#made : 9-1-2023 | Explore Tumblr posts and blogs

renthony · 6 months ago

Text

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

#original essays #original post #nimona #nimona movie #nimona 2023 #nimona film

2K notes · View notes

rockabswing · 1 year ago

Text

making a separate thread for help links 💖 i will add more links as i find them !!

post w/ part two can be found here

PALESTINE

decolonize palestine

one click goes a long way !

petition signatures

post with various petitions and campaigns

who are the israeli settlers ?

URGE CONGRESS TO STAND WITH PALESTINE

USA - contact your representatives through this google doc

USA - contact

text resist to 50409 to send a letter to your representatives to pass HR3103-- a bill that prohibits tax dollars from going to israel !

UK - call for a ceasefire

UK - email your MP

UK - email to call for a ceasefire

australia - contact your rep !

twitter thread of donation links

protest preparation

companies to boycott

longer list of companies to boycott*

news source for updates

another news source

palestinian news source

palestinian journalist to follow

palestinian journalist #2

palestinian who posts updates about his living conditions

palestinian journalist

news from gaza

gaza news source

palestinian tiktoker who shares updates on palestine

free resources - includes 6 textbooks

israel's plan to ethically cleanse gaza

various subtwt charities for palestine

canadian based donation website #1

canadian based donation site #2

canadian based donation site #3 with information

USA based donation site #1

USA based donation site #2

USA based donation site #3

USA based donation site #4

UK donation site #1

UK donation site #2

UK donation site #3

australian donation site #1

australian donation site #2

australian donation site #3

buy an e-sim for a palestinian !

buy hygiene products for afab palestinians

games for gaza

purchase a keffiyeh !

note: it is not guaranteed that donations will get to palestinians due to the blockade. it is still noble to donate, but keep that in mind.

*another note: it is important to focus on the companies that the bds movement has listed. although important to know about, having a more targeted approach will have better results.

CONGO

2022 & 2023 global report of DRC

genocide watch - DRC

video about congo

congo infographic

another video about congo

canada based donation website

another canadian donation website

3rd canadian donation site

USA donation site #1

USA donation site #2

USA donation site #3

USA donation site #4

USA donation site #5

USA donation site #6

UK donation site #1

UK donation site #2

UK donation site #3

UK donation site #4

UK donation site #5

UK donation site #6

UK donation site #7

UK donation site #8

UK donation site #9

australian donation site #1

australian donation site #2

australian donation site #3

congolese donation site

youtube film about congo

another infographic

thread about congo

SUDAN

this site lets you choose which country you're donating from !

canadian donation site #1

canadian donation site #2

canadian donation site #3

USA donation site #1

USA donation site #2

USA donation site #3

USA donation site #4

USA donation site #5

UK donation site #1

UK donation site #2

UK donation site #3

australian donation site #1

australian donation site #2

australian donation site #3

sudanese donation site, but also has USA and canadian sites near the bottom

video about sudan

quick summary about sudan

list of other sudanese charities to donate to

information about sudan

important information about sudan

sudanese journalist

if there is anything that needs to be added, please feel free to add them onto this post !! I HIGHLY ENCOURAGE IT !!!! i made this thread for basic level information about these genocides; this is not to make you an expert in these topics. if anything is inaccurate, please feel free to tell me and i will correct it !

PLEASE ADD INFORMATION ABOUT OTHER GENOCIDES IF YOU KNOW ANY !!!!!

#free palestine #palestine #democratic republic of the congo #sudan #free sudan #free congo #stop genocide #genocide

6K notes · View notes

fixomnia-scribble · 2 years ago

Text

Scientists are very serious.

This is a post about science. And soup.

Dr. Elinne Becket, a microbiologist from Cal State University, is in the middle of one of those Fridge Experiments that happens to us all - except in this case, she is uniquely placed to unravel the science down to the microbial level.

While cleaning out her fridge, Dr. Becket found that a tub of family-recipe beef vegetable soup had turned bright blue. “Ok I'm outing myself here,” she tweeted, “but there was forgotten beef soup in our fridge we just cleaned it out and it was BLUE?!?!? Wtf contam would make it blue??? Like BRIGHT blue!! Even w/ all my years in micro I'm not handling this well.“

Read on for a breathless and ongoing saga of Soup and Science, and the wonderful international community that is Academic Twitter.

Academic Twitter quickly reminded her of her Responsibilities to Scientific Inquiry. (Cue the chanting from around the world of “CLONE THE SOUP! CLONE THE SOUP!”)

“I can’t believe y’all talked me into going back into the trash.” she tweeted in response, over a photo of a puddle of beautiful Mediterranean-sea blue soup in the trash bin, with bits of veg and noodles arising from the depths.

Scientists being scientists, Dr. Becket agreed to take a sample and send it to colleagues for cloning and microbial analysis.This involved getting arms-deep into the trash bin of Old Soup. “I’m never forviging @ATinyGreenCell (genomic biologist Sebastian Cocioba) for this.” Dr. Becket tweeted, with a photo of a properly dipped and snipped and VERY blue q-tip in a small clear plastic tub.

Diving into decomposing soup was not the only hazard. She writes: “My mom (who made the soup for my birthday) came across this thread and now 1) I have to answer for letting her soup spoil and 2) she's worried @ATinyGreenCell will figure out her secret recipe.“

Dr. Becket and Sebastian were able to culture the Blue Goo!

