#love of and knowledge about the same characters

[vanquishedvaliant]

As with most things it's a careful balance of thoughtless power fantasy and clever integration.

If all your isekai protagonist has to bring to the table is a conveniently wikipedia accurate recreation of every technology ever, you're removing so much of the potential conflict that makes a story too easily.

Fundamental laws of physics not working the same way is one such limit you could apply but it's also kind of a sledgehammer solution that corners you in later and with poor thought can introduce run-on logical problems later on.

Making the obstacles more clever or introducing fault not to the world itself but to your character- after all, how many people do you know that actually have an encyclopedic knowledge of all technology?- and requiring adaptation to those holes creates more room for both the isekai'd characters and the new world they're in to show their character.

What kinsd of technology does your hero remember? What parts of it did they find interest in and why did they learn about it, that's not just being a 12 phd know-it-all? Do they remember the scientific and mechanical principles correctly, or at all, or are they just communicating a vague idea?

Who else in this world is smart enough to fill in the gaps with the ideas they can present, and how do they go about doing so? Is it magic, spiritual or alchemical theory? Do you use magic or monster materials to supplement electricity or processed goods? Do they use the idea to create that works fundamentally different to achieve a similar result? What compromises do they make in the process?

This leaves plenty of opportunity to reassert the value of it being an isekai story where both the tenets of science and magic matter, rather than just a Civilization Tech Speedrun (I still love you though, Dr. Stone)

I've said it before but i think there's a whole bunch of piss to take out of the Reddit Guy Invents Gunpowder subgenre of isekai from an alt-science angle. If you have wizards and dragons and shit, there's no reason to assume that chemistry and physics work the same way. Florida Man injured in very avoidable phlogiston incident.

[roguestorm]

(Some of) My Favorite Scott/Jean Kisses

X-Men #98

I like the way Claremont initially establishes their relationship - Jean's flirtiness, Scott's hesitance. This isn't their first on-panel kiss, but it is one of the early ones, and I think it's really sweet. I love how Scott and Jean have changed as people in-universe and I love how they've changed as characters over the decades.

X-Men #132

I'm including this one mostly because two of the other kisses will reference it. Which isn't to say that I don't like it, because obviously I do, but I have nothing new to say about it. It's like THE Scott/Jean kiss.

X-Men #137

I think this kiss tends to get overshadowed by other parts of 137, which is fair, but there's something so tragic about the last kiss -- especially considering that Jean is possibly already planning for this to be their last kiss.

X-Factor #26

I was debating between the one in X-Factor #25 and this one, but the paneling here is unmatched. The 3 beats of the panels of her initiating, her explaining, and then him initiating is so good, especially with how expressive Simonson's body language is. And then that long pan out, so you just get the whole page really lingering in this moment.

X-Factor #53

I'm cheating and putting two kisses from this issue because I just love the range of Scott/Jean we get in this issue. The first one is so playful and fun, reminiscent of the kiss in X-Men #98, except Scott is no longer hesitant. And then the passion and romance of Jean "sweeping him off his feet," soundtracked with "As Time Goes By." And then Jean immediately getting caught in remembering the kiss in Arizona from X-Men 132 and Scott deciding that this playful and romantic evening is a wonderful time to propose, which Jean declines because she feels like she's being pushed into it. This issue is so good for the range, and these two kisses (plus the flashback one) really capture the complicated emotional journey of these two.

The Adventures of Cyclops and Phoenix #2

Nothing says romance like your son being totally exasperated by how often the two of you make out. The joys of parenthood. :)

Phoenix Resurrection: The Return of Jean Grey #5

The "stolen moment" quality of this kiss is so good. Scott is only alive so very briefly here, but they're both real and alive together for the first time in years (both in universe and in real world time). Like the 137 kiss, Jean may have some knowledge about the brief nature of the time they have left, but I think in this one, they're more on the same page -- Scott knows that he will have to die.

X-Men: Hellfire Gala (2022)

I like when they have sex!! I like when writers don't assume Jean is a virginal prude when she's been forward about her desires since at least X-Men #98. I also like when they have sex after planning how best to help the future of mutantkind together. This set-up deliberately invokes the 132 kiss, so it's especially noticeable how different the circumstances are and how much has changed for Scott and Jean since then.

Thank you for looking at these panels of Scott and Jean kissing, feel free to tell me what your favorite Scott/Jean kisses are.

[adonneniel]

Ok, nevermind, I am going to try and put my complicated thoughts on paper.

So, about Dragon Age elves being intentionally inspired by Jews.

Like, on one hand they’ll always hold a special place in my heart because when do Jews *ever* get to be portrayed as elegant and mystical and beautiful? Even if modern DA elves are a fallen, oppressed people, those vibes are still present. And even if it’s not always handled well, the struggle between the more assimilated city elves and the more traditionally minded Dalish is very real. The longing for a lost homeland. The ache and resentment and fear that nothing is stable & people could turn on a dime. The isolationist tendencies that arise as a consequence of that. Perhaps prickly and defensive to outsiders, but loving and community-centered to their own.

In short, it resonates, and I always felt like I had room to roleplay and embrace these concepts, particularly in the older games.

