#loves hidden side

[mondstalgia]

This series is gonna slay

[hinamie]

trick or treat!

[datcravat]

It seems there's a new lawyer in town!!!

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[martuzzio]

Yes, Ren genuinely thinks cramming his wolf ears under that hat will distract people from his sharp canines, his tendency to tell Zedaph what to do, and his bad habit of barking at moving objects.

Yes, Doc genuinely thinks hanging an old rag over his face and wearing those ancient spectacles with no lenses will help distract people from... well, everything.

Yes, they're both delusional.

[queridokyletienesun]

Drawing them older is rlly fun 🥹

[ittybittyremy]

“The white light of Catha is looked upon by the Moonweaver. Great goddess of illusion, shadow, trysts…”

“hidden love…”

“beauty in that regard…”

[thethespacecoyote]

contemplating what exactly it was about ford that made bill feel important now

[daylighteclipsed]

Cloud and Tifa’s dialogue exchanges in Rebirth are banger after banger imo. But one of my absolute favorites is when they’re casually discussing food in the Bodybuilders in a Bind side quest.

I think it’s because it’s an unexpected but delightfully natural conversation? And it goes on for a while? This is a quest about working out, so you’d expect them to talk about workout routines or something. Instead, they end up talking about their food preferences after Tifa muses aloud what she should eat when they’re done. (She’s so real for thinking about food mid-workout btw.) She mentions steak, and Cloud makes a connection to Seventh Heaven’s menu. (This is news to us, as the audience; we never saw the menu in Remake.)

From the get-go, the dialogue communicates a lot without having to outright tell us everything. Tifa is the kind of person who thinks aloud without realizing it. She often plans meals/post-workout meals. She enjoys steak, and she put it on the Seventh Heaven menu, half of which — “the better half” — is (well, was) host to a number of meals she enjoys that Cloud also enjoys, as he laments not eating there more often. Tifa’s proud of her menu and cooking. And Cloud cares about the bar enough to remember the menu. While we’ve seen him express desire to rebuild Seventh Heaven before, this is the first time I really feel like he doesn’t want to rebuild it just to make Tifa happy. He cared about the place too. He misses it too.

The conversation continues with Tifa asking if Cloud’s a picky eater. Cloud replies that in the military, you eat what you’re fed. “SOLDIERs can’t be choosers.” Tifa mentions that she used to be a really picky eater. Cloud finds this surprising, and she emphasizes that she USED to be picky. “Can’t be choosers in the Slums, either.” Cloud, still curious, asks how Tifa feels about crab. She says that she’s not a fan, and he says that he’s not either.

Circumstances have made food more about survival. Cloud and Tifa are not in a position to choose, but they both still have preferences. I think this is interesting because this side quest comes right after Cloud’s side quest rendezvous with Aerith, where he sounds indifferent to what he eats. He expresses a little curiosity about how the clams/oysters/etc. from the shells they’re collecting might taste. Then Aerith says they could ask a local but she doesn’t think Cloud cares that much, and he just agrees. “I don’t. Food’s food.” And the conversation ends.

Cloud and Tifa talk about food almost this entire side quest lol. Clearly, food is not just food. Both characters have preferences, and they want to know each other’s preferences. There’s a sense of mutual interest and engagement, and a mutual ease of conversation flowing between them. (I think it’s fitting and a little humorous that Cloud brings up crab when they’re in a place like Costa del Sol. Crab is probably on every menu in town lmao He’s probably sick of seeing it.) Anyway, the most obvious takeaway from all this is that Cloud and Tifa have the same taste in food. But we’re not done yet.

From here, Tifa asks Cloud what the meals SOLDIERs eat taste like. Cloud replies that they’re healthy but not tasty, making a small disgusted “eugh” sound that earns a laugh from Tifa. Obviously, Cloud was never really in SOLDIER, but it’s safe to assume the average grunt also eats what they’re fed, and it doesn’t taste good. Cloud then begins to reminisce about their childhood. In hindsight, he realizes, they had it pretty good growing up. Tifa agrees. With fresh fruits and veggies, “and great chefs eager to use ‘em,” it’s hard to complain.

This isn’t the first time Cloud brings up their childhood in this side quest — he does very briefly at the start when he playfully asks Tifa what little Tifa would think of her adult self’s eagerness to kick some ass. But what’s so interesting is (if you play the game chronologically) I think this side quest is the first time Cloud brings up fond childhood memories without any prompting? He chooses to reflect on the past and steer his conversation with Tifa that way, to how they ate in Nibelheim, and it’s comfortable. It’s easy. A far cry from Tifa’s memory tests at the start of the game.

