#love showing how life treated them both

[elksun]

almost..

[meagancandraw]

You ever think about how neither of them got to say goodbye?

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[unproduciblesmackdown]

from gilbert l. bailey ii (phil filmore) & then will roland (orville wingate)

& these production pics from gilbert as well, highest res version of the "lucky day" pic & the one with corbin bleu (joe ross) is new to me

[leupagus]

So I'm sure there's different versions of this

But the one my cantor* told us when we were in Sunday School was this one:

Two rich men go to a cloth merchant's shop. This merchant is known for having beautiful silks, even though he has but a small humble store in the outskirts of town — so small that his infant son is sleeping on one of the chests!

These rich men want to buy these silks, so they demand to see them at once.

The merchant says, "I am sorry, they are not for sale today. Come back tomorrow and I would be happy to show them to you."

The rich men, knowing that this merchant is a Jew, think "ah-hah, he wants more money!" So they offer him a tremendous sum.

"I am sorry, they are not for sale today. Come back tomorrow, good sirs."

The rich men are puzzled, but they double their price. Quadruple it. Anything this merchant wants, they can give him.

"I am sorry, they are not for sale today. Come back tomorrow, if you please."

So, the rich men leave, annoyed, but they present themselves the very next day and sure enough, the merchant goes to a chest and pulls out the most beautiful silks that these rich men have ever seen. And when they offer to pay, he will only accept the price that he himself has deemed fair — many times less than even the first offer these rich men made.

"But why would you not give us these silks yesterday?" they ask, happy but baffled as they (or more probably their servants, but the cantor didn't get into that) pack up the silks to leave.

Just then, the merchant's wife comes in from the back, carrying their infant son. The merchant smiles and says, "Because my child was sleeping on that chest, and I did not wish to disturb his slumber. His peace is more precious to me than all the money you, good sirs, could ever provide."

[nonuggetshere]

I need to draw something with PK and Hornet there's not enough of these two together in my art

[jonsnowunemploymentera]

Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.

[classyrbf]

you find it so funny how people think your husband, nanami, is the sweetest, most innocent and romantic man they’ve ever laid eyes on, such a gentleman. Which, they are correct in some ways. Gentleman. Check. Sweet. Check. Romantic. Check. He’s always buying you flowers, opening doors for you, kissing your hand, taking you out on spontaneous dates, calling you ‘sweetheart’, ‘honey’, ‘love’, and treating you like some porcelain doll. But innocent? Oh no, no. You almost laugh because it may seem like your husband is ‘innocent’ or ‘vanilla’ whichever term they may use, but he is anything but that. While he may treat you like a princess in public, he absolutely sluts you out behind closed doors.

You don’t blame people for thinking he may look and act soft because that was your first impression of him too. So, imagine the surprise when you first had sex and he was pounding you in a mating press, tears streaming down your face. Yeah, best night of your life. And now that you’re married? God, it makes the sex one hundreds times better than before. He’s go you on your side, one arm hooked under your leg, reaching so far that he’s able to wrap his hand around your throat. The other wrapped around your waist, rubbing your clit while he fucks his cum into you. He’s forcing you to look him in the eyes, faces inches away from each other, because he wants to watch your pretty face when you cum. So innocent, right?

“Oh my god! Fuck!” You cry out, your breathing labored. He’s so deep inside of you, the tip of his cock hitting your g-spot over and over again to the point it makes your head spin especially when he’s toying with your swollen clit. “I can’t! I can’t, Ken! You’re too fucking deep! Ah!” You grip onto the ruffled sheets below, bucking your hips as you attempt to make his cock not feel so good, but the bruising grip he has on your throat and waist puts you right back in your place.

“You can take it, sweetheart. I know you can. You know why?” He pulls you in closer, pressing his lips to your ear. “Cause you’re a fucking slut for this dick.” He thrusts his hips faster, skin slapping against skin and the mixture of your juices and his cum create a sticky mess between your thighs. “Awe, is that gonna make you cum? Being degraded? I can feel your pussy clenching me,” he darkly smiled, heavy breaths fanning against your damp skin. He rubbed your clit faster, carefully watching the way you threw your head back in pure bliss.

