#love and protect

[creekfiend]

what's my biggest pet peeve well it's when someone makes a text post on tumblr dot com in which they are trying to romanticize the notion of the livestock guardian dog but they don't know the distinction between a livestock guardian dog and a herding dog and also they've never met a livestock guardian dog and do not realize what their attitudes towards the sheep that they protect actually are

[beybuniki]

origin - rising

[chase-prairie]

Loving reminder from your land history auntie:

North American golf courses have had 50-100 years of arsenic and mercury based fungicide and herbicides applied to their soils.

Do not eat anything that has been grown on a golf course or downstream from a golf course. I know it sounds cool and radical, but you are too valuable to poison yourself with heavy metals.

Protect each other, turn your local golf course into a pollinator garden, not a sex forest or community garden.

[bruciemilf]

Really glad we’re crowning Dick as the scariest batfamily member. Society is healing.

Don’t mind me, just imagining Bruce’s hands, big, soft, covered in the labor of violence, holding his eldest’s face, saying, “This is Dick. He’s the kindest person I know.”

Dick’s fists are behind his back. He’s holding some socialite’s bloody tongue in them. If they’re going to use it to talk shit about his father, they don’t need it. His smile is sunshine and war.

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[birdy-babe]

Blitzøs entire life spent being unwanted. So he adapted, and learned how to be something needed, something to be used.

Which is why I think he firmly believes he is being used by Stolas. He simply cannot fathom a different reality, one in which he is wanted for once in his life.

[creativemazza]

Love & Protect

Digital Mixed Media

[mostly-imagines]

Guard Dog vol.I

jason todd x fem!reader

aka don’t fuck with jason’s girlfriend

4 in 1 blurbs

vol. II

warnings: mildly creepy guys, standard protective bf methods

Jason’s good at shutting people up very quickly. You’d almost call it a talent.

He shuts you up with a kiss when you get stuck in a rant, or with a hug to calm your worried rambles.

And when you’re in an incorrigibly teasing mood, he’ll throw you over his shoulder and carry you back to your bedroom to really shut you up.

With other people though, he has…different methods.

You sit atop your kitchen counter, trading lazy kisses in between giggles with your boyfriend. He stands in front of you, hands massaging your thighs as he leans in for another. You happily oblige.

You break off the exchange to lay a series of sweet kisses on that spot under his jaw.

His head tilts back, letting out a groan so low you nearly miss it. “Sweetheart…” he warns.

“Sorry…” you resign with a sheepish smile.

A knock at the door bursts you out of your shared reverie. You press a kiss to his knuckles and hop down to start setting the table.

Jason gets the door, greeting the pizza guy with a nod as you shuffle around the kitchen. The delivery guy hands him a receipt, asking for a signature.

Jason uses the door as a surface to sign, giving the delivery guy an apt view into your apartment, where he sees you getting out plates in the kitchen. More noticeably, he sees you in your boyfriend's shirt, which rides up just a little bit when you stand up on your toes to reach the top cabinet. The lift of the shirt exposes the bottom of your underwear, though it falls back into place again just as quickly.

Now, lucky for this guy, Jason’s facing the door and does not see him checking you out in your own home. Unlucky for this guy, he has wildly misread the vibe of your relationship. Or at least your boyfriend.

“Man, how do you get anything done around here?” He jests.

Jason looks up at him, and the pizza man’s eyes tear away from your legs to meet his hard gaze. It does not take him long to realize his mistake.

“Try again.” Jason behests, arms crossed in front of him.

The pizza boy’s eyes go wide and he shakes his head, stuttering. “I—uh, I said have a good night.”

“Mhm.” He grumbles.

The pizza guy hands Jason the box with shaky hands and scuttles back down the hallway.

Thankfully, you didn’t seem to notice the exchange, but even so, your boyfriend still glowers down the hallway after him.

“Jay?”

His attention snaps back to you, demeanor changing instantly. “Yeah, baby?”