The past has been so tricky for Cloud and Tifa to navigate. It’s nice to see them reminisce about something so mundane and relatable like home-cooked meals. There’s some sadness in knowing neither of them can have that from their parents again… But there’s also the hope of rebuilding Seventh Heaven down the road. They — and their friends/found family — can always start a garden and enjoy homemade meals together someday, right? (Later in Gongaga, Barret mentions maybe starting a garden with Marlene. I think a shared/family garden when things settle down would be really sweet, but I digress.)

I think the dialogue in this side quest demonstrates the chemistry between Cloud and Tifa and quietly highlights their growing connection/reconnection. It flows so naturally (credit to the VAs for that as well). It really feels like two people hanging out and enjoying each other’s company, like they’re just going for a jog or grabbing a bite to eat or something instead of battling monsters. It paints a picture of what their casual/candid/low stakes dynamic is like, and it tells us more about them as individuals. It’s delightful. I love it.

[starleska]

crying...!!! the official Hazbin Hotel Twitter account just revealed Abel's design!! 😇

here's the original post 🥰

[marutchi]

Arcane S02E09 | How to Train Your Dragon: The Hidden World

[itachanta]

Vash the Stampede Color Palette Inspired by this post

[sysig]

For Requestober, Req.1

Scri dressed as an angel, Edgar dressed as a demon. It would be fun to see the roles swaped regarding costumes!

Day 3 - Angel and Devil('s Advocate)

[riscappu]

✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️

I need to post here more often again!

Here is a little cute template of the dynamics of RisCappu, hope you enjoy 🖤💙

✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️✨🥣☕️

[2hoothoots]

Revisiting P2 since the docu epilogue dropped and your AMV (<3) popped up as a sign for me to ask something that hopefully you haven't already spoken about years ago: What did you think of the in-game psych explanation for Maligula, that she's the primitive savage part of the mind? P2 is a weird mix of sketchy Freud/Jung concepts that Tim likes meshed with modern psych, and Maligula's deal seems like something they probably wrote a lot of different versions of but never quite solved elegantly

yeah, i think you totally hit the nail on the head - it's always felt like one of the parts of the story that they couldn't quite give enough polish to before they had to finalize it and move on with development. like - i went to go get my artbook to see if it had any insight into the writing process, and did you know that Nona and Maligula being the same person was apparently added way later in development? that's wild! i didn't know that until literally right now! i may or may not have skipped straight to my favourite characters when my artbook arrived and then put it on my shelf without reading the whole thing

ANYWAY, retrospectively i think it being a twist that was added later actually makes a lot of sense in the context of everything you mentioned. the Maligula problem, to me, is the fact that they're trying to juggle a bunch of different things that she has to be in the story. there's Maligula, the ruthless big bad, and Nona, the beloved grandma, and if you suddenly have to also make them both the same person... well, it ends up being kind of a thorny writing problem to make that work, haha.

here's some art i made so this isn't just a wall of text, rest of the answer under the cut

i think one thing they could have done when they needed to rehabilitate a mass-murderer into a lovable old lady was pull back on either end of the spectrum. make your villain softer and more sympathetic, or give grandma a mean streak like she's one bad day away from a tragedy at the crochet club. and to give the story credit, i'm really glad they didn't. Nona is relentlessly sweet and endearing - and that's great! she needs to be in order to make the audience care about her, otherwise the emotional beats are never going to land. likewise, Maligula is a great villain, she's vicious and ruthless and at the culmination of her arc we see she simply does not give a shit about murdering hundreds of people. i love that for her, honestly, you go girl

but then, like - how do you connect the dots? how do you frame grandma having a violently murderous streak in a way that doesn't make the ending of "but she's over it now" feel kinda weird and hollow? and how do you do that while also being sympathetic to the game's themes around mental health? Maligula's informed by the traumatic things that happened to Lucrecia during the war, but she can't just be a manifestation of trauma, because the moral of the story being that trauma makes you a mass-murderer (until you beat up your trauma and shove it in a giant pit) would feel... really tonally dissonant!

so i think you're totally right that the sprinkling of pop-psych concepts we get ends up feeling a little bit like an awkward band-aid. Maligula's story is about how the horrors of war can shape you into a terrible person, who does terrible things - ...but there's also, like, special circumstances, so it doesn't feel weird that she goes back to being Raz's sweet grandma afterwards. special psychic circumstances! she's not just any war criminal, she's the fight or flight response gone out of control!

