#lu guang i have so many questions for you

[muninnhuginn]

Some disparate thoughts after yingdu ep 1 (not rewatched or read anyone else's thoughts yet but had seen the pre-release pvs etc)

some time travel mechanics questions answered and some more raised. It's now confirmed what happens if you stay beyond the 12 hours (you're stuck forever). This had been speculated before but this is definitely the first confirmation. Now, in terms of questions? Was lu guang just using his powers normally during the scene at the con and didn't want the others to see? If so, is what we saw as the audience what *he* sees? That would imply he gets rather more context than we'd previously thought. Could just be letting the audience know the backstory though and has no impact on how his powers work. Net zero info ig.

speaking of that backstory, you can tell this arc has brought in more fans behind the scenes. The animator backstory was pretty on the nose and some of the early aspects were very... well, a specific flavour of fanservice, shall we say

also, wow, everyone was thinking lg's fashion sense was awful when we got the first previews but it was cxs to blame all along

so, romance scammer parallels, huh? Taking this on two levels. one) the shiguang level of "don't dig yourself deeper" when lg is... busy digging himself deeper (plus the whole thing about "if you'd just been honest from the start") two) the aspects of "taking advantage of someone when they're at rock bottom" mean I'm now lowkey expecting a similar dynamic to appear once we reach yingdu (perhaps xia fei in the role of the 'victim' as his relative is missing? pure speculation but hey)

confirmed lg can supposedly see into the future with his power. Not taking this at 100% face value considering how dodgy lu guang is around their powers and the fact he's keeping track of timings so thoroughly but at least at this point, he's claiming it's the case, so.

makes me wonder if his notes on timings are from previous loops or if he's just spamming photos when he's worried about something and noting down the timings (hospital-boat arc???)

so many xia fei cameos. I wasn't counting but there were at least three and curiously he appears plenty *before* anyone is even in yingdu (and we know he's got plenty of billboards over there). He's got some global reach for someone who appears zero times in s1 and s2 (which could just be down to them not having written him yet but does make his absence previously more obvious by comparison)

somehow there's *more* prominence on clocks/watches than even normal link click (makes sense as lu guang himself has such a focus on them and we're way more in his pov now). Interestingly though, I don't *think* we saw the time at the beginning when cxs was in the dark room

oh also! when lu guang expects cheng xiaoshi to ask how he "divined" the answer and cxs essentially says he'll wait for lg to tell him + him mentioning he'd sensed lg was hiding something from the very start. sth sth works on a broader scale than just the initial power reveal

also gdi no homura fan lu guang reveal. he gets his time travel stories from other anime, smh

belated realisation edit: lu guang clapped his hands when he checked the photo at the con. This *could* indicate cxs-style diving but I somewhat doubt this both because lg is implied to now be stuck in this time and also because time passes parallel between the inside and outside of a photo so he couldn't speedrun a full dive in the few seconds he took? in which case, is he just clapping because he himself doesn't realise yet he can activate his own powers without clapping? would fit with this reading as an earlier lg. hard to decide what happened there for sure without more info though tbh

[spilledstars1234]

First post! To start this blog off, i'd like to vomit a random Link Click theory that I thought of recently after finishing Season 2 a couple of weeks ago

You know, the whole “Lu Guang taking the photo in his hospital room” scene’s been on my mind a lot. Because that part was a liiiiitle strange. ‘Cause, I don’t think LG even left his phone there for CXS to find. And why? Because he doesn’t even know that CXS knows his phone passcode. My evidence? When Qiao Ling asks Cheng Xiaoshi how he knew LG’s passcode, he replies with “I just happened to see him put it in.” MEANING: LG didn’t tell it to him. Which is kind of odd, because if he left the phone specifically for CXS to find and dive into, wouldn’t he have told him his phone password beforehand in order to have gotten the plan to work smoothly? 

SO! What if he left the phone for HIMSELF to find, and dove into it after CXS’ death and after CXS transferred his ability to him, so he’d have like a backup plan-ish sort of thing just in case CXS might've died that night???

And bonus! So if that WAS him, then the whole thing with the boat would make sense! ‘Cause when it first shows the whole “Lu Guang leaping on top of CXS” scene (back when we didn’t know CXS dives into the photo), it shows LG having zoomed his way there to the docks on some random boat. So this brings me to the conclusion that this had all been pre-planned (aka LG from the future going back and saving CXS), because like, where’d he get the boat? Did he just hijack one or something? Or… did he have one prepared in advance? (see where i’m going with this??)

 And when we see CXS as Lu Guang, notice how HE didn’t take a boat there, and just ran all the way to the docks? (while risking the small matter of LG’s intestines spilling out… buuut cartoon logic!) So this brings me to thinking that the Lu Guang we saw the first time was actually Lu Guang! And that was him from another timeline and not CXS like we all thought.

And therefore, the “LG & CXS lying on top of each other scene” could’ve actually happened (so CXS wasn’t being narcissistic there, lol!), since that could have been Lu Guang the first time around (and Lu’s little smirk and the whole “Fortunately I caught up to you” thing could’ve been y’know, actually from him and not CXS just saying that to himself).

But then… there’s a loophole in this. Because the Lu Guang that is shown first starts busting out all these moves… and we all know CXS is the one who’s more adept at fighting, and we can kinda guess Lu Guang probably doesn’t get off the couch (he isn’t called an old man for nothing y’know). So, maybe that was actually CXS to begin with…

In conclusion? I genuinely don’t know! But I like to be delusional so I like to think that it was LG in another timeline (c’mon studio lan, you can’t just give us that scene and pass it off as it actually being CXS because of censorship pls). Or maybe I’m dumb and this theory’s super wrong because I completely missed something, I dunno.

(edit: HANG ON, i totally forgot about the scene where cxs gets shot and LG immediately went to beat the crap out of qian jin. So maybe all it takes for LG to fight is when he sees CXS in danger~)

[briebysabs]

Lu Guang is a hypocrite and that’s okay (great even)

I must stand ten toes for this man because I’m noticing the slander that went on in September and I cannot allow it. I know I’m six months late but just bear with me. We are introduced to Lu Guang as a rational, stoic, sort of wise protagonist. The brains of the operation if you will (although Cheng is clever in his own right but that’s a whole other discussion). Qiao Ling and Captain Xiao describe him as more mature. Shiguang’s relationship is strong but it’s structured, especially for their work, to where Cheng has to depend on Lu Guang. Should only do as he says and not do anything impulsive.

And it gets to a point where Cheng doesn’t know what to do without him and when LG isn’t there he relies on his past words to guide him. The thing is, we’ve seen that CXS can come up with great plans and make good decisions without Lu Guang’s voice in his head. Like how he caught Min Liu or planning how save Lu Guang from Li Tianchen. But the story has built LG up so much to be a reliable character so it can’t be untrue. But then the s2 finale happens, Cheng gets shot and Lu Guang loses his mind.

And then the ending basically tells you that he’s been winging it and gambling this whole time. Experimenting with god knows how many timelines, simply using his knowledge from the previous one to see if he’ll get lucky this time. Lu Guang has been playing a crane game. So in a story that is all about mistakes, guilt and regrets. Of showing the imperfections of people. Of showing the struggles of moving forward, of being satisfied with the present. Of sacrificing your sanity, your voice, your desires, and happiness for the people you love. How is this bad writing?

Link click has been tricking the audience to believe Lu Guang is an infallible character.

But Link Click was never about perfect people.

What he’s trying to do is no different from Li Tianchen, one of our antagonists. And I love CXS to fucking pieces but this show raises the question of a life’s value. LG is trying to save Cheng and so refuses to change the past for anyone else. Bc it may alter things and doom CXS in the process and ruin all he’s worked towards. But then you ask yourself, is CXS’s life worth more than the twins' mother? Is it worth more than Chen’s mother? Is it worth more than Emma?

It doesn’t matter because it is to Lu Guang. It’s like the question if your sibling and a mailman are trapped in a burning building but you can only try to save one. Unless they’re the absolute scum of the earth, chances are and possibly even despite that, you’re going to pick your sibling. That don’t mean it’s objectively more valuable than the mailman or you didn’t have sympathy for that person, they have loved ones, hopes and joys too. “Lu Guang is a hypocrite, selfish, unreliable, and a liar” yes he is. Because there is something called ‘flawed characters’. It’s okay for your protagonist to not be the best person. It’s okay to write a protagonist whose trauma has defined some of their actions.

If you’ve been forced to have someone you love die in your arms over and over, why is it surprising that you would lie to them? How is it surprising that you’d try to keep secrets? That you’d set things up to be in a position to control the situation? That’ll force you to plan better so maybe, just maybe things will be different? You think Lu Guang lacks self awareness and doesn’t know what this makes him? Of all things you can call LG, he’s not delusional. He knows the weight of his actions.

Link Click has and always will be a story about people. Where our emotions and choices take us. Lu Guang isn’t a robot so why would he be an exception?

