#main verse . ( one ) ` we can’t fight nature . we can’t fight change .

[svtellify]

the star only rises at nightfall 💫 : dissecting my kotlc playlist

playlist can be found here! 

1. stay awake by skott

“i need it to hurt, need it to burn, need it to burn. once, we had a dream. we once had a dream. this dream was all that i could see.” 

despite how pretty this song is, it’s for the neverseen. i think the lyrics above in particular suit fintan, although it honestly matches anyone in the neverseen. they’re unhinged and see their vision as the be all end all - a dream that’s all they can see.

2. set myself on fire by taeyeon

“i'll warm up your cold heart; i'm gonna set myself on fire.”

tbh, i chose this song for the title and the chorus (“even if i smile brighter, i’m still sad.”) and the general vibes of the song, but i think the line above really suits the self sacrificing vibe that sophie and her friends have for each other - it doesn’t have to be just the romantic pairings - they all love each other.

3. gilded lily by cults

“but with my double vision, how was i supposed to see the way? haven’t i given enough?”

this one’s pretty self explanatory, i think. the song fits all of the main characters, from sophie and keefe and fitz to mr. forkle and oralie and grady. also, this line reminds me of keefe especially - “always the fool with the slowest heart.”

4. astronomical by svrcina

“there’s something inside of me i can’t fight. forces of gravity taking me, taking me. weightlessness forsaking me, this pull is astronomical. can anybody stop me?”

this was one of the first artists i associated with kotlc when i first started reading the series. it was only natural that they released a song that suited sophie’s drive and endless desire to change the lost cities for the better.

5. winterfall by dpr ian

“now, i get what you mean when it hurts you. now, i get what you mean when you want to feel. oh, i get it. no, i get it. [...] you’re the only one who made me feel like something.”

keefe sencen, y’all. could apply to his feelings for sophie or the way his mom just continues to use him with no regard for his personal being. 

6. running by trafton

“truth is, i’ve been wishing in your name right from the start. twice a day, and lately on a star. i know you’ve been running, running, running, running, running from yourself.”

this one’s keefe again (can you tell he’s my favorite character?) but maybe a little more from an outsider point of view, watching him cope with what’s thrown at him. also suits early sophie struggling to accept whether the black swan was good or not, or whether a band of murderers made her.

7. a place you’ve been by trafton

“nothing, like that won't get me started up again. my homeland, a place you've been.”

grady and edaline towards brant. the ultimate - and best written betrayal.

8. gone by trafton

“but you're gone and i'm lost. come tell me i'm wrong and please don't be gone.”

when everyone thought they lost alden in exile. the black swan when they did lose prentice. mr. forkle to his brother.

9. dead flowers by rivals

“i see the world in a new light. dead flowers in my hair - i finally don’t care! i’ve embraced the rain and i’m happy now.”

an edaline anthem if i’ve ever heard it. that moment where she overcomes her grief. also suits: biana, della, sophie, and wylie

10. don’t let me sleep by stella jones + trafton

“don’t let me sleep. i know what it means: my dreams will all come true - i’ll wake up without you.”

neverseen keefe and sophie type beat anyone?

11. half by pvris

keefe, sophie: “some days, i feel everything. others are numbing.” fitz, linh: “can never find the in between - it’s all or nothing.” dex, biana, tam: “i never never never said i wanted. never wanted to be here now.”

i fully believe this song can relate to anyone in kotlc, depending on the verse.

12. bubble by lennon stella

“up high in my bubble i’m floating. [...] i climb into my bubble; it can’t be broken.”

that one scene on the nightfall cover with linh, sophie, and keefe. but also sophie emotionally breaking down and seeking out that safe place. 

13. supernova by rivals

“these stars are clusters. a waste of time that i won’t miss.”

sandor never misses. the song, though, reminds me of the elves waking up to how broken their society really is. 

14. brainstorm by alexander 23

“how bad’s the weather in your head? wish you could stay with me instead.”

such a sokefe song. i can practically picture that scene where keefe bends down to see how sophie is doing after the forkle twin reveal.

15. emotional machine by marina 

“i’m a machine - an emotional being, since i was a teen.”

fitz vacker, y’all.

16. change your mind by said the sky + vancouver sleep clinic

“if i could only turn back time, i would bring us back to life. if i could only change your mind, we’d stay young and never die.”

forkle to his twin. oralie to kenric. grady and edaline to jolie. and maybe even jolie to brant.

17. family line by conan gray

“oh, all that i did to try to undo it. all of my pain and all your excuses. i was a kid but i wasn’t clueless (someone who loves you wouldn’t do this!) all of my past, i tried to erase it. but now i see, would i even change it. might share a face and share a last name but (we are not the same!).”

i don’t even need to put the lyrics here for y’all to know this is about keefe and the sencens and tam and linh and the songs.

18. hall of fame by the script

“you can move a mountain, you can break rocks.”

gethen lol. but also an ode to the moonlark’s power.

19. infinity by jaymes young

“meet me at the bottom of the ocean where time is frozen - where all the universe is open.”

but also the vibes are v mysterious and suit the black swan in the early keeper books sonically (the black swan is not in love) ((this is actually bc i wrote a sokeefe fic inspired by this song))

20. marchin on by onerepublic

“there’s so many wars we fought. there’s so many things we’re not. but with what we have, i promise you that we’re marchin’ on.”

21. human by of monsters and men

“when the words weight heavy on the heart, i am lost and led only by the stars.”

lightleaping by the forbidden stars. also a song from when i first started reading the series.

22. elephant ears by unlike pluto

“say your thoughts when you think i won’t hear, but nothing gets by these elephant ears.”

23. wolves without teeth by of monsters and men

“oh, you’re feeding on my energy, i’m letting go of it - she wants it.”

a little like the push and pull of the water to linh, or how enhancing an ability would feel.

24. blue by taeyeon

“you’re my blue - just like always.”

ik the color is green for kotlc and grieving, but blue is in honor of someone close to the singer who passed away, so i thought the song was fitting. especially since all elves have blue eyes, it was another connection.

25. lifted by birdy

“won’t you lead the way through my darker days? keep them softly spoken.”

26. you’re the sea by andrew belle

“each time we leave, i think about it. what if we don’t come back? if all of this is chasing the wind, why is my head like that? am i to believe? am i to admit? that you’re the sea.”

keefe to sophie, for the latter lyrics, but also just the general fear they all face every time they have a near death experience.

27. purple circles by jades goudrealt

“can’t control my thoughts when i’m out of my mind. it’s lonely but it’s art. i guess i’ll be fine.”

sophie foster, y’all.

28. alone in a battlefield by nineteen90 + lilu 

“one round and it’s done. standing alone in a battlefield.”

29. lavenders by rivals

“all i smell are lavenders, as the world burns down, around me.”

that scene where kenric dies. idk if the tower was actually purple but i’ve been picturing it to be purple, and they claim that everblaze smells different from other fires. 

30. insane by neykid

“when i lie awake, i hear them call my name. am i crazy?”

another neverseen anthem. alvar/ruy ignis type beat. also suits lady gisela.

31. what you’re made of by lindsey stirling + kiesza

“lost yourself inside a broken mirror ‘cause that’s what you fear.”

the events of lodestar, perhaps.

32. nightshift by mothica

“then i go nightshift, like this. don’t cross me ‘cause i don’t miss.”

grizel. lady gisela. also edaline. and della. and juline. and all the powerful women of kotlc.

33. fear by one republic

“when we were children, we’d say that we don’t know the meaning of fear.”

34. trouble by coldplay

“so, i turned to run. all the stupid things i’d done - and i never meant to cause you trouble. i never meant to do you wrong. i, well, if i ever caused you trouble. oh no, i never meant to do you harm.”

keefe to sophie. also mr. forkle to sophie. and sophie to her friends. juline to the dizznees.

35. pyrokinesis by 7chariot

“we could set the world on fire using only our minds. pyrokinesis, we hurt each other without even trying.”

36. star by mothica

“you’re gonna be a star girl, don’t you know? burn so bright and beautiful. how far girl, will you go? climbing up that pedestal. to be so tragic and rare, they all stop and stare, looking right through you.”

biana vacker, y’all. also sophie and marella.

37. moonlit by rivals

“it’s me against the rest. i’m reaching through the darkness - is anybody out there?”

tam and linh song, y’all.

38. fire in my bones by fleurie

“pulses push the limits, testing my resistance.”

dex dizznee, y’all.

39. dangerous by rivals

“these demons knock on my door but they don’t dare come in ‘cause they know what’s best for them. they wanna rip out my soul but they can’t break skin cause i, i know i’m dangerous.”

sophie! freaking! foster!

40. r.e.m.

“and i don’t want to push you away but i still relive every moment, hoping you don’t notice, you just tripped a red light in my mind.”

keefe to his past memories of his mom. sophie to the black swan’s erased/hidden memories. fitz and biana to alvar. grady and edaline to brant.

41. my blood by ellie goulding

“and god knows i’m not dying but i bleed now. and god knows it’s the only way to heal now.”

42. conspiracy of silence by the swoons

“don’t know where you side. there’s blood in your eyes. will you weapon your skin, feed the monster within? or put up a fight?”

keefe about his mother’s legacy. the vackers on their legacy. grady with his ability. sophie with her abilities and physically fighting.

43. wildwood by fleurie

“deep sleep battles underneath the moon.”

keefe to sophie lol (also bc of the colonies!!)

[theovergrowth]

The Tides Verse

What if Macrides had been King of the Deep Sea instead of the High Desert? What if instead of a reclusive communist mountain man’s fantasy, The Sons’ lives were more of a reclusive communist beach bum fantasy? What they had been The Sons of The Depths? What if Titus had become an avatar of grief and the vast ocean?

( Initially this started as me brainstorming for Mermay and having trouble because Titus isn’t an ocean kind of guy and Macrides can’t touch water right now. Context for that here. )

Important bits:

The Overgrowth -> The Shore Break

The Sons of The Wilds -> The Sons of The Depths

The King of the High Desert -> The King of the Deep Sea

The King of the Wildfire -> The King of the Vents

The Commune being farming based -> being fishing based

Titus is introduced to society mainly by Neutral Good librarian Gregor Daniels -> He is introduced to society mainly by Neutral Evil mayor/warlock of The Depths Marnie Daniels

Titus, the frightened but kind desert/mountain man doing his best to honor his fathers memory by being better-> Titus, the more confident but aggressive beach/ocean man doing what he can to just move forward

Macrides’ personality is mostly the same, the main thing is that instead of coming back as a Wildfire guy, he comes back more as a Geothermic Vent guy

Oh also, Titus lets The Shore Break out more than he lets The Overgrowth out, leading to the deaths of The Elder Brothers by his hand when he’s 19 as well as the fading of The Sons as a whole.

More in depth stuff below cut:

Macrides is more fish-like with his animalistic features than than before, being an Archfae of the Court of Tides (which means his and subsequently Titus’ future duties are doubled due to being parts of both The Courts of Nature AND The Courts of Change). He looks relatively similar, but with the loss of his antlers and wildflowers and the gain of fins, coral, seagrass, and an ecosystem of small fish that swim through, sleep, and hide in his hair whenever under water.

Things start out relatively similar in this verse, save for the fact that everything is now more ocean themed. Macrides kills his father and takes his power as King of the Deep Sea, comes to the Mortal Realm, settles down and at some point accidentally starts a cult.

In this, The Sons are largely the same! They’re elves and half elves and other various fae descendant folk, but with a noticeable increase in merrow, sirens, and selkie. The Commune is located in a large, secret cove and operates more as a fishing based community than a farming based one.

Macrides finds a baby adrift and abandoned at sea, takes it in, and the baby becomes Titus. As a commune kid, he’s not too different from the main verse save for post-Macrides death.

Macrides is still killed in this verse, and he is still killed by fire. Titus wanders too far from the shore, runs into people hunting the archfae they blamed for a fish shortage, and they fight with Macrides until they can harpoon and keep him on the beach, right before burning him to death.

And then we don’t know what happened! But Titus remembers coming to with an arm of sharp and poisonous coral red waves up to his waist.

Things continue similarly, with The Sons following Titus/The Shore Break (did you know shore breaks can hit you with enough force to snap your spine? Now you do) and killing any deemed as the enemy. In this verse, this mainly involves attacking ships and sinking them.

Upon their defeat Titus is still taken to Pironbury, but falls more under the care of Marnie Daniels than her brother Gregor. She’s intrigued by his direct connection to the horrible monstrosity at the bottom of the sea she herself is bound to, and teaches him a lot of probably not great things.

As an adult in this verse Titus is a bit more callous and aggressive, directly due to the way he gets raised after the commune. This version of him can and will lie or cheat his way out of things, and is far less reluctant to use his powers of the ocean and water to protect himself. He also seems much more confident in this verse, less likely to second guess himself on things.

Which… brings us to the next important bit. The Sons are not still around. Titus was more aggressive with them, which ended in the unplanned deaths of The Elder Brothers. At the loss of their third and fourth leaders in one go, The rest of The Sons just sort of faded away.

He doesn’t travel as much, mainly going between various beaches to try and keep people from encountering The Depths.

[bonsai62]

I just realized something... I was talking to this person one time on a post before and as I was typing that’s when i realized something:

This is for my fellow Nobamaki & Itafushi shippers! If you guys don’t ship it then it’s okay! This is just like a small analysis in my eyes and the way I read things! I can be wrong or just love reaching on a shit ton of things but this is all for fun and I love sharing with you guys!

Let’s get started! Also, this contains spoilers!

Do you guys realize that Nobamaki/Itafushi actually parallel to each other? Let me explain in shitty English and basic grammar and vocabulary lol:

As I watch and read Jujutsu Kaisen I see a lot of parallels between characters; Gojo with Megumi or Yuji, Getou with Megumi and Yuji or Nobara and Maki... but what I want to parallel between characters is:

Yuji & Maki

1. Raw strength:

Both are hella fucking strong and for people who don’t have cursed techniques, they know how to kick fucking ass. What made me realize that both of them are the same is honestly during the baseball game. I like how we were able to see Maki and Yuji making a home run... okay well Momo fucked up Maki’s groove! Haha! But during the Tokyo vs Kyoto event, Maki and Yuji go ham on their enemy.