“Fuckkkk! You’re gonna make me cum again!” Your toes curled the closer you got to your orgasm, whimpering as you took in every feeling of pleasure coursing through you.

“Squirt all over this dick, baby. Be a good girl for me and show me how good I make you feel.” He felt your walls tightening with each passing second, sweat trailing down his forehead as he kept his pace. Your legs began to shake as you writhed under him, cursing and screaming as you squirted all over, soaking the blankets below you. “Messy fucking slut. Look at you, you’re still fucking going.”

“Oh my god! Yes, yes, yes!” Your brows furrowed as you watched him fuck you through your orgasm. “It’s too much, Ken!” You pulled his hand away from your clit, holding onto his wrist tightly while he slowed down his thrusts, now going deep and slow. You laid there in a dazed state, trying to catch your breath. His hand gently caressed your stomach slowly inching up towards your tits, cupping them in his hand while he placed sloppy kisses down your neck and to your collarbone.

So yes, while your husband may be such a gentleman, such a sweetheart, such an angel to others, in the back of your head, you think of those moments behind closed doors when he makes you cum your brains out, praising you and degrading you all within the same breath, choking you and treating you like some common whore. But after all that’s over, he’s back to treating you like the most delicate thing he’s ever touched. It’s truly the best of both worlds.

[notebooks-and-laptops]

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[sttoru]

#𝐒𝐀𝐓𝐎𝐑𝐔: “show me you’re shameless, write it on my neck, why don’t ya?”

cw. married!gojo satoru x female reader. smut, angst to comfort. cheating/infidelity. unprotected. crēampie. bréeding themes. soft angsty-ish sèx. petnames ‘baby, sweetheart, wifey’ not proofread !

satoru has never loved the woman he married. he’s never felt an ounce of attraction or affection towards her. it’s hard to be around someone who he’s supposed to love and cherish, when all he can think about is you.

it’s you he was supposed to end up with if it wasn’t for his damned clan. setting up an arranged marriage behind his back and only telling him last minute of their plans— a bunch of assholes they are.

satoru could’ve declined, disagreed, ran away. he had all the power to, but he had fully convinced himself that his actual soulmate - you - would never return his love, which is why he settled.

. . . he was proven wrong after it was already too late.

“i love you s’much,” satoru grits his teeth as he nuzzles his face into the crook of your neck, his sweat trickling down his forehead. his hips move in a gentle rhythm, as tender as his arms are holding you. he never treated you roughly.

satoru wouldn’t do that to the love of his life. the one who he’s supposed to call his wife, his beloved. he’ll find a way to achieve his dreams. he’ll do anything to end up with you and escape this messed up arrangement.

but for now, he’ll love you like this. every day, behind the other woman’s back, for as long as he can.

“i love you too, ‘toru,” you sigh, tilting your head to give the white-haired man access to your neck. his tongue wets your sensitive skin before sucking on it. he’s claiming you as his— like he usually does whenever he manages to get ahold of you.

“say that again,” satoru whimpers against your throat whilst leaving soft kisses all over. the sounds of your bodies meeting bounces off the walls, the lewd noise of flesh hitting flesh is a melody that you both enjoy behind closed doors.

“please,” satoru pleads. you’re surprised by the vulnerability in his tone. he holds onto you - ruts into you - like he’s never experienced this before. his cock twitches and throbs within you, desperate to reach that aching release.

you swallow the lump in your throat. you feel bad doing this right on the bed that satoru shares with his wife, but you also couldn’t care less. “i love you, satoru, i really do,” you moan near his ear.

the sorcerer shivers at your pretty voice uttering those three words to him. his big hands hold onto your waist, fingers digging into your skin, leaving small dents. his breath hitches, “oh, fuck. y’do, huh?”

satoru curses as he lifts his head from your neck. the view of you beneath him while you take his dick all the way inside your sopping cunt is addicting. it’s also way too slippery because of the mixture of cum on your lower body and the sheets.