You’re sitting in your usual spot at the table, his chair empty and waiting just around the corner from you.

“Come sit.” You say, with eyes that might as well be hearts.

He gives a reassuring nod and kicks the door shut behind him.

You and Jason are sitting on the floor in his old room at the manor, your legs thrown over his. You lean up against his bed, asking him about posters on the walls and trinkets on the shelves.

His knee is propped up and your arm dangles across it, his hand in yours. He plays with your fingers and periodically leans forward to leave a kiss on them.

You’d just woken up less than an hour ago after spending the night post-gala, and it’s a peaceful, if not unusually quiet morning.

Dick shouts your name from another room, audibly booking it towards you. Yeah. That’s more like what Jason remembers.

He grumbles some annoyances, dropping his head against your intertwined hands.

Dick bursts into the room, clearly incredibly excited.

“What’s up, Dick?” You ask, calm as ever. Jason lets an unseen smile creep up, head still down.

Dick’s practically jumping up and down, “You gotta see the shit that Tim just found in the cave!” His face drops as he directs his gaze to Jason, “You’re not invited.”

“Thank God.”

Dick ignores him and grabs your wrist, yanking you up from the floor. This is one place where he differs from Jason—he’s not always quite so aware of his own strength.

His grip doesn’t hurt really, but it’s firm enough that you imagine there’ll be bruise marks there later.

“Hey.” Jason calls out, nodding his head to where Dick is holding your arm. “Ease up.”

Dick follows his gaze and immediately loosens his hold, apologizing to you before pulling you along once again (this time much more gentle).

You grin at Jason as he tugs you out the door, him returning it with an endeared smile as he watches you go.

Fuck he loves you.

Jason had a decent break from his night job for once, and was happy to let you drag him out to a bar for a little date. You’d been linked at the hip for most of the night, his hands maintaining their ever present home on your waist with yours rested on his thighs as you told him about your hectic day.

He’d usually prefer to stay in bed with you for as long as possible when he gets time off, but you’d looked so excited asking him to go out with you—he never stood a chance.

You look up into the mirror as you wash your hands, a strand of hair falling into your face as you do. You push it back behind your ear and smile to yourself, recalling the several times Jason had wordlessly done the same throughout the night as you rambled.

You make your way back to the bar, smile immediate on your face when you see your boyfriend. It gets replaced rather quickly though, when a man slides in front of you, cutting off your view of him.

“Hey there.”

You have to take a step back because of how close he decided to stand to you. He looks sober (enough) but wildly overconfident in whatevers about to happen.

"Let me buy you a drink, pretty thing."

Jason calls you pretty thing sometimes. It makes the blood rush to your cheeks and an inescapable smile creep up on your lips. When this guy says it, it makes you literally frown.

"Oh no, I'm okay, my—"

"You seem like a dirty martini kinda girl." He expertly ignores you, clearly trying and failing to make some kind of innuendo there.

Jason's sitting back against the bar, watching the interaction carefully. You still can’t see him, but he’s close and you can rest comfortable knowing he’s looking out for you.

With that reassurance, you don’t play this out quite as carefully as you would if you were alone.

"Look, I don't want a drink from you, thanks."

Apparently that was the wrong thing to say to him because his face contorts quickly to mock-disgust that you figure is really just embarrassment.

“Hey, don’t be a bitch just ‘cause—”

You try to sidestep around him, thoroughly done with this interaction, but he grabs your upper arm harshly, pulling you to an abrupt stop.

Jason stands up real quick, yanking the guy backwards by his collar before you can even process what's happening.

Now, you know that Jason is an objectively intimidating guy. There's not many people that will come face to face with that absolute unit of a man and still decide to keep on trying him. However, you tend to forget that when you're so used to your gentle giant that only ever speaks to you kindly and touches you softly.