Plus everyone should’ve been knew Lu Guang was sus anyway. Idk how that’s mischaracterization, there’s proof of him lying and keeping secrets from CXS in s1. It doesn’t ruin anything it recontextualizes what we were shown back then.

[mimicha-arts]

I have not written fandom theories for a long time, but LInkClick fuels my interest and search for meaning too much. Recently, I reviewed all the available series, and came across details that I had not connected before. For the most part, this post is speculations about Cheng Xiaoshi, as well as ... timeline.

Spoilers! Please be careful.

Considering so many details about Cheng Xiaoshi, it seems that there has always been something strange about his "symbolism". In fact, I'm really into the theory that the moment in episode 1 of season 2 (when Lu Guang gets stabbed) is the vision & flashback of the past about Cheng Xiaoshi's death. In fact, it amazes and delights me how many details in OverThink support these thoughts. At least because once a frame flashes, which somewhat resembles a scene from Lu Guang's flashbacks.

But there is more. We have 3 main points: clock, сlockwork and camera. 1. Clock - possible time of death Very specific time appear several times. The clock hands look very strange, still not 6, so probably the time is 5:20 (thus, given the symbolism of 520, I have even more questions). They show the same time in any frame.

But the most interesting thing is that at the very end, when we see Cheng Xiaoshi (with the design from the first season), for a few seconds, in addition to the patterns of gears, a very faded inverted dial of this clock appears on him, where inverted 4 is the most visible part. No need to say that 4 is a symbol of death.

This can only be seen in 1s1s ED. Because, in fact, there are 2 versions of the ED, and it's different (without these details) for the remaining 10 episodes.

Even the very first intro with characters contains very similar clock placed in the background of Cheng Xiaoshi. So, at this point, I'm guessing that this strange 5:20 was the key node and the death of Cheng Xiaoshi.

2. Clockwork - сhanging a key event Gears are shown both literally and in pattern. For a long time, I thought that Lu Guang's shadow was just a shadow, or an indistinct noise, but if you look closely, it becomes obvious that Lu Guang is covering a pattern of gears - probably as a sign of changes with clock mechanism and time. Details such as water drops and film strips are also interesting, as both OP (Dive Back in Time and Vortex) connect these elements to Cheng Xiaoshi.

One of the moments shows how the silhouette of hands (overlapping the trees, which may coincide with the background of the forest in the vision in s2s1) touches the inverted clock, after which the second hand of the clock begins to move back.

And the most beautiful thing .. The fact that the hands belong to Lu Guang, as well as the context of this action, confirms that the animation literally coincides with the scene from the end of 4th (and the beginning of 5th) episodes, when Lu Guang explains to Cheng Xiaoshi how key events (nodes) and changes in the past work. But inverted. What a coincidence, right?

Honestly, I think that all these details can further support the theories about Lu Guang, which already have enough speculation. Given all the hints, it is possible that due to Cheng Xiaoshi's death, he changed something in time, thus erasing the "future in that present" and created a new present as an alternate reality. Just a thought.

3. Camera - another timeline Let's go back to the very end again. Here Cheng Xiaoshi is holding a camera in his hands.

Remember this diamond-shaped mark. This camera is very specific, as it has appeared several times, but not in the main series (yet). There is an easter egg in the mini-series, Lu Guang has a rather similar model, only with a round (clock-like) mark.

It's importance becomes even more obvious, especially now that we have a poster for the second season.

So. What's wrong with this camera? Because there are actually two of them. The one on the table has a rounded clock mark. But the camera in reflection is the one that Cheng Xiaoshi holds in the ED, with a diamond mark.

For me... Seems like it is probably one of the main connecting elements or "anchor" between the timelines / alternate realities, at least conveys this idea. All this makes me feel excited and inspired, how it was possible to place all this so neatly. And which of these can really confirm conjectures and theories … Thanks to the scriptwriters and animators, it's nice to be a part of this game.

Or maybe I'm just overthinking… Anyway, thanks for reading to the end. Perhaps someone has their own thoughts, feel free to discuss ~

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!

[snalsupremacy]

Things I got from re-watching the s2 op way too many times

Spoilers for all of s2

ok, so the items inside the claw machine are an unintelligible photo, the pink bear, a Gameboy, and later a gun and a notebook can also be seen. Imma be so real I have no idea what the Gameboy and Notebook mean.

Though it's psychedelic, the liquid pouring out of cheng xiaoshi is def supposed to be blood

I have no idea which scene this photo is referring to. Could it be one of cheng xiaoshi's unseen deaths?

this frame drives me insane. WHY IS LU GUANG SMILING? IS HE SMILING? AM I READING TOO MUCH INTO IT? IT DEFINITELY LOOKS LIKE A SMILE BUT IDK MAYBE IM OVERTHINKING (pun intended)

The pink bear can actually be seen in xixi's hand! And since she was reaching for Cheng Xiaoshi, I can only assume that this op is saying that he and the plushie bear are symbolically the same

which makes this schene the more confusing to me. Is the horse skeleton thing supposed to symbolize death? Is the way it rips out of the plushie bear a way to represent how it is inevitable that cheng xiaoshi will die?

for some reason it took me a million rewatches to realize this giant metal thing is the claw from the claw machine, once again showing that the bear and him are the same

There's a very brief shot in which we can see Emma, Qiao Ling, Lu Guang, and Qian Jin all watching Cheng Xiaoshi fall.

Other stuff I noticed:

In the first half of the op the video is reversed while the song is normal, but once lg and cxs touch the video goes back to normal and the audio reverses. I think this is used to symbolize how they are experiencing time differently

Someone else pointed this out already, but while in the first op they are "diving" back in time, in this one they are straight-up drowning, showing how they lost control

The lyrics are 100% from Lu Guangs POV:

Take back all my regrets And camouflage it like your silhouette

^Lu Guang pretending that he doesn't know cxs is dead

Time is like music Play it 'til the end and then reset

^Lu Guang resetting the timeline every time cxs dies

Knowing it all, am I destined to fall? Like once you did for me

^ Despite knowing what will happen, Lu Guang continues to fail to stop his death

I think everyone noticed this but once Li Tianxi and Li Tianchen's identities are revealed, the hood comes off from the op and their faces are visible. Ops that change midway through to reflect the change in plot>>>>>>>

Conclusion

I'm really not that good in analysis and this op fascinates me just as much as it confuses me. Why is Qiao Ling turning her back on Cheng Xiaoshi's fall?? Why is Lu Guang's face not visible when they try to reach for each other?? What the hell is that notebookk😭what crime scene is in the photo?! So many questions and I genuinely don't know if they are supposed to be un-answered or if I'm just stupid(┬┬﹏┬┬)

Anyway this is my fave op ever. of all animated shows I've seen. and I've watched a lot man. yeah.

[mykingdomforapen]

spinning silk | writer's commentary

Hello! It has been a long journey but my Link Click fic, spinning silk, has come to a finish. It has been a joy to write and to share with you, and I really hope that you enjoyed the journey. I am so excited for you to read it now in its completion!

I thought it would be fun/interesting to include a writer's commentary about the story, as I've included elements that I'm excited about and would love to talk about the thoughts behind them, the history, foreshadowing, et cetera.

I will try to shy away from explaining too much in case we wanna preserve some level of the Author is Dead skskks . Happy to answer questions on a separate post or DMs though if there is interest! If you are interested in this commentary, please join me! If not, no worries and merrily we roll along.

Spoilers ahead!

The Epigraph

It's easy to miss the epigraph in this story, which is at the beginning of chapter 1 and is very brief. I don't know if anyone here is Chinese-literate, or if you popped it into a Translation app. If you have, you would have realised that the epigraph actually spoils the ending of the story!

A reminder of the epigraph:

君埋泉下泥销骨 我寄人间雪满头。 -Bai Juyi For his friend, Yuan Zhen

Bai Juyi and Yuan Zhen were famous Chinese poets from the Tang Dynasty, and good friends. Bai Juyi would have written this after Yuan Zhen died. The poem's translation is thus:

Your bones are buried under the spring mud; I remain in the mortal world with my hair white as snow.

In the context of this poem, white as snow can indicate someone growing old as they sit at the grave of their friend, therefore their hair turning all white. It can, depending on the translation, indicate someone who sat through the winter until snow layered upon their head , by the time spring comes. Or, in the context of Link Click, Lu Guang's white white hair. Which interpretation should it be? 🙂

Also fun fact I accidentally miscredited the poem for the longest time to Li Bai, another famous Tang Dynasty poet. Oops!

Silk

Ah, this story is built on silk. I think it is fairly famous, the 'red thread of fate' from East Asian/Chinese culture, the concept that you are somehow tied to your soulmate by a long, connecting red thread. I wanted to use the concept of thread as fate, but expand it beyond just about soulmates and relationships. That was the motivation behind depending on silk imagery for Liu Xiao's plan, to play on a well-established concept in Chinese mythology and add my own twist to it. Especially since Liu Xiao was the one in S2 to make the comparison, of people having a thousand parallel fates/threads.