“ah,” you look down at the place your bodies meet the second you feel his cock slip out of your pussy. you reach a hand down and guide his tip back to your folds without much thought.

it’s a sight that makes satoru nearly bust a nut right then and there. “missin’ me already?” he tilts his head, that boyish smile on his lips reappearing again. his soaked, white bangs cover his ethereal eyes a little, yet you can still notice the playfulness in them.

“yeah, i do,” you sigh, whining a little as his cock slowly fills you up all the way again, “i always miss you, ‘toru.” you never fail to feel so full whenever you’re intimate with him— he’s big and knows just how to use that to his advantage.

satoru pouts at your words. he knows what you’re indirectly referring to amidst all the physical pleasure. he tries to make as much time for you as he can, without raising suspicion. though sometimes he fails to see you for days. balancing his work schedule, along with his many other duties and his private life was a hassle.

it’s frustrating when satoru is leading a double life, for both you and him. there’s nothing more in this world that he wants than to have you beside him forever. as his wife, not his secret lover.

one day, soon— he promises silently to himself and to you with a kiss.

“i’m sorry,” he breathes out, his thrusts resuming. two of his rough fingers roll your nipple between them, his tongue following to circle the sensitive bud while he drives his dick in and out of you repeatedly. “but i’m all yours tonight, yeah? only yours.”

you nod mindlessly. you trust satoru, he’ll figure this all out. for now, you’ll enjoy every single second you’re able to spend with him.

“mhm,” you hum before your eyes focus on his neck. you know he’s told you not to leave any marks on him, but tonight, you’re feeling shameless. your hand on the back of his head pushes him down until your lips touch his neck.

satoru’s eyes widen at your unexpected action. he can’t deny you anything, even if this is a risky thing to do. he moans when you suck and bite on his skin. you’re leaving hickeys he will have to hide from his wife.

“naughty fuckin’ girl,” he tries to groan, though it comes out as a choked up whimper instead. he bites his lip and his eyes nearly roll back when your legs wrap around his waist, all whilst you’re leaving those dark marks on his neck.

you softly giggle at your own bold move. satoru however, seems to enjoy this more than he thought he would. he allows you access to his neck while he focuses on his set pace.

“y’ just want me to get caught, hm?” the white-haired man clicks his tongue, his balls slapping against your ass, your juices sticking to his skin which makes the sounds of his thrusts even louder. lewder. satoru huffs, “want that woman to know jus’ how well i fuck you, sweetheart?”

you feel your body heat up, the knot in your lower tummy tightening. his increased dirty talk only could mean one thing; he’s close. and so are you. the pleasure of having satoru inches deep in your cunt after not seeing him for two whole days, is driving you insane.

“yes, fuck— yes,” you hiccup, feeling absolutely no shame at this moment. you don’t care how loud you’re getting, if satoru’s neighbours were to hear him have sex with a woman that’s not his wife.

the man himself doesn’t even seem to mind it either. not when he’s this close. he pants before pressing soft kisses against your forehead. the lingering feeling of your lips against his neck remind him of the hickeys you’ve left.

satoru moans against your hot skin. his dick twitches, his balls tighten and his arms wrap around you to cradle you against his bare chest. he’s going to fill you with his hot cum like you deserve. you deserve every single drop and he wouldn’t give it to anyone else but you.

“shit, g’nna cum,” satoru warns after a small whine leaves his throat, “take it, baby. don’t waste a drop, wanna breed you full.” his thrusts turn a bit erratic, body pinning yours to the mattress so you have nowhere to run. all you can do is lay there and take it— take his cum while you reach your own climax.

white dots appear in his vision as satoru releases rope after rope of hot, sticky cum inside of you. his hips are pressed tightly against yours— leaving no chance for his seed to trickle out of you.

the satisfaction that fills satoru’s chest is like no other. a small grin tugs at the corners of his lips as he leans his body weight on top of you slightly, catching his breath. your trembling frame rests beneath him while you’re trying to regain composure as well.