But his intimidating status becomes very apparent when the guy spins around, looks up at Jason, and immediately takes four steps back. He actually almost bumps into you in the process, not doing anything to tame Jason’s acute distaste for this man.

"Listen to me—back the fuck off before you get hurt."

“She—”

“I don’t give a fuck. Leave.”

The guy hesitates.

“Now.” Jason adjusts his posture to stand at his staggering full height, clearly with no qualms about putting him back in his place.

That does it for him, the man stumbllng away with half-committed mumbles of “whatever” or “something something lame anyway.”

Jason watches him until he walks out the door, before turning back to you.

He delicately takes your upper arm in his hand, pulling your sleeve up to search for bruising. But as harshly as he had grabbed you, it didn’t have the time to cause a bruise before Jason intervened.

“What’d he say to you?” Jason asks, brow furrowed as he inspects your arm.

“Nothing very interesting.” He looks at you mildly.

You smile and comb his hair back from his forehead, “Don’t worry about him. I’m good.”

He lets your arm go, and exchanges it for holding the back of your head, planting a kiss on your forehead.

You take his other hand and guide him back to your seats.

“Besides,” You look over his shoulder and let out a little shocked gasp. “Guess who just walked in.”

He gives you a questioning look before his face slacks, eyes widening in realization.

“No…” And you smile so brightly it almost makes up for what's coming his way.

You redirect your smile over his shoulder and give a wave to the door. Jason swigs down the rest of his drink, hand finding your waist once again.

“Jaybird!”

Jason’s still exhausted from patrol last night but he’d insisted on going with you to the bar to meet your friends. You’d tried to convince him that it was okay to stay in and rest tonight, you’d be fine. But it was a losing battle.

You suspect it has something to do with him not liking when you go out in Gotham at night, especially when you’re drinking.

So he hangs out in the background of the buzz, with you sat in front of him, in between his legs.

You’re talking it up with Roy, who’s been making jokes about how Jason’s “moody ass” tricked you, “the ray of sunshine” into this relationship somehow.

You laugh, taking a sip of your drink. “Right, ‘cause you and Kori were in love at first sight.”

"Oh, fuck off." Roy jeers.

He doesn't say it with the cadence of a joke, but it is.

You know he's joking, he knows he's joking.

Jason, who very well may have been tuned out of the conversation up to that point, does not seem to know he's joking—or he doesn't care.

You don't need to look behind you to know that your boyfriend is in defensive mode, though the look of regret mixed with amusement on Roy's face gives a solid hint.

You hold your hand out to block Jason his path as he moves forward. He lets you stop him, though you're certain he could get past you without so much as blinking, no problem.

"Right. My bad, forgot your guard dog was here. Don't fuck off." Roy backtracks, hands up in front of him.

Jason just rolls his eyes, slouching back down. You reach behind you for his hand, giving it two squeezes. You know he’s tired, so much so that he almost punched his best friend for making a typical joke.

“Five more minutes, okay?” You say softly over your shoulder.

He nods at you blearily, and ducks his head down to rest on your back. You adjust your posture a little bit to make it more comfortable for him and continue on talking, his hand still in yours.

If he hadn’t fallen asleep so quickly, five minutes would’ve been five minutes, but instead it became something more like fifty.

He goes through patches where sleep isn’t always so welcoming, a phase he’s been in for the past couple of weeks. You’d been waking up to find the bed half empty, your boyfriend resigned to doing research on cases in an attempt to at least be productive while he’s awake.

You can’t protect him in the same ways that he protects you—you’re not a fighter or necessarily “intimidating.” But you can protect him like this, in these little ways. Letting him nap on you, making him close the case files and rest with you, holding his hand throughout the night so that when he inevitably has nightmares, he knows immediately that you’re still with him. That he’s safe.