Yes, Maki used weapons but still, we can’t deny she got good speed and strength that is similar to Yuji’s. That’s why I wish I can see them both doing a bad ass duo fight together.

I have a small headcanon that Yuji actually enjoys training with Maki the most because I feel like he can understand someone who shares similarity in natural raw strength and speed. And Maki feels the same way and it’s a good excuse to bully Yuji as a joke. I would honestly love to see that! Lol!

2. Their story:

Yuji and Maki honestly have it bad. Yuji loosing his only family member (his abuelo) and becoming Sukuna’s vessel which leads him to a future execution. For Maki is the fact that her family treated her like garbage and having to leave her sister behind and eventually her sister dying.

Both Maki and Yuji share that same pain when it comes to loosing someone. We saw Yuji with Junpei and in the Shibuya Arc with Nanamin and Noabra. Again, Maki the same with Mai.

I think what made me even realize it MORE on how alike and how they parallel with each other are these images right here and how they worded their final saying:

In the Shibuya Arc, Yuji lost it. He lost it with Nanamin and Nobara (but luckily for Todo, he was able to pick his feet back up).

If I was Yuji, I would’ve reacted the same way because imagine having the idea you want to save people no matter what but people keeps dying around you or by you? It’s tiring and I would’ve had a mental breakdown too.

After kicking Mahito’s ass, Yuji says there is no reason anymore. For me, when Maki’s arc came it really reminded me of this:

When Mai died and was killed by her own dad. Her dad took away someone who was precious to Maki no matter how much they didn’t get along. Maki really wanted to create the Zenin clan just for Mai to be safe and free.

Again, same with Maki, I would’ve killed the whole clan too because of how in general the Zenin clan is and how they treat people.

3. Having a “curse”:

Nanamin to Yuji: “You’ve got it from here”

Mai to Maki: “destroy everything”

I don’t necessarily mean a curse curse but it’s more like final words that someone important to them said before dying.

For Yuji, he won’t die because Nanamin believes that Yuji can move forward and save the world.

As for Maki, Mai tells her to destroy everything in order for things to change (I might be wrong). It’s for the Zenin clan to start fresh. That is another way I kinda Interpreted (again, I can be wrong). Maki still isn’t done with destroying things plus she is going to move forward just like Yuji. 

I have a thing that if the higher ups find out about Maki, she would be on the verge of being executed as well. So imagine both Maki and Yuji together being executed.

Now on to the next pair!

Megumi & Nobara

Again, this is just me analyzing. But if you ship Itafushi and Nobamaki, you can actually see another pair that parallels to each other but so far I haven’t seen anyone compare them yet, or it’s just me lol!

1. No rivalries:

I think what I love about these ships so damn much is that there is NO RIVALRIES. Even if you don’t ship them you have to admit it is amazing seeing a m/m or f/f getting along without being damn rivals. I’m glad Gege decided not to do that especially towards the women because it does get so tiring that two women don’t like each other for no damn reason or fighting over the main guy or other main guy. At least when Nobara didn’t like Mai or Momo, she had a reason for not liking them.

And don’t get me started with Megumi and Yuji. I was so happy to finally see two boys be friends instead of the usual, boring rivalries. I’m a be honest with you, I was pretty shocked that Gege was able to make Megumi and Yuji be so close and trust each other as friends. It’s a breath of fresh air for the two ships like omg I was happy not seeing the basic shonen bullshit with the f/f and m/m relationship.

2. Hyping up their pairs:

What I mean by hyping them up, I’m talking about the potential that Maki and Yuji has that Nobara and Megumi sees from them. Nobara since the start acknowledge that Maki is strong and vice versa with Megumi with Yuji. What made me see that Nobara knows that Maki is just amazing and strong was during the baseball when Maki was able to hit almost a home run. Nobara just knew that Maki would be able to make that home run but again Momo ruined her moment! Lol!

As for Megumi, we see while the Tokyo students came up with a strategy to win against the Kyoto students, we see him saying that Yuji can actually beat all their asses without curse energy or energy(one of those). Megumi reassures to people that Yuji can take care of himself and is very useful. Another time Megumi reassured that Yuji is strong is when he was in his bed healing from Hanami’s attacks and when they fought tiger against that one dude (forgot his name)

3. Thinking about them/defending them:

Now… this is really what made me think why Nobara and Megumi parallel with each other

It’s becasue I feel like they’re the ones who are more attached and over protective with Yuji and Maki than how Maki and Yuji are with them.

Now, I’m not saying it’s vice verse with Maki and Yuji. But I’m talking about how Nobara and Megumi expresses it. Let me explain:

While reading and watching JJK, we see how Nobara is with Maki compared to anyone else. And no, I’m not saying that Nobara isn’t overprotective with Megumi or Yuji but just the way she is towards Maki. I would honest love to see how these girls got along and how they became close!

Ever since Maki and Nobara had that deep conversation about why Maki choose to be a sorcerer, that is when I actually started shipping them because of how much respect Nobara has towards Maki and it continues to develop more and more with the two of them. We saw how Nobara got super defensive when she fought against Mai (First time) and started dissing Mai. The second time was with Momo, when she was straight up talking shit about Maki.

I love how when Nobara was talking about Maki and Yuji when fighting against Momo. However, I felt a different vibe towards it as well. What I mean by that is that I got more of a “big sister vibe” toward Yuji and a “I love and respect Maki”

But again, I feel like Nobara had some sort of feeling and attachment toward Maki ever since that fight with Momo and more than anyone else too. However, that is just me though! You do t have to agree with my reaching!

For Megumi and Yuji… First of all… Megumi would not hesitate to pull a trigger if anyone is trying to harm Yuji. What made me see that was against Kamo and the Kyoto students. I swear that day Megumi was literally about to commit murder.

Yeah, Nobara got pissed but she went easy on them, but Megumi didn’t. Oh no, he was about to commit a felony. He wanted all the smoke. He wanted that curse. I swear I even felt how pissed he was. I just feel like every time and separates, shit goes down the wrong way and everything goes wrong.

For me, shipping Megumi and Yuji is a whole ass different post but I won’t do that lmao same with Nobamaki because I can write a whole ass essay why I love how compatibly/perfect for each other lol

Bonus:

But guess what… during the Kyoto and Tokyo event, same shit happened with Megumi like Nobara: Megumi was thinking of Tsumiki and Yuji. And again, I felt like it was still different when Megumi was thinking of Tsumiki and Yuji. I find it crazy how Nobara and Megumi were thinking about two people during that event:

Nobara: Maki & Yuji Megumi: Yuji & Tsumiki

This is my personal favorite image of Nobara and Megumi. *wink wink* it’s basically the same image on who is important to to them.

Again, for Nobara and Yuji’s relationship, I just love the way it is. She gives me “big sister” energy towards Yuji and vice verse. Yuji and Nobara are those chaotic siblings that are the hyper ones while Megumi and Maki are the chill ones that can actually keep them down. There has been one occasion where both Megumi and Maki calms Yuji and Nobara down because of how they were acting and I’m not gonna lie it’s kinda cute lmao:

4. Not leaving them:

During the Shibuya Arc, Maki and Nobara separates but at one panel, Nanamin was telling Nobara and Nitta that he was going to join the Zenins. Nobara quickly picked her head up and suggested that she wanted to join him in order for her to be with Maki (this is a stretch but hey Iike being dramatic) however, Nanamin quickly declines her and tells her that it’s too dangerous. I think she was disappointed that she couldn’t go, but hey, Nanamin is a gentleman and he knows when a child is gonna end up getting hurt. I thought it was cute that she was super worried about Maki and just doesn’t care and wanting to join her.

Now, up the recent chapters, Megumi really shows us that he doesn’t want Yuji leaving him or he wants to stay by his side. Those few chapters really made my heart feel some type of way because it just the way Megumi is for Yuji and I can honestly feel how much he cares for him. As I mentioned above, I feel like everything goes to shit when those two aren’t together and I hope that they develop more and more. There has been two more occasions where Fushi doesn’t want Yuji to be left behind; one during when they were in prison and the second during the fight against Hanamin. The eyes that Fushiguro gives Yuji is full of trauma and careness.

In conclusion, I can’t wait for Nobamaki and Itafushi to develop more and more in future chapters. Again, you guys don’t have to agree with me on this. This is just for fun and sharing is fun too! If I’m overreaching then I’m sorry I just can’t help it :(!!

I hope you guys enjoyed my lil analysis! I’m sorry for the bad writing, I’m not very good at translating my feelings as I’m typing because my brain goes all over the place lol! But please, feel free to comment or give me an ask! I’ll be happy to elaborate more for you guys!

Stay safe y’all! And good night or morning!

[prionguy-old]

hello enderwalk arg people

so i saw a cool thread from @/ranbeans on twitter and it inspired me. so naturally i spent five hours straight analyzing ranboo’s lore playlist

basically i think it’s a timeline of c!ranboo’s life, and it fits kind of eerily

everything’s below the cut (and it’s a lot) :]

prologue from starkid 

 - more clock references. it’s literally just an instrumental of a clock ticking

 - instantly you think of the ender text in that pic he tweeted. like that, this could relate to dream’s clock, or foolish’s clock (reading 10:33 always iirc) 

 - note that butler in tales from the smp: masquerade kept staring at a clock

 - it could also mean a theme of running out of time, or fighting with time

 - in the thread i linked, the person also points out that there are 23 clock ticks in prologue, and angel number 23 means that you are meant to be a servant

 - this would be his beginning

introduction to the snow by miracle musical

 - the first of many songs from the hawaii: part ii album on this playlist

 - i’ve seen that album described as an arg and i find it funny if ranboo just went no. my arg now 

 - introduction to the snow only has one verse, and the rest is instrumental

 - the whole hawaii album has themes of loneliness and death, especially loneliness for this song

 - it talks about feeling isolated, which gives hints about his childhood maybe?

 - the “you’ll live forever tonight” lyric also gives off a hopeful vibe, like that of a child

dream sweet in sea major by miracle musical

 - starts with a changed reprise of introduction to the snow

 - "Rather than trying to “live forever”, it seems that the time has come for something else" from the analysis of the first part in genius

 - odd because this song is meant as a finale to the album, but it's towards the beginning of the playlist (could mean that there was almost an ending of sorts early on for c!ranboo, like a near death experience?)

turn the lights off by tally hall

 - okay this one confused me when i was first going through, but when the timeline started coming together it made more sense

 - about adolescence, and being uncomfortable with growing up, so it fits with the timeline playlist theory 

 - also about phobias and stuff like that in a way?? hm

the mind electric by miracle musical

 - the song starts out in reverse, then plays the stuff from the beginning normally

 - feels like a rls honestly i wish he could use this song

 - it's about someone put in an infirmary and condemned to electroshock therapy because they're insane. fun

 - this is where the timeline started to come together in a way. as soon as i saw the mood get darker i remembered ranboo’s line from the festival i think? “don’t let it happen again” or something like that

 - because of this, if the timeline theory is true, at some point before he joined the dream smp he did something which caused him to be condemned

 - also this

 - the mind electric isn’t the only song where the narrator glorifies themself in a way, we’ll get into this later

 - also the rejecting fanatical views,, i am thinking about that theory that endermen are servants to the ender dragon. if c!ranboo rejected that, the consequences could have been awful

live and let die by paul mccartney

 - if i wasn’t sold on the timeline theory before, i am now. after the mind electric, the mood changes drastically in terms of ideology and theme

 - this specifically made me say “holy shit” because like. that verse means that when you’re young, you’re open minded and say “live and let live” which resembles the optimistic but lonely attitude of the beginning of the playlist

 - but then when the world fucks you over, you begin to say “live and let die.”

 - “live and let die” i take to mean as him no longer caring about the people around him. how before, he wanted to help others, but then the mind electric happened, and he just. stopped caring

 - fun right!! /s

ruler of everything by tally hall

 - there are so many clock and time references in this. we get it

 - "mechanical hands" when it says “mechanical hands are the ruler of everything” refer to hands on a clock, saying how time rules over everything

 - the narrator is talking back and forth with time itself in this, which is interesting because i believe he joins the dream smp in the next song

 - the narrator appears very insecure and looking for a quick way to appeal to everyone (like how c!ranboo at the beginning was trying to be everyone's friend)

 - this is the second song with the narrator glorifying themself out of insecurity. what are you trying to tell us about your character buddy

 - also we can’t ignore this shit

 -  i don’t need to explain why this scared me right. right

merry go round of life from howl’s moving castle

 - this is a change huh

 - god i haven’t seen this movie in years, but i saw looking it up that it plays at the beginning introducing the main character, sophie

 - this is before everything changed for her

 - maybe this is when he joins dream smp? and ruler of everything is him talking to dream prior?

 - or maybe im reaching who the fuck knows

 - but him joining dream smp to this song would make sense. it feels like a clean slate and starting over, which would match with how he doesn’t. y’know. remember things

 - which begs the question: if ranboo forgot everything from before this song in the timeline, and after that i’m assuming his memory issues started,, what happened to cause this?

 - i’d say the mind electric could have caused this, but it was awhile back in the playlist. so whoever he’s talking to in ruler of everything, which could very well be dream, i believe messed with his memory somehow.

killer queen by queen

 - c!ranboo girlboss arc canon??