“there y’ go, atta girl,” satoru coos and kisses your forehead. he treats you so well, even after sex. he treats you like you’re his true wife. which you should be.

he rubs your sides with his hands to calm you down. his own breath is still shake as he looks down at you with a grin. a wicked idea pops up in his head once he sees the thick trail of cum that’s left on your slit after he pulls out.

“y’know how i told ya that i’ll make y’ my wife one day?” satoru hums, eyes focused on both your face and cum-covered pussy. he has told you before that he will find a way to officially make you his.

and he finally just realised the perfect way to do it.

“mhm,” you nod with a dazed look in your eyes. you wrap your arms around satoru’s shoulders and hug him, nuzzling your face into the crook of his neck. you can practically feel the smirk on his lips as his breath ghosts over your ear.

his hand travels down to your tummy, fingers splayed over the soft flesh; “good, ‘cause y’re gonna need to play the part for me already. gonna fill you up ‘til you’re nice and swollen with my kids, wifey.”

[welcometogrouchland]

Absolutely crushing revelation that she seems to get it from her gayass stupidass father

she's been eep-ing since day one. the eeper.

Secret Origins 80 Page Giant (1998) / Last Laugh #3

[cy-cyborg]

So, there's a lot I want to say about the paralypics, but every time I try I just... can't articulate what I want to say without it turning into a monster of a post that puts my writing advice posts to shame lol. This includes in response to the anonymous asks I got on the topic btw. So I'm going to try and summarise my thoughts here.

As someone who was working towards the Rio paralympics - who was basically one of the people they were actively training to be the next paralympians and who got to go if their choice first athletes had to drop out, the Olympics and paralympics are a... touchy subject for me. I loved playing. I loved my sport. I loved the people I played with. I loved the people I played against. But the way the public and people in power treats disabled athletes sucks. It Really really sucks. and it hurts to talk about.

The vast, vast majority of us aren't paid. We are expected to train at the same intensity as the Olympians with none of the breaks and none of the support to do so, resulting in injuries that are disabling in and of themselves, while juggling normal jobs. many of the paralympians are also in school or at university as well. both schools and jobs see these elite athletes as dedicated hobbiests at best.

I had a friend who were fired from their job because they were denied time off to compete at the paralypics and well, if i had to choose between the paralympics or stay at a shit job paying minimum wage, I know which one I'd pick, and so she didnt have a job when she came back. I have friends who are still in the closet because their sponsors would drop them if they came out as gay, who ended years-long relationships to keep the funding that allowed them and their teams to compete - funding that just covered the costs of travel by the way. They never saw a cent of it themselves, but it was the difference between us having to pay $50 each for our plane tickets and accommodation and having to pay $2,000Aud + for every away game. I have friends who were supposed to go to Tokeyo but were kicked off the teams weeks before the games because of a rule change that decided they weren't disabled enough anymore, wasting years of work with absolutely no warning. They weren't even given the decency of an appology from the people who made the call. Several went through terrifying mental health spirals over it. It was their life's work, gone. I saw so many friends just give up because their disabilities were "too hard to classify" into the International Paralympic Commity's boxes and who were made to feel they weren't welcome by the system spouting off about its diversity and inclusion and empowerment of disabled people.

And then with all that, the best we can hope for is for the social media teams to turn us into a joke for ableds to laugh at or into inspiration porn to make them feel good about themselves - because at least theyre not us. Because obviously, there are no other options in how to show us/sarcasm.

My phone doesn't even have "paralympics" as a recognised word. I have a Samsung. The company that is currently at the paralympics using them as a marketing opertunity. We aren't even recognised as a word in the phones made by the company that is currently using the paralympics as a marketing opportunity. The phones they're giving the athletes won't even recognise the name of the event that they got it at. If I've spelt it wrong, it's because it autocorrects it every time I try to spell it right, and im dyslexic and can't see the difference until I stare at it for a minute or so.

I just... this isn't even scratching the surface of my thoughts. But I wanted to say at least some of it. It will be the last I'm going to talk about it, at least until the event is over.