Tbh even the Dalish clans always on the verge of dying felt real. Perhaps too real. And I think the main problem (for me), was that it was never treated with the gravity and respect it should’ve been. The characters shrug and move on.

Even Davrin’s distaste for his people’s focus on the past doesn’t bother me. Because not only do people like that exist, they still made him unapologetically Dalish (he even named his gryphon Assan! An elvish word!) It’s obvious he still cares deeply about elves, and he was the only one who consistently expressed concern for modern elves when the topic came up. If they’d handled the rest of the elves in the game better (which I’ll expand on in a second), I think he’d actually serve as a great constrast to Bellara.

But then we get to the Evanuris, constant victim blaming, and the inexplicable white-guilt projecting the writers added in Veilguard. (And that last one stings because minorities are never treated as individuals—a bad apple is always turned into a representive of the collective.)

Choosing to make the Evanuris the root of Thedas’ woes might be a neat twist in isolation, but it’s *not* in isolation. Not when Jews are at the center of every conspiracy theory and often painted as this nebulous, shadowy cabal controlling society for their own nefarious means. And to then have the gall to paint *all* modern elves with this brush? As if they’re responsible for a few shitheads that existed thousands of years in the past (that also happened to enslave them). As if they’re somehow complicit when past games have made it abundantly clear that elves are treated like trash with ZERO institutional power? (And Veilguard conveniently brushes this under the rug).

It’d be one thing to make Bellara apologize—because it’s kinda in character—but there’s no meaningful pushback. And elf!Rook has at least three opportunities to spout those same bullshit white-guilt apologies. Tbh, it soured me to Harding’s entire questline.

And the distressing reality that the Evanuris might make people even more distrustful and violent towards elves? It’s practically framed as a *new* fear. Which is utterly ridiculous when even an elven Inquisitor can state that people will always find a way to blame elves (with an appropriately resigned anger)

And going back to Bellara, I hate hate hate that her questline almost encourages us to throw away the Archive, as if this monumental resource is selfish to want to preserve? And why do we get to make this choice? Rook might not even be a elf! It’s similar to the framing of Merrill’s quest to restore the eluvian, but at least Merrill fights tooth and nail for it. Why is the desire to reclaim and discover lost knowledge always presented as stupid and dangerous?

One last thing: Epler said they were trying to give the Dalish a win in Veilguard, and I assume baking in a “save the Dalish!” quest was an attempt to make up for the potiential massacres in past games, but, uh…it failed imo. How is it a “win” to make them nothing more than poor little props for the Big Hero to swoop in and save? They have no agency. They’re shown no respect. We don’t even get to talk to them!

Anyway, I’ve seen some excellent takes on the anti-indigenous racism baked into the elves, but not one from a Jewish perspective. So here’s me, a Jew, venting about a series that’s somehow still near and dear to my heart, and probably always will be, despite the racism and antisemitism. (Though whether I’ll replay datv or buy any future games is up in the air. Right now veilguard feels like the last straw—the mediocre writing failed to make up for the highly questionable & infurating choices made).

[temis-de-leon]

Please make sure to take care of yourself 🥺 Write whenever you feel like it and when you have the time but don't force yourself to write 😤 - Romance Anon

Crush hugging him because of a horror movie - 500 F.C.

Characters: Diavolo x gn!reader

Main Masterlist

500 followers masterlist

Requested by: Romance anon

A/N: Toni Colette, the woman that you are. And thank you Romance, for your never-ending patience <3

C/W: a bit suggestive there at the beginning, pinning, very vague description of Hereditary's ending

.

He would be lying if he said having you so close to him, practically sitting on his lap, while moaning a myriad of ‘oh my God’, ‘please, God’ and, his personal favourite, ‘Dia, Dia, Dia…!’ wasn’t affecting him in the slightest. It was, and heavily; he just wished it took place under different circumstances.

Mainly because he was low-key freaking out too, although not as much as you.

Having seen a fair number of sinners, he knew some mortal minds weren’t simple or kind, which made the darkness of life and the suffering of others a rather pleasurable affair for them. It was fascinating, apparently, a broadly studied aspect of human society, and not just one of many media genres, that propelled the pharmaceutical and therapeutic intervention businesses; a cause and a consequence, something that should’ve been avoided or couldn’t have been helped.

And yet, out of all horrors, you chose a demonic possession movie? Were you trying to tease him?

Paimon wasn’t even that bad once you got the chance to meet him properly! He was an erudite whose knowledge covered all the arts, philosophy and science. A friend of Lucifer’s, keen on reciprocity foremost and eager to start a conversation with anyone who offered him the same amount of time and interest as he did. Unfortunately, Diavolo had the tiny suspicion you wouldn’t be in the mood to meet the captivating demon, nor his demanding dromedary, after watching the disturbing movie, but you should really give it a try!

He could still understand you, though.

“Oh, dear” he said in a quiet breath as the boy on the screen slowly turned around and miraculously missed his mother crawling on the walls.

