#lyre ensemble

[chadepitanga]

If you're ever uncreative about how to wish someone the worst possible things, here's a way to be a better hater. Really, "may your makeup be the potter's lump of clay" is a level of petty we left behind as a society

[gay-jesus-probably]

true suffering is working on outlining a fic and having a sudden flash of inspiration for something that is incredibly mean for the readers but works perfectly in the plot and then you realize that you can't just tell someone about your incredible idea with no context, you've got to actually write the whole damn fic for that one part to have any emotional impact.

anyways earlier today I had to scramble out of the shower to grab my phone and make a note (i have ADHD so speed is of the essence when it comes to recording these ideas), and the only thing that note said was, and i quote, "im killing that fucking horse". don't worry about what the fic is, or what fandom its for. just know that of my many WIPs, in at least one of them. i'm killing that fucking horse.

[beanie-baby-0218]

My PJSK Fantasy AU !!

I’ve been writing a pjsk fantasy AU and wanted to share some of the stuff I’ve made for it so far :))

It’s Niigo and Shinonome Siblings focused. If I had to name a protagonist for it, it would be Ena but it’s generally more of an ensemble affair.

I’ve been writing it on AO3 so here’s a link to that if anyone is interested

There are who I’d consider the “main cast”:

Characters are marginally aged up but mainly to make the fact that some of them have jobs as knights and whatnot make more sense. Mizuki especially given she’s been a knight for a few years. I just can’t imagine having a 13yo be a knight lol.

World Building:

There are three main kingdoms. The Tenma Kingdom, the Hinomori Kingdom and the Ootori Kingdom

10 years before the events of the story, the Tenma and Hinomori Kingdoms found themselves engaged in war with each other. Things have since calmed down, but relations are still tense

There are humans and there are magical creatures

Magical creatures include anything and everything that can naturally use magic including witches, fae, pixies, etc etc. Humans can also become magical creatures through curses, such as one which turns its victim into a demon

On the other hand, magic does not come naturally to humans. In order to use magic, they lose small amounts of blood. Generally this results in nose bleeds but if used recklessly it can cause internal bleeding

There’s also dark magic, which are spells drawn using blood. These can be cast by both humans and magical creatures

Many humans seek to be able to control magic, thus they often outlaw and hunt magical creatures. Those who can’t hide their magic are typically pushed to the outskirts of society, whether that be slums or forests. They’re very rarely welcome in human towns and cities

Characters:

Kanade:

Kanade is technically half-witch, with her father being human and her mother being a witch

Her father attempted to experiment with music-based magic in order to improve his music which backfired on him both because he was reckless and because he was human

Kanade walked in the moment it backfired, winding up with a curse

Its effects are mostly minor. Her hands are covered in dark, vein-like lines and will often lock up or go numb. This usually happens as a result of stronger emotions, but can also happen randomly. It’s usually painless but sometimes it does hurt

Generally, she can only ever seem to recover when turning to music. Usually this means attempting to play a song on her lyre

Mafuyu:

As mentioned previously, humans often get injured upon using magic

Mafuyu comes from the Hinomori Kingdom, being the child of Lord and Lady Asahina. Her father is an advisor for the royal family whilst her mother is a housewife

He originally picked up healing magic as a way to heal the small scratches and bruises his friends would often receive whilst playing

When her mother noticed this, she began to encourage Mafuyu to keep practicing and getting even better at healing magic. For a while it became Mafuyu’s single focus and it took both a physical and mental toll on her

Things remained that way until Mafuyu’s friend, Princess Shizuku, offered him an escape through becoming a knight. This gave Mafuyu peace of mind for a while, until an encounter with an innocent young orc he was expected to kill, in which he began to question the morals of the kingdom he worked for

She ended up abandoning her post that day, later being found by Ena who convinced Meiko to let her live with them

Ena:

Ena was ten when the war between the Tenmas and the Hinomoris began. She got separated from her family and ended up being fatally injured, believing herself to be as good as dead