As I was musing on an idea for this fic, that was when I happened to visit an exhibit that included the life cycle of a silk worm. My mother then told me how when she was little, she used to raise silk worms as pets. That got me to muse on the process of making silk--how you have to boil the cocoon and then unravel it slowly until it is a single, long thread. You have to be so careful with it because if it breaks it's kind of pointless, and how magnificent it is that such a cocoon could be so uninterrupted, singular, continuous.

Which brings me to the climax with Lu Guang, when he is trapped in a literal and figurative cocoon of silk. So as Liu Xiao had said (or at least, I think he said it...I forget lol)--when you make silk by boiling the cocoons, you kill the silkworm inside. Silkworms leave the cocoons by chewing a hole through it, which essentially renders the silk unusable because it's all chewed and broken, but now the silkworm is a moth and flies free. The thread of silk, the cocoon, must be ripped and ruined, only then can a silkworm emerge with wings, transformed. Only then can it live.

(Fun fact: one of the first things I knew I wanted from this story was the scene of Cheng Xiaoshi using his threads of fate to sew up all the ripped seams of time. That was, in many ways, the impetus of this story's idea--the image of him so selflessly giving up his own future and life to the act of something as gentle as mending)

Wen Xi

I loved writing chapter 2, honestly. Not only because I get to write about a dive, which is the charm and heart of Link Click, and not only because I get to write about my culture and province (Cantonese represent!) but also because in my eyes, the Wen Xi dive functions similarly to how I interpret the earthquake arc functions for canon.

There was a moment where I almost had a scene where CXS actually interacted with Wen Xi in person. He would have run into her at one point, and of course he can't act like he knows her because she doesn't realize he was the one who did the job for him, but he would have had a moment with her. She was sitting on the curb, struggling with some of the mangosteens she bought. He remembers how she doesn't like getting her hands sticky and wet and how Song Liming used to open them for her when they were kids, so he would have asked her if she needed help and gave her that little bit of kindness. This was ultimately scarpered so that he and Qiao Ling could have that more plot-driven moment of worrying over Lu Guang.

Other Deleted Scenes/changed scenes

Not so much a scene as it is a theme that I wish I could have expounded on more but ultimately couldn't figure it out. Which is to say, I wish I could have played around with Liu Xiao more. Liu Xiao, Lu Guang, and Li Tianchen are the trio who are manipulating fate and the future. They are also three characters who are, in their own way and for their own reasons, trying to use the control of time to answer for a painful trauma that they cannot bear to face full-on. For Liu Xiao, that flashback scene of Liu Min would have played a bigger role in the story. I wish I could have completed this, but at the same time, in my head in order for him to confront it is to own up to it, and find healing from it. He did not want to do that in the playground of my imagination. So I left him be.

Actually, Liu Xiao was supposed to be a little more villainous in this story! He would have been a bit more purposeful about Cheng Xiaoshi, knowing that CXS' abilities are causing the 'knot' in the silk and then intending for CXS to die alone/far from Lu Guang so that Lu Guang would not repeat the cycle. Ultimately I preferred Liu Xiao to be a bit more morally gray. He struck me as someone who didn't have a personal grudge against CXS at the end of the day. All he wants is his own peace of mind.

There was also going to be a moment, although I ended up scrapping it early on, where the photograph of Cheng Xiaoshi and his mother would have played a bit more of a role in the story. There would have been a moment where, upon discovering what Lu Guang was doing with the silks and realizing how much damage it was causing not only to him but to the world, Cheng Xiaoshi would have felt like he was the cause of all of Lu Guang's misery and now also the misery of the concept of time and space, since Lu Guang was essentially destroying the world because of him. In a moment of being in a pretty terrible head space, Cheng Xiaoshi would have half considered diving back into that photo as his mom and straight up Terminator his childhood self to save everyone the trouble. Qiao Ling would have strongly talked him out of it. Ultimately I felt that was, well, a bit dark, and not really fitting to the rest of the story.

Speaking of the photograph's purpose, the opening scene used to be a wee bit different, where Cheng Xiaoshi would actually give Qiao Ling the photo of his mother and ask her to hide it from him. He would never explain why, but Qiao Ling would have a guess as to what the reason was. I changed it because I wanted the story to have a bookend. It begins with Qiao Ling holding Cheng Xiaoshi as he slept to keep him warm. As does it ends.

Culture(???)

I'll be honest, I'm borne of expats, so I'm not the one to break down the traditions and culture of the characters. At the same time, I definitely was raised in Chinese culture and spent formative periods of my life in China, so there are a lot of things I take for granted and not think to explain when in fact it is not actually a universal experience.

But anyway! This is a section to explain my caveat. I am Cantonese. Link Click very likely takes place in a northern city. China's food culture is EXTREMELY diverse, so the food that I have eaten in China, because I spend all my time in a specific province, is probably food that Cheng Xiaoshi, Lu Guang, and Qiao Ling seldomly eat! But I couldn't help myself, so I wrote about my favorite foods. Because I write fic for ME.

That also goes for the daily living aspect as well. For all I know, Cantonese doctor visits, city walking, food delivery, groceries, etc. are the same as Northerners. For all I know, it could be wildly different! I have no idea. I do reckon though that our trio live in a quieter, smaller city than what I'm used to. I mean, look at their neighborhood.

Not regarding shanghuo, though. Shanghuo is everywhere in China.

Anyway, a quick rundown of things:

black sesame porridge: A very Cantonese sweet porridge. Technically considered dessert, but also lauded to be full of nutrition. Technically considered 'soup' but I write fic for me.

Also, black sesame soymilk. Soymilk is great.

Sun Wukong- LG compares himself, or wished to compare himself, to Sun Wukong escorting Tang Sanzang to the west. This is in reference to our beloved Monkey King in The Journey to the West! He is an iconic literary figure dating back to idk I think the 1400s or something and his story is quite long and mythical but long story short his mission was to escort a monk westward, towards South Asia, to collect some important scripts. He had to protect Tan Sanzang from all sorts of demons and devils along the way.

Pixiu- Lu Guang makes a passing comment in his point of view about putting a Pixiu at his doorstep and hoping it pays off Cheng Xiaoshi's debt. Pixiu is a little guy (arguably dragon, probably not) that likes to gobble up gold. If you put a little Pixiu statue in your area, the idea is that he will bring wealth to you. He's got a whole story about him where he ate up all the gold of the heavenly palace and the Jade Empress was so mad she sewed up his butthole so he would have eternal constipation, or something like that. Don't correct me if that's wrong because that's how the story was told to me and I delight in it LOL. I love him. He's my favorite idiot.

Clay pot rice -Also a very Cantonese dish. Frankly, the rest of China is missing out if it is only contained in the Canton province. Rice that is cooked with meats in a clay pot which makes the rice v ery aromatic and deliciously crispy around the sides. Qiao Ling was NOT going to take that out for takeout, that girl was 100% just gonna treat herself in a restaurant and CXS was gonna have to deal with scraps and leftovers.

Zhinü- I'm realizing that Lu Guang makes a lot of references in his internal monologue LOL. This is in reference to the Weaver Girl and Cowherd folktale, one of China's Four Great Folktales (which include Lady Meng Jiang, Legend of White Snake which is my personal favorite, and the Butterfly Lovers). It's a very classic Chinese story about a celestial weaver girl, Zhinü, who is the daughter of I think the Jade Emperor who is like the heavenly king of gods, and her lover the mortal cowherd. Long story short, her father was unhappy that she fell in love with a mortal and so separated her from her husband and children with the Milky Way. One day a year, the birds take pity on the lovers and form a bridge across the galaxy so that they can reunite. Between her and Lu Guang's weaving--or rather, spinning silk--I couldn't pass up the opportunity to make a reference.

yangmei wine - Liu Xiao is drinking some Yangmei wine. Yangmei is a type of fruit in China and I am pretty sure I actually made him drink a different wine than what I'm imagining. What I intended for him to drink is a wine that is made of a particular fruit that isn't strictly speaking edible, or at least not eaten for enjoyment. It's usually always only used for making wine, and you let the little plums (so t ospeak) soak in the alcohol until it is a bright red. Very sweet. Very strong.

Sanmao- At one point Lu Guang compares Cheng Xiaoshi to Sanmao because Cheng Xiaoshi had a small sliver of hope for his parents snatched right from underneath his nose. Sanmao is an iconic Chinese character from a long-running comic that began in the 1930s. He is a poor orphan boy during the era before and during WWII, who is just trying to survive extreme poverty. He is often mistreated by passerbys and is very lonely, often looking longingly at other kids who have food to eat and have parents. Every time someone treats him with kindness and he has just a little bit of hope that he can have a family or some good fortune, some awful circumstance happens, usually tied to tense socioeconomic injustice or war.