Your eyes, which had been previously peeking between your fingers, closed shut. You turned to press your face against his chest again and he deeply hoped your fear kept you from noticing the rapid beating of his heart and the way his hand closed around your waist to bring you closer. His cheeks burned, not bothering to hide an enamoured smile. There was no use in doing so when you were trying so hard to disappear from the world amongst the creases of his uniform.

Still, you had asked him to watch the film together and he would be more than damned if he disappointed you in such a trivial matter, so he forced himself to look at the screen intensely, even when a naked man loomed from the shadows and the boy had to run away for his life, tripping and falling and barely climbing to the attic on time.

“I have to say, MC” he mustered, eyes open wide as the woman (Annie?) violently banged her head against the trap door while Peter cried in desperation from the other side. “I can’t understand the appeal of watching this. When you said you wanted a movie night, I thought you’d choose something… tamer”

More romantic is what he wanted to say. Diavolo had hoped to understand love from a human standpoint and see what you liked in order to do the same. Rose petals and champagne by the fireplace? Or shopping and dining in the most expensive places in the Devildom? Dancing in the rain? Stargazing? As observant as he was, he had no clue whether you reciprocated his infatuation, so, sadly, he preferred having your full attention on him whenever he showed his feelings; and at that moment not even an emergency would’ve made you let go of his embrace. It's not like he would ever complain about that, anyway.

“I didn’t want to watch the movie alone” you finally whimpered, letting go only enough to look up at him. “And I figured if someone could make me feel protected it would be you”

Your glassy eyes vaguely reflected his speechless expression and, suddenly, he was aware of everything. The weight of your body against his, bringing warmth and comfort, the smell of your clothes and the softness of your skin; your scared pouting and embarrassed blushing. Not knowing what to do with it anymore, he let his free hand awkwardly drop over your calves and immediately almost imploded when you instinctively tucked even closer.

There was no noise for a blissful moment, save for the heavy breathing and the buzzing coming from the speakers, and Diavolo briefly asked himself if a horror movie was still a good background for a love confession.

Then, a wet sound; a sawing motion.

You slowly turned to the gigantic TV, impending doom in your expression quickly morphing into heavy distress when the mother appeared once more on the screen. Your appalled scream almost made him cover his ears before you hid your face in his chest one final time.

“OH MY GOD, DIA, OH MY GOD”

Diavolo just hoped Barbatos wouldn’t ask any questions in the morning.

.

.

Taglist: @ilovecandys2010 @ollieoven @kingofspadesdelusion @whimsybloom

[bluedalahorse]

I feel like there’s some meaningful stuff here about Sara and August’s relationship, so I wanted to reblog and lift those up here! Sara has traditionally been unfairly slammed by the fandom, even though her actions were meaningfully different from August’s in season 2. And a lot of times saraugust is held up as this ontologically evil foil to wilmon, even though both pairings juxtapose the capacity to be sweet and loving with some pretty intense teenage flaws.

Personally, while I understand why they happen, I’ve always been a little wary of discussions of “is Sara a bad person/is August a bad person.” I understand why this framing works for some fans, but it doesn’t work for me. Mostly because a while back, Omar was talking in an interview, and he talked about Lisa’s writing philosophy being that there aren’t good and bad people in her stories, there are people in her stories who are capable of good and bad actions. Now, authorial intent can only go so far, I get that. But I do think this is a theme that underpins the series. I think they did a great job of showing Sara’s complexity and growth over the season. I do think there were some fumbles to August’s writing in season 3 that led a portion of the audience to believe he never changed, ever, over the course of the series. I think the show would have benefitted from him and Simon having a chance to do restorative work outside of their relationships with Wille. At the same time, I don’t think season 3 was without growth for August. @sflow-er’s post on the Fleabag parallel does a great job of breaking down August’s arc. I’m not saying any of this negates the harm August does—far from it—but I do think the show is inviting us to envision a better future for August where he grows and changes, especially in our fanworks.

And that’s what I want to talk about in this reblog: fanworks. It’s been a long time since people were acknowledging the saraugust nuance in season 2, and ultimately how fascinating the pairing is, but there’s still only 96 fics tagged Sara/August on AO3 and only a few are actually about them.

I think, what I’m sad about most when it comes to Young Royals fandom, is that there is no fanworks community around Sara and August the way there is for wilmon, at least on tumblr. There are individual people who are interested in their dynamic, and some of them create fanworks from time to time, and some of us reach out to one another and have meaningful and wonderful one-on-one conversations in our inboxes. But there’s very few reblog chains about them where people are just expressing fun headcanons, there’s very little circulating fanart, there’s some gifsets and edits but they don’t circulate as frequently, no fandom events or challenges themed around them, no following and cheering on of Malte and Frida’s careers, (to my knowledge) no epic multichapter saraugust fics we discuss together and swoon over and make starry eyes over.

To be clear: I don’t think I’d ever expect saragust to have the same size of following wilmon does. There are many factors that make wilmon more popular, first and foremost being that August does real legitimate harm and is annoying and kind of sucks. Like, hey! I get it! Not everyone is going to like him, and that’s perfectly okay. And then there’s the fact that not everyone who’s drawn to an m/m show is going to feel excited to ship a f/m pairing. As @crownedwille points out, fandoms sure can do some stuff when female characters are involved. Of course saraugust will get smaller numbers.