Becket posted a photo of three petri plates of streaked beef bouillon agar at 72 hours incubation, at 37C, room temp and 4C. She writes: “Left the plates where they were for another 2 days, except the 37°C one was brought to RT, which then grew white stuff over the yellow stuff and stinks to high heaven. RT looked the same. 4°C had impressive growth. Restreaked them all onto TECH agar, awaiting results!”

Sebastian, from his lab, tweeted a photo of three more covered petri dishes, with early results: “Great progress on isolating the glowy microbe from our #BlueSoup! It's so fluorescent the streak is GREEN. Still needs another restreak as it seems there is a straggler but should clear up in the next plate. Exciting!”

Then yesterday, Sebastian tweeted out an updated photo of his plates under daylight and blacklight. “Whatever grew on the #BlueSoup colony plates overnight glows under UV, but only on King's Agar B! That particular media is used to tease out fluorescein expression in pseudomonads. What are the chances that the same cell line expresses fluorescent AND blue pigments?“

“Looking closer, there definitely is a handful of different microbes showing distinct phenotypes. Could be that the blue producer and the fluorescent microbes are totally different microbes!”

At which point, Professor Cynthia Whitchurch of Norwich, England, responded: “Consistent with P. fluorescens being at least part of the #BlueSoup community. The fluorescence is due to production of the siderophore pyoverdine which is up-regulated when iron availability is limited. P. aeruginosa produced this too but my guess is you have blue Pf.”

And Australian agricultural researcher @WAJWebster helpfully tweeted a petri dish of ALL KINDS of colourful bacterial colonies from white to yellow to orange to stark black, with a cheerful: “You need bact-o--colours? I got you, fam.”

The best part is that as of today, March 9, 2023, THE BLUE SOUP MYSTERY CONTINUES. WE ARE WATCHING SCIENCE HAPPENING!

A paper is being written. And Dr. Becket’s mum is getting an author credit as the proprietary owner of the #BlueSoup recipe.

Dr. Becket’s Twitter is here: https://twitter.com/bielleogy

Sebastian Cocioba’s Twitter is here: https://twitter.com/ATinyGreenCell

Fun IFLS story is here: https://www.iflscience.com/microbiologist-investigates-after-her-beef-soup-turned-blue-in-the-freezer-67894?fbclid=IwAR0H27KqVZhzzrosnjzzKkxuKASZ-0L0Lt6hGwCRDJK8xvFbbSlyS4JvwlM

#soup #science #science twitter #academic twitter #fridge experiments #bluesoup

15K notes · View notes

bweirdart · 1 year ago

Text

EVENT OVER! THANKS EVERYONE WHO JOINED IN U ALL DID AN AMAZING JOB <3 SEE YOU AGAIN NEXT YEAR IN MARCH FOR #mARTch OR NEXT OCTOBER (2024) FOR A NEW SET OF PROMPTS!!!!!

OC-TOBER 2023 PROMPTS!!

general tag: #oc-tober / my prompts: #bweirdOCtober

F.A.Q:

Do I have to draw EVERY DAY?

NO! I highly encourage skipping as many days as you need to avoid burnout! There are 10 main days in the event (marked with a ⭐ star) that you can focus on if you don't feel up to doing every day, or you can choose your own adventure and just do the prompts you personally like!

Do I have to DRAW?

NO! You can also write fanfiction snippets, repost older art that fits the theme, tweet headcanons/backstory, roleplay in-character as your oc ... genuinely anything that fits the theme is OK!!

Can I start early?

YES! I understand some people work at a slower pace and might need a head start! So long as you wait until October to post it, you can start working as early as you need!

I missed the start of the event .. do I have to catch up?

NO! Please don't stress about days you missed, you're allowed to just skip to the current prompt!

RULES:

1. MAKE FRIENDS! The community is the best part of this event .. please try to follow new people, ask questions about ocs you like, compliment people's styles, ask friends to create with you, etc!

2. TAKE IT EASY! Skip a day if you're tired, busy or just not interested in the prompt. You don't have to catch up on it later. This is supposed to be fun, not work!

3. BE KIND! Please think about the people around you - don't give people unwarranted harsh criticism, content warn for themes/imagery in your work that could trigger someone, don't create anything hateful, etc

text version / tips and ideas on bweird.art or below ↓

star = main prompts | no star = optional

INTRO WEEK

1: FAVE OC ⭐

-Which of your characters is your favourite right now?

2: NEW OC

-Who is your newest OC?

-Design a new OC right now

3: OLD OC ⭐

-Do you remember the first OC you ever made?

-Is there an OC you haven't drawn in a long time?

4: RE-DESIGN

-An OC who has changed a lot over the years

-Take an old OC and update their design right now

BACKSTORY WEEK

5: RELATIONSHIPS ⭐

-Who is important to your OC?

-Do they have a partner?

-Do they have a best friend?

-Are they close to their family?

6: SYMBOL

-What imagery do you associate with your oc?

-Are there any colours, flowers, animals or concepts that symbolize them?

7: PERSONALITY ⭐

-How does your OC behave?

-What are their positive traits?

-What are their negative traits?

-Are they extroverted or introverted?

8: PAST

-What was your OC like as a child?

-Where did they grow up?

-Are there any significant moments from their past that shaped who they are?

9: FUTURE ⭐

-Does your OC have a goal they're working towards?

-What will your OC look like when they get older

-Do you have a planned ending for their story?