One of the less traumatic panels of the comic lol:

Jiuzhaigou- Cheng Xiaoshi mentions wishing that he could go there one day, and then at the end Qiao Ling and Lu Guang say that they will go together. Jiuzhaigou is in the Sichuan province, it is a nature realm that is very beautiful. There are natural deposits that make the lakes ultramarine blue and crystal clear. It's so beautiful! A photographer's dream.

Tangyuan- sweet and sticky rice dumplings that can be filled with sweet filling such as peanuts, black sesame paste, sweet egg, or more! They are often eaten during holidays, both during Winter Solstice and the 15th day after Lunar New Year. Indeed they are symbolizing family togetherness, although less because of stickiness and more because of a pun in their name. But maybe stickiness has something to do with it? Winter Solstice foods in different regions of China are also somewhat sticky, even if they don't typically eat tangyuan. I just know what I'm told lol.

Doraemon-A popular Japanese manga/anime from the 50s or 60s that is immensely beloved by the Chinese to this day. He is a robotic cat from the future with a fourth dimensional pocket full of futuristic gadgets that he uses to help Nobita, a fourth grader in the 50s, with his every day problems. He's wonderful. Also, he has a time machine which is tucked in Nobita's homework desk. Fitting....

Yixiu- Another popular Japanese anime, I believe from the 80s, that was also quite popular in China. It's about Ikkyu-san, a little monk/prince whose profound wisdom solved all sorts of grown-up's shenanigans.

Jiejie- A reader had asked the significance of Cheng Xiaoshi calling Qiao Ling this in the penultimate so I figured I'd bring it up here as well. 'Jie' is an indicator of older sister, or a bit of a respectful but also affectionate term for a young woman. Just like how Lu Guang calls Qiao Ling 'Qiao Ling jie' in the show. When he does it, it's friendly but also not actually meaning that he sees her as a sister sister because it's attached to her whole name. Cheng Xiaoshi in this story, not necessarily canon, refers to her as Ling jie every now and then. To me, this is him hearkening to childhood terms, as that is what his parents would refer to her as when he was growing up.

Take this with a grain of salt because I am a diaspora and not originally from the culture. Qiao Ling referring to Cheng Xiaoshi as 'didi' (little brother) in the show, and in the end Cheng Xiaoshi calling Qiao Ling 'jiejie' (big sister) in this fic are not rare, so to speak, or inappropriate, but you don't typically refer to someone who isn't related to you as your 'didi' or 'jiejie' unless they are blood related to you. You can call your sibling this, or your cousins this, but uuuuusually not someone who is like a sibling to you--singularly, yes, like Ling jie, but not typically Jiejie. Them calling each other this means that they truly see each other as their sibling. Also, those terms are a little bit childlike, so to speak. There are more 'grown-up' ways to refer to your little brother or big sister. In Cheng Xiaoshi's case, someone his age will probably refer to a sister as 'a jie' or 'jia jie'--at least, in Cantonese this is the case. 'Jiejie' is a little kid's way of calling their sibling. Like, up until I was about 7 years old I would have referred to my sister this way. To call someone 'jiejie' now, particularly to their face, I feel is a very vulnerable address. It's like if you as an adult who usually calls their mother 'Mom', in a time of deep distress or sadness and in need of comfort, revert to calling her 'mama' or 'mommy'. Like, you're both probably in tears to get to this point. At least, that is my experience with addresses, and therefore Cheng Xiaoshi's lol. Any fellow sinos out there can correct me but that was my intention for that part of the story. Cheng Xiaoshi is vulnerable, and he is seeking comfort from his big sister.

Mama's nursery rhyme- The story of the little rabbits and their Mama Rabbit is a very well known children's story in China. The story wasrecounted as close to memory as I can, so the only other thing I can say about it is that this is how the song goes.

Well, that's all I can think of right now! If there are any questions or you're curious about something, feel free to send me a message! Otherwise, I hope I didn't resuscitate the author too much.

[anulithots]

Ooh...So excited when I know that you are now a fan of Link Click, too.... Can I ask something from Link Click? What do you think are Cheng Xiaoshi and Lu Guang’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Sorry if you've answered these questions before.....

P.s

Also, can I ask your top fav characters and fav moments from the series (Link Click), if you don't mind me asking (again)....? Thanks so much....

KLDKJfdskj THANK YOU FOR THE ASK! I had answered it, wanted to save it for further thoughts... then tumblr wiped the post.

THENNN THIS SAT IN MY DRAFTS FOR WAY TOO LONG

I cry. Sorry this took so long!

BUT I Did handwrite some stuff down, so here we go!

(Just a note that while I proabably will analyze link click - how could I not - I won't try to do as much analysis as I did with Jujutsu Kaisen... because... well I did too much. Maybe burnt myself out? I hyper analyzed that to the point where it became another school subject... and LInk Click actually SHOWS backstory, so I don't' have to connect as many dots. )

CHeng Xiaoshi and Lu Guang's strengths and weaknesses.

Cheng Xiaoshi: he's empathetic, but so much so that it turns into impulsive decisions. Other than that, when he does have space and time to process his emotions, he's INCREDIBLY good at strategizing based on the factors of the environment + the emotions of those involved (Lu Guang will follow rules without being as adaptive)

Overall, I'd describe the Cheng Xiaoshi emotion pipeline to be this:

gets overwhelmed with strong emotions, especially when possessing someone or in a high stakes situation. In this state, he'll do reckless, impulsive decisions, oftentimes for the good of others... but he usually regrets it later

CXS has more time to sit with and process his emotions. He usually withdraws from the world at this time. (Post episode five, or after diving into the photo on his own, when he thought Lu Guang was dead)

He does his whole 'I have a plan thing' and it's ridiculously smart. He just needs time (and lots of it) to process his emotions.

Cheng Xiaoshi is also almost.. too trusting. He trusts others, empathizes with them, so easily feels and assimilates himself with others that he'll... probably get taken advantage of. (See season two)

He also clings to the people he has. This is neither a strength nor a weakness... it's both, it's a trait, and it will become either beneficial or a detriment depending on the situation, as is the case with a lot of character traits. The plot tests the flaws and benefits of a character. (Sorry small tangent)

CXS tries to prevent the same pain of loss from befalling anyone else/ people he possesses. He fears being alone (probably also feeds into his 'too trusting' + relies on Lu Guang thing. Neither are inherently flaws) and perhaps part of the reason he is so impulsive is because his parents left him so suddenly. He gets so stressed because he has to help them/save them, and he must do so immediately, before they leave him forever.

(See I'm analyzing but I'm having trouble with fitting CXS into the overall themes... hmmm.. I'll figure it out.)

EDIT: I HAVE THOUGHTS, I THINK I FIGURED IT OUT... MAYBE I SHALL LET THE THOUGHTS MARINATE MORE!!

Lu Guang:

I'm not sure if he restrains his emotions, has subdued ones, or if whenever he's around CXS he can act more 'low energy' because CXS is... a lot. /aff

(See Lu Guang sitting on the couch differences from when CXS is there versus when CXS is in a dive

Versus when he's alone:

*feet on the table*

*bouncing his foot*)

He acts like he's the level headed one, but he's far from it. Even in season one, especially in episode five (when he took a risk and it ended up backfiring on CXS) he can and will freak out the moment something doesn't go according to plan. And who often doesn't go according to plan?

Cheng Xiaoshi.

Lu Guang does his very best to... prevent against this. He means well. Pretty much every moment he's on screen is him trying to protect CXS.

He does keep secrets, but overall, I think he isss pretty open about what he thinks and feels (except for when it comes to CXS to his face... he'll gladly talk about it to Qiao Ling). In... I think it was episode six, he openly told Cheng Xiaoshi his reasoning for going back in time to deliver the messages in episode four... to alleviate the client (and prove to himself that it is possible) of regret.

As far as the 'strengths and weaknesses' go, for all the issues and benefits that happen because of him, it's really caused by his personality, his traits, that will be either useful or detrimental depending on the situation. LInk Click is wonderous at using the plot to fully explore the nuances of the characters, so none of their traits are 'black and white'. Very 'trolley problem esque' and up to the viewer to decide. *buzzes and explodes* /pos

In essence: Both CXS and Lu Guang are emotional idiots in their own ways (CXS's just louder about it /pos /aff) and QIao LIng is actually the only levelheaded one here.

... I need some more time and rewatches before I can fully analyze them well so that's that for now!

What I love about their dynamic

They both trust each other, and will break all of time and space (or not break all of time and space) for the sake of the other.

MOST OF ALL HOW'LL THEY'LL BREAK THEIR USUAL CHARACTER IF IT MEANS PROTECTING THE OTHER.