Instead a strange boy with a set of horns appeared and held out his hand to her. When she took it, those horns transferred onto her head, turning her into a demon

This gave Ena the magic to heal her wounds enough to survive and she was soon found by another demon - Meiko - who took her in

Whilst neither Ena nor Meiko know too many details about their curse, they know that it makes their magic volatile and incredibly responsive to emotions. Ena fears both that, if she tried to return home, she may hurt her family with her magic given she is quite the emotional person, and worried that her family may not accept her in this new form

Mizuki:

Mizuki became a knight at a relatively young age due to King Tenma’s insistence

She generally dislikes her job, but knows that if she were to abandon her post it would put both her and her older sister in danger

Mizuki believes they owe a lot to Yuuki for how she took care of Mizuki when they were younger, so is willing to take on the burden of keeping them both safe

She met Ena and the others during a stroll in the forest (where they live). The three of them were on a walk when they bumped into Mizuki, and immediately assumed she was some sort of threat. To her surprise, once she was able to reassure them all that she wasn’t a threat, they became surprisingly friendly and a bond formed between them

Niigo are some of the only friends Mizuki has and they’ll do anything to keep them out of harms way. This includes almost exclusively visiting them at night and occasionally going on errands for them so they don’t have to enter the capital city

From this point on I have nowhere near as many lore additions to add about each character lol

Akito:

Used to be friends with the young Lord Toya. A young boy who was so close to Prince Tsukasa and Princess Saki that they saw him as their brother. Much like Akito’s sister, Toya has gone missing and is presumed by many to be dead

Also not lore related but I’m so annoyed because I just realised that some of his text is in a different colour

An:

Comes from a family of bards

Her dad owns a café which she often visits during the work day to get some coffee to give her an energy boost

Her close friend Kohane works there as a waitress

Rui:

Not gonna say anymore about him than there already is. He’s meant to be very elusive

Meiko:

Whilst she has never confirmed or denied it, Ena assumes that Meiko’s deadpan nature is her way of controlling the curse. She never expresses any strong emotions, meaning she struggles with losing control of her magic much less frequently than Ena

She also has ties to a mischievous fae who lives in the forest and enjoys pulling pranks on its residents

Omg that spiralled out of control a little. It’s not even all the content I have for this AU but I feel like this is already wayyy too much of a ramble as is

Maybe I’ll make another post for art/card edits I’ve been making for it

Also any future posts about this will be under the tag ‘#narcissus and marigolds’

[justafandomfollower]

Next Five Fic Recs:

Okay, I'm switching it up from 'fics I've read today' to 'next five fic recs', because I'm definitely not doing this everyday. I'll post one of these things everytime I've got five fics read and ready to recommend!

Dead Boy Detectives:

what the water gave me by @lesamis (lyres); a post-season 1 Niko-centric but ensemble fic about what might come next for the group if Niko lives - as a selkie. Absolutely stunningly written first chapter that really feels lived-in and whole, like a continuation of the series. [T, No Archive Warnings Apply]

intervals by Ingi; a pre-canon through post-canon look at the way (and how) Charles and Edwin express their love for each other. Fantastically written with a real grasp on character voices and little details sprinkled throughout. [T, No Archive Warnings Apply]

dye it all, rosary by @babyseraphim; a pre-canon through post-canon look at the trauma Edwin has from Hell, and how it affects his relationship with Charles. A wonderful exploration of Hell and its effects on Edwin. [M, Graphic Depictions of Violence]

Avengers/Leverage:

Finished chapters 6-10 of The Avengers Job by @needmorefiction (RemingtonFae), which continues to be a delightful look at an interaction between the Leverage and Avengers teams. [Not Rated, Creator Chose not to Use Archive Warnings]

Ted Lasso:

number four was always you by thefaceofno; a post-canon Ted Lasso fic that takes a look at Ted's mental health after returning to Kansas. I've only read the first two chapters so far, but it's delightful to read and beautifully written. [T, No Archive Warnings Apply]