But as someone who’s been tracking the saraugust breadcrumbs in fandom for a while, and has been following their tag on AO3, what I’m noticing is not exactly a natural absence of interest in the pairing. It’s more like I see a lot of people who have an interest in the characters and the dynamics, but something about the way YR fandom interacts socially reinforces the notion that you keep your saraugust feelings to yourself. Or, for a while if you were expressing those feelings, you were encouraged to express them in ways that are full of apologies and disclaimers. When you’re spending all your time doing that, it becomes a lot harder to create fanworks. Like, even in the tags of this post, I see a lot of people saying they liked them or found them interesting or cute or they’re hooked in by the drama or whatever else! Clearly the enjoyers exist and are out there. I think the discourse (and the harassment of actors/writers/creative team on social media) has died down a lot since the finale and there’s more space to like the characters, but I also think that some of the patterns of fandom interaction that sprung up post-S2 have had a continued impact on how people express themselves.

And yes, it’s important to be mindful of the morally dubious sides of this pairing, but we can do that while creating space for people to openly enjoy it through fic and headcanons and edits and such the way that many people in the fandom openly enjoy wilmon, even if it’s a smaller group of us. (Heck, some people enjoy saraugust because of the moral dubiousness and that is part of a Valid Fandom Tradition of enjoying morally dubious pairings.)

As someone who’s currently feeling a little burned out on wilmon by itself and doesn’t really have a desire to read works centered on them, but who’s still in love with the broader YR world and its characters, especially my two favorite characters—I am desperate for a little bit less saraugust discourse and a little bit more joyous fannishness about them. I’m not entirely sure how to make that happen. I’ve been writing fic, blogging about the characters, creating ask games, posting pictures of the plushies, and also doing some other stuff behind the scenes. But I often don’t post or reblog as much as I could for fear of discourse returning, and I feel disconnected from fandom most of the time, even though I have some strong individual ties to individual people. (I also feel like I may have burned some bridges at times when I was upset.) It’s a bit of a sisyphean conundrum, isn’t it? I wish I could wave a magic wand and make more fanworks and community happen around this pairing in particular, but also around other pairings and characters on the show for the fans who want those other pairings and characters. I just wish there was a little more variety in the characters and pairings talked about.

Anyway, I don’t have any answers and it’s time for me to acquire groceries for the week, so. Blue out.

There's so much discourse around Sara and August. Whether they were good together or not. Whether they loved each other or not.

What we tend to overlook is the fact that they talked to each other. Enough that they knew each other.

He wanted someone to talk to and he thought about her. So he went to find her and he knew to find her in the stables. Then he immediately proved to her that he was someone "safe" by petting her horse. She misunderstood his invitation that evening but he didn't make her feel bad about it. We know she talked to him about the Felice Horse Selling Thing™️ because when she comes to say that Felice was officially selling the horse, he just said "I thought you already knew that" because she had already told him.

Sara talked to August. The same why August talked to Sara. He opened up about the drugs and why he used them. He opened up about being Wilhelm's back up. He opened up about his guilt and about feeling like a horrible person.

She talked to him about her horse and about Felice. Two things that she considers the most important in her life. She also opens up to him about wanting to fit in. Wanting to "be like him" meaning that she wanted to be like the Hillerska crowd.

They talked to each other.

So like, yes, they did horrible things. They are bad people. But they aren’t incapable of caring. And they aren't entirely self centered. That's what makes their individual betrayals even more heartbreaking. Because we know they're capable of caring and they made the choices they did anyway.

[indeliblemarking]

what’s so good to me about timebomb is this theme you have with ekko’s character with improving life in the undercity for its inhabitants. not just so they can survive but so they can live and enjoy life. ekko says this but at the same time he loses himself in the negativity and loss of it all. he literally is the ‘boy savior’, always focusing on others and never his own wellbeing and happiness.

but in order for a better future to exist you have to truly believe in one and that’s a big part of ekko’s arc and the steps he takes outside of zaun and even bigger than piltover itself to possibly make it happen (even if magic isn’t completely the way in the end). so of course he’s trapped in the near perfect world he’s aiming for with no way back home because of no hex tech.

he has to believe in powder and jinx in numerous ways. there comes in the narrative with merging powder and jinx as almost a kintsugi whole; jinx’s gadgets are deadly but show off her true knowledge and skills in science. and powder, the wide-eyed, loving child part of her people idealize while jinx hates is still a part of her. ekko sees it on the bridge in season 1 but won’t fully let himself believe in it. until he meets powder in this universe of course and he sees how things could be; for both jinx in his universe and powder in this one because they are both parts of her.

just like though zaun has the capacity to be both the zaun in the alternate universe and ekko’s zaun at its worst, they are both still the undercity. you just have to believe something can be the best version of itself even when showing its flaws, even when it’s at its worst.

ekko reaches in himself and learns this by letting himself fully care for and love all of jinx again. (because he never didn’t care for her but it was suppressed because “she belongs to silco”) through that he can love his zaun for what it currently is while still believing in a future that’s always better. this love and acceptance within himself and for the most important aspects/people in his arc is what allows him to return home.

he is able to convince jinx that she can be this good version of herself because you can always start anew or choose to do something different. there is good within you to find and amplify even at what’s seemingly your worst. the whole is greater than the sum of its parts; you can love the whole. so the parts of both powder and jinx, and ekko seeing the potential in both is what essentially allows the world to be saved. meeting this positive ‘good’ adult powder allows him to fully believe in jinx and knowing jinx and her capabilities, he can believe in powder. and jinx having this boy who never contributed to the making of ‘jinx’ but also starkly resembles the separation of herself, come to that conclusion helps her see good within herself.

as corny as it sounds you just have to believe, even when it feels like the world is closing in on you.