Like Lu Guang, for all the times he says that CXS cannot change the past, that he shouldn't interfere, caves if it means giving Cheng Xiaoshi solace. (Episode five when tried to help Cheng Xiaoshi save his mom, and in season two when he let Cheng Xiaoshi dive to allow police assistant guy - I forget his name - to give a flower ring to his wife)

For Cheng Xiaoshi, he'll resist his impulses and emotions, even if it causes him immense pain, to comply with what Lu Guang would've wanted. Epppiisooddee fivvee is a good example of this. (And of course... I think it was episode two of season two where Cheng Xiaoshi decided not to go back in time for the sake of Lu Guang's wishes). Cheng Xiaoshi 'gave up' on trying to save everyone in the town because of Lu Guang's urging, and even throughout all the dives he does, as early as episode one, he trusts Lu Guang.

Also, in a less dramatic sense, ... alll the little things they constantly do for eachhh other aklsjfkaslfklasjd fSCREAMSSS

Lu Guang checking on Cheng Xiaoshi during his nightmares, comforting CHeng Xiaoshi after the trauma that was episode five, the both of them constantly teasing each other, how comfortable they are in each other's presence. IT'S SO QUEER PLATONIC CODED I LOVE THEM SO MUCH.

Fav characters and moments.

(in the prev version of this ask I started listing out EVERY SINGE scene in season one and started going to season two... I love them all. I love them all so much I'm going to rewatch it again.)

But as of now I'll list them out and include some of my screenshot collection (it is growing heheheh)

In episode one where Lu Guang slurps his noodles to tease CXS after he couldn't eat his spring rolls

The moment in episode two where Lu Guang proclaims that the mission is hopeless and CHeng Xiaoshi says 'Just because you don't see hope doesn't mean there is none'

AND LU GUANG SMILESSSSS:

Also Lu Guang smiling when CHeng Xiaoshi says how he wishes Lu Guang could've tasted the noodles too. There's Lu Guang smiling at things Cheng Xiaoshi says, what more does one need in the world?

ANY MOMENT QIAO LING IS ON SCREEN IS IMMEDIATELY PEAK FICTION AND I SHALL PERISH ON THIS HILL

Like in season two where Cheng Xiaoshi is restrained and QIao LIng slaps the lawyer guy in the face (I'm slow with names and need to rewatch season two)

Honestly episode five is a masterclass in good writing. The moment where Cheng Xiaoshi's mom is singing to him, then it cuts to Cheng Xiao's mother dying is just... *sobs*

WHEN QIAO LING CANNONICALLY CALLS CXS HER BROTHER AND IT FLASHBACKS TO HER AND YOUNGER CXS AND lakjfalksfjasklfjaslkfjaslkdfj

Cheng Xiaoshi's backstory in general... it was either in episode ten or eleven... or nine??? I still have to rewatch up to there. Epsically because CXS's backstory was explored in really nuanced and explorative ways before the whole thing was revealed, which makes any rewatches 1000x sadder. It's such good writing holy herbs.

In episode... seven I think it was.... when CXS as Doudou punched the human trafficker and Lu Guang had a surprised pikachu face... peak fiction. How this donghua manages to make me smile and laugh then ugly cry and stare at a wall for the next few hours is beyond me /pos /sooo impreeessive the wriittttnggg.

Lesbian Noodle ladies were amazing. 100/10. Bring them back the trio needs happiness

Lu Guang wanting to go the funeral in season two with an IV and half formal clothes, half hospital gown. He's smart but in the 'I've memorized an entire Library but can't navigate a practical/social thing to save my life' sort of way. Love him for that.

Wang Juan. She has an Ivan (alien stage) haircut and she was great and yes I have another aesthetic crush shhhh

When the trio dressed up as the cartoon characters to reunite Doudou with his dad.

Cheng Xiaoshi arguing and bickering with Xu Shanshan. Then when he dives as her, he immediately makes her look bad and it's hilarious

In the 5.5 extra where Cheng Xiaoshi and Lu Guang play video games against Qiao Ling and both of them lose.

Qiao Ling and CXS both beating up a bunch of people. Peak siblings

CXS and Lu Guang beating up Qian Jin (I looked up the wiki and it has character namess yessssss). Peak queer platonic partners.

Moments like these? IDK I just like the idea of them spending time together without necessarily needing to talk to each other, comfortable in the silence.

SCREENSHOT COLLECTION:

.... I reached my image limit *cries*

THANK YOU FOR THE ASK!

(and sorry it took me so long to answer it)

... now I want dumplings

[snorlaxlovesme]

in s2 i kept grappling with "what if LG or CXS used their power in x way to create a loophole in their limitations?" (i.e. must use photos, take place in the past, you only have 12 hours, etc) and then assumed that my theories wouldn't happen because they would cause too many inconsistencies in the show. but then Cheng Xiaoshi ended up pulling the scheme in the finale of diving into current security footage so he was still in the current timeline (maybe like 1 second off) but existing within a photo, that when when Li Tianchen tried to capture him he could clap his hands and teleport back to Captain Xiao

i was really surprised when he did that because it sounded like a theory the fandom would come up with (several of us had) but the show would never attempt

my question now, is: what was stopping LG from using a similar hack to his powers? i always wondered what would happen if LG took a photo and then immediately tried to look into it; would he be able to see into the future?

and then i remember that he DID take the photo that night in the hospital on his phone. and we still don't have a canon reason from Lu Guang about why he did that. Qiao Ling claimed it was because of Lu Guang's strong desire to save Cheng Xiaoshi, and therefore he was laying out the groundwork for Cheng Xiaoshi to possess him. but Lu Guang has never actually said that

i've already made a post showing why i believe LG was in control of his body the first time he jacked that boat and saved CXS, and if that really WAS the case...why did Lu Guang take that photo that night?

could it have been that, in the same way CXS hacked his powers that night, that Lu Guang was doing the same thing? that maybe THAT'S how he knew where the rendezvous point with the boat was going to be? and maybe that's why he was willing to be taken hostage instead of Cheng Xiaoshi, because he knew something terrible would happen if his reckless partner got on that boat instead? and that's why his scream of agony was so real when Cheng Xiaoshi was shot, because he thought that he had saved him from that fate by taking his place?

[shiguangism]

Presentation

Hi, I'm anchestral and I'm mainly a fan writer who landed here on tumblr after years of being active on twitter!

Some info about me:

Pronouns: she/her

Age: 22

Languages: Italian, English and Spanish

Fandoms I'm active in: Link Click, Chainsaw man

Favourite shows: Link Click, Chainsaw man, Jojo's bizarre adventure, Tokyo Ghoul, Haikyuu, Berserk, and many others I won't list here. Just fyi, name me a show and probably I've watched it.

I've moved here because twitter was not a comfortable place for me anymore, and I've seen that tumblr is much more chill wrt those lands. Please, be aware that I will NOT engage in any kind of arguing online, so don't even bother to pick a fight with me, I've had very BAD experiences I don't want to repeat.

I'm here just to chill, talk to people about my favourite show, share insights and maybe make some friends. I'm very friendly, if you want to hit me up in the dm to talk about something, I'll answer very gladly whenever I cant! :)

If you're shy you can send me anon, I'll be very happy to answer.

Fanfictions:

In this year I've been writing a lot, I've always liked writing and I started when I was only 14. However, I'm a bit slow because I like to write first in my native language and then translate in English. Below, there is a list of my fanfic profiles and the works I like the most and I'm writing. This are my profiles for AO3 and EFP (Italian platform for fics):

AO3: Anchestral

EFP: Anchestral

Link Click Fanfictions:

Immersion: In which Cheng Xiaoshi goes back into the past to save Lu Guang

Summary: ‘Three are the rules we need to respect: first, we have twelve hours; second, listen to my instructions and don't change anything; third, leave to the past what's in the past and don't ask about the future.' Cheng Xiaoshi knew them well, Lu Guang told him those rules everytime before working. By then, he learned not to question them, they didn't know what could happen playing with the past and modifying it. But did the rules still make any sense if Lu Guang was dead?

Prevision: In which Lu Guang goes back into the past to save Cheng Xiaoshi

Summary: Lu Guang did not make mistakes, he always evaluated all the possibilities in front of him rationally, it was what he had to do to allow the survival of both of them, to allow their time travels to go as smooth as possible, but letting himself be dragged into Cheng Xiaoshi's do-gooder madness had been the first big mistake of a long chain. September 12th 2020 was the day when that realization hit him like a sucker punch straight in the center of his chest, leaving him on the floor gasping for air, in pain.

These two fics are actually related!

火锅 - Hotpot (E-Rated): Just a collection of nsfw one-shots, but it is getting serious. For now, there is only one chapter out, but I'm working on the second and it is becoming huge.