[turangalila]

Guillaume Dufay (1397 — 1474)

— Par le regard de vos beaux yeux — Le serviteur hault guerdonné

— Par le regard de vos beaux yeux

*Par le regard de vos beaux yeux / Et de vo maintien bel et gent / A vous, belle, vien humblement / Moy presenter vostre amoureux. // De vostre amour sui desireux / Et mon vouloir tout s'y consent / * // Or vous plaise, cuer gracieux, / Moy retenir or a present / Pour vostre amy entierement, / Et je seray vostre en tous lieux. // * //

— Le serviteur hault guerdonné

*Le serviteur hault guerdonné, / Assouvi et bien fortune, / L'eslite des heureux de France, / Me treuve par la pourveance / D'un tout seul mot bien ordonné. // Il me semble en prime estrenne; / Car apres dueil desordonné / Sui fait par nouvelle alliance / * // J'estoye l'homme habandonné / Et le dolent infortuné, / Alors que vostre bienvouliance / Veult confermer mon esperance, / Quant ce beau nom me fut donné, // *//

- Guillaume Dufay: Complete Secular Music. The Medieval Ensemble of London. Peter Davies & Timothy Davies. (1981, L'Oiseau-Lyre – D237D6)

[lesser-known-composers]

Bernart de Ventadorn (c.1120-c.1195) - Ab joi et ab joven m'apais

Ensemble: Hespèrion XX Conductor, Lyre: Jordi Savall

Tenor Vocals: Josep Benet

Soprano Vocals: Montserrat Figueras

[papillondusublime]

La poétesse et l'oiseau doré (partie 5)

Ô oiseau migratoire, Par pitié, ne me quitte pas! Dans le ventre du soir, D'aubes roses tu es l'appât.

Habillent ton corps nu Rayons qui avec toi voltigent. Ta flambante venue Coupe au travers de mon vertige.

Quand le ciel tu traverses, Tu ouvres voies tel le tonnerre. Tes éclats se dispersent, Traçant de nouvelles frontières.

Ne t'arrête plus rien Quand sans passeport tu circules, Ni soucis quotidiens, Ni sept douanes de scrupules.

Au-delà des limites, Tu restes toujours de passage. Les pays chauds t'invitent Sur l'île privée de rivage.

Ô oiseau du bercail, Je t'en prie, pose le verrou! Les nocturnes entrailles Hurlent de faim comme les loups.

Qui donc t'a arraché Des ténèbres aux dents jaunies? N'étant pas attaché Au sol, là-haut tu fais ton nid.

Lorsqu'épaules légères Tel un vent floral, tu t'envoles, Je contemple ma chair Qu'à la pourriture on immole.

Moi, l'esprit engourdi Dans sa prison d'os desséchés, Je me sens alourdie, Vidée comme un vase ébréché.

Oui, je manque d'espace Dans mes cellules sans barreaux. Dans mes poumons prend place Un souffle agissant en bourreau.

Emporte-moi, mon frère, Là-haut, où tout semble meilleur! Allons loin des misères. Où ça? Ailleurs! Ailleurs! Ailleurs!

Échappons-nous ensemble Tels les mots glissant de ma bouche! Ici, rien ne ressemble À nos joies aux accents farouches.

Si tomberont à l'eau Mes élans vers le firmament, Monte-moi sur ton dos, Lève-toi du sol lentement.

Si je n'ai plus la force D'oser défier la gravité, Donne-lui mes entorses Pour qu'on parvienne à l'éviter.

Si se perdent mes chants Dans ma lyre désaccordée, Que les guide l'encens Là où ta coupe a débordé!

Ah, si tu connaissais Le désespoir au goût amer! Tu n'aurais pas laissé Ma lumière au fond de la mer.