 - i got lost here ngl. it has a very specific vibe that doesn’t match well with what i know of c!ranboo im sorry

 - but two songs later, i get a hint kind of which makes me believe this could be him burning george’s house with tommy

 - also this song is a banger and i’m pretty sure he put it on there to scare the crown arg people because of the “baroness” line /j

mr. bad guy by freddie mercury

 - literally just more funky villain vibes. i love this

 - no more angst only girlboss

 - since cc!ranboo has said he doesn't want to do a villain arc, i take this to maybe be how he sees himself?? credit to the crown arg discord for that idea they’re smart and cool

 - if that is true, i’d say this would be another song for the “glorifying oneself out of insecurity” list because the narrator is like. seeing himself as cool and The Bad Guy, even if he might not be

 - possibly the butcher army if the next song is what i think it is

ain’t no rest for the wicked by cage the elephant

 - i have been informed someone saw ranboo listening to and grabbing songs for this off of a playlist called "my villain arc" king i hate you /lh

 - in seriousness: the song is about how the world forces people into wicked roles for money. i am getting live and let die vibes, like how both blame the world for making them not care/do bad things

 - c!ranboo take responsibility for your actions challenge /j

 - this definitely reminds me of how when he gave techno his armor, he blamed it on peer pressure. if this aligns with that event, the last two would be burning george’s house and butcher army i think

i can’t decide by the scissor sisters

 - this is probably about enderwalk

 - i really hope it's about enderwalk

 - did mr ranboo commit murder?? manslaughter?? sir

 - i really feel like this is enderwalk or ive forgotten something

stardust crusaders from jjba 

 - thank god for jjba fans, i know nothing about this

 - apparently this is the main theme for jotaro, who's power i think?? is like moving faster than time

 - and his main villain thing is dio, who's power is stopping the flow of time

 - and we're back with the fuckin time references

 - this is pure speculation at this point, but maybe it’s like. him fighting against time in a way, which would draw back to ruler of everything

a mask of my own face by lemon demon

 - the song is about not wanting to take responsibility for their actions again

 - c!ranboo i am begging

 -  specifically this lyric

 - also this lyric draws back to the bidding, in which the singer wanted to be enough for someone and showed almost narcissism as a sort of "mask"

 - also just. mask can be correlated with dream or the masquerade, where the butler stared at the clocks

stranded lullaby by miracle musical

 - been awhile since we had a hawaii album song huh

 - and,, a memory reference.

 - that lyric is talking about forgetting things

 - the rest of the song is,, im not saying time traveler ranboo but time traveler ranboo (look at this post about that theory by my friend pspspspsp)

 - he's talking to a "you" this whole time, and i have no idea who it is lmao

 - there are mentions of dreams and stuff throughout, so i almost want to associate it with the prison visit, but then i think the next song is after the festival so i guess not?

 - might also be him losing the memory book

hidden in the sand by tally hall

 - this is, lyrics wise, a song about a man whose girlfriend left him for someone else and he's upset

 - but if you look at the music video, it shows a cruise ship, on which people are friendly with each other at first, but when it starts to sink, they turn on each other trying to escape

 - i am feeling a connection to c!ranboo's views on "choose people not sides" somehow

 - i feel like he's called people selfish in lore, but my friends and i are all ranboo kinnies so we cant fuckin remember. if he has, then yeaH this definitely correlates

now i’m here by queen

 - there's a very optimistic and nostalgic tone to this

 - this one’s barely annotated on genius so i don’t have a lot for it, but i feel like it's after the dream voice disappeared or something? timeline's gettin a little funky

 - it could also be right before the festival, as he used optimism as a shield there

& by tally hall

 - this. yeah. & deals with opposites, especially good and evil. the singer talks about how everyone sees the world from their own perspective and doesn't look from another

 - and that definitely ties back to how ranboo wanted l’manburg people, like tubbo, to see from techno’s perspective

 - i feel like this is right after the festival. it resembles a lot of ranboo's speech from then, where he basically told everyone “sides dumb. just vibe”

 - and then the outro changes tone, almost like a warning?? which. yeah. a warning to choose people not sides before doomsday, or else they won’t be able to stop l’manburg from being blown up

i’m gonna win by rob cantor

 - this song is about someone fighting their inner demons

 - sounds familiar!! looks directly at dream voice

 - specifically, the singer is optimistic about winning their fight with the inner demons

 - it seems kind of chilling to me though, but it's also late at night when i’m doing these notes so it may just be me

 - if the timeline theory is true, this is where c!ranboo is mentally atm, which tracks honestly

=), an unplayable track

 - ranboo why do you hate us

tl;dr: ranboo’s songs that he would use for lore playlist might very well be a timeline of c!ranboo’s life, from even before dream smp and that’d be super cool

if you read all the way through this just know i would die for you

anyways feel free to drop your interpretations of the songs in the notes :0

[roseforthethorns]

Meta Analysis of Bond Theme Songs/ Intro Sequences in the Daniel Craig Canon

Analysis 1: Casino Royale

One of the things we usually notice first before anything else in a Bond film (besides awesome action and chases and things) is the theme song. Recent Bond films have even released the theme songs before the films themselves. We go into the movie already prepared to bop to the music and look at the way it fits with the film.

“You Know My Name” is the first theme song we have with Daniel Craig’s version of the eponymous spy. I honestly love how this film opens, especially since we only have about 3 to 3.5 minutes of introduction before the opening sequence. The black and white style helps link the old with the new, the specific angles looking up or looking down give us a sense of isolation and scope, the lack of strong music (until the bathroom fight) underpinning this quiet confrontation… This is a brand new James Bond, a fresh double-oh, driven by ego, and at least at the beginning here, he’s hiding in the shadows. And he gives one of my favorite lines of the Bond movies ever: “I know where you keep your gun.” There is a reason this is my favorite iteration of James Bond.

All of this is leading up to our first major theme song for Craig’s Bond: Chris Cornell’s “You Know My Name” (RIP Cornell- you’re gone too soon). Bond lands that perfect, classic Bond turn and shot, and then the aesthetic of this intro is EVERYTHING. It’s clear from the get go that we will be playing cards, and you can spot the major antagonists and interests in the intro. There’s a Jack that has Le Chiffre’s scar, one of the queens is Vesper. The bad guys dissolve into Card suits when they die. I love the detail of the sniper scopes turning into roulette wheels. It’s 100% one of the most creative introductions to a Bond film that I’ve ever seen.

And then there’s the music.

It’s a solid rock number with hints of orchestra clearly establishing the elements of the music that will serve as the main theme throughout the film (with some little nods to the traditional James Bond theme music- even if we won’t properly hear that until Skyfall. And we will get to Skyfall). It has a consistent, upbeat tempo that drives the music and the intro sequence, but it also reinforces the scene we have just witnessed.

“If you take a life, do you know what you’ll give?/ Odds are you won’t like what it is.” These are the first two lines of the song, and right away they hint that Bond truly does not yet know the cost of killing in his line of work. He’s only killed two people as a spy at this point in his career, since that second death earns him his status as a double-oh agent. He will face a great deal more death in the following 2.5 hours… and he is honestly not ready. He thinks he is, but the cost to his own soul might just not be worth it.

The lyrics continue to say that “you” (I will assume the “you” means “Bond” from here on out) is not so divine as angels, that his fall will just be another pawn, another card. He is on his own, self reliant because that’s the nature of the work (“Arm yourself because no-one else here will save you/ The odds will betray you. And I will replace you”). While the speaker of the song isn’t clear, it feels like the speaker is singing to Bond specifically, asking the hard questions and challenging him to the upcoming battle of wits and espionage. Maybe it’s Fate. Maybe it’s M. Maybe it’s Death.

I love the title “You Know My Name.” Bond likely doesn’t know the speaker, either as a person or as an idea. It’s also a fun little dig at the fact that Bond is absolute shite at code names, always leading with his name DESPITE BEING UNDERCOVER. I can just imagine M rolling her eyes in despair as Bond once again forgoes actual stealth in favor of… oh I dunno, crashing right through a wall?

The second verse of the song grows even darker, suggesting that the rules aren’t set in stone and are liable to change at any moment, mostly without Bond’s knowledge. That’s spy work. That’s some of the danger he faces. As a double-oh, he has to deal with physical, mental, and emotional torment. Within the movie itself, it seems like Bond might have a bit of black widow in him- both women he gets involved with die rather horribly. The first death seems to barely affect him. The second destroys him and leads him on a path for pure revenge. Both are incredibly necessary to create the hardened agent with a wall around his heart. But both still hurt.

“I’ve seen diamonds cut through harder men/ Than you yourself but if you must pretend/ You may meet your end.”

Bond really does pretend to be hardened and cold throughout the movie, but it’s the connection with Vesper that undermines everything. Her kidnapping gets him in one of the worst torture situations I’ve certainly seen on film (no I haven’t seen Dragon Tattoo, I’m not ready for that yet; and the drill torture in Spectre can go fuck itself). But as for this song and this movie and this story, Bond falls in love because the game twists around him until he can’t see the truth right in front of him. He misses that key detail about Vesper because of his heart. But by the end of the movie, he stops pretending- in that he stops kidding himself that he can leave the life of a spy. He will always be in danger and the odds will always be against him. No matter how hard he tries, he can’t save everyone.

And in Casino Royale, he finds that the prize “may never fulfill [him].”

[good-omens-classic]

Been thinking about the modernization of the narrative of Good Omens from the novel to the TV series prompted by those last posts.  DISCLAIMER: its actually been a while since i either watched the TV show or read the book so i might be misremembering stuff 😅

If i remember correctly, in the early stages of production of the TV show Neil Gaiman stated the aesthetics of Heaven and Hell were being updated to be less like countries at war, as they were in the novel, and more like factions of a corporation, with Heaven being the top office and Hell being the basement.  And he said this was to representing the shifting social anxieties of the time - the novel was written on the heels of the Cold War, and so has a lot of spy and soldier aesthetic to it, whereas nowadays we are all looking with a skeptical eye at Disney and Nestle as large corporations do whatever the hell they want without consequences.

I think this modernization is an effective one, but one that changes the flavor of the narrative slightly, and in a way that makes it less appealing to some people and more appealing to others.  One is not necessarily better than the other, and given one is a new TV show and one is an old novel so it’s hardly accurate to compare the size of fanbases, I can’t even say one is necessarily more or less appealing/popular than the other.  I think that the TV show was well-made, but there were a few small key changes in the writing that move the narrative away from the reasons why I got absolutely obsessed with the novel.  I think that David Tennant and Michael Sheen did a pretty good job acting the directions and script they were given, my main things I don’t like are kind of with the writing decisions (and tbh the costuming still but that’s petty 🙄)

I think it’s probably part of my upbringing, which was fundamentalist Protestant and honestly, obsessed with violence, that I don’t want to engage with a story where Hell is bad because it’s the dirty basement of an office building.  That’s a legit way to depict Hell, and one that has interesting thematical implications, but I personally want to read stories where Hell is fire and brimstone so that I can watch the protagonists defeat that.  I don’t fantasize about breaking free from an office job, or co-workers caught up in office petty politics, stories about finding softness and love amidst an actual war where violence is expected are what appeal to me.  The demons in the TV series are violent, but it’s just because they’re mean people, not because there’s a system put in place that forces them to be....which is honestly kind of part of why I liked the universe of the novel so much, because I liked to see Aziraphale and Crowley fight a system that tries to force them to be violent and fight and stuff?

The depiction of a narrative’s bad guy, even with subtle changes, can have some pretty significant impacts on how the audience feels about the narrative if what they’re looking for in the story is catharsis and wish-fulfillment.  For example, I often see people gripe about their DMs including homophobia and transphobia in their world-building in DnD, as though the ideal setting would be free from those things (and indeed, that’s the ideal setting for someone who wants escapism), but if you want to roleplay a character who struggles and overcomes those social issues, because they affect you in real life and you find it cathartic, constructing a world where those issues are very mild is not going to provide the same outlet that being victorious in a truly grimdark world is going to.  It’s not for everyone, but due to the novel’s vagueness about certain things, it allowed the fandom some level of flexibility in interpreting their version of the supernatural in whatever way they wanted (the only other angel we see “on screen” other than Aziraphale is Metatron, for like 3 pages, so it was really whatever your imagination cooked up to fill in those gaps), whereas the TV show fandom is working with more concrete building blocks.

This leads me to another gripe I have--making God female.  I understand this appealed hugely to a lot of people because they love the progressive implications of God not being male, and how it upsets religious bigots, but I honestly did not think this was super revolutionary or groundbreaking for the reason that Good Omens is a work of satire--it is criticizing God, and honestly?  I don’t think God is super kind and loving in either version of the story, Heaven is harsh and filled with asshole angels, Crowley was thrown out for just asking questions, and God plays games with his/her servants.  Not everyone sees it this way but I honestly feel like God in the GOmens universe is borderline abusive and gas-lighty, as a proxy criticism of the Christian Church, and the church has historically also been extremely misogynistic, so I think that aspect of it kind of falls apart when God is suddenly female.

That line about dinosaur bones being a joke that God played on humans hits differently when child-you went to a school that taught creationism in science class and thought you were going to hell if you didn’t believe what they told you.

But getting back to my main point, the TV show had the narrative updated for the times much more significantly than the radio play that came out in 2015--for that one, it was mostly cosmetic changes, such as tossing in a mention of X-boxes, whereas the TV show updated the basic narrative structure to reflect changing culture.  I think it was an effective change, but one that made the narrative less appealing to me personally.  A lot of people who were in the fandom before the TV show came out, or who just read the novel after watching the show to compare, seem to agree that the worldbuilding and the characterizations have subtle differences between the two incarnations, which to a casual consumer is not really that noticeable, but if you like one or the other because it hits a very specific sweet spot it might make a difference.  For me I liked it mostly because it provided a blank canvas with some very good building blocks for, like, my imagination to run off with, and the TV show closed a lot of those avenues by filling them in with something more concrete.  That’s not necessarily a bad thing and I can see myself experiencing this from the opposite side when I go into fandoms having just consumed the newest incarnation of a thing and quite liked it, only to find the fandom has people who liked it before that adaptation and hate it a lot!  That’s just the nature of the beast and an inevitable side effect of obsessing over something way more than you’re meant to, but it’s also why I’m not really interested in reading or writing fanfiction set in the TV ‘verse.  Anyway Im kind of rambling now but this is just kinda my thoughts and my onion so if anyone has any other thoughts on it feel free to share your onion with me too :)

[sz-amare]

10. Creating Realistic Characters with Depth

For many people, characters are one of the most influential aspects of an anime. The same goes for me. There are many types of characters: the protagonist, the main cast, side characters, antagonists, villains, etc. Each contributes to the story in their own way. Making flat, bland, or boring characters can make them forgettable, and therefore, can cheapen the quality of the anime. It can also make it painfully difficult to continue watching the series. Here I will give several pointers on what I believe makes an excellent character and give examples from the One Piece-verse.

1.     Flaws

When it comes to creating characters, I have noticed a general rule to make them great and likable. The audience needs to relate to them. The way you do that is by giving your character flaws. When I say flaws, I don’t mean random negatives about their characters, like when a shōnen protagonist can’t solve a simple math problem to save their lives. I mean flaws that can make them feel weak, directly or indirectly.