[lunarsilver]

How will you meet your next partner?

I've got a new deck and so I had to use it! Here's a short Lenormand reading.

REMEMBER

I’m not a doctor, a psychiatrist, a therapist nor a psychologist. Divination will never replace meetings with them.

It’s a general reading, so not everything will resonate.

If you can’t choose between two piles, probably both of them have some messages for you. You can also not identify with any of them, and that’s okay, too.

Readings can help you make a decision, but they shouldn’t be the main reason for making it.

1 ~ 2 ~ 3

4 ~ 5 ~ 6

PILE 1

Key - Anchor - Moon - Snake - Stork

Openness for stability grounds one’s feelings and evokes the desire to start anew.

With the Moon in the center, the main themes of this reading are predictably your fears and feelings. It’s more about your mindset than anything else. I feel like people here either had only short or casual relationships, or never dated. You’ll meet your next partner when you’ll be open to the possibility of starting a new cycle and want something durable and secure. This suggests it will be a long-term relationship. 

PILE 2

Fish - Book - Heart - Woman - Sun

Wealth of knowledge makes the heart of a woman happy.

With the Heart in the center, the theme of this reading is, of course, love. We’re talking here about a romantic relationship. The Woman represents either you (if you are a girl/feminine) or your next partner. A lot of happiness comes from being well-read and well-informed. You’ll meet your next partner thanks to the abundance of your knowledge. Education is pretty important here.

PILE 3

Key - Cross - Ship - Crossroads - Bear

Liberation from rules and ideologies starts the journey of discovering the path to one’s own power.

Freedom. I have this word in my head while looking at the cards. With the Ship in the center, the theme of your reading is exploring your choices. After setting boundaries with a leader figure and making the painful choice between your responsibilities to this figure and your own freedom, you’ll start to choose what you think is right for you. That’s how you’ll meet your next partner - by becoming independent.

PILE 4

Bouquet - Owls - Mice - Anchor - Snake

(In the deck I use, there are two cards with the number 12 - Owls and Birds. I choose to interpret Birds more as gossip, anxiety and communication between a group of people, while Owls as more private, serious or intimate communication).

Flattering flirt weakens the fundamentals of desire. 

Sooo, do I have people here who are currently in a relationship but feel like it is crumbling and start to think about finding another one? If so, someone will go after you while you’re still in this relationship, which even further will weaken your desire for your current partner, and you’ll get into a new relationship. You know, pile four, better come clean with your current partner as soon as possible and don’t drag it more than it’s needed.

If you’re single, I think you’ll have some situationship that will lead nowhere. Like, it’ll start so nice, some flirting and maybe even some deep conversations, but there are skeletons in the closet of that person; or maybe they’re just all talk, no action. You’ll meet your next partner after this situationship ends.

PILE 5

Sun - Ship - Mountain - Tower - Coffin

A happy journey is slowed down by an obstacle of dealing with one’s ego/loss/loneliness.

Just saying, I find it pretty interesting how mirroring cards have the same signs - Sun and Coffin are Diamonds (Earth), Ship and Tower are Spades (Air) and Mountain is a club (Fire).

The theme of your reading is overcoming an obstacle - only after dealing with it will you be able to meet your next partner. You were going through life smoothly, but here it is - a problem. I’m not sure which meaning of the Tower will fit you, but you’re either too arrogant and have to work on your character (most likely someone will call you out on this), you’ll lose something or someone, and only after grieving and moving on you’ll meet your next partner, or on the way to meeting your partner stands the need to be more social.

PILE 6

Garden - Anchor - House - Fish - Dog

Well-known social conventions value devotion.

With the House in the middle, the theme of your reading is tradition. You’ll meet your next partner the old-fashioned way, maybe at some party or through your family. This relationship will be approved by most people around you. You and your next partner will start out as friends, and from there, loyalty and support will grow. This will be most likely a long-term relationship, maybe even marriage.