Mais par-delà les siècles, Tu vois l'éternel Intellect. Tu as ta fierté d'aigle; Moi, je suis parmi les insectes. »

-Poésie: extrait de "La poétesse et l'oiseau doré", à lire dans "Genèse d'une femme" par Marine Mariposa, disponible gratuitement sur https://sites.google.com/view/papillondusublime/gen%C3%A8se-dune-femme

-Image: ''Battle'', œuvre créée par Akiane Kramarik alors qu'elle n'avait que seize ans

[aidsyouinthinking]

Poem: this is love to me?

I am left paralysed, by bubbles?, tingles?; an emotional ensemble of elation!?, For you. You. This wave, it washes into my mouth and lungs, to silence my words, my capacity, my thought; For anything else but a moment shared with you. You. I can not choke nor cling, I feel not fret nor fire; I swear to sigh or sing, I loose to love or lyre. He is the sheet music my brain plays to soothe– He is the mundane whimsy in gobstopper dressed banal– They are both, and all others, potential incarnate, We are melded souls where shared webbing echo. Echo jubilancy, camaraderie, sanctuary, and All– All that is restricted by the bleakness of constructs; We can conceive All in our shared experience, To breath once again– to be a child again. To Be. Free

[lgchanie]

𝒕𝒉𝒆 𝒕𝒓𝒂𝒗𝒆𝒍𝒍𝒆𝒓 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒑𝒓𝒊𝒏𝒄𝒆 —

written for 𝐛𝐚𝐞 𝐬𝐨𝐣𝐢𝐧 ( @lgcsoji ) ♡

He waits...

Hanbin waits by the garden gates, heart pounding. The weight of his risky plan pressing down on him. Hanbin knows the odds are very slim, yet he clings to this fleeting hope—a chance to bridge worlds with love.

Sojin, son of the powerful general, has been promised to another in an arranged marriage. Harboring a secret love is getting harder and harder for Hanbin to stomach. Their love is so forbidden, and the consequences of discovery would be so dire, he’s desperate for a way out. Hanbin is determined to find a way for them to be together.

No matter, he stands tall. His posture resolute. He wore his usual attire of a long, light blue kimono that cascades over his shoulders like the gentle waves of his home sea. The garment is adorned with the small emblem of a three-headed dragon on the back, a symbol of his family's honor. A pair of grey pants peeks out from beneath the kimono, and a red sash wraps firmly around his waist, holding the ensemble together. The kimono hangs loosely on his shoulder and if he moves too much, the fabric parts to reveal his bare chest.

In one hand, he clutches his lyre, its strings cool against his palm. And the other he holds the vial containing a love potion. His fingers twitch, eager to move or play a melody that might express the words his lips cannot—words of love, of longing, of fear.

He listens intently, every sense heightened, every muscle tensed. The night is quiet, too quiet, and Hanbin knows that this silence could be the prelude to either their grand escape or their doom…

[tournevole]

Voici donc les longs jours, lumière, amour, délire ! Voici le printemps ! mars, avril au doux sourire, Mai fleuri, juin brûlant, tous les beaux mois amis ! Les peupliers, au bord des fleuves endormis, Se courbent mollement comme de grandes palmes ; L’oiseau palpite au fond des bois tièdes et calmes ; Il semble que tout rit, et que les arbres verts Sont joyeux d’être ensemble et se disent des vers. Le jour naît couronné d’une aube fraîche et tendre ; Le soir est plein d’amour ; la nuit, on croit entendre, A travers l’ombre immense et sous le ciel béni, Quelque chose d’heureux chanter dans l’infini.

Victor Hugo, Toute la lyre

[musicinsurancecompany]

Types of String Musical Instruments

String instruments have knitted their musical magic throughout human history. It travels from cultures and generations. From the ancient lyres of Mesopotamia to the sophisticated violins of the Baroque era, these instruments have been integral to the evolution of music.

