#love the emo vibes

[demaparbat-hp]

Regarding the Cherry Wine Incident.

[weishenkun]

frequency mood sampler : kun

[solbaby7]

Hi! Could I have a piña colada with a salt rim? And make it neat please 🫶

[“are you crazy we’re in public” “then you’d best be quiet” + smut + azriel ]

Shame on you for being foolish enough to feed a starving animal.

For looking past his threatening exterior, greeting him with kindness and coaxing him closer instead of shooing him away like you were supposed to do with rabid animals. Not offering him the warmth of a home and a bleeding heart with endless love to give. How ignorant of you to assume that offering up warm meals or sweet desserts and soft sheets with fluffy would ever be enough.

Not when the only prize to Azriel—was you.

That greed shows when you’re led along the sidewalk, nudged down an alleyway and pressed up against a brick wall swathed in inky shadows. “Az,” You address him breathlessly, heart instinctively hammering just a little harder in your chest as you register the intimidating loom of his stature. “Baby, what are you doing?”

He nearly laughs, letting free a low rumble of a chuckle that has his wings rustling gently at your sides. “What’s it feel like I’m doing?”

You feel as if you’re melting like ice on a sweltering summer day under his borderline obsessive attention. His touch is possessive against your jaw, tilting your neck to make more room for the claiming kisses that trail down, down, down. It’s impossible not to give into it—to lean into the pressure of his mouth on your skin, his teeth nipping at sensitive flesh and his hands.

Gods, his hands.

All searching and filled with a ravenous need as they graze over the thin fabrics of your dress, tracing over familiar curves until desire overrides rational thought and that soft material is all but disintegrated in his grasp. It takes a second too long to notice that the cool breeze is cutting against bare breasts and by time you do realize, Azriel’s already pinching at perky nipples, sucking marks into supple fat and robbing you of a clear conscious as pleasure zaps up your spine. “Are you crazy?” You weakly scold, arching into his touch when wandering fingers graze scandalously lower. Low enough to slip past the protective barrier of flimsy undergarments. “We are in public—someone could see.”

The very mention of it makes his mouth curl into a wolffish grin; makes him cruel as he runs a thumb through your slit, collecting slick and spreading you open with two deft fingers. “Then you’d best be quiet then, hm?”

“A-Azriel.” You attempt to close your legs but obedient shadows keep you how he wants you; all presenting and pliant before him. “Wait—fuck!” The helpless yelp is silenced by the pressure of his thumb on your clit, rubbing devastating circles that leave your thighs shaking and stomach contracting as you clench around nothing. Rough brick digs into soft skin, catching on silky hair when he’s forced to lean forward to plant a kiss that dampens your desperate whines down to breathy whimpers.

It’s a little messy, teetering the edge of frantic with his teeth nipping at your lips. Tongue tracing over the roof of your mouth while skilled hands fall in sync with the desperate roll of your hips as you chase your high. His cock throbs at the trust you put in him—completely exposed and yet you don’t even acknowledge it when chatting ladies and tipsy gentlemen stumble just a little too close by. If anything, he swears it makes you grind down just a bit harder. Manicured nails rake over the broad line of his shoulders, one leg hooking over his waist for better stability. “More,” You keen, cheeks burning with a blush at the lust in your syllables—the downright indecent sound of your arousal fucking singing against his fingers.

It’s wrong. Improper. Unladylike. Undoubtedly more than a little grimy and yet you’ve never been more turned on. It practically leeks out of you, dripping down the same scarred fingers that keep switching between rubbing and teasingly tapping at the sensitive bundle of nerves between supple thighs. “How quickly your tune changes when I’m touching your pussy,” Azriel muses, tone going dark and misty while his ego inflates fifty times too large from the way he leaves your chest heaving and eyes rolling in the back of your head without even need to pull his cock free from his breeches. “Thought you were worried about someone hearing?”

“I was—I am!” You really really try to hold out, to listen to the very reasonable fears you’d had about being caught but when he makes you feel so good it’s difficult to find the room to give a fuck if some random stranger saw the High Lords shadowsinger guiding you to your orgasm. “Fuck! ‘m gonna—mmph.” A hand smacks over your mouth, teeth biting into the flesh of your palm.

“There you go, sweet thing.” Pleasure simmers on a pot in your gut, its contents boiling and bubbling; fighting the constraints of its confinements until everything spills over. “Feels much better when you just let go, doesn’t it?”

Shame on you for being foolish enough to feed a starving animal—now all it knows how to do is take.

“Don’t fuss,” Azriel commands, the hard length of him finally freed from its confines and throbbing with the desire to carve a space inside you, branding your walls with his name. “Just want one more.”

[dollyblcstar]

2007 emo is the best style

[softgothbabe]

My bestie had her bachelorette party at a club 💅🏻💜

[maskedchip]

painting practice ^_^

[blightbrxt]

[esmikcan]

Well, there's no way im kissing that guy!!!!

[iamhereinthebg]

Let's talk about the clock keepers in the new chapter!!