[districtsleepsalonetonight]

"Sure, besides maybe having someone to share it with." She says this in the long-vowels teasing tone she usually applies to Ajax. At first I think she means herself, and I think she's right. It does feel better now that she's here, and she's the only person I've ever been able to truly say that about. I'm about to muster the courage to put the sentiment into words when she continues. "Thing may have blabbed about your date with Tyler. How did it go?" This is such a hard one-eighty that it takes me a moment to calibrate. It's certainly no longer time for a compliment. I haven't thought about Tyler all night, even when I was coordinating Xavier's arrest with his father. But Enid seems to want to discuss the date. "It was....interrupted," I say. It's the only word that feels honest. Enid's smirk widens. "Maybe it's time to finish it? I heard Tyler is working the late shift..." It would never have occurred to me to do any such thing, but then I think maybe this is what Enid wants from me. Someone to discuss boys with. Dates. All the trappings of adolescent girl friendships I've always avoided like the plague. Maybe this is what she shared with Yoko. The thing that made the other girl the more attractive option when all I could do was fixate on attack patterns and organs in jars. There's more to parse out, of course. Part of me wants to confess that I'd rather stay here...."I'll tell you all about it when I get back," I promise her, and I head out for the Weathervane.

-from the novelisation of Wednesday.

So...

Wednesday notices that Enid is addressing her, while talking about having someone to share things with, in the same tone she uses to address Ajax-which is explicitly described earlier as flirtatious.

From earlier:

"Ajax," Enid says in that flirtatious way people sometimes do. Drawing out the last vowel.

And Wednesday, thinking Enid is talking about herself and Wednesday....agrees, and is about to reciprocate.

And then Enid reveals she was talking about Tyler and Wednesday's date-meaning she was definitely talking about having someone to share things with in a romantic context-and Wednesday reveals she hasn't even thought about Tyler all night.

And even with the knowledge that Enid was definitely talking romantically-Wednesday is disappointed to realise Enid wasn't talking about herself and Wednesday and had been about to reciprocate the sentiment to Enid.

And then Wednesday admits she doesn't even want to go and find Tyler-but she does so because she thinks that this way, she and Enid will have something to talk about, and that their bond will be less likely to end. (It's also made clear she doesn't want Enid to prefer Yoko to her.)

So Wednesday reluctantly goes out to continue the date with Tyler-with the clear implication that if Enid had been talking about herself and Wednesday, she wouldn't have done. She's only going because, in her mind, Enid just made it clear that she sees Wednesday and Tyler as a couple-and because she wants to have something to talk about with Enid in their friendship that Enid actually enjoys talking about, with her thinking that "maybe this is what Enid wants from me". Which kind of has a note of "Maybe this is only what Enid wants from me."

I was going to say it reads like that trope of the main character going on a rebound date when they've been about to confess feelings for their love interest only for a miscommunication to lead them to think the love interest doesn't reciprocate and then realised that's basically exactly what it is.

In the novelization, at least, Wednesday canonically believes Enid is talking in a flirtatious, romantic context to her and is about to reciprocate.

[thefirst3chapters]

There's something about the Danes men recognizing the Gilmores' happiness in their final OS episodes. ("You look happier than when I saw you last." / "I just like to see you happy.") Maybe the S6 writers weren't sure that this was going to be Jess's last appearance, but this was Luke's definitive end for the series; in either case, at the time these episodes were written, they were the show's final statements on who these characters are.

It's established over and over how well Luke and Jess know the Gilmores and vice versa. Luke knows exactly what Lorelai brought to Bid-a-Basket day and has her wardrobe memorized and steadfastly believes that she can start her own inn even when she's convinced that she's failing. Jess knows that Rory isn't herself when she's in Hartford and remembers her birthday even though he's barely seen her in years (and ASP directly confirmed that the intention was to portray them as seeing each other for who they are). This mutual sense of knowing is baked into the first times both couples meet. The first time Lorelai met Luke, she pestered him during a lunch rush for coffee and for him to tell her his birthday until he relented. The first time Jess met Rory, he stole her book and wrote all over it. Both of these actions could've been horrible first impressions for anyone else, and on paper could've been horrible first impressions for Luke and Rory specifically, but they were charmed and intrigued, and they treasured the written keepsakes they were left with.

Even with this intrinsic knowledge, the Danes' failures as partners often boil down to the same problem: they retreat when they're in crisis. With their biggest, relationship-ending conflicts (Luke keeping April from Lorelai and the fallout of Jess not graduating), they spend months thinking that they have everything under control when they really don't and fail to tell the Gilmores anything. This is perhaps Jess's core flaw in S3 even more so than the fact that he left; he didn't have anywhere to stay, and finding out who his father was probably ended up being an important catalyst for the person he became, but he wasn't able to share any of that with Rory. She directly brings up her hurt over Jess not telling her anything when she's in the car with Lorelai and when she's on the phone with him, and her unhappiness here is so similar to Lorelai expressing her unhappiness about her relationship with Luke when she's in the car with the therapist. ("I don't like how I feel and I don't like what I do." / "I'm not happy, and I feel crappy all the time and I just think I've had it.") They've both been left behind.