PALETTE WEEK

10: pumpkin patch palette

#251604 #1E3807 #5B5E1A #A2A657 #EBA00F #F3ECCC

11: hot cocoa palette

#520B13 #BB382E #E27E6D #88392C #AF5D40 #E1AFA4

12: midnight zone palette

#000007 #000049 #183885 #004D4F #0E8788 #FFF1C0

13: peachy palette

#DE6450 #DB9171 #FFC1AE #FEE1AD #FFF2E0 #D9D8D8

14: haunted house palette

#552506 #6E25AA #ED690B #F925A0 #8F8BA7 #A6C1AA

FUN + GAMES WEEK

15: MEME ⭐

-Post memes that remind you of your OC

-Draw your OC as a meme

-Fill out a character meme (classic deviantart style)

16: FOOD

-What is your OC's favourite food?

-What is their least favourite?

-Can they cook?

17: EYES-CLOSED ⭐

-Draw your OC with your eyes closed! No cheating!

-Write a scene without looking at the keyboard! Keep the typos in!

18: SWAP

-Swap the style or aesthetic of two of your OCs

-Species or gender swap AU

-Invert an OC's colour scheme

19: INSPIRATION ⭐

-Is your OC inspired by any pre-existing characters?

-Are there any particular songs/lyrics that inspired something about one of your OCs

-Do you have a dedicated pinterest moodboard for your character?

20: INVENTORY

-What does your OC carry around with them on a daily basis?

-Are there any objects that have sentimental value for them?

-Loot drop for your DnD OC

FRIENDS WEEK

21-25:

There's no specific daily prompts for this week, but here are some ideas you can try ...

-Art trades with friends who are doing the event with you

-Your OC interacting with a friend's OC

-Gift art for someone whose OCs you like

-Work together and collaborate on something with a friend

-Roleplay an OC scene together with someone

HALLOWEEN WEEK

26: FEAR ⭐

-What is your OC scared of?

-Draw one of your OCs trying to scare the others

27: MONSTER

-Do you have any monster OCs? (eg: vampires, werewolves, creatures, ghosts...)

-Draw a human OC as a monster

-Design a new monster

28: TRICK

-Play a trick on an OC

-Do you have an OC who would play tricks on people?

29: TREAT

-What is your OC's favourite halloween candy?

-Give an OC a special treat to make up for yesterday's trick

30: MAGIC

-Do any of your characters have magical powers?

-Give an OC a magical or cursed artifact

-Create a magic-using OC like a witch or wizard

27: COSTUME ⭐

-What is your OC dressing as for halloween?

#bweirdOCtober #events

6K notes · View notes

whumptober · 1 year ago

Text

Whumptober 2023

Welcome to Whumptober 2023 — the sixth year running!

COMPLETIONISTS/PARTICIPANT BADGES CAN BE FOUND HERE

To those of you who participated last year, welcome back! To everyone joining this year, welcome!

Please make sure to read the Event Info carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

And this years playlist can be found here.

There are 139 prompt options in total this year - this is including the alternatives list! A special thanks goes out to those who took part in our trope vote back in July. From the 1526 responses to our list of 223 tropes, we looked through the popularity results, as well as your honourable mentions, and were able to produce this years prompts list. Stay tuned, as we will be posting some of the results at a later date!

We’re very excited to see the community come together once more and be a wild, chaotic bunch of creators and consumers of whump. Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(All 31 Themes + Prompts, Event Information and FAQs are posted below the cut!)

Whumptober 2023 Prompt List

No. 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”

Safety Net | Swooning | “How many fingers am I holding up?”

No. 2: “I’ll call out your name, but you won’t call back.”

Thermometer | Delirium | “They don't care about you.”

No. 3: “Like crying out in empty rooms; with no-one there except the moon.”

Journal | Solitary Confinement | “Make it stop.”

No. 4: “I see the danger, It’s written there in your eyes.”

Cattle Prod | Shock | “You in there?”

No. 5: “You better pray I don't get up this time around.”

Debris | Pinned Down | “It's broken.”

No. 6: “Do or die, you’ll never make me; Because the world will never take my heart.”

Recording | Made to Watch | “It should have been me.”

No. 7: " “I paced around for hours on empty; I jumped at the slightest of sounds.”

Alleyway | Radio Silence | “Can you hear me?”

No. 8: “I’ve got soul, but I’m not a soldier.”

Overcrowded ER | Outnumbered | “It’s all for nothing.”

No. 9: “Learning everything ain't what it seems, that's the thing about these days.”

Polaroid | Mistaken Identity | “You're a liar.”

No. 10: “Can’t you see that you’re lost without me?”

Broken Phone | Stranded | “You said you'd never leave.”

No. 11: “All the lights going dark and my hope’s destroyed.”

Animal trap | Captivity | “No one will find you.”

No. 12: “I haven't slept in days but who's counting?”

Red | Insomnia | “I’m up, I’m up.”

No. 13: “It comes and goes like the strength in your bones.”

Cold Compress | Infection | “I don’t feel so good.”

No. 14: “Feed me poison, fill me ‘till I drown.”

Flare | Water Inhalation | “Just hold on.”

No. 15: “I don't need you to help me I can handle things myself.”

Makeshift Bandages | Suppressed Suffering | “I’m fine.”

No. 16: “Would you lie with me and just forget the world?”

Gurney | Flatline | “Don’t go where I can’t follow.”

No. 17: “You’re the lump in my throat and the knot in my chest.”

Collar | Touch Aversion | “Leave me alone.”

No. 18: “I tend to deflect when I’m feeling threatened.”

Blindfold | Tortured For Information | “Hit them harder.”

No. 19: “I’ll take one final step, all you have to do is make me.”