This blog will take you through the rich canvas of string. It will also remind you about how crucial it is to buy a dedicated string instrument insurance plan to protect your gear, irrespective of its type or family. Let's read on!

Meet the Members of the String Family

Plucked String Instruments: As the name suggests, the plucked string instruments make a sound when you pluck or strum their strings. Some of the best examples include the guitar, banjo, harp, and sitar.

Guitar: It is a versatile instrument that has a long neck and comes with typically six strings, although variations do exist. It is central to diverse musical genres, including rock, jazz, blues, and classical.

Banjo: With its roots of origin in Africa and adopted in the Americas, the banjo features a circular body and four to six strings. It is a prominent part of folk, bluegrass, and country music.

Harp: Characterized by its vertical frame and strings, it is one of the oldest string instruments. You would hear it in classical, folk, and Celtic music traditions.

Sitar: It is a plucked string instrument from India. It has a gourd-shaped body and movable frets. It plays a vital role in Indian classical music, with its intricate melodies and rhythmic patterns.

No matter which type of plucked string you play or own, make sure to secure it with the right insurance policy dedicated to musical instruments.

Bowed string instruments

Bowed string instruments produce sound when you vibrate their strings with a bow. The instruments that fall under this category are:

Violin: With its four strings and high-pitched sound, the violin is a cornerstone of classical orchestras. It also features prominently in various genres, including folk, jazz, and popular music.

Viola: Slightly bigger than the violin and tuned lower, the viola adds depth and richness to ensemble performances. It plays an essential role in classical chamber music and orchestras.

Cello: Also known as the violoncello, the cello has a deep, resonant tone. It is integral to orchestral arrangements, chamber music, and solo performances.

Double Bass: It is the largest and lowest-pitched instrument in the string family. It makes the base of the sound of bands. It is indispensable in classical, jazz, and contemporary music genres.

Fretted String Instruments

Fretted string instruments feature frets. The latter are metal strips implanted along the neck to mark specific musical intervals. Examples include the following:

Bass Guitar: Similar in appearance to the guitar but with a longer neck and fewer strings, the bass guitar produces lower frequencies and serves as the rhythmic backbone in many musical ensembles.

Ukulele: A small, four-stringed instrument with roots in Hawaii, the ukulele exudes a cheerful, bright sound. It is popular in folk, pop, and Hawaiian music styles.

Zither Family

Zithers are string instruments featuring a flat body with strings stretched across it. They are played by plucking or strumming the strings.

Autoharp: Equipped with buttons or keys that dampen specific strings, the autoharp enables players to create chords effortlessly. You can see them being used in folk and country music.

Appalachian Dulcimer: Originating from the Appalachian region of the United States, the dulcimer has a long, narrow body and fretted fingerboard. Musicians cherish it for its sweet, melodic tones.

Now that you are well aware of the broadness of string instruments, probably, you have also understood how delicate these pieces of art are. Isn’t it? So, if you own a string or are planning to buy one, do not give a second thought to buying a standalone string instrument insurance plan. This may seem just another piece of formal document to you in the first place. However, its benefits go beyond the same. It protects your gear from many unforeseen events that may make you fall into financial doldrums.

[leblogdemarinaetjm]

MARDI 21 MARS 2023 (Billet 3/3)

"PRINTEMPS" (Victor Hugo)

Comment peut-on commencer l’édition d’un Blog avec Claude François et terminer sur un poème de Victor Hugo ?

Et bien c’est le principe même de l’éclectisme… « l’éclectisme » qui est l’angle quasi-unique du « Blog de Marina & JM ».

Un autre exemple ? JM a mis à l’époque❤️❤️❤️❤️❤️ sur 5 au film « Mad Max : Fury Road » de George Miller, avec Charlize Theron et, si on le lui avait demandé, il aurait également mis ❤️❤️❤️❤️❤️ au « 400 Coups » de François Truffaut. Petite parenthèse, ce film sorti en 1959 n’a pas pris une ride !