There are many ways to spice up a relationship: may it be a hot bowl of noodles, a dark room with way too red lights, or a bet on who's going to wash the dishes for the rest of the month... The possibilities are endless when starved eyes are looking at you as if they're going to devour you any time soon, leaving you feeling naked and in trembles. ----- 5 times Cheng Xiaoshi and Lu Guang have steamy, hot sex + 1 time they can't. (the formula may be subjected to changes)

Chainsaw Man Fanfictions:

Dancin' in the devil's hand (E-rated):

Summary: The metropolis of Tokyo is torn apart by a series of unexplained, brutal murders, but all of them seem to be connected by a single thread. In this climate of terror, Aki Hayakawa has been given the onerous task of bringing light and a point to this story. --- An unexplainable mystery to solve that will lead Aki and Angel to work together, closer than ever, and maybe will give them the chance to understand something more about themselves and each other...

There are also many other one-shots, most of them are in Italian, thought, and I'm not particularly fond of the other translated because I was still trying to adjust my writing again!

I think I've said everything. I'm sorry if I make some mistakes, I'm very new to this site and I'm still trying to understand how the netiquette works, especially the one tied to the reblogs and the tags.

See you around! :3

[animebw]

Short Reflection: Link Click Season 2

It's a bit strange, I know, to write a full review for a show's second season without having done the same for its first. Though I suppose I did the same with Jujutsu Kaisen as well, so maybe this just helps me process my thoughts better. Sometimes it takes until I've really spent a lot of time with a show to fully unpack how I feel about it. And while I enjoyed Link Click's first season a lot, it left a lot of questions in the air that left my feelings fairly inconclusive. Not just plot questions, but questions of theme, message, meaning, what it was trying to say with all its time-twisting stories. The ride itself was fun, but this felt like a case where I really needed to see the destination as well. Only then would I really be able to nail down my thoughts on Link Click as a whole.

Well, now I've reached that destination. Mostly; there's a third season on the way eventually, but enough of those big questions are answered by the end of season 2 that I'm able to sort out my thoughts a little better. And man, what a fascinating, frustrating, singular experience this turned out to be.

In case you need a recap, Link Click is the story of Cheng Xiaoshi and Lu Guang, two young men with the power to travel into the past through photographs and help resolve their clients' lingering regrets. Maybe they need to find some long-forgotten secret, or pass on a final message the client never got the chance to. But whatever the case, the most important rule remains the same: do not change the past. No matter how tragic or unfair a person's life as been, meddling with the timeline to try and make things better will only result in further tragedy. At least that's how it seems until the end of season 1, when it's revealed that someone- or perhaps, a larger group- has been wreaking havoc with their own photo-based superpowers to ensure these tragic fates are brought to their inevitable conclusion. Thus, season 2 is all about tracking down the people responsible, unraveling one big conspiracy to stop the criminals before they cause any more damage.

So already that's a pretty big change from season 1. Instead of spending time with a bunch of episodic small-scale mysteries that freely bounce between various tones, Cheng Xiaoshi and Lu Guang are now focused on this singular case in a season-long ongoing supernatural crime drama. Thankfully, there's enough excuses to jump into the past that we still get a decent chunk of that genre-mixing experience that I loved about season 1. We may not have as much variety as before- there's no love stories or sports anime subplots here- but the mechanics of time-leaping are still pretty essential to how the story unfolds and how the characters come to understand their place in it. What is missing, though- arguably one of season 1's most important qualities that pretty much vanishes in season 2- is the exploration of the morality of messing with time itself.

See, one of the first season's thorniest conflicts was whether or not is was right, or safe, for Cheng Xiaoshi to change the pasts of the people he jumped back into. So many of his and Lu Guang's clients had truly miserable lives, and there were many times he felt like he had a chance- no, a responsibility- to take action in their past that would send their present down a better path. But it was never as easy as that, and often times, his attempts to make things better would just end up making them worse. And I'm really unsure how to feel about Link Click's handling of this concept. Sure, I know the reason they can't just use time travel to fix everything: once you give your characters the power to rewrite any mistake, the stakes pretty much become nonexistent. For the sake of a good story, Cheng kind of has to be doomed to not be able to make a difference in the past. But there's a point at which the world starts to feel actively unfair with how it twists every single attempt he makes to force a tragic result regardless. Is changing the past bad because you can't predict how it will shape the future, or has the universe just cosmically ordained that certain people will suffer and die no matter what? Because only one of those answers is compelling to me, and I'm not convinced it's the answer Link Click has decided to go with.

And that was one of the answers I was most hoping to get in season 2. What, exactly, does this story have to say about messing with time? Is it actually engaging with that question honestly, or is it simply forcing the answer it prefers with cheap moralizing and forced plot turns? Unfortunately, that question remains basically unaddressed throughout season 2. In fact, most of those broader questions and philosophy and character journeys from season 1 take a backseat to the mechanics of the plot in season 2. Season 1's greatest strength was how well it balanced its sci-fi and thriller elements with the humanity at the core of its cast, using its time-leaping to explore not just Cheng's character but the countless ways people choose to move on from the past or remain stuck in it, or draw power from it. With season 2's narrowed focus, though, it really only does that for its central antagonists, and basically every other character is pure plot machinery. Compared to how lush and lived-in the countless snapshots of memory we visited in season 1 felt, the world of season 2 barely feels like it exists outside the confines of the plot.

My guess is, the intention here was to choose quality over quantity. Instead of getting lots of brief insights into the lives of various different people, we spend the whole season digging into just the central antagonists' past and fleshing it out in as much detail as possible. And to its credit, this seasons' villains, a pair of psychic siblings who parallel Cheng Xiaoshi and Lu Guang's brotherly relationship. Their past is easily Link Click's darkest tale yet, a story of abuse, neglect, trauma and social toxicity that at times feels like a darkest-possible-timeline mirror to that question of using your powers to fix a bad situation only to make it a million times worse. And it's not subtle about connecting that darkness with the worst of China's familial culture, which I do not know enough about to discuss with any authority, but let's just say that basically any man in this season who tries to exercise his authority over a woman ends up paying the price for it. More than anything, it reminds me of the way Gen Urobuchi tackles misogyny in his work, exploring how attitudes of patriarchal domination twist people into monsters while everyone in close proximity suffers for it- even when you think you're doing it with noble intentions.

Sadly, as compelling as that central hook is, the rest of the season really suffers around it. The problem with Link Click introducing new superpowered characters is it kind of forces itself to get trapped in the mechanics of it all. Season 1 got away with using time jumps mostly just as the backbone for its various character studies, but now the show has to actually deal with how all these various powers work and interact, and considering how many of these powers involve messing with time, it doesn't take long for this shit to get real convoluted real fast. It's a headache trying to keep track of the rules behind the antagonists' powers, and it feels like no matter what the answer is, there's at least one scenario in the show that completely breaks those rules. And don't get me started on how many head-smacking contrivances this season pulls to force its plot into the shape it wants. You're telling me you've got this person imprisoned who you know has some unknown power you're unprepared to deal with, and you let her just waltz out of security camera sight without a ten-man gun squad keeping an eye on her at all times? Are you high???

Overall, Link Click season 2 is just messy. It's a big swing that takes big chances with the foundation season 1 established, but it doesn't hit every pitch and you really feel the disjoint where it strikes out. It's a good thing the art and animation are still as superb as they were in season 1; turns out, an expertly-choreographed hand-to-hand fight scene can help even the dumbest plot points go down easier. But the series overall feels on much shakier ground than it did at the end of season 1, and I hope season 3 will be able to right that ship. I'd hate for a series this promising to become just another disappointing failure to establish Chinese donghua as a true artistic powerhouse. Until then, though, season 2 gets a score of:

6/10

And on that note, I think I have another poll to make. See you in a few hours...

[sytheofabloodmoon]

So more 4am rambling, or like 5am now as I start typing this. Less timeline rules rambling but still timeline related thoughts. Although we know for certain after S2, that Lu Guang's gone back in time to save Cheng Xiaoshi(seemingly more than once if the 'last chance' line is anything to go by), I have to wonder if Cheng Xiaoshi has done the same for Lu Guang, even if it was only once. We haven't seen it actually happen but we've seen Cheng Xiaoshi be inclined to save him, seeming to consider it when he thought Lu Guang was dead, almost doing it to stop Lu Guang from getting onto the boat (until he literally got in his own way, lol). It doesn't feel impossible or to me. But considering his sincerity and how he wears his heart on his sleeve, would he even be able to keep it a secret? Maybe with some struggle, maybe more easily than we think. Regardless I think he'd end up telling Lu Guang eventually in this case, whether it was because he was pushed to, due to guilt for keeping a secret, if he just couldn't keep it a secret, getting tangled in his own web of lies, just before death or something else entirely. But then why does it seem like Cheng Xiaoshi doesn't know as much about their powers as Lu Guang, why does it feel like he's more in the dark about things? Maybe because in whatever timeline we're currently in/seeing, he doesn't know and is in the dark.