Floral Bouquet | Psychological | “I’m not as stupid as you think I am.”

No. 20: “People don’t change people, time does.”

Blanket | Found Family | “You will regret touching them.”

No. 21: “See the chains around my feet.”

Vows | Restraints | “Don't move.”

No. 22: “They never saw us coming, ‘til they hit the floor.”

Glass Shard | Vehicular Accident | “Watch out!”

No. 23: “It’s gonna get me by the end of the night.”

Shadows | Stalking | “Who’s there?”

No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.”

Goodbye Note | Neglect | “I thought they were with you.”

No. 25: “You’re not delivering a perfect body to the grave.”

Storm | Buried Alive | “They’re not breathing!”

No. 26: “Sometimes I get so tired; I don’t even know myself.”

Seeing Double | Working To Exhaustion | “You look awful.”

No. 27: “You drew stars around my scars; But now I’m bleeding.”

Matches | Scars | “Let me see”

No. 28: “We might not make it to the morning; so go on and tell me now.”

Bloody Knife | Sacrifice | “You'll have to go through me.”

No. 29: “I only sink deeper the deeper I think.”

Scented Candle | Troubled Past Resurfacing | “What happened to me?”

No. 30: “It’s okay, just to say, ‘I’m not okay’.”

Borrowed Clothing | Bridal Carry | “Not much longer...”

No. 31: “I thought that I was getting better.”

Emptiness | Setbacks | “Take it easy.”

Alternatives List:

Betrayal

Aftermath of Failure

Brass Knuckles

Decoy

Body Modification

Playing Cards

Examination

Hunting

Drugging

Shaking

Panic

Broken

Miscommunication

Lab Rat

Reluctant Whumper

Event Info & Rules

~ Please read our extensive event info posts before sending us an ask ~

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.

The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to the 'spark' of a relationship. It's truly up to you!

In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag the with:

#whumptober2023 …..(the event tag)

#no.1, #no.2, #no.3, …..(day number)

#lyric, #bruises, #stabbing, …..(the theme or specific prompt you chose)

#fandom or #OC, … (ironman, originalcontent, oc …)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #gore tw, #etc …..(trigger warnings & any additional tags. Add "tw" AFTER the trigger/content warning. )

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.

Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.

Frequently Asked Questions

Q. How does this year’s prompt list work? What do I have to choose?

You can create something based on:

The overall theme/lyric of the day

Prompt 1, 2 or 3

One or several of the alternative prompts

A combination of the above

Q. Is [specific anything] allowed?

When in doubt: JUST DO IT!

Q. Do I have to do all 31 days?

Participate as much or little as you like! Just be sure to tag your posts properly (ex. #no.7, #radio silence). If you create works for 31 total theme days you will become a completionist. But apart from that, there are no repercussions if you don’t fill prompts for each day.

Q. Can I post early/late?

Yes, you can post whenever you want. We will only reblog posts during October, but you can use our prompts all year round. The day you post will only affect your probability of being reblogged.

Q. Will you reblog my post?

Due to the sheer number of content posted during Whumptober we can’t promise to reblog every single post. We will make a random selection trying to capture a wide variety of content. The following will increase your chances at being reblogged:

tag your post properly

post within 2-3 days of the theme you want to fill: if you fill the prompt for Day 1 your chances of being reblogged during October 1st to 3rd are highest and will go towards zero afterwards.

Q. What if I don’t understand a prompt/theme?

Send us an ask! We’re happy to help with wild, unhelpful clarifications or brainstorming. That being said, the themes are entirely up for interpretation. Don’t take them too literally. For example: You can be choking on a cherry, someone else can choke you or you could be choked up on emotions, etc.

Q. What kind of content can I make? Can it be NSFW?

This is a MIXED MEDIA event! You can write fic, post meta, doodle or paint, create a gifset or photo edit, link a song, or get crafty with video - anything goes. As for NSFW, make what you like, we just hope that you’ll tag your work accordingly so that others participating in the event can stay safe.

Q. Can I combine Whumptober with other creation challenges?

Absolutely, as long as the other challenges allow it too.

Q. Can I upload/repost my Whumptober content to other social media platforms?

Of course! You can post your own content wherever you like (or you can opt to not publish it at all). Additionally we’ve created an AO3 Collection to archive any fics posted there. It can be accessed here. The tumblr blog @whumptober-archive is the official archive, so please respect the boundaries of any closeted whumpers in your social circle.

Q. Can I use prompts to write a new chapter for an existing fic?

Yes.

Q. An existing fic I am currently writing contains many of the Whumptober prompts, can I use it?

If you are actively writing this fic at the moment with the Whumptober prompts in mind, yes. If you’ve previously posted something that checks the boxes, we ask that you not include it retroactively for this current year. You can, however, add new chapters relating to one or more of the prompts.

Q. What kind of characters can I write for?

Fandom characters, OC characters, human, furry, alien, cyborg, RPF, whoever you like. You can use the generic “whumpee” character or have specific ones.

Q. Does it have to take place in a specific fandom?

No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want.

Q. Can I use a prompt multiple times?

Yes, but it only counts once towards being a completionist.

Q. If I’m not comfortable with one day’s prompts can I use a prompt of a different day as a substitute and still be a completionist?

No, you can’t exchange prompts for different days. However, if all four prompts of a specific day make you uncomfortable, we have created an alternate prompts list that you can draw from. You can exchange any prompt with these, but please make sure not to use them twice.

