#macbeth posting
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nastasya--filippovna · 2 months ago
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C-sections exist:
Some guy in Scotland:
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bryng · 1 year ago
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ROSS DOESNT SAY ANYTHING MORE UNTIL ACT 2????????
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irate-iguana · 1 year ago
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Single funniest piece of Shakespeare merch I have ever seen.
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itsscottiesstark · 7 months ago
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Am I disappointed neither David nor Andrew won the Olivier for best actor? Yes, yes I am.
Am I near tears seeing them be ecstatic for their friend Mark Gatiss winning? Abso-fucken-lutely.
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David's face lighting up and going "oh wow!" And Andrew literally jumping out of his seat SHUT UP I'M EMOTIONAL MY SHERLOCK FANGIRL IS FIGHTING WITH MY GOOD OMENS FANGIRL IT'S A WEIRD TIME
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mizgnomer · 1 month ago
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Lying Down on the Job - Part Two
I've been meaning to do a second part to this set for ages - the time has finally come.
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adriles · 2 years ago
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Wow some of you are really mad at me. Probably b/c i maimed & killed your friends, brothers, fathers, and sons on the field of battle. Thats ok though. Im fated to die soon
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emotinalsupportturtle · 8 months ago
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..and he wrote them for David Tennant
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goodoldfashionedmurderboy · 2 years ago
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Congratulations to Lady Macbeth for being voted tumblr's official number one murdergirl!
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The competition was tough but at the end of the day you simply can't outdo the do-er!
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queer-ragnelle · 8 months ago
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i can be silent no longer
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puppiesareperfect · 2 months ago
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It won’t happen but I would go crazy for a Shakespeare themed au episode of Phineas and Ferb
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deadangelos · 4 months ago
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You guys got this! Ave Romania!
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qiu-yan · 2 months ago
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would jiggy be a fan of macbeth or lady macbeth
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jula483 · 10 months ago
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still in shock after being 4 rows away from David Tennant for 2 hours on Monday, January 15th 💖
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literatemisfit · 1 month ago
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My thoughts on Opening Night of Macbeth at the Harold Pinter Theatre, Oct 1, 2024:
SPOILERS ON ALL OF IT
I have never. Ever. Seen theatre like that. The theatricality in the way everyone moved, the dramatics behind every word, the energy that every single actor had for the action and the violence
The thriller aspects of the play fucking floored me. The opening flash of light on Macbeth, bloodied and traumatized, shocked me and will stay with me forever. The red lights on the witches/visions that haunt Macbeth and convulse at his feet, then attack him and make HIM convulse and whimper and *scream* fuck
Macbeth fighting off imaginary foes was genius (and also made me giggle bc David fighting no one is kind of adorable)
Macbeth's grappling with manhood was beautifully done - from soft and desperate to prove himself to his wife, to fighting with himself to kill or not to kill the king, to aggressively grabbing at and grinding on his wife ordering her to give him male children, then righteous rage at those who turn against him
Also. The way that man moves his body on the stage is - spellbinding. Bowing to the King flat on his stomach in submission, arms out like a cross in reverence and vulnerability. Crouching and kneeling, legs splayed out, lowering himself to the ground in sorrow
The knocking behind the glass chilled me. The murders of Macduff's family disturbed me. The young actor Caspar is absolutely incredible - Macbeth catching young Macduff as if to help and shush him and then handing him off to the murderer, to his doom
The gunshots! How can I forget the gunshots ringing out all around as the witches taunt and tease him, writhing and twisting and calling out to him. His fear at being surrounded by amazing horrors, his anger at learning that he isn't invincible
And oh. Oh my God the folk dancing. Never have I seen anything more extra, more energetic, more folk inspired yet modern? around and around and around they spun with mad grins and roaring laughs and growls, a show of manhood and aggression as well as mirth and pleasure
The way they froze scenes - like the dance - to emphasize the terror or the shared looks or the doubt or the thereto untold knowledge of their crime
The beautiful and rugged Scottish accents and Cush's sublime magnificence were the icing on the incredibly tall and wholly overwhelming cake that is David Tennant on stage, doing what he loves most in the whole wide world, with as much energy and turbulence and drama and theatrics and vitality and desperate longing looks as he can possibly muster. David Tennant on stage, doing what he loves:
I think David is a perfect Macbeth. The way he wavers uncertainly at having brought the daggers out of the chamber and not knowing what to do next, being led by his wife and yet so eager to please her and get them the healing they both so desperately need, needing to take charge and finding his courage when it's too late.
His breakdown at Banquo's ghost: a masterclass in fear and rage and trauma, grasping at his wife as they clutch each other on the ground, both enraged yet both afraid and confused and disturbed but for different reasons
Pretending.
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ingravinoveritas · 24 days ago
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As a follow-up to my review of Macbeth, I also wanted to mention another very delightful moment of my trip: I met David!
Following the first previews of this run, I was intrigued and of course happy to learn that David had resumed doing stage door (after not doing so at the Donmar, for very understandable security reasons). After waffling back and forth about it, I decided that since I was already going to be seeing the play, I might as well give it a go.
Having done stage door after other shows in the past, my experiences with seeing fans meet the actors have ranged from the hilarious to the hokey to the flat-out cringey. It's hard to ever know for sure how a stage door experience will go, and so I've found that the optimal course of action is to hope for the best while having no expectations at all.
Still, I wanted to be at least somewhat prepared, and so I had the idea to bring with me a Playbill from a production of Macbeth starring Alan Cumming, because I'd gotten to see it on Broadway ten years ago and I thought David might enjoy knowing that there was another Scottish production. So, current and old Macbeth programs in hand (I placed the Playbill next to David's cast photo, in the same way as the photo above), I made my way to the barricade by the Harold Pinter stage door, and waited.
David soon got to where I was standing, and it was the most surreal thing to have him there in front of me, all long hair and stubble and big, brown eyes. As he went to sign my program, he paused and caught sight of the Playbill, and his eyes lit right up. "Oh, another Macbeth! Another Scottish one," he exclaimed, and as he did, he looked right at me and smiled that gorgeous smile of his. "Yes," I replied, and said that I'd seen it ten years prior.
I mentioned a few other details about the production, and while David had begun to move down to sign other programs, he kept looking back at me as I spoke. Despite everything that was happening, he stayed focused on our exchange, even though it was brief. And when you're talking with him, it's as if you're the only one there. His entire attention is on you. And it is incredible.
I've talked on my blog previously about how I'm more of a Michael fan than a David fan (solely due to the fact that, after finding Good Omens in 2019, it was Michael who I was drawn to first). But seeing David up close and in person--how attractive he is, how delicate and sweet--is like looking at the sun. He looks at you, and your vision is full of only him, and by God I couldn't help but swoon just a little.
I also now completely understand what Michael meant when he said David is very easy to fall in love with. Because there's no possible way I could be around that all the time and not fall in love...
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But I think my favorite thing about how things went with David was that it happened so organically. I didn't try to take pictures or video because I didn't want to detract from the experience, and very quickly the celebrity/fan aspect fell away and it just became about a lovely shared moment between two people. He was so kind, and so gracious...and he was just David. And I will always treasure and cherish the memory of meeting him... ❤️
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mizgnomer · 2 months ago
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David Tennant as Richard II for the Royal Shakespeare Company
for Tennant Tuesday (or whatever day this post finds you)
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