Hear me out for a second. So the flashback of Lu Guang and Cheng Xiaoshi's first meeting on the basketball court when Cheng Xiaoshi mentions that the ball represents his trust in Lu Guang and how nice it is to have lifelong partners. It seems a little much to say to someone you just met, or even someone you knew in passing as a classmate because you happened to recognize them. It sounds like something you'd say to someone you've known a long time. What if in that moment it was Cheng Xiaoshi diving back in time and he couldn't help himself from saying something he'd perhaps wanted to last time but never did or never got the chance to? There's also the part of the flashback where Cheng Xiaoshi simply says something along the lines of 'Hey newcomer, come play with us!' And while they definitely could be part of the same flashback (i.e. before and after the game), what if they were two different flashbacks? The actual first meeting and the altered one. Even if they are both the same flashback, it could still be altered because again the lifelong partners mention feels too familiar for a first meeting. Even then, there's the question why go so far back?

Also a particular line of Vortex I've seen mentioned in other theories 'Am I destined to fall? Like you once did for me?' I do think of this as Lu Guang's POV. The thing is I've seen people suggest it refers to when Lu Guang got stabbed by a possessed Qiao Ling and that maybe Cheng Xiaoshi was the one who got stabbed initially. Maybe it does refer to that or maybe it's only part of it and it also refers to falling through time, through near endless dives in an attempt to save the other. Until the only photo left, the 'last chance' was to go back to the beginning. Of course there's the white hair theory which probably plays apart in making it seem like Lu Guang's gone back in time many many times, but since diving into the photos is Cheng Xiaoshi's own power, his hair would stay the same colour. He's not using anyone else's power.

I've also seen people mention that the girls who started the noodle shop together (I rewatched this episode recently and still can't remember their names for the life of me), how their relationship seems to mirror Lu Guang and Cheng Xiaoshi's in some ways. The dynamic mainly, I think. But during my rewatch I noticed after the fight when the client asks her friend after the fight 'where are you going?' Her response is 'Back to the beginning. I'll reset.' And that was very interesting to me, considering season 2's last episode, the 'last chance' with Lu Guang going 'back to the beginning', essentially pressing the reset button. I don't know if anyone else noticed that, but I haven't seen it mentioned. And while it could be a reference to Lu Guang, it could also reference Cheng Xiaoshi if he's gone back in time to save Lu Guang before. He did after all, posses both of the women, the one who changed and the one who didn't. If their relationships do intentionally mirror each other, I think it's interesting what that might mean for the boys. Cheng Xiaoshi is both the same and different, possibly due to all the messing around with the timelines. Also considering the argument between the two, it could reference and argument about changing the timelines, changing death nodes, the first time when Lu Guang found out about Cheng Xiaoshi going back in time to save him (supposing it wasn't shortly before Cheng Xiaoshi died), and potentially a future argument when Cheng Xiaoshi finds out about Lu Guang changing the timelines and breaking his own rules to save him (and I do think he'll find out about it). Speaking of Lu Guang's rules, why is he so adamant about Cheng Xiaoshi not changing the past? To protect him, protect their present together, some sense of responsibility, because he knows Cheng Xiaoshi can be reckless? Probably at least a few of the above if not all. And maybe some reasons I missed. But also think about if Cheng Xiaoshi had gone back before, who knows how many times, to save Lu Guang, succeeded ultimately but then ended up dying, potentially in the act of saving Lu Guang depending on what the cause of death was (that's not an answer I have thought of for this theory rambling). Obviously Lu Guang wouldn't want him to be reckless and change things again, especially if he holds the memories of that happening. Cheng Xiaoshi at one point may have made his own death node by changing things to save someone so important to him.

Back to the point of why in the timeline we're seeing, Cheng Xiaoshi seems more clueless about their powers. I'm thinking what if whatever may have changed in this timeline, lead to whatever may have happened in the hypothetical timeline I purposed not happening, either the avoided whatever event would've caused Lu Guang's death and Cheng Xiaoshi diving back or somehow Lu Guang managed to live through it. So as of this timeline, Cheng Xiaoshi never dived back to save Lu Guang, he hasn't done all those dives and doesn't have all that experience. But Lu Guang does, he has dived back, he's manged to avoid Cheng Xiaoshi having to, maybe in part to his rules, maybe something else. But Lu Guang still has all those memories of timeline after timeline, has used those powers himself now, so this time Cheng Xiaoshi is really in the dark. Maybe it's not just Cheng Xiaoshi's optimism that contributes to Lu Guang choosing to dive back to save Cheng Xiaoshi himself, even though they supposedly can't change the path and death is an unchangeable node but the fact that Cheng Xiaoshi has done the same for Lu Guang and succeeded. Perhaps he somehow even replaced Lu Guang's death node with his own, even if he no longer knows that he did that.

I really want a happy ending to the series with our main trio all happy and alive and together, but I also don't think we'll get one. Whether my rambling theory thing is in any part true or not, I feel like the series will probably end with either one or both of the boys dying. I will cry if that happens though, that is a threat and a promise, lol.

Anyways if you're still reading thanks for putting up with the long post. Also I have no idea if this even makes any sense or not or if I can really even call this string of thoughts a proper theory. But it's food for thought and I wanted to get these thoughts down and semi-organized, so here we are

[askew-d]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...

hello, there! thank you for following me, by the way. this ask’s a sweet surprise! i don’t mind at all, i’ve never answered this before :) i’ll make a list of all the characters i cherish. it’s not ranked over who i cherish more though (they’re all special for me). they’re all random nonetheless, but let’s see if you can catch a little bit of a ‘type’ here, haha.

1. kageyama tobio, from haikyuu!! — i first found him to be a very bothersome character in terms of background and personality. perhaps a little bit aggressive, unnecessarily so. however, i can see how much he’s changed after finding a team like karasuno and hinata especially, and over time we go unraveling his attitude to find an actually sweet person who probably only thinks about milk, cats, leaving his nails neat and other stupid things. he’s one of those tsundere characters and that’s nice. he’s overall a nice person who’s judged unfairly. and his awkwardness turns out to be adorable, so that’s a plus.

2. minato, from the film kaibutsu — this japanese show absolutely wrecked me. it seriously did. how the hell could they expect me to move on after it? i have no words for how much this story impacted me. this main character brings such a tender feeling of youth and fragile love towards another person that sweeps me off my feet. he’s got a repressed heart that slowly comes free and it made me feel very protective over him.

3. violet, from the anime violet evergarden — heartfelt letters aside, this anime felt to me like a coming of age show. or perhaps more like a coming of ‘human’. i love her because she’s truly intrigued about the world, the people, feelings as a whole and what it means to be a breathing creature. she’s just a child. she wants to see everything. to understand her heart. she’s a force of nature that beholds so much and doesn’t even know how to put into proper words, even if that’s her job.

4. lu guang, from shiguang daili ren —i just watched link click recently, but this boy surely made a way into my heart. i love how he’s ready to fight the world on behalf of cheng xiaoshi, and although he’s a hypocrite through and through, he’s real. he’s one of the realest people i’ve seen being portrayed. because who in heavens would choose someone unimportant to tou if you can choose someone you love? and how he hides his emotions? chef’s kiss. i love that he’s an ‘actions speak louder than words’ kind of guy; he’d call you an idiot in one moment, then burn the world for you in the following one.

5. the little prince, from the book the little prince — i cannot forget this book not even in a million years. changed me as a person. this vulnerable, free character makes me think he’s not just a hallucination from the author, he’s a magical shiny little person who’s discovering about life. i love him because he’d never change, you can’t change him, because he’ll always be a child at heart and mind. he’s everyone. he’s you, he’s me, he’s who we were. and that breaks me apart. he makes me cry, this one. he makes me remember that i’m a child too, regardless of how many time passes.

6. léon doré, from the film it’s not me, i swear! — i was a fifteen-year old watching this after having reconnected with my mother and that’s why it marvelled me. it’s a lot of what i’ve been through, of what i’ve been. i love him because i relate to him, and i wish i could’ve had that courage. i won’t spoil the story, but i really recommend it! my favorite film of all time. it has trigger warning for child abandonment, suicide attempts and child abuse though.

7. wei wuxian, from mo dao zu shi — oh, boy, i can’t relate to this one at all. i think he’s the only one from this list that doesn’t fall into the ‘introvert with hidden feelings and traumatised past’ type, not entirely. he only falls into the traumatised past. i think he’s the only extrovert character — besides hinata shouyou — that i actually like. i’m an introvert at heart, so at first he annoyed me too, lan wangji, i get you. but his strength? how he looks into the world that broke him and says ‘i’ll keep trying, i’ll keep smiling’? how he loves to the point of sacrifying himself? how he’s not attuned to his feelings because he’s more worried about being excited over little things? how he’s just overall so rebellious, but intelligent, sincere, witty, and does this all for the good, regardless if he’s being misjudged? how he’s been through hell but chooses to find reasons to keep going instead of looking back? oh, how i love him.

8. todoroki shouto, from my hero academia — i don’t enjoy boku no hero anymore, it has lost the entertaining bits for me. but i do expect the best for this boy right here, i love him for his cool nature, how he walks into life trying to let go of his resentment (after he befriends midoriya), and how he cares for his friends more than words can be let out to express. i wish the anime had grew to be better so i could watch more of him, but the feeling’s gone for me now. nevertheless, i still cherish him.