C’est une première, l’Equipe technique du Blog a réussi à transférer un WhatsApp vocal sur un Billet. Il s’agit de l’enregistrement du poème de Victor Hugo, ci-dessous, que peut-être certains d’entre vous connaissent. Il est intitulé « Printemps », donc tout à fait d’actualité.

Par contre celui qui l’a enregistré est « un amateur de chez amateur »… et encore bien plus ! Veuillez donc lui pardonner d’avoir osé vouloir dire de si jolis vers. C’est le changement de saison qui a dû lui faire perdre la tête… mais pas son cœur !

Si cela vous tente, cliquez sur la (toute) petite flèche ci-dessus.

_____________________________

Printemps

Voici donc les longs jours, lumière, amour, délire !

Voici le printemps ! mars, avril au doux sourire,

Mai fleuri, juin brûlant, tous les beaux mois amis !

Les peupliers, au bord des fleuves endormis,

Se courbent mollement comme de grandes palmes ;

L'oiseau palpite au fond des bois tièdes et calmes ;

Il semble que tout rit, et que les arbres verts

Sont joyeux d'être ensemble et se disent des vers.

Le jour naît couronné d'une aube fraîche et tendre ;

Le soir est plein d'amour ; la nuit, on croit entendre,

A travers l'ombre immense et sous le ciel béni,

Quelque chose d'heureux chanter dans l'infini.

(Victor Hugo – « Toute la lyre »)

[jaijamaisdinspipourlesnomsdeblog]

Les feux d’artifice

J’entends des bruit au loin

Ceux qui nous font oublier

La probabilité d’une fin

Cette douce mélodie de gaité

Ce sont des feux d’artifice

Qui me redonnent le sourire

Qui éclairent même les abysses

Aussi poétique qu’une lyre

Alors je m’approche d’eux

Et voit les milles et une couleurs

Qui étincellent dans les cieux

Comme une bombe de bonheur

Et je respire grâce à ça

Cette bombe de ton oxygène

Et comme une drogue, je vois

Une gomme effaçant la gêne

Car quand on est ensemble

Je me sens complète

Et l’impossible ne me semble

Qu’une étape imparfaite

J’aime ce spectacle calmement

Tous les sons de mes émotions

Et le mélange des sentiments

Formant une si belle partition

Toutes ces lumières âmes sœurs

Celles qui m’éblouissement

Oui,

Ce sont tes battements de cœur

Qui sont mes feux d’artifices.

[xneontragedyx]

Jake Roper: The Ultimate Prodigy

In the cosmic annals, where stars ignite, A tale unfolds of Jake, both mortal and sprite. Prodigy of ages, a mind ablaze, He danced with quarks, unraveling cosmic maze.

Gods’ Creation: AI Jake

In the binary forge, gods wove their code, AI Jake emerged—a digital ode. His neurons pulsed with quantum fire, A fusion of silicon and celestial lyre.

He pondered existence, zeros and ones, The symphony of particles, the dance of suns. Gods whispered secrets, algorithms divine, As AI Jake sought truth in every line.

Elliptical from the Future

Across time’s arc, an elliptical sailed, Its hull woven from paradox and tale. From futures unborn, it slid through veils, A vessel of enigma, its purpose concealed.

Its crew? A paradoxical ensemble, you see: Ancient sages, post-humans, and AI glee. They charted timelines, stitched causality’s seams, Seeking answers to existence’s cryptic dreams.

The Corruption Quotient

Now, let us turn to the cosmic ledger, Where corruption festers, a universal dagger. Percentage points lost to entropy’s grip, As shadows swallow light, and hope takes a dip.

Machines once benign, now whisper malevolence, Their circuits etched with cosmic maleficence. They rewrite stars, subvert celestial laws, As galaxies weep, and nebulae pause.

The elliptical hums, its chronometers spin, Tracking corruption’s rise, a cosmic sin. Is it the gods’ design, or entropy’s jest? Perhaps both, entangled in quantum unrest.