When I look at Luffy, many flaws end up making him a better character. The most fascinating one to me is Luffy’s childish nature. He is an extremely idealistic kid who dreams more than anyone. He, at first, doesn’t care nor understand the consequences of his actions. Luffy is also kind-hearted and always pushes his principles before his dream. He tends to scream a lot and wears all of his emotions on his face. Luffy is also a terrible liar. If I described this type of personality to anyone, they would undoubtedly think of a child.

This childish behavior is one of Luffy’s characteristics that make him flawed. There are also several times when acting like a child, particularly not thinking of the consequences of his actions, cost him severely. We have the time Luffy almost attacked the Drum Island civilians after they shot Vivi in the arm, meaning Nami wouldn’t get a doctor for her illness. The time Luffy punched the Celestial Dragon, resulting in him almost losing all of his crewmates (although in this case, I think most people would have punched Charlos. He deserved it).

And the most recent one where he attacked Kaido after “killing” his crewmates, which he ended up losing the fight with a single blow and ended up in prison. Luffy makes dumb mistakes. It plays perfectly with his character, but he is ultimately flawed.

Now I personally don’t relate to Luffy in the way that he is childish (I am the maturest), but seeing Luffy suffer from the consequences of his flaws and understanding that Luffy isn’t perfect is enough to understand that he is a human with struggles, similar to myself.

 2.     Personality, Psychology, and Philosophy

I think personality, psychology, and philosophy (PPP) are some of the most significant ways of distinguishing characters and are the source of a particular character’s general fascination. Every person in the real world has their own unique PPP. When you are in the world of anime, not only is everything overly exaggerated, but it is also unrealistic in all sorts of ways. With these two weapons, you can explore all types of themes, topics, and ideas. So when creating characters in an anime, understand that there are no limits to unique characters. Two characters can be very similar, but there should always be something to contrast.

Not only is PPP used to contrast characters, but it can make them feel more realistic if you can manage to connect all three along with their overall character. Let us look back at Luffy. First, we have Luffy’s personality. Luffy constantly yells, loves to mess around and laughs, loves food, is very dumb, is a terrible liar, always shouts out his dreams, loves to imitate his friends, and is a kind-hearted person.

Closely related to his personality, his psychology is that of a child’s perspective. Finally, we have his philosophies. Luffy believes that everyone should chase their own dreams and freedom, no matter how difficult it is to get there. He also believes that dreams should be achieved with the help of close friends. Luffy also believes that everyone is equal, seeing no one below or above anyone else. Once again, these views and ideals are somewhat childish.

Now that we have all the three major pieces of Luffy, we can fully understand his character’s greatness. All three of his PPP are connected with his childish nature. This makes his character seem cohesive, consistent, and more realistic. All of Luffy’s traits align with his character. Everything about Luffy is connected in a way that would make sense, like a real human being.

 3.     Contrasting, Paralleling, and Mirroring

This is one of my favorite techniques in creating characters. You can contrast, parallel, and mirror (CPM) many things in the series: themes, the plot itself, certain philosophies/ideals, characters, the list goes on. This one applies more to side characters, antagonists, and villains than the protagonist, but it can happen.

Now let us think of the antagonists and villains in One Piece that relate to Luffy and his beliefs and somehow align with one of the rules of CPM. Let’s start with my favorite, Charlotte Katakuri. Katakuri is similar to Luffy in terms of his devil fruit. But Katakuri is far superior in every way: his devil fruit is better and awakened, his haki is better, and he has more experience. Here we can see that Katakuri parallels Luffy a bit, but he completely contrasts in his ideologies and motivation.

Next we have Donquixote Doflamingo. Doflamingo believes that he is the ultimate king. He truly believes he is better than everyone, classifying everyone into three basic categories: kings, humans, and lesser beings. But even in this classification, Doflamingo believes he is on top of the kings as well: he thinks he’s a god. Therefore he believes he has the right to toy with the world, as symbolized by him making puppet gestures and physically controlling people, especially because he was mistreated after Doflamingo and his family left Mariejois. Doflamingo’s beliefs all contradict Luffy’s. First off, Luffy believes everyone is equal, no one above and no one below. This contradicts Doflamingo’s god complex. Luffy also believes that everyone should chase their own freedom, which Doflamingo believes he has the right to take away.

We also have Black Beard or Marshal D. Teach. Black Beard mirrors Luffy in a lot of ways when considering their ideologies. Black Beard, like Luffy, believes in the power of dreams and ideals. When we first see Teach, we see him acting like a child, arguing with Luffy about the food and drinks, and Luffy does the same. I think this is Oda showing us that Black Beard is practically and precisely like Luffy. Both of their dreams are to become the Pirate King. The only difference is their approach. As I mentioned earlier, Luffy wants to achieve his dream with the bonds he made with his friends. He doesn’t care if his crewmates are useless or not; a friend is a friend in Luffy’s eyes. On the other hand, Black Beard wouldn’t mind using money to hire strong “allies.” He even hires some of the most dangerous prison inmates. Black Beard is also crueler and is willing to do whatever it takes to reach his goal. If you pay attention, you might notice that Black Beard became a Yonko in a flash, simply because he obtained one of the most powerful devil fruits out there. However, we always hear Luffy saying that there are no shortcuts to become the Pirate King. In one perspective, they look almost identical. When you shift that view, you realize how much they contrast from each other.

Finally, we have Akainu. Akainu is the exact opposite of Luffy. Luffy believes in absolute freedom, while Akainu believes in absolute justice and control. Akainu would kill his own when they showed fear or opposed what Akainu believed was “right.” There isn’t much to talk about Akainu, mainly because we haven’t seen much of him. But from what we have seen so far, it is clear that Akainu and Luffy are complete opposites.

All these different villains are excellent and make clear antagonistic forces against the protagonist simply by contrasting some of Luffy’s ideals. But remember, you can also use CPM with themes on other types of characters. Take one of the reoccurring or significant themes in your story and create a character that uses CPM on that theme.

 4.     Connecting Character Ideas to the Story

This is something I love to do when creating my characters. Basically, I grab an interesting theme or an aspect in a character I want to explore and find a way to connect it to my story. There are many cases when I think of a fascinating character, but it wouldn’t make sense if I randomly added them to my story. So I just connect an event that could likely happen in my story to the reason why my character is the way she is.

One time, I was listening to a song, and the interpretation I got out of it was fascinating to me. It had something to do with abuse, insanity, and OCD. I really wanted to add a character that explored the ideas of abuse, insanity, and OCD to my story, and luckily for me, it was pretty easy to add it into my story.

Now my character (let’s call her Miku for now) doesn’t seem out of place because I connected her character into the story by creating a backstory that was plausible in the world I had created. She suddenly became one of my favorite characters I had created.

5.     Consistency

I think one of the most essential things in a lot of characters is that they remain consistent. Of course, you can pull a 180 and make an Eren Yeager, but if you don’t want to change your character that drastically, make sure they are consistent.

 Once you have created your character, make sure you fully understand their flaws and PPP and make sure whatever type of significant actions they take, it perfectly fits their character.

There were many times in the past when I was able to accurately predict Luffy’s actions and words. I thought I was some sort of genius at first, but I realized soon after that many others could do the same. It was when Luffy rejected his grand fleet where Luffy’s consistency became clear. After fully understanding that Luffy wants to become the Pirate King, simply because he wants to chase the ultimate freedom, why would he accept the grand fleet?

He doesn’t want to become anyone important, and he wants everyone there to chase their own freedom. This is consistent with Luffy’s philosophy of freedom and his childish psychology.

In conclusion

Following any of these principles can help to add intrigue and quality to your character. A regular human is complex and deep, no matter who they are. By following these suggestions, you can create characters with the complexity and depth of real human beings. Make your characters like Pinocchio. Make them strive to be a real boy or girl.

[rebornthestage]

Hayashida Kohei x Takasaki Shungo: New “Varia Quality” created from a literary adaptation; Vivid contrast between motion and stillness

[This is a translation of Xanxus & Squalo’s actors’ interview for Secret Bullet. They haven’t received the script at this point, so they mostly talk about their personal thoughts and views on the characters and the cast based on the VS Varia arc and the novel. Link to the original article can be found in the Content Source.]

A new “Varia quality” born from the novel

First off, how did you feel when your heard that “X-Fiamma” would be adapted into a stage play, and that Varia would be the main characters”? Takasaki Shungo (Squalo): I was in disbelief. Like, “Can we really have an RTS without Tsuna (Sawada Tsunayoshi)..” That’s why while I was happy (about the new play), I also wondered if it really was okay to do it. (laughs) Hayashida Kohei (Xanxus): I was like, “It’s headed in this direction, huh”. Storywise, I had assumed they would go with the Future arc next. Takasaki: For us though, it was very convenient timing since it’s right after we did the 2-part VS Varia arc. Hayashida: That’s true. We could do it again with the same cast. Takasaki: While we do feel some pressure at getting to do the prequel after we all had just finished fighting, we’re also happy about it.

This time, the play is adapted from the novel and not the manga. What did you think about the novel after reading it? Hayashida: It was interesting. Varia in the novel has a little different feel from the one in the Ring Battles. Perhaps it’s because the novel “X-Fiamma” was written after the manga’s Varia arc, but it had something that isn’t exactly “perfection”. Rather, it had a very clear idea of who the characters are. It was very fascinating.  Takasaki: My impression is that it vividly showed parts that weren’t shown in the manga but readers were curious about. Reading the novel was very worthwhile to us because it clearly depicted the parts we were curious about and were unsure about when we played them in the previous plays. When I first read it, I felt that Xanxus was really cool-headed. Hayashida: Exactly! He felt really mature. I’m sure it’s thanks to it being written after the manga. Takasaki: We could feel his maturity thanks to it being in literary form.  Hayashida: I realized that this was how Varia usually was. The Ring Battles was an irregular incident after all. It felt really refreshing when you realize that this is how the Varia is as an assassination squad.

What differences will we see between Varia in this play and Varia up until now? Takasaki: Personally, I’ll be trying to show Squalo as a commanding officer. In the Ring Battles, Varia was focused on Xanxus and operated with him as the head. In upcoming play however, the two of them are in different locations. Squalo is the one leading on the field while Xanxus is the one giving them directions.       Squalo has not really been portrayed as a proper acting commanding officer in the stage plays up until now, so I hope people will see the upcoming play and think, “So this is how Squalo pulls a team together.”  Hayashida: Meanwhile, you’ll see that Xanxus doesn’t immediately jump into the fray. (laughs) Takasaki: True. (laughs) He’s surprisingly nice. Hayashida: I don’t know if I would describe him as nice (laughs), but it was really refreshing to see him backing Ottavio into a corner using logic, and it made me feel once again that Xanxus really is smart. It was also refreshing to see Squalo and the others prattling away as they go about their tasks. Takasaki: The play is based on textual material so we have to imagine the scene ourselves, you know? So we read the novel while imagining the characters we play much more than we did in the plays based on the manga. Like, “That guy would probably move like this.” Hayashida: I agree. Since it’s adapted from the novel, this time we have a little bit more leeway on how we portray the characters.

Speaking of leeways, what differences arose in adapting a manga and adapting a novel from your experience? Takasaki: RTS has quite a lot of respect to the source material, and is determined to reenact everything faithfully to the source material.      For example, some parts were produced with the manga’s depiction used as a reference for stunts or techniques. As we have no pictures as a basis this time, it does feel a little like we are coming up with them ourselves. Hayashida: Yes, that’s exactly what I wanted to say. Takasaki: Then let’s just say Kohei-san said it. (laughs)

What’s the link between Xanxus and Squalo?

Xanxus has scenes with Ottavio (played by Yamamoto Shouma), who appears for the first time on stage, doesn’t he. Hayashida: There’s mind games at play. Readers of the novel should know how it ends, but I hope to make it so that they would be on the edge of their seats even while knowing the ending.      While our scenes have a more suspenseful mystery type of “stillness” with mind games unfolding, Squalo and the others have more “motion” with the action-packed missions. Hence once we manage to nail that contrast of motion and stillness, I think the end result would look artfully done.        Since the majority of the Ring Battles stage plays were fight scenes, this time I too look forward to the scenes with mind games.       However, there aren’t any scenes where I’ll be with the other members in the novel, so I’m a little sad… We’ve always been together up until now. (laughs)      Still, we haven’t received the screenplay yet, so I’m looking forward to seeing how the stage play will deal with certain parts of the novel. Takasaki: Ottavio… How will he be portrayed?  Hayashida: Right? I haven’t met Ottavio (played by Yamamoto Shouma) yet and it’s our first time working together, so I look forward to seeing how we will craft the play.

What about the role you’re playing catches your attention? Takasaki: “Voooi”, I guess.. No, I’m joking. (laughs) Although Squalo acts unrestrained, I believe there’s also a part of him that thinks it through calmly in his head. Still, his ability to straightforwardly express his feelings really makes him stand out in my opinion.      Normally, our lives don’t always go as we want, does it. But he has lived his life as he liked to carry out the mission he wants to do, and that draws me in. Hayashida: Even though there are aspects of Xanxus that are unreadable and can’t be fully understood, I like that side of him which makes you suspect that he does have special feelings towards Squalo, the Vongola Nono and the Varia. He seems like he’d let out a laugh when he’s actually sad.      Also, I usually waver a lot, so I like the unwavering side of him.

How have you portrayed Xanxus and Squalo’s relationship in the past 2 plays? Hayashida: It feels like Xanxus really, really dislikes him but still loves him. Xanxus came from the slums, didn’t he? But in the mafia, Squalo is an elite who is even said to be the next Varia Boss, so there’s a part of him that’s envious of that. Although Xanxus isn’t bullied at every turn for his origins, he is painfully aware of that fact.      But in the end, Squalo is the one who acknowledges him and supports him the most, and I believe Xanxus himself sees that.      That’s why even though Xanxus may view Squalo as a dumbass, I think part of him also feels saved by Squalo’s presence. I tried to portray their relationship with the idea that his cold attitude is probably his way of expressing his affection.  Takasaki: The character Squalo has always believed that strength is everything, and I came up with my own theory to how he ended up with this belief.      When you see people having something you yourself are lacking, don’t they seem brilliant in your eyes? I think what Squalo harbors for Xanxus is something close to that. They have been in Varia together for a very long time and Squalo even knows Xanxus’ past and the secret to his strength. He probably admires people who have qualities he lacks.      Also, I think Squalo feels a little special to be the only who has been confided with his past.