Q. Where can I post my work?

Post where and how you want. You don’t have to (cross)post it to Tumblr or at all. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive.

Q. Can I start posting early?

You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? That being said, you can post early, but we won’t be reblogging any work predating October 1st.

Q. Do I have to finish a fic I started/can I post WIP’s?

Yes you can post WIPs. And you’re not obligated to finish it in October for it to count towards being a completionist.

Q. Is co-writing allowed?

Yes, absolutely, and it would count towards being a completionist for both/all of you.

Q. Do I have to create 31 standalone pieces to be considered a completionist or can I write one continuous story?

One continuous story is fine. The challenge is to write something for 31 prompts. If that’s spread over 31 fics or just one, you are still considered a completionist. (The same goes for every other media you choose.)

Q. Is there a min/max limit on word count?

There is no limit.

Q. Can I combine prompts? Is there a limit on how many?

No limit and combine as many as you’d like.

Q. Is a hc/angst/emotional whump focus ok?

Of course! We are not going to establish a threshold for whumpiness. If you think it’s whumpy enough, then it’s whumpy enough. It can be physical, psychological, emotional, or any combination of the three.

Q. What’s considered nsfw?

See this post

Q. What is whump?

Typically the genre includes situations where a fictional character is hurt, be it emotionally, psychologically, or physically. Fanlore provides information here.

Q. My interpretation of the prompt isn’t whumpy at all, does that count?

If you don’t think your interpretation is whumpy, then it doesn’t count for Whumptober. Remember that whump comes in many forms, though, and that we don’t have a whump-checker or a threshold for how much whump needs to be included. If you think your interpretation contains enough whump to count, then it does.

Q. Can I start working on the prompts before October?

Absolutely! That’s why we post the prompts a month in advance. We recognise how difficult it can be creating for 31 days in “real time” so feel free to start creating early!

Q. How do I tag triggers?

tw at the end of the word, ex. #gore tw

Q. Do I have to use your tags?

Yes, if you want your work archived on the blog. If not, feel free to use whatever tags you want.

Q. Does combining prompts count towards completion?

Yes

Q. Can we @ you?

Yes but we mostly rely on the #whumptober2023 tag.

Q. Is there anything we are absolutely not allowed to write?

There are no rules, but please make sure to properly tag your trigger warnings. And keep in mind Tumblr’s policies if you are posting it here (or the policies for whatever site you use).

Q. Where can I go for brainstorming help?

Here on Discord or come into our ask box.

Q. My characters are minors, is that ok?

Yes, but as with everything else, use clear and descriptive tags.

Q. Can I cross post on other blogs?

Yes, multiple platforms and blogs are perfectly acceptable. You can also post different works to different accounts under different names, without posting them everywhere at once.

Note: This is a creation challenge, please don’t repost your old work under our tags (unless it’s been changed or edited for the event).

Thanks for reading, and happy whumping!

#whumptober2023 #whumptober 2023 prompts list #whumptober #prompts list #long post

7K notes · View notes

pastadoughie · 8 months ago

Note

every time you answer an ask with an image and then a paragraph, it feels like you're at a press conference, and i get happy imagining your critter standing at a podium

#art #mspaint #my art #rowens liddol guys #ask #asks #anon #anonymous #sent : 9-1-2023 #made : 9-2-2023

366 notes · View notes

fangirl-dot-com · 8 months ago

Text

logan sargeant x driver!reader

🪩 synopsis: what if Logan's contract was not renewed in December of 2023? Williams makes the decision to sign Formula 2 Champion Theo Pourchaire instead. While on the other side of motor sports, IndyCar driver Y/n L/n is also cast aside like her childhood friend. With the 2024 season approaching, and no seats in sight, how will these two finally show off their skills and prove they have what it takes to be the next motor sports stars? Well, they need a fast team and a reputations era...

🖤Prologue - My Reputation's Never Been Worse

🪩Track 1 - The Beginning of an Era

🐍Track 2 - . . . Ready for It?

🌑Track 3 - Big Reputations (End Game)

😈Track 4 - I Did Something Bad

🍾Track 5 - Don't Blame Me

🥃Track 6 - Delicate

🎩Track 7 - Look What You Made Me Do

🤩Track 8 - Gorgeous

🏎Track 9 - Getaway Car

👑Track 10 - King of My Heart

Track 11 - Dress

Track 12 - Call It What You Want

Track 13 - New Year's Day

Epilogue: What Goes Around, Comes Around

💿Bonus Tracks

#f1 x driver!reader #logan sargeant x you #logan sargeant imagine #logan sergeant x reader #logan sargeant x reader #logan sargeant #reputations is coming #reputations fic #f1 imagine #f1 x reader #formula 1 x you #future grid dad lestappen #future grid dad lewis #grid bestie george #formula one x reader #formula 1 x reader #formula 1 imagine #andretti on the grid #platonic grid x reader

1K notes · View notes

cheriladycl01 · 3 months ago

Note

ANGST ( friendship ended, ego battles, Championship, Ferrari, Red Bull, Dutchman, American Girl, unrequired love, Title battle)

Y/N and Max have been friends since their go-karting days. She was a driver for Alpha Tauri and achieved spectacular results with the team and was hoping to take the second seat at Red Bull, but as other drivers are ahead of her to take that spot, she accepts a million-dollar proposal from Ferrari. Max is bewildered by her decision and breaks up a years-long friendship for a trivial reason, as she is thinking about the good part of her career and at Ferrari she has a chance to fight for titles. She is devastated by Max's reaction and his contempt for her, the Dutchman starts to pretend that the American doesn't exist and ignores her both in the paddock and in Monaco, where they live. Fans, fellow riders and the media are devastated how such a lasting friendship ended in such a heavy climate, the American media blasts Max, while the Dutch media trashes Y/N. Y/N and Max enter into a brutal and fierce dispute for the 2024 championship, more tense than 2021, due to the entire context that involves the two. Max felt betrayed by her leaving Red Bull and by her never realizing that he always liked her, but now she's the one who doesn't want anything to do with him in her life anymore and she's going to do whatever it takes to be world champion. They arrive in Abu Dhabi tied and in the wheel-to-wheel dispute, Y/N becomes world champion, and Max realizes that he made a mistake with the love of his life and is humbled by her forgiveness.

