#mainly bc i feel like.

[godstains]

honestly unpacking all the religious guilt that andres carries with them throughout their life as a vampire is really sexy to me and i hold them gently in my hands

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[formulanni]

Daniel Ricciardo as Judgement:

The Judgement tarot card symbolizes the arrival of absolution and the culmination of a significant undertaking, often related to past and life lessons.

Judgement indicates the cusp of rebirth.

In order to achieve that, you must look back upon your deeds and come to an honest evaluation of yourself. This leads to the awakening that signals a new way of life.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls

[tarantula-hawk-wasp]

Obviously you might have varying opinions for specific fandoms but generally if you think across many of them which do you prefer?

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[prettyupsetnerd]

[oifaaa]

I will never understand the obsession with making tims favourite robin Jason when it couldn't be more painfully obvious that tims favourite robin was Dick

Like people are so caught up in the concept, the made up angst, that tims favourite robin beat him up that they straight up misunderstand how much more significant Tim and Dicks relationship is not to mention the added layers of Tim originally being created as the ultimate self insert character which for a good number of readers meant they grew up with Dick as their favourite robin and didn't really like Jason just for not being Dick

[the-ace-with-spades]

You know people assume (and like it's their right to do so, its headcanons, etc etc don't come with pitchforks at me) that Bradley's youth queer experience would be very positive given Mav and the implied icemav of it all

But I think instead of making him more open about his sexuality in adulthood (or just unapologetic), it'd give the opposite result

This is to do with that, although he'd see happy queer people (Mav and Ice) behind closed doors, his childhood, mainly in the 80s and 90s, as well as Mav's and Ice's attitudes toward being open about their relationship, would teach him how cruel the world can be and the typical 'better safe than sorry' attitude being queer outside of typical queer spaces brings to many

He could see Mav and Ice love each other very very much, maybe to the point he'd even base his idea of love on them, but he'd also see how much maneuvering would keeping their relationship from the public cost. Sure, there are friends who supported them (flyboys, Carole, etc), but there were also countless people who would destroy their careers and lives if they ever found out (also if Mav ever adopted/fostered him, just suspicions of him being queer could put Bradley back in the system, the way things worked back in the 90s and also given how many fostering agency, even government employed, are christian-lead...)

In the instances someone would come close to discovering it, not only he'd see how distressing it can be but also how much being discovered would cost - whether this is personal safety, job security, respect, etc. And even if the worst didn't come to it, he'd still be left with the foil remarks and hate 'bullying'

As long as DADT was in place, I think he'd be equally if not more careful in comparison to what he had seen while with Mav and/or Ice

If anything I think Jake would have more of the naivety being openly and unashamedly queer takes (whether this is because he grew up in an environment with no visible queer people ergo never saw actual acts of hate toward them, or because he thinks he left the most hateful environment and nothing can be worse than it OR maybe because he is 100% or nothing kind of guy, no matter to what he commits)

[haunted-xander]

I do think he feels bad but also it's... complicated

[scruncheduppaper]

if i see one more ford hate post on my tl im genuinely going to go insane

YES hes a dick but a) hes a fictional character b) he CHANGES and DEVELOPS and REDEEMS HIMSELF BY THE END OF THE SERIES and c) ITS COOL THAT HE HAS AN EGO. ITS COOL

and also im starting to lose interest in fiddlestan because at this point its becoming clear that people only ship it because they dont like ford and they think that fidds doesnt deserve him AS IF THE CONFLICT ISNT THE APPEAL OF THEIR RELATIONSHIP??? AS IF IT ISNT THE POINT??? AND AS IF THEIR RECONCILIATION BY THE END OF THE STORY ISNT A PERFECT ENDING TO FORDS ARC im gonna bite someone i swear.

look someone on twitter said that “some fiddlestan shippers are just fiddauthor shippers in disguise” and its PISSING ME THE FUCK OFF because IM SORRY DO YOU GUYS NOT SHIP CHARACTERS BECAUSE YOU’RE INTERESTED IN DIFFERENT RELATED CHARACTER DYNAMICS?? WHAT ARE YOU JUST HERE FOR THE LOVEY DOVEY SHIT??? the REASON why fiddlestan is INTERESTING TO ME in the FIRST PLACE is because it elaborates on both of these characters with respect to their relationships to ford!!! there’s nothing wrong with the fact that theyre connected to him!!! these arent real people, these are characters that act as vehicles to explores messages in stories!!! of COURSE i only ship fiddlestan in relation to fiddauthor, why would i cut ford out here completely when it’s SO MUCH MORE INTERESTING TO RECOGNISE THEIR COMPLEX DYNAMICS IN RELATION TO HIM???

and i hear people going like “oh well i just wanna see fiddleford happy!!” and im like. but without the conflict. like who is he. some twink you can just mold however you want?? without his Flaws and his Complex Relationships with his family and ford and his eventual descent into madness What are you Seeing in him?? not to mention the fact that i dont think stan would treat him better anyways lol

and also im getting the vibe that the reason a lot of people ship fiddlestan nowadays is because people like. dislike ford?? and i said this just now but like hes genuinely such an interesting character as well and it makes me sad to see that the only people who appreciate his character idolise him without seeing his flaws and literally everyone else just hates him like YALL TALK SHIT ABT LIKING MORALLY GREY CHARACTERS BUT WHEN A CHARACTER ACTUALLY IS MORALLY GREY YOU TURN AROUND AND GO LIKE “ehhhhh” like COME ON PLEASE YOU HAVE TO SEE THE VISION FORD IS STILL COOL AND IM GONNA DEFEND HIM WITH MY LIFE

its actually kinda pissing me off the amount of fluffy characterisation fiddlestan gets within the fandom, at the expense of ford, bc oh my fucking godddd PLEASEEE CAN WE HAVE THE ERA WHEN I FIRST DISCOVERED FIDDLESTAN BACKKK BECAUSE THE CONTENT THEN WAS SO FUCKING GOOD

[luuxxart]

leaks from the anime post bnha 430……. #REAL #NOTFAKE

[sleepsucks]

Reading ur comics made me realise i am probably a girl

Oops

(Great stuff btw, ur art is mega awesome and so is you!)

awww w hell yeah transgender blast ♥

[mr-president]

I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.

Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.

Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.

Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.

I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.

My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.

Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.

O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.

They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.

Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.

Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.

Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.

Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.

As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.

Tldr; the game is about some girls and their boy best friends.

[poliffwoog]

school scribblies: goober edition

[macksartblock]

nosebleed