This isn't the end, though. Luke and Jess spend their time apart from the Gilmores still loving them while also building/rebuilding their professional lives, coming to terms with their pasts, and showing up for their families. This is what I think separates Jess leaving from Christopher leaving. Christopher had options and resources to be in Rory's life but chose not to be a consistent presence, and Lorelai accepted that. Rory points this out to Lorelai in S5 E9: "You're just always waiting for him to get himself together." Rory can tell that dynamic isn't healthy from the years she's watched it play out. She doesn't let Jess back into her life when she knows he isn't ready, and he grows up without her out of his own determination. His circumstances were never really like Christopher's, and Rory was left in the dark about that at the time, but when he returns in S6, I think she recognizes the difference. There's a reason why Rory shares her deepest insecurities with Jess in AYITL and sprints out of her house because she can't wait to share her happiness with him but has such an emotionally distant relationship with Christopher. As for Luke and Lorelai, they gradually get closer in S7 as they learn to trust each other again. Luke turns to Lorelai when April is sick and he needs a character reference, and Lorelai's letter helps him win partial custody and reveals where her heart truly lies, which is a catalyst for her relationship with Christopher ending once and for all. Lorelai asks for Luke's help when she's looking for a new car, and even though it doesn't make sense to him, he finds a way for her to have the exact same model again because he knows it's important to her.

Then we get to those final scenes. At Truncheon, Jess can tell just by looking at Rory that she's happier now that she's back at Yale and is editing the newspaper. She breaks his heart, but he makes sure she'll get back to her car safely and offers himself as an alibi because he still wants the best for her. In "Bon Voyage," Luke stays up all night helping the town set up Rory's party and sewing a tarp together but doesn't even want Lorelai to know. Luke and Jess have hurt the Gilmores and been hurt by them, but for both of them, their final act in the OS is quietly, selflessly wanting Lorelai and Rory to be happy. I just can't fathom a Luke who doesn't love Lorelai or a Jess who doesn't love Rory; that love is imperfect and doesn't solely define either of them, but it's an inextricable part of who they are.

[soberstardom]

JEALOUSY? — デスノート

𓉸ྀི — yagami LIGHT, lawliet L, amane MISA, touta MATSUDA, mihael KEEL (MELLO), jeevas MAIL (MATT), mikami TERU.

𖦹 — N/A

ᶻ 𝗓 𐰁 — fem!reader, jealousy, some mentions of killing, (semi-romanticized) possessive men + women.

౨ৎ — this took way longer than it should've. i apologize deeply. also, i do not write for nate river (near) as i'm not the biggest fan of his general character, personally.

YAGAMI LIGHT — (夜神 月 ライト)

> 私は想像します — he'd be manipulative . . . !

꩜ .ᐟ — ah, yes, light yagami. where do i start?

꩜ .ᐟ — this manipulative god of the new world would do exactly as his name implies. manipulate.

꩜ .ᐟ — he would most likely coerce you into giving him the individuals name and other personal details.

꩜ .ᐟ — later on, however, he would hold this against you. but, not in a 'blackmail', sort of way, no.

꩜ .ᐟ — he would use it as leverage to shut down any more ideas forming in your pretty little mind.

꩜ .ᐟ — what i mean by that is, he would use that and turn it against you by saying you're such a good girl for giving that said information to your lord. he would say that he loves you and that he only gave him a heart attack, nothing more.

꩜ .ᐟ — he would end it off by saying that you are his. his goddess. his lover. his servant. and nothing will change that.

LAWLIET L — (エル・ローライト)

> 私は想像します — he'd be logical . . . !

꩜ .ᐟ — now, i personally believe that L is not the type to get jealous.

꩜ .ᐟ — he genuinely trusts you, and doesn't believe that you'd commit adultery. especially towards him.

꩜ .ᐟ — however, we're only human and as a result, we have our moments.

꩜ .ᐟ — L, if he felt jealous, would be either very broad and upfront, or very doubtful and unsure.

꩜ .ᐟ — i say this because L is a very smart and straightforward man who has no shame in voicing his thoughts.

꩜ .ᐟ — but, since you're his first relationship, he has less knowledge in this field and that could make him feel insecure.

꩜ .ᐟ — but, regardless of that, you discover his feelings eventually and comfort him with loving words and reassurance.

꩜ .ᐟ — you two ate strawberry cake together afterwards.

AMANE MISA — (弥 海砂)

> 私は想像します — she would be clingy . . . !

꩜ .ᐟ — misa would definitely be whiny and clingy, demanding your attention.

꩜ .ᐟ — she would never let it go and would probably be still asking about the same individual a week after that occurrence happened.

꩜ .ᐟ — she would be asking who they were, why did they approach you, do you like them more than her, do you like them at all, etc.

꩜ .ᐟ — she would try and buy you things and take you put on more extravagant dates to try and make sure you know she's better.

꩜ .ᐟ — she also did that to try and soothe her paranoia.

꩜ .ᐟ — but, she couldn't stop thinking about it, and eventually started ranting about it more.

꩜ .ᐟ — due to her eyes, she threatened to kill them if you ever converse with them again.

꩜ .ᐟ — she's a handful, but you love her, don't you?

TOUTA MATSUDA — (松田 桃太)

> 私は想像します — he would be self-critical . . . !

꩜ .ᐟ — now, matsuda already isn't confident in his abilities due to the amount of criticism he already gets from his team. (that's deserved, lol.)

꩜ .ᐟ — and seeing you, his gorgeous girlfriend, talking with one of the higher ranking members is yet another blow to his self-esteem.

꩜ .ᐟ — he wouldn't voice it right away, choosing to sulk instead.