[insanechayne]

~ ~ ~

[melancholic-fig]

What I loved about the Substance was that it took impossible body standards imposed on women seriously. It didn't treat me like a kid throwing a temper tantrum about not being sexy. It didn't try to tell me "everyone is beautiful" and "every body is a beach body" in a pitiable voice that makes it all worse. There's no one singing to me about how "I cannot see my own beauty", as if validation from men will ever be enough to cover the black hole in my stomach drilled by years of self-loathing, binging-purging cycles and appetite-suppression pills. It haven't stopped for a second to congratulate itself for platitudes.

The substance threw an ice bucket on my head, grabbed me by the shoulders, dragged me to the mirror and told me "look at what violence you're inflicting on yourself!". It showed me a perfect body, the carrot on the stick, and then it hit it with a sledgehammer in white neon light. Is it worth it? Aren't you mad? Look at how he eats shrimp and doesn't wash his hands - is this the person you want to be liked by? Is this what you deserve for being human, really?

I've seen this movie on Friday and it's been stuck in my head ever since. I haven't looked in the mirror the same again. Somehow this made me kinder to myself.

I've seen reviewers say that this movie counts as "male gaze" and "violence against women" but I think they don't see the forest from the trees here.

First the male gaze: it felt like a deconstruction, in the best way. Sue's butt was the least erotic thing ever put to screen. The soft porn dance studio was shot in a lifeless manner, I felt like my mom was reading the browse history. Personally, I'd never want to have Sue's job. Even the sexist dudes that watch the movie seem to "get it", that their overly sexual media diet looks embarassing under the microscope. The medium is the message, and the sound and visual cues are all there to make sex appeal look very unappealing and immature. There's nothing sexy in "Pump it up", it's catchy and fun and has sexual undertones, but not a hint of sensuality.

Then the violence against women: there is only one scene where a man attacks a woman, and I'll not spoil it, but i'll say it's so bizzare it feels too cartoony to count. The rest of the violence is all self-inflicted. Every step of the way. Women don't just suffer abuse under patriarchy from men, they self-inflict and reenforce the structures of their own suffering onto others. Elizabeth is a fitness coach actively making bank off of other women's fears, and in the process of telling everyone over x kg to skip lunch she's grown her own self-loathing too. It wasn't really the horny men watching the fitness show, isn't it? Sue is even worse, she goes on talk shows to tell women her looks come from being kind, a silly statement considering she injects herself daily with an old woman's spine liquid while loathing her for existing. Elizabeth and Sue are both victims and perpetuators of violence, and it's gruesome because it's not a silly feminine thing, it's all-encompassing and a matter of life and death. Without violence, what would be the message of the movie? "It kinda sucks to be a woman hating your body". Doesn't sting, isn't it? This is not chopping women and putting them in refrigerators to give the good guy a reason to kill the baddie, this has to be violent to show the depth of pain of the protagonist. It's necessary. And I like it, because crying and wallowing in pain is not the behaviour you want to see on screens, it feels lethargic and leads to the problem not being taken as seriously.

[gloomwitchwrites]

okay okay so boys coming home off a deployment that was long ASF and they just want a hot shower, hot meal (maybe a cuppa) and some cuddles from their wifey and their wee baby. they come through the door weary and tired and oh! it’s right after bath time and baby’s all wrapped up in a fluffy animal bath towel. maybe it’s a little oversized on them (even though we KNOW these men produce 99th percentile babes) idk i just know their hearts would warm at the sight

okay. okay okay okay. Anon, you're giving me brain worms. You're making my ovaries tingle and my desire to reproduce rage so bad I want to chew on something (so like, how dare you??)

It's entirely possible that you sent this in for the imagines series (and I'll totally add it to the masterlist just in case), but I just need to ramble about this. I need to TALK about this.

Also, do y'all know that my inbox isn't just for requests? Because I'm a yapper when it comes to the written word. I do not know how to shut up.