It's not a surprise to see that they had more in their sleeves, putting up an act to get all the information they wanted. Kako said it after all, he is the one observing. And he will gather what he needs before making a move, showing he deserves his title as the oldest supernatural. Hanako being the leader doesn’t seem to matter a lot to him in the end. He clearly has had his plan for a long time. It's not a shock to see he recognizes what came back with Tsukasa from the red house, probably knowing the entity from before.

Even if it was an act and all of them knew what the end result would be. The reactions Akane and Mirai had for each other in the last chapter were real. Akane was never shield in the manga, being the one doing it most of the time. So his reaction towards Mirai taking the blow for him is absolutely genuine, especially when he tried so hard to make her run away. And we can see it again when we see how slowly he takes her out of the water to give her back to Kako. Akane even reprimands the old man about being slow and Mirai having to go through this at first. 

This chapter highlights the clock keepers relationship too. Akane has been before in the innermost reach, he clearly knows what he is doing here, entering the house like nothing and actually setting things up for tea knowing Kako would like it. Being considered as a whole clock keeper, Kako and Mirai trust him not to do anything bad even in their most vulnerable state.

Kako watches over Mirai like a worried father, being happy when she is back and is still pushing Akane to find the answers himself, always in a teaching position. Akane is quick to scold Mirai about her actions, clearly seeing her more as a kid than a real supernatural being. He is seen worried for her and tells her right away not to do something like this ever again. On her side, Mirai is overjoyed to see Akane, the first question coming out of her mouth asking if he is hurt, and she seems rather shocked to see him being so worried about her, jumping on his head right away to praise him for being a nice boy.

They are way more genuine in their physical contact and actions. Akane is not refusing Kako’s headpat even though he has an angry/solemn expression when accepting it, the old man is smiling at Mirai and Akane the whole chapter while Mirai is being her usual clingy self. 

Kako clearly has been observing things and waited until the right moment to take actions. They are coming back in time to fix things up, and will sleep until the new present is stable. And for this they trust the clock keeper of the present to take care of the duty that was placed upon him.  

Akane is a wonderful pick for the present. His personality and way of life has always shown he was the only character who would be able to handle this role. He is a duty centered and really proactive boy, and most of all, sees how life is worth living. Even if he never feared the idea of getting hurt, we can clearly see how much he takes his role at heart. He now knows he has to live if the idea of a better present can exist. 

Kako knows Akane is able to handle all of it which is why they can leave without being worried about the new present, they absolutely believe Akane will be able to fulfill his duty. In the end, it’s Akane who keeps the yorishiro with him.  They trust him to make sure everything is in order and not die until he can use the key to get them out of the clock once they awaken. Kako’s last word to Akane is once again one with a teaching tone, praising him for a job he will do, showing he thinks he will handle it. 

One of Kako’s strongest traits is observation too. And Akane is really good at that, he is one of the most observant and perceptive characters of the whole cast. His mission will be all about seeing if the events really changed, acting like a memory of a present which doesn’t exist anymore. Having a human among the clock keepers to have eyes in the human world seems also like a logical choice. To know the whole situation Kako needs eyes in the human realm too, and Akane shares his informations with him when he think it's important.

Akane has known his role for a long time. Once he heard that he had his duty to do, his expression is hard to see because he KNOWS what the implications are. He is aware of what it means, he isn’t happy with this, he clenches the yorishiro once he has it, he says he doesn’t have a choice to Teru. Because even if Akane complains, he does things he is asked to do.

 Akane’s sense of justice has always been a big part of his character, and it’s also a big part of the clock keepers. Of course he wants the present to be better and goes with the clock keepers’ idea, erasing a problem at its root to help the majority of people and protect the persons he cares for is something Akane would never refuse.

He has no problem doing it even if he doesn’t want to be on the clock keepers’ side, because he knows he can do something ‘right’. He still trusts Kako on this one, embracing his role as the guardian of the present fully. The old man did say it would be good for humans after all.

How long has Akane been thinking about changing the present? Even if it means erasing the severance I don’t know how he would react seeing that Aoi never lived it. Having a world where she never got to know supernaturals, never was left dead all alone on the far shore and never got her hand hurt. It can’t be so bad right? 

But the more I think about it the more I go ‘was this present really THAT bad?’ Aoi has to go through her horrible everyday life once again, thinking that no one will ever love her for who she is and Akane definitely doesn't want that.

His talk to Teru also implies that Teru and Nene may remember since they were stopped by his time power. He trusts Teru to understand what is happening and help him with this new reality or hoping not everything will have changed. 

If we focus quickly on Amane and Tsuchigomori. They seem to have go back in 1968 so Amane was a middle schooler. Tsuchigomori and him had the talk about the moon in 1969 (after the 20th of July) so Tsuchi may not have the same yorishiro either. Would Amane live this time? Not sure, the reason he was trying to destroy the big clock may be related to the clock keepers going back in Time. I wonder what the clock Amane was working on really represents.