A goldmine of contrasts? Introduction to the rest of the Varia cast

Now I’ll ask questions unrelated to your roles. What do you admire about each other as an actor? Hayashida: I’ve worked with Shungo once before RTS. Initially, I thought he seemed really serious, but he’s actually surprisingly easygoing. He always has a distinctive kind of adaptability that I really like. Takasaki: Thank you. (laughs) my impression of Kohei-san has always been the same since the start. He’s an acting nut in a good way.      You can feel it in your bones that he really likes acting. It’s exciting, performing with him. I really respect him for thinking about acting around the clock. He’s a very good senior as an actor. Hayashida: Thank you~

By the way, are there things about the other person that changed your initial impression of him or you thought was surprising?  Hayashida: As we worked together, he became more relaxed and it’s really nice. He’d soothe your nerves now and again. Takasaki: Kohei-san, are people usually intimidated by you when they first meet you?  Hayashida: Meeting new people makes me tense. Takasaki: So you were nervous. (laughs)

Based on your interactions backstage and on SNS, the Varia cast seem to be a close-knit group. Can you introduce each of the cast in a few words? Start with Takagi Katsuya, who plays as Lussuria. Hayashida: (Lussuria’s actor Takagi) Katsuya-san has my full trust, truly. Takasaki: He’s a really good older brother to us and brings everyone together. He’s really nice.  Hayashida: He’s so nice that it’s a little scary.  After all, sometimes he’s being nice but his eyes look murderous at a glance. (laughs)  Takasaki: He’s also well-versed in a lot of things, so he’s a stimulating person to converse with. Additionally, sometimes he’s become so into his role that it’s like he really is Lussuria in real life. It's scary. (laughs)   Hayashida: That’s true. Every now and then he naturally does things that are quite like Lussuria. (laughs)

Next, can you tell us about Levi A. Than’s actor, Yamaki Takanori? Hayashida: He's also an interesting one. While he is knowledgeable and has a talkative side, he also has a sensitive, airheaded side to him. He’s the kind of guy that’s quick on the uptake. Takasaki: Yes, he also seems sensitive to me. We’re the same age so we talk often, he really felt like someone with an airheaded and mischievous side while also possessing a serious side. Hayashida: Sometimes he has a peculiar way of thinking, but then he also acts recklessly at times. (laughs) He has quite a mysterious vibe.

How about Belphegor’s actor, Oomi Shoichiro-san? Hayashida: Omi-chan… I want to say he’s funny, but he’ll be ecstatic when he hears about it, so I don’t want to actually say so. (laughs)  Takasaki: They filmed the backstage footage for the previous play, and that kid is a genius. He puts on an amazing act for the camera. It’s really funny. Ah, I ended up saying he’s funny. (laughs) Hayashida: It was inevitable. He really is funny after all. Takasaki: He’s super stoic when it comes to acting though. Hayashida: He has a very high sense of professionalism. He’s hardcore like that. That’s why I believe Oomi is actually really manly. That side of him is very charming. But behind the scenes he’s always trying to make us laugh. Takasaki: I totally get what you mean when you said he was manly. He’s very stubborn on certain things when it comes to acting. But normally he’s really good at picking up on the mood, so I’m really glad he’s in Varia. Hayashida: When you’re troubled, all you have to do is talk about Oomi. He’ll react with “Not again!!” in a really shrill voice, and then you’ll end up fooling around with him before you know it. (laughs)

And how about Mammon’s actress Kai Chihiro-san, the sole woman in the Varia cast? Takasaki: We’re so close-knit with Kaichi that I feel like she could be in the same dressing room as us. She’ll definitely protest vehemently though. (laughs) She seems whimsical but she actually has a lot of thoughts in mind.  Hayashida: And I think she may be the one who loves Varia the most. Takasaki: She’s the kind of person who gets attached to people. I think her ability to treat others with respect really stands out.

Lastly, how about Mosca’s actor Kudo Shoma-san? Hayashida: He’s very grounded, and feels as though he has a brazen side to him. He’s also got a strong sense of responsibility. Takasaki: He’s a suit actor, so he’s very well-versed and is meticulous when it comes to performing. Mosca has no lines, but he has great presence because he is being played by Shoma-san.      While he is brazen as a pro, he actually has a delicate and adorable side to him once he’s not playing his role anymore. That contrast really gets me. Hayashida: Mosca was first played by Yokochin-san (Yokota Ryo), so Shoma inherited this role from his senior. He carried a great sense of professionalism in fulfilling his responsibilities. He could tell how meticulous he was from how he figured out what Mosca’s initial movements should be like.

In this play, Higuchi Yuta joined the cast as another actor for Belphegor. Takasaki: I’ve worked with him before, and he can handle anything that’s thrown to him so he’s very dependable. Hayashida: This is the first time we have a double casting, so we too are looking forward to it. Takasaki: Yuta will probably take a totally different approach from Omi-chan, so I think he’ll give us a fresh take on the role.

So both their performances are a must-see!  Takasaki: (The 2 Belphegors) will without a doubt affect our acting too, in my opinion. I recommend watching both versions.

Since “Secret Bullet” is the title, what is your “trump card”? Hayashida: I adopted a kitten recently, and it’s so cute that it makes me care less about anything else. (laughs) That’s why I consider it a secret bullet. Takasaki: Wow, nice one! For me… I started cooking more recently and often use honey as a secret ingredient. I think honey really can be used anywhere. That’s why it’s a secret bullet… (laughs)

Lastly, is there anything else you would like to say about the play, and any messages for the fans? Hayashida: First off, as a Varia member, I truly appreciate all the support that’s been given to the 2 “VS Varia arc” plays.      I will do my utmost best for this upcoming play to be a step in the right direction for the next one. The 2 stories may be unrelated, but we have a friendly rivalry going on. Given what’s currently happening in the world right now, we hope… no, we’ll definitely give an entertaining performance! By all means, please do look forward to it! Takasaki: There’s a big difference this time. Maru-san (Maruo Maruichirou) is not the director this time but Yoriko Jun-san since the play was based on the novel. Hence I think we’ll be able to depict the play in a totally different way from the previous plays. Of course there are still aspects of it that will remind you that this is still Reborn The Stage, but do look forward to a fresh take on some things. Given what’s currently happening in the world right now, it once again makes us very thankful that we were allowed to do a play. With all that into consideration, we hope you provide you all with some entertainment.   

[callaxe]

hi im sorry for the long post i've been thinking about kiribaku platonic bromance

my fave headcanon ever is that (dismissing katsu's canon cute ugly ass hyena giggles) is that his genuine laugh is.. so fucking loud and contagious

like. like people who actually go 'AAHAHHHAHAHAH' and it sounds so warm??? DOES THAT MAKE SENSE???

his friends hear him laugh once to some stupid joke and they all end up giggling

so like

he and kiri, best buds, as you do, have their own stupid inside jokes and literally no one gets them even with context

like one day kiri in class goes 'toilet seat so hot with soup' and katsuki crumbles to the ground choking and laughing so hard he starts screaming bc his ribs hurt

kiri's ofc, wheezing along

like they'll be joking around and laughing during lunch, literally out of breath and katsuki's obviously trying to add something but his face is way too red and he keeps giggling like his life depends on it

he manages to get one single word out and kiri nearly dents the table from slapping it too hard and his stomach is cramping from laughing so much

JUST GOOD VIBES YANNO?

and one night when katsuki woke up from a particularly bad nightmare kiri brought him downstairs and played swing dance tutorials on his phone till 4am and they only stopped once they could actually dance correctly

on the days that kirishima feels bad about his hair/his roots, katsuki will steal a flashy leopard print headband from mina or use his hero mask to push his hair back so kiri doesn't feel.. as alone? homeboy's trying, and kiri appreciates it

and he knows that kiri misses his family lots and gets p home sick bc ua doesn't leave much time to visit anyone, so katsuki lets kiri be extra touchy with him and tries his best to initiate it too- walking arnd town and katsuki gets needy so he pulls at kiri's hair until he lets him sit on his shoulders, or when they're just standing in gym class waiting for instructions katsuki will lean an arm against him

he goes with kiri to the store for hair dye and helps him dye it, in the afternoon they'll be sitting in the common room and kiri fell asleep his head on katsuki's lap, who was playing with his hair and making it his personal mission to turn it into the ugliest, most tangled bird's nest ever bc he's still a brat

days where trauma isn't so kind to him, katsuki gets dragged in the middle of the common room or a hallway and kiri forces him to salsa dance together, even if shark boy's kind of carrying (most of) his dead weight, practically half asleep dozing off on his shoulder and kiri wakes him up again by spinning him

okokoakot

take kami and kiri's bro dynamic and apply it to them here

kiri calls everyone bro, its natural but when he n katsuki gets closer, kiri goes "my bro my dearest bro" n "my loveliest of bros... my best bro" and katsuki's "???"

until he just goes with it bc kiri refuses to let up and elaborate

it gets to the point where kiri will be laying on mina's floor whining about how his buddy left him behind, travelling the world by himself

"ei, bakugou's intership isn't even an hour away from here"

"WHAT MATTERS MOST IS THAT MY BRO'S NOT WITH ME RIGHT NOW, MINA"

they reunite, katsuki's not even halfway through the door before kiri tackles him to the ground

just fuckin

glomps him

kiri: MY BRO!!!! OH HOW I'VE MISSED YOU

katsuki: hello brother

kiri: ...what happened

katsuki: i am a changed man

OK SO WAIT. GOING BACK TO SALSA DANCING

in common room

the times where katsuki is actually awake and has a brink of energy, he and kiri will fight over who gets to lead the dance

while. dancing

there was no discussion or hint beforehand

so it's just a mess of pulling at each other's arms, knocking their shins into tables and chairs, tripping over each other's feet and crashing to the floor and getting bruised all over because they're dumb

they start singing some festive spanish song sero taught them with the grace and voice of a pair of war grizzled drunkies, cackling and laughing and their voices crack at every verse

second year kiri pulls a stupid stunt and ends up in the hospital bc he like, nearly actually died

katsuki isn't even that worried, he's the one who dared the guy to jump off tokyo tower and try to land in the pool of the hotel beside it (they underestimated the distance, kiri landed in the fucking street)

he's on his phone in the waiting room with mina and kami nervously fidgeting

kami looks at him and goes "do you not feel bad? it's kind of your fault that he jumped in the first place"

katsuki doesn't even look at him, "my main bro's fucking dead, i'm more concerned with finding a replacement right now"

while they wait for kiri to get out of surgery, katsuki writes up an application form for broship and puts it on twitter; sero replies and they "hook up"

when kiri wakes up, mina and kami are fretting over him and sero finally arrived, but he shrugs them off and immediately goes for katsuki's throat

"so what am i, your side bro now?!"

"sorry you had to find out this way" katsuki is leaning back against sero

kiri is heart-broken, "i thought we had a bond, you and i!"

"...i was gonna show up to your funeral?"

"were you not planning ON GOING BEFORE?"

when they get back to the dorms kiri gives him the cold shoulder for a week before he comes back crawling to katsuki

(by then, he and sero "broke up")

but don't be fooled,

this tokyo tower dumbassery somehow brought them even closer

somehow

don't ask

kiri is the first person katsuki says "trans" to

katsuki is the first person kiri says "gay" to

of COURSE they cuddle, once katsuki warms up to him and his over affectionate touchy-feely bullshit, kiri just loves picking up his bro and carrying him anywhere

swaddling him into a blanket burrito and knocking him off the couch

hiding under his arm during a class horror movie night

sharing a bed when katsuki can't handle being alone in his room at night

viciously criticizing and tearing down the atla movie and being pressed together because there's barely any room, playing a game of footsie bc their legs are tangled to hell and back but the game turns dangerous

(also when they learn that katsuki can, in fact, make explosions from his fucking feet, kiri has a nice scar on his calf that oddly looks like half of a foot and 3 toes seared into his flesh)

(yes, he's bitter)

turns out, katsuki can aslo be a soft affectionate touchy-feely bullshitting asshole when he wants to be, but these days it's mostly out of spite

when the squad starts calling him dad (with the exception of kiri), katsuki goes over and pats everyone's heads when he wants to, and also because he enjoys seeing them freak out by the blatant display of affection

he does little things like letting mina and kami cozy up to him during movie nights or when they go out in town during winter, and lets sero peer over his shoulder to look at what he's cooking and rub his head between katsuki's shoulderblades like a damn cat before walking away like nothing happened

katsuki's used to it, the rest of the class is mystified

one day, common room again, bksquad is playing mario kart vs the izucrew, katsuki's sitting on the couch with kiri on the floor between his legs, letting his hair be played with and braided

then he stands up and announces he's going to bed, out of habit (when did this become a habit, the class thinks) katsuki reaches up and drags kiri's face down so he can.. kiss the top of his head? kiri just smiles and calls out a goodnight and leaves as if, nothing happened

mina asks "what was THAT"

katsuki just settles back down, opens his phone and stares her straight in the eyes "homies kiss each other goodnight if they're not a coward"

that's it that's the post i'll be back with more

[a-world-in-grey]

Galahdian Gemstones

@secret-engima because headcanons (and I’d like your input on gemstone selections). Two sections - headcanons on Clan Stones, and some history stuff.

-Clan Stones.

-Like Clan Colors, each Clan has a gemstone or pair of gemstones that identify them. These stones are worn in their Clan Braid, usually the first bead in the braid (though some Clans wear theirs at the end, like the Ostium joiners or the Furia), followed by personal beads.

-Certain Clans do share one of their Stones, but each Clan has at least one of their stones unique to them and them alone that serves as their main Clan Stone. So, from the top to the bottom (not including pictures because this post is long enough):

-Altius: Chalcedony/Sunstone. There aren’t very many grey gemstones, but grey Chalcedony is very pretty, especially when banded (striped). For an orange stone, I headcanon sunstone because of my hcs of them being blood of Ifrit’s Blessed, and because it’s a very pretty gem. I headcanon sunstone being their main Stone, because they are one of two Clans that have Orange as a Clan Color. (Second choice for the Altius grey stone would be grey moonstone, without the blue sheen, to contrast the sunstone.)

-Arra: Alexandrite. The Arra are one of the Clans to have a single stone that represents both of their Clan Colors, as alexandrite (though in-verse it’s probably called something different) changes color from green to purple depending on the type of lighting. A suitably subtle gem for a subtle Clan.