Dad!141 ahead

(mdni for brief suggestive themes)

John Price is coming home and going full in on those snuggles. He wants wifey in one arm and baby in the other. He'll take those snuggles on the sofa, the bed, or the floor. Doesn't matter. All he wants is to be close to his family. After snuggling, that man is putting baby to bed on his own. In fact, Price insists that he does. It's a treat for him, especially since he's been gone and hasn't had the opportunity. He's missed being a father. And the hot shower? Wifey is taking that shower with him. The man is so handsy, it's likely he's making baby number two right then and there.

Simon "Ghost" Riley is kissing wifey first the moment he walks through the door. That's the love of his life. That's the mother of his child(ren). That's his best friend. Then, it's baby. The balaclava comes off once Simon comes home. It's his safe space. While he's eager to be alone with his woman, spending some quality time with his spouse and baby is more important. He's making that cuppa and settling for a brief snuggle on the sofa with the both of them. He wants to hold his wife, talk with her, enjoy his cuppa, and play with his kiddo before it's their bedtime. Afterwards? Full intimacy with wifey. In the shower? Check. While getting ready for bed? Check. In bed and most of the night? Check and check.

Kyle "Gaz" Garrick is going to come home and admire his wife and baby for a bit. They aren't going to know he's standing there. Wifey is rocking baby in the nursery, and Kyle is just there in the doorway, happy to be home, to return to the daily humdrum of life. He's not going to realize just how much he missed them until that very moment. This man is the definition of healthy masculinity. He's not afraid to show emotion when he goes in for that first embrace. He completely softens with his family. Endless patience. Endless love. This man loves being a husband and father.

John "Soap" MacTavish is going in for a bear hug. He's wrapping them both up in his arms at the same time. Wifey gets kisses. Baby gets kisses. Soap is absolutely snuggling with baby for a bit, pretending to chew on toes and fingers, basically trying to get every adorable giggle he can out of his child before they go down for bed. Does this rile baby up a bit and make it a little difficult to calm them down for bedtime? Sure, but it's totally worth it for him. Afterwards, his one focus is on his wife.

masterlist

[cinnamorollcrybaby]

I love to get 2 on

Tags: Satoru x fem!Reader, Toji x fem!Reader, mmf, polyamory, cursing, smut (fighting over who gets to breed you), dumbification, finger sucking, breeding kink duh, implied size kink, daddy kink, mdni.

An: this is so self indulgent of me to write but idc nothing else is intriguing me besides this thought. this will likely end up being a small series because i have sooooo many ideas about these two nasty fucks.

Having both Toji and Satoru as boyfriends was not for the weak willed because these two men are constantly at each other’s throats when it comes to your attention.

“Don’t look at him. Look at me. ‘m the one givin this pussy what she wants.” Toji’s husky voice growls into your ear, breath fanning across your skin before he grunts.

His hips are slapping against yours — fucking you deep into the mattress while his heavy cock slides in and out of your sloppy hole. Pornographic squelches are coming straight from your pussy, making you cringe, but both of your boyfriends seem to be going feral from it.

Satoru’s pale blue eyes roll as Toji once again steals the show away from him. His palm cups your chin, and he drags your focus right back to his swollen cock. His tip is a pretty shade of pink, and it’s sweltering — leaking beads of precum over and over while he leisurely drags his hand up and down his length .

“Don’t listen to him. Look at Toru.” He coos with a grin, loving how fucked out your face gets when Toji absolutely ruins you. “He’s just a placeholder, riiight~? You’re still going to let me breed you after.”

You’re so pliant for them, nodding your head like a dumb slut. Nothing else in the world is better than when they both take turns breeding you again and again.

“This placeholders ‘bout to make her cum again.” Toji taunts, gripping your hips with bruising strength as he rolls his hips just the way you like. His tip presses kisses of precum so deep inside you. You can barely breathe much less think.

“You better not, princess. Suppose to wait for Toru, remember?” Satoru’s voice grows stern, and his eyes bore into yours in an almost eerie fashion.

“C’mon, doll. Cum for daddy. I can feel you tightening around me. I know ya want to.”