꩜ .ᐟ — you didn't think much of it at first. however, once his mini pout phase didn't go away, you began to worry.

꩜ .ᐟ — after a while of 'what's wrong matsu?' and 'its nothing y/n!', he finally gave in.

꩜ .ᐟ — he told you how it made him feel when you spoke to the other men and apologized in the case that he seemed immature, but of course you didn't mind.

꩜ .ᐟ — you two sorted it out maturely and went to sleep soon after.

KEEL MIHAEL (MELLO) — (ミハエル・ケール) + (メロ)

> 私は想像します — he would be territorial . . . !

꩜ .ᐟ — i'm sure you're not surprised, considering mello's bold, aggressive personality.

꩜ .ᐟ — he isn't scared to tell people what belongs to him. that goes for you too, since you do belong to him.

꩜ .ᐟ — whenever he sees someone hitting on you, he goes off. and i mean, OFF.

꩜ .ᐟ — he yells at the person and will definitely land some punches while practically screaming "DON'T YOU HEAR ME?! SHES MINE!" at the guy while you're trying to pull him off.

꩜ .ᐟ — once he was done, he would give you a kiss while whispering 'mine.' and he would quickly drag you away with a iron grip on your wrist.

꩜ .ᐟ — once you got home, you two were cuddling in bed all day while he kept on reminding you that you are his. <3

JEEVAS MAIL (MATT) — (マイル=ジーヴァス) + (マット)

> 私は想像します — he'd play it off . . . !

꩜ .ᐟ — matt is a member in mello's gang that's known for being cocky and overconfident.

꩜ .ᐟ — due to that, he doesn't get jealous often. well, that and because he trusts you and doesn't see the need.

꩜ .ᐟ — BUT, on the off chance he does get jealous, it could go one of two ways.

꩜ .ᐟ — one, he plays it off with a smirk and a puff of his cigarette, or two, he just mocks the person straight to their face. with no regrets, may i add.

꩜ .ᐟ — he earns a smack in the back of the head, for that.

꩜ .ᐟ — but don't get your hopes up. he's not going to admit he was ever jealous. (not that he needs to. it's obvious, lol.)

MIKAMI TERU — (魅上 照)

> 私は想像します — he would be aggravated. . . !

꩜ .ᐟ — now, mikami is a man of order and structure. he enjoys schedules and planning. he looks forward to the same things each day.

꩜ .ᐟ — however, this criminal defense lawyer can't help but feel the slightest bit of aggravation when he sees this, nobody, approaching his partner.

꩜ .ᐟ — of course, the calms himself down since x-kira can blow his cover, can he?

꩜ .ᐟ — so he let you have that little interaction with them, and continued on with your guys' day not showing much acknowledgement towards what happened.

꩜ .ᐟ — but once you guys got home and he proceeded to his office, we all know what he did.

꩜ .ᐟ — delete, delete, delete.

— @soberstardom 2024. — please don't repost or translate.

[lioncubofboone]

VEILGUARD SPOILERS BENEATH THE CUT

Regarding the backlash you receive in the decision of Treviso vs Minrathous. I have only the one playthrough, of a shadow dragon who chose Treviso, so my knowledge is based on Neve's reactions and my Shadow Dragon past.

Specifically post Weisshaupt, the first conversation with Neve, I received the pop-up "because you sided with Treviso, Neve does not trust you will stand for Dock Town." Or smth like that, transcribed from memory.

I know she's hurting. I wonder if this feels the same if you don't turn your back on your own city, or if Lucanis reacts similarly if you choose Minrathous. I'm just frustrated. I understand that's the point, she's hardened and doesn't trust Rook. But it feels a bit petty, especially at this point, when Rook has returned to Dock Town and helped people over and over again.

If you have a different background, or chose Minrathous, I'd really love to hear about Lucanis' reaction. Id like to say it's a story component, and they react similarly, because I don't want to hold this against Neve. Grief does horrible things to a person. And Rook should have to climb their way back into good standing and earn her trust again. It's all the pettiness that feels like such a horrible addition and adds nothing to the character or relationship development.

[intermundia]

i just read about the "narcissism of small differences," aka the idea that the more a community has in common, the more likely the people in it are to engage in interpersonal feuds and mutual ridicule because of hypersensitivity to minor differences perceived in each other, and i knew there was a reason my time in academia and fandom felt oddly similar lmao

[juaneloriginal]

silly thingy

@blackkatdraws's sillies

[essektheylyss]

re: the fiction/nonfiction kinsey scale poll. just know that I am barely restraining myself from giving nonfiction book recs at all times. there is SO MUCH FUN NONFICTION THAT IS SUPER READABLE AND INTERESTING take my hand we can go pick out some books together

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[katyspersonal]

Thinking about that time when a popular artist was a prick to me personally (claimed that I "baited" them for a conflict when all I did was pointing out something in lore contradicting their claim, without any rudeness or condescension, and basically told me to go hang out with other autists instead of bothering them) but the reason I blocked them was not that, it was the fact that they've admitted on not even caring about the source material and just using scraps from it to do their own thing. Priorities hfngkfngj