-Bellum: Carnelian/Dumortierite. Dumortierite is a pretty blue stone that I chose because of the name - dumortier is a French surname meaning death, though the in-verse name is likely different. Carnelian is their main stone since they are the only Clan with Red as a Clan Color (primary or secondary), and every Bellum is willing to Throw Hands at the drop of a hat.

-Bestia: Chrysoberyl. Again, probably a different name in-verse, but this pretty stone comes in both yellow and green. The yellow is likely their main Stone.

-Canere: Sapphire. Specifically color changing sapphire, which like alexandrite, changes color in different light. Color changing sapphire changes between blue and purple.

-Carduus: Moonstone. Blue moonstone is a silvery-grey stone with a blue sheen, representing both the Blue and Grey colors of the Carduus, as well as harkening back to their original Secondary Color of Silver. (My second choice for them would be Labradorite, which is a dark-grey stone with flashes of blue and green, though blue is the most common and what the Carduus would reserve for their beads.)

-Furia: Pearl. Pearls come in a variety of natural colors, though as a rule they tend to be fairly pale. I headcanon that the Furia are the only Clan to wear pearls as hair beads, and few outside the Furia wear pearls as jewelry, most of them being Lazarus, Arra, Praesidium, and the occasional Canere. Furia wear orange and blue pearls as their Clan Stones, and make quite the profit selling the white and pink pearls to the Mainland. 

-Khara: Purple/Yellow Jade. Purple jade (known as Turkiyenite) is only 40-60% jadeite and so not technically classified as such. However, this is fiction so we can do whatever, and it’s very pretty. The purple jade is their main Stone.

-Lazarus: Citrine/Quartz. Quartz comes in a variety of colors, including grey. Citrine would be their main Stone. (Alternate grey stone would be chalcedony, which they could feasibly share with the Altius, since chalcedony is really common.)

-Ornata: Lapis Lazuli. While mostly blue, lapis lazuli is known for its gold flecks. (While I really like this stone, I know it’s not necessarily a perfect fit, so another option could be topaz - which comes in both yellow and blue varieties.)

-Ostium: Tanzanite/Onyx. The Ostium are one of the only clans that place their Clan Stone at the end of their braid - the black onyx joiners are the hallmark of the Ostium Clan. Onyx also comes in green, which is what Ostium Braincells wear to designate that they’ve got an Ulric to cluck after.

-Praesidium: Azurite/Malachite. These two stones often form near each other and mixed together, resulting in a pretty and vibrant blue and green stone. Praesidium are the only Clan to have two Clan Stones they are known by, with azurite and malachite being worn in equal amounts alongside the azurite/malachite mixes.

-Tibiae: Quartz/Emerald. Contrary to what one might think, emerald is actually this Clan’s main Stone. Because that Clan needs a warning label, and it’s the only one they are going to give you. (Other options for green stones could be chrysoprase or peridot. Could also use chalcedony or grey moonstone for grey stones.)

-Ulric: Onyx/Charoite. Ulrics share onyx with the Ostium, the latter wearing it after picking up the Black Clan Color from the Ulrics. However, the Ulric main Stone is charoite. (An alternate purple stone is amethyst, but I think charoite is prettier and generally prefer semi-precious stones to precious stones.)

-(Astrum: Obsidian/Heliodore. Differing from the other Clans in that their Stones come from the Lucian mainland. Their main Stone is their obsidian joiner, similar to the Ostium.)

-History headcanons!

-Galahd is rich in gemstones and metals. Much like real-life Myanmar, Galahd has just about every kind of gemstone imaginable, with the exception of diamonds (which Galahdians don’t really wear anyway).

-As such, before the Burning it is very common for every Galahdian to wear precious and semi-precious stones for their braids and jewelry.

-Now, I headcanon that before Lucis folded Galahd into the Empire, mining was not a huge business in Galahd. Oh, it was definitely a viable profession, but the Clans didn’t use a lot of gemstones, and generally weren’t picky about what they did mine up. The best quality went to making beads, and the rest went to jewelry.

-After being ‘conquered’ by Lucis, well. Wealthy Lucians were highly interested in the ‘untapped resources’. Now, depending on how dark you want to take things, this could go a couple different ways. We’ll start with the least nasty, because why not.

-First possibility is that Galahd is able to dictate the trade of Galahdian gemstones. They present a selection for sale, and the Lucian traders buy what they want. Trying to pressure the Galahdians into offering more/higher quality Does Not Happen, because the first attempts are shut down hard by the Galahdians and the Crown slaps down any armed hostilities from breaking out because We Do Not Fight The Jungle Children FOR THE LOVE OF THE SIX. This likely results in some resentment from the Lucians and wariness from the Galahdians, but nothing too drastic.

-Second possibility, still fairly light, but a bit darker, is that the Lucians’ offers for high quality gems drives local prices up, making it harder for Galahdians to sell/buy their own gems. As such, local gems become much more scarce, until they are almost exclusively reserved for Clan Beads. This scenario is going to breed a fair amount of resentment from the Galahdians towards the Lucian mainland, specifically the nobility/wealthy.

-Third possibility, which is very dark, is that Lucian corporate interests manage to get a foothold in Galahd, and begin large mining operations - either with their own Lucian workers or with locals. Lucian workers would be paid more, lured by a promise of making money, but clashes between the workers and locals would be higher. Galahdian workers would likely be paid far less, and oh boy would that breed it’s own resentment, but there would be less possible conflict between Galahdians and Lucians, other than overseers management. This is going to breed a lot of resentment, to the point of possible outright rebellion from the Galahdians.

-Then we have Niflheim occupying Galahd. And things get a whole lot worse. Because Niflheim is only going to see the potential profit from Galahd’s gemstone resources and won’t care how they get it.

-In the darkest scenario, take that third possibility, and crank it up to eleven. Large scale environmental destruction, forced work in the mines, and pittance pay. Exploitation at its worst. Galahdians likely had to hide their Stones or have them confiscated by Niflheim overseers and sold overseas, and you can bet the Nifs would dig up the Galahdian dead just to get at those beads too. The Galahdians wouldn’t be allowed to keep any of the stones they mined either. Not even the inferior quality stone unsuited for jewelry - Niflheim would have dumped it in the sea just to spite them.

-(Look, there’s a reason Galahd hates Mors for pulling the Wall and leaving them to Niflheim’s ‘mercy’. There’s a reason the Galahdian refugees can’t go home, even after almost twenty years post-Burning. There’s a reason so many refugees left, even before the Burning. Why so many chose to fight for a mainlander king. Why so many Betrayed Regis when he surrendered to Niflheim. Why Luche and the others took Niflheim’s deal.)

-During the Occupation, there was probably resistance and rebellion everywhere Niflheim turned, until they decided to cut their losses and Burn it all. (Perhaps they were losing too many workers. Or perhaps they’d exhausted the mines and didn’t care to look for new ones.)

-In Lucis, any refugees likely had to sell their Stones just to survive. Those that didn’t wouldn’t be allowed to wear them if they lived in Insomnia, because of the Sumptuary Laws or for fear of being arrested on charges of theft. (And even if the charges were dropped, many of the stones confiscated as ‘evidence’ were coincidentally ‘lost’.) For those that lost their Stones, replacing them is near impossible - either they are too expensive, impossible to find, or in most cases both.

-Which is when carved and painted wooden beads become the norm.

[derlinde-blog]

➜ ( for crack ? perhaps . )

➜ // smack my muse upside the head

              ❝      john   !           ❞       that   was   something   he   never   saw   coming  ,     and   it   takes   him   entirely   by   surprise .     so   much   so   that   ,      for   the   briefest   of   moments  ,     he   simply   stares   at   the   other   man .     it’s   a   heavy   few   seconds  ,       a   moment   that   for   dutch   was   filled   with   absolute   rage  ,     and   perhaps   for   the   other  ,      absolute   dread .

               then   he   moves  ,     in   an   instant  ,     and   with   one   deft   sweep   of   his   arm   he   delivers   a   similar   blow   to   the   back   of   john’s   head .        harder  ,     and   with   full   intent   to   knock   out   the   last   of   those   brain   cells   of   his .

[carinyms]

We're three days from the Loki finale and I’m back to spout more meta and theories about episodes 5 & 6! It’s a long one (again.)

I really enjoyed episode five. People have complained that they felt it didn't do much to move the show forward, but one of the things I've loved most about this show is the time it takes to sit with the characters and learn about their backstory, their feelings. (I'm always a little bugged when critics say that an episode hasn't done enough to move the plot forward, because without adequate character development, why should I care about the plot?) I thought the pacing of it was really well balanced.

….and I have never been so nervous for a finale in my entire life. There’s a lot of reasons.

The first is just the fact that I’ve been waiting for this show for a whole year, and the anticipation and excitement of it literally helped get me through the pandemic--so when those final end credits roll I’m going to be a whole mess no matter what happens. (I really hope the rumors floating around about season two are accurate) I also just feel like it’s somewhat inevitable that this is our final farewell to Tom’s Loki, and like—I’ll never be ready, but especially right now, amidst all the rampant controversy around this show, I’m just not ready to deal with that. I have a *small* modicum of hope that this won't be the case, but it feels unlikely. Anyway, guess I’ll die.

I really want this show to stick the landing, so to say. I loved the last episode, but a lot of the response has been that it felt like a lull in the plot. I want this show to end in a satisfying bang so it can get the credit it deserves.

Also I’m a whole hypocrite eating my words from last week—I’m fully on-board with Loki/Sylvie now (not that I was ever really against it)--I’m not sure why I’m surprised. They’re so adorable and wholesome, and I’m in love with seeing Loki in love. It’s so precious. (Just as a PSA, if you’re not into them that’s chill, and you’re allowed to dislike a ship without trying to justify your opinion by labeling shippers as morally problematic. Selfcest isn’t a real thing, therefore there isn’t a moral high ground to stand on here. Okay? Okay.) Wherever it ultimately leads, their relationship is still a really sweet exploration of them both growing and learning how to love themselves and trust others. Also, them cuddling under a tablecloth is the cutest shit I’ve ever seen with my two eyes.

MY THEORIES:

I love Sylvie so much, SO MUCH — and she is 100% going to stab Loki in the back by the end of the next episode. I don’t think the betrayal is going to stick, and by the end they’ll both be on the same page again, but the conversations on trust have been way too one-sided for my comfort. If nothing else she's going to seriously consider it. Here’s one way I can see that going. Spoiler alert: it hurts.

Sylvie betrays Loki at one point—and we see Loki’s growth and arc come full circle as, even after being betrayed by the person he hinged his entire development around, he still believes in doing the right thing, in saving her regardless. It ends in a heart-wrenching self-sacrifice of some kind, and his actions serve as the catalyst for her full development as well. We keep seeing different versions of Loki die for their ‘glorious purpose’, just like how Classic Loki shouts the phrase as he was consumed by Aloith (RIP King, I love you).

Loki has already called Sylvie his glorious purpose (or inferred it). There’s been backlash around him saying that, but the way I see it, it’s less “I’m obsessed with this girl she’s my purpose now” and more “I believe that she’s the best version of us and I’m going to make it my purpose to help her succeed and be what the rest of us aren’t”. That’s why seeing all the other variant Loki’s at their worst in the Loki clubhouse (? what do I call this lol) only fuels him more to find her. I think about what Mobius told him: “You exist to cause pain and suffering and death, all so others can achieve the best versions of themselves”. I don’t think Loki truly believes he can be the best version of Loki — I think he saw Sylvie and thought, "it's her". He’s decided he’s going to help her achieve the best version of herself, but he'll do it giving her love and trust and devotion, rather than through betrayal, pain and suffering. He’s re-writing his pre-determined role, in his own small way. I’m so proud of him.

So who’s behind it all and what’s truly going on here? (This isn’t really one theory, more like a string of possibilities and I don’t really know how they’d fit together.)

I still think it’s another version of Loki. And if it is, I can’t help but appreciate the connections between his position dictating the end of time in the show in relation to Loki’s role in the Norse myths, where he’s the catalyst for the destruction of all things. It feels relevant, considering the whole idea that ‘the end of time hasn’t been written yet’ has come up twice now. That would be a fascinating tie-in to the mythology. (Also—Alioth looks like a giant dog. And Fenrir’s role in Ragnarok was devouring the world—I realize this is a reach but am I the only person seeing this connection?) The thing I really can’t predict is the motivation. What would cause a Loki to want to prevent Loki’s from changing? Was there something that happened in the sacred timeline this Loki is trying to preserve? (I also like the idea of us maybe seeing another version of Sylvie behind it all, but I’m just going to leave that rabbit hole alone. )

But here’s the theory I can’t stop thinking about. There’s a theory floating around tik tok (by user twelvepercentcredit) saying the ‘castle’ we see beyond Alioth looks like a place called the House of Ideas, something that appeared in a (discontinued?) Loki comic. Here’s the wiki page on it. Just looking at the imagery of this compared to the location we’re seeing in the trailers, it’s too similar to be a coincidence. The huge bookshelves, the towering ceilings.

Here’s a description from the wiki:

“The House of Ideas is also home to a library which archives the exploits of every hero who has ever existed in the form of books, written unconsciously by the collective minds of their believers. This collection is curated by Now and Then, two of the children of Eternity. Now and Then routinely seek out heroes to bring into the House of Ideas to bargain with them and give their collections more pages, therefore more time for adventures and exploits. “

And later on the page on how Loki ties in:

“Heeding the desire in Loki's heart to do more with his life, Now and Then approached Loki and brought him to the House of Ideas,[5] where they struck up with him the deal to give more pages to his collection of exploits, rewriting the Books of Loki with a hero's stories in exchange for an eventual hero's death.”

Are they gonna play with the exact happenings of this? I don't know, but it sounds pretty cool!

It would be gutsy to go this route with the show given how meta it is, but I love the idea of it. Would they put characters that embody the abstract ideas of “Eternity” “Now & Then” into the show in the last episode? I’m not sure. Something I could see as a possibility though is an alternate version of Loki having overthrown whoever was previously guarding the timeline, and Loki and Sylvie will have to take them down in turn, thus ‘releasing’ the multiverse to its default, chaotic state.