It’s all so much. Watching Satoru fuck into his wrist while Toji’s tip is practically massaging your g-spot. You give Satoru a sorrowful glance before letting out a pleasured cry. Your hands fist at the sheets, and your toes literally curl as juices gush out around the base of Toji’s cock.

“Yeeaah, not bad for a placeholder, right?” Toji’s lips quirk up into a smirk before he presses a kiss to your lips, drinking down your moans just to rub it in Satoru’s face even more.

All it takes is one look from Satoru, and Toji slides out of you with a grin. “I got ‘er warmed up for ya.” Toji laughs as he and Satoru switch positions. You lazily part your thighs for Satoru, still trying to catch your breath from the soul shattering orgasm Toji just gave you.

“Nuh uh. You wanted to be a slut on his cock. ‘m gonna treat you like one.” His hands grab your waist, and he rolls you onto your stomach forcefully.

From the outside, everyone would probably guess that brooding Toji’s the mean one in these scenarios, but they’d be dead wrong.

Satoru, after a life of being spoilt, gets so rude and aggressive when he doesn’t get what he wants. Toji purposefully pushes him to that point — partly so he can watch you get railed deeply into the mattress until tears fall from your eyes.

The heel of Satoru’s palm connects with your back, and he forces your face and shoulders down into the sheets while his other hands guides his cock to your weeping entrance.

You grip at the sheets immediately, letting out a hiss as he buries himself all the way to the hilt in one fluid thrust.

“Fuck.” Satoru groans as if he’s genuinely mad at how wet you are — frustrated that Toji could get you this messy.

Toji brushes your hair away from your face, and his large palm rubs at your cheek gently — a tender reminder to keep your eyes on him while he jerks his cock right in front of your face.

“Just couldn’t wait, could you? I was- ngh.. gonna be nice to you tonight… since hah~ I’m trying to put a baby in you.” Satoru’s hips are forcefully slamming into your backside. He’s not moving fast, but his pace is punishing. “Toji’s already got a kid. It’s my turn.”

Your juices are seeping around his cock, forming a thin white line right around the base that makes Satoru’s cock twitch in delight. His hand slaps at the fat of your ass smack! before he’s pulling on your hips, making you meet him halfway just so he can make his thrusts count.

“Takin’ him so well. Keep it up for, daddy, yeah?” Toji murmurs before pressing a loving kiss to your temple.

Your mouth opens for Toji, and he gives you an affectionate chuckle before placing his thumb against your tongue to soothe that oral fixation you have. He knows that if he fucks your face, Satoru will have even more of a hissy fit and probably fuck you out of commission for a few days.

“Focus on him, doll. Looks like he’s making ya feel real good.” You nod, sucking on Toji’s thumb in between breathless whines and moans.

Satoru’s balls are so heavy, brutally slapping against your puffy clit with each thrust. Thwak! Thwak! Thwak! He’s been saving up for you, adamant that he needs to breed you. He’s the upcoming Gojo clan head after all; it’s natural that those old hags want a baby with his blessed genes.

All it takes is feeling your spongy walls clench around him like a vice, and Satoru’s jerking you up by your arms, forcing your back in to an arch to where the imprint of his dick bulges through your belly.

Both of you are so noisy when you cum, Toji thinks. He watches in slight awe as Satoru pumps you full with his sticky seed. He can tell by the look on Satoru’s face that you’re milking him for all he’s worth too, and it’s so fucking hot.

Toji pushes you back down into the bed. Both men aren’t good with words. They’re good at doing. He arches his hips out before rope after rope of white hot cum spurt from his tip all over your face, marking his territory.

After a moment of cleaning up and giving you small tokens of affection through praises and kisses, the men are right back at each other’s throats.

“Ya know, if you’re not able to keep up, I can breed her cunt, and let ya pass off my kid as yours.” Toji taunts with a smirk.

“Yeah, as if your first kid didn’t look like he came from your ass. Fat chance. Sweets and I are gonna make a pretty blue-eyed baby with white hair.” Satoru hums as he affectionately ruffles your hair. “Isn’t that right, pretty~?”