which - i dunno, i think that line in particular always stood out to me, because that's not really what the fight or flight (or freeze or fawn) response is, right? it's a temporary boost of adrenaline to the system to rev you up for getting out of a dangerous situation. an overactive fight or flight response is called chronic stress and anxiety. i know the games are pop-psych and not actual science, but it always stood out to me as a little awkward.

if it were me in the writer's seat - with the benefit of all the time in the world to workshop it, and no looming deadlines, and the hindsight of having a full completed game in front of me to think about - i might have tried to frame it around connection. i think you could swing the lens to instead focus on how violence, stress, trauma etc., make it harder to understand and empathise with the people around you. the tragedy of Lucrecia's story is that she came home to try and help her countrymen, the people she cared so dearly about. but the more time passed, the less she cared, the less she was able to see them as people. after Marona's death, the Maligula that remains is one who's unable to even care about killing her own sister. the alternative is too raw, too painful - instead, she sheds her last vestiges of remorse, and throws herself into the easy relief of violence. (we see this again, when Nona "awakens" as Maligula - when confronted with the baggage of her past, she chooses to wash it all away with force, unable and unwilling to care about the people she used to call friends.)

and i think shifting the focus like that ties it in thematically, too. a big theme (of both games, but especially the sequel) is how important connection is, how being able to understand and reach out to and rely on other people is a lifeline during hard times. PN2 touches on how there aren't really "good people" and "bad people" - everyone has the capacity to do wonderful or terrible things, and i think Raz's line to Maligula about how "everybody's got something like you" works. Lucrecia was never a monster, no matter how everyone tried to pretend she was. she was just a person, the same as everyone else - and just like everyone else, she could be pushed to extremes under the right circumstances. it just feels kind of odd when the implicit context is "everybody's got a mass-murderer hidden in the primal recesses of their brain", hahaha.

but like, again, that's the privilege of hindsight, right? i've definitely also been on the other side of the creative process, stuck with something i suddenly need to make work in a story and having to come up with a solution that feels like a band-aid. sometimes you just gotta call it good enough, and move on. and i think the game is overall much stronger for having Nona and Maligula be the same person - it plays into the wider themes, it sets up some great emotional beats, and i think it's overall well-executed, even if there are one or two hiccups in the writing.

anyway, great ask! thank you for the invitation to ramble, this is something that stuck out to me on my first playthrough of the game and it was fun to sit down and get my thoughts in order

[ppeonppeonhan]

Top 10 2023 BL Kisses

If you've seen at least a couple BLs you know that some of these actors are either uncomfortable kissing another man or just didn't get enough practice kissing literally anyone. So when they get it right and genuinely seem to be enjoying themselves, it is worth noting. Soooo grab a pen and paper, and take some notes:

You Are Mine: This Taiwanese drama was problematique with the unbalanced workplace power dynamics, but this sweet upside down kiss was worth the wait.

Dangerous Romance: This may not have been their first kiss, but it felt like the most romantic. By this point, they'd shared many scenes filled with awkward sexual tension, but this one didn't have an ounce of humor, and Kanghan and Sailom just melted into each other's arms.

Kiseki: Dear to Me: The lighting for this kiss really emphasized their till-death-do-us-part themed dialogue where they vowed to die seconds apart.

Stay By My Side: Lackluster supernatural subplot aside, this Taiwanese drama delivered the most adorable kiss as the main lead was too nervous to give in to his desires without closing his eyes.

Be My Favorite: It took Kawi a frustratingly long time to pull his head out of his ass and realize he would be lucky to have Pisaeng even as a friend let alone a boyfriend. Thank goodness for Pisaeng's patience, cause ours was wearing thin.

Love Class 2: Very happy Ma Ru realized he had feelings for his bestie and wasted no time making that clear with an epic kiss that I have probably rewatched a dozen times.

Only Friends: Honestly, all of their kisses were incredible, because both of these actors went from supporting characters to lead roles, and did not skip a beat. There was no awkward beginner's kiss phase. Those intimacy workshops must've been lit.

Step by Step: Their kiss chemistry was on point, but the car scenes were the most memorable for how very possible they would've been caught in the act in the parking garage of their place of employment. Caution meet wind.

Wedding Plan: These two were about five seconds away from making a baby in that car, and if this were the omegaverse, they probably would've.

Hidden Agenda: There was hunger in that kiss on both sides, and it took every ounce of strength in Zo to shove Joke out the door once he made his intention clear.