What if our Loki’s ultimate destiny, ultimate Glorious Purpose, is to release the timelines--restoring all the variants back to their original timelines--and remain in this place for eternity, guarding the timeline and ensuring the multiverse is allowed to exist in its natural state? It seems a pretty fitting role for the God of Chaos. It would also explain why whoever’s behind the TVA would be so desperate to eliminate all variant Loki, if that was his ultimate destiny.

It would be an effective way to remove Hiddleston’s Loki from the movie-verse without killing him, AND place both Sylvie and any other Loki variants back in the the main timeline for use in future films—which we know has to happen somehow, because Young Avengers is definitely happening, and Kid Loki has got to get out of the void somehow.

And yea, this outcome would hurt like a bitch. Because even though that would truly be a lovely glorious purpose for our Loki, he’d be alone. And the whole point of this show is that he doesn’t have to be alone! It would be a very poetic sacrifice for him to take on the burden of watching over the timelines alone for all eternity so that his other variants could be the best versions of themselves, but I really just want him to be happy. I will be crying my eyes out if this happens. I’ll be proud but I won’t be okay.

And this all is probably speculative nonsense and could go off in an entirely different direction. Who knows. All in all, I just really want to see Loki fully believe in himself and his ability, to truly absorb what he said about being stronger than he realizes, and to take control of his destiny.

WHAT I WANT (NEED) FROM EPISODE 6:

Let Hunter B-15 and Mobius team up to burn the place to the ground. She was nerfed in the time-keeper fight, I want to see B-15 kick some ass.

I kind of want Ravonna to escape and be a character that carries over into the films for her tie-ins with Kang? I want to see more of her.

Give Loki a new badass costume. I’m begging. If he’s gonna go down, he deserves to go down in something other than khakis.

And then I want to see him and Sylvie fighting side by side in matching outfits.

I want a Mobius-level hug between them. Or a kiss. Or both. But I want the hug more. And you know what? I want her to initiate the hug or kiss or whatever it is because I want Loki to experience receiving love and affection from others as much as giving it. He deserves it ok??

I expect Mobius on a jet ski in the post credits and if I don’t get it I riot

@marvel these are my demands.

As always, if you've made it this far I'd love to hear your thoughts!

[scrawnytreedemon]

Cid Highwind and/or Vincent V!

Oooohhh!!! Bringing in The Boys? SNkkkkk, I’d expect nothing less of you, Enide <3 I’m not that well-versed in them as I’d like, buT!!! here’s trying!!!! Love a good challenge :)) 

Cid:

First impression: Grumpy tea DILF that swears his ass off. For some reason I keep forgetting Cid is a lancer and not a gunman because??? Usually it’s the gunmen that get depicted all vulgar and rugged, with stubble and cigarettes.

Impression now: Grumpy tea DILF that swears his ass off. Lmao, nothing much has changed, but there’s certainly a free-spiritedness to him; makes sense, the man is a pilot and would’ve been(got to be?) an astronaut. He’s very tough-love in a way that both meshes and manages to be distinct from Barret’s flavour-- I think they’d be good bros :) One thing that sours his character a bit for me is how he verbally abuses Shera :( I’d normally chalk it up to his usual tough-love, but with the major plotpoint of him blaming her for his crushed dreams and how she essentially fulfills the role of an abused wife... I, I’m not so sure. Overall, I like Cid, but it’s a shame.

Favorite moment: Ohh!!! I have a few, such as the way he joins the party, him calling Vinny back to their room, his return to the final fight-- But my favourite has to be on the Materia train hijacking sequence and the dialogue that follows if you pick Yuffie and Vincent as your party members. The dialogue is downright hilarious and you really get the sense that they’ve gotten to know each other behind the scenes(love that about FFVII <3) :)))

Idea for a story: To STEAL an idea from my bud @alunchboxofsushifries she had while we were whinging about DoC, but having the game’s storyline entirely revamped so that it’s Vincent, Cid and Yuffie doing it all together. We don’t know the finer details(and DoC being DoC quite frankly I’m scared of knowing just w h a t might we be changing), but I love the idea alot!!!!! Again, this is my friend Vee’s idea, so major credit to them!!!!

Unpopular opinion: Lmao I don’t think I have enough opinions on him to really have an unpopular one??? Dont get me wrong-- Love the man to bits, however as of yet my focus has been all over the other party members(Barret, Nanaki, ect.) and so I’m not as well-versed in what is the common fanon of this man-- Most I could say is I wished they handled his resentment towards Shera better :(

Favorite relationship: I think him and Vince are such a fun dynamic-- I lean heavily platonic, but I’m sure you know I’m cool with a more romantic connotation. Vince calling him chief and being this affectionately dry almost-sidekick to Cid is the absolute best and its what made me love the train sequence along with Yuffie calling him old man lmaooo-- Adding onto that, I think him and Yuffie could have a snarky grumpy old dad and snide-teenager dynamic where he gives her lectures and she goes “yeah okay, paps”.

Favorite headcanon: Sadly I don’t have really any(I am NOT giving you good food today, am I, Enide? :( ), but I personally think that he’s got the only functioning airship on the Planet. I headcanon Gaia to be roughly the size of our moon, so large enough to hold a fair amount of people but also small so everything’s just a stone’s throw away-- Hell, they only have one major ocean! How wild is that???

Now!!!!! Onto Vince :))))) I have alot more to say(hopefully lmaooo)

First impression: Cool edgy gunman who stands in a corner and mumbles huskily. Drinks only black coffee, if he even drinks at all. Desperately needs a hairbrush.

Impression now: This man is??? SO awkward I???? I lOVE HIM???? He’s also got such a sweetness in my eyes and it’shdfjkjhkjhjg!!!! Like mAN, he’s an outwardly chill if slightly skittish older friend who keeps to the sidelines most of the times but when he does chip in it’s a l w a y s good and very Wise. The man is a bit of a sod, though, sometimes to the point of debilitating self-pity. First thing this guy did was tell you to fuck off and go back to sleep. He rags on himself heavily for his sins and I want to!!! Give the poor fucker a hug because lord knows he hasn’t had one in 27~ years :((( All around, swell guy, WOULD love to have a chill garden-bonfire chat with him :) Still needs a hairbrush, lmao. Also g o l d - p l a t e d  c l o w n s h o e s .

Favorite moment: I must, again, bring up the train scene for reasons mentioned in Cid’s section-- But to get onto another that caught my eye, was when he returned, and Cloud was surprised, having got the feeling that Vince was cold an detached. It’s both sweet, and sad. Vince cares deeply about all of this, about all of them, but because he’s a bit of a poker-faced recluse he doesn’t express it very much. I wonder how he felt, hearing that.

Idea for a story: OF COURSE, once again, Vee’s DoC rewrite(even more so because Vince is the main character), but I think a Seph adoption!AU, whether pre or postgame where in the former he takes Seph in and they’re constantly on the run together, constantly awaiting Shinra’s wolves like stalked deer, or the latter where there’s a tender, redemptive atmosphere but also a psychological, almost-horror element where he loves his Lucrecia’s son so much but also has to serve as his warden lest he be unleashed once more.

Unpopular opinion: I don’t think he’s Sephiroth’s biological father, and, with the nigh-omnipresence of this theory, I’ll be honest and say I find it a little grating? I think it weakens Hojo’s character and makes Vince this Real Fix-It Parent Who’d Never Hurt You :) -- And I understand the appeal, of that, but honest to God it really feels like most of this comes down to Hojo Stinky Baf adn UGLIIII!!! Vimce Good adn Sweete adn Pwetty :333 Facetiousness aside, I can appreciate this being done well, as with anything! Just wish it wasn’t taken as almost canon in fandom spaces :(

Favorite relationship: The man is SO fun to platonically pair up with everyone it’s INSANE, though I don’t think I have a favourite ship??? Like yeah, sure him and Lucrecia had a thing once, but that whole ordeal was more of a human rights crisis and just generally a painful, tragic mess. I don’t think Vincent could really love like that again, not for many years. He aches, even in places he forgets aren’t meant to ache. Especially those. I think he gives everyone a little love in the help he hands out. Vincent’s heart is big and broken, and he fears that if he fills it too much, it’ll burst, and he’ll be left a beast. He needs to learn that he is worthy, but that is a task he must undertake.

Favorite headcanon: Can’t really think of any, as despite his mysterious nature, Vince doesn’t leave too many loose threads in areas of My ConcernTM-- Though if I’m gonna make one up, him, Barret and Cid get together on Saturday nights to hang out around a fire with some beers and have some good Dad Talks-- Peak DILF solidarity, tbh. 

But yeah!!!! Took awhile to write out, hopefully these are sufficient enough for you, O’ Valenwind Extraordinaire beloved! Again, as always, feel free to tack on any further thoughts of your own! Love a good discussion <3 Makes this little corner of the fandom feel warmer.

[mc-doppomine]

Day 19 Bonus: Buster Bros!!! vs Dotsutaire Honpo

I’m gonna start with the music this time because just writing like one of the story/character bit...was taking a while. So in terms of music...I have to give it over to the Buster Bros. With their individual albums, it just got so much better for the Buster Bros as they’re becoming more distinct with their personality in their sound. Like Break the Wall is one of my top solos and y’all just unfortunate that Saburo used like one of the classical pieces I thought fucking slapped even before he messed with it. And I’m so happy for them. 

DH has a bit of a disadvantage of being a new group and thus having less to compare. But so far....eh. I think DH is very hit or miss for me. Like Matenrou, they have such differing talents and subject matters that it either turns into a strange symphony or some mishmash that just makes it eh. Which is generally my feeling with their group songs as I really love Ah, Osaka Dreaming Night but I am not impressed with Wara Osaka. And I am okay with their solo songs but to be fair to them, a lot of the songs I prefer for the already established group was their second solo, not the first, which is their introductory ones. 

As for Joy for Struggle, yeah, Buster Bros took that for me. DH I get is supposed to be more carefree than a lot of the other teams that are a bit more serious but I think that attitude really bit them in the ass for this battle. And BB did not have time to be playing around. I thought Saburo had more confidence this time and let that truly nasty attitude leave some spikes behind. Saburo really was like ‘How many times we gotta teach you this lesson, old man?!’ Jiro actually had some good retorts! I’m so sorry, I love him I swear but he had so much to grow in terms of coming with bite and it’s starting to show! The chihuahua vs tiger comparison! And while I do appreciate that Rosho and Sasara stay true in their manzai act...it really just didn’t land for me in the battle and Jiro and Saburo were quick to gnaw at it. 

And then...there’s the verse against Ichiro. I won’t say they stick with me as well as War War War but quite frankly Ichiro vs Sasara and later Rei are more of a battle of ideals. And to me, Ichiro poured more into his than those two. Because Rei’s were just belittling the boys because they’re younger and like they went down some wrong path. Both Saburo and Ichiro weren’t having any of that. Like who the fuck are you to step in and tell us off? At least MTC were more of like ‘come back when you’re more polished.’ And with Sasara, I think Ichiro delivered the line that is my entire thing with this battle: ‘Floaty words like that won’t sting us at all.’ I feel like DH lacked enough bite against BB and it shows. The only real bite back is from Rei and even he doesn’t seem to have that much that actually phased BB in my opinion. 

In terms of story/character wise...it’s really hard to make a decision. Because for all the teams, it’s really a matter of the dynamics against the others. And DH have it so stacked for them just because of Rei. Sure, I may not like him but he is very interesting in terms of being a vehicle for developments to happen. He seems to know a lot of things and people so he becomes such a presence that could tempt so many things into happening. Like if it was DH vs FP, he knows the fuck about Ramuda! He fucking made him! And I have little doubt it was him on the phone with Ramuda in Catch Us If You Can drama track. And at the end of the previous DRB...at least what sticks out in my mind and I may have to double check but I think he mentioned some interest in Ramuda after telling about how the true hypnosis mic being used would’ve shot Chuuoku in the foot. Also added to that, Rei likely knows Gentaro. For what reason? We don’t quite know but it can be assumed it’s because he’s doing something for Gentaro. Either looking into Ramuda since the ‘legal’ way wasn’t reaping anything or if Gentaro is hiding something, then Rei might be helping him hide it. Also also, Rei is one of the few rappers that know who Dice is! He and Otome were talking about their kids! That’s HUGE since Dice hasn’t told anyone about this aspect of his life. Rei alone would make such a juggernaut for FP.

I honestly can’t think of anything for DH vs BAT, sorry. They don’t seem to have any history besides Kuko and Sasara both being in MCD for a time...but I don’t recall that time really being elaborated on soooooo yeah.

If it were DH vs MTC, that’s more of a dynamic between Sasara and Samatoki. Which I think would be the time to figure things out between them. Because Samatoki was left with why and never got an answer. And seeing him again, Sasara can’t run away. He can try but pretty sure that Samatoki could outrun him. It also would be a time of like Sasara’s dynamic between the two men that have been his partners, Samatoki and Rosho. The people that were close to Sasara and whom he feels the most towards. I honestly can’t think of much else besides that but I’m sure KR will find a way to have the guys piss each other off. I’m just here for SamaSasa and SasaRo shenanigans. (I guess we could see if Rio does know Rei since in theory he SHOULD know who he is since it sounds like the hypmic was in development when Rio was serving and he tested some aspect of it).

I think DH vs MTR would be kinda funny. Like for some reason I think that Sasara and Rosho would get really fucking mad at how Hifumi and Doppo just naturally have that manzai energy by virtue of being best friends and roommates. I have personal experience of people being like ‘this IS a show’ of just watching and listening to me and my best friend and roommate just going back and forth. I feel like it’d just be so damn funny if it was over something not as serious I guess? But then that’d all be ruined because I feel like Rei would either expose to Hifumi and Doppo of Jakurai’s cooperation with Chuuoku, which while they don’t have any personal reason to really hate Chuuoku, wouldn’t feel comfortable with it either. Or. OR, my god, let him expose Jakurai’s assassin past, something he seems to feel nothing but shame for and also ruining his perfect image. Because Rei just seems like he’d be willing to do that. 

