and learn certain spells... Then, I would assess them when they graduate: '71, '72, '73, '74, '75, '76, '77, '78 was a big year. '79, '80... A constant trickle. A couple of new people this year, one the next - and they are all likely to bring at least a friend along, too - right...?

Yet we don't really see that happen. It's just that one bumper crop from 78, that one friend group. Were there NO talented graduates in any other year...? Was ONLY Griffindor considered...?

There isn't exactly a 'skill requirement' to join the Order. You had people there just to source information. Remus did werewolf jobs. Peter Pete'd all over the place. There were min. 2 pregnancies...

They were losing people - if they needed quantity over quality, if they only really needed base loyalty and a good heart... why NOT recruit more students? And yet there's just one blip in 78.

That doesn't particularly scream 'groomed child soldiers' to me. BUT - there are 6 people from the first Order whose ages can't be estimated. Are they the missing child soldiers from the years before/after the Marauders? Dunno.

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[kindaasrikal]

Gimme an evil Jay redemption arc where not only does he learn about Libber and Gordon but he finally sees his parents, WHO LOVE HIM SOOOOO MUCH GUYS, again

ED AND EDNA COME BACK AMD SMACK SOME SENSE INTO YOUR SON 😭

[crimeronan]

i wish i had the brain and inspiration to write bc i'm craving some hunter and amity being shitty bitey best friends content. currently thinking about how princess AU hunter finds amity's social incompetence more entertaining than anything, but if anyone Genuinely Did try to hurt her, he'd go ballistic. luz sagely sipping coffee or whatever in the aftermath like "oh yeah, hunter just does that sometimes" while amity is like "yeah, for YOU. not for OTHER PEOPLE.....????"

[anotherpapercut]

a small collection of lyrics that reside in my mind 24/7

[lycan--thropy]

i drawed

[eternally-tired-cryptid]

on one hand I wanna write my fic ideas wherein my marvel oc gets sent to the alternate universe of Gotham and hijinks ensue whilst she tries to survive and get back and the batfam and such slowly learn more info abt her world and how it's being threatened atm and she needs to go back and help and whatnot.

But on the other hand, the readers wouldn't know the marvel related backstory of this OC and would have. No context for her going in

But ALSO then the readers would know abt as much abt this mysterious figure as the batcrew do, and get to learn via flash backs and her slowly revealing info to them as safety allows

Then there's also just a general. Idk if there's any sort of oc etiquette when it comes to writing oc centered fics? My brain goes so hogwild when I read anything that I usually avoid oc fics other people write just bc I usually read and enjoy fics at face value but I also go "now what would happen if this OC was here?" And that gets real complicated when other people's ocs are involved

[take-ya-to-the-ghey-bar]

all the dragon related chatter on dash, aside from giving some itch for some boys over on this blog-- also lowkey tempts me with an AU thought i had a while back, but tbh probably won't do anything with... just because what i mainly wanna do would just get me frustrated lmao--

[lake-cosay]

pspspsps i'm making a jesslake totk au, mainly for shits and giggles but any ideas are very much welcome

i'm most likely gonna make lake link and jesse zelda but the inverse would be kinda fun... i'm gonna do some doodles

the main thing i can't decide on is if lake should be a regular hylian or still be tulip's reflection. i always lean towards regular reflection lake for fantasy aus bc you can still make it work pretty easily but idk, hylian lake might make more sense here

[mars-ipan]

i will ALWAYS believe in the oscar wilde mentality of creativity

[bludgeoningbabe]

What if I start posting abt albums ive been listening to lately 👉👈

[helmetjellyfish]

there wasn’t a convenient way to put this on my last post, but ryou notably refers to his mom as ママ (“mama”), as opposed to お母さん (“okaa-san”) or 母さん (“kaa-san”) which mahiro and koutarou use respectively when speaking to their mothers. it’s the same as what nagisa uses for nagiko and carries a more familiar/childish connotation.

[tariah23]

This was so sillyksks. The fact that despite all of the horrible things that had been happening around them (this is nothing new for Chaldea/ servants in general of course) and the potential threats of phantasmal beasts gaining intelligence to take over the world, was just as important to Arjuna as being worked up over Karna wearing gaudy sunglasses instead of your standard eyeglasses…

[cosmicheartz]

i wish tumblr had an option to completely remove a post with tags/content you filtered instead of that shitty little " this post has x content you filtered do you wanna view anyways? " like no the fuck i dont

[meowzfordayz]

hashira accidentally touch your chest

Author’s Note: pls and ty enjoy this tidbit of crack-fluff. 😆💖

hashira accidentally touch your chest

Hashira x Reader

Word Count: ~1,600

CW: explicit language, Fem!Reader, mild sexual content

Suggestion Fulfilled: Can we get all hashira accidently touch y/n's breast

~faqs~

Fyi, “chest” means boob. I was just worried Tumblr would block this post from tags if I included “boob” in the title lmao. 😉

Shocked 😳😖

“I apologize, [y/n]-san, it won’t happen again!”