9. gin, from hotarubi no mori e — he’s a mystery, that’s for sure. he deserved so much more. he deserved life, he deserved a chance to live. i love the tenderness in him, and the sheer tenderness he showed our main character even if he didn’t even managed to be a real, normal boy! how can beings find the love in themselves and be so painfully alive even if they’re not in fact in the human spectrum? i love that he taught us this concept of love. i love this type of trope. i love and hate it at the same time.

10. dr. house, from house m.d — i had a hard time wondering if i should indeed add him here. because he’s an asshole. why do i like him? i don’t know. i see this flawed, asshole man and i see the pain in him and though it doesn’t justify anything at all, it’s what humans are all about. he judges everyone. he shames everyone. he shows people’s true intentions. he hides his true intentions. he’s repressed and lonely and he’s doomed. but he’s got this relationship with wilson, and women, and monster trucks games, and he lives. and he’s an awful man, but aren’t we all at core? i love to hate him.

bonus: nozomi fujisaki, from cherry magic, and nano, from girl from nowhere. they’re wonderful. they’re everything. love fujisaki’s view in life (it matches mine) and nano’s brilliance ✨

haha, well, this got longer than i thought, but wow, i enjoyed this a lot. thank you for asking me this, really! big hugs!!

[ren-rambles-often]

Do you have top favorite character (or characters, if you feel like listing multiple) of all time from any media (animanga, tv series/cartoon/movies, books, etc)? Why love them?

Late reply cuz I kinda forgot abt this one hahah (٥↼_↼)

But oh do I have a LOT of them.

Starting off...

Bakugou Katsuki and Izuku Midoriya (MHA): they're amazing as a ship in their own right but as characters their both so deep and interesting with many layers and nuances interlaced between them.

Mikage Reo (Blue Lock): aside from easily getting attached to characters the fandom hates for no legit reason *coughs in Bakugou and Takemichi* he's literally the most perfect, precious cutie patootie. Not only that he's WIFE MATERIAL which is something instantly found attractive about him, the things I think about OMG (๑♡⌓♡๑)

Dante (Devil May Cry): I was fifteen and he was the coolest video game character I ever saw. Couldn't tell you which of the games tho, only watched and commented while my brother played. I did watch a few episodes of the anime but it's been so long I don't remember if I liked or hated it.

Ryomen Sukuna (Jujutsu Kaisen): We love a chaotic king, like yasss bitch, kill those innocent civilians yayyy!!!

Draco Malfoy (Harry Potter): Blond and bitchy just the way I like em.

Sano Manjiro (Tokyo Revengers): How are you the best fighter but oozing such bratty bottoms energy I love him!!!

Tyki Mikk (D.gray Man): He's a keeper when he can literally reach into your chest to stop your heart, sorry I don't make the rules (^^)

Kuroko Tetsuya (Kuroko no Basket): I'm rewatching the anime and why is he low-key so funny??? Aside from that drama just follows him constantly and I'm so down that.

Sung Jinwoo (Solo Leveling): Daddy and babygirl. The ultimate combo.

Ash Lynx (Banana Fish): *bursts into tears*

Yato and Yukine (Noragami): They're the only reason I considered picking up the manga when I realized there was probably no third season coming. Like I need to know how they're doing but I'm so lazy. They bounce off each other so well and I don't think I can like one without the other.

Lu Guang (Link Click): he came back in time for his boyfriend?!??! Season 3 where are you?!?!! (〒﹏〒)

Benimaru (Reincarnated as a Slime): Red haired, ogre Daddy.

Chloe Decker (Lucifer): I have a problem liking female characters cuz many of them rarely stick with me but I love her, she's cool, and in my honest opinion very well written.

Kaburagl T. Kotetsu aka Tiger (Tiger and Bunny): We stan single fathers with washed up energy. All he needs is a tall, blond brat to push his buttons.

Natsusa Yuzuki (Number 24): He's so sassy and dramatic I need him as my bestie ASAP. All that while having the whole cast wrapped around his fingers, truly the embodiment of gaslight, gatekeep, girlboss. I don't care if you disagree.

Lloyd Frontera (Greatest Estate Developer): The only taskmaster I'd willingly serve, they call him ugly I call him 'Sir'. Maniac???where?? All I see is a man trying to get his bag and be happy.

But that's all from me babes, those are all the characters I can think of off the top of my head. Mainly got to this cuz I don't think I'll make any real fan or shipping post this cuz I've got art and deadlines to attend to. Hoped anon likes my answers and I'll get to answer more questions like this.

[knightzp]

@heatwa-ves IM SORRY TIA i saved your ask to continue writing it after dinner BUT APPARENTLY YOU CANT EDIT THEM ANYMORE???? and i cant post it unfinished so. yeah 😭 stupid tumblr with its stupid updates

but to the important thing

IM INSANE ABSOLUTRLY INSANE ABT LINK CLICK NO THOUGHTS MY BRAIN IS JUST SCREAMING A LOT BC THIS WAS WAY TOO GOOD AND HOW HAVENT I WATCHED IT BEFORE???? (actually i prefer it this way i was waiting for s2 to be completely released to watch it and i dont think i would have survived the wait after the cliffhanger at the end of s1. but like still??????)

its really so good im obsessed.... its Exactly the type of plot i love and even better bc everything is handled So Well and every episode surprises you with something new and that you would have never expected and it emotionally attacks you all the time but its all so great and i love it love love it!!!!!

also the main trio i love the main trio can they get some peace just for one second please they deserve it 😭 (i need to watch that chibi spinoff asap)

and that ending!!!!!!! waghgg i have so many questions. so is lu guang really repeating everything to save cheng xiaoshi?? how would cheng xiaoshi die? how far in time did lu guang go to save him? what are his true powers?? and how does people get powers in the first place? we saw they can be transferred from one person to another but apart from qiao ling i dont think thats the case for the rest.... i also really wanna know more abt lu guang everything abt him is so mysterious but ig we will know more on the next season as things seem to be..... i cant waittttt

aofbskdns but yeah watching link click has been an Experience and i can say its def one of my fave shows now and totally deserved its just too!!!! good!!!!

[floofz]

i just finished watching ep five... can i know your thoughts on it

OUGH... so many thoughts my dude... where do i even start...

well first of all this episode completely wrecked me emotionally. domestic violence is always hard to watch, but damn did they do their best to make it as horrible as possible (in a good way! its amazing how studio lan sheds light on these kinds of things happening). the animation - the expressions, the hitting, the bruises - the audio design - god the sounds of the violence alone were so fucking heartwrenching. and then the involvement of the kids too. it was so so painful to watch but it was so incredibly well done.

we finally get to know more about the two siblings (and also confirmation that the two are actually involved! plus that lu guang turns out not to be the good brother in the childrens drawing). the scene with cheng xiaoshi being amused about the brother's behaviour and childish thinking seems funny at first, but when you later see the family situation theyre in, it all just makes so much painful sense. he has all this rage and strong sense of justice in him bc they are growing up in this unstable household full of violence. its heartbreaking.

the boy the brother met at the fountain, i first thought it was a young cheng xiaoshi bc of the haircut, but his voice was very different so now im perplexed. they could just be trying to throw us off here but i cant imagine them picking such a drastically different voice from cheng xiaoshi for him, especially bc we already heard his voice as a kid in s1. now my guess is maybe a young qian jin? it would check out with what we know about younger him. and i mean were 5 episodes in we kinda need to get to all the connections eventually.

now, lu guang and cheng xiaoshi. i've already seen people on reddit talk about how lu guang seems off again this episode. what particularly makes me think though is that one scene where their connection supposedly went "bad". i mean, everything, especially in animation, is very intentional so there must be much more to it. im wondering if someone interfered with their connection. one theory i also saw and thought about it a bit more on my own: what if red eyes - either one of the siblings - somehow possessed lu guang during their dive for a short time, making him unable to talk to cheng xiaoshi on his own, hence the silence. and after that he also doesnt realize he was silent for a while. and bc one of the siblings took hold over him for a sec, they saw what lu guang saw and that would explain why the sister supposedly knows cheng xiaoshi (and wants to talk to him at the police station) and that he was involved with her past through the dive. though i guess she could also know about him from qian jin. idk, I JUST HAVE SO MANY QUESTIONS.

all in all a fucking fantastic episode but i did have to take a break after watching it. its very emotionally draining. but you can definitely tell the care and thought they put into this.

OH WAIT I ALMOST FORGOT. the little soft expressions and smiles from lu guang when cheng xiaoshi acted cute as xixi in the episode made me explode<3 gdi once again cheng xiaoshi never sees his soft expressions, LU GUANG LOOK AT HIM LIKE THAT WHEN HE CAN SEE.

anyway yeah lots of thoughts 😭 PLS also let me know what you think!!!