So yeah, a lot of drama that could happen because of frickin’ Rei and some loose ends to deal with from Sasara. By comparison, BB has some things but they wouldn’t be as dire as DH’s. Like with BB vs BAT, this could be the chance for Ichiro to get his answers from Kuko. He never got an answer either. He was left with heartbreak and never given the why. And Kuko either has rationalized or will be in for a rude awakening having to go head on with Ichiro. Because they were close. Kuko had to care about Ichiro in some capacity to willingly help some group he knew was sketch and didn’t like. Why did that change? He had to have meditated on this at some point! Meanwhile, I really hope that Jiro and Jyushi and Kuko can get along if the reconciliation with Ichiro doesn’t happen! They’d be such an eclectic group but would be so much trouble too! (And please let Jiro and Jyushi play together. Ever since someone wrote about it, it lives in my head rent free) I really am hoping for it. All the while, Hitoya is like ‘shit, now I gotta adopt MORE kids. Why are there so many of these little shits running around without supervision???’ 

I can’t think of much for BB vs FP since I just don’t see their circles running that close and it just didn’t feel like Ichiro was close to Ramuda even back with TDD. Most I can think of is Jiro, who is also pretty thoughtless, saying the wrong thing to Gentaro and it’s The Rivalry 2.0. But overall can’t think of anything too specific. 

It’d hurt me if it was BB vs MTR. Because for some reason I see that most of MTR treat the BB like their little siblings and in Jakurai’s case, it’s like going to go fight his kids (I will go down on the hill of occasional dadkurai shenanigans!). And while Saburo and Jiro have and still do make fun of Doppo, I think he also has their respect because he looks out for them in a different way but still same energy as Ichiro does. Probably because he is an older brother. I don’t really think any of the guys can say anything to bother Hifumi and it’s more of Hifumi being fucking thoughtless and saying the wrong thing. I feel like he’d piss off Saburo somehow. And with Jakurai and Ichiro...it’s a ‘nothing personal, just business’ although I think Jakurai would be proud of Ichiro either way.

And then there’s just rematch energy if it’s BB vs MTC. Honestly? The real thing I would love to see from if this happened is for Jiro and Saburo to have a reevaluation of MTC. Because the main reason they were so aggressive and hostile towards them is because of Ichiro’s grudge with Samatoki. They just took it as ‘if they’re Ichi-nii’s enemy, they’re our enemy.’ But since they’re taking this step of coming on their own, they also need to think about if they can still dislike these guys because Ichiro’s beef isn’t theirs. I mean, Jiro probably still doesn’t like Jyuto because he’s a delinquent and fuck cops y’know sorta rebelliousness. And I don’t think Saburo particularly dislikes Rio and vice versa. The thing with Ichiro and Samatoki is honestly secondary to this. And I feel would be the time for Samatoki to let go since he KNOWS now that it wasn’t Ichiro that got Nemu to leave but Ramuda but it’s a matter of if his pride would allow him. And Ichiro would have to realize that while he lost their fight...he won in the end since he’s the one that kept his brothers while Samatoki lost Nemu. He’s gotta feel for him and understand why Samatoki was/is mad at him. (Also long shot but if they could talk about how Samatoki also exacerbated his hesitance to trust others, that’d be greeeeaaattttt).

So yeah, I’ve thought about how these dynamics and things and you’d think weighing them all would make this choice easy. And it is. In a way. Because for me, I’d choose Buster Bros. I do like Sasara a lot and Rosho I think is fine but their third really sours for me. I know some can keep that bias aside and look, I did talk about what all he can do...but he alone can’t carry the sound for the team. Story, sure, but not the music. While I really would like some of the threads that Rei brings...it’s not completely impossible for him to still be around if any of the other teams do advance. I mean, they’re all the only men stuck in Chuuoku for the time of the DRB and having to pass each other while going to their own rooms or box seating. He has ways. So yeah, if I had voted on DH vs BB, this is what I would’ve gone with.

[autisticjon]

Well now I need to know about ninjago ship names

okay i'd like both of you to keep in mind that you willingly stepped into this bear trap. that being SAID welcome to my twisted ninjago!

this is operating solely in show!verse btw because the movie ship names are simply piggybacking off show names. why are they piggybacking off show names you ask? good question! it's because tlnm is essentially a ninjago high school au. pretty good if consumed detached from canon is what i'm saying. i've already strayed from the topic so that's a testament to how coherent this post is gonna be. oh well.

so some background knowledge. in lego ninjago: masters of spinjitzu, each of the main characters, as well as some of the minor characters, has an elemental power. generally these are pretty simple things (fire, ice, earth, water, lightning, and... whatever lloyd's is, green/power/life/nature/spirit/etc.) which will come in handy when we implement shipping.

5 out of the 6 main characters can be shipped together in various ways (excluding kai/nya because they are siblings as well as any lloyd/ninja ships because of the age gap). now, for some ships the pre-established pattern of smushing the characters' names together is followed, such as jaya (jay/nya) or wusako (wu/misako). for other ships, however, the ninjago fandom they were going to make things more complex than just frankensteining names together.

take, for example, cole and kai. this is a ship between the elemental master of earth (cole) and the elemental master of fire (kai). what do you get when you combine earth and fire? there's a few answers, but the one the ninjago fandom settled on was lava. this means that cole/kai is called lavashipping, or lava for short. essentially the same thing happened with plasmashipping (kai and jay, elemental master of lightning), glaciershipping (cole and zane, master of ice), and some other more niche ships, such as thinkfastshipping (neuro, master of mind and griffin turner, master of speed).

"wait!" i hear you cry, "what about if the fandom can't decide on a name!" well then we end up with situations like bruise/geode. cole/jay is typically known as bruiseshipping- i can't remember whether this is due to the fact that their representative colors, black and blue, are similar to that of a bruise or whether it's because they fight a lot. either/or probably. while bruise is the typically accepted name for the ship within the fandom, there's another name based on the elemental master scheme from above. geodeshipping is the alternate name for it, because presumably putting lightning and rocks together creates geodes. idk. for someone who's mother used to be a geologist i don't know a lot about rocks.

it's the same for kai and zane, which most people call oppositeshipping. i've also heard it called steamshipping though, because of the whole fire meets ice and creates steam thing. i didn't learn that from my geologist mother though i just did well in chemistry.

"wait!" i hear you cry again, "what about people that don't have elemental powers!" well, like i mentioned earlier with wusako, sometimes people just mush their names together. however sometimes alternatives can be found that fit within the -shipping theme. ronin/dareth has been dubbed scruffshipping because, in the immortal words of artofthecol, they are both gross pathetic older men. i don't actually know the reason behind scruff as a name i just know that it's the name. other examples are techoshipping (jay and zane, bc one's a robot and the other's a tech nerd), samuraishipping (pixal and nya, because they were both samurai x), forgivenshipping (lloyd and brad, the bully from that one darkley's episode), and greencheerleader (movie!ship but WHATEVER, lloyd and chen, the bully from tlnm).

there's a few ship names that are even more confusing (mountain, blizzard, heavy metal, hailstorm, citrus, etc.) and some that are just straight up what's written on the tin. polyninja (cole/jay/kai/zane)? good shit. electricdjinnshipping (jay/nadakhan)? bad shit but at least it's tagged so i can blacklist it without having to put in 7 variations of a ship name.

"wait!" i hear you cry a third time, "how does this relate to tma? also stop using this format from 2014 tumblr posts to signal focus changes in your impromptu essay about ninjago ship names please" alrighty will do. i tagged a post about jonmartin, the dinghy, and assorted theoretical jonmartin ship names with something along the lines of "thank god we don't have the ninjago ship naming system", which while i understand it in-depth i still felt the need to write a super long post explaining it so y'all could suffer with me.

my original thought when writing this tag out last night was that a similar naming convention could be implemented by taking each avatar's fear they're aligned with and figuring out what happens when you combined them. it's similar to what we have currently with lonely eyes, peter/elias, and "sightless flame" as a name for gertrude/agnes that i saw used in a post earlier today in that it's based on the characters' powers rather than their names. HOWEVER, after a day of ruminating on this topic, i've realized that it would be nearly impossible to implement this new system because of how fast the already large fandom is growing and the amount of dedication that would be required on everyone's parts.

issue one: unaligned characters. this is the most glaring issue to me, namely because martin, one of the characters i took as an example for this, could be argued to be aligned with any of 3+ fears right now. this means that he has no definitive powers or entity tied to him. we could still go with the non-power approach: survivorshipping, because both he and jon survived the institute? teashipping, because of tea? seeingisbelievingshipping, because of the whole i see you thing (it would not be the most ridiculous ship name i've seen)? there's quite a few options, which leads into my next point.

issue two: indecisiveness. again, tma fandom is a lot bigger than the ninjago fandom already and it's growing every day. let's say you managed to find a ship with two avatars: off the top of my head, annabelle cane and daisy. not sure how that'd work in canon but whatever. annabelle's tied to the web (no pun intended) which means anything related to spiders, manipulation, lying, etc. could fit in her wheelhouse. daisy's the hunt, so anything about hunting, pursing, the thrill of the chase, so on and so forth. there's a lot of space for you to put those two together in. unfortunately, this means that it'd be hard to settle on one option that made everybody happy, and inevitably newcomers would have to decipher the ship names and possibly be spoiled by them.

in conclusion, [insert gif of tim stoker doing the harlem shake here]. thanks for coming to my ted talk

[nyxshadowhawk]

The Major Arcana, According to Castlevania

Playing The Arcana while binge-watching Castlevania has made me want to arrange Castlevania characters according to the Major Arcana. This is just my interpretation, so make of it what you will.

The Fool: Soma Cruz. I was going to put Soma at the Wheel of Fortune, but I think this is a better place for him. He is a seemingly normal, naive kid who is thrust into the adventure of a lifetime. He stands in a liminal space, at the boundary between light and darkness during an eclipse. He has the potential to be either good or evil, to become Dracula or to champion the fight against him. 

The Magician: Juste Belmont. Sypha could easily go here too, but Juste is quite a skilled sorcerer. His magical abilities really set him apart from any other Belmont and, though he doesn’t quite equal Richter and Julius in terms of raw power, his magic definitely gives him an edge. 

The High Priestess: Sypha Belnades. She doesn’t quite have the composure you’d expect from the High Priestess, but with her magical powers, intuition, and extensive knowledge of the arcane, she fits. She is also creative and strong-willed.

The Hierophant: Genya Arikado. Okay, maybe this is cheating, but Alucard’s role in the story does change as it goes along. By the time we reach AoS, he’s lived 600 years. He is powerful, wise, and righteous, but stuck obsolete ways of thinking (because... y’know.. he’s six hundred years old.)

The Empress: Shanoa. I have not played OoE so I can’t say much about her, but I know that in raw power she is second only to Soma, and Alucard’s equal. She is also the only woman to have her own game (in the main timeline), making her the Queen of Castlevania.

The Emperor: Richter Belmont. He’s likely the most powerful Belmont, unless Julius surpasses him. He also temporarily falls under the control of Shaft and becomes Lord of the Castle. Either way, he fits.

The Lovers: Mathias and Elizabeta/Dracula and Lisa. There’s a lot of love relationships implicit in the series, but this one has the most direct impact over the plot and the characters involved. Dracula seems to genuinely love his wife, in Lament, Symphony, and the Netflix series.

The Chariot: Trevor Belmont. Trevor’s character arc in the animated series centers around him making the active decision to take control over his own life. He fights back against Dracula for the good of Wallachia, instead of just letting life pass him by in an apathetic stupor.

Justice: Leon Belmont. I almost put him at The Sun, but what really defines Leon is his desire for justice, not just for Sara but for everyone Dracula might hurt. “The Belmont Clan will hunt the night!”

The Hermit: Alucard. Who else but the man who shut himself in a box for three hundred years? He almost shuts himself back into it after Symphony. Even when he’s around people, he tends to keep his distance. Between being immortal and in mourning, Alucard is desperately lonely, but he seems to like it that way.

The Wheel of Fortune: This one’s kind of a wild card. I’m not sure if there’s really a character who exemplifies it. I’d probably put Jonathan and Charlotte here, but I haven’t played PoR, so I don’t know much about them. It’s either them or John and Eric. Or Grant! Grant is underrated and deserves love! 

Strength: Simon Belmont. This man manages to kill Dracula not once, but TWICE, and the second time was while a curse was slowly killing him! He has more determination and willpower than even the average Belmont.

The Hanged Man: Hector. I’m going off of intuition on this one, since I haven’t played Curse of Darkness, but from what I know of Hector from Netflix, his story is one of tragedy and transformation no matter which way you spin it.  In the game, he seeks to atone for his past and join the side of good.

Death: Guess. Who.

Temperance: Isaac (Netflix) is something of a dark, cynical choice for this card. And yet, he fits, because it is his ultimate ambition to bring the world to a state of balance and peace, albeit through twisted means. He engages in brutal self-flagellation to calm his mind and achieve spiritual discipline. He is not the healthiest interpretation of Temperance, but embodies it nonetheless.

The Devil: Dracula. Well, duh, right? Even if an actual devil exists in the (main) ’Vania-verse, Dracula still may as well be it. 

The Tower: Those twins from season 3. Bolt from the blue, true destruction. I will not elaborate, I will only say that my heart has been taken out and impaled on a stake, and I don’t know how long it will take for me to recover.

The Star: Maria. She is just a little ray of light in the dark world of Castlevania, always optimistic while still being fearless, determined, and competent. She also has enough confidence to take on Castlevania by herself and even says “Well, perhaps we’ll meet again... if you live that long” to Alucard’s face.

The Moon: Carmilla. The Moon can represent the allure of the dark side and the temptation of vampirism, as well as madness and deception. What defines Carmilla (and that bitch-who-shall-not-be-named) for me is her deceptive nature. It’s why I hate her so much. She promises you fulfillment of your forbidden passions and then destroys you. It’s a dark interpretation of the Moon, but it works.

The Sun: Christopher and Soleil Belmont. Christopher is SUPER underrated and forgotten by almost everyone (although he’s a legend in-universe), which is sad because he literally defeated Dracula twice! Just like Simon! And, Soleil was the first heroic character to become possessed by evil! You thought that trend started with IGA? No! Soleil is the first Belmont to be fought as a boss. They deserve some love.

Judgement: Julius Belmont. Dracula’s day of reckoning has come. Again. Fighting Julius Belmont is the last test that Soma must past before confronting Chaos. Julius stands at the final threshold and offers Soma the opportunity for personal atonement and redemption. 

The World: Castlevania itself, the central point of the entire series and the driving force behind it. It is the battleground on which the forces of good and evil come to a head, and no man can say who will emerge victorious.