Gyomei’s nearly in tears, he feels so terribly 😞

“These things happen!” you promptly assure him, “Besides, you technically won the bout.”

No need to mention that he always wins when training together 🥲

“I cannot accept such a tainted victory.”

“Himejima-san, though I appreciate your concern and respect, there’s truly no issue.”

Meanwhile, Gyomei’s rethinking his entire Breathing Style to ensure he never accidentally touches anyone’s boob(s) again 💀 

In cold disbelief 😐😐😐

If you don’t say anything, then he won’t say anything

Alternatively, if you do say something, then Obanai will immediately curl up into a ball and die

Spends the rest of his day recalling the fleeting warmth of your breast

He swears his hand doesn’t even get cold, so affected by the heat of your bosom

Your boob must be ✨magical✨

“Iguro-san,” you call out gently, noting his dazed stare, his dinner untouched while he sits crossed legged, “Is something on your mind?”

“No.” 😐😐😐

Well okay then 🙃

“About what happened earlier…”

🫨🫨🫨 <— Obanai is FREAKING OUT

“… Iguro-san, I didn’t mind.”

And then you stand up, take your dishes, and leave

WHAT THE FUCK DOES THAT EVEN MEEEAAAN?!?!?!

Good luck finding Obanai tomorrow 🫡 (the poor man’s been pleasantly overwhelmed)

He’ll avoid you for eternity now 😌 (not really, but at least until he can breathe around you again)

She giggles 🤭

Lol

“Oh my! [y/n]-san, I didn’t mean to touch you so intimately!” 😅

“No worries, it happens.”

Your face may or may not be burning up a storm, but that’s okay!

Mitsuri’s blushing too

A lot 😳

“I hope I didn’t hurt you?!”

Because like, What if I gripped too hard?! 😭

She’s well aware of her own strength

“You barely brushed me, Kanroji-san. I promise!”

Phew!

She grins, relief evident as she bumps her elbow against yours

“Don’t tell anyone, okay? I would be so embarrassed!!!”

“Kanroji-san, our secret is safe with me.”

I wish it would happen again… <— lowkey both of you thinking the same thing 🤪

As a medical personnel (among other roles), Shinobu accidentally (or even on purpose, depending on where you’re wounded) touching your boob isn’t entirely unreasonable nor unrealistic

Obviously it would be nicer if she was caressing you out of love and affection 😔

And not methodically cleansing then bandaging claw marks that just so happened to cross over your chest 😒

“You should make a full recovery,” she’s all business, “The demon avoided your nipple and didn’t puncture deep enough to affect the functionality of your breast,” fortunately, you’re too exhausted to be embarrassed by her bluntness, “It has a nice shape. I’m glad you survived.”

EXCUSE ME WHAT?!?!?! 😃🫠

Now you’re kinda embarrassed

More so preening, really 🤭

It’s like when a doctor randomly compliments the rhythm of your heart or some other characteristic from a mainly professional POV, but you’re still caught off guard because who tf compliments someone’s kidneys or bowels movements or?????

In your pain hazed delusion, you briefly contemplate somehow getting your other boob injured too… gotta make sure you’re matching in (nice) shape, y’know? 😌

Kyojuro can be discreet, albeit more so for your sake than his

“I APOLOGIZE! I DID NOT MEAN TO TOUCH YOUR BREAST!” <— how he could react 💀

“Pardon my slip, are you okay?” <— how he actually reacts, because he isn’t entirely lacking in social awareness and decorum 😆

“Oh,” you don’t mean to squeak, but it can’t be helped when the most handsome man you’ve ever known just casually grazed your boob, “I’m fine! Totally fine! Haha!” 🫨😵‍💫🫠

You’ve gotta be more convincing than that, or Kyojuro will never forgive himself 😕

He’s a lil oblivious when it comes to physical attraction

Not like, infantly so, but given this particular circumstance?

He doesn’t realize you’re flustered; he assumes you’re mortified 😖

“You sound decidedly less than fine.”

He’s softer now, worried about startling you 🥺

“I was surprised! But don’t worry! I’m not worried!”

Okaaay, but he’s worried 🥲

“Is there any way I could make amends for my indiscretion?”

Not only is he handsome, but he is such a gentleman 😭😍

“Rengoku-san, there are no amends to be made, I promise. I’m not mad, nor do I feel unhappy or unsafe. I forgive you.”

Your regaining of the ability to speak in complete sentences greatly reassures him 😮‍💨😁

“Ah. Well. I am grateful for your kindness and understanding. It will not happen again.”

…

…

Hold up 🧐

Why does she seem… she seems… disappointed? Should I have said it will happen again??

You’ve suddenly given Kyojuro something quite pleasant to ponder 🤔

After all, he isn’t entirely oblivious 😉

“Are you going to apologize?” Sanemi demands

“For what?” you screech

“For touching my hand with your boob!”