So if he can get some much needed sleep while only costing you a stiff back tomorrow, you’ll happily take that deal as many times as he needs.

vol. II

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[xconnerxx]

Chapters: 1/1 Fandom: Young Justice (Cartoon), DC Comics Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Bart Allen/Jaime Reyes Characters: Bart Allen, Jaime Reyes, Alberto Reyes (DCU), Bianca Reyes, Milagro Reyes Additional Tags: Bluepulse Week 2023, Established Relationship, Light Angst Summary:

Bart is invited over for dinner to meet his boyfriends family for the first time.

[angele-darliing]

Made two funnygummy stuff in like two days sooooo posting both of them here.

[knightedpuppy]

big strong knights covered in blood looking at you like a feral animal. that’s the post

[kedreeva]

as a reminder to literally anyone and everyone who even so much as considers this: AO3 has NO autosave ability when you're making drafts, so PLEASE do not use it instead of a writing program.

If their server goes down, if you hit a wrong button and refresh the page or go back to the previous page, if you accidentally close the browser, if your browser or device crashes, etc etc etc you are shit out of luck. Your work is gone forever, it didn't backup to anywhere and there is NO recovery option. Even TUMBLR's drafting ability is supposed to autosave and often does.

If you want to avoid gdocs that's fine- there's other text editors with simple autosave options, like Online Notepad or Digital Scholar's notepad, or there's still local-drive writing programs that are free and open source, like LibreOffice. PLEASE do not use AO3 to write your stories into directly. It has NOTHING.

[pokeberry5]

boy hostage (spiritual successor to this)

big brother to the rescue:

[rayveneyed]

sukuna ryomen is somewhat of an infamous bachelor.

it’s not surprising to see him with a new beau every few months, if not weeks — almost trope-like in their frequency, his image bouncing between playboy and manwhore. he doesn’t take it personally, and he makes sure to let people know: he’s young and sexy and he has two oscars, for fuck’s sake, so he thinks the world can cut him some slack when he wants to mess around. and mess around he does.

between obvious paparazzi shots of panties tucked badly into his back pocket, and instagram posts with fellow actors and models pressed tightly against his chest, most are divided between thinking it’s either damn good pr, or a simple man living a life most would wish for. regardless, nobody is surprised when sukuna arrives alone at the mugler show for paris fashion week, and leaves with someone on his arm.

the only thing that came as a bolt from the blue was that it was you hanging from him.

the photos are undeniable, a story in parts; sukuna finding his seat in the front row, you on one side and kendall jenner on his other. his eyes drifting from the models to your face, as if taking a clandestine peek. you, meeting his underhanded gaze with a smile as sweet as spun sugar — and, gasp, sukuna returning it. the display is so out of character for him it feels almost voyeuristic to see it plastered all over twitter.

you, with your vintage, girl-next-door-esque image, big hair and big eyes and demure, calf-length hems, a voice that evokes the memory of helen forrest or ella fitzgerald. him, with his smudged eyeliner and tattoos and all-black attire, persistently typecasted as the panty-dropping bad-boy or devil-smiled brute. it shouldn’t work. for all intents and purposes, he should be spotted with a new supermodel the next week, leaving you in the dust of his philandering. most expect it, wait for the other boot to drop — expect an album of heartbreak from you, but—

a month passes. and another, and another. and suddenly sukuna ryomen, notorious rake, is photographed backstage at your shows. suddenly there’s an anklet hanging from your ankle, his initials in garnet. it’s early morning paparazzi pictures of you both in sweatpants and hoodies — yours, suspiciously oversized — one of his hands engulfing yours, the other holding a bag of takeout from a local breakfast spot, a lit cigarette in his mouth. hickies on your neck and a shit-eating grin on sukuna’s face. candid snaps taken at intimately sized parties, with his chin hooked over your shoulder and his large hands cupping your stomach. tiktoks of you both on the red carpet in the background of somebody else’s interview, sukuna leaning in close to brush an eyelash from your cheek.

neither of you confirm anything, but then — you don’t need to, do you?

[lazylittledragon]

you know what fuck it we’re doing dadstarion