This is the story of us! - Max Verstappen x FerrariDriver! Reader

Plot: In the style of a documentary find out what really happened in the year of 2024 between Max Verstappen and Y/N Y/L/N.

“Audio test in the studio please Y/N” the Documenter asks from behind cameras.

“10, 9, 8, 7, 6, 5, 4, 3, 2, 1” you say your face on camera as some continues to fix your hair.

A News Broadcaster pops up from 2023 on Sky Sports News.

“Today the shocking news has come that rather than signing with Red Bull Y/N Y/LN has made a million dollar move to Ferrari”

“Y/L/N to drive in Red for the 2024 season”

“Red Bull decision to not sign Y/L/N leaves them out no options says Adrian Newey”

News articles play in overlay over each other as they get more frequent about your career change 2 years ago.

“Hiya Y/N” the interviewer for the documentary asks.

“Hello” you smile back politely on the footage.

“So this documentary is about the Formula One season of 2024 and … your intense battle for the championship”

“Mmmmm all very interesting no?” You joke before serious music comes on. Showing some shots of you racing, and some of the radios that came from that season.

“This isn’t right! Why isn’t my team working together” your voice come through.

“Y/N it’s time to back off. You can’t win this one”

“I’m never going to give up, it’s me or him in this dust and I don’t care which as this point as long as I know I pushed”

“Y/N are you okay? Y/N?”

“What the fuck was that?”

“Guys this is my last chance let’s put it all in”

“FUCK THIS GUY MAN”

“Yes it was … a heated season for sure” you chuckle.

“So start by telling us about your early life” she asks after a small compilation of early photos of you karting before it’s edited to flick back and forth between your interview and clips of you karting and in the feeder series.

“I started karting from a very young age, around 6 and worked my way up like any other driver. Eventually Red Bull … saw potential in me and decided to sponsor me and make me a part of their Young Drivers Programme. That eventually fed me into a seat in AlphaTauri or what is now Visa CashApp RB” you start, hands clenched together.

“I saw everyone else get a chance at that Red Bull seat before me regardless of my performance. And when they signed Sergio Perez, someone from a different team, that tipped me over the edge” you admit, knowing that it was one of the hardest heartbreaks you experienced.

“And that’s when Ferrari came in?” The interviewer asks.

“That’s when Ferrari came in, they wanted something fresh and new and I’d pretty much grown up with Charles just like I had Max, so there was no concern about us being Team-Mates. It was … despite Ferraris struggles in recent years, my only way forward” you nod your head, before the documentary shows your driving in your AlphaTauri and your incredible win in that car, that should have been the reason Horner wanted to sign you.

“Max … wasn’t happy with this decision” she asks and you nod.

“He wasn’t … i thought if anything was to ruin our friendship it would be an external relationship that didn’t appreciate our bond. Not … because of a job” you laugh thinking of his reaction and how he’d cut you off in all aspects of life.

That year was difficult for you, even though you’d had more people around you than you’d ever had in your life you had never felt more lonely.

Max had pretty much axed you out of his life. He’d blocked you on every social media, every messaging platform and even put your emails into his junk folder. You thought it was a step too far writing to him so, you left it.

You left an eleven year friendship to just go down the drain. You didn’t realise until he was actually gone how much of an impact Max Verstappen had on you and your life. He was there for you for every major thing that happened in your life and this move to Ferrari felt like your next step. But he had no longer wished to be a part of that.

“What did it feel like when you announced going to Ferrari?” Your asked and your paused for a while before you face the interviewer.

“I think everybody dreams of driving for Ferrari, no matter what team your currently with as … it’s the pinnacle of motorsport. But to be the first female to drive for Ferrari is a statement. The day I made the announcement and it went onto the F1 page that my contract was up with RedBull and AlphaTauri for the 2023 season I couldn’t have been happier because it felt like I was finally moving forward and not stuck in the same spot” you answer and she nods.

“And how did that affect your friendships?” She asks and you almost scoff.

“Why didn’t you just say Max” you chuckle before sighing. You never mind talking about it especially now, of course you were upset and heated back then. You normally tending to be after racing if it didn’t go your way anyway, but when it came to Max leaving you there were times you were pretty nonchalant about it because you didn’t know how to react.

It was the later reaction that was more frightening.

“Well, that would spoil that kind of answer, clearly there’s more of an issue here than with any other driver” she asks.

“You’ve done your research, you know exactly what happened”

Media floods in the documentary American News anchors sending hate to Max Verstappen especially when he came to home turf for a race and the Deutch fans butchering you in the Netherlands.