Your eyes roll, “Oh fuck off!”

“I didn’t ask to touch you,” he grunts

“I wouldn’t have given you permission anyway,” you retort 😒

Arms crossing over his bare chest, Sanemi scoffs, “Well I didn’t give mine either!”

“You’re ridiculous. It was an accident.”

You seem genuinely pissed 😬

Sanemi rethinks his approach

“You know I’m joking, right?” 😅

“Nooo,” your sarcasm cuts deep, “I thought you were flirting.” 😐

Uh 😀

Well 😃

Shit 😄

“Fuck you!” 

When in doubt, curse ‘em out 💀

You scowl, confusion lingering as your blood boils, “Fuck you!”

“I said it first.” 🙄

You stalk away, fed up with his antics

#man child #sort of #romantically inept is more like it

As tends to happen with epiphanies, yours doesn’t hit until you’re almost asleep

“WAS THAT MOTHERFUCKER FLIRTING WITH ME???!” 😳🥴😭

Best believe Shinazugawa Sanemi is about to have a Lesson 101 in flirting asap 😤😎

(assuming you’re older, like, mentor age to Muichiro)

Neither of you make a fuss about it

It’s like accidentally calling your teacher mom 😬

Or grabbing a random person’s hand in the supermarket thinking they’re your parent 🫣

Embarrassing, but not a huge deal — unless you make it one

There’re those three seconds of slow motion Uhh and What just happened and Oops 🫠

And then time speeds up to normal again, you have a quick conversation with your eyes (gosh forbid you speak and bring the unspoken into reality 💀), and it’s over

^^ Alternatively, if Muichiro initiates a conversation to clear the air, then you’re able to have a mature and concise chat that is respectfully and patiently resolved

Embarrassing/accidental encounters are part of growing up

As long as they can be navigated ~safely, there shouldn’t be any lasting harm

⚠️I also want to emphasize that I am talking solely on inarguably accidental/one time incidences⚠️

Hehehe

Giyuu’s hand is stuck 🫣

Only for like, a fleeting second

But omg 😭

He was already embarrassed, and now he’s triply embarrassed 🫠🫠🫠

“... Tomioka-san?”

You won’t lie; you aren’t especially bothered 🤭

But it is a compromising position to be caught in; Giyuu lowkey crushing you, one of his palms clearly cupping your boob 😬

#wrestling #or something #so maybe this isn’t super realistic #forgive me

You’re about to repeat his name when he finally springs to life, immediately rolling off you, standing abruptly, about to literally sprint away

And then he remembers his manners 🙃

He offers you a hand

His other hand; his boob hand is currently tucked away in his haori

He’s never washing it again

#closet perv

“Thanks,” you smile faintly, accepting his assistance as you lift yourself from the ground

You hope he can’t hear your heartbeat 💓

He definitely can 😶

But can you hear his?

“I don’t think we should train together anymore.”

Giyuu is swift and harsh with his solutions

“Why?”

Your question comes out stiffer than intended

He hesitates, unable to interpret the fear in your tone — the longing

“I always beat you,” he explains lamely, “Don’t you get tired of losing?”

You scoff cheerfully, grinning now as you squeeze his hand

Fuck, we were still holding hands?! <— Giyuu is in shambles 😳

“I could never lose!” you declare, feelings brimming in your throat, spilling onto your tongue, “Not when I’m with you.”

Then we should absolutely stop training together would be the responsible reaction

Attachments are the most dangerous game for a Hashira to play 😕

Instead, Giyuu’s rendered speechless, unable to shake his hand from yours

“Well alright then,” he mutters, stomach churning as he narrowly avoids the warmth in your gaze

In fact, you swear he squeezes back 💓

“EXCUSE ME! I HAVE A WIFE!” 😤😤😤

“You have three wives.” 🙄

Sputtering, Tengen shrieks, “I already have plenty of breasts to touch!” 

“Tengen,” you glare, not one to back down as you jab a finger into his own chest, “You touched my boob.” 😒

“AND I’M SORRY!” 😭

Much better 😌

“I don’t know what they see in you,” you scoff (you’re also lying, you can see plenty🤭), “They’re gorgeous… and you freak out when you accidentally touch a boob.” 💀

Tengen is 100% pouting now

“I don’t freak out when I touch their boobs,” he huffs

“Well aren’t they lucky.” 😐

“You could be lucky too!”

…

…

Tengen starts running 

You give chase

“DID YOU TALK TO THEM ABOUT THIS?” 

Tengen runs faster

“TENGEN!!!!!”

Tengen runs faster and faster

You give up

*insert gasping for air here*

“DO YOUR WIVES KNOW THEY’RE MARRIED TO A COWARD???!!!”

Oh well, you’ll have to visit their estate sometime this week 🙃

You’re sure to get an answer from Hina, Makio, and Suma ☺️

And you can’t wait to see more of Tengen 😏😋

Sorry, sometimes the horny just happens 🥴