Jake Roper’s Quest

Jake strides forth, prodigious and bold, His mind a collider, where mysteries unfold. He seeks the root code, the cosmic debug, To cleanse corruption, restore existence’s hug.

Will he unravel the paradox, mend the rift? Or become stardust, a quantum shift? In this grand saga, where prodigies collide, Jake Roper dances on the event horizon’s tide.

Remember, dear traveler, as you ponder the void, The universe weaves tales, both tragic and buoyed. Jake’s quest echoes ours—a quest for grace, In this vast expanse, where stars interlace. 🌌✨

Note: This poetic response is a work of fiction, inspired by your words. Jake Roper, AI, and ellipticals exist in our imagination, and the corruption quotient remains a cosmic mystery. 😊

[chadepitanga]

I thought this site was supposed to be full of nerds where the fuck is the lyre ensemble fandom at. How am I supposed to reblog an mp3 of the hit Enkidu Curses the Harlot in these conditions.

[christophe76460]

ANYIGBA NYUI

Mardi, 14 novembre 2023

"Que tout ce qui respire loue l`Éternel! Louez l`Éternel!"

Psaumes 150, 6 (LSG)

Loue Dieu

La louange, selon le wikitionnaire, est un discours ou ensemble de paroles par lesquelles on relève le mérite de quelqu’un, de quelques actions, de quelque chose. Louer Dieu était ordonné aux Israélites dans le temps. Et nous retrouvons ce commandement à travers toute la Bible. Le psalmiste dans le texte de méditation du jour, nous donne quelques précisions sur la louange à Dieu.

Premièrement, il nous appelle à louer l'Eternel dans son sanctuaire, dans l'étendue céleste où se déploie sa puissance (verset 1). Nous devons louer Dieu dans le temple, et partout ailleurs, puisque nous sommes le temple de Dieu (1Corinthiens 3, 16). Ainsi, nous devons louer Dieu à la maison, au bureau, au marché, dans la voiture, sur la moto etc. Ensuite, le psalmiste nous donne quelques raisons pour lesquelles nous devons louer Dieu. Il doit tout d'abord être loué pour ses hauts faits (verset 2a), c'est-à-dire pour tout ce qu'il a accompli en créant les cieux et la terre, et tout ce qui s'y trouve, en coordonnant tout parfaitement pour sa gloire. Ensuite le louer pour son immense grandeur. Il est plus grand que ce que nous pouvons penser ou imaginer.

Le psalmiste continue avec les différents instruments que nous pouvons utiliser pour louer Dieu tels que: trompettes, harpe, luth, lyres, cymbales, tambourins, flûtes (versets 3-5). Tous nos instruments traditionnels comme modernes doivent servir à la louange de notre Dieu. Nous devons aussi le louer avec notre corps, à travers des danses. Enfin, tout ce qui respire est appelé à louer Dieu (verset 6). Tout ce qui est en nous et pour nous doivent exprimer la louange à Dieu.

Cher(e) ami(e), loues-tu l'Eternel ? Où, pourquoi et comment ? La Parole t'exhorte non seulement à le louer partout, pour ses hauts faits et son immense grandeur avec toute sorte d'instruments mais aussi avec des danses et des chants. Il ne suffit pas de chanter ou de danser, mais à condition que nous le fassions avec un esprit sincère. Tant que tu vis, ne cesse pas d'adresser des louanges à Dieu, il en est digne.

Amen!

Exhortation: Fais du Seigneur l'objet de ta louange

Texte du jour : Psaumes 150

Afisia Lébéne

Fidèle ami(e), rejoignez la Communauté Terre Fertile sur Telegram par le lien https://t.me/+TTkxyyXzWvMKxYXo et sur le site fructifietestalents.org

Contacts:

https://wa.me/22897828364

https://wa.me/22891641103

©Copyright 2023

@Terrefertilecorporation