SkySports -

“Max Verstappen is brutal, can’t imagine ever being as petty as he is”

ESPN News -

“And today we have news that Red Bull Driver Max Verstappen has cut all ties with new Ferrari Driver Y/N Y/L/N, for her change of team”

Fan at the Track -

“You know Max is incredibly overrated and childish for what he did to our American pride and joy”

News in the Netherlands

“ze is gewoon een vreselijke chauffeur”

Fan at Zandvoort

“neuk haar”

It pans back to you looking down at your hands before the interviewer speaks up again.

“So before the season started did you and Max have any heated arguments that contributed to the start of the season?” She asks and you shake your head.

“He blocked me on everything, I was with my ex-boyfriend at that point and we were travelling during the winter break so it didn’t bother me too much. I tried to keep myself distracted knowing I had great support around me, a new team to get to know and work with.

But as the 2024 started to get closer and you came back home to Monaco, sensing Max had disappeared from your life finally sunk in. You had many days at home wrapped up in blankets crying, wondering where it all went wrong.

Making you feel lonely in Monaco was one thing, but it only got worse in the paddock when racing resumed for the testy 2024 season.

A video plays of the Bahrain testing in 2024 you on track in a semi fast Ferrari that people cannot tell whether you are sandbagging or not Max breezing past you.

Strangely that was the closest you’d been to Max in months.

“Monaco was different now that you didn’t have your best friend … how did you occupy your time instead?” She asked.

It showed videos of you partying in Monaco with Charles your soon to be team-mate, Lando Norris and Daniel Ricciardo.

Then it flicked to you and Lando golfing with Max Fewtrell, while vacationing.

It flicked to a very public argument between you and your boyfriend which proceeded to your breakup.

“Well, it was an interesting build up to the season. Let’s just say that” you smirk knowing at the start of 2024 before preseason testing you caused a lot of chaos all to try get your mind off the absence of Max.

“Then we find ourselves at Bahrain 2024… a race I think that will be in the history books as one of the most tense season openings ever” she admits writing something down on the notepad she had that she really didn’t need.

“Yes, it was an interesting race. I think that was the first time I was in equal machinery to Max, at the start of the season we didn’t start off as good as RedBull but Charles and I were giving him a run for his money” you admit knowing Sergio Perez didn’t have the greatest start to the season and now that you were locked into Ferrari, Red Bull were beating themselves up over the loss of you.

“So Max took pole and you were only 0.003 seconds behind him, what a margin! You started P2 both front row” she smiles and you nod.

“Yeah I think that’s the most scared I’ve ever felt in a race car, P2 has been my best qualifying position and I couldn’t let it go to waste. But having Max next to me with everything that was going on was a massive headache” you tell her and there’s a clip of you looking over at Max sat next to you just before the formation lap was about to begin.

“Let’s talk about turn 1 Bahrain …” she asks and you nod.

“I mean, I was racing and I was racing hard. I gave Max plenty of room, I had the inside line and I got past him and led. It was a good overtake and the team didn’t exactly tell me not to go for it” you explain and she nods.

“But after your pit stop stuff got real” she adds and you nod with a roll of your eyes.

“Tell me about it” you laugh.

“AND VERSTAPPEN GOES FOR THE OVERTAKE GOING INTO TURN 5, Y/N DEFENDING BEAUTIFULLY AND HE GOES AGAIN EDGING HER INTO TURN SIX AND OMG HES OFF INTO THE GRAVEL! MAX VERSTAPPEN IS OUT IF THE BAHRAIN GP” it shows the commentary from Crofty when this was all happening showing Max getting out the car and slamming his helmet down.

“WHAT THIS Y/N HAS DAMAGE THERE WAS IN FACT CONTACT AND SHES HAD TO PULL OVER NOT MAKING IT BACK TO THE PITS FOR A NEW TYRE” is shown also you getting out of the car, your escorted back to the pit wall while Safety Car is deployed.

“Yours and Max’s argument that day while the race was still underway and Charles was leading, was intense who actually started it?” She asks.

“Oh Max did 100%. I was just talking to my race engineer and he came over all pissy and yelling in my face. Seeing him so red and angry was funny though” you admit.

“I think that’s the first time people had seen seriously Mad Max since the Ocon incident”

“I guess I just bring that side out of him” you admit with a nod.

“What the fuck was that” Max came over to you, you took a step back hoping to defuse the situation knowing their was cameras around and you didn’t really want to bring attention to either of you.

“Look Max we were both racing hard. It happens, you went into me, we both ended up out the race … it happens” you explain and the camera men all get closer.

“You went into me! Are you having a laugh!” He says until he starts ranting in Dutch and his PR manager and a Marshall take him away from you.

“Bahrain was incredibly dramatic for a race. The champion of last year was sat at the bottom of the leader board and Charles, Lando and George were looking at the top spots. How did the make you feel?” She asks and you nod.

“Obviously it’s concerning. Coming back isn’t easy after a feat like that, so we knew we’d have to come back in Saudi and make it better than it was. It’s also hard to come back from something like that mentally? Yano. So Saudi was hard especially all the media around me” you explains and it cuts to clips of all kinds of media swarming around you asking you stuff about Max and your race in Bahrain.

“In Saudi you and Max raced hard but eventually it ended up with Max in P1 and you in P2 and Lando P3… that podium was tense” she explains and a video of the podium came up, showing Max celebrating with everyone but you. You ending up leaving him and Lando and leant over the fence of the podium to spray your team down below.

“Lando and Max are close, but you and Lando are aswell so how did it feel having no celebration up there with you?” She asked.