We can see this clock indicating the hour exactly like when Akane is stopping time, suggesting that it is really the one controlling the whole school time. It’s the first clock we see when the clock keepers are introduced too.

If Kako and Mirai really go back in time and erase everything they are visualizing on this. It would indeed mean a better control over the mysteries situations and the protection of the Land.

It means everything the mysteries went through won't happen. So the second Mitsuba won't exist, n°3 would still be here, Yako would still be waiting for Misaki to come back and won't go berserk, Shijima-san would still be in her boundary thinking she has no reason to exist expect hurting Mei-chan's memory, Hakubo would still be doing his duty without feeling anything and Sumire would still be living her death over and over again, not having anyone go see her in more than a century.

It means erasing all of the mysteries’ struggles and acceptance of what they are, not being bound by grief and regrets to do a job most of them didn't want to do. Would this present really be a good one? For the humans mostly it would be, it's the mysteries duties after all, and n°1 is ready to undo all the things each mystery went through to make sure humans have a good Present. They always have been more about humans than supernaturals. And this may also be the reason why Akane is okay with everything going on too. Kako sees this as his ultimate duty in the end, forcing all mysteries to embrace it even if they don't want to. Taking the matter at end without warning anyone since after all, no one will remember.

Another thing that has always been interesting to me, was the fact that the clock keepers look nothing like something out of Japanese Myths/folklore. It has always been strange to me to see they were labeled as the oldest supernaturals, when clocks weren’t that common in Japan before a long time.  The way they dress look way different compared to anyone else from the cast too. The closest look you could find was from the Meiji Era, which was mostly about Japan importing a lot of Western culture into their Land. I always thought that the clock keepers just couldn’t be from a Japanese folktale and this was confirmed in the last chapter. I had my supposition about where they were from,  but having an actual image of their old town helped me to focus more on it.

If we look at Clock making history we can easily focus on some countries, The Netherlands, Germany and England being the main ones. Now if we look at the architecture we get in this chapter, we can delete England from the list easily. This type of house is called Timbered framed houses. It can be found in Europe in different countries.

It’s important to note that the roofs on those houses are really really sharp on the illustration AidaIro gave us. Which means they were built for snow, so it can slide off the roofs more easily. The trees in the background are too blurry to see but it looks like forest of pines and the kids shown are holding one.

Now if I combine the two ideas of clock making and architecture I found here, my thoughts came to one city. Nuremberg in Germany. It’s a city known for its clock making history, there are mountains nearby and there is snow in this region during Winter. And more importantly The Nuremberg Egg.

It’s known as the ancestor of the pocket watch, created in the XVIth century.  

I don’t think AidaIro was inspired by a precise place but I think somewhere in this region of Europe could be a good pick for the inspiration of the city the clock keepers are from! Same can be said about the clothes the kids are wearing and the toy's shop which have vibes from this region too.

I’ve been thinking a bit more about what Kako and Mirai are really and it’s hard to say. With how Akane introduced them it could imply they were humans before. 

Why did they move to Japan and how did they become supernatural? Were they created or were they humans before? The idea of Kako creating a body to survive and creating Mirai is not out of the way since he is clearly the oldest and more experienced supernatural there is. A lot of questions with no answers for now but I am happy we get some glimpse of their old life.

I am also interested in the clock keeper of the present status too. Are they used to create different presents or if the present is fixed their role is finished? Did Kako and Mirai go back in time to change stuff before?

I don't think it happened recently. Nothing special has been happening at Kamome even with the whole Yugi suicide/murder history. The real problems started really once Nene met Hanako and Tsukasa woke up. Kako may have been observing things since a really long time, maybe putting some students as clock keepers of the present but never ‘activating’ their real role. Which may also be why Akane never was shown that stressed out about his role as a clock keeper, why would he be if all the previous clock keepers of the present never had to do this? What is supposed to happen to them once they have fulfilled their duty? Are they erased from the timeline to represent completely this new Present? Do they get to continue their life like nothing happens, being the only person having the memories of a world which doesn't exist anymore? How long do they stay alone until the other two wake up? Why insist so much on the idea he has to stay alive? So many questions I hope we will have answers on soon.

The story of the clock keepers is still really blurry but we are slowly getting more on them . AidaIro really showed us that they were mysteries the other characters shouldn't mess with and I am all for it.

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[env0]

It's not Friday, and I'm not in love... Yet.

[okaydays22]

[zeddyzifan]

Why is she illy

And why does everybody suck so hard

And why did I get sick and miss all the map testing at school

Just kidding that’s just Jasper’s fault because we made out and he got me sick

Just kidding we shared a ton of sodas

I wish tho🤑🤑

Just kidding it’s basically the same thing

Boobie

[spicysidesalad]

Everyone wants the emo girl with the crazy clothes, the rocking body and the big sad eyes until they realize she is actually sad all the time and it’s not just part of the aesthetic.

[finngualart]

the winternight trilogy has me frothing at the mouth and i wanted to try and capture some of the characters

[blightbrxt]

Want to go somewhere private?