“Lando is actually the sweetest person I’ve ever met. He cares about everybody and everything and he worries when he thinks he’s upset someone. He messaged me after that podium, apologising for leaving me out of the celebration and he didn’t even realise he had as he was so caught up in Max spraying him he thought it was both of us. I obviously replied saying I wasn’t upset and that it was okay. I had my team and that’s all I really needed at the end of the day” you nod knowing it WAS a hard podium to be up on but you made the best of a bad situation.

“The comes Australia, and this is your first time to regain the points lost in Bahrain. So what did you do?”

“Man … the first time I won was so nice … that I just had to do it twice” you quote Anthony Joshua with a little laugh. Before it shows you’re victory.

“AND FOR THE SECOND TIME IN HER FORMULA ONE CAREER THE AMERICAN TAKES HOME THE CHEQUERED FLAG TAKING VICTORY IN AUSTRALIA, TEAMMATE CHARLES LECLERC BEHIND HER IN P2 WITH LANDO NORRIS CLOSING UP THE PODIUM” Ted commentates.

“It was an incredible feeling, knowing I was now making my way back up the ranks and was in P3 in the championship, Max was behind me and I felt like I was back in the game. To DNF’s for him was almost laughable.

“The points were very amusing come China, you were leading the championship and Ferrari were at the top for the constructors championship. And Max, Lando and Charles were all on 76 points and you were on 78… how tight!?” She adds.

“Yes, it was crazy how varied this season was with wins, especially with how RedBull were insanely dominant the year before and RedBull took all wins bar Singapore. At this point I wasn’t just fighting Max in he championship there was word at Ferrari that team orders were going to come into play to help Charles win but when we were both so close in points it was easier to just let us race” you explain happily, knowing that it was a fun season to be a part of.

“But after China was a sort of turning point for Max correct?” She asks and you nod again.

“It was for both of us. After China it was a constant change between me and Max of who was going to win, Lando and Charles remained close, but not enough to win.” You explain but her look tells you you didn’t give her the answer she was after.

“I meant about Max trying to rekindle that friendship you both once had” she asks and you scoff.

“Mmmmm you’ll have to ask him about that… at the time I could only assume he wanted to be my friend to distract me from what was important … winning” you answer.

“Hello Max” the interviewer says as their special guest for the documentary comes in. He takes a seat, a stoic nod as he does.

“So, Y/N didn’t seem to be able to tell us what happened after the Chinese Grand Prix, it seems from sources that you unblocked her on everything and attempted contact?” She asks and Max nods.

“I- I did. After seeing her wins, and her face once she realised it was a full fight this year and how excited that made her I knew I was in the wrong for ever letting our bond go. I don’t think she even cared about the championship that year, just being in a team that was letting her drive a good car, with a good team and actually help her improve. I was in the wrong but at this point … she was only focused on racing” he sings and a compilation of videos of the pair of you arguing on track came up.

“It was just affecting you guys either was it?”

“No, it was hard especially for Lando, Daniel and Charles, we’re all so close and Lando and Y/n are like siblings so when it came to the both of us not talking it was difficult for them. Y/N being … well Y/N didn’t want to make it a big deal and started hanging out more with her other friends like Yuki, Logan, Zhou, George and Alex but it still meant it was … awkward to say the least” he admits.

“Yeah, that sounds rough, do you ever regret it?” She asks and he nods.

“For a long long time, I didn’t think that I would be able to reconcile our friendship like Nico and Lewis did” he admits.

“But you think that now?” She asks and he smiles.

“I know so” he smirks

It was the end of the season, you and Max were tied in points so for fans it was like Abu Dhabi 2021 all over again. Max was starting P1 and you were starting P2, you’d overtaken him down the straight having better straight line speed than his car did. You were practically flying round the track, Max chugging along behind you eventually setting the fastest lap, and you just knew the cheer from the crowd would have been phenomenal if you could hear it.

After great strategy from Ferrari you ended up winning that race, along with the Championship. Getting out the car was a feeling like no other, you bend down by the wheel of your car, tears streaming out your eyes and dripping on the still closed visor as your knees give out from a tricky and hot race as you sob.

You run over to the Ferrari team, them all pulling you into hugs along with Charles and his girlfriend who looks so excited to celebrated with you.

“OMG” you cried into Fred’s arms. What surprised you the mot was a tap on your back and a blue race suit. You were silent looking at Max.

“Congratulations” he says and tears are still in your eyes. You just nod at him politely.

“Please Y/N I’m so sorry, I - you deserve the seat and the championship. You’ve done so well this year and I’m so proud of you” he smiles and more tears flood your eyes. All you’d wanted to hear was those words.

“Do you ever think you could forgive me, because I love you Y/N and I cannot loose you” he says tears brimming his own eyes.

“I forgave you a long time ago Max, this was all really stupid” you smile at him. Before your team I pulling you away to get you to the podium.

“After the podium, come meet me at the bay, 3rd yacht along… okay I have to tell you something” he shouts after you and you nod grinning.

“What happened on that boat Max?” The interviewer asks.

“That’s for me to know and no-one to ever find out …” he smirks before laughing and giving you as kiss on the cheek as you come back into the room.

“Y/N?”

“Mmmmm I’m with Max, but let’s just say … we rekindled” you laugh and the cameras cut out the documentary ended.

“So you guys are obviously together … what changed?” She asks off camera curiosity getting the best of her.

“We worked out that we had feeling for each other for a very very long time before the fight!” You answer and well, that was that.

Taglist:

@littlebitchsposts @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @eiraethh @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @viennakarma @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount

949 notes · View notes